In short
Q1 2026 D2C/Meta performance creative debrief covering AI animation, attribution changes, “creative gap” brands miss (especially self-messaging), and scaling via creative volume + forecasting. They also recap ad-account structural basics and how to avoid the “one-day view trap.”
Guests
No guest names are provided in the transcript; it’s a two-host conversation (DTC Diaries). Backgrounds mentioned: strategists and creative/performance team members; one strategist (Caden) is cited for manual Pinterest research; the hosts run DTC creative strategy and ad account audits, and have an AI videographer and tools integrated (Meta API, Gemini, Claude, Lens by Foreplay).
Key claims
Manual ICP research still beats pure automation; self/“ought self” messaging is frequently missing and unlocks TAM; AI animation styles (Pixar-like characters, claymation, claim overlays) are scaling well; volume forecasting matters more than chasing higher hit-rate; attribution windows and exclusions are often misconfigured, inflating lower-funnel reporting.
Notable examples
Pinterest-found journaling “ought self” ad that became a top spender in 14 days; period product shifting targeting from women to boyfriends; GLP1 “fake doctor pages” scaling story; founder PR headline statics expanded into third-party educational pages (Club Nuro); Meta attribution change to link-click + “engaged through”; incremental attribution setup improving new-visitor share.
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Chapters
Tap a time to open that second in VORecent Activities and Office Move
0:45 to 2:20
The hosts share their recent activities, including moving offices and hosting events.
“Yeah, since we've last been together filming, probably, yeah, in the range of one and a half to two thousand more ads.”
AI Advancements and Book Recommendations
3:19 to 6:40
Discussion on recent AI developments and insights from notable books.
“So a lot of that, which we'll get into in a moment, we're actually going to do an episode going through that a little bit more depth.”
The Importance of Team Players
6:40 to 9:20
Exploration of team dynamics and identifying A, B, and C players in business.
“But he writes a blog called A Smart Bear, named after a company that he started prior to that last one.”
Creative Process and Customer Understanding
9:20 to 13:10
Insights into how brands can better understand their customers through research.
“and actually like asking those questions.”
Case Study: Effective Creative Strategies
13:10 to 14:02
A case study on how manual research led to successful creative strategies.
“Because if you're working with AI as well, you've got to remember you're the point of QC.”
Harnessing Ought Self Messaging in Creative
14:02 to 18:07
Explore how using 'ought self' messaging can significantly enhance marketing effectiveness.
“And essentially what it does is it's someone talking in ought self.”
Maximizing Target Audience Through Messaging
18:07 to 20:40
Learn how to widen your target audience by addressing purchasing power shifts in messaging.
The Rise of AI Animation in Ads
20:40 to 23:48
Discover the potential of AI animation in advertising and its appeal to different demographics.
Innovative Marketing Tactics and Trends
23:48 to 27:30
Examine innovative marketing tactics, including the use of fake pages and persona strategies.
“And there's a way, I think there's some brand pushback on these at times, but there's a way to find, you can find a way to do it that aligns with brand if you're creative enough to find that solution.”
Leveraging Founder PR for Better Engagement
27:30 to 28:00
Understand how founder PR style headlines can drive engagement and conversions in ads.
Show all 25 chapters
Innovative Advertising Strategies with Founders
28:00 to 30:00
Learn how creative ad strategies featuring founders can drive engagement.
The Rise of Native UGC on TikTok
30:00 to 31:40
Discover how raw, native user-generated content is outperforming scripted ads.
Leveraging TikTok for Brand Growth
31:40 to 33:40
Understand how to utilize TikTok creators for expanding brand reach and engagement.
“And I think there's obviously the direct revenue benefit on TikTok Shop, but there's a really big opportunity.”
Creative Volume vs. Quality in Advertising
33:40 to 36:00
Explore the balance between creative volume and quality to enhance ad effectiveness.
“We saved multiple six figures in Q4 by changing the way that we make ad creative.”
Forecasting Ad Spend and Asset Volume
36:00 to 41:20
Learn how to forecast ad spending and necessary asset volume for effective campaigns.
“Yeah, I think you want to keep it towards like 10 % to 15%.”
Ensuring Structural Basics in Ad Accounts
41:20 to 42:00
Find out the importance of maintaining structural basics in advertising accounts.
Ad Account Audits: Structural Basics
42:00 to 43:50
Learn about the importance of conducting regular audits on ad accounts for optimal performance.
“We wanted to get another episode in after this.”
Attribution Windows and Their Impact
43:50 to 46:00
Understand how different attribution windows affect ad performance and spend.
“Obviously, then you've got testing below that.”
Meta's Attribution Changes: What You Need to Know
46:00 to 48:50
Discover the recent changes to Meta's attribution definitions and their implications for advertisers.
Testing and Incrementality with Meta Ads
48:50 to 51:20
Learn how to leverage new features in Meta for improved incremental customer acquisition.
“source like triple whale since that rollout and we've been introducing that engaged through um as our primary attribution source.”
Transforming Advertising Approaches for Better Outcomes
51:20 to 54:20
Explore strategies for shifting advertising focus from lower to upper funnel to drive better results.
Creative Testing and Offer Positioning
54:20 to 56:00
Discover the nuances of creative testing and the importance of positioning offers effectively.
“So yeah, try to build a bit of a playbook to get out of that situation, which me and Sam have been discussing.”
Understanding Offer Positioning and Perceived Value
56:00 to 58:51
Learn how to effectively position offers to enhance perceived value.
“Again, think of the mum and daughter that buy the same product.”
Leveraging AI for Product Positioning
58:51 to 1:01:20
Discover strategies for using AI to analyze ads and improve product offerings.
“And you can do that also through maybe you're selling one SKU and you turn it into a bundle.”
Tailoring Offers to Different Generational Cohorts
1:01:20 to 1:02:38
Understand how to adjust marketing strategies based on generational needs.
Transcript
Automatic transcript. May contain errors.0:00Olly:I've never had more people DM me an ad that we've made for someone and be like, this is like 50-50 split between like, this is awful, this is hilarious. Yeah, yeah, yeah.
0:15Loukas:It's been a while. We're back. We've been moving offices, so it's a very time-consuming thing, so apologies.
0:23Olly:Yeah, I feel like people are going to have to bear with us because we're probably going to be a bit rusty on this. It's been like over a month since we've sat in the chairs. talking all things DTC. We've done a lot since the last episode. As you say, we've moved offices. We've hosted two events in London. I went to New York and did a talk in front of a load of e-com acquirers. How many more ads do you reckon we're making a month?
0:46Loukas:Maybe like...
0:47Olly:Yeah, I'd say since...
0:49Loukas:Yeah, since we've last been together filming, probably, yeah, in the range of one and a half to two thousand more ads.
0:57Olly:so yeah hopefully we've got a bit to talk about this episode so yeah welcome back to another episode of DTC Diaries we're back we're going to be consistent it's hard to move office run a business and record a podcast that's a big learning yeah we're through like the thick of it now and
1:15Loukas:move house yeah exactly we're through the thick of it now and the incubator program so our new incubators actually have started today so there's been a lot going on behind the settings that we're excited to start talking about more and more um but yeah i think um we are we're happy to start we're going to start sharing a lot more content of the office space and how we integrate that into d2c diaries you know we want to be doing more short form based content actually using that space as as a hub of d2c really and and how that can kind of really translate into into content for the pod so definitely stay tuned there and if you haven't just make sure you subscribe we never mentioned this at the start but a lot of you that listen to every episode i think it's over 80 percent aren't actually subscribed so please do it for us yeah please do it really helps it's very
2:07Olly:motivating we have we have a ticker in the office um and yeah keep an eye out for those events we're going to be yeah like luca says trying to do more with that space um hopefully people have seen it if you haven't, check out our socials.
2:20Loukas:We saved multiple six figures in Q4 by changing the way that we make ad creative. And we did it with Lens by Foreplay, a creative analytics tool that's built for speed and clarity. And you see, I've used a lot of these creative analytics tools before, but genuinely for me, Lens is the best. In seconds, you can get a bird's eye view of every creative test plotted. The UX for me is one of the best parts. Like if you've used one of these creative data tools before, you will know that loading times for reports can be incredibly slow and tedious. Whereas with Lens, it is literally instant. Just insights on demand that you can just hand directly to your creative team, to your designers or your creators.
2:59Loukas:Lens also connects to 4Play's research tool. I'm sure you've used their inspiration function before. And for me, it's so, so valuable having optimization and inspiration all centralized in one place. So if you want genuinely better creative faster decisions and less wastage you need to use lens by foreplay
3:19Olly:link down below i wanted to start the episode with just a bit of it's been a while so like what have you been what you've been consuming what you've been watching what you've been listening
3:26Loukas:to yeah um yeah i think for me like it's very tactical like i i felt like uh there was a period of time where i'd fallen out of maybe um educating myself around like ai advancements and so much change had happened that I've then went very, very deep into, into like more AI execution based stuff. So a lot of that, which we'll get into in a moment, we're actually going to do an episode going through that a little bit more depth. So I won't touch on too much there, but that's where largely a lot of my time has been, has been, um, um, utilized. However, there's two kind of books that I've been jumping between recently.
4:07Loukas:Um, I know you, one of them, you've definitely read brad jacobs how to make a few billion dollars this is like the prime yin and yang what it's like what is like capitalism what is like creative yeah through through creativity um but i think yeah that's that's the beauty of a strategist right like they are they have to be at that interception but i think yeah brad jacobs how to make a few billion dollars and then rick rubens the creative act um as you say two very very different books i think Brad Jacobs side of things you know to give you context I think he started around six, seven companies that achieved over a billion dollars valuation David Senra which
4:50Olly:I'm founder's podcast, I released a podcast with him which is really amazing podcast but yeah he goes in buys public businesses and makes them more valuable and earns on the upside so it's like how does it it's like spotting often 100 plus million pound enterprises and creating growth that's like how do they 10x that through
5:13Loukas:like leverage in key areas yeah 100 and i think some of them are it's it's literally down to team like he brings the same team with him which shows and one thing he talks a lot about in the book is actually building like an incredible culture credible team of a and obviously sometimes has to be B players, but never C players. And I think that's the super important thing. And he has like a really interesting thing that he talks about. Like if you're, I think he talks about this on the podcast as well, actually, but like you should do a test with, if those that are listening that run a business, you know, almost tell you, ask yourself this question right now that ask every single person that's in your team, or maybe like the people that directly report into yourself, if it's a bigger company, and this, the way that you answer this question will essentially identify whether they're an A, B or C player.
6:03Loukas:So if they're a C player, you will turn around. If they said they were leaving tomorrow, you'd say, well, I was probably going to get rid of them anyway. Some time down the line, we'll definitely be able to get someone better. B player is like, oh, that is a shame. I do like them. But we are, you know, we likely could replace that role and we're going to find someone, we could find someone even better than that person when we rehire. And A player is like, this is like crippling. Like, I feel like I've just been cheated on if this person goes like i think we're going to really struggle to replace them and his whole thing is like find that analysis and find the a players and you know overpay for them massively because you can never really overpay for an a player um you know in in the long term because you know they're so hard to come by yeah i really like how simple he makes everything as
6:54Olly:in that book like it simplifies a lot of complexity focuses on like one to two constraints to move businesses forward yeah it's really interesting and i want to touch on some stuff around like foundational simple things towards the latter part of this podcast yeah um someone that's similar to him which i'd recommend everyone checking out is a guy called jason cohen uh he He started two unicorns, exited two businesses, one called WP Engine, which he exited for, I think, a billion dollars. But he writes a blog called A Smart Bear, named after a company that he started prior to that last one. Fascinating articles on everything from product market fit, strategy, those topics that are really hard to find good writing.
7:46Olly:on because it's like what is good strategy it's very hard i think right now in a service business with all of this uncertainty in terms of ai and direction to create really good strategy found a lot of his stuff very useful when doing a bit of work on that in q1 um so i'd recommend everyone have a look at that um and then reading benjamin franklin's autobiography which is pretty interesting what's what's the biggest takeaway so far from that i'm about seven pages come back next episode um but yeah just just wanted to talk about what we're consuming it's always interesting to hear what you've been reading you mentioned rick rubin's creative act i think
8:24Loukas:how's that been i think that's a good segue yeah i think i think the reason that i've tried to like you know dive into this book a little bit more is one that i've kind of read or come come back to a couple of times uh previously but i think in in a world now that is so governed by AI and, you know, advanced automations processed, everything being done for us, essentially, I think it's very easy to get wrapped into this idea that, you know, or get lost in the source and almost lose the essence of being creative, especially with performance creative. And I think being creative is one part of that.
9:03Loukas:But I think creativity stems into lots of different things. It's the type of research that we do, you know, So it's doing the things that aren't scalable. And I think sometimes we, in today's day and age, we are losing sight of doing the unscalable. And that could be as simple as, you know, picking up the phone to your customers and actually like asking those questions. Or I know Tony Zhu, I think you pronounce his name, the founder of DoorDash. He speaks a lot about this, like every single person that joins his company, he gets to just, they have to go and do actual trips and deliveries together to really understand like the end to end process of you know someone putting an order into actually receiving that product um and you know there's this quote in the book in rick rubin's book about like action reveals information as you work and i do think there's this idea that if you don't if you're not actually doing the action if you're not getting your hands dirty is that potentially limiting you know the potential insights learnings that
10:03Olly:you could be garnering from that yeah i think um customer interviews is a really good example of that uh most brands don't do them they're very interesting if you do them well i think using something like a jobs to be done framework is really powerful i've been reading about that recently um i think that ties nicely into like one of the topics i wanted to start with which segues into our creative portion of this i think we're going to just do a bit of a recap this episode on like what what's been happening tactically across creative performance strategy um and i think one thing that's been clear to me is like you said like in a world where everybody's like moving towards automation moving towards ai data qualitative data analysis quantitative trying to automate as much as possible this concept of like manual asset research and how much value we're still seeing our team get from building up a personal swipe file almost like trying to build a process personally which i do think is very different for each individual it doesn't have to be the same and it depends on like who you're trying to get in the mind of but it's all about how do you build like a a swipe file or a huge bank of sources of visual inspiration that have a likelihood of resonating with an ICP.
11:28Olly:So how do you live inside your ICP's world? What are they consuming daily? How can I immerse yourself in this space? How can I get into a position where I can spot trends that are emerging in a subculture that you can then pull into creative? We've had this with a client that we work with that operates like on a macro level that operates in a, um, in the rave culture scene where they've really been pushing and challenging us to, and our strats to read certain blogs, immerse ourselves in certain types of certain pages, certain types of content. Um, and, and it's really helped with getting in the mind of the consumer.
12:13Olly:Um, I just think it's a good example of like moving the opposite way and how it's still important to have a balance of the two
12:21Loukas:yeah 100 i think that's that's what curiosity is isn't it like you know the whether it's your brand or a brand you're working on it's it's you know truly being curious of who that consumer is where they are living digitally you know what is their digital footprint um and i think that's where you're going to really start to extract how to best understand their problems and how to speak to those problems um and i think you know we the the answer is always how do we automate this and i do think it's important to remember that with that level of automation and where we are going to build efficiencies which we are it's like how can you actually strategically spend time on the things maybe that you could automate but aren't going to do anywhere near as good a job as you as the leader and the point of QC.
13:15Loukas:Because if you're working with AI as well, you've got to remember you're the point of QC. So if you don't truly understand the customer on a much deeper level, you as the filter aren't going to be very good.
13:26Olly:Yeah, and we're going to come on to in the next episode a lot of the ways that we're working to free up our team's time to spend more time in that area. Yeah. I saw an example that I'd love you to break down of how one of our strats had done that sort of research to create a real top performer literally this week.
13:46Loukas:Yeah, yeah, yeah. So weird because you mentioned this to me today and then definitely got me thinking about it more. And then I was chatting to Caden, one of our strategists, and he literally, we weren't even discussing this as a topic, but he was talking to me about that and the importance of doing that like really gritty manual um um lost the word then pinterest research and he he essentially found this piece of uh inspiration on pinterest which was top-down piece of creative of someone essentially journaling and they were just writing a journal and talking about themselves so he found this idea he took it and it is now kind of completely rallied one of our accounts and become a top spender over the last like 14 days.
14:36Loukas:And essentially what it does is it's someone talking in ought self. So obviously if we're thinking through self-concepts and because you've got actual self, which is we're messaging that's talking about the problem right now, ideal self, aspirational messaging about where we could go to or the afterstay. And ought self is one that we don't do enough in any of our accounts, which is an insight that I'm going to talk about in a moment, but is messaging that works through duty or responsibility so talking about someone else could be a family member your partner usually you see it being you know the the actual person you're in a relationship with um but it's a great piece of creative where it's someone you know top down very very simple one single shot and it looks like a bird's eye view above someone just writing on a notes page we'll put a screenshot up above here and they're just talking specifically about the problem that their partner has almost like they're writing a letter to their partner um seeing saying like you know it's been so hard seeing you struggle with problem and then they you know eventually after agitating the pain point uh they introduce the solution um and the it is only a piece of paper and a notepad the one single shot although looks very creative in its own right but i think it's a great example of like doing that very manual scrappy research from like a creative ideation point of view and translating that into something through paid yeah super super interesting um i think it's a good
16:07Olly:example of still doing those fundamentals right as well um you're going to come on to the the the art self and i still haven't got my head quite around these uh that's me not being quite into the weeds of creative to the level that you are yeah so i think just kind of following on from
16:25Loukas:what I was just saying about self-positioning. So just a reminder, that's messaging that is making the customer switch from feeling guilty to determine to solve their problem for those they love instead of themselves. So, you know, you see this a lot with, if it's, let's say, a period pain device, we would see top performers all the time that would actually be from the perspective of the boyfriend, you know, seeing the pain through the girlfriend's eyes and feeling hopeless and i think i've done a few ad account and audits recently and actually we'll talk about this in the ai episode we've got a great gap analysis report that we can now use through as a as a skill on claude that's connected with metas api where essentially like go into an ad account it will scrape top 30 video ads from the last how period you say download them upload them to Gemini, transcribe them.
17:20Loukas:It can identify essentially what emotional states we're targeting, what personas, as well as the self-concept anchors as well. So it's a great opportunity from a gap analysis point of view to see what we're missing at scale. And almost every time I've run one of these reports, one of the biggest strategic opportunities or levers that we could be pulling that we're not is all self messaging within our creative and it sounds like something that's quite subtle but actually it's not it's like a completely different type of concept and in a sense persona because you're talking to the other half versus to to the actual person that maybe is suffering from the problem and then when we're starting to then take that strategic opportunity and turn out create content with it we're seeing it perform really well within the account and doing this in its simplest form is actually just going and finding your top three performers right now whether that's ugc or whatever and taking that putting it into like one of your if you've got a script writing skill whatever you use uh and just saying take this script and put it in or self messaging uh the goal is to you know speak to this persona through the lens of their partner and it will do a really good job at just turning it into to a to to essentially a third person concept and that speaks in or self messaging and i think that is like a real quick win opportunity that that you should be doing that maybe a lot of people aren't doing in their accounts right now i also think i think that's it's really interesting because it can also
18:58Olly:massively improve the tam of your products i the period example you referenced is super interesting because i remember one of the first creative clients we onboarded it for you was a was a period product i remember that and they'd done that change and that's what unlocked their growth for them they've gone from targeting women to targeting boyfriends so just remember that that
19:16Loukas:was a very tangible example yeah it's a great like like tam is a great great uh point actually because it's if you're a lot of these accounts and i don't ever really put two and two together but really like that's what it all comes down to diversity through messaging through persona through vehicle but yeah like if we're if we're diversifying to all self-messaging when we're not doing that before it's going to help with incrementality right yeah also if you can if
19:43Olly:you can do it to an audience that's maybe got more purchasing power which things things that come to mind there is like um young younger people suffering from something like acne but angling it towards women yeah mums who are going to buy that product rather than targeting someone under the age of 20 with no disposable income it's broadening your time it's targeting someone with more purchasing power who's feeling that pain point just as much as the person who's actually
20:07Loukas:using the products yeah and that that the brand that you're thinking of right there that's a great example of one that is doing it right and that actually is like their biggest cohort isn't it
20:17Olly:it's like parents talking about their kids and you can think of it even the other way is like male versus female spending power in a household women control more of the income if you can find a way to angle towards females to buy on behalf of their partner like a lot of them like i say would just spend more money, have purchased more frequently. So yeah, I can see it being a huge unlock and it's a higher level of strategic thought, but it's quite easy to run that analysis if you can, again, pull some context on the concept and just ingest your ads, like you said, and pair it together to get Gemini to run that through.
20:55Loukas:I would, and if not, you know, great example of using domain context, transcribe this whole section of the podcast, put that into Claude as well as your transcript and then ask it to do it
21:10Olly:100 % in terms of frameworks or like vehicles I guess we've had the rise, I think since we last spoke we've really seen the rise of the AI slop as people are calling it I actually have one of our clients where we've been running this at scale have you seen the poo characters we've been running for one of our clients I can't think of the one you're named mind us mentioning but heights where we've got the oh yeah i've never had more people dm me an ad that we've made for someone and be like this is it's like 50 50 split between like this is awful this is hilarious yeah yeah yeah um but yeah how are you how are you seeing animation ai animation
21:51Loukas:like expand across our ad accounts yeah i think it's like it's flying to be honest like it's definitely something that's just working incredibly well like if you can find a way to do this at scale like i think there's there's huge opportunities there and i think again it's it's an example of like tapping into maybe a cohort that you weren't getting in front of previously and this idea of like look-alike theory of really there's the type of creative that this is going to appeal to the type of person this is going to appeal to um and you know if we're not doing that we're potentially leaving money on the table not getting in front of them but i think a few that just generalize ones that we're seeing working really well were like you know these kind of three reasons why explainer videos but it's like a pixar character um green screened over actual b-roll um we also are doing like these claim and you will have seen all of these will overlay some examples of ones we've done but claymation style where it's like third person talking about the a person um an individual through a narrative but there's almost looks like a uh it almost looks like a disney film in a way but done through like claymation and we've done we've what we've started to actually do and we've got an ai videographer that's joined the business is start to build characters for brands because once you again it for us it's like finding that balance of diversity but also taking a character like the example you just made and once you've got that being able to build efficiencies around how we produce that scale but in different formats yeah um so you know once you've got that you can use something like higgsville to create the character and it's very easy to replicate that across multiple different scenes once it's built um so that's something that we're we're starting to do more and more
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23:41Olly:I've seen a couple of good cartoon ones that the team have made as well. And I also think the science explainer videos are very similar in theory. Yeah. A little bit more polished. And there's a way, I think there's some brand pushback on these at times, but there's a way to find, you can find a way to do it that aligns with brand if you're creative enough to find that solution.
24:06Loukas:I think the beauty about these style of ads is like, you're not trying to pretend not to be AI. like that's that's why they're usually low friction and why most more brands are being more and more open to this um but i think a great place to look for this for inspiration i can again send we can send some links down below but there's these and i think this is just a great example of like these kind of chad scaler gray hat marketers that are just capitalizing on these being able to use these tools but they're like these theme pages that just are random you can just tell it's all generated with AI and the scripts everything but it'll be like there'll be one that's specific to they're like educational channels but they just have it's all animated and it'll be like a tomato that's like I'm a tomato a lot of my juices are killed when I'm left in the fridge so leave me outside the fridge stuff like that
25:03Olly:I watched an Orin Johnson, you know, the creator that does the... Orin Johnson, he does a lot of organic content. They own that podcast. I don't know who you mean. Butchered the explanation. But he's got an Instagram page where he talks a lot about like trends in organic content, building brands, not performance at all. But he was talking about the concepts of the rise of these like really niche experts who are creating a lot of those explainer videos on the Tudors and things like this. It's such a niche expertise. You referenced a few of those animation-led videos, which I can... Maybe we can link the video for that below.
25:48Olly:They're absolutely poppin' some of these channels.
25:50Loukas:Millions and millions of viewers have ever created. But I know there's one that's also like a... I actually saw this on the BBC and I've completely forgotten the name of the channel again but it's a woman who it's like a woman who just like goes to different parts of history and talks about them but she's walking through the towns and um that was a trend yeah and they just like went and met the guy and uh thinking it was like this woman and it obviously wasn't um
26:16Olly:just quickly before you move on from the concepts of like chad scaling things like that did you see the guy on twitter who grew that glp1 business oh crazy 1.8 billion in revenue and you did you see how he did it with all those fake pages yeah yeah give some context just so people so maybe we can put that up here as well um i can't i don't know the name of the business i should i wasn't planning on talking about this so but he this guy had basically scaled what is essentially an affiliate consumer front ends for a glp product glp1 products i think he'd done like 1.2 to 1.8 billion somewhere in that range in revenue with four people and the way he'd done it is setting up over 200 third-party doctors pages on facebook and then running ads through fake pages that were positioned as doctors and just absolutely ripping whitelisting and he'd made some he'd made like 50 million profit or something on that um which uh which sound is low for that revenue number but um i don't think the margins were amazing uh yeah and it was just just bonkers just like people taking this like hack taking things to the extreme um that third party pages tactic works um we're obviously doing quite a lot from a founder perspective we're doing quite a lot from like a persona page perspective um and it's allowing us to loosen up brand guidelines for those who are a bit more protective but it was just absolutely
27:48Loukas:wild to read that case today i know it's crazy i mean like there's always that that's you know you hear it all the time now who's going to be the first one person unicorn yeah but like we're
27:59Olly:pretty much there aren't we yeah i need to find the guy's name um i know you had a note on on
28:05Loukas:that kind of uh founder pr yeah so um something that we like it's again like i just see it ripping all the time like founder pr style headline static so you know meet the founder that solved x problem like we every account that we run this for it it absolutely flies you know these the style that look like a news or pr focused headline and then obviously you click in to see the article whether it goes through to um usually it just goes through to product page but it obviously could go through to an actual lander um but i think one thing that we've started doing here is like testing founder style PR headline ads in the main account and then once we find the winners we're spinning up actual third party pages that are positioning these similar headlines about the founder but through the lens of something that's like more educational so for example we are doing this with Club Nuro right now and we found a winner from a static point of view that was like meet the found a bit so solved x problem we spun up third party pages that's speaking directly to uh you know education around um neuroscience and things like that um and we are essentially taking that exact winning static multiplying it at scale but doing it through the lens of something that's more educational and expert driven and seeing that working really well i think that third party
29:35Olly:page hack is just so effective um especially statics um going more native which that is an example of a bit more native format i think yeah going more up a funnel aligning the creative with the page it can really introduce like a just a whole level of diversity statics for brands that
29:54Loukas:are a bit more like protective yeah for sure i would say like just one final thing that i haven't actually mentioned here um i don't know we're going to do an episode on tiktok shop but i just think i'm just seeing more and more just these like more raw native loose concepts working better from a ugc point of view than these like heavily scripted structured um ugc scripts um i think we've got one example of a brand that we work with and there's a very clear uh there's a a very clear comparison between very scripted UGC and stuff that is very raw TikTok shop style, given a much looser brief to go and execute on.
30:38Loukas:So I would like, again, just really advise, like if you are using TikTok as a source of inspiration, I think there's just so much that you can get from that in terms of just seeing how these affiliates are like garnering attention. it's pretty incredible
30:56Olly:yeah there's an app called Social One which is a really good source of organic inspiration it pulls on a really tight timeline trending videos in specific niches and trending organic videos it's easy to go and find so they do organic and they do GMV you can use things like Callowdata Fastmos to find TikTok shop videos but the refresh time is quite slow so the trend and trends do come and go quite quickly and it can be a matter of trying to jump on them fast but i think that's a really valuable probably the most valuable source of ugc
31:33Loukas:um inspiration for meta yeah i've been spending a lot of time over the last two three months in
31:39Olly:tiktok shop we've been expanding our offer internally for like brands that are established willing to invest and want to scale like willing to invest for three to six months to make the channel work and make it a meaningful acquisition channel alongside meta and google i think it's currently for me the second best place to spend money after meta in terms of especially in terms of new reach new awareness growth um and we've been approaching it very much from like a meta first work how do we pull our creative process into that channel how do we put creators on retainer how do we brief them in a way that's very like performance creative based to increase the quality of content that we get out of that channel um but when doing that it's yeah it's become clear that you don't need to be as prescriptive you need to give constraints
32:32Loukas:and guidelines but not like direct frameworks yeah i think the benefit of these individuals
32:38Olly:is they're just spending so much time consuming content and trying to become better creators because they're incentivized to do it. And I think there's obviously the direct revenue benefit on TikTok Shop, but there's a really big opportunity. And this is why I think every brand should be on that platform is because leveraging your top creators from that ecosystem and pulling them into Facebook, whether that's just pulling top videos or engaging them on a separate relationship where they make X amount of assets for Facebook. It's just so valuable. Creators are really underpriced. A lot of them are doing it as like a side hustle.
33:22Olly:So the volume of assets you can get for the cost that you pay, even though the quality is going to be probably lower, is so, so beneficial. So it's like, I think signing up like 10 to 15 creators on retainers, running bi-weekly sessions, educating them on the brand, creative learnings, what's working, competitors really treating it as that two-way street of like i'm going to try and help these become better creators if they drive more value for us as a brand can just it's like almost another like if we're an agency working with a client it's another creative source that's just so different to what we're producing yeah i think it's just a no-brainer and like we're trying to encourage more and more clients that have got that ecosystem working to do that or if they've not started at least explore trying to get the platform working yeah 100 i mean it's yeah like
34:14Loukas:you say it's there's there's multiple different reasons why it makes a ton of sense both as you say like introducing new people into the funnel from a top of funnel point of view but like that create a flywheel piece is massive and i and i just think when you get to a certain level of scale like you have to you have to change the way that you are continuing to drive that scale it can't just kind of be one-way transactional at that rate. So yeah, I would agree. We saved multiple six figures in Q4 by changing the way that we make ad creative. And we did it with Lens by Foreplay, a creative analytics tool that's built for speed and clarity.
34:55Loukas:And you see, I've used a lot of these creative analytics tools before, but genuinely for me, Lens is the best. In seconds, you can get a bird's eye view of every creative test plotted. The UX for me is one of the best parts. Like if you've used one of these creative data tools before, you will know that loading times for reports can be incredibly slow and tedious. Whereas with Lens, it is literally instant. Just insights on demand that you can just hand directly to your creative team, to your designers or your creators. Lens also connects to 4Play's research tool. I'm sure you've used their inspiration function before.
35:28Loukas:And for me, it's so, so valuable having optimization and inspiration all centralized in one place so if you want genuinely better creative faster decisions and less wastage you need to use lens by foreplay link down below i just think beyond
35:45Olly:a certain scale volume just wins like and it comes on to like creative forecasting and i was going to talk about this but like there's a big narrative around like volume versus quality and it's like I think the best brands are forecasting so you've got like I was speaking to someone on an audit recently about this it's like most brands above a certain size have a forecast for spend new customer spend on meta over time the best ones are turning that into that ad spend forecast into an expectation of the asset volume needed to meet that spend level using like existing data benchmarking assumptions and doing it through the lens of like a pessimistic view so like assuming that we don't over like assuming that this is the worst we're going to be at creative output from a hit rate perspective we're going to over deliver on volume and assume that we exceed our measure of quality like hit rate or average spend per asset to avoid that a shortfall so to make sure they've got more assets than they need to achieve that spend obviously you need to back that into like a good strategy by persona vehicle formats all the things we talk about but it's really hard to get hit rate above like 20 i think it's really that's like the gold standard that is outstanding i think we rarely see it higher than that especially at
37:15Loukas:scale i think it's impossible to get to that scale yeah it's usually it's usually as you can as you increase volume, you see a downtrend.
37:24Olly:Yeah, I think you want to keep it towards like 10 % to 15%. Again, 15 % is outstanding, 10 % is like good. For some brands, when you get into higher volumes, it's going to be lower than that because the impact, the per asset impact, the incremental spend driven per asset decreases as volume increases because the audience you're getting in front of as you spend more decreases in quality relative to the golden cohort that you start with on a channel. So, and we're playing an outlier game, right? We're trying to find like unicorn ads and then have a portfolio of creative that can take more spend month on month.
38:05Olly:And because of that like view of hit rate and that like, is it worth retaining volume and trying to go from 10 % to 20 % hit rate? What's harder? Is that harder or is it harder just to scale the amount of ads to get to your target? And I just massively have conviction on volume being the answer. Obviously, we're somewhat incentivized to say that, but we've got so many dates, so many examples of where that has been the solution, providing that you keep that quality measure at least stable. So you want to keep hit rate flat whilst you grow volume of assets.
38:45Loukas:um i think yeah the caveat to that because i completely agree is like ensuring you have the sim you know the the basics nailed as well from the because because like if a brand's listening to this and they're just doing ugc and they're just targeting one persona yeah and they're just speaking to one emotional state just adding more fuel to the fire isn't going to fix the problem so it's like ensuring that yes we are driving more volume but we are also you know ensuring diversity of of personas and how we're speaking to those personas as well as actual vehicle diversity like the basics of of what what we talk about in terms of like incremental reach
39:29Olly:yeah that's what we're trying to that's the next piece of work we're doing is like we've got this volume expectation at the moment it's then on our strategist to turn that into a plan which it's like how do we take that volume target and layer it by product by format by persona by vehicle and vehicle is quite flexible to be honest because i think vehicle changes can change month on month depending on like what's trending and and you don't want to be too rigid saying like i'm going to make 50 podcast ads every month if it's not working but i think persona products and then format split, high prod static, UGC, that rigor is worth doing.
40:08Olly:And it brings a level of like predictability to your resourcing. Um, but I think brands need to be doing this. Uh, the reason I think it's so important is because any decision on resourcing, even if brand comes to us and is like, I need more creative. And I think you'll find this for most creative agencies is like, we aren't able to deliver more assets for six weeks from that point of decision. So if you're not hitting a target because you've not got enough ads, it's usually going to take you three months to fix that problem. And I think we're finding quite a lot of brands coming to us where they're hitting a ceiling in spend right now, but they've got this forecasted spend that they're going to try.
40:53Olly:They've got another 50 % increase in spending to Q4. And yeah, some of that's going to come with general consumer trends, but there's a massive creative gap that they're going to fill and then they're sort of scrambling around how to fill it and it usually takes them multiple people multiple sources of of creative um so yeah i think tiktok shop is a really simple fix to that problem i'm going to do a separate master class if people are interested comment like below to let me know but going to walk through how we create that forecast the benchmarks we use um because we use quite a few different metrics win rate half-life churn rates and then scenario planning for like new products um testing tax like how many assets aren't going to make our testing and a lot of those together into that model um to create a bit of predictability but i'm really bullish on that being like a missing piece on a lot of brands plans and something that people should be should be building um as we go into Q2 and into the latter half of this year.
42:00Olly:Very conscious of time. We wanted to get another episode in after this. We wanted to get another episode in, but maybe we just keep going. We just keep going, to be honest. Keep going. Okay. I wanted to touch also on like, you mentioned basics. And I think, again, looking at like ad account audits, it still surprises me how many brands aren't doing like periodic checks on structural basics in the ad account so when i say structural basics i mean are we checking exclusions have we got customer list syncs are we maxing out our existing customer audience so it contains like both pixel and email list is that refreshing consistently is our engaged audience covering newsletter website and socials to make sure we're really maximizing the exclusions and signals into the algorithm to find new customers are we still deploying like consolidation like or have has the account somehow ended up with like seven top of funnel campaigns despite starting with like two previously.
43:15Olly:I think every Top of Funnel scaling campaign must be backed by like a really strategic justification. So, and that can change at different scales, but that might be like product, collection, offer, sale period. At higher spends, it may be like we're hitting a constraint of reach. There's two different personas in this products campaign. Let's break them out and see if that helps us spend more. That's like a strategic justification for diversifying spend. Obviously, then you've got testing below that. But it's just like I find that because it's... My hypothesis is like because it feels like doing something to try and create an outcome, it's easy to start just messing about in ad accounts and think that's going to fix the problem rather than doing like the root cause analysis to really look at what is actually changing, what metric is dropping off, what constraint are we actually hitting and diagnosing the problem properly and then working on the solution.
44:21Olly:Just seeing a lot of accounts move through. Seeing that problem a lot in accounts. The exclusions thing is really interesting. Again, I've done two audits over the weekend where we looked at, there were two accounts where they hadn't set up exclusions correctly. And then they were also using
44:46Olly:seven-day click, one-day view attribution. And then when you broke out in audience breakdowns, a significant portion of spend was going through engaging existing customers. Obviously, Meta's just changed its attribution model, which I'll come on to in a minute. But yeah, when we're going into the breakdown, more than 25 % of spend was going through existing and engaged customers. And then when you broke out the attribution windows, over 30 % of purchases were going through one day view. So, and I don't think many brands are like reviewing their campaigns on those different attribution windows.
45:25Olly:What one day view is basically signaling to Meta is, firstly, it's capturing a lot of customers who have viewed an ad within one day of buying. if you pair that with the fact that you're not excluding customers correctly you've got a pool of audience that probably would have converted anyway so maybe they've got on maybe they're a newsletter subscriber they're a past customer if you're a subscription brand if you've got 50 % repeat customer rate you're going to get a lot of that anyway that just see an ad convert um when you've got that included you're telling you're giving you're telling meta to go and find more customers like those people who converted through that one day view window um and when you strip that out it can like double cpa in some accounts it's not always negative but it's like
46:10Loukas:as a result it's training meta to just go after the same people go lower funnel and you see
46:15Olly:frequency much higher within those campaigns and you can see it yeah getting into this spiral about higher cpm higher frequency higher cost cpmr so cost per like thousand new new of new reach but i think when you prepare the one day view and the lack of exclusions it's also and then think about like what assets are going to appeal to those users it's going to be statics usually it's going to be solution and product aware it's going to be assets that are further down the funnel because those are the things that are showed to people on like the third and fifth touchpoint yeah so and i validated this with these two accounts i'm going to look into it further but and i'd encourage people to do this analysis and look at that attribution window breakdown but i'm seeing brands almost get into a cycle of of not doing the analysis that that the depth of analysis and then almost like starting this like cycle of of prioritizing assets further down the funnel and removing those that look good on a one day view what seven day click one day view attribution window that are lower funnel and removing those that if you actually just strip out the one day view and side by side them all and maybe you're in that problem and unaware stage actually look way better it's like this self-perpetuating cycle so i think it's really important to to do that level of analysis and firstly ensuring that your exclusions are set up but also just be careful with the what i'm calling the one day view trap for brands that have like significant repeat purchase um volume or at scale how are you changing that attribution window then so meta recently changed their attribution definitions um they did it in mid-march and it actually caused havoc to results for a few days which was great fun but they removed they changed the definition of click attribution to narrow it to just link click so it used to be any click on an ad so like share if you click through to the profile went to buy within seven days that i'd get attributed they've removed that and it's only click so the attributed conversions on click has decreased because it stripped that out but then they've layered in this concept of engaged through so now you can optimize for seven day click and one day engaged through with the engaged through being like shares profile visits and then the five and five second video views so we've seen a big shift in in reporting both in platform and when comparing it to an mta source like triple whale since that rollout and we've been introducing that engaged through um as our primary attribution source.
49:08Olly:But yeah, I think it's just for anyone who has that repeat customer base and hasn't reviewed how much of it's coming through One Day View and done that test to strip it out. Whenever we do that, it usually brings Triple Whale, NCPA and in-platform CAT closer together. But in-platform will look worse, but spend will be more incremental because we've stripped that out. So I'd encourage people to do that test. Another thing we've been doing, which is showing some really good signs, is Meta rolled out its incremental attribution setup. We've got a lot of funded tests for our partners, so that's basically telling Meta to only optimize for incremental new customers.
49:50Olly:It's mental that they've only just released that. We won't go into that, but it's a good sign that they're releasing so many features that advertisers actually want now, whereas previously they'd just mess with the UI and UX over and over again. we've been testing a lot of this it's very early days I expect it to become really powerful I think because it's a new feature their machine learning hypothesis is that machine learning algorithm hasn't got that much like that level of depth of data across advertisers yet because it's rolling out and compared to like a purchase event it just doesn't have the level of pixel data I expect by Q4 it'll be a much larger percentage of our total spend And what we found there is like often when running that setup, last click, so direct attributed revenue on a click basis doesn't look better.
50:44Olly:It's very varied by account. But when we've paired it with the right creative, it's often massively improved new visitor percentage and made that overall account more scalable. Interesting. It's helping us increase our total ability to spend for a brand by allowing us to deliver problem aware, those upper funnel creatives to a more incremental audience. And then that's allowing all of the other assets to feed off that new awareness.
51:16Loukas:Yeah, because that's something we definitely see, don't we? Where if we're working with a brand that are very focused on middle to bottom of funnel, and very direct response driven and trying to you know facilitate incrementality through going more top of funnel but as you know it's creative that isn't known within the ad account and therefore the algorithm and it struggles to to push it and unless kind of cpas are just really high
51:43Olly:yeah that's that's something we've been speaking about a lot isn't it like how do we get out of that problem yeah comes back to that plan like whenever we come to the that the problem lucas is describing is like loads of clients come to us and their incremental reach is just in the bin and it's like we need to go we need to and they've just been making problem solution product solution aware lower funnel dr creative and we almost need to completely transform the approach to advertising because we need to do all problem aware and unaware um but it's just so different and we often find it really hard to break that cycle don't we I'm hoping this can be like a bit of a hack that's what I was thinking would this help with that I haven't tried it on those accounts there's two that come to mind that we work with currently but we definitely can but I think that comes back to that planning like brands that are coming to us in that position aren't seeing the it's like seeing that coming and it can take three it always takes like three months to get out of that
52:47Loukas:yeah it does it does um yeah it's intention and consistency but i do think that's like not a flaw but like something that you know meta are very much pushing diversity but you do see it like if we introduce high production in an account that hasn't had a high production before like you really have to force it initially to some degree to start seeing you know it spend and sometimes you're just promoting winners early just to see how they're gonna you know consolidate in a different
53:17Olly:environment yeah i think i've been forcing more spend for those things and like giving it like maybe we maybe we almost like treating it a little bit like brand awareness spend but not because people won't like that when i say that but like giving it like 20 looser nc rowas except excluding it from like our total measure of efficiency for that period allowing it to spend and just tracking things like, is it trending in the right direction? Is new visitor percentage meaningfully higher than the account average? I can think of an account where we've introduced high prod and the new visitor percentage on that is like 85%, but all of the other assets in there are like 40%.
53:59Olly:That is serving a purpose. The CPMR on that ad set and creative is meaningfully lower than everything else in the account. It's like, it's there, it's serving a function, even if it's not creating day one or seven day click performance to the level we want it to right now. So yeah, try to build a bit of a playbook to get out of that situation, which me and Sam have been discussing. I think we spoke about this before,
54:27Loukas:but it sometimes acts as that, it acts as just the incremental driver that then helps creative that are slightly lower within the funnel from like an NCCPA point of view, even if you leave it, as you say, a bit of contingency with NCPA. There was one account where we isolated that creative that was targeting a completely different cohort, but as a result driving incrementality, and it had a higher NCPA, but a higher AOV as well.
55:05Olly:Another one you're thinking of. and yeah I want to do an episode on CPMR and how we're using that in accounts because I think it's a really interesting topic because ROAS and CPMR often have a negative sorry I'm trying to think of the word like diverge they move in opposite directions from what I've been seeing so yeah that was a bit of like tactical media we don't do that very often everyone always asks me I was in awe just like watching and listening everyone always asks me to talk about testing but I won't be drawn into the how to test creative debate because there is no right answer there's no right answer yeah
55:45Loukas:we will drop the comment down below we had to get one of these in creative testing we'll give our we can give that away our creative testing playbook
55:54Olly:yeah because it explains when to use different types of creative testing based on our experience and I think that's the key that's the nuance is it it's different for different brands final thing i wanted to touch on very quickly last five minutes is offer positioning perceived value and how i've been again been doing a lot of work over the last four weeks on helping brands reposition their offer um and i really like the concept of like starting with the persona and the marketing angle first and positioning your product in relation to that which can often mean that you You end up with multiple funnels and offers for different personas or buyers.
56:39Olly:Again, think of the mum and daughter that buy the same product. Different offer, different positioning. And just this concept of perceived value, it's very foundational. it's like how do we increase the perceived value of a product beyond the the fair cost or like um beyond the point where it like outstrips the the negative impact that someone's feeling from not having that product and i've really articulated that terribly but i like the idea of like um sorry how do we increase the perceived value of the product so it's greater than the pain the customer is feeling that's what i meant to say so it's like starting with like who are we talking into what do they believe and how do we position the offer so the perceived value exceeds the price so i was speaking to a um one of our growth struts about this and for the concept of like bedding working with a brand that sells bedding you go through all of the reviews and they're just selling this bedding set and then you go through all of the reviews and it's like um they're all mentioning that it's like solved night sweats in summer that it's solved um helped them control heat, helped them have fully rested sleeps through June to August in the UK.
58:07Olly:Selling bedding and selling a solution to get nine hours sleep in summer is just a completely different frame for the same product. And the latter allows you to charge three times more for the same thing just by anchoring it to an outcome or a problem or a solution that you're solving. And I think, again, there'll be a lot that you can do for the product that comes from creative research. And it's, again, pulling from the persona all the way through and doubling down on what you're finding in ads and doing that from a product positioning perspective. So that was just one that I wanted to use an example because we always talk about supplements.
58:52Olly:I thought it would be a bit different. Nice. So I think brands should take the top performing ads, ingest them into AI, maybe 15 ads, ask it to break out the personas, break out the pain points that you're solving and look to see if there's a way to change the frame of the product. And you can do that also through maybe you're selling one SKU and you turn it into a bundle. So for that, it was mainly we're selling duvets, adding the pillowcase, creating a set and then angling it towards that problem allows you to meaningfully increase the price, the AOV, and then you can pay more on average to acquire a customer, which allows you to win more auctions and allows you to spend more money.
59:32Olly:So it's like, I think there's a lot of strategy that people are missing in the way they present the products. And I think I can probably do another episode on this, but yeah, big lever. Just on, yeah, on that as well,
59:43Loukas:like if you are, because what you want to do is like, you want to look what's in front of you, but also like what's not, like it's the best data is the data you can't actually see. I forgot who said that, but it's a good quote but like it's like pulling those transcripts but also using like for example now can take you five seconds to set up because there's a YouTube video on it we're not doing a walkthrough but is like Reddit MCP on Claude like you could literally load in all of your top 30 spending scripts from the last 90 days as an example ask it to analyse those turn them into personas as you said and then you could instruct it to say based on obviously giving it the brand concepts that you need to and maybe other things like reviews you can say go to Reddit and identify where there are gaps in potential opportunities that we haven't explored from a persona and angle point of view and it will actually be able to like find where the biggest opportunities are because of it will look at upvoted Reddit posts with the highest uprated Reddit posts that are associated with the keywords in which you're targeting and again a great example of how you can extract that and then do exactly what Ollie said but then also you could go even deeper and be like what are the core fears and motivators of this individual person because if you can speak to someone's fears and you know an example that you said was great about like the night sweats and it impacting sleep like let's say that was a professional persona yeah you know the fear is like not performing the next day in the office but then to someone else it could be something completely different and that's the
1:01:34Olly:persona part it's like the offer you can there's usually a core angle that works really well from an offer perspective but then it's like aligning it to the different personas need states yeah and the offer positioning might be the same but then the reviews that you place around the buy box and the imagery that you you have in your slideshow may vary by like great example is that it's not really a persona but i always just think like when old versus young yeah old need more trust they want more social proof even things like adding um trust badges for like payment providers works for older people even increasing the pixel size on text to to drives better
1:02:12Loukas:conversion rate often yeah um yeah like gen z you you short attention spans yeah you know shorter punch your text less copy because again you're going to lose them if that's we're talking about lander yeah um yeah i think yeah that so that's a big one actually like in terms of offers going deeper is like just doing some there'll be loads there's loads on this more this is like more kind of uh old school marketing but just you know how you speak differently to different marketing cohort and generational cohorts
1:02:44Olly:yeah so I think I think that's like do that on your PDP do it on your current product page and then it opens the door to even like pre-step and advertorials which I'm not going to talk about because we'll go down a rabbit hole and we've run out of time but yeah I thought it was a good episode as Luca said at the start thanks for watching it's good to be back subscribe we'll be following up with more AI more creative a lot on the tech IP and processes and new things we've been building internally so yeah keep an eye out
1:03:17Loukas:cool
1:03:17Olly:see you on the next episode
From the publisher
This episode is sponsored by Foreplay. Start your free trial here: https://tinyurl.com/3caahj4w
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We're back. After a month off, a new office, two London events, and somewhere between 1,500 and 2,000 ads launched, there's a lot to catch up on.
In this episode, Olly and Loukas do a full Q1 2026 debrief across creative strategy, Meta attribution, offer positioning, and the frameworks they've been running across 250+ brands.
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Resources mentioned in this episode:
Brad Jacobs: How to Make a Few Billion Dollars: https://www.amazon.co.uk/How-Make-Few-Billion-Dollars/dp/B0CHTQP25T
Rick Rubin: The Creative Act: https://www.amazon.co.uk/Creative-Act-Way-Being/dp/1838858636
Jason Cohen: A Smart Bear: https://longform.asmartbear.com/jason-cohen/
Oren Johnson (organic content & creator trends): https://www.youtube.com/@orenmeetsworld
The GLP-1 $1.8B four-person business: https://x.com/jonoringer/status/2039759594461839599?s=20
Free resource:
Creative Testing Playbook: comment TESTING below and we'll send it to you
Follow Olly: https://linktr.ee/ollyhudson
Follow Joe: https://linktr.ee/joe_marston
Follow Loukas: https://shorturl.at/TRI8B / https://x.com/LoukasHambi
Follow Liam: https://www.linkedin.com/in/liam-dean-a11a43152/
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