547 - Find the Creative Voice You're Holding Back with Claire Keane

18 Mar 2026 · 1 h 8 min · 22 chapters

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In short

Creative Pep Talk Episode 547: Find the Creative Voice You're Holding Back with Claire Keane

Episode Overview In this episode, host Andy J. Pizza interviews acclaimed author-illustrator Claire Keane about her journey in discovering her unique creative voice. They discuss her new picture book, *Who Are You?*, and her experiences in the animation industry, including her work on Disney films such as *Tangled* and *Frozen*. The episode centers on themes of self-discovery, creative empowerment, and overcoming obstacles to express one's true artistic identity.

Key Themes & Takeaways

Understanding Your Creative Voice

  • The Elusive Creative Voice: Many creatives struggle to find their unique voice, often feeling influenced by industry trends rather than their authentic selves.
  • Self-Discovery Through Art: Claire emphasizes that finding one's voice is a journey. The creative process can help clarify personal identity, as seen in her work where characters reflect her own experiences and emotions.

Creative Empowerment

  • Rejecting External Validation: Many artists feel disempowered, believing they need external validation (agents, managers) to succeed. This episode encourages listeners to recognize their intrinsic value as creators.
  • Personal Experiences Shape Art: Claire discusses how personal challenges, including her divorce and subsequent self-discovery, fueled her creativity and led to more authentic artistic expressions.

Overcoming Creative Blocks

  • Navigating Creative Blocks: Both Andy and Claire share experiences with creative blocks, emphasizing the importance of persistence and self-permission to explore different styles and ideas.
  • The Power of Vulnerability: Claire shares how being vulnerable and accepting her true feelings opened up new avenues for creativity, which is mirrored in her artistic work.

The Significance of Collaboration

  • Learning to Collaborate: Claire reflects on her initial hesitation to seek help, highlighting how collaboration can enhance creativity when approached with the right mindset. She stresses the importance of being ready to share one's work only after personal satisfaction.

Notable Quotes

  • "The missing piece is your creative voice."
  • "Everything that you're going through... has some sort of meaning."
  • "Your creative voice is often tied to the things you're holding back."

Episode Structure

  1. Introduction: Andy introduces the episode's theme and Claire Keane.
  2. Discussion of Claire's Work: Insights into Claire's new book, *Who Are You?*, and her history with Disney animations.
  3. Exploring Personal Experiences: Claire shares her journey through personal struggles and how they influenced her creative work.
  4. Strategies for Overcoming Blocks: Discussion on techniques to move past creative barriers and embrace one's artistic voice.
  5. Creative Call to Adventure: Andy offers a challenge to listeners to explore what they might be holding back in their creative expression.

Resources Mentioned

  • Claire Keane's Website: [claireonacloud.com](https://www.claireonacloud.com)
  • *Who Are You?* Picture Book: [Penguin Random House](https://www.penguinrandomhouse.com/books/779600/who-are-you-by-claire-keane/)
  • Claire's Substack: [claireonacloud.substack.com](https://claireonacloud.substack.com)

Conclusion This episode combines personal storytelling and practical advice, encouraging listeners to explore their creative voices deeply. It serves as both an inspiration and a roadmap for artists in all stages of their creative journeys.

Written by AI. May contain mistakes. Listen to the episode to check what was said.

Chapters

Tap a time to open that second in VO

Finding Your Creative Voice

1:08 to 1:50

Understanding the importance of discovering your unique creative voice.

“It kind of felt like trends and things that were going on in the industry and the people around me.”

Introducing Claire Keane

1:50 to 3:47

Discussion of Claire Keane's background and her creative family legacy.

“today we have Claire Keane, the illustrator and author of the new book, Who Are You?”

Claire's Experience in France

6:27 to 7:49

Claire discusses her evolving perspective living in France as a mother.

“Cause this is your second time living in France, right?”

Journey of Self-Discovery

7:49 to 10:01

Claire shares her journey of self-discovery through working on Disney movies.

“It seems like – I wanted to talk about your latest Substack post called Love Yourself.”

Creating Through Anxiety

10:01 to 14:00

Exploring how anxiety influenced Claire's creative process and storytelling.

“Somehow I didn't know who the character of Rapunzel was.”

The Actor's Journey in Illustration

14:00 to 15:00

Explore the parallels between acting and illustration in creative expression.

“I want to dive a little bit deeper into it.”

Personal Growth Through Creative Work

15:00 to 17:40

Learn how recognizing personal struggles can enhance creative projects.

“He's a, an animator, Glenn Keane, and he designed Ariel and the beast.”

Finding Meaning in Life's Challenges

17:40 to 22:20

Discuss the importance of perceiving meaning in life experiences during tough times.

“Like she's the character that was in her tower, locked away in her tower.”

The Power of Choice in Perspective

22:20 to 25:20

Understand how choosing to find meaning can transform your outlook on life.

“But so I come across my grandmother who had passed away in the signotherapy session.”

Artistic Reflection and Resilience

25:20 to 28:00

Reflect on how personal experiences shape artistic expression and resilience.

“It also reminds me of, uh, in your post, the know yourself post, which we'll put in the show notes.”
Show all 22 chapters

The Journey of Resilience and Growth

28:00 to 35:00

Explore the transformative journey of resilience and self-discovery after a challenging personal experience.

“There's so many layers upon layers upon layers.”

Artistry and Overcoming Insecurities

37:35 to 42:07

Delve into the relationship between creativity, personal challenges, and self-worth in the artistic journey.

“because I have felt like art can be, yes, art can be an escape sometimes from, I remember as a kid, a lot of drawing was like trying not to be bored.”

Exploring the Voice Within

42:07 to 44:28

Learn about the surprising inner voice that challenges identity and career.

“Like I had this voice like asking, who are you?”

The Creative Block Journey

44:28 to 48:24

Understand the struggle of creative blocks and finding personal expression.

“And this is where it kind of goes back to what you're saying.”

Shifting Focus to Self

48:24 to 51:14

Discover how shifting focus to personal experiences can enhance creativity.

“Like, this is a lesson I have learned so many times in my books.”

The Importance of Inner Validation

51:14 to 56:00

Explore the significance of inner validation versus seeking external approval.

“but it still remains kind of very accessible.”

The Creative Process and Its Joys

56:00 to 57:20

Explore the highs and lows of the creative process and its rewards.

“And I think it's really cool to hear you share that because for those, like there was a long stretch of my creative journey where I had never experienced that yet.”

The Aesthetic of Animation and Storytelling

57:20 to 58:40

Discover how animation aesthetics influence storytelling in picture books.

“From when I first saw it, I just thought, Oh, this is, this is, it feels so, um, what I love about the aesthetic of it and your drawing, there's a bunch of stuff, but I love that it feels old and new and it feels both.”

Finding Your Creative Voice

58:40 to 1:00:40

Learn strategies for discovering and expressing your unique creative voice.

“And I mean, that can, I'm sure be daunting at times, but for the moment, it's just been kind of encouraging, kind of like pushing me out of my comfort zone to like, actually think about what is it that you want to say?”

Expressing Anger and Creative Motivation

1:00:40 to 1:03:00

Understand how anger can drive creative expression and insights.

“tangible yes you work it out in the work you're you're making you don't start yeah I don't start planning an episode when I know what I want to say.”

Lessons from a Creative Conversation

1:03:00 to 1:05:00

Reflect on the insights gained from a meaningful conversation about creativity.

“Like I had had some sort of altercation with somebody, uh, close to me and, and I, I hung up the phone and I was just like, Oh my God.”

The Creative Call to Adventure

1:05:00 to 1:09:20

Engage in an exercise to uncover your hidden creative voice and desires.

“I'm back with the creative call to adventure.”
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Transcript

Automatic transcript. May contain errors.

0:00Do you ever wish you could just step away from all the noise? Stories from the Village of Nothing Much takes you there. Each episode invites you into a cozy, soothing village where life moves gently. From the inn on the lake to the downtown bookshop, from the farmer's market to a cabin in the woods, you'll hear warm, family-friendly stories designed to help you slow down, breathe easier, and feel at home. It's a bit like a grown-up version of Mr. Rogers' Neighborhood. Gentle, thoughtful, and full of everyday magic. From the creator of the internationally beloved podcast, Nothing Much Happens, this series expands the village into a rich, ongoing world.

0:45It's not about falling asleep. It's more about comfort, calm, and the joy of a good story. If you're new, try episode 84, All Animal Edition. It's a delightful introduction to the village's gentle pace and whimsy. You can listen to stories from the village of nothing much wherever you get your podcasts. For the longest time in my creative journey, I felt like what I was making just was so surface level. It didn't really feel like me. It kind of felt like trends and things that were going on in the industry and the people around me. I didn't feel what I felt like I was supposed to feel, which was like, this is mine.

1:29This is what I want to say. This is who I am. Think that missing piece is your creative voice. I think it's actually normal and okay to feel like that at the start of your journey. You're just kind of getting into it, participating, learning the ropes and what have you. But if you're ready to have a sense, get a sense of your creative voice, this episode is for you because today we have Claire Keane, the illustrator and author of the new book, Who Are You? If you don't know Claire, I saw this book and I instantly wanted to have her on the show before I ever found out that she's kind of creative royalty.

2:10Her dad, Glenn Keane, worked on some of the biggest Disney movies from the 90s, Little Mermaid, Beauty and the Beast, huge role there. And then Claire herself has worked on the Disney movies Enchanted, Tangled, Wreck-It Ralph, and Frozen. And then her grandfather, Bill Keen, was the guy who created the comic, The Family Circus. So she has been surrounded by creativity her whole life. I had an absolute blast in this conversation. There's so many takeaways as she tells her story, insights, action items about figuring out who are you as a person, as an artist. That's the name of her children's book.

2:55But really, that's the theme that we explore. And there's some really, really powerful stuff here, including at the end, I'm going to come back and bring a creative call to adventure, something you can do with stuff from this episode. And we're calling it You're Holding Back, which came from something that Claire told me after we had the chat. And I'm going to bring a little bit of that back when this is all wrapped up. You're going to love this. And I hope to have Claire back on the show sometime. Without any further ado, here is Claire Kane.

3:47There's no one that's had a bigger impact on my productivity than writer Cal Newport, but he has a lot of books, so where should you start? I now have an answer for this question because he has a new class, Rebuild Your Focus and Reclaim Your Time on Masterclass. This class is an accessible way into his philosophy and gives you a breakdown of his approach to time blocking, which changed my schedule forever. My wife often teases me about these big chunks of my time that are just labeled deep work. That's Cal Newport. Another class I'm super interested in exploring next is Dopamine, Take Your Brain Back by Dr.

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6:10That's a full year to build your wardrobe and love it. And you will now available in Canada too. Don't keep settling for clothes that don't last. Go to quince.com slash pep talk. All one word for free shipping and 365 day returns. Quince.com slash pep talk. Cause this is your second time living in France, right? Yeah. Do you feel different this time? Do you feel like a different person this time around? Oh, 100 % different. Really? Well, this time I'm here with my two kids. And so I'm living Paris as a mom. The first time that I came, I was 16 years old and I was living Paris as a daughter and then as an art student and just discovering it.

7:00And I'm still discovering it, but I just want to show my kids everything. You're discovering it through them, kind of. Yeah. Yeah. So I'm always like, oh, this is where my friends and I used to go for a drink after school. And just kind of trying to show them all the things that I was so excited about growing up. Yeah, that makes sense. But it feels like home. Yeah, it does. Also, it helps that my parents and my brother and his family also live here, although they're moving back in a few months. But it really has made the transition feel all the more solid. Yeah. It seems like – I wanted to talk about your latest Substack post called Love Yourself.

7:58feels kind of connected to the book that you have coming out too. But knowing a little bit about where you are right now and what you've been through, it seems like that time between being in France the first time and the time being there now, it seems like a lot happened in between those two things. That's why I asked, like, do you feel like a different person coming there? Cause you've been kind of on a journey. Yeah. Yeah. Yeah. So, um, yeah. So when I moved from Paris to California in my twenties, I moved with my, um, ex-husband, my boyfriend at the time who ended up becoming my husband, who then became my ex-husband, um, and father to my kids.

8:45That's the story. That's the beginning of it.

8:51But it was, yeah, I moved back to California just thinking that it was going to be like, oh, it's just going to be good for my career just to kind of get a head start on my career because I knew that my dad had a lot of connections in Los Angeles and he was working on Tangled at the time. and so I was like oh that would just be a dream to be able to work on a on a fairy tale and so then Disney movie for people that aren't putting it together tangled oh yeah yeah yeah and so I um I was able to work on that after college and that really just it was such an amazing way to start my my life in in the working world just surrounded by really inspiring people and getting to work with my dad and working on Tangle I mean it was it was honestly like it was one when it was just talking about knowing yourself it that was such a motivator for me or like a conduit for me to understand myself better.

10:02Um, working on that movie. Yeah. Yeah. Somehow I didn't know who the character of Rapunzel was. So I, I wanted to go home and see how she could be a real person. And, and so I took this sketchbook home with me and I, I decided to just document everything I was during the day and kind of translate it into Rapunzel world. And that, that moment was a chance for me to really discover, oh, oh, I'm really kind of just laying around at home, like not doing anything, but I'm actually doing things. I'm like, I'm putting clothes away, which really didn't happen very often. But when I would do it, I was singing while I was doing it.

10:56So I'm like, okay, that's a sketch. Or me drawing Rapunzel, drawing it in bed, and then realizing, oh, okay, that's me drawing Rapunzel, who's drawing herself in bed. And it's just like this way of starting to kind of go deeper into the character of Rapunzel ended up taking me deeper into my knowledge of myself in that little comic that you're talking about, Know Yourself. or I didn't even know if it I would call it a comic it's just some sort of post um yeah I think it's kind of like a comic yeah yeah yeah I think of it that way yeah I I talk about like how I I was waking up in the middle of the night with these with these panic attacks which I didn't know at the time were panic attacks and you'd wake up screaming I'd wake up screaming yeah have you ever had that i don't know if i've had that i've i've had waking up crying a few times have you ever had that i have had that where i have tears on my pillow yeah yeah i find that fascinating it's just yeah that whole subconscious world um and what that means to us and so i ended up going to see a hypnotherapist so I could understand a little bit about what was going on in my subconscious that was only coming out at night, but not coming out during the day.

12:35Because during the day, you didn't relate to that. You said that you didn't feel like an anxious person. You didn't feel like you were having panic or anything like that. And then you would wake up with these screaming episodes and you were trying to figure out what was going on there. And you know, what's really funny is I really didn't understand that until I started drawing the comic. Like I was like, Oh yeah. I was trying to illustrate how, how unanxious I was. So I'm like drawing myself in this messy whirlwind of a mess, which is my life. Um, and it was even More so when I was in my 20s. But while I was doing it, I had all these different examples.

13:21I had one of like me leaving the house with the door open and my daughter was like, hey, wait, I was like, we just get clear. These are not examples of somebody who is not anxious. Like none of this looks like somebody is actually looks like somebody who is anxious, who has anxiety, who is just literally overwhelmed. And that came through as I was drawing that little post on Substack, which I think is, I'm just so thankful for having this gift of being able to draw and storytelling because it's a way of getting to know myself better than have I not had it. Yeah. So I love all this. I want to dive a little bit deeper into it.

14:12The thing that comes to mind for me that's been on my mind a lot lately is this thing you hear actors say sometimes, like really great actors. I've heard them say in interviews a bunch of times like that every role that they got kind of came to them at the right time. And it was allowing them to work out things that were happening in their real life. and I often think I don't feel like being an illustrator is anything like the glamour of being an actor but or the acclaim or whatever but I often think that these two roles are very very similar so you know in the same way like yeah do you know what I mean oh yeah 100 % I've always just taken my my work very much like an actor like oh I'm really going to get into the the role of the character and like live in it in my drawings yeah um my dad is an animator and he would always um refer to himself as an actor with a pencil oh really I didn't know that yeah and for people that don't know maybe just mention who your dad is and we'll we might get to this later, but you've, you've talked about him a couple of times.

15:32So maybe just tease that a little bit. Yeah. Yeah. My dad is a, is a, or he was at Disney. He's a, an animator, Glenn Keane, and he designed Ariel and the beast. And he's a little bit of a legend. Let's just say that. Yes. Okay. Well, technically he is a legend. He is a legend. Disney gave him that title. Oh, really? Yeah. he's a legend yeah um that that makes sense i but i didn't know he said that and but i feel like that i didn't it didn't really occur to me for a long time i think i started thinking about it when my kids pointed out that when i'm drawing a character that i'm often making the face that i'm drawing yeah do you do that oh yeah all the time yeah yeah i'm doing it subconsciously i don't even realize I'm doing it, but I'm like trying to, there's some kind of subconscious thing that I'm trying to emote this text or whatever it is.

16:33Yeah. And, and there's something about the pose of like having to feel it in my body in order to draw it. Um, there's something, there's something about that, some sort of, um, embodied embodiment of the character while I'm doing it. But I like this thing of, for me, this was a kind of important shift in my creative work. For a long time, I think there was just a lot of anxiety about trying to make it, trying to be good enough, trying to get jobs, trying to succeed at the jobs I was getting and all that sort of thing. And then eventually I started to see it, even the commercial stuff as a more personal thing.

17:17Like I was saying with these actors, like trying to see that I'm really drawn to this idea of, I've heard researchers call it questing where you're seeing your outside external journey as intimately connected to your inner, inner journey. and that that's kind of a that's about as spiritual as i get these days um i try not to over spiritualize stuff because i'm very like drawn to the symbolic and i can really fantasize in there so i try not to go i try not to go off the deep end but i like that vision of kind of a spiritual life of what i'm going through has a connection to who i need to become or or what i'm who you know who I want to be um and so I'm curious if you have anything else to say about like yeah um Tangled in particular um well just exactly what you said like I just Tangled in particular was was very much that just because I was able to kind of live through the the eyes of this character Rapunzel and kind of just the main, the main struggle was trying to make her relatable to, to an audience.

18:40Like she's the character that was in her tower, locked away in her tower. And so like, how do we make that like somebody that we could actually be relating to? And so that, that made sense. And so that was that, but, but I think that being able to recognize that everything that you're going through, whether that be work stuff or like things that are happening in life, that there's an actual reason why you're going through it. Like it's such a gift to be able to see it as meaningful. When I was in the middle of my divorce, it was kind of this sudden and kind of traumatic moment and and i was having a really hard time accepting it and um have you have you ever been to uh this cafe called gratitude cafe in los angeles i don't know i don't i don't think so tell me about it well so gratitude there's one in the bay area and they have a few in los angeles Anyway, so I go to this cafe.

19:56I'm like, like drowning my sorrows in like matcha latte or something. And this is during the divorce or. Yeah. Yeah. Yeah. And I've always been a pretty like optimistic person. But at this point I was just like, there's no future. Like, like nothing, nothing means anything like nihilistic. And this at the cafe, they have this thing where the waiters come and they ask you a question. And you can respond to them or you can just like keep it for yourself. It's so hippie and so Los Angeles. Yeah.

20:41But it was life changing because the question that day was, what do you believe in? and I just like well I I mean I know what I want to believe in like do I believe in God I don't know I mean I I grew up really religious and um have since kind of gone away from that and but I want to believe wait do I want to believe in God I don't I don't even know if I want to Do I? I know it. I want to believe that things are going to work out. I want to believe that my life has meaning. And so then I just sat there and I like really, really thought to the very end of it and thought about all the times that I believed that.

21:37That my life, what I was going through had meaning and thinking about this moment. Okay, if I think about my life as having meaning right now, then I search for the meaning and I find that meaning. And if I don't, if I decide that life doesn't have meaning, then everything I'm going through right now is just happenstance and, you know, just get through it. And there is no meaning. And so then I realize, oh, this is just a choice. this is a choice that I can make like that my life has meaning and everything that I'm doing has some sort of meaning to where I'm supposed to be and and the greater good of at least my life hopefully the world too but um and that just turned everything around and and I haven't looked back like oh no it's a choice I can choose to have meaning or I can choose to not have meaning And that was very much also kind of like hearkening back to that know yourself post that when I went in that hypnotherapy session, I'm like recounting it for people who haven't seen it.

22:51But so I come across my grandmother who had passed away in the signotherapy session. And and I'm like trying to see why I'm having these like. Nocturnal panic attacks. And she just kind of says, oh, don't worry so much. I'm like, God, what kind of advice is that? I didn't think about that. That's a great, great idea. Really? that's what my subconscious has to say to me um and so profound yeah profound and but then i am in front of this really dark scary forest and i feel the fear and anxiety and and so then i take her advice and i take one foot in front of the other and go through the the forest and as I do all of the shadows just illuminate and I realize inside the shadows are these gorgeous jewels and the forest is filled with jewels but only visible as I walk through it and um and so when I that day at a gratitude cafe when they were asking about what I believe in it I went back to that image like no I want to believe in those jewels I do believe in those jewels in the darkness that that's very powerful and uh thanks for sharing that it's like I really loved it I also was thinking that this waiter is asking you that question and then you're doing all of this stuff in your head and they're like, and are you going to order anything?

24:47Sorry, I just triggered an existential crisis. It's amazing. And I remember just sitting at, like I ended up finishing the meal, thinking about it throughout the whole meal, ended up going to my car and sitting at, in my, at the driving, at the steering wheel just like, wait a second, just sitting in the, in the parking lot for maybe like an hour and a half thinking about this and coming to this conclusion very logically. And I'm not a very logical person, but this was very much like, if you do this, this, this, this, there it is. I love that. It also reminds me of, uh, in your post, the know yourself post, which we'll put in the show notes.

25:35You're telling this story of kind of being, by the way, no judgment, I'm a very messy person. I'm super ADHD, very chaotic. So I very much relate, but you show like this very like messy studio and life and all this, and you're kind of oblivious to all this stuff happening. Then you're having these episodes at night where you're waking up screaming. Then you go to the hypnotherapist and you're trying to work out what's going on there. You see that giant dark forest and decide to walk in it and you see all these shining gems. And it really reminds me of, I don't know how, if you're in touch with like Jungian psychology, but that's one of the, that lines up right with what he says about the shadow is where the gold is like you have to go in there and and i think it's perfectly illustrated by what you said around um you get to choose to walk in there and look for that stuff or not and i think i totally i totally relate to it's for me it's kind of a way of thinking about life as a story and seeing that these conflicts that are in my path i can choose to try to avoid them or if i if i engage in kind of a story lens, I can assume that this conflict is there to change me in the way that I need to be changed.

27:00Yeah. Yeah. Yeah. So that I, I find that, uh, really profound that whole. Yeah. And take the, take the wisdom that all of these events that happen in our lives, take the wisdom and use it for something meaningful because, because you believe that there's something meaningful in it. Yeah. I love that. It also reminds me a little bit of Tangled, of her having to really like liberate herself out of this scenario and it being, going into the dark woods and everything feeling very, very overwhelming and scary. And then really finding life there. There's a lot of parallels. Yeah, there are. It's interesting.

27:46There are. And also at the very end where she recognizes herself within her art and realizing that she had been drawing herself within all of these murals that she had painted. There's so many layers upon layers upon layers. Do you feel like having gone through that, if you think back to when you were in France the first time to when you're there now and you've gone through all of this stuff that really seems like it nearly broke you do you feel like what do you feel like you gained from that experience what do you feel like you've brought into where you are now from all that as an artist and as a person even hmm that's such a big answer like to put it to put it into something cohesive that I could say I would say something about resilience I feel like uh I think the most difficult part was packing all those boxes the 15 years in my house and and doing it alone like that's something that I would have normally had my ex-husband like doing with me and bills and stuff like that or like building furniture like those type of things in that little in those sketches I put like putting up the Christmas lights for me that was like such a huge thing being able to put up the Christmas lights by myself I was like oh oh my gosh, I am a free woman.

29:32Like I am capable. Um, uh, so that, uh, something about, something about being able to find my own, uh, my own strength, despite feeling so weak. And then creatively, I felt so inspired during that time. Like, inspired in a way that I hadn't been before. Like everything up till then had been like four specific projects. Suddenly I was inspired for my, for my life and wanted to start making something much more personal. And, And it's actually been a while that I've been wanting to start doing like a graphic memoir. And it wasn't until just the Know Yourself post, it came out of nowhere. I was actually writing a different post about traditional medium and the undo button and stuff like that, which I'm still trying to figure out how to write.

30:50But I was writing it and then I was just doing a little side blurb about my, what do you call those? The book plates that I was signing that I had written Know Yourself. I was like, oh, and I'm going to be signing these Know Yourself book plates. And I just, as soon as I typed out Know Yourself, I'm like, why? why why know yourself like what is it about this idea that does tie into who are you my latest book that makes me that just fascinates me to no end like what is it and that's when when I started thinking about oh it was when I went to the hypnotherapist which really was because of the the panic attacks which I didn't really know were panic attacks and uh and so I thought that it was just gonna take like two days of sketching and then two weeks later I was like doing all these drawings and and not sleeping and like I don't know why I'm doing this but I love it I love it and I miss it like I want to have another project that like pulls me like that it sounds like uh that journey gave you identity, helped you know yourself both as a person and what you were capable of and that you were a full person.

32:20And then also identity as a creative person where your authorship was kind of born. I think in my, in my path, and it seems to be the case for a lot of creative people, the thing that pulls you into the kind of art that you want to make, a lot of it's like aesthetic or the scene or your, the surface of it's just cool. And you just, you know, rich and you want to be part of that. You want to be that kind of thing. And then hopefully at some point you go through something that gives you something to say where it's not, where like, I've even seen people get frustrated where they lose. They're like, I'm just not passionate about drawing anymore.

33:06I just want to write or whatever it is. And I always think, well, you've built this skill of drawing. Let that be a skill and then have the passion be like, I want to say something. And then use that skill. It seems like that's kind of what happened. Do you feel like there was any other way to unlock that other than going through this stuff? Or was it just that?

33:36I, I don't think, I think so, but I don't think I would have ever dared to go through it. Right. Like, I think had I, um, well, it's getting like really personal, but like, feel free to share whatever you want, but you know, also you don't have to spill everything if you don't. Just thinking about it because it was so much about the divorce. And I think that had I had I made the decision to.

34:08To get out of the marriage prior to it blowing up. I think I could have ended up going through some sort of similar journey, but I don't think that I was strong enough. I don't think that I had the wherewithal. The wherewithal, like, I mean, as soon as I would have been faced with putting up the Christmas lights by myself, I would have been like, no, I'm out. Like, let's stay together. That's so funny. Like, oh, you love me? No, I just need somebody to put these damn Christmas lights up. Exactly. That's so funny.

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37:51It's almost like a disassociation or, you know, trying to escape or something. But I also feel like the way you're describing it feels kind of like what I think they're getting at when they're calling, when you're thinking about your thinking, like a metacognition where you're being an observer of your life and kind of working through it. And I feel I'm inspired by what you said, where as you're going through hard stuff, there can be a secret artist part of you. That's like, this is unlocking stuff for me creatively. This is material. There's something. And, you know, you can't always feel like that.

38:32Sure, there are definitely tragedies where you're not going to feel like that. But through your everyday, all the things that are difficult and the ways that you're being stretched. um it does have the potential I do remember feeling like at the darkest darkest parts I remember just feeling such gratitude like wow I get to live this like like I never thought that I would and uh and I guess it's just something about like being human about like the gratitude to be, to feel, to feel life so deeply, to have lived such high highs and now I get to live the lowest of lows. And that's such a beautiful gift, even though it's stark.

39:28Yeah, that's a good mindset when you can access it. The other thing that comes to mind is something that I wish I could have told my younger self was collaborating or delegating or working with other people, partnering. I think it can be rooted in, oh, I don't prefer to do this stuff or I don't like doing this stuff or I'm not the best at doing this stuff. But I think for a long time in my 20s, I was giving away so much agency and power and opening myself up to being exploited because I just didn't believe I could do things. And so, yeah, that can be true in Christmas lights and things at home and all that kind of stuff.

40:15But it's definitely true for lots and lots of artists. I think it's why we see this story. And how did that relate to you letting yourself get exploited? It could look like when I started this podcast 10 years ago, and I was very overwhelmed by the microphones and the editing and the scripting and just so many things. I just felt incapable in so many ways that I almost gave 50 % of it to somebody else. Like, hey, can you just come in and join me on this? Because I don't know what I'm doing. and you look confident. And I did that. I've done that 10 times in my career because I'm like, I can't do this thing.

40:58I can't do the math. I can't do the thing. I, you know, whatever it is. And I feel like we just see so many artists, you know, the classic stories are the musicians that didn't realize their manager was taking 80 % of their money or whatever it is. Like, I just think that what you're, the story you're telling just reminds me of having to learn the hard way a bunch of times that I'm capable of doing it. If I'm going to delegate it, if I'm going to partner, if I'm going to collaborate, it needs to be fair, even, and I need to understand it's not because I couldn't do this. It's because this is a, this is better.

41:34This is, you know, if, if we make this deal appropriate, yeah, someone else is bringing something and there's an exchange and there's reciprocity and it's not just me like, Oh, thank you. I'll give it all to you. Cause you're the I have no idea what I'm doing. Yeah. I don't know if that relates to this. One hundred percent. Yeah. Well, yeah, actually, it actually relates very much to my my book. Who are you? I had had this idea to do the book, which came to me also one morning. Like I had this voice like asking, who are you? And I was so surprised. And it was, was that audible voice? It was an audible voice.

42:18That is so freaky. It was so magic. Yeah. And, uh, yeah. And I had just like spent like the past few days doing some sort of publicity thing for a book that was coming out where I was introducing myself. And so I was like, wait, why, why this voice asking who I am? I literally just did like a whole video about it. And then I realized, okay, well, clearly like my career is not who I am. I like the idea of you telling the voice, watch the video. I just literally explained it. It should be very clear. But I knew that it was, the voice came and the, it was also a children's book. Like it was like, who are you?

43:06Children's book. Okay. I understand that. I understand that this is an idea for a children's book. I have to make it work. And this is where that like idea of like, these things have meaning. And so I believed in it and I believed in it. And even through some, a very long period of time where I was completely stuck on it. So I basically kind of came out, came up with this, this idea for the text. And somehow, like, I don't know why I wasn't thinking to, I was describing myself in very vague terms, like, I am this and I am that, but I'm like, nothing, you know, like, like, basically undefinable.

43:51And that's what the idea of the book was. And that was it. And I used this metaphor of this girl on a boat. And she was going out into sea. And for me, it was like a metaphor for me. But I was like, but why is she on a boat? I don't even, I'm not a boat person. And it kind of kept bugging me that I'm making this book called Who Are You? And I'm answering the question, who are you with this story about a girl on a boat? And I'm not a boat person. But I liked the text that I had written. And this is where it kind of goes back to what you're saying. I was having a hard time taking it to the next step.

44:36And I thought that I really needed somebody to come in and help me figure it out. And so I did. I showed it to someone whose opinion I really, really admired. And she had like some really great notes and was like, oh, yeah, this is good. After that, then it was like done deal. That text, that's what I was going to be using. But I hadn't really started doing any sketches yet. And for a year and a half, all I could draw was circles, like literally could not draw. and so I started trying to like okay I'm gonna go in my office and draw okay no I'm gonna go draw in my kitchen no I'm gonna go draw at the cafe I'm gonna go drive the beach and so then finally like after a year and a half I drove all the way down to Malibu I was like I just gotta get out I'm gonna find my drawings out there and I get to Malibu and I can't draw and so I'm like I seriously like I'm sweating tears I'm just like ah and I can't I can't get past this huge block and I mean I've gone through so many creative blocks but this one was so frustrating because I believed in it so much and I was like but the voice I mean it was there and I like ah maybe maybe maybe this is all for nothing I was like no no no just keep going but at this point I was like I can't even do a drawing and so I was like Claire just back up back up forget about the book just draw just do any sort of drawing that like you want to do and I was sitting in there and there was this little tree and I was like okay I just want to draw that tree and then I drew it and then I put a little girl in the tree I was like oh it reminded me of when I was kid and I would go climb the oak trees in my backyard.

46:41I was like, oh, and it was like this little whisper of a voice. I was like, what if you did it like that? What if you did you? What if you actually answered this with you? Forget the boat, Claire. Exactly. I was like, but wait, I don't understand how a tree fits with a boat. by the way there's no boat in the book just so people know where it ends up yeah i was like my hands were sweating i was like so nervous about this i'm a cleric don't worry about it you can go back to the boat idea you love this boat idea so you can go back to the boat idea if this doesn't work out just like take a little parentheses and like draw yourself in the 80s and the 90s and like and so then I started drying myself like listening to Debbie Gibson and like with my girlfriends like oh I want to live in that world and then I remembered like the the dry arid canyons that I grew up in I was like oh I want to I want to be in that world and so then well what if I changed this text and then suddenly everything came out and it was a it was something else.

47:59And when it became about me, it suddenly took on this other meaning that I hadn't understood when I was just working it out through text. And it really started becoming about presence, about all of the moments that I'm living make up who I am. Not just the big moments, not like the really dramatic moments but just like the small moments where I'm like just sitting and smelling the air outside whether that be in the canyons or here in Paris like that's my life and that's who I am and that's such a gift of of having my five senses than the book took on a whole other journey. But I think about that.

48:54Like, this is a lesson I have learned so many times in my books. Like, do not bring any, do not show your work to anyone until you have done a drawing and feel good about it. Don't just try to bring on somebody to collaborate with you because you're stuck. Like figure it out so that you can bring somebody else on to make it even better. But what you're stuck on is something that you're going to stay stuck on because you have to figure it out. I've experienced that exactly. I do think it's very easy to want to outsource the experience, outsource going through the thing. And I'm wondering if you could zoom into what you think you did and maybe learned when you were in Malibu.

49:52I don't know if it happened there where you let yourself draw what you wanted to draw. What was the inner – I'm very fascinated by – I've had those moments so many times. so many times and it's so annoying when it happens because you're like, I already know this. I already know to let this thing happen. But I've been really, I'm very interested in trying to step back and look at what really did happen. What was I trying to do that was getting in the way? and then what did I allow that allowed for it to kind of take shape? Do you have a sense of what was in the way of why were you drawing circles?

50:41Why were you stuck on the boat? What was it about that that was keeping you caught up? I think it was something about trying to do something that would please everybody. that making it about myself would have been just too specific. And ultimately, I mean, when you look at the book, I mean, the book is pretty general. I mean, I mean, I drew the character as myself, but it still remains kind of very accessible. Yeah. It feels like, yeah. Yeah. And I think that it was just that it was like, just kind of a fear of of messing up I guess and but then when I was able to make it about something that I actually cared about I mean seriously like thinking about me listening to Debbie Gibson in the in the dry grass of Santa Clarita I was just like oh I want to go back to that that's so good and yeah i could spend so much time just i could spend the next few months drawing that space i love that going back to the acting thing it reminds me of kind of create like i've heard writers talk about oh i wrote that because i wanted to film in that location i I wanted to go be there.

52:22And it sounds like almost exactly what you did. You're like, you know what? I want to be there. So let's just draw and let's be there. And I think it's really, there's, to me, it's, I wrote down inner validation. There is this thing. I completely relate to you. I don't know if this is everybody's struggle. I don't, it might be some people more than others, but I do think the thing that gets in my way a lot is I want to draw something or write something that somebody else will be like, yes, you're, you did it. I have such a drive for me, you know, especially people that have made things that you love and respect.

53:01There is this, it's this weird thing because if I try to go for that, if I'm trying to make something that's going to get their praise or validation, I get lost. And yet if I try to figure out like, where do I want to spend my time? Where do I want to ruminate and sit in and, and like what sounds fun to draw? What, like if I allow myself to do that, then sometimes I do get that validation from people I respect. Like there, there are times where I've had, you know, picture book, but then it's secondary. It's secondary. And, and actually it doesn't matter. Like that's the thing that's so interesting.

53:41I love what you said about like Like work on it until you are jazzed about it. That's how I would say it. And what I've realized then is sometimes the big, there's another trap that comes in where, and it's, I'm okay with this trap. It feels like a more mature trap than I used to get into, which is that block of other people's validation, which is once I like it, I don't even feel that much hang up to, to get it out there, to like push it. I don't feel like there's lots of stories that I've written that will never see the light of day because I'm just like, oh, I like that. I'm like done. That's such a great feeling.

54:21I wish I had more of that feeling. Like, I want that. I want that. No, like I'm not there. Like when I've done something that I like, I want literally everybody to see it. And I feel that too. I totally, I totally feel that. I just feel I'm grateful that it was such a long journey for me to get to a place where I'm just satisfied with something I made that it feels nice to highlight that sometimes I'm just like, yeah, it does it for me. I don't know. Yeah. Yeah. And, and it really is about the journey, like making this book, like, except for that first year and a half where I was not able to do anything, but once, once I cracked it, I just like, ah, I don't want to finish this.

55:08I just want this to go on forever. That is the feeling. I completely, I don't always feel like that, but when I do, I'm like, I'm doing it. Like this is, I want to just do this. This is, uh, that's, that's so good. Yeah. And that's how I felt last week when I was doing those drawings for the know yourself post. I just like, wait, how do I make this? I mean, it was also like every day that went by, I felt like I was late because I had told myself I was going to do it. I was going to post it like a week before. So I was late. So I wasn't sleeping. I wasn't eating. Like the house was a wreck. The kids were like, mom, we're hungry.

55:44I'm like, go get yourself some food for two weeks straight. but uh but i loved it like i loved every single second of it i'm like i want my life to be like this i'm like wait but no you don't because you want to live your life too but i i miss like i just miss that like having something to say and like trying to get to get get to the end of getting it out there it's just such a wonderful gift to have those ideas when they come because I don't feel like they come all the time. Yeah. And I think it's really cool to hear you share that because for those, like there was a long stretch of my creative journey where I had never experienced that yet.

56:30I hadn't really fully felt that. And so it's good to hear someone say it. If you haven't experienced that, to be like that, if you keep going, that could be on the horizon. Like you can get into these moments where you're just like, you are just loving the creative process. And then if you have experienced it, it can be a good reminder to be like, remember to allow yourself to create what you want to create because that's the goal to be like, Oh, I'm just, I just want to be doing this. I just want to be wrestling with this and working with this. Um, it's cause it's really easy for me to forget that that exists sometimes.

57:08Yeah. And that's where I started getting back in that block. You have the bills to pay and you got deadlines and kids to feed. Yeah. Yeah. Yeah. Yeah. Totally. Well, that the book is gorgeous. From when I first saw it, I just thought, Oh, this is, this is, it feels so, um, what I love about the aesthetic of it and your drawing, there's a bunch of stuff, but I love that it feels old and new and it feels both. It captures something about something about the life of animation, um, like storyboarding and that sort of thing that you don't see in final animation, but translated into final picture, picture book art that feels like a picture book.

57:56So it's doing a lot of these different things that I hadn't really seen before. Um, and then also this incredible drawing mixed with illustrative lettering. It's, It's so good. Thank you. Thank you. I love that it can be appreciated. How, where can, where can people follow you? Um, is Substack the best place? Um, Substack, uh, Instagram. I'm, I'm loving Substack right now. I mean, honestly, like, I just feel like once I got onto Substack, I just started getting so much more inspiration. I feel that too. I guess because really? Yeah. Because I feel like, oh, now I have like subscribers and we're expecting something from me.

58:41And I mean, that can, I'm sure be daunting at times, but for the moment, it's just been kind of encouraging, kind of like pushing me out of my comfort zone to like, actually think about what is it that you want to say? Yeah. Uh, which is your audience that you're a great question for me. I don't think it's, uh, every artist's question, like their prompt. Like, I don't think everybody resonates with that, but for me, that's my number one question. Sometimes if I'm thinking about what to write, what to make a podcast about, whatever, I'll kind of like, it's almost like a mantra for me. I'm like, what do I want to say?

59:17What do you want to say? And I just kind of like, that is the creative question for me. How do you find it? I think I, I, some, so, you know, you were talking about earlier, like, when you're working on something and you're wrestling with it and you're trying, you're really the whole creative process is for me asking that question. I'm trying to get to what am I trying to say? Yeah. And especially as someone who, like, I heard you say that you didn't learn to speak for the first four years. You were like drawing, not talking, right? mm-hmm yeah so as where did you see that i heard you on an interview as i was kind of doing prep talk about that and i thought yeah this is like for people that are visual or or even just abstract in a creative way uh getting to the point is sometimes hard like getting to like i don't know oh it's like an impression i don't know what i'm trying to say so so much of the creative work that's what it like when I'm working on a podcast or a picture book or something the moment where it really kind of clicks is like oh that's that's what's bringing me to this that's why I'm but it's all the creative work like all the kind of like messy creative work leading up to making something tangible yes you work it out in the work you're you're making you don't start yeah I don't start planning an episode when I know what I want to say.

1:00:52You know, I start working on an episode and I start trying to say it in a bunch of different ways or, you know, attacking a bunch of, I've heard creative researchers talk about it, like playing with the problem. And it's this, it's this feeling kind of reminds me of maybe what you were talking about earlier, where jumping to the boat thing or jumping to whatever you think it should be. For me, that's like an anxiety of, I might not get the idea. So I better just latch onto something. I better just hold because I got, because I might not ever find anything good. So I better just go with what I've got.

1:01:29Um, and so playing with the problem is a self-trust where you're like, okay, I have this thing in my back pocket. I could explore that. Maybe I'll work on that more, but then also let's try this version and let's throw a scrap it and go this version. And, and there's something about that where I get closer to, oh, this is what I'm trying to say. Oh, that makes me want to kind of just kind of jump in there and start coming up with what is the next thing I want to say before knowing what I want to say. Yeah. And sometimes it comes in like an image, like you said, like the girl in the tree. I think sometimes there's, for me, it can happen either way where it's like, here's an image and I don't really know or a symbol or something I want to like, um, that's reoccurring in my life or I'm drawn to or whatever.

1:02:20And I'm like going to work with it until I figure out, Oh, it's kind of, maybe it's kind of about this, or this kind of reminds me of, it's like an ink blot test or I'm like, Oh, it's kind of, maybe that relates to this thing that I'm experiencing. And then sometimes it's like, it shows up. I've heard Ryan Johnson, the filmmaker say, it shows up as anger. We're like, I'm angry, which is like a bubbling up of a thing that I'm like holding in. I want to say something and I'm holding it in. Yeah. Yeah. That, yeah. That happened. That happened to me recently. Oh really? Yeah. Yeah. And, and I think that, that post know yourself has come out, come out of that.

1:03:00Like I had had some sort of altercation with somebody, uh, close to me and, and I, I hung up the phone and I was just like, Oh my God. Well, if he's not going to keep his opinions to himself, then I'm not going to keep mine. And then I realized, wait a second, I've been keeping my opinions to myself to protect somebody else. And, um, why? Like I can actually like say, I have something to say. Yeah. And I can, I can do this. And I recognize like when people, you talk about anger as like, like that's the motivation to actually do something creative. I realized, oh, that's what it is. And it really launched me.

1:03:52So the longest time that, you know, when I was younger, it didn't, I didn't, if I heard anybody say that, it didn't make sense to me. And it wasn't until later I realized, oh, anger is literally this, this, this steam that's rising from something that I'm holding, trying to repress or hold in. Yeah. And that that's a great, that's, you ask, what are you angry about? like, Oh, it's this thing. And your work then doesn't have to be angry. It's like, Oh, I just want to express this thing. You know, it's just something that I've been like, yeah, it's more me angry with myself for having stopped myself from expressing how I actually, what I actually think about this or that.

1:04:34Absolutely. All right. Uh, I had an absolute blast chatting with you. I love what you said about all this chat, just making you want to go jump in and wrestle with a new thing. That's exactly where we want to leave people. So that's so perfect. This was so fun chatting with you. Really great to get to know your world. I hope that in the future, when you have new stuff coming out, we can talk again. Yeah, yeah, for sure. Yeah, that's been really fun.

1:05:19I'm back with the creative call to adventure. It's called you're holding back. This is inspired by something. Sometimes when we throw off the recording of a conversation, it, we end up having some juicy takes afterwards that I sometimes wish like, Oh, I wish that was on the tape. And that happened this time. Claire and I were talking about, she was telling me that I had to go watch the movie Hamnet, which I've heard a lot about and it's on my list to watch. And she was saying, oh, it just really relates to all the stuff we're talking about. And she was talking about the filmmaker accepting an award and saying that this movie was really a lesson in having the vulnerability to be seen as an artist and that that's what it's all about.

1:06:02And she was talking about how we were talking about anger as a clue to what you might be wanting to say. It's something bubbling up from the surface. She said she realized that her Substack post came from a conversation with somebody and she got off the phone and she realized like, oh, there's all these things I wish I could have said or I should have said, and I've been holding back. And I didn't even realize I was holding back. And it really resonated with me too, because a lot of the work that I do, the podcast, the stories that I tell, a lot of them come from leaving a conversation and thinking, you know what I really wish I could have said to that person?

1:06:42This thing. And then I'll turn that into an episode. Hopefully obscure it plenty so that doesn't feel like subtweeting or something, but is art kind of a subtweeting thing? Maybe even with yourself of this is what's really going on with me. This is what you're really ignoring. This is your creative call to adventure today. It's called You're Holding Back. My challenge to you is to do this exercise I did a couple months ago, I was pretending to do an open mic for a comedy night, a standup open mic. And I was thinking about what could I get up there and say that would be a good opener. That would be as this most shocking thing I could say that would kind of acknowledge what they were seeing, what they thought they were seeing in this person that I am.

1:07:30And, and then also what I really think. I started getting into, it was an interesting exercise about who am I, who do people think I am, then who do I think I am. I ended up writing this whole thing about toxic masculinity, which is just a huge theme for me in my life. Um, I really feel, I really feel that it's incredibly important to embrace your masculinity and femininity and everything that transcends all of that. And I've always felt that way ever since I was a kid, I always thought this was a funny thing to play with and, and how threatened macho people seem to be by that. And it's always just been interesting and funny to me.

1:08:14So I'm not going to go into what I wrote in there because the point of this exercise is to create a little journal entry or a piece of paper and draw and write whatever you are holding back. Anything, the thing especially that you feel like you can't say or shouldn't say or would be afraid if people knew that you thought or be afraid if you let yourself know that you are thinking about that. And the thing that you really want to express, the thing that's frustrated, that thing that you're holding back, that is your creative voice. Now you don't, you can choose what to do with this afterwards. You can burn the piece of paper.

1:08:53You can delete the thing from your phone. You don't have to make it into your art, but it may give you a clue about what you want to explore. And so I probably will never do anything with that open mic thing. Not because I don't really believe it. I do really believe the things I wrote. I just don't think there's a bunch of, I mean, I'm not a standup comedian. There's so many reasons why I won't maybe directly use that, but it did give me this hint of like, oh, toxic masculinity. That's a thing that has always been something that drives me insane before they even had that phrase. I loved teasing it and messing with that idea.

1:09:31This is the challenge. You ask yourself if you had, if you could say anything to a open room and have no repercussions or erase it from history, if you could write anything on a piece of paper that you've just been desperate to get out, what would you write? That frustration, that holding back may be a clue to what your creative voice is and what you want to say. So I hope that you find that inspiring. Massive, massive thanks Thanks to Claire Keen for taking the time. Had a blast. Could have talked to her for a lot longer. Hopefully she'll come back someday. Go check out her book, Who Are You?

1:10:11And also check out her sub stack. The links are in the show notes. Massive thanks to Sophie Miller, of course, for being an editor and producer on the show. Thanks to Connor Jones of Pending Beautiful for audio edits, video edits, sound design, animation. and thanks to Yoni Wolf for our theme music and soundtrack. And until we speak again, stay pepped up.

1:11:22Sometimes it feels like red and blue states are just as divergent as post-World War II East and West Germany. So what can the U.S. learn from German political history in order to create a more perfect union? Find out on the new season of The Future of Our Former Democracy, the Signal Award-winning podcast from more equitable democracy and large media, hosted by me, Colin Cole, and Heather Villanueva. It's time to rethink democracy, so follow The Future of Our Former Democracy wherever you get your podcasts.

From the publisher

Pre-Order My New Book “Mysterious Things” and Help Us Spread the Word: invisiblethings.co

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This episode is for you if:

1 - You have had a hard time tapping into your unique creative voice.

2 - You feel disempowered as a creative and feel like you need agents, managers, or talent scouts to succeed.

3 - You need help clearing out the noise in your brain and hearing your creative voice again.

This is a chat with phenomenal author-illustrator Claire Keane! We chat about her new gorgeous picture book “Who Are You” and her visual development art for movies like “Tangled” and “Frozen”.

This was a magical chat and I can’t wait for you to listen!

SHOW NOTES:

Claire Keanehttps://www.claireonacloud.comClaire Keane’s Substackhttps://claireonacloud.substack.com”Who Are You” Picture Bookhttps://www.penguinrandomhouse.com/books/779600/who-are-you-by-claire-keane/Know Yourself Substack Posthttps://claireonacloud.substack.com/p/know-yourselfupdatedHamnethttps://en.wikipedia.org/wiki/Hamnet_(film)Glen Keanehttps://en.wikipedia.org/wiki/Glen_KeaneBil Keanehttps://en.wikipedia.org/wiki/Bil_Keane

Producer / Editor: Sophie Miller http://sophiemiller.coAudio Editing / Sound Design: Conner Jones http://pendingbeautiful.coSoundtrack / Theme Song: Yoni Wolf / WHY? http://whywithaquestionmark.comSpotify Playlist of WHY? Songs Used on This Podcast: https://open.spotify.com/playlist/4ZIE7PHG5I1Ddg1BuVGRzj?si=4x_BzDZjQgqSpoaLXdVACg&pi=h4HsIKG0SP6Kg

SPONSORS:SQUARESPACEHead to https://www.squarespace.com/PEPTALK to save 10% off your first purchase of a website or domain using code PEPTALK
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