In short
Live New York Comic-Con mini-reunion episode where Josh Horowitz moderates a conversation with Elliot Page and James McAvoy about their X-Men roles (Kitty Pryde and Charles Xavier), plus their broader careers, fandom, acting craft, and upcoming projects.
Guest backgrounds
- Elliot Page: Actor known for Hard Candy, Juno, Inception, and Umbrella Academy; also discusses a planned re-teaming with Christopher Nolan in The Odyssey.
- James McAvoy: Actor known for X-Men (Charles Xavier) and other work including Narnia, Split, and Glass; also discusses directing/producing and his upcoming film California Ski Man.
Key claims
- They crossed over only briefly on X-Men press and set work (not much shared screen time).
- Page got the Kitty Pryde role via a screen test; McAvoy emphasizes acting choices like “the finger” gesture and seeking respect from Patrick Stewart.
- X-Men themes helped fans feel “you are enough” despite oppression/disenfranchisement.
Notable examples
- Comic-Con memories: Page’s first Comic-Con (with Liv Tyler in V for Vendetta masks); McAvoy’s first NY Comic-Con jacket “easter egg.”
- Power performance: Kitty’s wall-running effect; Xavier’s eyebrow/forehead pointing and gesture discussions.
- Other projects mentioned: Inception script “engine” read; Page’s Beyond Two Souls performance capture; McAvoy’s Split character prep (2–3 weeks) and California Ski Man (Scotland rap artists reinventing as “California” skaters).
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Chapters
Tap a time to open that second in VOAudience Engagement and Comic-Con Vibes
3:05 to 5:00
Josh engages with the audience and sets the stage for a fun discussion about X-Men.
“No tears, though, guys, because we are ending with a bang.”
Comic-Con Memories and Experiences
5:00 to 7:30
James and Elliot share their first Comic-Con memories and experiences in the industry.
“So, like, have you spent more time, like, on press tours or these kinds of things than actually on set on X-Men?”
Growing Up as Comic Book Fans
7:30 to 9:00
Discussion on their childhood interests and influences from comic books and sci-fi.
“and the original Star Wars was re-released in theaters and I was became completely like hooked and I loved Batman, I loved Spider-Man, like I loved yeah like more yeah superhero stuff when I was a little kid.”
Growing Up as Comic Book Fans
10:56 to 12:15
Discussion on their childhood interests and influences from comic books and sci-fi.
“The truth is I get super stressed like everybody else.”
Acting Opportunities and Audition Stories
12:49 to 14:03
James and Elliot discuss their early auditions and experiences with comic book roles.
“As you recall, were Kitty Pryde and Charles Xavier the first comic book roles that came your way?”
Memorable Encounters with Directors
14:03 to 15:06
James shares an emotional audition story with a director who forgot him.
“Stephen Winick - Did you get straight up offered it or did you audition?”
Experiences on Set of Major Productions
15:12 to 16:30
The guests discuss their experiences on large film sets and working with famous actors.
“Everybody knows Steven Spielberg is an asshole.”
Conveying Superpowers on Screen
16:32 to 18:03
A discussion on the challenges of portraying superpowers in film.
“One thing I feel like both of your characters share is that there are powers that are kind of hard to convey on screen.”
Connecting with Patrick Stewart
18:05 to 20:18
James talks about his desire for approval from Patrick Stewart and experiences with him.
“I would say I'm surprised, but I'm not surprised.”
Days of Future Past Insights
20:20 to 22:38
Elliot and James reflect on their time filming Days of Future Past and its significance.
“I don't think I have done it to his face, actually.”
Show all 26 chapters
The Impact of X-Men on Fans
22:39 to 24:55
Both actors share stories of how X-Men has resonated with fans on a personal level.
“It's like that must be really, not to mention you can't do so much with your buddy Fassbender.”
The Future of X-Men Characters
24:56 to 26:43
Discussion about the legacy of their characters and potential new iterations.
“But yeah, that's, I do get a lot of that from X-Men.”
The Future of X-Men Characters
27:15 to 28:31
Discussion about the legacy of their characters and potential new iterations.
“Well, it's August, guys, so it kind of feels like the perfect time for a reset right before the fall comes.”
The Future of X-Men Characters
28:34 to 28:46
Discussion about the legacy of their characters and potential new iterations.
“Get free shipping on your order and 365-day returns.”
The Aftermath of War
28:46 to 30:00
Exploring the themes of survival and darkness after a catastrophic war.
“Kingdoms were reduced to cinders and armies scattered like bones in the dust.”
Fan Encounters and Identity
30:00 to 32:34
James and Elliot discuss the varied reactions they receive from fans on the street.
“What's the most frequent films or projects that usually come up to you?”
Memories of Narnia
32:34 to 34:09
James recalls his experiences making 'The Chronicles of Narnia' and his bond with co-stars.
“I don't even think we were texting and stuff back then.”
Working with James Gunn
34:09 to 35:31
Elliot shares his experience of working with James Gunn on the film 'Super'.
“And Howard's just an incredible designer of makeup and incredible work.”
The Intricacies of Inception
35:31 to 37:18
Discussing the complexities of the film 'Inception' and character dynamics.
“I'm going to mention Inception because that project, talk about a classic.”
Gaming Interests
37:18 to 39:40
James and Elliot talk about their gaming habits and experiences with video games.
“like as a performer you stand up to DiCaprio and like you call him out so much in that movie.”
Acting in Video Games
39:40 to 42:01
Elliot discusses the challenges of performance capture in video games and its impact.
“I'd love to learn, do you know what I mean?”
Exploring the Creative Process for Split
42:01 to 44:42
Learn about James McAvoy's unique approach to character development in Split.
“Night Shyamalan's company, she's like, you had three.”
The Significance of Umbrella Academy
44:42 to 45:41
Discover the personal and professional impact of Umbrella Academy on Elliot Page.
“I would imagine a special show for you for a thousand different reasons.”
Reuniting with Christopher Nolan
45:41 to 48:28
Hear about the excitement and challenges of working with Christopher Nolan again.
“I mean, professional life, it was just so wonderful to get to be a part of a project that was like as fun and exciting and have the response that it had and also was just really fulfilling as an actor, you know.”
Behind the Scenes of The Odyssey
48:28 to 50:50
Gain insights into the filming experience and technical aspects of shooting.
“Is it true about the sound with the IMAX cameras that a lot of the dialogue is unusable?”
California Ski Man: A New Chapter
50:50 to 52:14
Learn about the true story behind California Ski Man and its significance to James.
“And they kind of got laughed out of the industry.”
Transcript
Automatic transcript. May contain errors.0:00What I really enjoy is when you're walking down the street and people call out a name of a character that you played. And sometimes you'll be like, oh, that guy's going to do it. He's going to do it. And then he surprises you and he's like, Mr. Tomness. And you're like, all right, didn't expect that. Prepare your ears, humans. Happy, sad, confused begins now.
0:23Hey guys, it's Josh. Welcome to another edition of Happy, Sad, Confused. Are you ready for an X-Men reunion with two legends? I am. I was Elliot Page, James McAvoy recorded at New York Comic-Con, a really cool, geeky, fun conversation with two actors that are fantastic in that series and so much more. Thanks guys, as always, for checking out the podcast. Boy, we're zigging and zagging. One second, it's Martin Sheen. One second, it's X-Men. And yeah, this is the X-Men episode. So for those that weren't able to be there at New York Comic-Con, I want to share this. This is a live event that we recorded there.
1:01And like I said, kind of a mini reunion. Obviously, Elliot and James McAvoy didn't necessarily share a lot of screen time, but X-Men certainly was important in both of their respective careers. So you're going to enjoy this chat a lot. More on that in a second. Quickly, as always, patreon.com. That's where you get all the early access. You can see and watch everything early before anybody else. You also get heads up on upcoming guests. You can ask questions of the guests. You can get autographed merch, access to our live events. So much more. Patreon.com slash happy, sad, confused. And a reminder, November 18th, Brendan Fraser, first time guest on the pod.
1:41And we are screening his new movie, Rental Family. Get in on that. If you're in New York, this will be a good one. Okay. A little more preamble. Then we'll get to the main event, I promise. Elliot Page, James McAvoy. um two gems um james of course has been someone i've done actually i've done a lot with both of them over the years but um i don't think elliot's ever done the podcast before surprisingly so this was a fun opportunity to talk about not only their x-men experiences but they've obviously both done so much in that kind of comic-con adjacent world whether you know james and split you know he's you know he's done stuff in horror he's done a little bit about Narnia of course and Elliot Inception of course we talk about Inception a bit also a little tease of his upcoming re-teaming with Christopher Nolan in the Odyssey pretty cool so as always in one of these live events so much energy so much excitement playing to I think three four thousand people in New York Comic Con on that stage.
2:51And some really cool stories about X-Men and other things in this. So without any further ado, I think you'll really get a kick out of this one. Elliot Page, James McAvoy joining me on stage at New York Comic Con talking all things X-Men and more. Enjoy. Hey, Comic Con! How's it going, everybody? Look at you all. Look at you beautiful people. Happy last day of Comic-Con. No tears, though, guys, because we are ending with a bang. Are you ready to talk X-Men with two iconic actors, parts of the franchise?
3:27My name is Josh Horowitz. I host a podcast called Happy, Sad, Confused. I am so privileged to moderate a bunch of stuff here, but this one is special. I love these two actors. I love these films. Not only also, by the way, do these folks have X-Men on their resume. Let's just review for a second. Elliot Page, Inception, Umbrella Academy, come on, guys. James McAvoy, from Narnia to Split. I think he knows Next Generation Trivia more than anybody in this building. I'm not going to test him. I'm not going to test you, James. Don't worry. Okay, without any further ado, let's fill some seats and have a fun, geeky chat, shall we, guys?
4:10Please welcome to the stage James McAvoy, Elliot Page. Come on out, guys.
4:32That's an amazing reception. Thank you, guys.
4:38They told you to do that, right? That's good energy to start the day, right? That's how you usually start a day. You walk into a room filled with 3 ,000 people cheering you. I just have an applause button by my bed.
4:53So, okay, let's talk. Look, you guys intersect in the X-Men films, but not necessarily a ton of screen time. So, like, have you spent more time, like, on press tours or these kinds of things than actually on set on X-Men? I think we did press for Days of Future Past, right? We spent a little bit of time, I seem to remember talking to you about pitching you ideas and stuff like that when you were like, I'm just trying to have a quiet drink, dude. When we were doing the press for Days of Future Past, but that was kind of it. And then a little teeny bit on set, I think, we crossed over. Yeah. That's what I remember as well.
5:30Elliot corroborates the story. Yeah. You guys, as I alluded to, both Comic-Con veterans. Do either of you have memories of a first or indelible Comic-Con memory? It was you. My first Comic-Con ever was New York. I can't remember what movie it was. I think it might have been Wanted or something like that. You know, back on Wanted. And this is a weird bit of trivia that nobody will find interesting about my wardrobe. I've not worn this jacket since that day. Isn't that weird? Isn't that crazy? What a weird Easter egg. And I didn't wear it on purpose. I just realized I was like, I found it in the wardrobe before I came in.
6:13I'm so dull. Just talking about wardrobe decisions. And I was thinking, right, blue on blue, denim on denim. Yeah, so that was, yeah, that's it. Try to one up. Canadian tuxedo, you know. Thank you very much, yeah. Thank you very much. For you, do you remember the first time? We talked, I remember, for Umbrella Academy here, actually, but I'm sure you have experience that goes back further. I think, if I'm remembering correctly, my first was actually San Diego Comic-Con with the movie Super. And I remember having a blast because Liv Tyler was there and her and I together wore masks to go walk around everywhere, which was so fun.
6:55But Liv, even in the mask, looked so cool. People were asking to take pictures with her, having no idea that it was Liv Tyler. That's my memory from my first Comic-Con. Was it a generic mask? Do you remember what the mask was? It was, I think it was the V for Vendetta. Oh, cool. If I'm remembering correctly. Nice, nice, nice, nice. So give me a sense, growing up, what in the Comic-Con space were each of you into respectively? Comic book kids, sci-fi, Tolkien, anything that touched these worlds that you were obsessed with growing up? You want to go first? I guess when I remember when I forget what age I would have been maybe 11, 12 and the original Star Wars was re-released in theaters and I was became completely like hooked and I loved Batman, I loved Spider-Man, like I loved yeah like more yeah superhero stuff when I was a little kid.
7:50I read something somewhere, tell me if I'm wrong, was Matrix a big film for you? Yes, I loved the Matrix, yeah. That explains it. Yeah. Yeah. Everybody has that moment when they see the Matrix for the first time and like, what did I just see? What was that? Yeah, I was just talking about it earlier actually with someone who's never seen the Matrix. But I almost was so excited for them. But I guess sad that you never had that experience at that time in the theater, just how new and how extraordinary it was visually and story-wise. Do you know what panel I'm doing here next on this stage right after?
8:24No, tell me. The Matrix? The Matrix. Oh, shit! Lawrence Fishburne and Joe Pantoliano are coming on to talk about the Matrix right after we're here. I met them yesterday. That was pretty freaky getting to meet them. Yeah. I mean, amazing freaky. Stuff that I like growing up, Lord of the Rings, massive. A bit more niche, the Bulgariads, David Eddings, anybody? Yeah? Yeah, yeah, yeah, woo-woo! A lot of stuff in that field, Dune, Frank Herbert's Dune, loved it. Narnia, man. Like, all that. And then in the 90s, I guess the cartoon for X-Men was massive for me. Never read the comics. And I think my most sort of Comic-Con thing that I still love to this day, and I have posters of in my office, is The Goonies and Back to the Future, probably.
9:17You're in a safe space. You're in a very safe space for this. You'll see him. Exactly.
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12:49As you recall, were Kitty Pryde and Charles Xavier the first comic book roles that came your way? Had you done auditions in that space before or was that kind of a first for either of you? I did Wanted, which is sort of a comic book adaptation back in 2007, and I auditioned for that. I didn't audition for Charles, which is amazing. They just, you know, back on X-Men. Offer only McAvoy, that's what they call you. Yeah, I know. But yeah, so, no, I don't think I went up for too many other superhero parts other than those two. Yeah. And for you, like, where were you at when this opportunity came? Because if I have my timeline right, you've done Hard Candy, but you haven't done Juno yet.
13:34So you're at this kind of pivotal, Hard Candy's a big film for you, but you're kind of like on the ascent. Yeah, I had like just graduated high school, and I had done Hard Candy and it premiered at Sundance, but hadn't come out yet. So it wasn't, yeah. So it was sort of a surprise to get this call, which, yeah, it was about X-Men. So I think that for sure would have been my first superhero or comic related or sort of Hollywood movie in general in terms of that scale. Stephen Winick - Did you get straight up offered it or did you audition? Jennifer L. It was, there was a screen test. Stephen Winick - Oh, right, okay.
14:14Jennifer L. Yeah, yeah. Jennifer L. I remember flying out to Vancouver for a screen test, yeah. Stephen Winick - I did actually audition for another comic book movie in my early career to play a small part of a younger version of a character for the first five minutes of the movie, and then I'd be out of it. Really good scene, though. I won't tell you the film, and I won't tell you the director, but we had this amazing conversation and this amazing connection, and we're laughing and crying. He's telling me stories about his life and real deep stuff, quite traumatic stuff that had happened to him.
14:45And he hugs me at the end, and we both cried, and as I'm walking out, he turns to the casting director, and he's like, this is the guy. This is the guy. And he never called my agent. I know. I know. And then he offered me a role years later on another movie, which I didn't end up doing with him, and I sat down and chatted with him, and I'm like, do you remember me? And he was like, no, we've never met before. And I'm like, okay, okay, directors are weird. Everybody knows Steven Spielberg is an asshole. No, no, no. So, I mean, Last Stand, I mean, that's a different kind of filmmaking than you had experienced before.
15:25It must have been kind of a little bit of a shell shock, but just the scale of the filmmaking. Do you remember that kind of registering like, oh, this is what they say when they say blockbusters, blockbuster filmmaking? Yeah, I'd never been on any set like it. I grew up acting in Canada as a kid, making shows and, you know, independent films and so the scale of the production from base camp to set, to all of it was very new for me. And the ensemble around you, unbelievable. That must have just... That was definitely so intimidating to walk into all these, you know, extraordinary talents and extremely famous people and walking into this world.
16:13But one thing that I immediately took away from my castmates was just how wonderful they were and welcoming and really just made me feel comfortable and included. So that was really nice. One thing I feel like both of your characters share is that there are powers that are kind of hard to convey on screen. I mean, Kitty, it's like essentially you're like running at a wall and then in post like, oh, I'm on the other side of the wall. For you, it's like a lot of intense like eyebrow work and pointing to your forehead. Which has the tougher power to convey on screen? Fight it out for me. You've got other powers than just being able to run through walls though, right?
16:58Yeah, it seems to, it can shift and change. A little bit, yeah. I don't know, I think, I don't know who's got the harder job of conveying. I mean, I'm very expressive of my eyebrows. They are thinning as I get older, which really worries me, because I don't know if I can do the same kind of work anymore. But hopefully we can, you know, CGI or AI can help me out with that. Can you give us the hacky way to do it and the James McAvoy way to do it in terms of? Well, I found that I was acting too much and I was doing too much, which is why I employed the finger. Because I just thought as soon as I put the finger up there, I don't need to do anything.
17:36That's like, wow, the finger. But honestly, when I first said I wanted to do the finger, it was like a discussion. We had the finger conversation. I'm not joking, by the way. I'm not trying to be a dick. and because I don't think Patrick ever did that in the other films and he does do it in the comic books at times and he did do it in the cartoons. I was like, okay, it's something that he never did. I got to do it. And then there was a whole discussion about fingering myself on camera. I know. I would say I'm surprised, but I'm not surprised. So everyone agreed, yes. Did you, so when you're cast, James, like at what point do you like seek out or receive Patrick Stewart approval because you want some tacit Thumbs up from him.
18:27I would imagine at some point. Yeah, I mean I'm I was a fan of his anyway from like next-gen and and and David Lynch is June he played Gurney Halleck and that and It yeah, so it did feel weird, but I also knew I wanted to do something quite different with it It was probably more different in the first couple of movies than the last couple of movies. But yeah, you wanted him to feel respected and feel sort of like the performance was in conversation with us, even if it is different. Anyway, when I was lucky enough to get to cross over with your cast, one of the few members of the two casts that really got to do that, I got to spend pretty much a whole afternoon with Patrick and with Sir Ian.
19:12And Sir Patrick, sorry. and while I was getting hair extensions put in and I went into the trailer and I think Patrick was cooking and Serene was sitting with his feet up in the recliner and I'd just finished doing Macbeth on the West End in London and I sat, thank you, thank you. And you should have seen it, it was great. And I go into the trailer and Ian's like going, you know, you've just come off the stage, James. You've just done Macbeth, haven't you? And I'm like, yeah, yeah, that's right. He's like, come on, let's all do a bit. Because Patrick had done it as well, and I'm like, what? And I honestly, I'd only finished, I think, two weeks before, and I couldn't remember a single line.
19:54And these two are like bandying back and forward favorite bits from Macbeth. I was like, wow, it's just a different kind of actor, a different kind of machine. Have you ever summoned the courage to do your Picard impression to Patrick Stewart's face? You do a very good Picard. I used to do quite well. I've not tried it in years. Engage. There it is. Thank you very much. I really appreciate that. I don't think I have done it to his face, actually. Patrick Stewart, come on! No, we don't have one. I'm sorry. So when the call comes for Days of Future Past, very exciting for the fans, for all of you, I would imagine.
20:32The experience on that one, a wholly different kind of thing for you? Again, just to mix it up with some familiar folks and also meet some new things. What was your perspective on making that one, Elliot? Gosh, I mean, it was really, I mean, like, to be honest in that one, that's pretty much what I do. I just do a lot of that. Right. But it was a joy to be back with everybody again, to, you know, you're doing this with Hugh Jackman all day. I mean, he's like the nicest person you could meet. So, yeah, I think for me it was just the joy of being back with such a wonderful group of people and to continue to be a part of, you know, such an extraordinary world and legacy of characters that mean so much to people.
21:20Yeah. James, I think you've said to me that that's your favorite of the X-Men films. Correct me if I'm wrong. Days of Future Past. I go back and forth as a toss-up between First Class and Days of Future Past. I feel first class sort of tried to do something quite different and do a different kind of tonal approach, if you like, which I thought was really cool. And then Days of Future Past kind of went more sort of classic, but I did it so, so well. And it was sort of, I don't know, correct me if I'm wrong, and I'm not trying to claim anything because I didn't direct it or write it. But it was sort of one of the first ones that did all that timeline stuff and different university kind of crossover stuff that we kind of weren't used to as much back then.
22:08You know back then before the war. You know, back when we was on rationing and you know a can of beef was a luxury. It was, it just felt a bit different and a bit new. So I go back and forth between the two of them to be honest with you. But I got to do some Like people are going to go like, oh, you must, you know, get so bored in those big movies and whatever. And like playing Charles in Days of Future Past was like a proper solid acting workout. It was awesome. It was so good. Yeah. It's like Charles by way of like Born on the Fourth of July. He's like strung out. It's like that must be really, not to mention you can't do so much with your buddy Fassbender.
22:47Like, I mean, talk about a great screen partner to have. Yeah, yeah, yeah. Well, I actually ended up spending more time with Nick Holt on Days of Future Past. Me and Fazi were sort of kept apart a lot, which I never quite understood. Too much, too much friendship.
23:05Yeah, it was cool. Like Elliot was saying, we were lucky enough to have an amazing group as well, and no bad eggs, and just real good, sort of supportive group energy, which was one of the privileges of my career to do those four films of those guys. And talk about good energy. I mean, we feel the love in this room. I know you guys feel the love. I mean...
23:34The fans truly do make this special because these films, it's kind of like what you're talking about on Matrix. These are cool films, but they're saying something. That's why X-Men works. It's about the outsider. These are like coming out stories in a way. Like it really resonates on many different levels for you. Give me a sense a little bit of like, I don't know, fan encounters perhaps over the years that touched you or what do people say to you that really, I don't know, is meaningful for you in relation to your work in X-Men. When they tell me that I was better than Patrick, that means so much.
24:05It really resonates with me and my feelings on the work. No, seriously though. Honestly, X-Men has I don't know if it's touched loads of people but loads of people that come up to me and want me to sign something or just grab me in the street the people who aren't even asking for a signature or a photograph they just want to tell you that they had a tough time at some point and it really helped because I think one of the creeds or the credos or the themes of it is that whether you're disenfranchised or whether you're oppressed or whether you are segregated or ghettoized or whatever you are as so many of the characters in X-Men are, you are enough.
Read the full transcript
24:52And you deserve your place. And so, and I think that that's quite positive. But yeah, that's, I do get a lot of that from X-Men. Yeah, I'd say my experiences have been so, you know, similar in the ways that X-Men has, you know, spoken to someone, helped them through difficult times, just been a huge part of their own journey, potentially, and discovering themselves. And those moments are always literally some of the most special interactions you can have with another person. Look, as...
25:31As often happens in these things, like they reiterate, they constantly reiterate, they recast you, you know, a recast of sorts from Patrick, We're going to see another Charles, another Kitty probably before too long perhaps, depending on what you read on the internet. I've heard Coleman Domingo, I've heard Bella Ramsey, I've heard a lot of different names. I don't know if you follow that, you hear that, what do you make of those names or just generally the idea of someone inheriting the mantle of these characters from you? I mean, yes, absolutely. Like, to me, that's, I wouldn't, I don't really follow, but those names sound fantastic.
26:12Approved. I mean, it would be just so exciting to see, you know, people do take on a new iteration. Yeah, no, I totally agree. Look, I'm excited to see what happens next. I was a fan before I was an employee. And no, you know, and I'll be a fan again. you want it to be, I just can't wait for it to be exciting and to be about, oh no that was gonna sound bad, it was gonna put a lot of pressure on people. Coleman Domingo sounds amazing though, he is great. Meanwhile Hugh just will always play Wolverine, like I mean apparently we can't improve upon that. I was gonna say ten years from now, it's probably gonna be ten minutes from now when AI has taken over and playing all the roles and there are no actors anymore, he will still be playing Wolverine.
27:01Even AI will be like, nah, you gotta have you. Nah.
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29:51Look, you both have such amazing resumes. Break it down for me. Like, what portion of folks that come up to you mention X-Men versus other things? What's the most frequent films or projects that usually come up to you? And can you clock from a mile away what kind of fan they are? I can't clock. I get surprised often, actually. I'd say right now it's a lot of Umbrella Academy people love that, which is so nice and was so fun to make. And I'll tell you, Juno, well, that is just, that just, that just keeps going strong. So I'd say, and X-Men, of course, but, you know, I'm not really in them as...
30:39Don't diminish the work. I'm just saying, I'm just saying, yeah. I get a nice broad range, really, but you get, what I really enjoy is when you're walking down the street and people call out a name of a character that you played, and sometimes you'll be like, oh, that guy's going to do it, he's going to do it, and then he surprises you, and he's like, Mr. Tumnus! And you're like, all right, didn't expect that. And then you're walking down the street, and someone's like, you're a professor, and you're like, oh, brilliant, cool. But it's quite fun. It is kind of fun. My favorite thing as well is when somebody recognizes you in the street or Like in the middle of a conversation They kind of look at you and then they lose what they're doing and they're kind of confused for a second But what what happens to their face is not oh, I'm confused.
31:28Who's that person? What's happened to their faces they go into such concentration of who the hell is that again? Their face kind of goes like this and they look like they want to kill you. Do you ever notice that? You were like, blah, blah, blah, blah, blah, blah, blah, blah, and then you see it and you go like.
31:45Like that. And you're like, whoa, whoa, whoa, whoa, whoa. And it took me like a year or so of this sort of like certain amount of fame to kind of understand what was happening. I was like, what the fuck? I'm going to murder Mr. Tumnus right here in the Starbucks. That's right. Let me run down a few of those credits and just the first things that come to mind. You mentioned Narnia. I mean, that was relatively early in your career. And, you know, like I was saying to Elliot, that was probably like your equivalent of like Last Stand in that it was like a giant set. It was a giant scale of filmmaking.
32:21What are your first memories when I mentioned Narnia to you? Literally the first thing that popped into my head was Georgie who played Lucy. and we were we played a lot and we I think Andrew kind of like stuck us together a lot, the director, who's a great guy, great director just hoping that we would get along a lot and she was a really young girl at the time, I can't remember what age Georgie was maybe, I don't know, maybe 6 or 7, I'm not sure and I don't think she'd acted before so I was I just spent a lot of time with Georgie and her family and they were really lovely, so that's the thing that comes to my mind first and then just being on those sets was bonkers You get used to things, but I was like, oh, oh, you know what I mean?
33:10I don't even think we were texting and stuff back then. You're just alone with it. Maybe I'd phone home once a day or something like that, but you're in New Zealand, so you're on another planet. But just being alone with the kind of, oh, ness of it all was amazing. And seeing yourself in that makeup and everything, Today you would be immediately texting every friend and family member. Like, look at me. This is insane. Oh, man. And look, just to shout out to Howard Berger, Sarah Bano, Tammy Lane, the makeup department and that. They were like my absolute rocks. And to this day, one of the most fun and closest kind of relationships I've had with anybody on the set, really.
33:52Because we spent so much time with each other. I remember being in trailers halfway up a mountain at 3.30 in the morning. And you're like, the ADs aren't here yet. Like, the trailers haven't been unlocked. And we're there early enough to get the makeup done. And you're like, what is going on? So yeah, they were an incredible crew. And Howard's just an incredible designer of makeup and incredible work. Elliot, you mentioned Super earlier, which is like James Gunn when he was like fully authentic, like Maverick crazy James Gunn. I mean, that's an effed up movie in the best possible way. You and Rain got to re-team after Juno.
34:30Happy experience working with James, who's just like a madman in the best possible way. It was so fun. Such an enjoyable set to be on. Such a nice vibe and energy. Everyone there to just work together to tell this crazy story. And such a fun, just full-blown character to play. And it was with someone like James, you really trust him when you are pushing it and going far that he's going to like sort it out tonally. And yeah, that was definitely one of my favorite characters to play for sure. Are you surprised that the trajectory he's taken, I don't know if you've seen the Guardians movies or Superman, but it's like, in some ways it's obviously authentically him, but it's a different side of him clearly than the super guy.
35:16Yes, for sure, yeah. But you can see just, I mean, how all those qualities and those strengths, you know, have fed into and made these great projects. Inception. I'm going to mention Inception because that project, talk about a classic. How does that script read the first time you read it? Do you understand what you're getting yourself into? Did Chris have to kind of walk you through it or what? I'm a little, I mean, maybe a bit of both. I remember sitting, because with Chris, It's very, as I'm sure people know, so secretive. You go to an office, you read the script, then you leave. And same when I just read the Odyssey.
35:58And it was the, I mean, I remember it just felt like an engine. Like you get on a ride, and it's what reading both scripts have felt like. And you're just, it just takes you in. And at first things feel maybe big or slightly confusing. And all these pieces start coming together. but at the core of it, you know, emotionally and, you know, just these arcs that are so defined and beautiful sort of despite the massiveness of these projects. And I think that's been my big takeaways from his scripts, his writing. David Plylarioui - It's also, I mean, your character, in a good way for you, I'd imagine, like, is kind of the audience in that and is like the one person in that story that's kind of like, what's going on?
36:47I mean, literally the whole movie, I'm just asking questions. That's my... Well, someone should in that story. Like, what? Wait, whose subconscious are we going into right now? That's what I do the whole movie. Yeah, yeah. I think, though, like, you kind of... I don't know. You are totally like that sort of David Copperfield. By the way, I love the film. This is why I'm about to lodge. Actually, I think you'll find. You're that David Copperfield character a little bit when you're kind of the audience in some ways. But you also like so young and you stand, like as a performer you stand up to DiCaprio and like you call him out so much in that movie.
37:25And like I don't know, I always had massive respect for you for that because he's incredible, right? He's got this amazing energy. And then when you start taking empty task, I was like wow. You felt like that's somebody getting put in their place, you know, it was good. James, that's nice.
37:44You've got some gamer cred thanks to Beyond Two Souls, we should say that. Are you both gamers? Did you grow up gaming? Do you still play games? Give me a sense. I game a little bit. I gave it up just because I didn't have time and life was too busy, you know, all the movies that I do. But then in the pandemic, me and all my buddies got together and we're like, you still got a PlayStation? Yeah, I've got a PlayStation. should we get a game? Let's get a game. And me and all these other middle-aged white dudes started playing online shooting games, and we were like, oh my god, this is amazing! So that got me back into it, and so I do.
38:23I game again. What's your favorite? What's consumed the most hours lately? Straight up just Call of Duty game. Call of Duty online shooty, kind of competitive people screaming at you going like, I can't believe this happened to me again! When you hear someone on the other end of the death comms, for anybody that doesn't know, when you shoot someone else and it's a real player in the real world, they open up the mic for like five seconds or whatever so that you can hear them. And some of the shit you hear is just incredible. You're like, why does this always happen to me? Cuts out. You're like, it's a grown man.
39:00It's so good. Do you ever on your end go, you just killed James McAvoy? No, but I did play ones with... Sometimes if you go on on your own, you can get paired up with a team of other rando strangers. And so this other team of three people needed an extra, and I got chucked in at their team. They all happened to be from Glasgow, my hometown. They were like, you sound like that guy James McAvoy. And I was like, I know, man, I get it all the time. I know, I know. It's quite funny. And one of them was clearly cheating as well. One of them was using some boosters or something. You got like 20 kills in five minutes.
39:37And I was very new to the game. I was like, how do you do that? I'd love to learn, do you know what I mean? And the other two guys were like, we don't talk about it, man. We don't talk about it. Because one of them cheats. And then on your end, again, as I said, Beyond Two Souls, but prior to that or since that, is gaming part of your life at all? When I was like a kid, I really liked video games. I loved Sega Genesis, I had PlayStation. I'd say Sega Genesis is my favorite ever. And then I kind of stopped just because of life, busy. But on occasion, I'll get sucked into Nintendo Switch. But I'm more like Mario Odyssey and Mario Kart.
40:20I need something like Nintendo Switch because it's a little more... Before it got so crazy. So many buttons. I can't keep up. I can't keep up. Yeah. Did you enjoy the, that was performance capture, and that's a whole other beast of acting that I've talked to a lot of actors that absolutely love it. It's kind of back to basics, black box theater in a way. What was your experience doing that? I loved it. I'd say it was probably one of the more challenging acting experiences I've done, because you're just doing like 20, 30 pages a day. While you're doing one scene, you're literally pausing to do different versions of a line.
40:57So going from these like completely emotional extremes, it's like an exercise that you couldn't even create for yourself. So I felt really lucky for honestly just how full throttle it was. But yeah, what a dream and to do it with Willem Dafoe and it was a really good experience. And correct me if I'm wrong, is your production company adapting it into a TV series? Yeah, that's the plan. Yeah, yeah.
41:26Very cool. Let's talk about Split and Glass, James. Come on.
41:36I was in it. That's all I needed. Just needed a fact check. But what an opportunity. And I know you've said to me and others, it came relatively late in the game and not as much time to prep, perhaps, as you would have wanted. Not for Split. For Glass, I had a lot of time, but yeah, not for Split. So how do you, I don't know, how much time did you have to prepare and how did you possibly sketch out all of those characters so quickly? I think I've said like two weeks and my wife, who she used to work at M. Night Shyamalan's company, she's like, you had three. I'm like, it was still a lot, okay?
42:11It's still really impressive. Yeah, like two, maybe three weeks. And it was a little bit of a version of what you were saying about Christopher Nolan's scripts, I guess, where it's quite secretive to get the script because Knight, not always, but oftentimes is protecting a twist or something that's going to happen that surprises the audience. But they weren't going to fly over to hand me the script, so they did send it. But it was like a time-limited amount of time that I had to read the script. Yeah, it came late in the day. I didn't have much time to prep. I got over there. I spent a week solid with Knight running around the production office, like coming up with different characters, coming up with like anybody that was kind of around that office must have just thought, what the fuck are they doing?
43:01Like at one point we tried to figure out how he ran as the Beast. And I'm running up and down the production office and there's like 30 people employed and I'm like galloping and I'm like bounding on all fours and all that. And Nate's going, that's the one, that's the one. And then we're like, well, what if Hedwig roller skates? So I'm like roller skating up and down the production office. They were like, these guys are just taking the piss. But yeah, so we figured out, I think it's only like, I think it's like four or five main characters that I play in Split. And then with the smaller parts, I think it's like 11 or 9 or something like that.
43:42But those smaller ones were actually trickier because you don't have a full character to inform, well, why are they the way they are? And what is their function as part of this community that lives inside of one vessel? And so they felt a bit more like at risk of being just sort of like putting on a funny voice, really, do you know what I mean? So weirdly, even though you were playing a character that only had, I don't know, 30 seconds of screen time, you had to put in the work to kind of try and flesh them out. so that they didn't feel like, oh, here he is, doing a funny voice and a wink or something, you know?
44:19But it was an amazing thing. I love doing my job. I love acting. And people go, that must have been so hard. And you're like, no, what's hard is working on bad material. Putting in a lot of effort to something that's well written isn't necessarily hard. It's taxing, but it's really rewarding as well. So it was just like getting to do my job nine times instead of one times. I imagine those films are on the no-go list for your kids for the rest of their lives like you can you can breeze right past those Yeah, I don't think my eldest has seen split or glass He's actually seen quite a few of my movies now, but I don't think he's seen split or glass yet But yeah, no definitely although I think there's like some funny stuff in both those movies So yeah, you know maybe fast forward to the funny bit the funny cut you can do a fan edit um umbrella Academy we should mention because it's such a A special show to the fans.
45:14I would imagine a special show for you for a thousand different reasons. I mean, obviously it also dovetailed with the changes in your own life and working with your collaborators there and them adapting to your transition. What a gift to kind of work with them in that capacity. Give us a little, yeah. So just give me a little bit of a sense of the meaning of Umbrella Academy in your professional and personal life. Oh, gosh. I mean, professional life, it was just so wonderful to get to be a part of a project that was like as fun and exciting and have the response that it had and also was just really fulfilling as an actor, you know.
45:58I really love playing that character. I love this cast and crew that I got to work with for years. It was really, you know, of course sad to say goodbye to. And we were just so lucky that obviously people responded to it in the way that they did. And yes, personally it sort of tracks my own, you know, transition in my life and the fact that Steve Blackman was so open to making that a part of Victor's story and was, yeah, I just feel really grateful for the whole thing.
46:48You're going to be in the Odyssey. I know you can't say anything about that. But getting that call from Chris Nolan must be such a special, it's special for any actor, but you obviously have a history with Chris. Can you give me a little sense of just like how it happened, the veil of secrecy? Does a briefcase come with a script? What happened this time around? Just full of money. Yeah, exactly. A bag of money. I mean, I was so excited to be thought of for it and to be asked to come back to work with him. I loved working with him on Inception and loved being a part of that movie. So, yeah, I was just completely jazzed and excited and basically went and met with Chris and talked about the part and then sat in a room and read the script and, you know, it was of course a big yes.
47:44Yeah, sadly I can't say much but, yeah, it was such a joy to come back and to come back now as you can imagine, being more just comfortable in yourself makes these sorts of projects more enjoyable, just waking up every day and going to work. So to kind of get to have a Chris Nolan experience again now, that actually really just meant so much to me. Like, yeah, selfishly. Just, yeah.
48:13And then just, I promise, I'm not probing for any real dirt, but what we do know is that you're shooting on these massive locations, IMAX cameras. We know that. Did it take your breath away just being in these environments? Oh yeah, I got to go to some pretty awesome places. And it's going to be epic. It's going to be extraordinary. Can I ask a technical question? Is it true about the sound with the IMAX cameras that a lot of the dialogue is unusable? They're really loud. And so when you are doing stuff that's close and quieter, they basically made a giant, There's just a giant blimp that goes over it to quiet the sound.
48:57But it's huge. So it's not like you have to ADR everything? No. Great. I know he's been improving that over the years. This is when you think of a movie of inception, I think I did like 20 minutes of ADR. Like he's, sorry, maybe a lot of people don't know what ADR is. It's a thing in post where you're kind of fixing sound that may not be clear enough or you're fixing a line completely. And as an actor, like you're in a studio watching the film and either matching to your lips or the line could be off camera. But that's something you do usually a lot. But Chris wants like the sound on the day. He hardly uses mics.
49:37Like you're, it's, he's wild. Am I even allowed to say this? I'm like, oh no. You might get fired. He's going to edit you at the movie. You're in so much trouble. You're good, you're good, I promise you. And I'm going to tell on you and try and get your part. Don't do it James. Honestly, when you were talking about Inception, I'm like, that's one of the few films I can watch again and again and again. I didn't know that you were in the Odyssey, so that when you dropped in you were in the Odyssey, I was like, fuck's sake, man.
50:11No, I'm very jealous and also really happy for you. Was it a dream? Did it really happen? Inception? Any takes on the ending? Well, so the ending, we got to go. Shoot. We do sadly have to go pretty soon. But before we do that, I want to give some love. James directed a movie that we're all going to be seeing hopefully pretty soon. Yep. California Ski Man. The trailer's jut. No. Anything you can tease the audience about that. You had your premiere at Toronto. Hopefully we'll see it before too long. But what a moment in a career. something that's a whole new adventure for you. Yeah, totally. I had a great time doing it, which is not any reason why anybody should watch it.
50:51It was great for me. No, it's a really great, it's a true story about two guys in Scotland back in the early 2000s who tried to make it as rap artists and in their own voices, in their own accents, that sounded like mine but probably thicker as well. And they kind of got laughed out of the industry. And so they came back and they reinvented themselves and pretended to be California skater dudes, rewrote all their music, re-recorded it all with American accents and the same companies that laughed them out of their business gave them a record deal for 60 grand. and they went on to have a pretty wild ride as two young guys who essentially had to become method actors for two and a half years.
51:41And they lived it 24-7 even when they were on their own and it's really entertaining, it's really funny, it's really tragic at some points, but I'm really proud of it. Hopefully you'll all get to see it next year. You have 3 ,000 tickets sold just from this audience. Guys, give us a follow on Instagram on California Ski Man. We'd appreciate it. Hashtag California Ski Man. Aspiration, you've directed for television. You obviously are producing aspirations to direct. Is that on the list or happy to do what you're doing? Right now, I'm just producing and that's what I'm enjoying. Excellent. Thank you guys so much for geeking out with me and all these folks.
52:21You've honestly contributed so much, obviously, in the X-Men franchise and beyond. Thank you for your time. Thank you, all of you, for coming out today. Give it up one more time. Elliot Page, James McAvoy. And so ends another edition of Happy, Sad, Confused. Remember to review, rate, and subscribe to this show on iTunes or wherever you get your podcasts. I'm a big podcast person. I'm Daisy Ridley, and I definitely wasn't ready to do this by Josh.
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From the publisher
It's an X-MEN reunion with James McAvoy & Elliot Page! Recorded at New York Comic Con, Elliot and James compare their superpowers, talk about the meaning of X-Men in their lives, and talk everything from INCEPTION and THE ODYSSEY to SPLIT and NARNIA.
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