Lauren Sanchez's New Bag

30 Jan 2026 · 40 min · 11 chapters

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Fashion People Podcast Episode Notes

Episode Title

Lauren Sanchez's New Bag Hosts: Lauren Sherman and Chantal Fernandez Air Date: [Insert Date Here] Podcast Description: The episode dives into the role of Very Important Customers (V.I.C.s) in the fashion industry, particularly focusing on the case of Lauren Sánchez Bezos and the implications of her influence on luxury brands.

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Key Topics Discussed

Introduction to V.I.C.s

  • Definition: V.I.C. stands for Very Important Customers who spend significantly on luxury brands.
  • Market Influence: The top 2% of customers generate over 40% of sales for luxury brands, showcasing their economic power.
  • Evolution: The number of V.I.C.s has grown alongside income disparity, making them increasingly vital for brands.

Lauren Sánchez Bezos

  • Emergence as a V.I.C.: Discussion on how Lauren Sánchez has quickly become influential in the fashion world.
  • Public Reaction: Controversy surrounding her engagement with high-end fashion brands and her visibility at couture shows.
  • Access to Designers: The episode highlights how her connections allow her more personal access to designers, compared to traditional V.I.C.s.

The Economics of Engaging V.I.C.s

  • Cost Analysis for Brands:
  • Brands may spend upwards of $30,000 to host V.I.C.s at fashion shows (flights, accommodations, and experiences).
  • The trade-off between spending on hospitality versus the profits generated from these high-spending clients.
  • Tiers of Spending:
  • Different levels of V.I.C.s based on spending as well as brand loyalty.
  • Couture clients are generally expected to spend significantly more compared to ready-to-wear customers.

Couture Week Insights

  • Design Commentary: Lauren shares thoughts on the recent Couture Week, particularly about Chanel and Dior collections.
  • Consumer Trends: Discussion on how brands are adapting collections to appeal to a younger demographic without losing traditional customers.
  • Luxury Market State: Mention of a slowdown in the luxury market and expectations for future growth.

Brand Relationships and Consumer Behavior

  • Expectations of Luxury Brands: The necessity for brands to cultivate and maintain relationships with their V.I.C.s, despite potential ethical concerns surrounding clients.
  • Evolving Clientele: How younger clients often aspire to emulate high-profile personalities and the influence of social media on luxury consumption.

Case Study

Victoria’s Secret

  • Documentary Discussion: Brief discussion on a new documentary about Victoria’s Secret and the brand's current marketing strategies.
  • Brand Evolution: Analysis of how Victoria's Secret is repositioning itself in light of changing consumer expectations.

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Key Takeaways

  • Capitalism in Fashion: The podcast underscores that fashion is a capitalist business, with brands needing to prioritize profitability.
  • Consumer Dynamics: There is a significant shift in consumer behavior as luxury brands cater to a more diverse and sometimes controversial clientele.
  • Fashion's Future: The conversation illustrates the challenges and transformations within luxury fashion as it navigates current economic landscapes.

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Closing Thoughts

  • Personal Reflections by Hosts: The episode wraps with reflections on the exciting yet challenging landscape of the fashion industry, as well as the personal experiences of the hosts during recent events.

Additional Resources

  • To gain further insights, listeners are encouraged to subscribe to Line Sheet at Puck and engage with the broader discussion on luxury, beauty, and fashion trends.

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*For more episodes and insights, visit [Fashion People](https://puck.news/fashion-people) and follow the discussions.*

Written by AI. May contain mistakes. Listen to the episode to check what was said.

Chapters

Tap a time to open that second in VO

Insights on Victoria's Secret

3:04 to 4:19

Discussion on the Victoria's Secret documentary and its implications.

“If you're interested, listeners of Fashion People get a discount.”

Chanel and Dior Fashion Shows

4:19 to 5:10

Review of recent Chanel and Dior fashion shows and their approaches.

“rest of Couture since you all have been asking.”

Luxury Market Trends

5:10 to 6:14

Analysis of current trends and challenges in the luxury fashion market.

“But in this case, it's been really fun for me to write about because I love it.”

Fashion Designer Insights

6:14 to 9:33

Deep dive into the creative processes and challenges faced by designers.

“Like if you talk to someone who works at Saks or Nordstrom, like a personal shopper, they're kind of the women in their forties and fifties.”

Personal Experiences and Fashion

9:33 to 14:00

Lauren and Chantal share personal anecdotes related to fashion and parenting.

“And that is, I don't know how he's going to keep it up.”

Victoria's Secret Documentary Discussion

14:02 to 17:46

Learn about the new Victoria's Secret documentary and its central character Adam Selman.

“And I was supposed to meet you at 6.15 to do this.”

The Importance of Very Important Customers (VICs)

17:46 to 20:09

Understand the role of Very Important Customers in luxury fashion and their growing influence.

“They always were, but in the era of only really expensive stuff sells, they became increasingly valuable to these big companies.”

Couture Shows and Customer Spending

22:11 to 28:01

Explore the economics of couture shows and the expectations of luxury brands.

“There's like the VIC, VIIC, VIIC, you know, it depends on like Like the couture customer, I assume, is sort of the top of the heap.”

Lauren Sanchez and the Met Gala

28:01 to 31:30

Discussion on Lauren Sanchez's influence on fashion and luxury brands.

“Clearly, Lauren Sanchez was one of those people this season.”

Luxury Brands and Client Relationships

32:37 to 36:58

Exploration of how luxury brands manage their relationships with clients and influencers.

“On a smaller level, you can look at something like what happened with the row and that sub stacker whose name is.”
Show all 11 chapters

Couture Trends and Red Carpet Expectations

36:59 to 40:32

Analysis of recent couture trends and their applicability to red carpet events.

“Yeah, those resort and pre-fall shows that they do in different cities, they are often very client-focused.”
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Transcript

Automatic transcript. May contain errors.

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2:33Chantal Fernandez:Hello and welcome to Fashion People. I'm Lauren Sherman, writer of tux fashion and beauty memo line sheet. And today with me on the show is Chantal Fernandez, writer at The Cut and New York Magazine. Chantal is here to take us inside the world of very important customers, also known as VICs. She tells us how much they're spending with luxury brands, what luxury does to keep them spending, how Lauren Sanchez Bezos became their queen bee in just a week, and so much more. before we get going I wanted to remind you that if you like this podcast you'll definitely love where I send an email called line sheet if you're a fashion person you get that reference it's an original look at what's really going on inside the fashion and beauty industries line sheet is scoopy analytical and above all fun along with me a subscription to puck gains you access to an unmatched roster of experts reporting on powerful people and companies in entertainment, media, sports, politics, finance, the art world, and much more.

3:37Chantal Fernandez:If you're interested, listeners of Fashion People get a discount. Just go to puck.news slash fashion people to join puck or start a free trial.

3:49Chantal Fernandez:Happy Friday, everyone. Hope you had a great week. I am back in Los Angeles for exactly eight days. I'm very happy to be here. The weather is beautiful. I hope to see many of you. But you know, I had an amazing time in Paris. And I am glad that my family and I are going to be there for a good chunk this year. So much going on. I learned so much in just a few days. And a lot of that reporting will come out in the coming weeks. But it was it was a great trip. Check out line sheet for some fun scoops and such. But I also wanted to very quickly offer some notes on the rest of Couture since you all have been asking.

4:23Chantal Fernandez:I know many of you are not crossover readers, but you should be. Sign up. It's not that much money. You can expense it. Anyway, first of all, I wanted to tell you all that Jacob Gallagher would love everyone to know that he loves Chanel. He totally got it. So anyone who was wondering, I had a couple people DM me about him. Hopefully, he changed his mind. Now that he saw this Couture, he did. He thought it was fabulous. He stands by his feelings about the New York show, but whatever. He'll come around someday. Anyway, my personal take was that it was the exact right proposal of what couture should be, which is what I wrote.

4:59Chantal Fernandez:And couture is a very unique category because it's like the ultimate example of selling a dream, but you also do like ostensibly have to sell the clothes and most of them do get sold. Not a ton, but you know, like these are$300 ,000,$400 ,000 pieces and some people just sell one set some people sell one set per region some people sell five of each you know that type of thing but it's and you can customize it blah blah blah but anyway it's not like a volume play but it is a good chunk of money in terms of Chanel in particular I know we talked a lot about Dior with Chris earlier in the week but in terms of Chanel I you know obviously personally loved it it's it really is any fashion writer or critic who says that their own taste doesn't kind of come into their assessment of brands as lying and you have to be like super aware of it.

5:49Chantal Fernandez:But in this case, it's been really fun for me to write about because I love it. And I also think it's really well done. I would say if I was a rich lady, that's what I would be buying. But I know people who bought some of the Dior, it looks fabulous too. So on the Chanel, I we all obviously wanted these shoes and again it's just like a very clear indication that Chanel the two-tone kind of round pumps understands its brand positioning and its need to change a bit for a younger consumer I'm not talking about like Gen Z I'm talking about like 40 year old women or 35 year old women it needs to be conservative and not trendy but it does need to speak to how people have changed.

6:32Chantal Fernandez:Like if you talk to someone who works at Saks or Nordstrom, like a personal shopper, they're kind of the women in their forties and fifties. They buy the row, they buy Phoebe Philo, they buy Givenchy. They're not, they don't want to look like old ladies. So the, yes, the aesthetics are all different, but I would say that there is a customer there and that's where the customer in the U.S. with a lot of disposable income has moved and the Chanel Ready to Wear in particular, I think, is this kind of cemented that he knows what he's doing. And there was a lot for a lot of the clients that the older clients too, that maybe preferred the sort of more whimsical Lagerfeld.

7:20Chantal Fernandez:There was a lot of whimsy in this too. But I think that they understand that They don't want to be trendy, but they also need to speak with what's happening in the market and with consumers. I thought that he just really struck a great balance. I also really like Dior, and I thought online Dior was more striking. And I wrote about this. It's interesting. They were both great in person, and I feel very happy that I got to see both. It's super valuable. Well, I don't get to go to shows all the time, but in this case I didn't. It was really, really great. I think that the lighting at Chanel, for someone like me who just takes a few photos, wasn't great.

8:04Chantal Fernandez:My photos weren't great because I am not an expert photographer. Whereas Dior, I didn't have as good of a seat and my photos were just way better and more dynamic because of the lighting. And also his color palette was more saturated Jonathan's than Mattu's. But I would say in person, the Dior was amazing. It was like a thinky collection because that's who he is. And there was a lot to love. And also there was a ton on offer for the client when you went in. I think there were 60 looks and there were 100 looks when you went in. So a lot of what I heard from the VIC pool was that they were excited about the other stuff too.

8:44Chantal Fernandez:And it sold extremely well and people bought it. There are a lot of galas coming up in the spring. um well I don't know how maybe it will be ready for Matt I have no idea how that works it might be too too long of a lead time anyway or for fall what have you but um I thought it was great but I thought that like Dior won online and Chanel won offline but they were both fabulous and both were very clear the headline on the puck piece about Jonathan's collection Anderson's collection was that like this is why he got the job and I think that and I think that about Matt too as well um I think Jonathan's job is harder than Matu's.

9:20Chantal Fernandez:They're both really hard. And it's been fun to see how it goes. And obviously, we love Matu's taste in music. Joan Baez, Oasis, The Verve. You love to see it. And that is, I don't know how he's going to keep it up. My suggestion is Jewel, Foolish Games. I thought it was coming on Tuesday. I thought that was going to be what he ended with. So let's see. that's my suggestion if someone at Chanel's listening and wants to whisper that in his his ear I also just wanted to say that like this was all happening in the backdrop of this luxury industry slowdown on Tuesday LVMH released their earnings and kind of said this year 2026 it's not gonna be super easy they have a lot of they did really well at Louis Vuitton last year because of the Murakami stuff early in the year and they're gonna have to as they call it a retail anniversary it which isn't going to be easy hopefully the ship and shang to high and all the like crazy renovation of stores which seems to be really successful for them will help but look like i think the market was i don't know it's the the shares dropped seven percent i think they're being a little bit too negative like this business is not going away it's still going to be incredibly profitable it's just we it it's not the center of consumer spending anymore other things are.

10:42Chantal Fernandez:And that was going to happen no matter what, but the pandemic just sort of delayed it. And one of the hilarious things from the Bay and Altagama report was that cruises are up 12%. And so many people messaged me and said, that's crazy, but people love cruises. I will never go on a cruise. But a lot of people like them, rich and poor people, and like Wilco does cruises, people love cruises. So it's just all happening on the backdrop of that. And we have to see all these businesses manage it because it's look like Dior, Celine at LVMH. These brands are going to see a big bump because they were down a lot last year.

11:18Chantal Fernandez:Is it going to be the same kind of growth that they saw for the last 15 years? I don't think so. And they just need to manage for that. And I'm sure there are small people in that building doing buildings, doing modeling to be careful of that. Obviously, companies like Chanel and Hermes, which are owned by the families, are just really I mean LVMH is controlled by the family but those are private businesses and mostly private Hermes obviously has some public offering but the point being that like it's gonna be easier for Hermes and Chanel to manage it LVMH has a much bigger bigger challenge on on their hands but I think it's manageable and I'm excited to see how well Celine does I every single person I talked to this week was like buying Celine.

12:06Chantal Fernandez:I want Celine across like real fashion people. And that's exciting. And I think it's going to it's going to hit. So I hope that they do. LVMH does one of those things where they're like exceptional performances. Celine, even though they'll never break the numbers out. Maybe they will someday, but it's I think it's going to be good. And finally, the other thing I just wanted to say is I love that sea glass green color that Matt to Blasi is introduced in his first collection. It's a very Chanel color. And obviously the red that he paired it with is a very Chanel red. But it was so it's like my favorite color combination ever.

12:42Chantal Fernandez:It was my bridesmaids dresses were that color, which should I have had bridesmaids? Should we have just set a 50 person wedding? Anyway, but I love that. It's my favorite color combination of all time. And he did it again in his show. But I also saw it. There was like tons of they called it jade at armani which the armani couture was exceptional it was just amazing and if like these clients like they're just so spoiled if you have the money there is a beautiful clothes and also valentino used it he his red was like a little bit more magenta but i love i just love this color combo and i can't wait to see it in every single um i've always wanted a kitchen in that combo too.

13:23Chantal Fernandez:It's very Italian. I love it. Anyway, read more by subscribing to Line Sheet at Puck. And let's get going with Chantal.

13:34Chantal Fernandez:Chantal Fernandez, welcome back to Fashion People. Hi, how are you? I'm so good. Thanks. How are you doing? How's the baby?

13:42Lauren Sanchez:He's really good. He's in potted plant phase and just very cute. I've never heard that term, but I understand it. Yeah. No crawling, just sitting and being cute. Oh, you're so lucky. Just wait.

13:56Chantal Fernandez:It does, you know, it does get more and more fun. Although this morning, it's quite early here. It's almost 6.30 a.m. here. And I was supposed to meet you at 6.15 to do this. And Fritz came into my room at 5 30 was like i'm sick and i also feel sick in a different way because i had over 24 hour commute home from paris and so i feel terrible this is like the sickest i felt in like decades and he's like i am sick i cannot go to school and i'm like i don't understand what to do I'm sorry and Dan is all it's fine it's fine so you were telling me there's a new Victoria's Secret documentary that I didn't even see but you already watched it tell me all about it as I'm sure many of you know Chantal and I co-authored a book together called Victoria's Secret no it's called Selling Sexy Victoria's Secret and the Unraveling of an American Icon and you can buy it anywhere books are sold or listen to it anywhere books are sold but tell me about this doc who did it why didn't they call us they probably did i feel like so many people called us about this stuff and i was like we would just be like okay fine and then nothing

15:16Lauren Sanchez:would come of it well they reached out to the to the cut to share it so that's why how it got to me but um it's not very i mean it's not very long they made it themselves about the last fashion show it's like 20 25 minutes long and it doesn't have a ton of views on youtube or anything but it's very sweet because it's all through the eyes of Adam Selman. And my big takeaway was like, they really made a good decision in having like such a likable central character to this current phase. Like he's just so lovely to watch. And like Amy Sedaris is there. He's just, you know, he's very, and it's his first show.

15:52Lauren Sanchez:So it's all through his eyes of like experiencing it for the first time. And the models are like, oh yeah, we've done this a million times. So it's, it's kind of sweet in that way is this um was it supported by the brand or is it separate yeah yeah no no no it's like fully brand content that they are it's like another way that they're

16:08Chantal Fernandez:marketing it yes okay now i understand why they didn't ask us to yes no no it's it's it's marketing of their i thought it was one of these people who called and were like we're gonna do it i'm like someone already did a documentary no no no you're never gonna find out the thing you want to find

16:23Lauren Sanchez:out. No, this is like content from the brand, like another way that they are sort of playing with the history of the fashion show and all the behind the scenes clips instead of doing those little segments that they used to do. I guess they put it all into this one documentary is very sweet.

16:38Chantal Fernandez:Well, I love saying that Adam Selman is the Ed Razek of his generation, which I'm sure there are people who love that comparison. And I don't think that comparison is quite right, because he's like a designer no but his job is ed's job he's not sure he does not design he's head of marketing and and all that stuff yeah but i think he has a different sense of it yeah sure but the actual job is the same job which is interesting it is interesting because he's like obviously complete opposite from ed rizek in every single way also an awesome just a great person. I'm really happy for him. It's done very well.

17:19Chantal Fernandez:Like the brand has performed in recent months. And a lot of that has to do with how they manage the show. And I was extremely skeptical. And I still think like, is it modern to do that? I don't know. But it's working so good for them.

17:32Lauren Sanchez:Yeah. And I think he has a good sense of like the campiness of it, but not going too far into that. So it was it was interesting to watch. I don't know how many people would like organically watch this unless you're a super fan. Sort of that audience is so much smaller. But

17:46Chantal Fernandez:it was interesting they put it out yeah that's interesting well thank you for the update and thanks for doing the the homework as always okay so the reason I wanted to have you on this week is I just got back I was in Paris for like five days and I went to a bunch of tour shows and I hadn't been well I had been like probably to a couple in the last few years but not like gone to all of them in probably 10 years and what I either it was January so I think they're smaller overall because it's cold and it was you know obviously snowing in new york there was a lot of stuff like keeping people in their homes but um the shows were really tiny and they were mostly made up of clients customers who will buy these pieces some of them cost a million dollars a dress some of them are you know three a lot of stuff is like three four hundred five hundred thousand dollars and so i obviously people talk about vics a lot but i thought that this piece you did how was it like about a year ago on the cut or yeah or um i think it was for the fashion issue not last year but the year before okay so like a year and a half ago about vics and why very important customers is the long long version of what they're called and and how they They've become so important.

19:06Chantal Fernandez:They always were, but in the era of only really expensive stuff sells, they became increasingly valuable to these big companies. And I guess to start, can you just kind of explain what a VIC is and how it's evolved over the years? Because they've always existed.

19:28Lauren Sanchez:Yeah, I think there's just more of them and they carry more weight in this industry as it's gotten bigger. there's a stat that I think originated from our friends at Business of Fashion, but that the top 2 % of customers generate more than 40 % of sales for these luxury brands. And I'm sure that number, that ratio has only gotten more stark.

19:48Chantal Fernandez:Yeah. For like multi-brand retailers, a lot of times it's like 80%. It's crazy.

19:54Lauren Sanchez:So yeah, their influence in this business is grown. There's more of them. The wealth of the wealthiest people in the world has grown. Income disparity has grown. So it's just the focus on them is more than it was, you know, a decade or two ago. And there's many more of them at shows as a result. So yeah, a very important customer is someone who spends an outsized amount at a brand or at a department store and is rewarded and sort of encouraged to keep spending with a bunch of perks that have nothing to do with dresses and handbags, whether it's invitations to shows, trips, anything you name it.

20:34Lauren Sanchez:It's sort of like these brands have turned into hospitality machines to keep these people entertained and excited and also give them a place to wear what they buy. Even if you're the richest person in, I don't know, Utah, you're probably still wearing your workout clothing most of the time when you're home. And then this is an opportunity to wear that couture dress you bought is to go to, you know, a fancy dinner or a ball or whatever in, you know, twice a year.

21:06Lauren Sanchez:Ladies and gentlemen, welcome aboard Air France Business Cabin. Here, every detail matters in elevating your journey. From priority access to your arrival, to menus created by Michelin Star Chefs, high-speed Wi-Fi powered by Starlink, or mattress topper designed by a leading luxury hotel. Thoughtful touches in the air and on the ground, all crafted with your well-being in mind. Air France Business Cabin, the art of travel elevated. Elegance is a journey. Air France. See conditions at airfrance.us. Hey there, Poodle and Maddie here from Reality Gaze. Do you love reality shows about a bunch of women with matching hair extensions trying to fight against the patriarchy of the Mormon church?

21:46Lauren Sanchez:Who doesn't? The Secret Lives of Mormon Wives is back on Hulu, and Taylor Frankie Paul has returned with her Mormon Minions.

21:53Chantal Fernandez:And we are recapping all the drama on Reality Gaze. This show has us fully overstimulated. It's messy. It's Mormon. It's everything. Follow and listen to Reality Gaze wherever you get your podcasts.

22:08Chantal Fernandez:The question I have for you, let's start with because there are different tiers of these things. There's like the VIC, VIIC, VIIC, you know, it depends on like Like the couture customer, I assume, is sort of the top of the heap. But it's also like you buy one or two pieces that are really expensive instead of buying a bunch of stuff. But these runway shows, like I've heard figures and I'm curious what you found in your reporting. I've heard figures that like a person who gets invited to a runway show often are ready to wear runway show. so that's like normal clothes we'll spend like you know upward of 200 grand a year but the thing is that like it costs them to to get these people over to fly them first class to put them up at the ritz or wherever they put them to wine and dine them to wherever it is that's like 30 grand a person.

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23:07Chantal Fernandez:So like it's really cutting into, you're taking 200 grand, same, your profit off of that after, you know, the margin on that is 40 % or something like you're 60, you're lucky at 60%. That's 90 grand. Then you're putting 30 grand into doing this stuff for them. And then you're left with like a 60 grand profit that's still pretty good but like what is the reasoning and do they do you know anything about how they sort of put this on the balance sheet I assume that they allot this they like write it off in marketing but I was just curious if you looked into that bit at all and generally how much you heard these brands were requiring people to spend in order to come to these shows.

23:57Lauren Sanchez:Yeah, I heard the same. It's like 200 to 300K. But it really sort of breaks down to like, what are people spending? So if you have someone in your region who's spending a lot, then you get bumped down the list. But yeah, 200 to 300K plus is what I was hearing for sort of the bigger brands. But if it's a smaller designer, it's easier to get in there. Maybe you're only spending 30K a year or something like that. And I would also say in terms of what the brand is paying, I think it varies. They're not always paying for flights and hotels. I think that is tiered out also. Maybe they, you know, a lot of these people have their own planes.

24:31Lauren Sanchez:They don't need you to get them there and they don't mind paying for the hotel. But what the brand is really organizing for them is like, you know, the Chanel show that was in the subway in December, they hosted a private nutcracker show, you know, a cocktail party at the Frick. So there's kind of that stuff around it that they're also organizing and paying for it. So it's not always that they're paying for the full hotels, but they are sometimes paying for makeup artist, photographer to come along with you. So the perks really vary, I think, depending on the person and the spend to make it work out.

25:05Chantal Fernandez:What did you hear about couture in particular? Because there were some little details that I heard that were really interesting, but I'm curious, because that's a different league, right yeah like going to couture being invited to couture and then also being at like welcome to buy

25:22Lauren Sanchez:something yeah i what i heard because i was speaking primarily to vics on the ready-to-wear side what i was hearing is they sort of that they were being encouraged to bridge up into couture so maybe they were invited to couture show they'd never shopped couture before but they had already established themselves as a good ready-to-wear customer and the brand was trying to tell them like this is how it works like this could be interesting so it's a lot of kind of enticing people into that world that were more in the ready-to-wear side got it yeah it was interesting

25:50Chantal Fernandez:because i think the big narrative during this fashion week was this lauren lauren sanchez being a couture the whole time she was with anna winter she was with the stylist la roach she was at the shows people were really enraged like i'm getting dms people mad about it look like this is not a commune. Like this is not, we are not, fashion is a capitalist business. Like I don't understand what they think has been going on for years. Like if they think she's bad, imagine all the other people that buy these dresses. Like there are a lot of ethically questionable people buying these dresses. And there's a great Max Berlinger, our friend posted a great quote from Kathy Horn from the late 90s saying like fashion brands don't discriminate.

26:39They, if you have the money,

26:41Chantal Fernandez:you can, you can buy something. Um, I do think they are like, I think it depends on the brand. I think the higher up you are, the, the more you need to have, um, like shown that you are capable and be that you, maybe you bought ready to wear for three seasons or something like that. I think that they're not just like letting anyone have an appointment. I think like you have to prove yourself a bit. But generally, like, what do you think about all this Lauren Sanchez stuff? Because it's just been interesting to me that people are upset when the reality of it is like this is she is an example of like, that's what the whole business is.

27:26Chantal Fernandez:are these like kind of cheesy, ethically questionable people who have billions of dollars.

27:33Lauren Sanchez:Totally. I think what's grading people is not just that she's buying, it's that she's backstage hugging the photos. Like it's clear how chummy and close and she's getting that access, that personal access. You know, a lot of these VICs, maybe they'll get a quick FaceTime with a designer, but that's what one of the clients told me who had been, you know, shopping for decades. She's like, I was able to become friends with these people, with the designers, and now they barely have a second for me because they're so busy. So who are they making time for? Clearly, Lauren Sanchez was one of those people this season.

28:04Lauren Sanchez:And I think that's what's really grating to people and the timing with the Minnesota stuff. It's just, it was very challenging, but it's really interesting to see that conversation online. I'm curious what's going to happen with the Met Gala and all of that. But yeah, of course, when I was doing this VIC story. I spent hours and hours and hours trying to find these people and then figuring out like what their source of wealth is. And yeah, there's some unethical things happening and then it's become someone's daughter or wife or whatever. And then they're shopping. And it's really interesting to kind of track that.

28:38Lauren Sanchez:But I think Lauren Sanchez in some ways represents a sort of idealized VIC where she's changed the way that she's dressing from a couple of years ago. like her or not, she is certainly dressing better by industry standards. And she's fun. Like, that's what everyone says about her. She's a fun person. And, you know, I'm sure she brings a lot of attention everywhere she goes. So maybe it works out for the brands. But again, it's like the Arnault's, you know, putting in a lot of time with Trump. It's sort of all a version of the same thing. And I think it's natural to feel icky about it. It is icky, but it's not new.

29:16Yeah, I think that's the thing that is, I feel like is not understood is that, sure, if you think it's wrong that they're engaging with them, feel free to say that.

29:30Chantal Fernandez:I think the issue is like, this is a business. You don't get to choose who buys your things and who doesn't. Like these are capitalist businesses that people have like emotionally invested in. And, you know, if you don't like that, then don't buy any luxury. I don't know. I just I think like. I understand that at some point there will be a line. And I think what was happening in Minnesota. Made it clear that that line will, you know, will be obvious sooner than later. and the people who were on the wrong side of the line will look really terrible. But I think generally, when it comes to the Bezos' in particular, I find, I don't know.

30:18Chantal Fernandez:I mean, I'm not, I think they act ridiculous and I'm not. But I just like, I'm just like, I understand why the brands are engaging with them. Like I don't, I think sure, should they really think about it? maybe. But then if they didn't have her, they're putting, they're leaving money on the table. And also he's powerful.

30:42Lauren Sanchez:I will say also a story that came out of my VIC story was about one of these luxury brands uninviting a VIC because they didn't like the way that she looked, even though she spent, she was a massive spender, but the creative director didn't want her front row because he felt like it was diluting the brand's coolness, essentially, because of the way her hair was, because of the way she looked. So there is sort of precedent for like, yes, people are free to buy what they want, but maybe they won't be embraced in the same way where you get invited to all these things. So clearly these brands have decided they love Lauren.

31:18Lauren Sanchez:I mean, she's sponsoring the Met Gala. Like she's, as Rachel wrote for CNN, she's like, she's as in as you can be right now. So everyone has seemed to have made their decision and we'll see what the ramifications are.

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32:37Chantal Fernandez:On a smaller level, you can look at something like what happened with the row and that sub stacker whose name is. Did you see Neelam? Is that a name? where she was sort of, she met, according to her substack, this is a Canadian woman who's like very chic and used to wear head to toe the row and was like basically a substacker about the row. Like she would just post photos of herself in clothes from the row. And the way she puts it is that she met one of them in the store, they invited her to a show. and this was a time where they were sort of experimenting, inviting more influencers to things.

33:24Chantal Fernandez:And then something happened where she felt like they were pressuring her too much to like link directly to them instead of my Teresa, where there's a great affiliate return or whatever. And it became this like silly thing where she wrote the subsect, the subsect series. She put it behind a paywall. people are buying it and forwarding it to people it was like everyone was talking about it because the row is so snobby so it like the the snobby brand that had like the chicest client it's not like she looked didn't look amazing and so many people like my friend claire her mother barbara who listens to this sometimes shout out to barbara she was she is like a big customer of the row and she followed her and was like what is going on and it was just an interesting because i was like this this lady needs to chill out like they can invite whoever they want on the other hand they need to be careful if they want to control stuff so much they just need to not invite people like that ever and so I wonder if they felt like it was a lesson to them but I I'm sure there's a balance going on like that at every brand the row is unique because they're small so they can be really selective and also um also like their brand is so perfect pristine but i was just curious what

34:45Lauren Sanchez:you thought about that i think a lot of these luxury brands have clients that they're ashamed of but that they have to keep entertaining and they can't these people are buying from them they can't force them to to wear the clothing in a certain way um i think in that situation it's interesting because it's sort of the blurring between an influencer and a client, which is also something I'm seeing because a lot of these top clients... Morgan Stewart also. Right. I think Morgan has a good approach to the internet, but a lot of them are sort of coming to this maybe for the first time. They want to kind of be a mini Lauren Sanchez, a mini Kim Kardashian, and this is their hobby.

35:21Lauren Sanchez:And they make it into their sort of online personal brand. And maybe the way that they post about it is tacky. And that's something to navigate as well. You know, that's a personal shopper had told me, you know, he advises some of his clients, like, don't post stuff like that with so many logos. You don't look good. Like the brands are never going to invite you to the runway show if your Instagram looks like this. So the brands are looking at all of this stuff to the extent that they can when they're deciding, you know, when you have two people spend the same amount and you're deciding who gets the invite, like a lot of it comes down to this behavior and who they're sort of proud of or not.

35:55Lauren Sanchez:But yeah, I mean, the VSC, as someone told me for that story, is like quite tacky in a lot of cases. And the brands have to navigate that. But that's this business as it is now where it's so global and giant and kind of difficult to control in that way. They can't force the client to behave in a certain way, especially now that they are so public about their shopping online. Yeah.

36:18Chantal Fernandez:So that's, I guess, my other question is, are a lot of these people doing this to sort of make, It feels almost like a sorority type thing where you're doing it to make friends. And the entry fees, the hazing is like not having the great appointment slot or whatever.

36:37Lauren Sanchez:I think some people do it to make friends, especially among the younger people. Like I talked to a lot of people who are in Vogue 100, which is also kind of a community that you buy into. And people become friends and see each other at all these shows. I think there's a type of vic that we never see at shows who never wants to meet other clients and doesn't care about this at all I think it varies it varies, you know, there's just people who are fashion lovers and This is this is a thrill for them But there's some people who treat it like a job because maybe they have their their dallas, you know Philanthropy calendar is so intense that they need to be planning, you know This far in advance for what they're going to wear

37:17Chantal Fernandez:and in terms of um regional like i'm sure you talk to mostly u.s people but are more and more of these people i assume are in the middle east in particular in china and i assume that's where a lot of the growth of this area of the business is coming from yes the u.s is still really strong and we

37:36Lauren Sanchez:can see that in the number of shows that are taking place here um yeah in the next year like i feel like everyone's coming here to do some kind of a a special local show and part of that is to cater to the clients.

37:49Chantal Fernandez:Yeah, those resort and pre-fall shows that they do in different cities, they are often very client-focused. So for people listening, like you go and that's, again,

38:01Lauren Sanchez:it's like half clients at the shows. And then they'll do sort of repeat shows that already took place in a different city in places in the US or in Shanghai. And that's another way to get clients excited.

38:14Chantal Fernandez:Yeah, yeah.

38:15Lauren Sanchez:Chantal, what did you think of Couture? I thought it was beautiful and interesting in the way that some of it didn't sort of translate purely to Instagram, which I think is healthy and indicative of who the customer is there. I agree. And I'm interested. I have been a little perplexed by some of the red carpet use of these debut collections, and I thought it looked better, and I'm interested to see how it translates to the red carpet.

38:42Chantal Fernandez:Yeah, same. I thought that the Dior in particular, there was a lot of stuff that's good for Oscars that just been hard. I think that obviously that's a very big job. And so there's a lot of moving parts. And I don't think anything has like they've totally nailed a red carpet dress yet. And I think the silhouettes in the couture were as much that they could. So I think it'll be interesting to see. And it'd also be interesting to see Chanel was, you know, as many people have pointed out, a lot of day wear. So, you know, some of that can work for Oscars. The really light, the light musseline, very, very, very light dresses.

39:26Chantal Fernandez:They could figure something out and make it more formal looking. But a lot of it, it wasn't casual, but it was definitely day wear. And so I bet there were obviously Oscars is when you do customs. So, but I think it, I agree. It was a good, and I thought Armani was really beautiful. Schiaparelli will do a couple good Oscars. It's, it'll be interesting.

39:46Lauren Sanchez:Schiaparelli came up in my story as everyone, the VIC's favorite brand. Like everyone is nuts for it. Like cult following among these women, they collect it, like, especially in the U.S., I would say. it feels like it is um like the that business is those clients like they have a great ready

40:08Chantal Fernandez:to wear business i think it you know and neiman marcus they're neiman marcus in the u.s fingers crossed but um yeah i think like the business is built on those clients so he's he's smart and he i think out of all the designers is probably one of a few who still spends a lot of time with the clients. He's from Texas. He gets it.

40:30Lauren Sanchez:Yeah.

40:30Chantal Fernandez:Daniel Rosemary we're talking about. Chantal, I feel like I'm going to die, so I'm going to let you go.

40:38Lauren Sanchez:Okay. Well, I hope this was helpful.

40:39Chantal Fernandez:It was great to see you. I'll see you in a couple of weeks.

40:42Lauren Sanchez:Yes, for sure. Thanks for everything.

40:44Chantal Fernandez:Oh, wait. Do I ask you what you have for breakfast this morning? No.

40:48Lauren Sanchez:No. Let's just do it at the end. What'd you have? I had oatmeal. Is that really exciting stuff?

40:53Chantal Fernandez:It sounds delicious.

40:55Lauren Sanchez:Do you share what you're eating for breakfast?

40:57Chantal Fernandez:Sometimes. I did eat this morning because I feel terrible, but I had a little bit of banana and peanut butter. So hopefully, I think I might just be dehydrated. I don't know. The world does not need to know all this stuff, but I'm going to go back to sleep. Feel better. Thank you. Bye. Fashion People is a presentation of Odyssey in partnership with Puck. This show was produced and edited by Molly Nugent. Special thanks to our executive producers, Puck co-founder John Kelly, executive editor Ben Landy, and director of editorial operations, Gobby Grossman. An additional thanks to the team at Odyssey, J.D.

41:35Chantal Fernandez:Crowley, Jenna Weiss-Berman, and Bob Tabador.

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From the publisher

Today’s guest is Chantal Fernandez, writer at The Cut and New York Magazine, and co-author (with Lauren!) of Selling Sexy: Victoria’s Secret and the Unravelling of An American Icon. (Buy it here.) Chantal joined Lauren to discuss the growing importance of V.I.C.s (aka, Very Important Customers) to fashion brands as all eyes are on new Couture client Lauren Sánchez Bezos. They get into whether people should be mad that fashion brands engage with the Bezoses, and also chat about the economics of this fascinating part of the industry. (I.e., how much clients spend, what brands spend to woo them, and why it’s such a valuable part of the business these days.) Lauren also shares her thoughts on Chanel, Couture Week, and the state of the luxury market.

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