Margiela in China & Celine (Dion) in Paris

7 Apr 2026 · 1 h 8 min · 23 chapters

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In short

Fashion People episode with Lauren Sherman and guest Steph Yatka (ID Magazine) covering Margiela’s Shanghai show and Glenn Martens’ approach, Celine Dion’s Paris presence, season fashion campaigns, Coachella’s growing fashion influence, and luxury/business casting chatter (including Dario Vitale, Marc Jacobs, and Alexander McQueen).

Guests

Steph Yatka is Global Editorial Director of ID Magazine; she writes about fashion and attended/covered fashion week remotely at times. Lauren Sherman is the host (writer of Puck’s Fashion and Beauty, Memo Line Sheet).

Key claims

Martens’ Margiela is “unsentimental” and modern, blending ready-to-wear with artisanal/couture-like elements; the Margiela “folders” and Tabby collector curation are framed as open, client-centered marketing. Coachella is predicted to matter more for fashion because stage styling will drive brand attention more than street/festival fashion. Prada’s Jordan Wolfson ads are praised as forward-looking and weird; Chanel’s Kylie Minogue/Margot Robbie remake with Michel Gondry is praised as investing in a real artist.

Notable examples

Margiela Shanghai show; Tabby shoes; Chanel soundtrack/song references; Prada “AI bird” ads; Dior ambassadors performing at Coachella (Ethel Cain, Little Simz, The XX); Bieber headlining; discussion of Dario Vitale’s Versace impact and potential moves to Kenzo.

Written by AI. May contain mistakes. Listen to the episode to check what was said.

Chapters

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Fashion Chatter: Dolce & Gabbana and More

2:22 to 3:24

Discussion on Dolce & Gabbana's potential and other fashion scoops.

“Steph Jotka, welcome back to Fashion People.”

Sophia Coppola and Fashion Week FOMO

3:24 to 4:36

Exploring the influence of Sophia Coppola and missing Fashion Week.

“But I was like, I can't be such a cliche and just post this like her in the in the marled gray, or speckly gray Chanel sweater.”

Insights from the Margiela Show

4:36 to 6:50

Discussion of the Margiela show in Shanghai and its significance.

“I think she should come on and just like talk about her life and fashion.”

The Role of Heritage in Fashion

6:50 to 10:29

The significance of heritage brands and contemporary design approaches.

“It's it's sort of like there's a real value in both.”

Reflections on Margiela and Personal Brand Experiences

10:29 to 14:00

Conversation on Margiela's evolution and personal fashion experiences.

“I think Glenn is maybe like an unsentimental person.”

Exploring Margiela and Marnie: Creative Directions

14:00 to 16:46

Discussion on the creative directions of Margiela and Marnie under new leadership.

“Glenn a chance to not have like a good example, I think, is like Meryl Raja, Marnie.”

The Role of Successors in Fashion Design

16:46 to 19:02

Insights on the advantages of being a second creative director after a founder.

“I also think you touched on something really interesting that maybe we need to do a study on is that it's good to be the second creative director after the founder leaves.”

A Conversation on Azzedine Alaïa's Legacy

19:02 to 22:20

Discussion about Alaïa's influence on fashion and potential future designers for the brand.

“It's hard to be an egomaniac in fashion, actually.”

The Influence of Belgian Design Culture

22:20 to 26:33

Exploring the unique Belgian design culture and its impact on the fashion industry.

“But there's just something there's like an intense desire when you see one of his dresses that I think is something that Peter was able to do.”

Discussion on Dario Vitale's Future

28:51 to 31:02

Analyzing designer Dario Vitale's potential career moves and their implications.

“One other person that's been kind of named has been bantered about, I think for reasons that are kind of probably not based in logic, but rather just because he's available is Dario Vitale.”
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The State of Marc Jacobs and McQueen

31:02 to 37:13

Exploring the business dynamics surrounding Marc Jacobs and McQueen's future.

“But so basically in this piece, I laid out, here's what people are like little things people have been saying that some of them I think are totally unfounded.”

Dario Vitale's Impact on Fashion

37:13 to 42:01

Discussing Dario Vitale's influence on young consumers and the fashion industry.

“has connected with young people young consumers in a way that I have not seen like a new creative director, maybe since Peter Moulier came out with the ballet flats at Alaya.”

The Media to Fashion Brand Concept

42:01 to 42:25

Exploration of the idea of transforming a media outlet into a fashion brand.

“So many fashion brands are trying to become media outlets.”

BDG's Business Model Shift

43:16 to 44:13

Discussion on how BDG is adapting its business model in the fashion landscape.

“well, that has pivoted to figure out a new business model is the company that owns BDG, Bustle Digital Group, not the denim from Urban Outfitters.”

The Coachella Vibe and Fashion Influence

44:15 to 45:51

Analysis of Coachella's impact on fashion and artists' stage presence.

“Like there was all of this festival fashion and like Vanessa Hudgens of it all.”

The Evolution of Fashion at Music Festivals

45:53 to 48:26

Insights into changing trends in festival fashion and artist influence.

“She like came out with Lana Del Rey maybe.”

Anticipation for Salone

48:28 to 50:36

Discussion of the upcoming Salone event and its significance in fashion.

“probably going to be some big gags at Coachella this weekend or next weekend.”

Campaigns and Changing Trends

50:37 to 56:00

Examination of recent fashion campaigns and their innovative approaches.

“Yeah, I hope I get some fun gossip, like some fun things that come out of it.”

Fashion's Forward Momentum

56:00 to 56:45

Explore the importance of moving beyond the past in fashion.

Chanel Show Soundtrack Discussion

56:45 to 58:16

A lively debate about desirable artists and songs for Chanel shows.

“I mean, when you think about it, those are really the two brands that fashion, big brands of fashion consumers are really into right now.”

Celine Dion's Upcoming Show

58:16 to 1:01:51

Discussion about Celine Dion's shows and personal connections to her music.

“I just feel like I feel like he needs to do it for me.”

Fashion Week Insights and Personal Experiences

1:01:51 to 1:05:20

Reflections on attending fashion week and personal anecdotes about shows.

“I mean, I worked at Vogue when they did the Celine Dion couture video on the boat on the Seine.”

Publishing Updates and Personal Milestones

1:05:20 to 1:08:03

Updates on current projects and celebrating personal milestones.

“I'm obsessed with how rich we've been able to make the storytelling.”
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Transcript

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1:56Hello and welcome to Fashion People. I'm Lauren Sherman, writer of Pucks Fashion and Beauty, Memo Line Sheet. And today with me on the show is Steph Yatka, Global Editorial Director of ID Magazine. We're talking Margiela in Shanghai, Celine Dion in Paris, the best fashion campaigns of the season, why Coachella sort of still matters, and so much more. Happy Tuesday, everyone. It's a beautiful day in Paris. This week in Line Sheet, I am talking about the potential of Dolce & Gabbana and what could happen now that there is some new executive blood coming in, plus a little Conde scoop, a Devil Wears Prada 2 preview, and plenty more, but let's get going with Steph because we talked for a long time and she's the best.

2:46Steph Jotka, welcome back to Fashion People. Thank you so much for having me. I'm really excited to chat and come up with new theories of what's going to happen in fashion with you. I know we did not will Sofia Coppola to Chanel into existence, but we did will the Sophia Mark movie. I'm sure they would credit it to us. Yeah, we came up with that, obviously. I still think, you know, one of the most iconic images of her of recent is that that photo from that piece you did for ID where you're the global editorial director, where she's wearing like vintage Levi's and a blue, royal blue polo and Chanel pumps and she just looks perfect.

3:30yeah it's the coolest anyone's ever looked thank you so much for that but i mean like every picture of her is the most iconic picture i know it's true we're like her number one fans we truly are it's funny i am really resisted posting any of the photos from the l shoot which i kind of felt bad because i like everyone obvious i i thought that the cover looked really great and I love Alex White and thought that it was done really nicely. But I was like, I can't be such a cliche and just post this like her in the in the marled gray, or speckly gray Chanel sweater. Like, it's just like two people are like, shut up, Lauren Sherman, you're such an idiot.

4:13I know I feel like her PR person must have like my photo and be like, be careful around this one. She's started following me on Instagram. She follows me too. We have the same birthday. Like that's how crazy I am about this. Wow. Well, I did email her once and asked if Sophia would be interested in coming on the podcast. And I really thought she would, but no response. But maybe she'll hear this or someone can send it to her. I think she should come on and just like talk about her life and fashion. This is like no gotcha available for Sophia Coppola. Yeah, I agree. Did I ever tell you about the time that I interviewed her for some?

4:50I did like this in style had this in book page that was like a party page that was basically like an advertiser every time. And it was a Cartier party in Paris that she was throwing at some, I don't know, a bar or something. And like Elle and Dakota Fanning were there. I got to interview all of them and I was the only one. And she was like, you seem really familiar how we met before. and I was like I interviewed you on the red carpet of the Versace for H &M event but also I had on like a black dress with delicate gold jewelry and my hair was blown out like hers I look like a complete psycho I was like this woman is probably I'm sure there are a lot of weirdos like like me but it was funny she was so nice I'm she's the best she's the best okay Steph so I missed you at fashion week because you were in india for a wedding which sounded amazing but like it was weird not having you there how did it feel not to be around for the shows it felt like i was missing the annual conference of my interests you know like i go to fashion week all the time because it's my job but also because i like seeing all of these things i like being in the room where it happens.

6:07I think there's a vibration in the air that you can really only get when you're there. So I had a lot of FOMO. Being on the other side of the world really creates a distance, which is kind of nice. I feel like the right things came to me, the right gossip, the right shows, the right looks, the right takes. And I avoided a lot of the small dramas or whatever. Like it felt like a much more distilled way to consume fashion week, which I appreciated. But I obviously missed being there and missed like getting to see so many great shows in person. Yeah, it's it's true. It's it's sort of like there's a real value in both.

6:53So if you're not there, the first time I really had a big break from it was when I was on maternity leave, which like during that I was like, I really do not care. I don't know why I've been doing this to myself forever. But then, you know, with this job, there's a huge value for me being there. Not going to every single show, but more just being around. And now I like going to men's. I like going to couture because of all the, there's just so much information. And I do think that there's a value in not being there and seeing how people are interpreting it from the outside and seeing, like you said, what information gets back to you.

7:33and then there's a value about of being in the room and and if you can do like a mix and have I think it grounds you to not be there all the time completely it's worth like taking a break from it or what have you but um I thought it was interesting I read your piece on Margiela from last week with Blake who who does he does a magazine curated by still or is he yeah a magazine he Blake Abbey is that how you say Abbey Abbey I think okay okay Blake Abbey you did a little Q &A with him because he went to the Margiela show in Shanghai which was a combo of ready-to-wear and artisanal which is essentially couture and it was it was it wasn't Glenn Martin's first show I think it was his second ready-to-wear and his second and his second artisanal and they kind of mixed it up.

8:25How, what, what was the reaction? What, what did you, why did you decide to do an interview with Blake about it, given that it was this sort of like one-off show in Shanghai? Like it fascinated me as well, but I'm, I wonder what intrigued you about it. Yeah. Well, I think first of all, I was like missing the action from not going to fashion week this season. So I was like, Oh, a show is happening later. Like, this is a great opportunity for me to dust off my keyboard and write about clothes this season. I was supposed to go to Shanghai. I had some visa problems, which I do think is going to become more of an obstacle for a lot of these destination shows.

9:09A lot of brands are showing in America this spring, which I don't know how that's impacting guests from other countries. But I do think maybe it's just me being lazy, but there's sort of like a sense of wanting to travel less in such an unstable time. But anyway, I was supposed to go to this show in Shanghai. I was very excited because I had a big fan of Glenn's. It didn't work out. I watched the live stream and I thought like I could write my take on this with the press release, but I really value the opinion and the insights of people who were there. So I actually DMed like five different people on Instagram to be like, can you answer these questions?

9:52And Blake is just the most responsible. So he replied right away. But I think that's like such an important and easily accessible way to cover shows if you're not there is like everyone's on their phone, everyone's on Instagram, just like send a bunch of DMs and I bet people will answer. But I also wanted to cover it because I think what's happening at Margiela is very interesting in that it's a heritage brand, air quotes around heritage brand or whatever you want to feel about that. But it is very unsentimental. I think Glenn is maybe like an unsentimental person. It feels very modern and it feels very adventurous as far as both the marketing and the branding and also the design.

10:42I think a lot of heritage brands, heritage houses, whatever you want to call it, can get stymied in this reverence for the past or the way things are done here or the house codes. To me, that's just like a bunch of mishigots. I want to see interesting design and new ideas. And that's why I really wanted to kind of talk about Margiela on ID because I think the way that Glenn approaches it by like open sourcing this Margiela folders project and then they did a curation of tabby collectors which feels very like modern to talk about your clients the people who collect your brand and not kind of like shun them to the side but really bring them into the center and then also design clothes that are very sort of provocative and weird from the ready to wear to the artisanal.

11:35Like it's all very bizarre kind of in a good way or in an interesting way that like spurs conversation. So I have a lot of respect for the brand and I have a lot of respect for what Glenn is doing. And so it felt like the right thing to kind of shine a little spotlight on. Yeah, I thought it was interesting too. And I was hoping I wrote last week, I hope someone does like a deep dive on on this project they've done in Asia, because they did, I think, four exhibitions, they did the show. And obviously, that's a huge market for them commercially, but also, you know, a tricky market right now for luxury brands, because Chinese consumers are sort of fed up with getting fed bullshit.

12:20And they're also making china's making their own brands there's a lot of cool brands coming out of korea there's like more brands coming out of asia generally and so this idea of like exploring it right this second um i also i agree i think a good word to use for glenn even though his clothes aren't this necessarily but he's very he seems very pragmatic person like it's not um he I'm sure he's like every designer but he has but he doesn't it doesn't feel like he's too much in his own way whereas I think a lot of people get in their own way in various way in various forms because their ego and it doesn't seem like he's let his ego get in the way of of being successful or the work and that is really refreshing to me um the other thing about margello it's interesting is because john galliano was sort of the first name designer after martin margello left there were other people like matthew blasi was designing it for a long time and suzy mankes famously outed him on instagram she has the best instagram if anyone's not following you need to follow her immediately no we tried to get her to do a takeover for id because we were like we love this so much she was working on it yeah you need to if you're listening please She needs to do it.

13:42I should. I wonder if she would come on fashion people. I should message them. Yeah, it would be really good anyway. It would be incredible. But the point being that I think because John Galliano has so much of a personality and he was able to sort of take the ideas of Margella, which are the basis of so many of the clothes and things we wear today anyway, and make it his own that it gave Glenn a chance to not have like a good example, I think, is like Meryl Raja, Marnie. the guy in the middle was so far from Marnie that like there was no connection to what Consuelo had been doing that like I feel like Meryl has to basically redo Marnie to start and then she can build on it whereas I think John did a really good job of like taking the ideas of Margella making them his own and and Glenn is a different generation and um it's just a really a big opportunity like I was in Dover Street yesterday trying on speaking of another OTB brand a bunch of Jill Sanders stuff and that I needed a pair of heels to try to try the skirt and they brought me two pairs of Margiela and it was they were tabbies and I've never worn tabbies and I don't think that's going to happen for me but what I realized was like oh that's just like Like what OTB, the company that owns Margiela and Marnie and Jill all have been able to do, what they've been able to do is make the Tabby and MM6 and like the idea of Martin Margiela just like a standardized thing that a lot of people wear now in the West.

15:26which I think is really impressive and it gives Glenn the opportunity to do the sort of like really out there stuff that is still grounded in some sort of reality. And I thought my one thing was usually these sort of off the road shows are usually like a resort show or whatever. I was kind of like, damn, I wish that it was in Paris so that we could have all seen it. And I understand why they did it like that. I think it was smart and whatever. Just like missing one show is not going to be the end. But it just seemed like it was in person, especially really special. And I was like, oh man, I won't feel too bad about missing most of the resort shows in the US.

16:15Like you said, I can message people and say, how was it? Because I can't get to that or whatever. and get a sense because the resort shows like that's a midterm collection anyway. That's just kind of like you take a sense check. But that was my only thing was like, damn, this seemed like it was a pretty seminal collection for him. And I wish that I could have seen it in person. But kudos to them. I mean, we've talked about it for 10 minutes now. Yeah. I also think you touched on something really interesting that maybe we need to do a study on is that it's good to be the second creative director after the founder leaves.

16:59You know, it's like Glenn's in a good place with Margella because there was this kind of interstitial period where John broke everything. And the same with Marnie, it's like Francesco at Marnie, which I loved. I bought a lot of it, but it was so not Marnie. In the Consuelo sense, it was really like artsy in his way. And now like Meryl can do what she wants. She can reset. I think maybe we could find a lot of parallels. That's like, it's hard to be the first person. I mean, Peter Moulier kind of defied that with Elias. But he had the experience of doing it. Like not, he wasn't this, they weren't this, when he was with Raph, they weren't the second designer to follow, but he had done, And Jill, I just watched this amazing, you have to watch it, this interview with him from four years ago where he's with some like, I think they're Italian.

17:53These two Italians talking about Aliyah. And I'll send you the link. And unfortunately, it's not. It's a podcast, but it's a live podcast. So I couldn't find it on iTunes anywhere. So you have to watch the video. but he talks about like Calvin and Dior and his time at Jill where he only did accessories and I think by the time he got to Aliyah he had seen like he had been through so many different cultures too of like actual different countries but then also different fashion cultures and different reasons he was talking about like the dealing with like the suits at Calvin Klein the American people and the sensibility of like what fashion is in the U.S.

18:38and also like the Italian sensibility and how close that culture is to Belgian culture, which I thought was really interesting. Anyway, the point being that like I do think to be able to do that right, you have to have you just have to be a very particular kind of person. I don't know. You can't be too selfish. Yeah. I mean, I think that's like a big takeaway period for working in this industry is like the people who really thrive have a have a generosity to them and aren't. It's hard to be an egomaniac in fashion, actually. Like you think there are a lot of egomaniacs, but it doesn't really serve you.

19:19Not anymore. Like I think it used to be a little bit and obviously these leaders, they need to have some sort of ego because you have to have a lot of confidence and look, it's that. But you have to. most of the big companies now you're serving a greater business and it's not your name on the door. So the balance at Alaya is still just remarkable to me. They've been doing all these campaigns, this advertising campaign with just the accessories that's so good. And it's just like, this has no business being that good. It's just stills of shoes. I'm curious to know, like, who do you think would be, who do you think will be good at Aliyah?

20:09I have no intel. If I do, obviously you all will be the first to know, but right now I have not been working on it. If you have any tips, call me. You all have my number. But who do you think would be good at Aliyah? Because I am constantly like, damn, I really don't know who could do it. Yeah. I think what Peter did so smartly was he made the accessories as important as the ready-to-wear. Which Aliyah, I mean, yes, they have some iconic shoes and bags. I'd like that big belt that's sort of from Azzedine's era. But it was never like an accessories brand. No. And so I think that complicates it because you need someone who has as strong of a know-how.

20:59I mean, I do think from a design perspective, they should be having a conversation with Zach Posen. Like, he loves women. He is as meticulous a tailor as we have in the 2020s. I'm sure he's making buck from Gap you know like it would be impossible I know how much he makes I'm not gonna reveal it here but I know exactly how much he makes and they can afford him he makes a lot of money but like and I'm sure it's been successful he's gotten raises but Rishman can afford him for sure and he has this sort of warm in general. He's such a nice guy that to me mirrors the sort of niceness, the kindness of Azzedine.

21:53My other idea was that somebody's got to get Olivier Tayskens a full-time job. Please, if you're listening to this podcast, I have a fashion brand, do it for us. And I think he would be amazing. It's like more goth maybe than Aliyah traditionally was, but like Nobody does romance like him. Also, there's something just incredibly desirable about his clothes, which is interesting because he's never been commercially successful. But there's just something there's like an intense desire when you see one of his dresses that I think is something that Peter was able to do. And obviously, I went to the Alaya Dior exhibit at the Fondant.

22:41I don't know if it's the Aliyah Foundation. I'm not going to even try to say. I don't know if it's Fundacion or whatever. This weekend. And it was really interesting because of the relationship between the two. I guess it's like all of Ezzedine Aliyah's collection of Dior. And he worked at Dior. But also like the fact that Peter worked at Dior and all of that together. I thought it was really interesting. And it was also, I think I had been there before. but I don't remember and you can see into his office and all that. But there was just something like it's just so innately desirable, all of it, that the person who takes that job needs to have like his taste level.

23:29It's just like the taste level, the desire. If he had a really strong person under him to do the accessories, accessories like if I don't know if Peter's gonna take his main accessories person or if maybe he didn't have one and he was the one who was really directing that it's like every designer works differently with every category and project but because he came from that stuff maybe he he he was the one really driving that um I think it could that could be interesting those are great ideas stuff because no one has mentioned them. I really put my thinking cap on before I came on this podcast.

24:09But I think it's like so easy to forget about some of like the great designers if they're in a more mass job or they're not in a job. I also think something else we need to figure out is like what's going on in Belgium that there's so many great designers. If anyone has any ideas, is like contact me and Lauren. I think it's the combo of, I really liked Vanessa Friedman's framing of that piece she recently did about like, here's the lineage of all the designers who came up through the Belgian school system. I mean, look, like I did a big story on Antwerp for BOF in 2018 about like how terrible that school was in terms of like post-Linda Lapa world of like the way they treat people.

24:57And so I don't I'm sure it's changed a lot because I think that even at that time, I remember talking to the school and being they were like, yeah, this stuff is messed up. Like they were really when I remember sending through my like 30 questions, they were like, yes, this happened. And it's unfortunate. But the point being that, like, I think the culture is pretty rigorous. And so it's like you combine the culture of the country, which is like, as Peter is saying in this interview. So it's very interesting to listen to this. It's like three different cultures, basically. They speak German, then there's the French part, and then there's like the Flemish part.

25:35And then there's also this Italian because there was a lot of business done between Italy and Belgium. So the culture is very unique. And I think what you're seeing is like a lot of those designers going to Italian brands in particular, which is interesting. And then also, but then there's like Antonin who's at, who's French, but who's at Balmain. He was there too. And Julian Do Sena from Paco Rabanne. Like there's so many of them. But I think it's a combo of the way the school system was set up and like the brilliance of someone like Linda Lapa, who I think is like, probably doesn't get as much credit as she should.

26:24in terms of her influence on the industry overall. And then also like the culture of the country itself and how they manage themselves and all of that. I can't wait to go to that Antwerp 6 exhibit. I know. I went to Antwerp once to interview Julian Abdries. Oh, cool. I was like gobsmacked at how beautiful and unpretentious the entire city is. It's just like an incredible place for design and culture, music and literature, but it doesn't have the sort of like pomp of Paris or even of Milan. And I think there's something happening there that's very, very real, but still very imaginative. yeah and I went for a long weekend once and for no particular reason and just was blown away by like I thought oh wow now I understand why all these guys live here because you can have a normal life here very easily in a way that you can't in these other cities there's just too much stimulation um but yeah I think it's it's definitely I wonder if I wonder if it'll be another Belgian who goes to Aliyah.

27:46I don't think so, but we'll see.

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28:32Is it? I'm Susie Welch. I host a podcast called Becoming You. People think, okay, an A plus life is not available to me, but there is a way. We are all in the process of becoming ourselves. Listen to Becoming You wherever you get your podcasts. One other person that's been kind of named has been bantered about, I think for reasons that are kind of probably not based in logic, but rather just because he's available is Dario Vitale. And I did a piece last week about like, what are his options? he's he's a free agent and again this interview of Peter he talks about he's like designers are like sports stars now and you're just it's like it's like betting on on the trade that I'm I'm apparently number one in the the fantasy not fantasy the nc nc double a basketball Yeah, I'm number one.

29:36Fab. I know. I really hope I win. I was in a fantasy football league organized by Michael Carl of Hermes once, and I got kicked out of the league for insider trading with Nicole Phelps. So he always says he's going to invite me and then never does. It's really weird. He's always like, are you interested? I'm like, yes, I am. I'm very good at fantasy football. I work really hard. and then he never invites me. Oh, see, I did not work hard. Everyone in the league is very legit. Like it was like super legit. And I was just kind of like, la, la, la. And then maybe towards the end of the season, Nicole was like, will you trade me this player?

30:18And I was just like, sure. Like, I didn't really know what was happening. I was in last place. And then every person in the league was like, you can't do that. You're cheating. You guys are colluding. I was like, I don't even know what's happening. But then I was never invited back. But it's fine. I think I might get invited this year. There was some talk, but I don't know. I feel like I should be in it. I almost won. I did really well in the puck one this season. Me and Dylan Byers, we got close. Yeah, you have the right logic for this. You're very analytical. I'm not going to let my emotions get involved.

30:57So back to Dario. Back to Dario. Back to Dario. I'll tell you what I think. But so basically in this piece, I laid out, here's what people are like little things people have been saying that some of them I think are totally unfounded. Some of them I think have a little bit more weight to them. But then like the reality of what I actually think is going to happen and where he's going to go and where I think he should go or the same place. But I'm curious what you think. wait where do you think he should go i think he should go to kenzo which is kind of mean because they have a wonderful designer named nigo but i and and best of luck to nigo i think he's a great guy and very talented and can do many good things but i do not think that's the right place for him and i don't think it's the right thing for lvmh and you know i've done reporting on the business before and have stuff to back that up but i think look like lvmh once they get behind someone they really get behind them.

31:55And when we all think it needs to end, it doesn't end for five years. But I think it makes a lot of sense. They should be recruiting him. I think that's the best place for him to work, honestly. I've been in Paris for two months, and I've been covering these businesses for 20 years. But what I've realized in this sort of new normal of luxury, where consumers aren't shopping like they were unless it's for Chanel, the market is just very different Hermes Chanel are sort of isolated from it they're they're unique Laura Piana but the rest of it is really challenged I think like LEMH is managing it well like they're managing their brands they're making their brands desirable they're working hard and and I think like if I was a designer like Dario who he's gonna get paid really well he has this proof of concept that's one season of commercial viability marketing viability design viability concept all of it like there aren't a lot of jobs open but I would make room for him and I think like if I were him that's where I would go I think and I think Kenzo would be an amazing brand from him from a history perspective just like his his what you can see what he did at Miu Miu too with him not being there I still think Miu Miu is obviously brilliant and that is her but you could see what was extracted when he left and I think what he has to give would be great at Kenzo so when Migo is ready to move on I think that that would be that is what they should do so if that happens I hope someone is going to be paying me a commission I'm just kidding I can't take money Yeah.

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33:43So what do you think though? Okay. Well, I have a question for you because you're better at reading the business TV than I am. I have two brands that have been like bandied about for sale. People think LVMH is trying to sell Marc Jacobs. And then people think something is happening with McQueen at Caring because they just closed their store on Bond Street. So like, what's your read on those situations? Okay, I have lots of original reporting about both of these things stuff, but I'll be fast. So Mark Jacobs, I would say right now they're not trying to sell it. They did try to sell it. And they were going to sell it to ABG, this licensing company, and it didn't work out.

34:25And they have recommitted. This is, I've report, like I've done tons of reporting on this and confirmed it like from a lot of different sources within LVMH, within Marc Jacobs, within Authentic Brands Group. They were going to sell it to them. It didn't work out for various reasons. And they have recommitted. That being said, my feeling is that like if someone comes with the right price, they will sell it. Because it just doesn't, the business itself is not the same business. And I think that they will try to do it in a way that is good for Mark because he is still making them a shit ton of money every single year through like the work he did at Louis Vuitton is still paying dividends to them.

35:06And also the Marc Jacobs brand. And I mean, he without him, LVMH would not be what it is. So I do think, look, they're not going to they're not going to keep it out of loyalty, but I think they'll they'll sell it in a proper way to make it good for him. but that said i don't think that's happening right now it it could happen in the next few years but queen they definitely have done a reorganization and like a fixing of the business for now the caring people have said when it's not for sale everything is for sale and what the new caring ceo has said is like we're going to be constantly re-evaluating these businesses and if something makes sense there were offers or an offer to buy mcqueen and it was rejected because it wasn't enough money i personally think they should have sold to those people i don't want to get into that right here because i actually don't remember if i reported it or not and i don't want to have to ask for comment but i think the point being that like both of these things are not for sale but everything is for sale and i think with mcqueen in particular, Luca DeMeo needs to make that business run smoothly, like the caring group run well, and he needs to make shareholders happy, and he wants to build businesses for the future.

36:34It's going to be easier to do when you're over a billion dollars a year, and you have like McQueen never, it never got past probably 400 million. Balenciaga got past a billion. Like the other ones moved. McQueen was never able to. And I think, and at one point the shoe was, the sneaker was 80 % of the business, which happens with a lot of these companies. So I think eventually it will sell, but that's a long way to say right now, neither of those things have sold. whether or not they will in the next couple years I think there's a big chance for both of them to me the value proposition of Dario Vitale other than he's a great designer is that he has connected with young people young consumers in a way that I have not seen like a new creative director, maybe since Peter Moulier came out with the ballet flats at Alaya.

37:37The amount of young millennials, Gen Z, Gen Alpha, who were obsessed with his Versace show. I just listened to the Harper's Bazaar podcast with Leia and Lynette, and Benny Skinner is on talking about how he blew a ton of money at Versace, on Dario's Versace, because he just was like, The fit is great. The silhouette is great. It has this, it is not really nostalgic, but it nods to an energy of the 80s without looking dated. And so, you know, if I were a CEO who had a brand that needed to genuinely connect with millennials, or with Gen Z, I would be like, he would be the number one name on my list.

38:27because it's just like I've never seen sort of like a groundswell of obsession. And what I really liked about what he did at Versace, Versace, sorry, that's how I'm supposed to pronounce it. Really? Versace? I guess. Versace. Not Versace? Versace. I really hope they invite Elizabeth whatever to a Versace show in the way that they invited Alicia Silverstone. it'd be really funny to alaya i agree anyway back to versus versus he made a whole world like there were interesting artists the way that show was presented they had like great show notes it just felt really alive they were doing these digital projects that were like re-curations of the archive by like cool online archivists and so i think there's a lot of potential there.

39:23I had a sort of crackpot idea that I need you to tell me why it's not viable as a business. But if I had money, I would buy the face and I would relaunch it as a sort of like fashion brand slash print project. You know, it's like so many of these fashion brands have these magazines like Dior magazine, Hueve magazine, and they're doing great storytelling, but it's not accessible for people because you have to like go to the store and get this object and i'm like maybe like the face runway show is not a cool idea to people but i think if you bought that brand let dario vitale shop around the archives make cool clothes have like maybe it's not a fashion show it's a presentation but then also this like amazing magazine and he sounds cool to me.

40:18It's not a terrible idea. Like, look, O32C. I don't know how that, that don't go after me, Yorg. Is that his name? Yeah, I love Yorg. Don't go after me. He's always messaging me about how he doesn't subscribe. So it's fine that I can't remember his name. He, I mean, I don't know how that business is doing right now, but for a while it was doing really well. so I think that that is actually an interesting idea and I do think someone should buy the face it's it's a I guess it's over and it's fine and let's just move on but um it's too bad that it because it I think the face id and what's the other one dazed dazed they're they're very important and and the way that magazine culture and and journalism is in the UK they still can be viable like you could still have a business base there or in France or or Germany or whatever like it's still it's changing now but um but I think I don't I think that's an interesting idea and and it could be interesting for you know one of the bigger fashion groups to buy it because the thing is they and make it like a little experiment um yeah because they're the the thing that's hard is the production and the distribution and all that like i mean it's not it's easy it's hard to make a magazine but i just mean from a projection perspective the closer the thing that's challenging and if you have all that stuff it's it's interesting So many fashion brands are trying to become media outlets.

42:05And I think it would be an interesting experiment to go the other way. Start with a media outlet and turn it into a fashion brand. I love this concept, Steph. This is brilliant. Again. Great. If anyone wants to make this happen, please contact me. Yeah. Steph is not available, but she's available for this. I'm not available, but I'd love to consult or just have a convo. Yes.

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43:15So one media company that has done this sort of is, well, that has pivoted to figure out a new business model is the company that owns BDG, Bustle Digital Group, not the denim from Urban Outfitters. They own Nylon and they do a lot of live events and things. Our friend Lauren is the editor there. Question for you. And I'm sure they're doing something big at Coachella. You texted me this morning. You said, why don't we talk about Coachella? And I was like, Coachella's happening? It's not just because I'm in Paris. I would barely know if I was in L.A. I would only know because I could go to some like silly wine bar in Silver Lake and it wouldn't be overrun on a Friday night at 8 p.m.

44:06But what's going on at Coachella? What's the vibe this year? So I think Coachella sort of hit a slump in the 2020s, not only because of the pandemic, but it became sort of a parody of itself. Like there was all of this festival fashion and like Vanessa Hudgens of it all. I think I'm making a prediction. This is going to come out on the 7th. Coachella starts on the 10th. I think what artists wear on stage at Coachella is going to become incredibly important to fashion. Both artists that have their own brands, Bieber is headlining. That's a huge moment for Rode and also a huge moment for his brand, but also for luxury brands and what artists they're dressing.

44:58I did like a little post-it math and it's like, okay, Dior has at least three ambassadors, Ethel Kane, Little Sims, and the XX. People I've seen at Dior shows performing. And then there's like Sombra and Leve who are both Valentino people. There's Clips who are famously at the Vuitton show and Ward Vuitton at the Grammys. Then there's people like Pink Panthers, FK Twigs, Addison Rae who just have like great style. I really think Coachella is the new Salone. Brands, you should be paying attention to these artists. They look great. They have truly insane fandoms. And it's just becoming a great moment for fashion brands to be there.

45:44And I think the heat is what's happening on stage and less like what people are wearing. Like I think festival fashion is kind of over and it's more like last year Addison Rae wore Chloe to one of hers. She like came out with Lana Del Rey maybe. I thought that was like a great moment for Chloe to kind of like reclaim boho in one of the most boho scenarios on earth. Yeah, that's a great point. And it does feel like musicians have generally kind of upped their game on stage. It probably started with Rihanna, but Beyonce and Shiona, all the tours that they've done. But then like Mel just did the Lily Allen tour.

46:32and our friend Carolyn Faux is doing Somber. She just did his tour and I'm sure, and that's a really great point. Like it's a great, everybody's watching them and it's sort of in between red carpet season. And so it's an opportunity and also to do more original stuff and more adventurous stuff because usually musicians are a little more creative and care about their clothes where not all celebrities do. I'm sorry to tell people, not all actors. That's really interesting. I love this idea. Gives brands like an opportunity to own the moment in the way that you really can't at Fashion Week. They invite all these people, but it's like in one day at Fashion Week, you can see 50 A-list celebrities and it's sort of like yeah just washes over you and you don't really pay attention to who is where or who or what um and kind of maybe i'm red carpet fatigued but i sort of feel the same way about red carpets it's like we're just running through the credits everyone's an ambassador it doesn't feel that exciting to me sorry to be a hater but then you know i saw twigs at madison Square Garden a couple of weeks ago.

47:55And I was just like electrified by the production, her like physicality, her athleticism, the people dancing in the audience. I just thought like, this feels like a area that fashion should really be communing with more. I mean, brands have always dressed musicians, but I think there's a real opportunity to own it and own a moment with an artist. And, you know, more people than ever are paying attention to Coachella and music festivals and younger people. So if I was a betting man, I would say there's probably going to be some big gags at Coachella this weekend or next weekend. I'll be watching and thankful that I don't actually have to be there.

48:40On the other hand, I am going to Salone. Have you been before? I've never been. I think it could be, I'd love to go, but yeah, I've never been. I'm a little bit stressed out about it. We're doing a dinner there, which is a reason to, like, if we weren't doing the dinner, I would not go. Well, that's not actually true. I mean, everyone is going to be there. There's so many fashion brands doing things there. It's crazy. Like, I have stuff every single day that is, but it's interesting. I was talking we had friends over last night one of them is going just to be around and he I was like it's just different from fashion week because there's one fashion show you really have to be invited to it and that happens during an hour and then you're done but this is like three to seven and there's like 17 things and he was like well there's no movement it's just a chair But I'm very stressed out by like, what do I actually need to go to?

49:40Who is going to be my buddy during like, it's just all these things of my, my friend Kelsey Keith, who works at Miller Knoll is I'm, I'm like gonna attach to her for part of it. Like I just, I don't. And also the fact that like my Airbnb was way more expensive for Salone than it is during fashion week. it was still very reasonable but like and I it's a really great Airbnb no one's ever taking it from me but um I was like is it gonna be very busy am I gonna you know how hard it is to get around Milan anyway I'm like yeah and I take the train so at least I have that and I guess there won't be stuff in like weird it'll all be in the center of the city so you can walk most of the places But I don't know.

50:29I'm very excited. It'll be very fun, but I'm also a little stressed out about it. I'm excited to read your newsletters from Salone because it has become like a fashion week in and of itself. Like every brand has an activation. Yeah, I hope I get some fun gossip, like some fun things that come out of it. Steph, I wanted to ask you two more quick things. We can do like rapid fire. Okay, great. One is about the campaigns this season, because I feel like you probably have some ideas. I did like a ranking of my top favorite campaigns. I am really obsessed with this idea of like, how has our exposure to like instant gratification changed image making?

51:17And as someone who's putting together a magazine, I'm sure you think about this all the time. but um i see it a lot in and also the celebrity of it all like almost every campaign has celebrities in it it used to not be every campaign it's just all changed so much i was curious if there were any campaigns that really struck you this season as being beautiful or innovative and and why mm-hmm i i really liked two campaigns that feel on opposite ends of the spectrum i thought it was very smart of chanel to recruit michelle gondry and kylie minogue to remake that kylie minogue video with margot robbie i think like if you have a lot of money to make an ad campaign a great way to spend it is to invest in a real artist and that's what that felt like to me and obviously there's a lot of nostalgia there that for me maybe feels like a little bit uncool to like redo something from the past but I thought it was done so well and again if I had all the money in the world like I'd be giving it to Michel Gondry for sure um and then on the other end of the spectrum, I really, really, really insanely loved the Prada ads by Jordan Wolfson with the fake bird, AI bird.

52:47I'm not totally sure if it was real or fake or if people were in it or not. I like that the dialogue was so bizarre and inexplicable. I like that it was provocative and inexplicable and forward thinking. You know, like it's really easy to make something nice that is a remake of something in the 2000s or the 90s or the 80s. And very few brands are trying to make something that's not just for 2026, but that's for 2030. And this felt like a great, strange execution. I think, you know, Prada loves to be provocative. I was very glad to see that they were taking this ad campaign, which had lots of famous people in it, and getting them all to kind of participate in this weird art project.

53:36So I loved that. And I thought it really like raised the bar for what an ad could be or should be. I agree. I thought it was awesome. My top 10 kept changing. And I sent two editors in chiefs the list and I was like, I don't sound stupid saying these. But I agree. I think it was really interesting and funny and weird and creepy and uncomfortable and everything you want out of Prada and felt like also expose the clothes in the right way. Like the clothes were part of the campaign, which is important to me. And I like the Chanel campaign. It was not on my top 10. I think the interesting thing about Mattu is like, I was talking about this with friends the other night, about the soundtracks of his shows, which seem to be geared towards women between the ages of 35 and 45.

54:35It's funny. It's not cool. And this is the thing. He's not cool. he's very cute and he's his clothes are amazing and I love them but it's not cool and so that and that's fine but he understands that and that's why the client who's been there for 50 years is buying it and 25 year old girls who never thought they would buy Chanel is buying are buying some part of it like I would personally like I don't think the shoes and bags will ever be for me but I got this jacket that ever you know everybody who's asking me which jacket like I've literally posted 15 photos of me in this jacket. If you can't figure it out, I'm sorry.

55:11I'm not sending you the link to the jacket. But the point being that like, I do think it, I think it's really well done the way everything he's just doing what he thinks is right. And it is. But I agree on the product campaign. I think I had it at number four. And maybe if I went back, I would have put it further up. But I think the reason I did, I didn't because Prada is always good. And I think, And so it's kind of, I didn't give it as much weight, but I think you're right. And I also think I was talking to someone last week who's worked a lot with talent agencies. And we were talking about the fact that like, there will still like, if you're a talent agency right now, why don't you make sure that you have a bunch of great creative directors on your roster?

55:58And like the definition of what a creative director is is changing too, but you're always going to need a creative director and artists with AI because you need someone to direct the AI or at least for the next 30 years or hopefully. but I think that's like it's just an example of like not being afraid of the future and using it to show like to take things to another level because the you're right the problem is people are too obsessed with the past and if you don't move forward then it doesn't feel good it starts to feel it feels sad and so I think I think both of those I love the way you you framed them and And they both are so valid in the market right now, too.

56:45I mean, when you think about it, those are really the two brands that fashion, big brands of fashion consumers are really into right now. And that's interesting that you chose them for the campaigns, too. Wait, I have a quick question for you. Yeah. Because you mentioned the soundtrack that the Chanel shows. And I think there was the Dawson's Creek song, Rhythm is a Dancer, Poker Face by Lady Gaga. what like 2000s or 90s song do you want to hear at the next chanel show or like what artist do you think he should collab with he also did torn by natalie ambruglia and then at couture it was um oasis i think wonderwall but also the verve at bittersweet symphony i think i did not like the Lady Gaga from the last show.

57:36I'm not a Lady Gaga person. I'm hanging up. Well, this is my final question about a performer who I will not be able to go to the show. But I just never cared about Lady Gaga. I was too, like, she got popular in 2008, 2009. I was like, I was too into Wilco. You know. I was like trying to get a boyfriend. You think Jeff Tweedy should come to the next Chanel show? No, please. I'm over that. I already had a boyfriend actually by 2008, but I was trying to impress my boyfriend. So it's not, I don't know. It's just like, I don't care about Lady Gaga. But my thing, and I've written this, I thought he was going to do Stay by Lisa Loeb.

58:22Okay, I was going to say Lisa Loeb. I need a Lisa Loeb comeback. I just feel like I feel like he needs to do it for me. Yes. If he puts it, if he puts in the show, I'll never write anything negative about Chanel ever again. That's not true. But but but I do feel like I really the thing that he did the last show was that he put like this music from Pride and Prejudice, the Keira Knightley version. And that may be I'm I think he's two years younger than me. I'm more of a 1996 Pride and Prejudice of course of course yeah and Jennifer L L E or L like that I don't care about the Karen Knightley Pride and Prejudice guys I'm sorry like it's not as good as the Colin Firth one I don't and also the Colin Firth one is like five episodes it's so much more fun to watch the whole thing but I'm very excited for the Sense and Sensibility that's coming out soon and then also there I think there's a new Pride and Prejudice also but I think like I like that he and Becky Malinsky texted me during the show and was like oh my god this is the music from the Pride and Prejudice from I think she's like a year younger than me and I was like okay this is really um the cutoff but um I like when he's like getting to this like romantic woman of our time because you're a little bit you're much younger than me but I feel like you're you were you were absorbing culture as an older person when you were younger who what would you want well lisa lobe was pretty high on my list i would also like maybe some pj harvey um obviously whole i mean courtney love get to the chanel show please yes please I would really do it for me and then I think there's a lot of 90s club music that I would love to hear like Ace of Bass put that on the soundtrack I agree with Ace of Bass I would be very into I would also be into some Amy Mann I think unfortunately he can't do Kate Bush because it's just gotten too much with like the weathering heights of it all but like I would love I would love some Magnolia soundtrack, Amy Mann.

1:00:43You know what he is never going to do, but I do love is the Indigo Girls. Oh, yes. Or Sarah McLachlan. That would be good. I'm like, now let's just go through Lilith Fair. No, Sarah McLachlan, too sad. It's just like, I can't not see the ASPCA ad, you know, like the sad dogs. What about Jewel, though? That would be Oh, Jewel, of course. I think that's, I think that's, maybe he, maybe there was some Jewel on one of the soundtracks. I don't know. I think there's, there needs to be some Jewel. I think like, who else was at the, my first Lilith Fair was pretty good. It was like Missy Elliott, Sarah McLachlan and Jewel.

1:01:24Incredible. I am so tellic. It was, so I was 14. My mom was like, sure, you can go to this concert with a bunch of lesbians and gay men. Have a great time. It was very safe environment. Yeah. But that was fun. So there's one person we didn't mention who has a big Paris run coming up in the fall. I think some of the shows are during Paris Fashion Week is Celine Dion. Montreal's greatest. Montreal's greatest. Huge respect. I have huge respect for this woman. I love her style. I think she's amazing. I have zero again Becky Malinsky sorry to throw you under the bus but she was like let's go to the show and I was like no I have no desire to see Celine Dion ever I hate all of her music I like her oh I can't take it it's too this is I was probably 13 when this again coming back to me be like this is it was too um oh I really don't like it like will you go because I just feel like I feel like every person there better not be the because she's doing 10 days in September and October there's gonna be overlap at least one or two of the shows must be during fashion week Like, will you skip shows to go to Celine Dion?

1:02:52Depends on the show, but absolutely. I mean, I worked at Vogue when they did the Celine Dion couture video on the boat on the Seine. And I have a recollection of around that time, her being on Good Morning America or something. and we filmed like a social video with her and it was on my birthday and she's saying happy birthday to me oh my god i have that i need to find that recording it's somewhere on some hard drive maybe 2016 2017 but i also worked at essence for two years in montreal i lived in new york with a company's based in montreal and many of my friends from there are like you know she is god like when you go to Montreal and you pass the cathedral, they're like, that's where Celine Dion got married.

1:03:43Like, it's not like that's the cathedral. It's like, that is the venue of Celine Dion's wedding. And so I think I would love to go with all my Canadian friends from Montreal and really have like a beautiful Quebecois experience. I love that she's camp too. She like, she doesn't take herself too seriously, which I appreciate in a diva. I agree. I'm a huge fan. I just I can't I can't go to it. I went to a bunch of concerts in the last year. It was like my lip midlife crisis thing. And I'm going to balance Sebastian in June in L.A. I was supposed to go on London next week. But thank you to Caitlin Phillips for buying my four tickets off of me because I was going with.

1:04:25matthew blasey get bell and sebastian there oh my god like come on please i i fox in the snow uh i would love that i also have been getting into the shins again oh my god yes this is here's the issue do you use apple or spotify apple apple puts a lot of shins on there it's up up there like the here's the thing i would like to say to apple not interested in Big Thief I understand why people like Big Thief I know why Chris Black likes Big Thief I'm not interested and there's another band that they are serving me constantly oh Bon Iver I'm just like stop it I told you I don't want this stuff please stop but the shins I'm always like oh that's nice yeah I'll hear that yeah I do enjoy the Apple algorithm Steph I'm excited for your experience at Celine Dion and for you to write about it you'll be reading it on the id magazine sunstack october 2026 when is the next um what's the next big thing you all have going like is there a big issue coming out or you have like a big online thing like what what can you promo right now for us well i'd love to promo our current issue of id the lore issue on newsstands now with um bobby tett mactu's favorite chanel model siza an sd kid It's like, it's our third issue of ID under Tom.

1:05:53I think it's my favorite one yet. I'm obsessed with how rich we've been able to make the storytelling. Nikolai just wrote an amazing, well, she just published online her amazing research project into if Gen Z is having sex, which is hilarious. I hope everyone reads it. And we have something coming out. They are, but it's like bizarre. Ooh. There's some pretty provocative stories in there. So go to our website and read them. We have a secret project that I can't talk about coming out at the end of April. So hopefully everyone tunes in for that. Fabulous. And Stephanie, you haven't been on since you got married.

1:06:36Congratulations. Thank you. Much love to Erin. Thank you. Thank you. Famously, I was at Lauren's wedding at the Green Building in 2013. It was so fun. It was 2011, Steph. 2011. Oh, my God. It was a long time ago. Yeah, it was 15 years. Oh, my God. Congrats. Happy anniversary. Thank you so much. Well, I'm so happy for you guys. And I'm so happy you're going to be back at Fashion Week this season. We'll have to do an episode from the shows. I would love to. I'm going to do all of men's, PT, Milan, Paris. I'll have lots to say. Oh, maybe. Yeah, let's do. Maybe we can do. I might come for a little Milan I haven't decided but I will not be at PT oh you'll be there for the Sunflower Copenhagen show I'll be there for the Simone Rocha show obviously oh man that's oh I actually do want to go for that the day it was announced I emailed them and I was like see you there I'm excited we'll do I'll schedule it you should definitely come on and you could do a report from Milan because I have someone doing the Paris one, but a new special guest, a new menswear person I'm bringing into the mix.

1:07:54But let's do the Milan and Pitti. That would be awesome. But Steph, thank you for being here. You are one of the most requested guests. So I'm so happy to have you back. Oh, stop it. It's so fun to chat with you. I hope you have a gorgeous day in Paris. You too. We'll talk soon. Much love. Bye. Fashion People is a presentation of Odyssey in partnership with Puck. The show is produced and edited by Molly Nugent. Special thanks to Puck co-founder John Kelly, executive editor Ben Landy, producer Maya Tribbett, and director of editorial operations, Gabi Grossman. An additional thanks to the team at Odyssey, Kelly Turner and Bob Tabador.

1:08:37Every act of change begins with a neighbor. When neighbors connect through the Feeding America network, small actions ripple into lasting impact. Feeding America, led by neighbors. Give now to end hunger at feedingamerica.org.

From the publisher

Lauren’s guest is the one-and-only Steff Yotka, global editorial director of i-D magazine. They really get into it, starting with what it was like for Steff to skip Fashion Month. They also discuss last week’s Maison Margiela show in Shanghai, Celine Dion’s 10-concert run in Paris, the best fashion advertising campaigns of the season, who should go to Alaïa, Matthieu Blazy’s runway show soundtracks, the Lilith Fair, why Coachella is a big opportunity for fashion, Dario Vitale’s free agency, Pieter Mulier, and plenty more.

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