Phill’s New Playmate

10 Apr 2026 · 47 min · 22 chapters

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In short

Fashion People interviews Philip Picardi (editor-in-chief of Playboy) about Playboy’s relaunch, its editorial/visual approach, and the “sex recession”/male loneliness context; also discusses broader fashion-media culture and Playboy’s future print-to-digital plans.

Guest backgrounds

Picardi grew up at Condé Nast; interned at Teen Vogue at 18 and became chief content officer by 25, pivoting coverage toward politics, wellness, sexual health, and social movements (including an article “Donald Trump is Gaslighting America”). He launched Condé Nast’s LGBTQ platform Them with Anna Wintour and Pam Druckerman, later edited Out Magazine, then studied at Harvard Divinity School and worked in nonprofits and briefly at Weight Watchers. He joined Playboy in March; Ben Cohn is CEO.

Key claims

Playboy revives media as a “top of funnel” to support licensing and rebuild subscribers; sex should be treated as cultural/political; the magazine should be provocative but respectful, with women centered and men owning desire. Imagery should feel like “on the internet in print,” not just phone-accessible porn.

Notable examples

Playboy’s new issue includes a “Dust Bunny” archive column, a “Playboy guide to meeting women in 2026” (phone-free dating advice), “Vanished in Venezuela” (kidnapping/secret police imprisonment story), and an AI-and-intimacy package featuring a porn star using AI chatbots for revenue and boundary-setting. Cover photographed by Grace Sorrenti; playmates photographed by women (Marie Souter; cover story includes Carol G, Lauren Summer, Taylor Hale, Lexi/Morgan Mayer). Picardi says Playboy plans summer/fall/winter print, ramps digital after summer, and pilots podcasts/video.

Written by AI. May contain mistakes. Listen to the episode to check what was said.

Chapters

Tap a time to open that second in VO

Sherman's Updates and Line Sheet Insights

2:38 to 3:41

Sherman shares highlights from the fashion industry and his newsletter.

“Line Sheet is scoopy, analytical, and above all, fun.”

Getting to Know Philip Bacardi

3:41 to 4:49

Philip shares his background and journey to Playboy's editor-in-chief.

“Philip Picardi, welcome to Fashion People.”

The Playboy Relaunch Journey

4:49 to 6:01

Philip discusses the relaunch of Playboy and its current business model.

“but I'm letting you all know that I'm torturing myself for Katie Grant at the moment.”

Playboy's Cultural Relevance

6:01 to 8:04

Discussion on how Playboy aims to address modern cultural issues.

“but can you give your like elevator pitch of who you are and lead that into how you ended up running Playboy magazine and the relaunch of it and all of that.”

Sex and Media: Playboy's Mission

8:04 to 10:14

Philip explains Playboy's mission to redefine discussions around sex.

“And I best understand Playboy's business model as a global consumer lifestyle brand.”

Art, Desire, and Playboy's Audience

10:14 to 12:30

Exploration of how art and desire intersect in Playboy's content.

“And I also think it is high time that we understand wholeheartedly sex as a cultural and political force.”

The Intersection of Sex and Fashion

14:01 to 16:08

Explore how Playboy is blending fashion with themes of sex and desire.

“And on the other hand, you have never been able to access a naked body being penetrated more easily than you can right now.”

Reimagining Playboy's Creative Vision

16:09 to 19:31

Learn about the intentional casting of women photographers for Playboy's new issue.

“And so it's an interesting, I don't know.”

Assembling a Diverse Editorial Team

21:06 to 24:41

Understand how Playboy's editorial team was built using freelancers and new voices.

“Listen to Becoming You wherever you get your podcasts.”

Innovative Features in Playboy's Latest Issue

24:42 to 28:01

Examine the standout features and stories included in the latest Playboy issue.

“zombie law threatens the right to choose.”
Show all 22 chapters

Interview Insights on Latina Representation

28:01 to 29:16

Learn about the challenges and developments in Latina representation through interviews.

Exploring Playboy's Fashion Evolution

29:16 to 30:38

Discuss the fashion direction and artistic choices in Playboy's latest issue.

“when you and Marie talked about like what you wanted because the images are all different and I thought it was interesting.”

The Concept Behind Playboy's Imagery

30:38 to 32:19

Understand the thematic elements behind the imagery used in Playboy's editorial.

“So it was like more in the classic Playboy tradition for January, but still felt fashion to me because Carlotta reads that way.”

Cultural Commentary and Vogue's Influence

32:19 to 32:48

Examine Vogue’s cultural impact and shifts in the fashion industry.

“And so, yeah, there was the imagery is so suggestive to me while also being evocative.”

Cultural Commentary and Vogue's Influence

33:11 to 34:29

Examine Vogue’s cultural impact and shifts in the fashion industry.

“I could not believe that she was on the cover.”

Personal Reflections on Fashion Media

34:29 to 37:20

Delve into personal experiences and thoughts on the fashion media landscape.

“And it does look like from afar, as someone who still adores her and admires her very much, it does look like she is having fun.”

The Future of Playboy and New Projects

37:20 to 39:42

Explore upcoming projects and the strategic direction of Playboy's brand.

“And I think that and Zoolander are really the only movies that have ever gotten fashion right.”

Creative Collaboration at Playboy

42:03 to 42:30

Learn how creative strategies are integrated into Playboy's branding.

“So she straddled both editorial and some of our licensing extensions to make sure that the ads looked like they were all part of the same universe.”

Phil's Church Going Habits

42:30 to 43:14

Discover Phil's views on faith and his church attendance.

“Well, do you, I think I saw on Instagram, do you go to church regularly or do you like, what's your church going habits?”

Playboy's Evolving Image

43:14 to 43:58

Explore the changing representations in Playboy's content.

“I'm going to do a great photo shoot in there before I leave, but yeah.”

Sex, Religion, and Social Trends

43:58 to 45:17

Understand the relationship between church attendance and sexual activity.

“Do you think the, because we're talking about church for a minute.”

Phil's Upcoming Book

45:17 to 45:58

Get insights into Phil's book about faith and its complexities.

“Are you decked out in Charvet every day?”
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Transcript

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1:56Hello and welcome to Fashion People. I'm Sherman Ritter Puck's fashion and beauty memo line sheet and today with me on the show is Philip Bacardi, editor-in-chief of Playboy. We chat about his life as a digital native making magazines, Carol G, Katie Grand, The Sex Recession, and so much more.

2:22Before we get going, I wanted to remind you that if you like this podcast, you'll definitely love Puck, where I send an email called Line Sheet. If you're a fashion person, you get that reference. It's an original look at what's really going on inside the fashion and beauty industries. Line Sheet is scoopy, analytical, and above all, fun. Along with me, a subscription to Puck gains you access to an unmatched roster of experts reporting on powerful people and companies in entertainment, media, sports, politics, finance, the art world, and much more. If you're interested, listeners of Fashion People get a discount.

2:58Just go to puck.news slash fashion people to join Puck or start a free trial. happy friday everyone hope you're having a great week it was certainly a gorgeous one in pretty much every place that any of you exist oh actually didn't it wasn't there a freak snow storm in italy last last week anyway this week in line sheet there is just so much happening We have Devil Wears Prada discourse, new intel on the future of Armani, Met Gala table reveals, the inside story on the relaunch of Gap Beauty. Lots of scoops, lots of fun stuff, just a whole lot. Enjoy it and enjoy this conversation with Phil, who spells his name with two L's FYI.

3:48Philip Picardi, welcome to Fashion People. I can't believe you've never been on. It's crazy. I mean, I can. I haven't been a fashion person for a minute. I know, but you could have, you know, the Tuesday show is just commentary. It's, you would have been, you could have dipped in. Before we get started, what did you have for breakfast this morning? What time is it in LA? It's, what time is it in LA? It's 12.50 PM. 12.50, okay. I'm eating a salmon rice bowl currently. This morning I had an RX bar, two beef jerky sticks and protein with 50 grams of whey protein in it. And PB2, peanut butter powder.

4:23Does that mean so I don't want to I don't want to reveal your weight if you don't want people to know you're very, very buff. I weigh 200 grams of protein. Do you eat 220 grams of protein a day? 255 right now. And that is Katie Grant's fault. Actually, I'm on a really strict diet because of her, because she asked me to appear in perfect, which I'm not even sure I'm allowed to say. but I'm letting you all know that I'm torturing myself for Katie Grant at the moment. So Phil, without getting graphic, how do you process that in your body? You have to have fiber. Like is it, do you, fiber. Okay, that's the answer.

5:07Fiber is the macro that is like probably the most important macro for overall health and wellness. But you have to make sure you are taking, if I take psyllium husk in my smoothies, which saves my life. Otherwise, I would have a hard day. Or a soft day, depending. Oh my God, I love it. Okay. The reason that you are on this week, you could be on any week. Honestly, Phil, I just read the new issue of Playboy. It's so good. You're really, really good oh my god you're really good i was worried you were gonna i love it i love it also but is it only for gay men and straight women no it's no i actually don't think it is well and we don't have a lot of time with you so i want to get into every but phil it's awesome i like it so much so first of all a lot of people who are listening to this know you and know your background but can you give your like elevator pitch of who you are and lead that into how you ended up running Playboy magazine and the relaunch of it and all of that.

6:16Sure. I grew up at Condé Nast. I moved to New York specifically with the express intention of working for Anna Wintour one day. So I interned at Teen Vogue at the age of 18 and ended up the chief content officer by the time I was 25. I led an editorial revolution at Teen Vogue, not like to over or self-aggrandize, but I pivoted Teen Vogue's content strategy away from just fashion and beauty and towards covering politics, wellness, sexual health, and social movements, things that I thought were more reflective of the actual audience that Teen Vogue was targeting at the time. And we became one of the fastest growing women's magazines in America.

6:54We won many awards and got a lot of attention for an article called Donald Trump is Gaslighting America. From there, I founded Condé Nast's first dedicated brand launch in 13 years since Portfolio shuttered, which was called Them, an LGBTQ platform that I launched with Anna and Pam Druckerman. And then I decamped from Condé to be the editor-in-chief of Out Magazine. That was not a great idea. Ill-fated. I worked with a great team and did some beautiful work. But wow. I left out after a year of numerous scandals of them not paying their freelancers, and I decided to find God. I ended up enrolling in Harvard Divinity School.

7:32I was working in the nonprofit sector for a couple of years after Divinity School, randomly was the chief brand officer of Weight Watchers for a year. Let's not talk about it. And Playboy called right as I was exiting Weight Watchers, and they were asking for help. And I had been in touch with Cooper Hefner and Ben Cohn many, many, many times over the past few years. And finally, the time was right, and it felt right and exciting. And so I've been consulting with them since November and joined in March. So can you just explain who owns Playboy now and what the sort of business model is? Playboy is a publicly traded company.

8:10So Ben Cohn is a CEO here. He hired me. And I best understand Playboy's business model as a global consumer lifestyle brand. Like we are we are much better known, I would say, right now for our licensing businesses and the products that we sell, especially to Gen Z. And I look at the role of reviving media as actually sort of a top of funnel strategy to drive cultural awareness and conversation for the brand that helps to enhance the licensing portfolio while also building back our literary tradition and our subscriber base. Okay, so it's interesting because there has been so much like Playboy jewelry, Playboy fake tattoos, like it's just, it's everywhere.

8:53And what was their pitch to you to start to relaunch the media itself and what this first issue like is it being widely distributed on newsstands that still exists like what's the distribution strategy what's the cadence going to be as you know now like what can you say about the strategy for the media platform specifically okay so their pitch to me initially was we need help because we're trying to bring the magazine back and make it something that people talk about. And we also eventually want to apply that same philosophy to audio, podcasts, and of course, video. And so I found that to be a pretty compelling challenge for Playboy in this day and age.

9:40And I just think that right now, when you read the literature about Gen Z and the sex recession, and you read about the male loneliness epidemic in particular. Playboy has a very important and interesting role to play as a provocateur. It's like at a moment when we are more alone than ever and we're more distant from each other than ever, this is a magazine that is saying, please go touch each other. Like as in don't just touch grass, but like, please fuck. You know what I mean? And enjoy it. And also make sure the woman that you're having with it enjoys it too. So I really love that premise. I think it's very provocative.

10:14And I also think it is high time that we understand wholeheartedly sex as a cultural and political force. And that's something as a queer person I've had to understand. But I don't know that that's something that all heterosexual people, especially men, understand so innately. Yeah. So Playboy traditionally was for straight men, I would assume. It can't just be for that. Now, in the same way that GQ and Esquire and these magazines for men aren't really just for men anymore. And there was always that whole thing of like, I replay boy for the articles. It was like a big joke in the 80s or whatever.

10:53Yeah. Taking all that history. What do you think? Like, I understand what you're saying about. We don't talk about sex in the right way in media or culture at all. I think it's like the sort of puritanical extremism that has come out that has affected everyone. And it does feel like everything is just so sanitized now. Even looking back at, I don't know, sex comedies from 10 years ago. When there's one now, it's like this big deal, blah, blah, blah, blah, blah. When you thought about like, who is this magazine going to be for? Or how am I going to speak to straight men, people of all interests?

11:43Because that's the other thing is like, it's not just like gay, straight, bisexual now. There are like a million different, a lot of the next generation like Gen Alpha, they might not even consider that. I mean, you know, especially on the coasts. coasts but like who who are you like this is who is this for is it still primarily for straight men are you do you feel like you have a mission to make straight men more comfortable with sex or or look at better art because the because then we need to get into the like actual imagery which is really great and and some of the um some of the features you did I thought it was just really interesting and it was so on point and I'm curious how fast the turnaround was because so much of what is in there is like really in the water right now online.

12:35And you did a good job at pinpointing that stuff. But yeah, like, who do you think this is for? Do you think it's like, do you want to make like young straight guys better at, at like dealing with women? Like, what is your, what is your mission with it? I definitely don't want to position our mission as anything that's like paternalistic towards men. But I do think Playboy has to be unabashed about wanting men to own their desire and at the same time about men owning their desire to understand what that feels like for women has always been a part of Playboy's moat, right? And so, like, for a long time, the magazine in the 60s and 70s was the vanguard of sexual liberation as a movement.

13:17But they started to understand you can't stand for sexual liberation unless you stand for other kinds of liberation, which is why we published the interview with Malcolm X and Martin Luther King Jr. And we had Gore Vidal and James Baldwin writing for us. And Betty Friedan sat down for the Playboy interview, you know, culture and sex are absolutely intertwined. And Playboy was just kind of at the vanguard of making that super clear in a super artistic and compelling way. But, you know, I interviewed the curator at Salon 94 for a piece that I did for the issue on John Cassere, the erotic artist.

13:49And she had a great quote, which was like, we live in both a prudish, right, and pornographic era, where on the one hand, we're rolling back abortion, and we have beauty queens in the White House, and it's about the trad wife. And on the other hand, you have never been able to access a naked body being penetrated more easily than you can right now. And so I think restoring the art form to sex and desire has been a really interesting and compelling moat that definitely men are the target audience. 25 to 45 is my sweet spot for sure. but you know women have always been a part of the playboy universe and i would argue they've always been the center of it so um women are make up a large percent of our audience and we want them to feel good about what we're publishing too for sure yeah the john cassari thing was the thing that really like struck me because that imagery i don't know if there's an exhibit of his work up right now or somewhere it was just been around on yeah so it's just been online a lot recently and I think like him and and Ro Etheridge the photographer artist like that work it all is of the same it's all connected and I feel like on my Instagram there's just a lot of re regramming of of that kind of work and those kinds of images right now like it's very intimate but it's not and that and that's the thing I mean the porn epidemic of like kids who have been online since I don't know the early 2000s and like how that's transformed their sexual lives that's a whole I'm sure you're gonna get into that every single issue in some way or another maybe not directly but I thought that the imagery that you put together through all of the different editorials and pulling in even on stuff that had nothing, doesn't like directly have to do with sex.

15:53It felt to me, it's interesting because it felt like you were on the internet in a print publication. That's the goal. Phil, give this man some advertising money. it's amazing like it just I'm tired it's it's 9 30 at night I just looked at this an hour ago who knows but um but it I really felt like okay this feels like literally was popping up on my Instagram suggested for you every day because there's a there's a lot of in fashion right now a there's a lot of lingerie brands that are emerging which I noticed like you have very interesting advertising so one I saw Luar which I thought was interesting um so it's like a lot of brands that maybe wouldn't typically have an advertising page you have Lure the new Melanie Bender fragrance which I'm supposed to interview her for the podcast some point at some point soon oh she's a good interview FYI I can't wait but um but like Cuckoo Intimates is it you you used it I could see some of the like underwear and stuff that was used in editorials was also like advertisers, things like that.

17:12And so it's an interesting, I don't know. There's just like a lot happening in the lingerie market right now. So it feels like a big opportunity for you. Victoria's Secret should obviously advertise in Playboy. um but that part of it too there's just something happening in fashion right now where people are starting to be more interested in sex in a real way whereas I think post-covid it felt like rum springa-esque and it was just like sex sex sex and that felt extreme and not real either and now people are trying to like get back to something real and I think that you really captured it in this issue of like sex can be fashion.

17:53In fact, you know, all of that that we all know, it can still exist even in this like super sanitized times. Yeah, I thank you so much. I think one of the things that I set out to do with this issue was I worked with Marie Souter, who I've worked with basically my whole career. And she was most recently the chief creative officer of Glossier, but worked with me at Teen Vogue. And we were really intentional about casting women photographers for a lot of the issue. So all of the playmates are photographed by women for the issue. And of course, the cover is photographed by Grace Sorrenti. And so what I found by being on set with, for the first time in my life with naked women, I've never been on a nude shoot before ever in my career.

18:33As you can imagine, between Teen Vogue and Weight Watchers, not a lot of space for that. But I found that there was this really, there was a desire to be sexually untethered and to be sexually free. And there was also a desire at the same time to be treated respectfully and taken seriously while you do it. And I'll never forget when we shot Lauren Summer with Alana Herlihy, Lauren popped off her bra to start her topless shots. And all of the crew started applauding for her and hooting and hollering and stuff. And it was all mostly women on set. But Lauren just felt so good. You know what I mean?

19:08Like it was a dream come true for her. And that like there was a tenderness and I think a sensuality to the images that still conveyed fantasy. But but that I think invite you to think about sex differently. And we have to think really hard about that because you can get sex anywhere. And so the reason you buy this magazine, it has to be a different view of sex that you can't just find by tapping on your phone. And it still has to feel like it belongs to this incredible artistic canon of this 70, like almost 75 year old publication.

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21:05We're all in the process of becoming ourselves. Listen to Becoming You wherever you get your podcasts. I thought your contributor list was interesting because it was a lot of people I had never heard of. How did you and your team kind of, A, how did you put your team together? Marie, for sure, is your ride or die. and I noticed her agency a lot of her creative people were were part of putting it together but how did you put the team together and how did you find the journalists because you talk about some of the sort of bigger features that you have in there because it it's an interesting mix that again just feels like it could be an online conversation but felt really rich and alive in imprint?

21:54Yeah. There's no full-time editorial staff at Playboy. I have to build them over the course of the next year or two, right? And so I'm working with an army of freelancers and kind of like contract permalancers, basically. And so Marie and her agency staffed most of the creative department. We have a couple of in-house creatives here at Playboy. And then I retained a couple of people from their past issue in November, mostly and namely Magdalene Taylor, who's a sub-stack, you know pseudo celebrity who's our senior editor and jesse um with jesse will who comes from esquire and rolling stone background who is our executive editor so you talk about the feature packages and the builds like it was really the two of them or the three of us working on stuff and also we made to your point we made a lot of last minute cuts to the issue to crash other stories in because they felt more relevant or it felt like we could just run those stories on digital sooner and get more wind on it but i am a digital native like i grew up in digital media not print media.

22:49So that's kind of how I think anyway. And so the features that really stuck out to me were Magdalene led a Playboy guide to meeting women in 2026. And it's a phone free guide to hooking up or dating. And three women really captained it. And it's just an advice section for guys. But we also did this incredible story called Vanished in Venezuela about a young man who got an American who got kidnapped by like basically the secret police and was held in international prison for six months and just reunited with his family at the end of the piece, which was an extraordinary work of journalism. And also we did a great, great package was on AI and intimacy.

23:29My favorite thing about that package was the first one is about AI and porn. And I notoriously have been holding the line against AI and creative fields, but there's this porn star in the piece who talks about how most of her revenue comes from chatting with guys. They pay to chat with her. They pay for custom content from her. And it causes a lot of friction and a lot of time for her. So she's using AI to build her own version of herself as a chatbot. And so there's a whole tier of subscribers that she now has and a whole new revenue stream she has that's just the AI self that they can talk to.

24:03And she builds boundaries with it. But then now they're paying and she's charging a super premium only for high paying customers to actually access her and her personal time. So I was like, this is a cool labor rights piece. You know what I mean? Like I hadn't thought of it. So I was surprised reading a lot of the stuff. And that's definitely a testament to Jesse and Magdalene and Ellen Carpenter who were on the features team. Yeah, I thought it was it felt really. When did you start putting this issue together? So mid to late November is when we is when we officially started. And then it went to print, I think, just a few weeks ago.

24:38I mean, it's still that's still pretty fast given. It really does feel, I thought one of the headlines that really caught me was this zombie law threatens the right to choose. And the deck is the law that nearly killed Playboy is back and is now it's targeting abortion pills by mail. We don't have to go into it in depth, but just the idea that you were able to find history, playboy history in a new topic I thought was really, really smart to position it, frame it that way. Yeah, I loved that piece too. That's a new column we have called Dust Bunny, where we ask a journalist to go into the archive and find a contemporary lens on something.

25:19So we're doing a lot of fun stuff with that one. And artists are actually pitching us for that too, which is cool. I was just on the phone with Jess Cuevas. I don't know if you know him, but he has something exciting for that one. Phil, you're so smart. Thank you. Thank you for reading. I also will just say it's 200 pages do you know what I mean like yeah it looks so good it was a big book so let's talk editorials and and spreads and like how did you decide who you want to Katie Grand having her style that cover to me Katie is just like makes everything look sexy so it's so obvious but like how did you start don't reveal too much because I obviously don't want anyone to be mad at me but I had to call her like five days before the shoot because I was like I need a favor and I was like I know you're in the UK but I need you to come to the Pacific Palisades and she was like yeah sure darling like you know I can just got on the plane so anyways I owe Katie a solid and I love her dearly but yeah having let's let's talk about the cover and that and the concept and what you wanted to achieve there because I thought I think the photos look amazing thank you yeah I'm super proud of the cover.

26:34Carol was just the right, Carol G was just the right person. She's headlining Coachella on Sunday. We dropped the cover on Tuesday. I mean, and she, the one thing I knew about Carol was that we, I knew we could get sexy from her. Sexiness has been a part of her image. So she understands sex as an art form and sexuality as an expression. So I knew that we were in safe territory trying to push it with her and have a conversation artistically with her. And she wanted gray, you know what I mean? Like she, she felt comfortable with, with gray. And so when we had Gray and Carol on board, I was like, it's going to be beautiful.

27:07What also really added depth to the shoot was that it was mostly just the two of them together on set, right? Like these are very intimate photos. And so Carol needed to feel safe. And so we wanted her to feel safe. So I think that was also a part of what made it special. But we did say we wanted to be careful about the line between objectification and adoration. and I wanted it to lean more into adoration. And with Marie, you know, all of Marie's pictures that she's produced throughout her career have really lent into a rawness, right? Something that's not hyper-produced or overly done. And I think that's what feels so special to me about the cover.

27:47And then Paola Ramos is an old friend of mine. My friend Cleo told me to, actually told me, I was with Cleo when we confirmed Carol. And she was like, you have to get Paola to write it. And so I called Paola and she said yes right away. but she's an Emmy award-winning journalist right and Jorge Ross's daughter you know what I mean like there's a royalty to Paola and the ability to conduct the interview in Spanish was huge and so we got some great soundbites from Carol about what it means to be Latina at this moment in time and her upcoming Coachella performance and her recent breakup and so the the story went went pretty wide when you talk with Marie about like what is as you know I wrote a book about Victoria's secret oh so and playboy did come up in it but not because there was at one point hugh hefner's daughter invited people from victoria's secret to chicago and we talked to some of them and and it was interesting but the victoria's secret they were always always talking about what is sexy now and i think i think about it all the time especially as our culture has gotten so extreme and chat bots and dolls and you know what I mean like it's just become so extreme that like the idea that people actually still have sex like it's it's this new generation it's like will they have sex we like they are not having as much sex right so you're not that's right when you and Marie talked about like what you wanted because the images are all different and I thought it was interesting.

29:23There's tons of close-ups on like mouths and shoes and I love that. And it feels very fashion and very fashion right now. Like it is in conversation with the new Stephen Maizel, Alaya and Versace, both Maizel. Like it's in conversation with some of the more raw is not the right word but like tangible imagery that's coming out of fashion because so much of it is intangible how did you all talk about like what you wanted the feeling of it to be because I just I thought it was like really really fun and and great to look at and there's just so few I'm reading being in Paris I'm buying more magazines and I'm looking at more editorials but I just find most of it so uninspiring now what what were you all like what words did you put around the images that you that you made every playmate had different words um so every playmate had a different mood so Carlotta was like our classic blonde and we wanted her in the jungle of Costa Rica and we really wanted it to be lush she's the first playmate to ever photograph herself.

30:41So it was like more in the classic Playboy tradition for January, but still felt fashion to me because Carlotta reads that way. But then when we got to Miss February, Lauren is so sexy and she's in lingerie on her Instagram all the time. She has like two million followers for it. So we actually wanted to take her into a completely different territory, which was the Vargas pinup girl, 50s like nod to old sex and let her play as sort of a performer there. And so that was like more about vintage and a soft glamour. Then Taylor Hale is this like the first black woman to win Big Brother. She wrote this crazy essay for that accompanied her piece.

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31:18Hers was just hardcore velvet glamour. Like we just wanted that to feel lush and like huge. and then when it came to Lexi, Morgan Mayer and Lexi built that themselves and it was a way it was actually harder more hardcore than I even thought it was going to come out as but like we hired like a shibari rope instructor for Lexi on set and so there's like a lot of imagery there that felt like restrained and about the body being held back or like flexible or loose so there was a lot of tension in that piece and so then when you thought about the rest of the book we just wanted the Carol G cover story to breathe.

31:52So it's like a lot of open space. It's a lot of skin. It's not a lot of fussiness with the styling. Katie did a really good job there of just letting it feel open and free because that's very much her vibe, especially right now. And then the macro shoot, you know, that Marie did, which was all these sexy closeups of moments that felt like they weren't about having sex. But when you know you want to have sex with someone or you're in that moment where it's about to happen, that's what we were trying to accomplish there. And so, yeah, there was the imagery is so suggestive to me while also being evocative.

32:28But it's not always about the act of sex. It's more about the act before it or right after it. And that's what actually makes it sexy. Does that make sense? 100 % Phil. I think it's great. I really like it.

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33:15in a classroom of sodas most stay quiet then there's mr pib sweet cherry bold outburst the kind of flavor that gets attention bold kick of cherry i was just thinking about the fact that like you're really the probably the youngest person who knows how to make a magazine oh wow interesting I guess Mark Waduchi's my age right he's like a year older than me too he's a little older than you right yeah don't want to don't want to age Mark he's still very young he's a friend I can age him he's making the magazine too yeah and I think of doing a good job but this is good you should be proud I'm curious what you thought of the because we're taping the week of the Anna Wintour Meryl street cover of Vogue.

34:11I'm curious what you thought of it. I was shocked. I could not believe that she was on the cover. Could not believe. Yeah. But maybe this era of Chloe stepping into a senior role there is about Anna being able to like finally lean into being more of a personality and to have fun with it. And it does look like from afar, as someone who still adores her and admires her very much, it does look like she is having fun. It looked like she was having fun at the Oscars. And I think there's something really special to be said about that because she's definitely earned it. Yeah. Yeah. I mean, look, I think it was really hard for me to write about again because it was quite, it was too late in the evening when I started thinking about it.

35:05But my friend Amanda Dobbins and my friends Amanda Dobbins and Juliette Lipman on their podcast jam session kind of dissected it. And I thought they did a really good job of critically analyzing the whole situation. and I would say it was hard for me to absorb because I was kind of like, I understand this. I also don't like the Devil Wears product. I don't care about it. Like I didn't, I know, but your jaw's dropping. You have to remember I was, I had just moved to New York. I was a person who would not watch Sex and the City for the first like three years because I was like, I don't want to think.

35:51Like, I don't know. These are, this is like the Bible for us. There's something about, yes. I mean, I love Sex and the City. I eventually succumbed. And I don't dislike the Devil Wears Prada. It was just that like when I moved to New York, I wanted that job. So like it felt too close. And I don't know. I wanted to have my own life and not think about. And the same thing with Sex and the City. I wanted to be a fashion writer and have a nice apartment with way too many shoes. And, you know, I felt like if I, I don't know, I like if I was watching it, it would make it go away for me or something.

36:33I don't know. This sounds crazy. Yeah, it was just like, I was like, it's too close to what I want. And I don't want to be wrapped up in like fake media about it. Eventually, I think The Devil Wears Proud is a good movie. I just wasn't like into it when I saw it. I was like, fine. I understood the, when I saw the images, it was almost like, I think I ended up writing this. I can't remember. It was like a warm blanket or something. Like there was something really comforting about, it's comforting seeing these people who, I mean, one who I've been writing about for nearly 20 years and another person who is, you know, an iconic character that.

37:15And one thing that Anna said in the Q &A was that it really exposed, the Devil Wears Prada really exposed what a big business fashion actually is. And I think that and Zoolander are really the only movies that have ever gotten fashion right. Totally. But I think the challenge I had with it, and this comes back to my feelings about just like when Anna should have retired, when she will retire. All of that stuff. But like, I would say Vogue used to be sort of the leader of what is happening in the culture. And now it's sort of chasing culture instead of making culture in some ways. And you don't have to comment on this, but it's just, it's this week.

38:08So I really wanted, wanted your take. And I think, like, for me, she should totally play the game. And I think it's really smart from a – she once again is making Vogue a bigger brand. It's the second – to me, it's the most important fashion brand in the world other than Chanel. That's what I was going to say. It's, like, almost a mistake to think about Vogue as a magazine these days. Yeah. It's just that – yeah. It's just that when I see a good magazine, there is a part of me that wants that from that. So I don't know. I totally feel that. It's funny what you said about a warm blanket because there is something nostalgic about it because it harkens back to the prequel, or not the prequel, the original.

38:56and one of the things I found actually really challenging about this job in general is like really hard to not fall into the nostalgia trap because nostalgia is actually very anesthetizing. You said it was a warm blanket like it puts you to sleep. It's like a nap. It's so comforting and we're all clinging to nostalgia because I think we are truly living in what feel like very apocalyptic times where there's so much uncertainty and so I think it is very daring and very different to be making something that looks forward and still is daring to imagine what's forward. And I do think that that is the role of an editor and a creator at this moment in time.

39:32And yeah, I don't think that, but it's not the easy path and it's not always what's going to get you the most impressive metrics or the most impressive advertising revenue. Well, so I think you're not, you're going to, your advertising revenue is going to go up with this second issue. Also, have you ever raised money? like for for a company it for them but oh yeah the way that we raised money was Anna started the phone call and then she left the room after 10 minutes and then the money was what appeared shortly after I feel like in your next life you're gonna be you're gonna be an entrepreneur because your pitch deck or your like pitch for this um I don't know what the deck looks like but your pitch for, for Playboy was very convincing.

40:18I'm, I'm impressed, but there's no deck yet. What, what's next? What, what will be, so this issue comes out, people are going to like it. They're going to be excited about it. More advertisers are going to get excited. Yeah. What, when will the next, when is the next issue slated? What are your plans next for what comes next? Summer, fall, winter for print. We're going to be ramping up on digital shortly. Right now we keep a pretty tight clip on digital, but we're hoping to ramp up production after we get the summer issue under our belts. I'm super interested in exploring podcasts and podcast partners right now.

40:58I really want Playboy to have a fun and talkative and compelling sex and dating show. I think it should be very easy for us. And we're also piloting a couple of video concepts that are a little bit more socially friendly than they are in like the prestige space like we're working on one where we send a playboy bunny out to various nightlife destinations to see uh what kinds of questions and answers she can get uh on the street um but we also have a really exciting uh package for the fall issue planned about the sex recession i'm actually working with julie shot on that um so i can't say too much at the moment there will be a press release but um there's a lot of good journalism a lot of uh a lot of really interesting things that we are that we're planning an editorial that I'm excited to share.

41:40Okay, two quick questions. One is there was some really great advertising for Playboy product, like a Playboy bathing suit. Yeah. Did you art direct or did you did you kind of manage that? Or is that a separate team? Because I thought it looked really good. And it was it felt natural in the in the book. It didn't feel like weird that it was in there. Our in house creative Smiley Stevens executed that for Playboy. So she straddled both editorial and some of our licensing extensions to make sure that the ads looked like they were all part of the same universe. I thought it looked great. And it's also licensing can be, you know, so separate from the core of a brand.

42:21And I thought it it was really good. And then the final question I have for you is I know you have a divinity degree from Harvard Business School. Well, do you, I think I saw on Instagram, do you go to church regularly or do you like, what's your church going habits? I do go to church. We actually have a columnist at Playboy called Father Playboy. He's a priest here in LA who writes a column about morals and ethics. And yes, I do go to church. I don't go every Sunday because I have a social life and I'm a single 35-year-old gay man. Shout out to anyone who's also single and eligible. But I do go.

42:55Phil's available, guys. I am available. I'm available. and moving to Miami, but I'm available. Why are you moving? Oh, because Playboy is based in Miami. Playboy is moving me to Miami, yes. Oh my God, Phil. You're leaving LA? You worked so hard to stay. I know, and I love it here, but the next chapter - You're going to keep that apartment because that building you live in is very cool. I don't think I am. I love my apartment, though. Thank you for that. I'm going to do a great photo shoot in there before I leave, but yeah. Okay, two more really quick questions. Great. Do you think that there will be naked men in the Playboy as well?

43:32In the context of naked women? Yes. Yeah. Yes. Because I was thinking about that. Like, again, it can't just be for a very particular kind of straight guy anymore. Yeah. And also we want to show images of straight people in the throes of it. You know what I mean? Not actually ideally, but yeah, no. So Playboy has historically shown naked men in photos. The women are the centerpiece, but the men are there. And then final question. Do you think the, because we're talking about church for a minute. Do you think the decline in people participating in religion is related to the decline in people having sex?

44:18A thousand percent, yes. Yes. And also what's interesting is the sex recession is now accompanied by young men returning to church in droves. But church used to be a place where people would meet their partners or people would date. They would go to church to date. Right. Church used to be a community gathering place. And so definitely church is a really important social and cultural fabric. And with that declining, it makes sense that people are farther away from each other. but I also think it's a very horny place if you're Catholic especially that's what I'm writing my book about and so there's that too well I look forward to you exploring all of this in your book and also when is that coming out?

45:02that's coming out next year God willing literally it's called Is Jesus Kind of Hot? it opens with me unfortunately getting an erection because I was looking at the crucifix you know the crucifix is a pretty erotic image and so anyways that's coming shortly There's a collection of essays that are about my relationship to faith, which is very complicated, as you might imagine. Phil, I hope I see you soon. I hope I see you soon, too. I hope you're loving Paris. It's been great. Are you decked out in Charvet every day? I do wear a lot of Charvet. It's awesome. It's so nice to be here. Also, the weather's been amazing.

45:36This is the issue. I got here February 21st. The weather is amazing. I'm going to be in L.A. the first week in June, though. Great. So let's hang out. I'll take you to parade. I don't do parades. Oh, that sounds homophobic. Uh-oh. You know, I'm the opposite. Canceled on your own podcast. I'm the opposite. I love everyone, but especially gay men. I literally would not have a job if it wasn't for gay men. We love you too. I love you all. Phil, this was amazing. Congratulations. Everybody, buy the Playboy. it's really good I'm not just saying that I think you all know that I would I wouldn't say it if if I didn't believe it and I'm also just so proud of you it's it's um you know I remember doing that teen vogue story with you and Marie and Elaine all those years ago and look how far we've come Phil look at me look how far we've come playboy yeah it's amazing you're you're a superstar very mutual I'm really proud of you and everything you've built um your newsletter is great and Puck is amazing.

46:46I read it every day. Thank you. Let's go into business together in like 10 years. Perfect. I'll tell John Kelly right now. I will be thrilled. He's a fan. He's a Phil fan. Okay. This is great. Thank you for being here. Thank you. Thank you. Fashion People is a presentation of Odyssey in partnership with Puck. The show is produced and edited by Molly Nugent. Special thanks to Puck co-founder John Kelly, executive editor Ben Landy, producer Maya Tribbett, and director of editorial operations, Gobby Grossman. An additional thanks to the team at Odyssey, Kelly Turner and Bob Tabador.

47:27When do the images we see online become too much for us to handle? Job. At Writers Theatre is an intense psychological thriller that skewers the insidiousness of the internet, the meaning of work and the ramifications of a secret revealed. The off-Broadway sensation and edge-of-your-seat thriller about big tech and even bigger secrets is on stage at Writers Theatre April 9th through June 14th.

From the publisher

Lauren chats with old friend Phillip Picardi about the relaunch of Playboy. (He is editor-in-chief.) They discuss the sex recession, the porn obsession, how to make a magazine feel internet-y in a good way, hip lingerie brands, the magic of Katie Grand, the genius of Marie Suter, licensed product, and plenty more.

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