Duomo Days

31:21because no matter what you're into, a website makes it real. Use offer code DIFFERENCE for 50 % off select plans. Terms and conditions apply. Dumb Blonde is where we talk about all the things everybody else is thinking, but is too scared to say out loud. I'm Bunny XO, and every week I'm sitting down for real unfiltered conversations with guests like Dolly Parton, Machine Gun Kelly, Denise Richards, plus you never know what's going to come out during Ask, Tell, Confess. we laugh we overshare and maybe heal a little along the way follow and listen to dumb blonde wherever you get podcasts we're gonna move on to the next show that i loved which was marnie it's good i loved it i thought it was so great like i uh thank you to the team at marnie who let me in after i realized at the door i forgot to rsvp and i would have been so sad after if i I had missed it.

32:20I just I thought she did such a good job of tapping into this culture of thrifting and, you know, mismatching in an interesting way. And there were just a lot of clothes and that idea for people who are never going to be Gen Z thrifters, but still want to dress in a current way. She had it like I just thought it was so great. I really, really loved it. I liked it a lot. I still want there to be something a little more fucked up about it. To me, looking at her own collection and looking at the way she designed that and thinking about Marnie itself and what it was originally, which I think the thing that she has done is she's restored some of that spirit.

33:15But I think that she's going about it in a very pragmatic way. And Marnie was not pragmatic. Prada is pragmatic. Yes, it was. Yes, it was. No, it was very bohemian and very open. And so I think to me, I think that it feels, it still feels like but what what is new Marnie like I want to know more about what new Marnie is not like every piece is slick and put together but I want a little more of her in it then oh I disagree with all of that I disagree with all of that I went to those shows in the early 2000s me too and I felt like and I lived in New York when my bosses were wearing those and it felt like those were the clothes.

34:06Well, what was the woman's like? Consuelo's last night? I'm going to butcher a Castiglione. Yeah. I mean, those clothes were like the ultimate clothes for the women who worked at art galleries. And this feels the same of just the next generation. And I just think it did have that kind of fucked up messiness to it in a way that young people dress. But for people who are going to spend money. And I think her clothes were always for women who work in creative fields. Yes, for sure. I think it needs a step further. And I'm a huge fan of Meryl's. I think she's awesome. And I think she's a really, she's a real professional and has done a good job.

34:43And the bags are selling, the shoes are selling. I think her bags are really good. Really good. And I love that fall shoe. I almost think it's like the lace. I just want a little bit more for me. And especially, it was interesting because I went to Moschino. Oh, I'm sad I missed that. I was already gone. It was super fun. And look, from a sophistication level, Meryl is like a way more sophisticated designer than those guys. But it was funny. A couple people from the fashion world designers messaged me and they were like, that feels like more of the Marnie spirit than Marnie did in terms of the looseness of it.

35:25Yes. And look, you can't compare them. Like she is. She's a she's a real professional. They are still having fun and figuring themselves out. But it was a great show. And I thought it was like really interesting. And Moschino is so kind of grounded in it's like the satirizing the fashion industry that like it became too literal. And these guys didn't try to satirize the fashion industry. Of course, it was a stunt to like have real quote unquote real people who were dressed clever, not in real clothes like they were definitely styled. don't try to tell me otherwise whoever the pr person is but um i thought it was really smart because all those people were backlit when you take a photo and the models were not backlit so like the images were amazing we were in this crazy stadium outside of the city and the sky was blue with clouds dotting it was like 5 p.m it was just they got so lucky with the weather it was truly incredible the images were remarkable but also i thought the clothes are fun and these guys are very funny.

36:30Like they used to do all these stunts with their, when, when they left their brand, they did an auction. Um, but so like, I think I just thought it was nice. And I thought the clothes were really cute and I could see, speaking of like young people, I could see them aspiring to wear the bubble skirt or the handkerchief dress or whatever. I thought it was like, it was a really fun show. It was definitely like a top five highlight for me. And, um, And I was glad that I made the effort to go to the stupid stadium 35 minutes outside of the city when there are no Ubers in existence. I was going to say, like, that would have been tough for me with the transportation there.

37:12Milan, you've got to get your transportation. They've got to figure it out. This season was so challenging for me. It was so bad. And I made my way around for many years now, and I almost died. we take the metro a lot which is fine but like a lot of times the metro is if i had taken the public transportation would take it would have taken me an hour and a half and like at one point i booked that day actually i pre-booked a car and it was supposed to come at like i don't know what time and when it was supposed to come they were like there's the car is still 20 minutes away from you and I was like no no like this is not only that but you have to that they start the meter when you call the car there so you get in and it's expensive I don't know the whole situation there is really challenging yes and I had multiple I had a taxi on my way to Max Mara at nine in the morning be like oh my um my meter's not working you have to get out I'm like yeah but now I'm not at a taxi stand and it's nine in the morning and I almost missed it.

38:20It was so did I tell you about when she almost took me outside of the city because a very nice person booked a car from for me through a local app and we're driving. It was a 10 minute ride to my Airbnb and in the car for like 20 minutes I was working and didn't notice. I was like, where are you going? She said, oh but you're going outside of the city right and i said no and the person had booked the wrong and she said i have to go to my friend's birthday she didn't charge me for the cab which was nice but i was just like but this is the thing the crazy thing about milan is uber you get the same person you multiple times because there aren't that many uber drivers so you're like well this lady again but yes it's and the thing is like yes they have you can take a bus with the camera delamoto but the problem is we not no one goes to every single show so like it's just not actually that convenient it's the only place i would never need to mooch a ride off of anyone in paris but like in milan i'm constantly mooching rides off of people because i'm just like we need to find a solution it is it's because I understand like it's expensive and it's hard to find a Moschino.

39:38I wrote my like lead line for it was the only consistency between all Moschino designers is that their shows are in like extremely inconvenient places 40 minutes outside of the city. But it is like it's a real issue. It's really frustrating. Yes. OK, moving on. Moving on. So Gucci, what do you think? I wasn't I had already gone home for Gucci. I'm sorry, Gucci, for missing the show. I have family things. I obviously loved the kilts. I saw the kilts and I squealed like, oh, my God, I love these looks. I thought it seemed like it was on par with what we've been seeing. It was I hated the makeup, but I liked the gloves.

40:26It's so funny. Becky, that's exactly we can agree on this. I said this to someone. I was like, I wish that they hadn't done that makeup because the looks, the women's looks that were really great had the the goth makeup. And it was like it kind of took away for me. Yeah. From the. Yeah. From the. And also they didn't photograph as great as they were the this kind of Sloan Ranger looks. They were amazing and they didn't photograph as great in in person. So, yeah, I put them on Instagram like all excited and I and I zoomed in and cut all their heads off because I hate. Yeah. Yeah. I saw that. That's a good idea.

41:08I would say, look, like this to me is what it should have been in the first place. Like post Alessandro Gucci needed to be bourgeoisie, a little preppy. I think that there were many other designers who would have made more sense for that post Alessandro. Jonathan Anderson, Michael Ryder. Like there are a lot of people who they should have done everything in the entire world to get them to do that job. Demna, we have to remember that Demna wanted this job. He was interested in it. But he also saved them by taking this job because they didn't have any choices post Sabato, really. Like they I'm sure they had choices, but not at this level.

41:51And Demna is a world class designer. The product is really good. Individual pieces are really good. I like the idea. And I think if it had been the first collection, that would have made sense. And I thought it was interesting that he created the set was like a store because it did just, you know, you know, a lot when they do these creative director exercise, like when they're auditioning, they're often asked to do a store concept. So it felt to me, it was interesting. I look like I wanted to sell because I want Demna to be successful and happy. And I also want Gucci to do well. And I, as you know, I bought this Gucci skirt from the second collection, like the tom ford exercise because essentially what he did was go through all the different eras of gucci and this is the end he mentioned don mellow um this is like pre-design being a designer brand and i think that was the smart smart way to go for this one but um look i like this skirt i got from the second collection the pre pre-collection it's navy it doesn't have pockets.

43:01It was very expensive, even though I got a very generous discount. It was still a lot, even for me who spends too much money. Honestly, the skirt is awesome and I loved it. I wore it this week and it's just so cute. It looks amazing. It fits really well. It feels expensive. And so, you know, here's best of luck to everybody. The caring of it all and what that company's going through. I also went to a McQueen Recy, which the tailoring from McQueen, I know, but it looked amazing in person because it's I mean, it's good. It's it's tailoring house. But I think like there's just so everything is a question mark at caring.

43:44And so, yes, you know, best of luck to everybody involved. And the Gucci is all going to be the best version of itself. Right. Like I got a Jackie. I don't even you know, we just said we don't really like bags. I love my little red slouchy Jackie more than anything. So yeah, I do think he's really he's such a good product designer, too, in that sense that like it's all going to be good. Yeah. Yeah. I think the the challenge is no matter what he does, he's a bit cynical. That's just who he is. Like you look at Balenciaga. He's just cynical. He's just a cynical designer. I don't think it's on purpose.

44:21It's just what comes out. And I don't I respect it. I think it's interesting. Gucci's not a cynical brand. And so that is it's tricky. It's just tricky. And and I thought, look, like is every time better? Yes. Does it make you feel good when you see it on the runway? Not always because he's not a feel good designer. But like if it's working in store, then none of that matters. And it's still at least making us think. Like, does this feel a bit like remember when Hedy did the first Celine collection and we were all my God, like very stressed out? And then the second runway show was that like a beautiful collection and we all left like jumping up and down.

45:04Does this feel like that? Like the next season now he's going to be settled in? No, I don't think so. But yes, I was just talking about Hedy today because there's all these very funny things about him on the Internet right now. And I was thinking about because all I wanted was like bourgeoisie Hedy. And then the first collection was just like the Saint Laurent revenge collection. And I was like, no. And then the second collection, you were like, this is what I wanted. I wanted like a 70s jacket and high waisted jeans. Thank you. So I don't think so. I think that Demna is Demna and that is the end of it.

45:46And as long as it sells in the stores, that will be fine. And we'll see. I don't know. I mean, there is a lot going on at Caring right now. And I don't know. I just don't know what the future holds. But, you know, it's great to have a conversation. At least it's a conversation. Whereas with Sabato, like, what were we going to say? yeah okay okay moving on armani um did you go to emporio went to emporio and i was actually laughing with green because i was like i actually really like all this um obviously it looked like it was a lot of white looks clean slate waiting for dario i obviously as dario's number one fan i'm so excited to see what's gonna So I think we're just kind of in this holding pattern, but it's the most exciting thing that's happened for us to look forward to, at least for the next season.

46:45Yes, I would say Emporia Armani was fine. I was very happy for Anushka, who was like standing, who was the head of their comms, who was standing in the center and just like everybody was going to kiss the ring. And everyone just was like, I'm so happy for you. Except I actually like those clothes. The clothes were good. If you stopped and looked at them, you're like, oh, yeah, this is like the classic Armani stuff you want to have. I don't think anyone wants to have it. No one cares. Obviously, no one cares this season, but I'm telling you they were good. That's the only person who looked at the clothes.

47:19Yeah, I looked at the beaded. I would say from Giorgio. And I wrote about this a bit on Monday. I think the challenge is, look, like he's Dario's doing the accessories for Georgi Armani. Silvana is going to keep designing it. And then Dario's going to do Emporio. For now. For now. This is the understanding is like eventually he will do all of it in a succession, a natural succession plan and give this give this woman her flowers. She's worked her ass off for years. what I will say is on Sunday it really felt like there needed to be progression I during the week we had all been talking like maybe it'll be two years my assumption is the minute they sell it which they're working on more now it will he will get it and I mean I I think like it it felt to me like okay this actually needs to happen more quickly because the thing was when Armani is the same every single season when it was Armani, Giorgio Armani doing that.

48:29There's a level of understanding that a, this isn't a fashion brand, like it's a style brand. And if it's the same every single season, that is fine. Like, and also it, it did kind of come back in the, in the air. So we all sort of appreciate it. I think now people are going to be impatient, especially when they see now it's going to be interesting. Like that's, that's interesting yeah it's gonna be interesting like if he's doing accessories and maybe has a hand to the styling like maybe they don't need to accelerate but i think it was interesting marco bizari who's on the board who was at gucci with alessandro who i have no doubt had it had a role in dario getting that job like he i saw him in the second row there was like a lot of it's it's gonna happen it's gonna happen fast i also would say like i just think that the latest armani campaigns have been awesome they've been so good and so it's just gonna happen fast and it's an interesting i was talking to someone who works with you know italy and fashion and all that stuff at the armani show and they were saying that like it's just the whole industry there is changing right now.

49:45It's such a moment. And Armani's sort of the sort of core example of it. I also want to say that I went to Dolce and Dolce was great. I thought it was really good. It felt more of this time, like it was like almost Chanel-ified Dolce with a lot more. It felt, whereas Dolce is always kind of stuck in the past, it felt a little more in the mix of what's happening in the fashion conversation. And I thought it was fun. They have a lot of a lot of work to do too but um that's another brand that i think is just ripe for for being huge again i am wondering what's going on there because this summer we talked about this a bit this summer that they do this summer print capsule every summer and this summer's was especially good it has not been good in like a decade and this summer was really good uh so i feel like something's happening there yeah they have a new ceo they have this sort of they're working out the financing but they have Stefano Cantino, who was the CEO of Gucci and then worked at Weetan and worked at Prada for a long time and has it.

50:52His experiences at Weetan, he was head of comms and image at Prada. He did a bunch of different jobs. Obviously, he was at Gucci during the hell years and I'm sure learned a lot from his short time there. So I think he has a good sense. I think that Dolce and Gabbana, the men are, you know, they understand their place in the business and what they need to do. And there's a lot of work to be done. But I also think, as you know, this is someone who styles people, prominent figures in the world. Dolce and Gabbana clothes fit really well and are beautiful and people collect them. And so if you can kind of take that essence and bring it back there's there's just a lot of brands in italy that have not been screwed up that are that have a lot of potential and that is one of them and and i enjoy i really enjoyed the show it was the first time i had been to one of their shows in a long time other than the men's which was also awesome um during the summer but that i was like oh i have something to write about because usually you go and i'm like i don't all i have to write about is kylie jenner or whatever being late.

52:07Like there's nothing to say. It's literally the same thing every single year. And this time I was like, oh, they really worked to, it felt Dolce, but it felt like a step further. And that was exciting.

52:23Hey, our ride's almost here. Are you ready? Just grabbing my shoes. That's what you said 10 minutes ago. I just dropped a video call, uploading this giant file on my tablet, looking at my watch-go-bananas with the group chat, and, of course, still lining up tonight's playlist on my phone. All at once? Yep, story of my life. That's why I switched to T-Mobile. They have the fastest 5G network. Okay, multitasker, I see you. Honestly, I never imagined I could do all this at once. It's awesome. Say no more, I'm totally switching. My post is taking way too long to upload. That's a sign you've got to get T-Mobile.

53:03So many reasons to join T-Mobile. Find yours at T-Mobile.com.

53:12Fastest based on analysis by Ooklo Speed Test Intelligence data of national speed score results incorporating 5G download and upload speeds for the first half of 2026. A lot has changed since Bob's Discount Furniture opened its first store in 1991, but not the way they do business, a.k.a. the Bob's way. 35 years later, Bob's still carries today's latest trends at 90s-era prices, like the Aspen Sofa for just$3.99 with over 2 ,000 five-star reviews. Plus, it comes in two sizes and is the same price no matter which you choose. So everyone gets a seat no matter how big your 90s grunge band is. So stop in and celebrate 35 years of top-rated styles only at Bob's Discount Furniture.

53:55What did we miss, Bottega? It's a tough one for me. the clothes are really big yeah yeah i mean i think here is the answer if you look at ferragamo which which was it was great about that i loved ferragamo it was so good it looked like yves saint laurent yes light or as i said yves saint laurent zero because it was like like Coke Zero, but almost as good as the real thing. Totally. But like easier to put on. Totally. I love it. The shoes were great. He's a really good designer. The business is doing well. And I was thinking about it in the context of Bottega, which like. I actually think Max, the designer of Ferragamo, has many of his own ideas why this looked so much like Saint Laurent.

54:50I don't know. Styling. Never know the styling or I mean the pieces, though. I mean, the shoes, like everything, the shiny coats, the materials, everything, everything. The thing I will say is like, who knows why that happened? Like, was it a directive? What this guy is a is a real talent and that is unequivocal. And he made that look amazing, even though I didn't like see any of him in it. Whereas prior to that, the collections weren't strong, but you could see him in them. I mean, listen, I can use a lot of those clothes for a lot of different ladies. I loved it. Loved it. Exactly. I was thinking like I would wear this dress.

55:28I would wear that dress. Then you think about Bottega, which is not as blatant of a comparison, but the biggest criticism against Louise Trotter for her entire career. And look, you can look at Bottega and there's a heaviness and she's definitely lightened it up. First couple scenes felt too heavy. But the biggest sort of criticism of her is that she doesn't have her own vision. It's all other people's ideas. And now at Bottega, it's other people's ideas. And then this like idea of craft kind of overtaking what she's doing. And I thought, look, like, number one good thing was that the lighting made the photos great.

56:17So the, and, and this is stuff that like not every brand thinks about or, or does the opposite, but I think it helped her because the photos I took at Bottega were way better than the photos I took at even Prada or which also had good lighting or Jill or whatever. Like the, they looked amazing because of the way it was lit. And honestly, these brands need to think about that sometimes. So good on them on that. There were also, I think, a couple looks. There was a pastel look that was like purple and yellow and pink. It was really pretty. It was really pretty. And a friend of mine had, I went to a dinner for Carlos Nazario, who styled the Ferragamo show.

57:04And someone had a Bottega shirt on and it looked it was chic and cool and all that unfortunately i still don't see her i see now i see michael rider i see phoebe obviously i see all these other people and i see bottega as a leather goods house i don't see who this person is or a sense of and and i think the only thing I can think of is that she needs a really strong collaborator because she does I don't think she's working with Suzanne Kohler anymore because that seemed to get too they were too wrapped up in each other but I think that is the only thing that's going to make it work because she is by all accounts incredibly gracious lovely to work with wants to do a good job wants it to work has a high taste level, all of these things, it needs to be a step further.

58:06And I was thinking about like, if they had just like a cool designer in there, the handbags and the shoes at Bottega take care of themselves. Like Mattu did not create the Andiamo or whatever it's called. Right. I am looking at it now again for the third time. Yeah. The men's looks good. The women's continues to just not fit. If you shrunk some of these clothes a bit, I mean, these women are six feet tall. They could be pretty clothes, but the clothes continue to not fit the model. And therefore, it makes it really hard to take it off and put it on someone who's 5 '5". So it's just like I'm looking.

58:49The men's looks lovely because the clothes fit the men. So I just think like this could work. You just need to fix the shoulders and fix the wits. And it's just it's all too big. Yeah, I think that that is the easiest. I mean, that's the thing. That's the direct answer, obviously. Deeper than that. But like, I really think that could help a lot. The thing I will say is everybody wants her to succeed. Yes, I want I want more women involved. You know, like I want her to succeed. And especially by all accounts, very nice women who want to do a good job. Totally. Which like. So, yeah, I mean, it's like caring is a very interesting situation right now.

59:37Yeah. There is a world in which they just have completely new creative directors at every single caring brand in two years. That's wild. And I think that's it is going to get close to that. I think Louise honestly is in the best position of all of them in this crazy way, even though I would argue that that may be it should be the opposite, maybe. but like I do think I don't know it's just it's gonna be a time of transformation and very exciting and I hope she can find the right person to pull her out of it and make her make it stronger and the thing is like you're talking about the clothes she wears her clothes big like that's definitely a personal style thing and she looks great and she's very petite I wear clothes big too but like something about the way that these are translating on the runway is big and messy and like it just needs to be tightened up and then these like I'm looking at these clothes and they are beautiful clothes and I can see them working a size smaller yes and the thing I will also say is that with Mattu because I did buy some of that Bottega stuff and it was it did not always translate to retail.

1:00:59No. In the way it doesn't all have to. No. But she does sportswear really well. So I feel like she should lean into that. Like obviously her Joseph was great. Her Lacoste was great. Not that anyone was ever able to buy it. But like she has the ability to do awesome sportswear. So I think it's just. Yeah. And there were some really great shoes I thought. Yeah. The shoes are beautiful. The shoes are really good. Okay. So I think that are we done with that did we get everybody is there anyone we didn't talk about that we need to discuss okay what did you buy i bought a lot actually i shop more in milan than i do in paris it's just more my personal style i bought i bought an outfit at prada i bought as we all know now the little cotton bra top and i bought the matching um two layers of skirt the black sheer and the the white cotton poplin.

1:01:56And I got the re-edition rosette slingback, which I love so much and will probably wear very, very infrequently given how high they are. I'm very happy for you. Did you buy anything at Prada? No, I didn't go in. I'm going to wait till next season because I'm definitely going to get a skirt. Oh, yes, that's more you. I'm definitely going to get shoes. I will say after seeing this show, which I loved the show we just saw, it solidified my need for the fall. I was like, oh no, I really need these pieces now. And then I also shopped at Jill a little bit. You know, those work boots that they have in black and suede.

1:02:33I bought those in the black and some ready. I went in just for the boots and I came out with the boots and a skirt and a blazer. On the Jill pricing narrative, you feel like the pricing is better in Europe. The pricing is better in Europe and you get the D tax. it's definitely better. I like, I compared by like, I would say like for a blazer, you're going to save at least like$500. And then you have the detox. So you're going to save quite a bit. And the blazers are just so good, but the pricing in America on the Jill stuff is so insane that it's prohibitive. Yes. Yeah. I need to look, I might get a skirt, but I'm definitely going to get the yellow skirt next season.

1:03:21and maybe the, I might get that whole look. Oh, with the yellow skirt and the silky top? Yeah, I really love it. Ooh, fab. I love that for you. It's really good. I would not wear it with gray tights. It's too far. I mean, the colored tights are hard when you're 40 plus. I tried them with like black and it looked weird. I was like, I'm not, I think it's happening. We're going to have to wear them. You are going to have to do a piece about how to style them. I will tackle this challenge. But I do think that's an interesting thing about this skirt becoming more popular. And I wrote about it this weekend and I will continue to write about it all winter.

1:04:01But that they can be hard to style. So it'll be interesting, especially as it gets cold. Because the boot proposition is very specific. Yes. Yeah, I think the only thing I've bought this season so far is boots from Phoebe Philo. over knee the boot to wear with skirts. Yes. And I also tall boot. Yes. Or stirrup pants. I bought a pair of skinny navy wool pants that I wore them with to Bottega and a big shirt. That's wait. What navy pants? We actually can't talk about them on the podcast because it was from a secret place. Oh, amazing. That I'll tell you about that no one has ever written about. And I was invited as a consumer, not as a journalist.

1:04:54Great. Oh, my God. I can't wait. Someone will. I mean, this is a how to spend it story if I ever heard one. But yeah, I bought like a pair of and I expressly to wear with the Phoebe boots. But I think that I also have a pair of Saint Laurent really skinny jeans that I bought at the outlet that I'll probably just wear them. Like I'm going to have to buy skinny jeans to wear because these boots are amazing and I can't just wear skirts all the time. It's going to be an interesting winter because those are very specific boots and it's very easy for the knee high boot to become very basic B. And so it's like finding the right boots that don't translate that.

1:05:34You have to dress around. Well, these boots, I saw Samira bought I bought them also. Samira, the editor of Harper's Bizarro's incredible personal style. She wore them with a long, like a midi skirt. And it felt very like the way I dressed at the end of the two. She's an icon. She's cooler than me. Like I just, I can't, I have to wear them with a pencil skirt or with skinny jeans. Like I'm not going to be able to do a midi skirt. Maybe, but you need like a little tiny blazer. i have i think i might i think we could do this of for for you for the if we could do a baggier skirt if you did like a really shrunken fitted blazer you know i have a um a yoji fitted blazer that's very cute oh yeah but i think try that i don't know i do have i you know i didn't my i have this amazing midi skirt from the row from like 10 or 15 years ago that i left in LA though.

1:06:38We'll talk about it. Anyway, Becky, best meal of the, of the week. What was it for you? Oh my God. I don't know. You start. I can't even, I don't remember food like this. I had the most amazing food the entire week. All I did was eat. Okay. Tell me, you tell me, you tell me. My favorite thing was at Torre, the Prada restaurant in the Prada Foundation. wait why did you go there without me you were gone already oh okay i went there on friday night and i had so they have this risotto with raw shrimp that's like smoked incredible they had it with popper dell popper deli how do you pronounce it yeah popper dell popper dell instead it was like a special and honestly it was one of the best dishes i love anything smoked.

1:07:28And then on Sunday at Sandy, my favorite restaurant that I love. It's so good. It is poor people who own it, though. I'm like, I'm coming. I'm sorry, but I'm bringing someone I had only booked for one. I was like, and also I'm bringing my 30 kilograms back. They're just like this crazy American lady. I feel bad. They're very nice to me. But I had there I had an incredible tagliatelle pasta with smoked eel and cabbage that was incredible it was so good like i just had the best food this week i was so happy when i got home the only thing i would say is like most of the desserts i had were not good but the food itself it was like the best eating week because i've stopped going to these stupid fashion places that like don't actually have good food i'm only going to good restaurants now and i feel it was just such a wonderful week the weather was beautiful the clothes were good the shopping was great the food was amazing i'm very pleased also i had great wine at the prada restaurant too like it was just a really that restaurant is so good it's so good it's so beautiful too you know the other thing we have to talk about is that the food is so good and it's like nine euro yes it's like when we it's so shocking yeah we went with federica salto another wonderful newsletter writer who's based in Italy and her friend and we had a normal, I was like, can we just go to a normal restaurant?

1:08:57It was so good. It was so good. And it was 44 years a person. And we had a bottle of wine too. We had so many courses, so much wine and they were like, God, this is expensive. And I'm like, oh my God, this is a quarter of what it would cost at home. I know. It was so good. We had a great time. Thank you, Federica, for organizing that because it was much needed. Becky, I'm looking forward to the meals we're going to have in Paris. I can't wait. I'll see you in two days. I can't wait. You have a good time with your family. Thank you. Talk to you soon. Talk soon. Fashion People is a presentation of Odyssey in partnership with Puck.

1:09:34The show is produced and edited by Molly Nugent. Special thanks to Puck co-founder John Kelly, executive editor Ben Landy, producer Maya Tribbett, and director of editorial operations Gabby Grossman. An additional thanks to the team at Odyssey, Kelly Turner and Bob Tabador.

1:09:55I'm attorney Kevin Rowe. A car wreck can turn your entire life upside down. And when that happens, make one call. That's all to Lerner and Rowe. Our local legal team is ready to go to work for you, working hard to get you the money you deserve. We'll handle the legal process so you can focus on what matters most, your recovery. From start to finish, we're here for you. Call Lerner and Rowe today. Lerner and Rowe are the lawyers for you. Call 222-2222. Jonathan Foust, Managing Attorney, 114 East Cermax, Chicago.