In short
Fashion industry news and commentary, centered on Everlane’s sale to Shein, Victoria’s Secret’s proxy battle, major runway shows (Gucci, Dior), Cannes red-carpet style, and menswear publishing moves; plus ad reads for Rula, Launch Hair, Bilt, and others.
Guests
Lauren Sherman (host; writer for Puck’s Fashion and Beauty Memo Line Sheet) and Malik Morris (correspondent; reports on retail/fashion business and wrote a piece on Victoria’s Secret).
Key claims
- Everlane’s board approved a Shein deal valued at $100M; the episode suggests little/no cash likely went to stakeholders due to debt.
- Everlane’s original “honesty” proposition (cost, factories, margins) conflicted with being acquired by ultra-fast fashion; Quince is framed as the “post-Everlane” alternative.
- Victoria’s Secret’s growth is improving (notably Pink and bra sales), yet it’s facing an activist proxy contest for board changes led by BBRC/Brett Blundy.
- Demna’s Gucci show is praised for product-forward casting and cultural timing, though some expect more “shock” than it delivers.
Notable examples
- Gucci casting: Amelia Gray, Athena Calderon; celebrity styling including Laura Harrier.
- Cannes: Cate Blanchett in Givenchy; Chanel looks; Chloe Zhao in Schiaparelli; Jane Fonda and Demi Moore in Gucci.
- Publishing: Sam Hine moving to New York magazine for senior menswear editor role and a menswear newsletter/supplement.
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Chapters
Tap a time to open that second in VOEverlane's Acquisition by Shein
3:54 to 4:59
Dive into the details of Everlane's sale to Shein and its implications.
“Malik Morris welcome to fashion people thank you Lauren Sherman I'm so excited to be here and welcome to puck how long has it been now a month almost three months it just feels like it's A year.”
Industry Reflection on Brand Identity
4:59 to 6:25
Analyzing the challenges of brand identity in today's fashion landscape.
“on Sunday, I learned that on Saturday, the board of Everlane approved a deal to sell to Shein, the Chinese ultra fast, well, they're based in Singapore now, but the ultra fast fashion group for$100 million valuation.”
The Rise of Direct-to-Consumer Brands
6:25 to 8:08
Discuss the evolution and challenges of DTC brands like Everlane and Allbirds.
“And obviously, we saw the same thing happen with Allbirds when they were just the ugly shoe with Silicon Valley, and they also tried to get it to the brand building mechanism, and we saw how that ended.”
Comparing Everlane and Quince
8:08 to 10:00
Explore how Quince positions itself against Everlane in the market.
“But when Everlane launched, their whole proposition was like, it wasn't even about sustainability.”
Consumer Preferences and Brand Building
10:00 to 11:28
Understand consumer trends and preferences affecting brand strategies.
“by a bigger company, scale really fast and become the next gap.”
Personal Reflections on Everlane
11:28 to 12:40
Hear personal anecdotes and opinions about Everlane's impact and future.
“But what's going to be fascinating is they actually just like what Everlane and a lot of other brands have been doing it.”
Everlane's Challenges and Beliefs
14:04 to 15:01
Discussion on Everlane's move to LA and the perception of its brand culture.
“And they got kicked out of their offices or whatever.”
Victoria's Secret's Market Struggles
15:01 to 17:48
Exploration of Victoria's Secret's market challenges and shareholder conflicts.
“you are working, you have a piece coming out on Tuesday afternoon, so many people will have read it already, some won't, on Victoria's Secret and their latest challenge in the market.”
Dior and Gucci Shows Recap
21:33 to 24:49
Review of the recent Dior and Gucci fashion shows, discussing designs and casting.
“Every Monday, I go where history gets mysterious.”
Expectations in Fashion Design
24:49 to 28:00
Analysis of audience expectations for fashion shows and the role of designers.
“I don't know, she lives in, she lived in London for a long time.”
Show all 19 chapters
Fashion Comparisons: Chanel vs. Others
28:00 to 29:00
Explore the differences in consumer trust between luxury fashion brands.
“or whatever you thought about them, the product in the stores was amazing.”
Shock Value in Fashion
29:00 to 30:10
Discuss the impact of celebrity culture and shock value in modern fashion shows.
“It's funny because I listened to you say that like a lot of the people haven't really looked good on the red carpet in it, but I actually thought that like Lakeith Stanfield looked amazing.”
Commercial Success and Trends
30:10 to 31:20
Analyze the commercial success of fashion collections in different markets.
“I think he's doing what he thinks is right.”
Cannes Film Festival Fashion Highlights
32:58 to 35:25
Discuss standout fashion moments from the Cannes Film Festival red carpet.
“I also wanted to ask you back on the shores of France, the Cannes Film Festival is underway and it's like three weeks of red carpet anything stand out to you so far?”
Red Carpet Trends and Personal Styles
35:25 to 37:20
Explore how personal style impacts red carpet fashion choices.
“There's like a red one that she, like a reddish one that she wore with a huge collar.”
Menswear Trends and Industry Movement
37:20 to 42:00
Examine the evolving landscape of menswear and recent industry changes.
“I feel like to me, I think what red carpet has become nowadays has been, and I actually will say that this is like the post-Law Rosen Day effect of like always wanting to have these like insane moments.”
Exploring New York Magazine's Menswear Strategy
42:00 to 43:59
Discussion on the significance of menswear in fashion and the role of New York Magazine.
“The piece on the collaboration between them was like really, like I don't get jealous about stories a lot.”
Challenges and Opportunities in Fashion Publishing
44:00 to 46:55
Analyzing the operational challenges for New York Magazine's menswear section and the talent behind it.
“And I think people are going to respond really well to it.”
Taylor Swift's Bridal Fashion Controversy
46:56 to 51:11
Debate on Taylor Swift's recent outfits in relation to her upcoming wedding.
“Because I don't I guess because I post about it and make jokes.”
Transcript
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2:35Hello and welcome to Fashion People. I'm Lauren Sherman, writer of Pucks Fashion and Beauty Memo Line Sheet. And today with me on the show is our very own correspondent, Malik Morris. We're here talking Sheehan's Purchase of Everlane, the Gucci and Dior cruise shows, Victoria's Secret's Latest Battle, and plenty more.
2:58Happy Tuesday, everyone. Hope you are having a great week. Last week was pretty nuts for me. It was my kid's birthday, and I went to London. I had tons of reporting. I did a bunch of other stuff, and then right after my kid's birthday party in a rainy park, I got a tip that Everlane had sold to Sheehan. It was crazy. This week in Line Sheet, you can read more about that, more about the Marc Jacobs sale to WHP. Got some numbers for you. As well as Malik's report on Victoria's Secret that we talk about a bit on the episode. Also hearing that Dario Vitale's next move could be announced pretty soon.
3:39So maybe I'll get into that later on this week or next week. if you know anything call me and of course you'll find my take on the Gucci show and all that stuff going to Disneyland in Paris tomorrow so wish me luck and let's get going Malik Morris welcome to fashion people thank you Lauren Sherman I'm so excited to be here and welcome to puck how long has it been now a month almost three months it just feels like it's A year. I know. It's growing by so fast. That's hilarious. Yeah. How could it be three months? I know. I know. Time flies. Me having fun, literally. It's true. We're having so much fun.
4:21So I wanted to talk to you today about a bunch of stuff, but I think the first thing we need to discuss is this Everlane Sheehan news. Wild, wild stuff. I mean, this is why you are who you are, but that scoop was crazy. Crazy. Look, if you... It's not, honestly, it's just because I'm old. I promise you, Malik. You always say that to me. I'm literally the only one. Who else would they tell? Who else cares except for me and you? I'm curious here. So just to give everybody like a little bit of a background, on Sunday, I learned that on Saturday, the board of Everlane approved a deal to sell to Shein, the Chinese ultra fast, well, they're based in Singapore now, but the ultra fast fashion group for$100 million valuation.
5:18I don't know what the actual terms of the deal are. I'm pretty sure no one got any cash. Maybe Al Catterton got a little, but given all the debt, my guess is that no one got cash. A few people got cash when they sold a majority stake to Al Catterton. So condolences to anyone who was an investor and didn't make any money on Everlane. But I'm curious to hear, there's obviously, we posted a story on Sunday and I have a bigger piece on Monday kind of going through a bunch of stuff and I'm still working on reporting. So there will be stuff in there. If you're one of those stingy people who doesn't subscribe to Line Sheet yet, there will be stuff in there that we don't talk about today because I'm still in the middle of reporting.
6:02But I'm curious to hear because you also have a lot of sources at Everlane and someone I'm talking to was actually like, I talk to Malik all the time. So I'm curious what you've heard, like what people have been saying to you since the news broke. Well, I haven't gotten a deluge yet. I too am still waiting to hear from people to see how they feel about this. But it's really interesting that it's come to this i mean you you're the one who breaks all these news but like i instantly thought about like parade and when oh yeah so obviously it was on a much smaller scale but like the fact that there was no money made in that deal and then obviously you know you had the far-fetched thing a couple a couple years ago but with everling i've been you know kind of looking at all the reactions and it really was sort of a bastion of a certain kind of brand for a certain kind of generation.
6:52But the trouble that they've been having in recent years, to me, really kind of echoes just problems across the industry, which is like, what does it mean to build a brand today, especially when you were just a product proposition and then people needed you to have a clear brand identity and you're doing it sort of after the fact? Can you ever get to that place? And obviously, we saw the same thing happen with Allbirds when they were just the ugly shoe with Silicon Valley, and they also tried to get it to the brand building mechanism, and we saw how that ended. So it's just so fascinating to see it come to this conclusion.
7:25Like, obviously, Everlane is not shuddering. It's just being sold to Shein, but it goes so against their proposition originally that I'm already seeing people online saying, I'm never going to buy Everlane ever again. So it's just such an insane conclusion. And Everlane is a pretty big business. I don't know if this year they'll do this much, but they were doing like almost$400 million in sales a year. So I don't know if that's what the situation is now, but they were getting up there. I think it's an interesting one because I sort of came up with all these direct-to-consumer brands like Everlane Glossier, Reformation, which is definitely the most successful out of all of them.
8:04And I think there are particular reasons why Reformation worked so well for so long. But when Everlane launched, their whole proposition was like, it wasn't even about sustainability. And that word gets tossed around a lot. It's so meaningless. But it was really about like, being honest. So like, we're going to be honest about how much it costs to make this shirt. We're going to be honest about the factories that we made it in. We're going to be honest about the margin that we're making on selling it to you. And then there was this whole thing with the direct-to-consumer rise of brands that they talked a lot about, like cutting out the middle man, even though Gap had done that 40 years ago and Victoria's Secret, which we're going to talk about later, other specialty retailers.
8:51The thing I liked about Everlane, and I always sort of bristled at the radical transparency stuff, and not because I didn't believe them, and I wrote this today. We'll see how it gets edited. but um I 100 % believed Michael the founder and the people around him believed what they were saying and and wanted to do it it wasn't just a marketing ploy like they thought they were making something better and I also think they it was a time when Gap and Gap wasn't doing really well Uniqlo had not become a big thing and there was sort of a lack of cool basics American Apparel had imploded it was like post-american apparel uh gap wasn't doing well it was pre-uni cloak really making it in the u.s and like to get a cool like a boxy they used to make this boxy pocket front pocket white t-shirt yeah i had quite a few of those yeah and like their jeans were cute they did a good job and the they made the stores when they finally opened stores they looked like old gaps from the 90s.
9:57There was a time when I definitely thought that they could get acquired by a bigger company, scale really fast and become the next gap. And in reality, commodity, Amazon, but Uniqlo and Gap as well, it just made that sort of business to have a basics brand and it be $400 million a year doesn't really make sense. Either you have a niche thing like Lissette and you sell higher end stuff or you have Uniqlo or Amazon or old or whatever or Quince exactly so can you talk a bit about how Quince factors into all of this because they are sort of the post post post version of Everlane and and I feel like in the last year have really cut into Everlane's business no for sure it's the it's so funny because the whole thing of Quince is like Quince as like an anti-brand.
10:52It's kind of like, here's just a product. It's coming straight from the manufacturer. It's at a price that's better than you'll get, but it's not fast fashion slop. And that's really cut through. I think, you know, a lot of the economic uncertainty of the past like three, four years has really helped them. You know, consumers are like, I just want things that are good. And also, I think, I don't know if this is like intentional on their part, but I think consumers have, with all the greenwashing, have kind of just been like, this is all crap anyway. like and so quince hasn't really like done marketing to say like you know because they have the same sort of radical transparency of like the breakdown of the margins and how things you know how much it costs versus how much the consumers are going to pay um but they haven't been like sustainability sustainability and like slapping it in the face of consumers i don't know if that's been working in their favor where customers are like okay i guess this is probably not the best quality t-shirt i can get but i like the price and it's not going to fall apart and like after like two washes, that sort of thing.
11:50And they've been really smart. But what's going to be fascinating is they actually just like what Everlane and a lot of other brands have been doing it. They're trying to get into like more brand building and get away from this sort of dupe image. So I wonder if that's actually going to start to work against them. So I'm going to keep a close eye on that because I think they have the right formula. Like consumers just want really good products that isn't going to fall apart really quickly. And they don't need to be like hyper sold to. They just need the mechanism to feel good enough. And Quince has been like the best at doing that.
12:19But now that they're getting into like doing like an ASAP Rocket collaboration and like getting into even more product categories like music vinyls, like I wonder if that's going to work against them or not. Yeah, I heard something. I just remember about them getting an artistic director who's an interesting pop culture figure. Let's see. I need to do more reporting on it, but stay tuned. It might be in line sheet later this week. That reminds me. What do you think about Quince? Have you bought anything from there? I've been I'm probably gonna buy some sheets from them because honestly I've heard their bedding is like where they really are Yeah, that's that makes a lot of sense like betting Anyone that I have talked to who have got anything in point to like know their bedding is like the truth like Brooklyn and goodbye.
13:03Yeah, they're like the best so I'm flirting with with with buying that but I haven't like bought the product I'm I'm a snob i only buy like secondhand designer clothes well why well this is the thing like why would you own why would you buy anything else because you can get especially in menswear i bet the prices are really good on the real or whatever like i live on the real real so yeah you can you can get amazing clothes for not that much money why would you buy junk like even if quince isn't junk it's you know it's like yeah that's you and I are not the target customer for a Quinn's a Quinn's just for like the person who kind of cares about what they look like and want to look clean like like what Everlane was who Everlane was appealing to that's who Quinn's appeals to today yeah yeah well you know whatever happens with Everlane I don't know I'm not like upset about it obviously like a lot of people are I just the only thing I'm upset about is that I really liked it and I liked everyone who worked there I went to their offices a million times And they got kicked out of their offices or whatever.
14:06They claimed that they were moving their, relocating their headquarters to LA. But I know someone who knows about the deal. And I know you did reporting on the real estate stuff. That office was awesome. It was in the Mission in San Francisco. It was like the one place that you could go work if you wanted to work in fashion and not work at the Gap in San Francisco. And like everybody who worked there was cool. and smart and I don't know. They weren't, the thing I will say is they weren't like, it wasn't fraudulent. It was like they believed what they were doing, whether or not it was ever going to work.
14:46I don't know, but like they really believed in it. And it's just, I don't know, most of those brands I really don't care about, but I do, I have a soft spot for Everlane. So whatever happens, best of luck to the five people who still work there. Don't fact check me on that. But Malik, moving on to a different sort of direct-to-consumer brand, you are working, you have a piece coming out on Tuesday afternoon, so many people will have read it already, some won't, on Victoria's Secret and their latest challenge in the market. So they've been doing well. I think they finally got the marketing on track.
15:24They hired this guy, Adam Selman, who I'm a big fan of, to be the new Ed Rasick, essentially. He's a designer, but he's doing all their like brand image stuff. He came from Fenty and their CEO, who also came from Savage by Fenty, Hillary Super. I think she has, you know, it seems like she's kind of done a pretty good job with it. It's one of these two big to fail businesses that just has such a strong armor in the market. But they've recently, they always just have something going on. Like someone in their board is, has to leave or they have some activist investor. And I'm curious, there's been this latest battle.
16:03Can you tell us a little bit about what's happening with them and what they're battling against right now? Yeah. So earlier this month, one of their largest shareholders called BBRC, founded by this Australian billionaire named Brett Blundy, has been like launching this like in really aggressive sort of proxy contests calling for the removal of the board share. Donna James has been on the board. So can you explain what a proxy contest is to the people listening to this who really want to know what I thought of Taylor Swift's peplum top? You probably can describe it better than I can, but it is like you have an activist investor that's calling for like an overhaul of leadership changes, usually to the board of a public company.
16:46And usually there's like support for that. So like one of the biggest ones that's been happening in the last year or last couple of months has been one with Lululemon and the founder, Chip Wilson, who's really calling for a board overhaul because the company's not doing as well. Like growth is slowing. You know, it's not as culturally relevant. And he's been incredibly correct in his assessments. And we've written about that. What was really interesting about this particular one with Victoria's Secret, Victoria's Secret, as you pointed out, is doing well. Like they return to sales growth, like in their recent earnings, their last earnings for the fourth quarter of 2025.
17:18It's up by the fact that like Pink, this sub-brand, has like the highest growth in like over a decade. Bra sales are finally growing again since like 2021. So like Killary Soup is doing a pretty like bang up job there. So it's like it doesn't make any sense that you have this activist investor because like what is your activism about? Like the company is doing so well. But a lot of it has come down to this person, Brett Blundie, wanting a seat on the board and them constantly denying him a seat. And so it's been getting really loud and really, really messy. And it's been super interesting because part of what I was kind of, again, we'll see, you know, how this is edited.
17:58But like I'm getting in the pieces like. In this sort of fractured retail landscape, like even these strong brands can become targets, you know, And it's just so interesting to see how Victoria's Secret is going to get over this distraction because that's ultimately what it is. Yeah, I find that it's also funny and looking forward to reading your piece when you file it. But I find it funny. There's just always men going after people at Victoria's Secret. It's like so, even though this is, they're trying to kick off a board member who's a woman, right? Who's been there for like 20 years. which is interesting i obviously wrote a book about victoria's secret um there are very few people on the board i think she might be the last one that is like of the les wexner era maybe one other because it was like a cronyism board and all these retail boards so many public boards in america just like your roommate's cousin is on the board like it's just so they're so um not objective like they're supposed to be so look maybe she she should go but it does just feel like it's strange.
19:08It's just an odd, especially because like, right now it isn't, it's fine. Like the business is fine. Whether or not that's going to be the case long term, I have no idea. But like, I don't know. There's just something weird about it. Once I read your piece, I'm going to look more into it because you really took over this line of reporting. And so I haven't been following as closely as I normally would. But yeah, it just feels odd. I don't know. Like the Lululemon thing, the Chip Wilson thing, that makes more sense to me. Very much more sense. Yeah, he has a, first of all, he owns a lot of the company.
19:47And second of all, he may not be able to fix it at this point, but he knows what's wrong with it. And I think, I don't know, some of these proxy battles make sense. Some of them are just drama for drama's sake. And I have no idea where the Victoria's Secret one lands, but I look forward to reading your piece in line sheet on Tuesday and everyone should subscribe.
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22:01So the other thing I wanted to chat with you about was, did you check out the Dior and Gucci shows from last week that happened in America? What did you think? So there was Dior in LA on Wednesday at LACMA and the new galleries. And then on on Saturday night. You know, Malik, you should have gone. I didn't think about it. Next time you need to say something. You know, I will. Next time I say something. I was on my couch on Saturday. Oh, my God. You could have gone. I feel so bad. Watching the live stream being like, this is so cool. OK, so I am a Demna apologist. I think he's a spectacular designer.
22:45Honestly, when he, the Vetements thing I thought was cool. I, his early stages at Balenciaga, I was like, this is a little too, you know, street wear for me. Like that's just whatever my style. So on a personal level, I didn't connect to it. But when he started doing couture, I was like, oh, this person is extraordinary. He understands culture. He understands like guys better than like, I think, any designer around. And I think that the Gucci show was such a perfect example of that. Like something that's been happening in fashion shows recently, the casting has been like pitch perfect in terms of like the ages.
23:23Like you have people who are like young. At Gucci, he had like Amelia Gray, you know, obviously Lisa Renner's daughter, who's an eight girl. But he also had like Athena Calderon, who was like one of the chicest women to exist. Oh, I didn't notice Athena was cast. That's hilarious. the best makeup it was it was fabulous oh that was her yes oh my god wow that's very cool it's so cool and but it but everyone who was cast like it it it was perfectly calibrated you could see all these people wearing these clothes and even like the celebrity they pick like i'm like obsessed with laura harrier and she's obviously styled by daniel goldberg who is literally the goat of styling um one of them um and she's just wearing this like sharon she wore to the show this white Sharon Stone inspired dress, like really form-fitting, six-inch heels with a white bag.
24:14And I'm like, who looks cooler than that? Like you wonder, you'll see somebody walking down New York City, a girl like that in Soho wearing that outfit. It's funny, I was going back and forth with a friend of mine who was also a fashion journalist who was like, I don't know if this is going to get people in America to want to buy. And I'm like, I disagree. I feel like this type of show is like, it's so product forward, so product focused. It's built around these characters that you want to be. And like, you have people who are aspirational, but who feel real. Like and Athena Calderon? Like, I don't know.
24:39I'm all in on that. I was a big fan of, you know, I thought her name was pronounced Sabina, but it might just be Sabine Getty, who is, I don't know, she lives in, she lived in London for a long time. She might live in LA now. She's a socialite and she does do other things as well. But she's very chic and cool and she's, she, I loved her look. I loved so much of it. I thought the casting was on point. I think the interesting thing about what he's doing with Gucci is like a Cindy Crawford. He would have never used for Balenciaga. And I think what you're saying about him understanding. Yeah. What you're saying about him understanding like exactly right getting in the zeitgeist.
25:22That's exactly it. Like he knows that Cindy Crawford is right or Tom Brady is right for Gucci and not right for Balenciaga. And I think the product is great. The boots are going to sell like crazy. They're amazing. I want that. They're so good. The bags look great. He really understands product. He's an amazing product designer. My only thing, I really like the show. Dior, I felt a little FOMO not being there because I lived in LA for a long time. It was at LACMA. I haven't been to the new galleries. I kind of felt sad that I wasn't there. Gucci, I felt it. It was funny, the next morning, fewer people messaged me, whereas Dior, everyone had an opinion.
26:07Fewer people messaged me about Gucci. The one thing that people said that I kind of agree with is, and it's hard to articulate this, but Demna is Demna. And he's never going to be anyone but Demna. It doesn't mean that he isn't getting Gucci right, because I think he is. But I think what his Gucci is, is sort of what I expected it to be. I think what people are looking for right now are to be shocked. And I hate to bring up Chanel because everyone's sick of talking about it. But the way that Matou Blasi has shocked everybody by making pretty clothes that everyone from, you know, everyone, there's something for everybody.
26:55There's something for the basic B, but there's something for the really sophisticated customer, that sort of thing. and no one expected Chanel to be so great. So everyone's like very delighted by it. I think that Demna is delighting people, but I think that the expectation of what it would be is not far from what he has delivered. And so there's a feeling, and I think it's going to go away because I think the sales are going to be good, especially with this collection. It was really sharp. and it felt great. And I was like, yeah, this is wonderful. But people are so sort of jaded. And a friend of mine was messaging and said, they're basically making up that not only do they need to have a new proposition that excites people, they need to get people to trust them again, all these companies.
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27:52Because they just lost, and they never lost trust in Chanel. because even when Virginie Viard's collections were terrible or whatever you thought about them, the product in the stores was amazing. So like no one lost trust in Chanel. No one will ever lose trust in Hermes. And then another person said to me, Hermes and Chanel, like everyone needs to stop comparing all these other companies to them because they're not the same. No, they're not. And so my only, it's not a concern, but my only like hang up is are we expecting too much of these people like Dior and Gucci I thought Dior was not a perfect show but I thought there was a lot of really amazing commercial stuff in in it and it's a crew show it's supposed to be commercial I thought it looked nice I didn't understand the menswear I love Ed Ruscha I'm sorry I didn't the disconnect between the the menswear and the women's wear in that show was so wild to me.
28:53Yeah, like as a consumer, did you like any of the menswear? Did you like the first collection he did? I love the first collection he did. It's funny because I listened to you say that like a lot of the people haven't really looked good on the red carpet in it, but I actually thought that like Lakeith Stanfield looked amazing. I mean, he looks good in anything. I know, and he's gorgeous, but like he's like the only one who's been able to pull off like Jonathan Innes' Dior. But no, I want to go back to what you were saying about the shock value. Obviously, Demna is known for shock value. And I think because of the dust up that happened at Balenciaga, he's obviously pulled away from that.
29:26And I also think that a part of it, too, is just like sort of the celebrity hangover, like the same sort of backlash you're getting from the Met Gala, you know, Sons, the whole Lauren Bezos and Jeff Bezos of it all. It's this idea of like being so saturated with like these celebrities. And I think the Matthew Blasey proposition has been so not that. It's been so like pure fashion, purely beautiful sheep women of all ages. And that's been a part of like the surprise and a part of the allure there outside of the clothes just being great. But with them, he is so culture and celebrity focused that I think that having like the Tom Brady there is going to stir up the right reaction.
30:01Like this is cool. And like we love this troll, but also like a God, another celebrity infused nonsense, you know? Yeah. Yeah. I don't know if he shied away from backlash. I think he's doing what he thinks is right. And, um, but I do think it's like, is it, he's just doing what he wants to do. And, and I think people just expect so much, like they just expect it to be life changing. And it's like, it's not like, it's just close. And so we'll see. I hope that this, yeah. And, and honestly, the Gucci stuff is selling really, his stuff is selling really well in the American market. The numbers show that.
30:41So, let's see if china gets on board i think that this collection it's interesting because dior is doing well in china from everything i hear from people and i think it's doing pretty good in the u.s but um and and the thing is no one is nothing's doing well in europe except for chanel because no one everyone in europe is poor and there are all these wars so like it's just never you know it's but it's interesting it was um that's the lauren scherman line everyone in Europe is poor and there's all these wars. Leave these American t-shirts. Deep analysis. Yeah, it was interesting. And I was kind of, I was, I was glad that I missed it because I can't, I need to be at home, but I was sad to miss it because it seemed like great show.
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32:39You'll feel good about making a savvy choice. Visit Progressive.com and see if you can enjoy a little extra cash back. Progressive Casualty Insurance Company & Affiliates. National average 12-month savings of$946 by new customers surveyed who saved with Progressive between June 2024 and May 2025. Potential savings will vary. I also wanted to ask you back on the shores of France, the Cannes Film Festival is underway and it's like three weeks of red carpet anything stand out to you so far? So I put together a little list I was looking through it first off Cate Blanchett and Givenchy I just thought was extraordinary like it's like this shawl neckline brocaded with like these gorgeous embellishments It's fringe.
33:34I mean, she's Cate Blanchett, so she could wear a paper bag and it'll be stunning. But like it just to me stuck out because similar to I think how you felt, I think the Givenchy red carpets under Sarah Burton has just been spectacular, even though I don't love the runway shows. Like I see the shows. I agree. OK, but it just it's actually the opposite of something like Dior. Like it translates so perfectly to the red carpet in a way that I don't think Dior is. Or even I was looking at some people wearing Michael Wright or Celine, which I thought has just styled so perfectly. But like on the red carpet, it just doesn't translate well.
34:08I would say I loved Woody Harrelson in Celine. He looked great. I would wear that outfit. It's just like a green shirt and black pants and white shoes. But he looked cute. Like I was like, I would like my husband to wear that. But yeah, I agree. I think that like they're still finding their footing on the red carpet. I think Dior is stronger, and I thought Dior was really strong during the Oscars. But yes, I like that Givenchy look, too. And I also thought her Vuitton, her portrait-collar Vuitton was amazing as well. Well, she's always going to crush it in. I mean, her and Nicola, like best friends, she's always going to crush it in Louis Vuitton every single time.
34:45I also thought Newhouse Ambassador for Chanel, Sandra Huller, who I'm obsessed with, one of my favorite actresses ever. I love her, yeah. And Chanel was just absolutely ravishing. and it's funny because Chanel had some really Riley Keough and Chanel was beautiful Marianne Cotillard in this leather Chanel dress I thought was really interesting I thought it was the right sort of conversation starter also going back to Gucci and going back to the age thing but like on the red carpet the people that have looked the best in Gucci have been women over like the age of like 50 something or in their 60s or beyond like Demi Moore in Gucci is clearly Jane Fonda Was that the purple Gucci?
35:26Both. There was two. There's like a red one that she, like a reddish one that she wore with a huge collar. And then she wore that gorgeous lavender. So to see through. She looked great. And then Jane Fonda in Gucci and like this like black metallic. I mean, when I tell you, like Jane Fonda is a woman of a certain age. And when the day comes, I'm going to have to do a leave of absence. Or like overreave me because I love her so much. She's never going to die. Don't worry. no she's like one of these people who's who's definitely she definitely has some sort of deal worked out yes for sure but she looks stunning i also i want to get your thoughts on this did you see chloe zhao and schiaparelli i loved it that's my number one that's it's the best she's ever looked i thought i i went to that couture show and i like that look i think it is honestly one of the best cap and schiaparelli always does incredible like the red carpet is amazing because it's truly couture first but I thought she looked incredible it was the best she's ever looked the shoes were exactly right like the because the dress hit her ankle and they were the exact right shoes like I would wear that outfit in a second and I thought she looked she always looks like a little moody which it's her style and it's totally fine she wears a lot of Gabriella Hearst and she looks great and then she's worn a Hermes before but I thought I was like wow you look dynamite that was my number one for sure dynamite she like like that's the kind of moment you wish for on a red carpet like it feels it's like flashy but still kind of understated you know and it fits up the person's style to a t but it's like something that they've never sort of done before also i was really um taken by hater eckerman's um tom ford like on like carol de la vene like i just thought it just looks carol de la vene and tom ford looked amazing and also i have on the ground intel i mean you can see it in the numbers but like legit that it's selling really really well i mean i i can like they're like there are several pairs of jeans from the most recent collection that i'm like i'm gonna have to break the bank because i need to get you gotta do it malik i will always peer pressure yes no but uh but and also i i mean like they're just like icons of of can like isabel huper who's also one of my favorite actresses of all time in Balenciaga.
37:45She looks great. I feel like to me, I think what red carpet has become nowadays has been, and I actually will say that this is like the post-Law Rosen Day effect of like always wanting to have these like insane moments. But I feel like this Cannes Film Festival looking at the red carpet, it feels sort of not parred down, but it feels like people wear a thing that they would wear that they look good in and that makes sense for them rather than trying to have these viral, you know. Yes. Well, I would say one thing is, and Matt Bellany talked about this on The Powers That Be with Peter Hamby, but there are just fewer Americans in Cannes this year.
38:21I listened briefly. I'm tired. But everyone should listen to it. But anyway, there are fewer, there's like many reasons. So I think one thing is a lot of the celebrities so far haven't been French. And so like Leah Sadeau in Louis Vuitton, I thought looked really good. I also love, I don't know if this is how you pronounce her name, Adele Exarchopoulos, who is amazing. I never say her last name ever. I would just say Adele. I think that might be right, or I'm very close. I am obsessed with, like her and Leah Sadeau, like together i think they were in a movie that i'm real a little bit of the warmest color 2013 formative yes um it she is she's she had a saint laurent dress demi moore wore a jacquemus dress from the last collection for the like opening ceremony that was amazing i thought wore this dress from fecal matter oh yeah she looked good now but that was spectacular that was amazing good i thought odessa asean looked in dior she had a dior suit on um but yeah it feels like real fashion and that's super fun there was a point when can had gotten so nuts that like someone told me a story about there would be like dresses on a door and there'd be also attached would be just like a pile of cash and so you would decide which one you were going to take i don't know if that's happening so much anymore because the the opportunities for red carpet have proliferated and also i don't know this this just feels paired back um yeah and and i thought you know louis vuitton on the red carpet is really really hit i really really miss for me usually but i think you're right like when it's people when it's like cate blanchett when it's leah sadot when it's um or sadhu whatever and when it's uh jennifer connelly like people that nicola jessica or actually have relationships with, it really works.
40:21And so those, I thought that so far these people have looked, there's been a lot of really nice stuff. That's for sure. I agree. But I think you brought up a really good point about the who. It's not just the which designer, but the who. Like these people who are cool, obviously they all, you know, spend a lot of money to be incredibly attractive, all that stuff. But like they have like a joie de vivre. They have a thing there, like even without the clothes that, you know, appealing that you just you just get the right design and you get the right garment and it's gonna really you know hit so for sure so one final thing i wanted to talk to you about since you're such a big fan and follower and reporter of menswear our our buddy sam hein late of gq magazine i reported on friday that he was moving to new york magazine not to the cut to new york magazine and today new york magazine announced that he they is joining the business as like senior menswear editor and also he's going to launch a newsletter and also they're going to do I think a biannual or quarterly menswear supplement that will be a standalone publication not called the cut maybe a totally new name my guess is it'll be like this by New York magazine or whatever but what do you think about this it's um do you feel like because Jacob Gallagher who who reports across fashion now doesn't just do menswear but is a long-term menswear reporter just launched a really awesome newsletter called The Fashions that everyone should subscribe to.
41:49His piece on the Swatch, do you know how to pronounce his Swatch brand name? Audemars. Audemars Piguet? Yeah. The piece on the collaboration between them was like really, like I don't get jealous about stories a lot. I thought he did a really, I was kind of like, damn, that would have, I'm mad that he had that. But he just did a good job of explaining why this collaboration was so important. Yeah. But he just launched a newsletter. Like, what do you think about New York Magazine going into this market with Sam, who, you know, we all know and love? It's a long time coming. I think, you know, menswear continues to be incredibly important.
42:31And I also think that the thing of the proposition of Will Welch, you know, with the help of, you know, Sam Hine and Mobalaji at GQ was this idea of interrogating masculinity and interrogating what it means to be a man. And that obviously, you know, with these, your fingers like clavicular, you know, barfing around town and being in, you know, fashion shows, that continues to be a thread that people are pulling on, that people are paying attention to. So at the core, really, you're just getting people to look at men and look at the way that we dress and how we express ourselves and how we adorn ourselves more closely.
43:05I think, you know, some of like the bigger fashion icons today are men. You think about, you know, Harvey Harry Styles or Jacob Elordi or we talk about, you know, Lakeith Stanfield. Like it's as zeitgeist. Like people are as excited to see what Coleman Domingo has been aware of when he steps on the red carpet as they are about a Cate Blanchett, you know, like a fact. And so I think having someone like Sam Hine, who really blends, obviously he's incredibly smart and, you know, show notes was great, but he also himself defines this sort of look. Like he, you know, is chiseled and has a great style and all that stuff.
43:38Like he is someone that you want to hear from because he lives it as well. I think it's fabulous. And I think it's, you know, New York Magazine files on all fronts when it comes to blending really smart reporting and understanding the culture. what people want to read and want to hear about. And I think that having him there as like sort of this preeminent menswear figure is going to be great. And I think people are going to respond really well to it. Yeah, I think it's smart. It looked like the challenge with these kinds of things, and this goes back to W Youth as well. Whatever you think about the name, it's a fun concept.
44:14Yeah. The way you make, you create these second titles, the reason you create them is to make more money and get more advertisers and different kinds of advertisers. The challenge is you have to basically do it with the staff that you have. So yes, they hired Sam. They're not going to hire a bunch of people. Like they're going to use staffers from New York magazine to help staff it. They're going to, it's not going to be suddenly a new, I mean, it may have its own PNL. I don't know, but probably not like it's going to be a line item on the New York magazine. P &L. So, or I don't know for sure, but you know what I mean?
44:53The point is like, let's use, let's make something new with the same resources we have and one headcount, I'm sure they can afford it. So, or can they? I don't know, but yeah, they can. They're mildly profitable, according to Dylan's reporting. But I think the challenge is like, and I understand why, like you're right menswear is just a bigger part of the market i david haskell was at the menswear shows and i took a photo at sakai and he was in the photo and like a million people were like why was he there part of it probably was like testing the waters about this which would that was in january so i didn't i didn't i haven't talked to him about it but i would assume i think it's smart i think that the question is like how do you make this a super profitable business and it's by paying Sam the amount of money he deserves and then making him work his butt off and using the shared resources around him.
45:52It's just an it's an interesting moment because New York Magazine is probably going to be sold maybe to James Murdoch, maybe to someone else. And these kinds of things go in and out like the New York Times has tried this. They tried to do like a menswear only style section at one point that would like publish a couple times a month. And it's always when it's advertising driven it doesn't always work the the opportunity here is that sam is a really big talent and so if david haskell was basically doing it because he wanted to hire sam i think it's going to work because like that's the reason you hire someone you hire the talent and then you build around the talent if it is just because like there's demand for advertising or they're desperate for new advertising it will be challenging but i am excited to see look there are great editors at GQ there are limits to the kind of stuff they can write about and I think yeah he'll have more leeway and I'll be a little bit more pushy at a New York magazine even if it is an advertising play and I think Sam has it in him to question things and so yeah I hope I hope it's cool and I hope it's I hope we all love um reading it and I hope he comes on fashion people to talk about the launch issue he should he should but I was gonna say like you have you have a someone who is a known talent who is cool going to a news organization that also has cachet and is cool you know so it just to me feels like a win-win yeah yeah okay final question do you like taylor swift's bridal string of bridal looks because i don't you can't even tell my instagram my instagram persona is taylor swift outfit hater like i get dozens of messages from people being like what did you think of Taylor Swift's new outfit?
47:40Because I don't I guess because I post about it and make jokes. I don't know. But I'm curious. She wore this like it was a really cute top. It's a white button up from Stella McCartney that has a peplum and she wore it with a belt and then these trousers from the row and sandals from the row and this cute little Fendi bag. And I was curious what you think she's like wearing a string of white looks leading up to her wedding. okay so i don't follow do you care about taylor swift at all okay so i do i i mean for as a person who loves culture yes i do care about taylor swift i i'm now seeing this she looks good i think she looks good she looks good like it looks good it looks tasteful i mean she obviously is like the sort of like every woman sort of image and like she's not trying to be chic even though she has the resources to be the chicest person in the world she wanted to and also I mean she is come on she's tall and she's gorgeous so like she could if she wants to do what she could but this looks good this looks tasteful I like it I'm not bothered by it I don't think there's a there's a particularly errant style styling choice here no yeah now would I would it turn my head if she wasn't Taylor Swift and I saw her walking down the street maybe not but I like it like I need your thoughts i need you to you to guide me through why this is not yeah my feeling is i she wore this like little leotard looking dress that looked like a figure skating dress a couple days earlier and she wore the dior bucket bag i preferred that i like the outfit the outfit's nice and it's interesting like i don't think she could be chic if she wants she can't be chic she's not why do will never be chic we don't think she could hire daniel goldberg if she felt like it and say make me and she still wouldn't look good like it doesn't there is like a thing you either have it or you don't and she doesn't have it she just she just doesn't have it and she doesn't have the the poise she has a different kind of poise like she would never hire daniel goldberg it just would never it would never if it if that happens i don't know but but the point being that i think she looks perfectly nice.
49:59Look, everybody, when I like to drag her outfits, it's more out of fun. I think it's funny. And I love when she dresses crazy. I love Blake Lively's style. If Blake Lively didn't wear that insane dress to the Met Gala, how fun? Life wouldn't be fun. So I would say that I thought she looked lovely and she's obviously trying to look mature and wants to feel good. I, what I really wish, because you know that this guy that Joseph, that, that is her stylist is pulling all this stuff. I just want to see what she would wear. Like, I don't want her to use Joseph to start, to go to zero bond. I want her to just put on an outfit.
50:43Cause that would be, I bet that would be wild and fun. Um, but yeah, I thought she looked good and I love that Stella McCartney shirt. I think people should buy it. It's gorgeous and And it will look great on people. And also the little figure skating dress that she wore a couple days earlier that's like lurex and ribbed and very short. I think it's adorable. And it comes in like a wine color as well. And I highly recommend it. Yeah. No, I mean, I hear your point to her never being able to. Like she just doesn't have what it takes to be chic. But I don't know. I see how she dresses in them. like there's somewhere in America where she's not famous.
51:23She's just like, that's the office. She's the best dressed person. I agree. I agree. And I think she inspires a lot of people. Yeah. Somehow that figure skating dress is not sold out. They must've made a lot of them. So people get on that. If, if that's your, if that's your thing. Um, Malik, welcome to fashion people. Your first appearance definitely won't be the last. And we've loved having you on puck. I get messages every week. That guy Malik is good. I appreciate that oh thank you whoever is messaging Warren we're so happy to have you and I'll see you on Slack see you Fashion People is a presentation of Odyssey in partnership with Puck the show is produced and edited by Molly Nugent special thanks to Puck co-founder John Kelly executive editor Ben Landy producer Maya Tribbett and director of editorial operations Gobby Grossman an additional thanks to the team at Odyssey See Kelly Turner and Bob Tabador.
52:26Turn it up. Storm has zero sugar and 200 milligrams of caffeine. So you can turn that workout up a notch. Good energy in, good energy out. Energy for life.
From the publisher
Lauren's guest is new Line Sheet correspondent Malique Morris. They dive into the week's biggest news: Lauren's scoop on Everlane's $100 million sale to Shein, the slow collapse of 2010s direct-to-consumer brands, and how Quince might be next. They also get into the Gucci and Dior cruise shows, the messy Victoria's Secret proxy battle, and rank their favorite looks out of Cannes. The conversation ends with a heated debate on if Taylor Swift will ever be chic.
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