The Year Quiet Luxury Died

31 Dec 2024 · 59 min

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In short

Fashion People Podcast Summary: The Year Quiet Luxury Died

Episode Overview

  • Hosts: Lauren Sherman and Marisa Meltzer
  • Focus: Reflecting on the biggest fashion and beauty stories of 2024, including industry shifts, key events, and personal experiences.
  • Highlighted Topics: Luxury brand dynamics, retail trends, industry crises, and notable fashion investments.

Key Themes and Discussions

  1. Reflecting on Fashion Trends and Personal Experiences
  2. Lauren Sherman shares insights from her recent travels and upcoming projects.
  3. Marisa Meltzer discusses her health challenges and personal shopping plans in Paris.
  4. Both hosts reminisce about their favorite purchases of the year, highlighting luxury items from brands like Hermès and Alaïa.
  1. Fashion Industry Highlights of 2024
  2. Online Luxury Blow-Up: Discussion on the challenges faced by online luxury retailers, notably Matches shutting down.
  3. Brand Dynamics: Notable shifts within brands like Chanel with the appointment of Matthieu Blazy and the changing landscape of mall brands.
  4. Cultural References: The impact of pop culture on fashion, exemplified by the anticipated sequel to *The Devil Wears Prada*.
  1. Retail and Brand Struggles
  2. A deep dive into the chaos in multi-brand retail, including acquisitions and closures across major department stores like Nordstrom and Saks.
  3. Reactions to the evolving consumer interest in mall brands like Gap and Abercrombie, questioning whether their revival is genuine or fleeting.
  1. Glossier's Continuing Challenges
  2. Discussion around Glossier's attempts to pivot and the implications of its fragrance success versus the overall brand health.
  3. Questions raised about the long-term viability of Glossier given its previous high valuation and current market realities.
  1. Major Fashion Industry Shifts
  2. Designer Changes: Notable departures and appointments in major fashion houses, particularly focusing on the impact of Matthieu Blazy at Chanel.
  3. Investment Trends: The Row's billion-dollar valuation and concerns about maintaining quality amid expansion.
  4. Succession Wars: Insights into the LVMH succession dynamics and the potential future of luxury brand management in the hands of the Arnault family.

Key Takeaways

  • Personal Purchases: Both hosts emphasize the emotional connections and narratives behind their luxury purchases, suggesting a shift towards valuing meaningful items over mere trends.
  • Retail Experience: There is a strong consensus that the shopping experience in many department stores needs to improve to retain consumer interest.
  • Brand Adaptability: The discussion highlights the importance of brands being able to adapt to changing consumer preferences while maintaining a core identity.
  • Future of Luxury Fashion: As the industry faces economic and cultural shifts, there is a cautious optimism about new creative directions and brand evolutions.

Conclusion This episode of *Fashion People* serves as a reflective wrap-up of the year in fashion, focusing on the interplay between personal narratives and broader industry trends. The conversation highlights both the struggles and potential future directions for luxury brands, making it a compelling listen for fashion enthusiasts and industry insiders alike.

Additional Notes

  • The podcast is part of Lauren Sherman’s broader initiative with *Line Sheet*, aiming to provide deeper insights beyond press releases in the fashion industry.
  • New episodes are released twice weekly, focusing on current events and personal stories within the fashion and beauty sectors.

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Transcript

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0:03Hello and welcome to Fashion People. I'm Lauren Chairman, Redo-Crux fashion and beauty memo line Sheet. And today with me on the show is journalist Marissa Meltzer. We're here to reflect on the biggest fashion and beauty stories of 2024.

0:22Happy Tuesday, everyone. I am back in Los Angeles after a very quick trip out to the desert. This week on Line Sheet, we've got an interview with Virginie Montel, the costume designer of Amelia Perez, and also Jonathan Anderson, the costume designer of both challengers and queer, and also obviously the creative director of his namesake brand, J.W. Anderson, and also Loewe for now. It's from my talk with them at Puck Stories of the Season event back in November. It's a great chat. Make sure not to miss it. Elsewhere, I am answering some more reader questions. And then on Thursday, you guys are obsessed with this lower fish bar product situation, which to be honest, could literally be a nothing situation.

1:09I start to get into it. I'll do more reporting next week, but it's funny how much you guys want to talk about this. Uh, then on Thursday, I am back with a preview of what's to come in 2025. Thanks to everyone who made this year. So great. It was a wild one. I published a book. Big thanks to my coauthor, Chantal Fernandez, Rachel Strugeatz and Sarah Shapiro joined line Sheet. I can't believe Rachel hasn't even been with us for a year. It feels like she's been with with me forever. Did work together before. So maybe that's why. And then starting next week, Line Sheet is going to five days a week from three.

1:44So be sure to sign up if you haven't already. It's still going to be fun. It's still going to be published in the afternoons. It's never going to feel like homework, but it's going to be all the news you need to know. So get on that. And for now, let's get going with Marissa. Marissa Meltzer, welcome to Fashion People. Thank you for having me again. Welcome back. I mean, I've been at home this whole time, but yes, I'm happy to be back in the world of the line sheet Fashion People universe. What have you been up to during this holiday break? I think I thrived too close to the sun during holiday break.

2:23and I was sick. I was actually sick in a way that is not the kind. I have epilepsy and it had a seizure and ended up in the hospital. So I had sort of like a dark and weird Christmas, but I'm fine. Oh my God. During a holiday party or like post-holiday parties? No, of course. No. The most tragic and embarrassing part of it is that it was in front of Jack's wife, Frida. On Lafayette. That one? Yeah. Well, at least you probably knew 15 people standing there. Well, I don't even remember it because part of having seizures is you kind of have like amnesia. So I remember leaving Italy and then I woke up in an ambulance.

3:01But whatever Jack's wife, Frida Angel that called the ambulance also made sure all my Italy groceries were sent home to New York Presbyterian with me. So I was set. So, yeah, I was eating like eggplant parm and recovering for most of the holidays. I'm so sorry. did you buy yourself anything as a, as a reward for great question? Um, I haven't, but that's only because I'm going to Paris in, um, mid January for two weeks and intend to, um, you know, like take out all of my, um, you know, my desire to be nurtured on the French sale season. is there anything you're looking for in particular um well I have a really good sales girl at the Chanel and Campbell and I just like to look forward to however she's going to abuse me and tempt me I feel open to like surprise and delight like I want I don't want a basic like I want I don't know like a skirt that really makes me happy or I mean I always go to Reese's and get something vintage.

4:16Maddie, my girl there, is amazing. And she always brings out an array of things. Yeah, I think, I mean, I always buy underwear. I am going to a certain French dermatologist and, you know, plan to. Fortunately, we cannot share this name with anyone else. No, but I will be. Sorry, everybody. And this is the hard line. I'm starting a beauty sub stack and I do have many other French and American friends who can share the names of their French masseuses, dermatologists, in-house, waxers, whatever. So those will be going in there. Marissa, I'm so excited that you're starting a beauty sub stack. Congratulations.

4:59Can you share any information? Do you have the name of it yet? Yeah, it's called Soft Power. So good. And it's marissamelter.substack.com. Um, it's like I was listening to a podcast, a celebrity book club where Steven and Lily were talking about forehand massages and like wondering if they were good. And the whole time I was like, not only have I had forehand massages, but I've had six hand massages and I actually think forehand is better. And like what's having this whole, you know, conversation with them in my head. And that's when I realized that, you know, the classic thing of expertise that I have that I totally take for granted because I have been to spas on every continent, but Antarctica, that I can share and explore.

5:50And I love fashion. I love shopping sub stacks. There's kind of not anything like that for beauty. And I think, at least for me, I'm a little more omnivorous and open with beauty. Like I'm more open to trying things. It's often a cheaper point of entry. I have more questions. I have more musings, you know, like I like to talk about the new designer at like Balenciaga or Bottega, but I'm I'm not that client. so I'm not actually buying it. Whereas if you tell me any skin tightening or like, you know, freckle reducing or like new sunscreen, I absolutely will buy it and try it. So yeah. So it's, it's for that.

6:37I'm so excited personally. I was actually talking to another beauty editor who DM me last night. I posted something on Instagram that you and I were talking about. I was looking, I Googled like eyeshadow trends. Yes. Over 40. And which I guess the over 40, what does that mean today? It means nothing, but I really couldn't find much about, I found one birdie article, B Y R D I E and one Harper's Bazaar about makeup trends. But I just couldn't find anything like I would like to wear. I have two eyeshadows and thought, oh, it might be interesting. What kinds of eyeshadows are available? There is no information.

7:22And another beauty editor DM me and said, who's around in our generation, I really want to start a sub stack, but she doesn't feel like she can do it really regularly. I said, if you do it once or twice a month, I think it's honestly enough. The one you do weekly. If you can do weekly, it's great. And I think you'll make more money. The one I like is How Not to Fuck Up Your Face. Yeah. Which is, I think she was the beauty editor. Val Monroe. She was at O. Yeah. At O. She's great. Hers is a little more musing oriented. And I think I want this one to be a little more service in the sort of service journalism mode of like, you know, like Jean Godfrey, June and Lucky kind of thing of like, here is this perfume that smells like sunscreen in the most beautiful way possible.

8:16And it's going to make you feel like you're in Saint-Tropez or like, you know, again, like, can you wear blue eyeshadow if you remember the 80s? Exactly. It's not so much for like the aged, even though I am 47. Like, these are things that I'm concerned about, but I also want to talk to other people. And, you know, I want to talk to, like, you know, I have a notoriously wide-ranging social life and friend group. And I have, you know, people that I'm dear to me that are 80 and that are, you know, 18. and so and I think beauty concerns there are less hard lines right like it's not like you can't do this when you're this age but it's for me it's more like does eyeshadow suit me if I'm good if I if I'm gonna go from zero to a hundred with eyeshadow is that what I want to do like you know it's it's more like how do I look like myself but still experiment but also the questions that everyone asks, like where I have to send some, I have to like thank someone and I want to get them a massage in San Francisco.

9:27Where do I go? Sure. I think the big thing for me, because I read magazines a lot, we all grew up reading magazines. I learned to do makeup from reading magazines. And yes, there would be one or two photos, but it was really like, this is, you put blush on the apples of your cheek. I am not watching what I did promptly after searching and could not find any information about what eyeshadows are available in the world. I went on Tik TOK and honestly, everybody looks awful. Like at my friend, I messaged a friend and I said, I can't believe you look at these Tik TOKs all the time. Everyone is so ugly.

10:06Like it doesn't matter the age they look and it's, you know, it's user generated content and I don't want that. Like, I don't want. They all have blush blindness. There's so much blush. They're wearing so much concealer. Like, it just seems it's not the way that would feel good to my skin. They're insane. Like, lip liner is crazy right now. No one, everyone looks wild with lip liner. They look so bad. And it's not. Like, the thing is, it's not. You're right. It's not an age thing. It's just like, I would love to just. It's just an aesthetic thing. Some like really pretty girls putting some fun eyeshadow wash on their eyelids and seeing, and knowing I ended up going to Target and I bought a ColourPop palette.

10:50Okay, great. This can be a future collaboration thing where we can talk about your color. My thing with eyeshadow too is like, where does it go? Like, where does it stop? I have a lot of lid. Yeah. And also like, is, are there dust? Like I would, should I try a blue eyeshadow? but is there some sort of like shimmery one that is subtle or whatever? And there's just no information. And just as like, you're totally right. You look at Laura Riley, Leandra, Becky as the like three, the triumvirate shopping, Amelia, but Amelia is more of a reporter. She does. That's true. She is a reporter. Yeah. But like you, we need people to be writing about beauty in a, like you said, in a, in a constructive way where.

11:37Yeah, I would just like to know what some, and I don't notice that on the street as much as like, Verena von Fetten will wear blue eyeliner, but she's the only person I know who experiments with eye makeup. Yeah. I mean, I want to be able to experiment, but like not either look like a dowager or look like I'm trying to look like a euphoria teen. And yeah. And again, like I, I there's just not a lot of that. And I have plenty. I don't want to, you know, like Rachel Strugratz, wonderful beauty reporter. I'm not trying to do that. I have a lot of outlets to write about to be a journalist. And I'm not going to stop that.

12:18But this is somewhere for me to kind of imitate the conversations I have in my group chats. and totally you know like my best friend who is gay is really into this tinted pink hermes um lip balm stain and like it just makes him look like he has naturally rosy pink lips and it's like i'm really also interested in the conversation of like are men gonna wear makeup where should they start like what's how do you tiptoe into that world like i just think there's a lot of But yeah, it's just I want to replicate fun conversations and also, you know, sort of a rare. People say they always hear my voice in my writing, which is wonderful.

13:03But like somewhere for me to write where I truly just sound like myself. Well, Marissa, I can't wait for soft power. This is also journalism. It's just a different kind. No, it is. It's service journalism. There's just very few of those places left. I'm very excited. Subscribe. Everybody get on that. Thanks. So you are on today to talk about the big stories of the year. And I sent you a very, very long list. We're not going to get through all of these. Some of them are extremely boring. And some of them we're just going to, I think we should just power through the ones that I think we should, you and I should focus on big time.

13:42Well, I know what I wanted to start with. Which one do you want to start with? Favorite purchase of the year. Yeah, I think what we should do is actually go from, no, we should start with favorite purchase of the year and end with the big C because that happened at the end of the year and that one is, and a lot of these in the middle are boring and we're going to just go through them super fast. But so what was the best thing you bought this year? I think the best thing I bought this year was partly because I manifested it a little bit, but before I mentioned best friend, Matthew, I was talking to him about how I needed a bag that was like a daily shoulder bag tote bag, but not like tote bag tote bag.

14:25And he was like, what you need is an Hermes Picotin in a neutral color in like the biggest size possible that you'd have to custom order. So just keep an eye on one on like a resale site. And Reesey had one that then sold, but then the person decided not to keep it. So I got it for a great price. It's like Raison, which is their sort of like purpley brown color. It's huge. I had it with me when I had a seizure. Remains great. I had a Boucher de Noël inside it. It all was fine. And it was great. I got a great price. It's, you know, it's unbranded. It's like, if you know, you know, like a very chic woman stopped me on Lexington a few weeks ago and was like, where did you get a picotone that size?

15:15And I was like, secondhand. So that was my favorite. And also, I don't believe in cost per wear necessarily, but this is a true utility piece for me. You know, I put groceries in it. It's my daily driver. And so it was great because it wanted it. I found it and I use it all the time. What was yours? I also got an Hermes bag. I don't know if it was it was a it was my 2025 let me guess plume i you know i wanted a plume for a long time i want a plume a bolide oh i was gonna be my love bullied in there no in there like in their lipstick red oh i want the um plume in like a red or a burgundy i love the plume i wanted forever I've been looking for a bag to take to lunch in Los Angeles which is a bag to take to the Sunset Tower San Vicente Bungalows and the Polo Lounge the only places I have lunch work lunches yeah and I I wanted something smaller that would not fit a laptop yeah because I have like a very cool Hermes tote from the Margiela era leather that I my laptop fits well in and I have an Isaac Rayna laptop bag.

16:36I don't need that. And also in LA, you don't need that. Pico Tan fits my laptop, which is nice. But yeah, I want, I want a plume in like a non-laptop, more like a lady's handbag, but also not a mini. Yes. So, so this is, I think, it was 25 or 30. It's, it's small and, or 20, 25 or 28. And I said to my husband, and look, like these are, this is still more affordable than buying a bag at retail at any luxury brand. Absolutely. It's kind of wild how, not that they're cheap, but when, but like buying that kind of Hermes is sometimes cheaper than buying like Loewe. It is, it was cheaper than buying a Loewe.

17:22Definitely cheaper than like a Bottega. And just half the price. Yeah. And bless everyone that has and wants those bags. I live close to those boutiques. I walk by them. I get it. But I'd rather have, you know, kind of a low key Hermes than like a Marnie bag any day of the week. A friend of mine, I had it out and she was like, is that back Todd's? Honestly, I was like, you know what? That's kind of a compliment. Yeah, that's actually the kind of compliment I want to receive. It's like if someone is like, wonders if like a shearling coat is like your grandmother's or something. Totally. So what I said to my husband, I was like, look, my husband, God bless him.

18:07One of the best men to ever live. The worst gift giver alive. like is and I'm all straight men the worst no he's really bad actually you know what my friend Chloe's husband Ian is a wonderful gift giver it it's just not he doesn't care like it's not they didn't grow up getting gifts for me like gifts are my I I don't want to use this phrase but love language like it really matters to me and I've as we've been together for eight 17 or 18 years like yeah it doesn't matter as much as it used to and I don't like value them in the same way. But if I didn't buy him a present for Christmas, he wouldn't notice.

18:44Like one year I just didn't buy him anything and it like did not register. So I said to him, I was like, look, you could just buy me this now and then I won't ask for anything else until next Christmas. And he said, great. And bought it. So, but what I would say from my own purchases, I was thinking, I did not buy that much stuff this year. I would say that I bought an apartment this year, which was really a big ticket item. I bought a black Aliyah dress at the boutique last February. And that, I would say, is the thing that I feel like I'll have forever. Yeah, I bought a black Aliyah sweater last January.

19:28It made me feel so good. I love it. Yeah, I'm so happy I bought it. It was like the experience was amazing. the value or whatever. I'm really happy. Wait, your experience was amazing. I have to say, I don't know if it was the time of day, but I was like taking nothing but abuse. But in my masochistic way, I loved having the Alaya people be so sort of like dismissive and like kept forgetting to find sizes for me. And I sort of love that when people aren't obsequious and treat me like trash. Did you go to the one in the Marais or the one? No, I went to the one in the eighth. Okay. That's the one I went to too.

20:09She did say to me, you should try these dresses on, not that one. And I tried them all, but she was right. Like the dress I bought is not a dress I would have ever chosen for myself. And what I would say is it's like a crew neck with, it's not a muscle tee or whatever, but it's that sort of shelf. Like almost like a cap sleeve or like, yeah. It's not cap sleeve. I know what you're talking about. It's just a sleeveless shell. And that is not my silhouette at all. I never, I wear like in the summer, I actually do have a couple of muscles to use, but I would never wear like a fitted t-shirt, sleeveless shirt style dress, but the, it fit me perfectly.

20:49And it, it was, I ended up buying another Alaya dress later in the year that was like more my personal style and that one's great, but it's much trendier and I'll wear it a bunch and I've worn it a lot. I can FaceTime you from Laya in Paris in a few weeks and we can discuss if there's anything that I need to, you know, import. I mean, it's so beautiful. There are two dresses I have my eye on right now. I think I saw one of them and I have, in fact, tried it on or maybe just the skirt version. And honestly, no regrets. The sweater I bought I wear all the time. I'm really into power knits for 2024 and I'm going to get more into a power knit.

21:28I love it. Okay, so I'm really happy for you with your Hermes bag. I'm happy for me with my Hermes bag and my Aliyah dresses. We're Aliyah.

21:42Hi, this is Jill Schlesinger, CBS News Business Analyst, Certified Financial Planner, and the host of the Jill on Money podcast. With the new year upon us, there's no better time to take control of your financial life. And the Jill on Money podcast is here to help. It's your questions that make it possible for me to provide unconventional and I hope entertaining insights on your money, more importantly, on your life. Follow and listen to Jill on Money wherever you get your podcasts.

22:15Let's zip through this. So we're going to do really, really fast. And then there are a few that I want to do go a little bit deeper. So first thing, year in beauty, you mentioned our beloved Rachel Sturgatz. Pucks Beauty correspondent. She broke a million stories this year. The big thing was the Estee Lauder CEO who is starting in early January. She said he was leaving. They denied it, that the current CEO was out. It ended up being true. She did it all. She tracked the whole thing. You should all read her stuff. The thing that I wanted to ask you about was, and you reached out to me about this as well.

22:55And Rachel sort of answered it in our mailbag, but it was about Glossier and Glossier was, they had, they had reportedly engaged a banker last year or 2024. So it's still this year we have one more day and they didn't sell Glossier did not sell, didn't go to public, which I mean, no, no surprise on that front, but what do you think is going to happen with Glossier? Do you think there was a big return of Glossier this year with the hit fragrances and just the idea that the brand was really back. They entered Sephora. You wrote a book about Glossier that was a bestseller and Glossier. And so what did you think about Glossier's trajectory this year?

23:35I think they, you know, did everything right to orchestrate the feel of a turnaround in that they gave very sort of targeted, very sort of on-brand interviews and profiles. They're expanding, you know, new iterations of the fragrance, which is definitely like where their, I think, power is currently coming from. It was a really soft year for, you know, acquisitions. So I don't know that I'm surprised, But I also feel like if I were one of the investors, I would want that return, you know, now. It's been over 10 years. And so I would imagine it would be next year. But again, if you look at some of Rachel's reporting, those numbers, you know, that she's estimating more like a 300 million, they're about sale if you really go by the numbers.

24:39that's not the most, you know, ego boosting or flattering number. And I guess the question I would think is, do you, do you hold on? Do you try to, you know, boost the brand even further, or do you, you know, try to, try to sell now? And I am, you know, I'm glad that's not my decision to make. My guess is that they, they will sell in 2025, assuming that the, um, that the, you know, environment is friendly. Um, but I don't, I don't know. I also think things could go weird this year. Yeah. I look best of luck to them. I'm not convinced that this quote unquote turnaround around is real. Yeah, no, I don't necessarily think it is.

25:30I just, I think the fragrance did well, but I'm not sure that that's enough. And I just don't, nothing's ever going to live up to that, you know, well over$1 billion valuation from whatever it was, 2021. Totally. Look, they should have sold in 2000. Yeah. And I think that's why, you know, that's why Emily is gone. And that's a lesson to, I think everyone, but they're never going to get a number like that. And I guess, you know, the question is, what are they willing to settle for? Yeah. I mean, they might get it, but it's just not going to mean as much as it once did. And then the other thing is, like, the distribution has helped with.

26:08Yeah. I mean, all that. It's like, is the fundamental, the product good? It was, was it, I mean, was it ever good? Is that the point? Will, do they have? Yeah. So, like, who knows? the, if maybe if they have five more years, though, there's always a chance retail is cyclical. You can turn it around. I'm not convinced that the current iteration of Glossier is as on track as they would like to believe. And that like comes, that's not from my reporting. Rachel's reporting is super, um, I would say non-opinionated about Glossier. Like she's very like, This is what's very neutral about Glossier in particular.

26:51And I would say my gut from like a brand building perspective is that the brand is not exactly where it needs to be. So maybe they'll do it. Maybe they won't. Also Marie Souter leaving. That's huge. She's so instrumental to the look and feel of the brand. It's another sort of poor person to go. So, yeah. Okay. Okay, so we got to move on though because we have way more. Okay. Really, really quick one. Department store craziness. Farfetch sold to Coupang. Matches shut down. Uxnetta Porter Group sold to My Teresa. Saks acquired Neiman Marcus Group and Nordstrom is going private. So basically all multi-brand retail.

27:38It was total chaos. Do you still shop in any of these stores and do you care? I mean, that's what I was going to say. Until you can make the experience like shopping at Bon Marche in Paris, I know I'm such a Francophile, but that is truly probably the only department store that is a pleasant and shopping experience where you can also buy a lot of different brands at once. It's peaceful. The people who work there seem knowledgeable. You know, I just don't, that's not replicated anywhere. I was in, I was at Saks the other day and Bloomingdale's the other day just to buy something as utilitarian as hosiery.

28:18And they didn't even, they acted like me asking for ribbed cotton tights was like wild and unheard of. And I know that I'm not the only one. So, you know, until you give me a better shopping experience, I don't know that it matters. What about you? No, I agree. I love Le Bon Marche. Also, I love some of the smaller malchi brand retailers, but even at a place like Le Garcon, which I love, the experience of shopping there isn't great. I think I maybe told the story on the podcast another day or I just was talking to a friend who knows. It all runs together. But when I was last in New York, I went there on Sunday afternoon and we had a very short amount of time.

29:01I was there with my husband and kid and I wanted to try on a pair of jeans from a brand I'd never heard of and a couple shirts and a pair of shoes from the row, honestly, I probably would have bought all of it or at least made one impulse purchase. And the guy was like, it's going to take me like a half an hour to go get this stuff. And I said, see ya. I said, put it together. I'll come back tomorrow. I never went back. So I think the big thing for me is... You don't want me to spend money? Yeah. Yeah. And you're not alone with experiences like that, right? Yeah. And the challenge for these retailers is they don't stock cotton rib tights because they're not going to sell a lot of those in store.

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29:42You can only buy them online through their drop ship marketplaces. But the problem is when you need a pair of tights, you go to a store. Like that's why you go. And so they need to calibrate. Yeah. Like they need to calibrate what you, what you should stock versus what's available online. And it's, it's really challenging. I don't know who's going to do it. maybe the Nordstrom brothers and cousin can figure it out. I grew up shopping now that it's, it has a, you know, real deer place. Fabulous. So did you know that Alessandra went to Valentino in 2024? It's only been that long. No, I think I'm pretty sure it happened like five years ago.

30:23What do you think of Alessandro's Alessandro Michele's Valentino so far? Um, I think it's for someone. It's not me, but that's OK. Most things aren't. I think it does look different from Gucci, but I can still see him in it. I think it's a little too referential of vintage. I would like to see it, you know, look a little less recreation-y. I think that the outerwear is strong. I think the shoes are strong. I think it will probably do well, but I don't know if the people that want to buy it will be able to afford it. Agree with all of that. Shoes and bags are really, really strong. I do believe they'll hit, but it's going to take a while.

31:17And I think the ready-to-wear is beautifully done. I like it a lot more than his Gucci. It is not none of it's for me. I think the shoes are great and I someday may engage, but it's going to take a minute. But so far, one thing I will say is that in person, the clothes look a million times better than they look photographed. And so that is one thing that they're going to really need to engage people in store. And former Gucci clients who are going to be paying way more. Valentino's way more expensive, but also old Valentino clients who, who will find something in there and then new clients who will buy the, the shoes.

31:58I'd like to see less self-indulgent styling, like show a little bit of the range of the more neutral pieces or, you know, styled, God forbid, in a department store with other brands or something. Yeah. So other big news was that Zach Pozen became the chief creative officer of Old Navy and the creative advisor, or that's the wrong title, but an advisor to the CEO of Gap Inc. And is doing a collection with Gap has just become, he's designed denim dresses for the runway or not the runway, the red carpet Met Gala. Let's zoom out and just look at like the rise of mall brands, Gap, Abercrombie. What do you think of that whole trend towards these brands that have been trying to like make fetch happen for the last 20 years are finally of interest again to the consumer.

32:53Do you think that the Gap revival is real or do you think that this is just another blip? It's hard to tell if any of this is real because when you go on Gap or J.Crew, everything is so permanently marked down and on sale. I don't know if that's part of their business model or if they're truly just not doing well. But, you know, I see people in New York City buying it for the first time in years. I like those Troye Sivan jeans. I think that the, like, holiday ad campaign was really smart. It brought back some of those, you know, late 90s, early aughts, gap campaigns that I think we have so many sort of fond memories of.

33:40But it's a hard job. It's a hard task. I don't know if any of those brands will ever, you know, be what they were 25 years ago. And I don't know if just something else is replacing them or, you know, if that's just like skims or people buying wearing sweatpants. I mean, I think that there's a certain amount of doom for all of these brands when the sort of de facto airport casual wear no longer has, you know, a button. It's all, you know, stretchy fabrics, sweatpants, leggings, etc. And I don't know that people are ever going to really turn back. So when denim is something that you wear sort of to dress up, I just don't know if it can have the ubiquity that it once had or the cultural importance.

34:34100%. Yeah. And Sarah Shapiro later this week online, she has a little piece about, I said to her, can you just look into, I finally, I still haven't bought anything, but there's these brands, Lisette, Floor, Floor. she mentioned something called sold out that a friend of mine actually I believe consults for that I only knew vaguely and there are a couple other ones and negative underwear has loungewear there's something going on where there's like all thin t-shirt this is not this is not my vibe like I like a starchy shirt so and I like structure to my t-shirt so I have not bought a floor floor shirt or whatever.

35:14It's, they're a little too liquidy for me, but there is something you're exactly right. And these brands need to be a lot smaller than they are. And I think the, the challenge in the market is when you do try to kind of recapture mag magic, it never feels good. And it's kind of the same thing that glossy is dealing with right now. You have to like totally reinvent and divorce yourself from whatever that was, even if you, it has the same spirit. And so that's it's challenging but it's it's interesting to see all that stuff pop again so devil wears prada sequel do you care i was on we we've discussed this a great deal i absolutely care i mean i again it's this whole idea of looking back and trying to capture original magic um and fan service and all of those things part of me you know wants more sort of original new content moving culture forward.

36:10But also part of me is like, you know, give me the montage of girls getting ready to suddenly I see or whatever. And, you know, bring Miranda Priestly and the whole thing back. Let's do it. Obviously I'll not only be begging to get into a press screening and I'll like beg all my editors to assign me, you know, profiles of all the actors. Let's do it. Cannot. I cannot wait for, for the credits in that movie. Oh my God. And how the battle, that's the story. Yeah, yeah. Battle for the credits.

37:14So another comeback story or soon-to-be comeback story. Do you think Nike can regain its cultural capital after a massive loss in the span of 2020? Nike is the biggest brand in the world that will never die. 2024 Nike is the weakest brand in the world that is so lost. I feel like this is a different story than, and you mentioned the discounting and Nike dealt with this too. Like they started discounting a lot. I think you're, it is a part of the business model of these small brands and it is also not good. Yeah. So it is a part of the business model and it's not good. Like it makes it much harder for them to be profitable.

37:58And, and Nike got part of Nike's issue in the last four years is that they got into the discounting thing in a bad way and they were not in it before they ran more like a luxury brand where you only go on sale occasionally or or no i think they can i think they can get there i mean to me it's it's less of um it's less akin to the gap and more like marvel where you know they've had a few weaker years with movies but i'm sure you know they're sort of there's they might make adjustments but i think they will get to the top again i don't know why i'm saying this because all my marvel knowledge is basically from listening to the town but um i think that nike can have a similar sort of comeback story i don't think it's i don't think it's something that can happen within the year i think it's going to take time i think this sort of um long tail i think it's going to have a longer tail i think you know other brands like adidas you know, A6 or Puma are going to still have like moments to get bigger and sort of touch into the glory.

39:05But, you know, Nike will get there maybe the next Olympic cycle in the summer or something like that. All my Marvel knowledge is from the big picture. Oh, well, that is, I mean, I listen to that too. So that's also, yeah. But they're both ringer podcasts and the town is obviously hosted by puck entertainment guy, Matt Bellany, but two things. Amanda friend of friend of both of ours, friend of the picture is Amanda is my guiding light in the movie business, but her and her co-host Sean fantasy, Amanda, I think cares a little bit more about Marvel than we do, but they talk about it all the time.

39:46He professionally cares about Marvel. No one's told me to care about. And what I would say is I think, that Marvel's really like, I really nobody cares. Yeah. This steps over. It's it. The culture has shifted. It's done. There's going to be something else and they'll still make some money like with all this stuff, but it's not going to be, this is not the, this is not the answer. I think I'd beg to differ, but I'd like to be proven wrong. It's all cyclical and maybe 20 years from now it'll come back. But I think that there's honestly, it's like horror films. That's what makes money in movies. Now you'd like make a cheap, horror, make heretic or whatever it's called.

40:24Movies I'm never going to see. Oh, really? You don't see them? I see every single one. Oh, no. Oh, no. I'm not. I never, I was not, I was allowed to watch whatever I wanted growing up in like a really inappropriate way, except for horror films. Oh, see, I was allowed to watch everything. And so I just have no interest in them. But the thing I will say about Nike, first of all, I sent you this Windrunner jacket, the Nike Windrunner Women's Loose UV Woven Full Super. This jacket's awesome and I need to get it, but I just keep waiting because I want to get it on sale. And also it is in a green on sale, but I just need to figure out how I'm going to wear it.

40:59It's really good. I feel like I saw a Japanese girl on my Instagram wearing it. She bought it in New York in green with all black and it looks so good. I might get it in green. I might get it in navy. I might get it in this like taupe color. It's a really good jacket. But the thing I will say, and this is comes up again and again and again with people in Europe, a friend of mine was in town from London. We were talking about it. All rich people wear are on running sneakers and hope. Yes. And that flipped four years ago. You see everybody wearing Nikes, the Adidas. And that's a trend like that.

41:38Everybody wearing Sambas. Like that's a teenager thing. That's normal. Rich people buy on. And by rich people, I mean anyone who can own. Right. Like they all buy on running or Hoka. But does Nike need that population? I think they do. Do you think it can't get by with the teenagers and the young people of the world not at that size of a business and also they were so unique in that like everybody liked like everybody thought nike was a good brand and now people are like they don't consider it it needs to be because the thing is if kids don't grow up with their parents have nikes at the front of the door they're not going to know about it and of course you adopt but then that's just a trend and it's fleeting.

42:32It's not like a part of your life. Whereas Levi's are part of everyone's life. Like they're never going to leave. Like everybody, you just know that that's the, Nike's used to be like that. Are people buying new Levi's though? I do sometimes. Okay. Yeah, I mean they have a, it's not perfect, but it's, they have this. It's still the like Kleenex. No, I mean I wear Levi's but I buy them vintage because I'm an asshole and also I, you know. No, me too. But like, I also have two ones. I mix it up. Okay. So that was interesting. Okay. This one is fun. The Olsens raising for the row at a billion dollar valuation.

43:17From the family that owns Chanel. Shout out the Wertheimers. The Bettencourt Myers family. some of whom are the heirs to the L 'Oreal fortune. And then also Imaginary Ventures, the only venture capital firm that understands fashion, Natalie Massinet and Nick Brown. And then to top it all off, Lauren Santo Domingo makes an investment. It's a murderer's row. So what do you think happens to the row now? From the point of view of a longtime row fan and consumer, I'm not sure it's going to be good I think that you know they'll probably get bigger there'll be more stores they'll all be incredibly beautiful I worry that it'll be hard to maintain the quality you know those sweaters that used to be able to wear forever without pilling I wonder if that will keep happening I wonder if they'll break down and do something more mass like you know a fragrance beyond the oils they once did or something like that.

44:28You know, one of my fantasies was for the Olsens to get hired at Chanel, which I knew wasn't going to happen and shouldn't happen, but, you know, would have loved to see that. I'd like to see the row go into, you know, some new directions. I think it's looking a bit samey. I'd like to see them play a little bit more with, you know, within their own realm of silhouette or color or texture or whatever excites them. I'd like to see their Carolyn Kennedy in Yoji Yamamoto interpretation a little bit, you know, more frequently. What do you think? What do you think is going to happen? I'm sad saying that I don't think good things are going to happen, but it really is good.

45:14It's hard. And I'm already hearing people being like big clients of theirs being like ah it all looks the same I don't want it anymore blah blah blah I mean this is what happens to brands they have a huge business in China that's going really well I got that Intel a couple weeks ago we'll probably write about it at some point so they have a lot of room to grow if anyone would like to send both of us to China to report on the rose growth and dominance. I'd love. We're both. I'm definitely using my travel budget for that. Someone can send it. But yeah. Yes. Someone can send Marissa, please. I think they, the reason they've succeeded is they don't listen to what other people say and they do what they want.

45:59And they only, they take advice carefully and they're careful people and they need to continue being careful people. And so fingers crossed. And, and it, you know, they had a, pandemic boom. They had a pandemic at first, it was really bad and the business was in trouble. And then they had a boom because they were the high end brand for pandemic times. And so now things are changing. And, and so you have to change with the times without losing yourself. So I agree. I would love to see more of the, um, Carolyn Bissett, Kennedy, Yoji inspiration. Someone mentioned the other day that the first, Oh, Leah Chernikov, when she was on last week, one of the first mood boards she saw from the row had like carol and beset over it that type of thing i think i think there's something about we are all trying to dress up a little bit more they can i the last thing i bought from them was like a spiky heeled boot that is not super high but it's like a lot sharper and doesn't feel it doesn't feel um arts and science which is a big inspiration for them which is like a crafty Japanese brand it feels much more like a little more aggressive and I like it when they have kind of new wave influences they do kind of like an early 80s moment sometimes with their shoes yes and what as they enter their 40s as we know like that is an interesting time for women and and how they it work wise this is going to be the biggest 10 years for them.

47:33Life-wise, like one of them has a kid, I think. So they're married or whatever they are. As you know, I actually don't care about their personal lives. But yeah, I think it's going to be an interesting time. And again, best of luck to them. I look forward to reporting things they don't want me to report forever. We're not going to go through the tapestry Capri break merger, then breakup because they couldn't get it through. You don't, you don't really care about that. I mean, I read it, but I don't think I have anything to, to say that you haven't said before. I mean, yeah, let's see who, who Tapestry ends up buying.

48:16I saw today, I get these alerts from Seeking Alpha, which is one of these like stock websites when anything comes up and want some, apparently the people who own Vera Bradley are trying to get tapestry to buy it, which I love this idea. Let's bring back back Vera Bradley, uh, LVMH succession. There was a lot of stuff that happened, especially with, you know, they, the head of HR of LVMH got ousted. This was someone who the kids really battled with Delphine really had a Delphine Arnaud, the oldest child had a lot of, um, a lot of work to do as Dior's Dior started to have a lot of challenges. Alexandre Arnaud had a lot of challenges at Tiffany, but in the end overall was successful and was shipped back to Paris or brought back, beckoned back to Paris to help turn around Moet, Hennessy, the struggling wine and spirits division.

49:17And now he's sort of in the top spot for who might take over for dad because dad needs to retire in five years. Apparently, He already pushed back the, got the French law pushed back so that you could work till you're eight and he's 75. I think he's going to get it pushed back another five years, but it, there, the, there's a lot of real succession planning. Tons of Arnaud deputies have retired or are stepping back or are being moved around. Um, and then the younger kids, Frederick and John, they are Frederick in particular. he runs the family office now on top of, I think he is the CEO of the watch.

49:59Honestly, that seems like the best job of all of them. Family office plus watches. The family. Yeah. A hundred percent. A hundred. I mean, they all, I think there, you know, there's an M &A team at LVMH, the 70 person team. Like there are all these different, there's a family office, there's a tech fund. There's, there's El Caterton, the private equity, but yes, I agree. I mean, that's the one that, that, and it's a big deal that, that he was given it. So, it's very exciting. Most fun thing that I get to write about. Who's your favorite? Our no child. Delphine. I should. Yeah. I, you know, I, she just seems like the most capable.

50:39She has never been spotted at a Trump rally. Um, I, you know, uh, yeah, I'm, I'm rooting for Delphine. I think yours is a hard job. Yeah. I have to be objective here as objective because I really do. This is probably the thing I write about the most and report on the most. And, you know, but I, you know, you want, you want a smart, capable woman to, my feeling is that they should, none of them should have replaced their dad, that they should break the business up and each run different parts of it, but that's never going to happen. So we'll see. It's going to be a fun five years, possibly 10. One more thing that we need to talk about because we all need to go.

51:28Matu, Blaise, Chanel. This was the biggest. There were a million designer musical. There were all these changes, designer changes this year. This is the only one that really matters. What's your take as a Chanel client and obviously as an observer and reporter on the business? I am cautiously optimistic, I want to say. Look, I love Steph's theory that she, you know, really debuted on the podcast of Sofia Coppola. That would have been amazing. You know, there are a lot of people that I would sort of fantasy cast for Chanel, but it could have been a lot worse. I am interested to see what he does.

52:13I'm interested to see what he referenced because Virginie in many ways was an iteration of Karl Lagerfeld and, you know, his aesthetic. And I, I, there are so much more to Chanel than the sort of Chanel, the late eighties, even though I love that. And I love, you know, Carl, what Karl Lagerfeld did. But, you know, the other day I was looking at footage of the actress Romy Schneider trying on Chanel in maybe like 1970. And it's such a different look than what we associate with Chanel now. I mean, there's the house codes, but it's sort of, you know, through the gaze of Coco Chanel and, you know, whoever else, but not Karl Lagerfeld.

52:57And so I'm kind of wondering, you know, what happens to Chanel when you are truly kind of liberated from some of the references that they've been playing with for so many decades? And that is my hope for him in a long-winded way. I think Emily Sundberg did an in and out list and she interviewed 500 of her readers for it. And someone said. It's not going to like this person clearly doesn't know how Chanel works and said all this stuff about how it's not going to be as commercially successful. They'll take like very. And it's like, look, it'll be critically successful, but not commercially. None of that matters.

53:38The commercial stuff is almost completely divorced from the runway stuff. And the important thing is that he evokes a feeling of wonder, to be honest, and like hope and all of that. And I think he's capable of that. I'm very excited to see what he does. I'm a big fan. I bought a couple of things from Bottega. I agree that it wasn't, you know, it wasn't a lie. It wasn't like I was, I was dropping thousands of dollars that I don't have on, on items for it. It was like very much, I bought two things on sale, but I did really admire it. And that last collection, I adored it. It was, he's, he's very adorable.

54:25He's worthy of adoration. And so I think like commercially, it seems like from shoes, It shoes in particular. They really have on lock handbags. They will have on lock now that they'll kind of I think the pricing stuff will will sort of balance out and they won't go nuts upping the prices constantly. But I am I'm super hopeful for it. And I'm happy they made that decision, even though it wasn't Sophia, wasn't Eddie. It wasn't Mark Jacobs. These people who we would have been outdoor to see. it was, it was a long-term decision and that feels extremely promising and hopeful for the industry. Marissa, this was so great.

55:12Happy, happy new year to you. Happy new year to you. I can't wait to see you. Yeah. I can't wait to see you. Thanks for being my buddy on fashion people and, and for all your help with so many things and, and just being, being a great, uh, thought partner. Love you. Love the audience. Love you. We'll talk soon. Fashion People is a presentation of Odyssey in partnership with Puck. This show was produced and edited by Molly Nugent. Special thanks to our executive producers, Puck co-founder John Kelly, executive editor Ben Landy, and director of editorial operations, Gobby Grossman. An additional thanks to the team at Odyssey, J.D.

55:55Crowley, Jenna Weiss-Berman, and Bob Tabador.

From the publisher

For this special 2024 wrap party, Lauren is joined by Glossy author Marisa Meltzer to discuss Hermès, Alaïa, and Chanel… and every other brand they thought about and wrote about this year. But also: the online luxury blow-up (remember that Matches closed?), the return of mall brands, the Nike crisis, the Devil Wears Prada sequel, The Row’s billion-dollar-plus valuation, Glossier’s attempted comeback, LVMH succession wars, and of course, Chanel’s appointment of Matthieu Blazy.

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