In short
How Cafe Continental (Manchester) stayed busy and grew after opening by separating creativity from finance, keeping menus simple, and using authentic influencer/blogger exposure rather than “cool” trends.
Guests (backgrounds)
- Matt (co-owner/marketing side): focuses on getting the message out via bloggers/influencers; emphasizes “product + delivery + exposure” and says they never paid food bloggers for posts.
- Lee (chef/co-owner): runs the kitchen/food strategy; moved the restaurant toward a small-plates style with simple, repeatable components; highlights open-fire cooking (wood fire oven, charcoal grill).
Key claims
- Creativity and money move on separate tracks; red tape and cashflow make innovation hard.
- “Ultra cool” has a shelf life; chasing trends can alienate customers and hurt bills.
- Simple staples with light modernisation beat overcomplicated menus (less staff/time, easier consistency).
- Michelin stars don’t guarantee profit; the real success metric is that “the tills are ringing.”
- Social media should match the real plate; what goes viral is a byproduct of dishes with “legs,” not forced virality.
Notable examples
- Todd (major European food blogger) visited early, posted, and drove booking growth; later filmed Sunday Roast twice after a phone data loss.
- Menu staples: giant tiger prawns and beef short rib; later cut breakfast and simplified operations to focus on lunch/dinner.
- Burger example: a “banging” burger likely to go viral because it’s authentic and visually distinctive.
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Chapters
Tap a time to open that second in VOThe Balance of Creativity and Finance
0:45 to 2:30
Exploring the tension between creative ideas in the restaurant industry and the financial realities.
“Just detail that, because it's a beautiful bit of nuance.”
Simplifying the Menu for Success
2:30 to 5:00
How simplifying the menu can enhance efficiency and customer satisfaction.
Changing Dining Expectations
5:00 to 8:30
The evolution of dining experiences and how restaurants cater to more casual diners.
“because some people don't particularly like the social settings or some people aren't too clued up on food.”
Filling the Market Gap
8:30 to 12:20
Identifying and addressing the gap for casual dining in Manchester's restaurant scene.
Creating Inclusive Dining Experiences
12:20 to 13:30
How to design a restaurant atmosphere that welcomes everyone, regardless of their background.
“this has got legs on it, you know what I mean?”
Marketing Through Authenticity
13:30 to 14:00
The role of authentic dishes in attracting customers and going viral on social media.
“We're trying to make Hungary into the most valuable food and drink business podcast on planet earth, but I really need your help.”
Introduction to Podcast Value
14:00 to 14:24
Learn how to make this podcast more beneficial for your business growth.
“I want to make this podcast so valuable for you to help you grow your business faster, stronger, better, have way more fun.”
The Importance of Visual Appeal in Dining
14:24 to 16:43
Discover how visual presentation affects dining experiences and social media marketing.
“And yet, as a byproduct of that, some of them go viral.”
Creating a Viral Dining Experience
16:43 to 17:39
Learn how to create appealing dishes that attract attention and bookings.
Early Days of Café Continental
17:39 to 21:41
Hear about the initial challenges and strategies employed during the first months of the restaurant.
“What was the, take me to the first two months when this opened?”
Show all 53 chapters
The Impact of Influencer Marketing
21:41 to 23:58
Explore how influencer visits transformed the restaurant's visibility and bookings.
“He might not have thought it was good enough.”
Challenges with Food Bloggers
23:58 to 27:10
Learn about the dynamics and challenges of working with food bloggers and content creators.
Navigating the Food Blogging Landscape
27:10 to 28:00
Understand the competitive landscape of food blogging and how to stand out.
“Most of the food bloggers are doing it out of passion and hobby.”
The Challenges of Food Blogging
28:00 to 29:10
Explore the difficulties faced by food bloggers in the current saturated market.
“There's not many who can make a career out.”
The Business of Restaurants vs. Michelin Stars
29:10 to 31:10
Discuss the reality of running a restaurant and the misconceptions of Michelin stars.
“amateur bloggers coming in and you're like they're asking the right questions and they want to do the right things.”
The Value of Customer Engagement
31:10 to 34:10
Understand the importance of customer feedback and engagement in running a successful restaurant.
Restaurant Challenges with Breakfast Service
34:10 to 36:40
Delve into the complexities and customer expectations of breakfast services in restaurants.
“if you're having a pop, we're doing pretty well, you know what I mean?”
Evolving Restaurant Menus and Concepts
36:40 to 41:30
Learn about adapting restaurant menus and the need for flexibility in offerings.
“Typically like, is it the best pizza I've eaten?”
Introducing Aira: Revolutionizing Restaurant Engagement
42:00 to 42:50
Learn how Aira enhances restaurant customer interactions through personalized communication.
“Aira literally learns your unique tone of voice.”
Adapting Breakfast Service: Challenges and Changes
42:50 to 44:20
Discover the challenges faced when adapting the breakfast service and how it impacted the restaurant's operations.
“So we moved it to like nine o 'clock and we're like, still not kicking off.”
Simplifying Complexity: Lessons from Industry Leaders
44:20 to 45:40
Understand the importance of simplifying restaurant operations and the impact of complexity on success.
“It's just, it's taken away from my time doing that.”
Balancing Quality and Efficiency in Menu Design
45:40 to 47:40
Explore how to balance quality and efficiency while designing a restaurant menu.
“But it just seeps in, whether it's on the breakfast menu.”
Navigating Difficult Conversations in a Creative Team
47:40 to 49:10
Learn the dynamics of having tough conversations in a creative partnership within a restaurant.
“But then obviously, we're doing these, okay, remember the weekends.”
The Financial Realities of Breakfast Service
49:10 to 51:40
Understand the financial implications and challenges associated with operating a breakfast service.
“We've had some interesting conversation.”
Maintaining Quality: The Balance of Product and Price
51:40 to 54:00
Explore how to maintain quality while navigating pricing strategies in a restaurant.
“We went too heavy on breakfast, but I do think especially...”
Evolving Restaurant Concepts: Adapting to Change
54:00 to 56:00
Learn about the importance of adapting restaurant concepts and menus over time to remain relevant.
“But I thought we were sort of matching that for the customers.”
Adapting the Menu: Breakfast to Evening
56:00 to 58:26
Learn how Menu shifts can impact restaurant success and customer satisfaction.
“And we both had a conversation, the boozer one night, and was like, you know what, mate?”
The Evolution of Dining in Manchester
58:26 to 1:01:24
Explore how Manchester's dining scene reflects broader cultural changes.
“And yeah, it's a beautiful place to be now.”
Nightclubs to Vibrant Dining: A Shift in Habits
1:01:24 to 1:03:48
Discover how nightlife habits have transformed into a focus on dining experiences.
“and then party a little bit after and then go home earlier rather than sort of coming out, pre-drinking and coming out and then going to a nightclub and then getting off your face and then going home.”
The Changing Landscape of Hospitality
1:03:48 to 1:06:19
Understand the impact of venue evolution on the restaurant and nightlife scene.
The Mancunian Spirit and Its Influence
1:06:19 to 1:10:00
Learn about the unique aspects of the Mancunian spirit and its cultural significance.
“There's a little bit of ego in that as well.”
The Mancunian Spirit and Creativity
1:10:00 to 1:12:26
Explore the unique creative energy of Manchester and its influences.
“I've seen a few podcasts where, like, some of these restaurants and stuff are thinking that deeply into, sort of, the music coherence with the food.”
Music and Restaurant Atmosphere
1:12:26 to 1:14:14
How music influences dining experiences and customer behavior.
“you've got the it's always been what do you so I don't know if you listened to the pod we did with John Hegarty who's the big marketing guy.”
Adapting Menus to Seasonal Changes
1:14:14 to 1:16:37
Learn how restaurant menus adapt to seasonal and weather changes.
Choosing the Right Restaurant Location
1:16:37 to 1:19:08
Discuss the importance of location in restaurant success and choices made.
“is one of the things that or site selection.”
Transport Links and Customer Accessibility
1:19:08 to 1:21:46
The role of transport links in attracting customers to a restaurant.
“As long as people can get here by any means possible, I mean, that'd be train, tram, because Ash Thunderland's got a tram as well, car, loads of car parking spaces.”
Building a Community Around the Restaurant
1:21:46 to 1:25:21
How a restaurant can create a community and social atmosphere.
“You've got to live in the moment because it's not here forever.”
Backstories and Meeting Paths
1:25:21 to 1:29:02
Discover the backstories of the restaurant partners and how they met.
“I want to get into both your backstories and how you guys kind of met, because I think it's important for context.”
Transitioning from Bermuda to Manchester
1:29:02 to 1:30:25
Explore the experiences of moving from Bermuda to Manchester and the challenges faced.
“I mean, when you're there for long enough, the food seems...”
Critique of the Restaurant Industry
1:30:25 to 1:35:08
Understand the interviewees' perspectives on bad restaurant practices and what to avoid.
“But even like, towards, even that's why I left.”
The Appeal of Small Plates
1:35:08 to 1:38:00
Delve into the trend of small plates in dining and its cultural significance.
“I think also like, with not having, we're good at what we do, you know, we cook over fire, but when people have, they're trying to have a little bit of this and a little bit of that, but nothing's done well.”
The Joy of Eating Out
1:38:00 to 1:38:38
Discover the magic of enjoying diverse small plates and the tapas experience.
“That is my opinion, the best way to fucking eat.”
Critique of Food Awards
1:38:39 to 1:40:49
A candid discussion on the questionable practices behind food awards in the hospitality industry.
“We're doing Chinese and Indians essentially tapas-style food.”
The Price of Recognition
1:40:50 to 1:41:45
Exploring the high costs and implications of participating in food award ceremonies.
DJing and Dining: A Parallel
1:41:46 to 1:43:51
How skills from DJing apply to delivering exceptional dining experiences.
“What would you say the biggest scam is, mate, in hospitality?”
Balancing Creativity and Customer Preferences
1:43:52 to 1:46:08
Discussing the tension between artistic expression and customer expectations in dining.
“pleasing a room full of people is similar whether you deliver a musical food.”
Researching Culinary Trends
1:46:09 to 1:47:29
Insights on how culinary trips influence menu creation and restaurant concepts.
Dining Philosophy: Open-Mindedness
1:47:30 to 1:51:24
The importance of casual, open-minded dining experiences and expectations.
“It's stuff in your face, loads of cold beers, loads of cigs, moving from beers to red wine and then potentially like, to be honest, I wouldn't even like, I kind of go out now, but not really.”
Luck and Timing in Success
1:51:25 to 1:52:00
Understanding the roles of luck and timing in the success of restaurants and concepts.
The Importance of Timing in Business
1:52:00 to 1:53:32
Learn how timing impacts the success of restaurant concepts and businesses.
Entrepreneurial Journeys and Innovations
1:53:32 to 1:55:31
Discover stories of entrepreneurial ideas that were ahead of their time and the lessons learned.
“As soon as COVID happened, you get zap, now Deliveroo go into the co-op for you.”
The Fun Factor in Business
1:55:31 to 1:56:54
Understand the importance of having fun and maintaining morale in the workplace.
“I don't think most people would disagree, but I mean, it's probably the most obvious.”
Reflections on the Podcast Experience
1:56:54 to 1:57:59
Reflect on the podcast creation process and its challenges while emphasizing enjoyment.
Transcript
Automatic transcript. May contain errors.0:00I've always believed that being ultra cool has a shelf life. You've not got to be scared to admit that that's not working and change it quickly. Overwhelmingly big menus are a red flag for me. How you can do all those things well is fucking beyond me. Michelin star doesn't necessarily mean the tills are in you. I just see so many angry Michelin star chefs bashing small plate restaurants. Being able to order more and more as you wish. And just being little tastes of everything. That's fucking magic. You do all those three things, Matt, you will be bummed. We've got to have fun. The food is second seriously, but we have a good fucking time.
0:36You know what I mean? What would you say is the biggest scammer, Tally?
0:48What I'd love to start with, mate, is literally a couple of minutes ago, you mentioned to me before we hit record is that creativity and money move on two separate tracks, which I think is fucking genius, especially in today's climate, where the restaurant world has never been better in terms of creativity, but never been more fucked in terms of closures. Just detail that, because it's a beautiful bit of nuance. So we're at a stage where there's so many ideas in the landscape. Hospitality has never been sort of sexier, if you like. Well, finance is another thing altogether. And trying to get them to marry up is often a nightmare, often impossible.
1:31You're running at a certain pace with your ideas, but then you've got all the red tape, all the bills, all the outgoing before you even started making profit. Now you need to make profit to carry on funding the ideas. They're on two separate journeys at different paces and it becomes very, very difficult to get them to marry up so you can carry on pumping your ideas out, keeping fresh, staying new, keeping the customer happy. And then you constantly have to innovate. like the landscape is ever changing the customer demographic is evolving constantly you've got to stay on the curve to stay on the curve takes money like it's not free so often in like trying to get this to marry up is neon impossible also i think like it's weird it's almost in times of constraint creativity blossoms because you it has to yeah and it's like if you look at i don't know like even the same music in manchester like it was like all those bands that came out of manchester there was a lot of constriction in the city and then it just it forced this creative energy yeah do you know what i mean so it's like it's almost like all this creative stuff that's happening is a product of how fucked it is financially but you need it but then you need to find out as you say getting those tracks to to marry up how lee mate in terms of the menu like how have you tried to marry those things up to get the creativity but actually partner up with the finances so you're building a profitable business i think one we always try to keep it simple because you know we start over complicating things the that's again why we've ended up on like a small plates vibe because the we you know we serve a protein on a plate you know a vegetable on a plate with one or two garnishes you know it's never going to be more than three things on a plate you start going back to more five four five six different elements it's more staff it's more time to to produce you know for us to knock out food is you know it's nice and easy because you know it's it's a few movements it's it's not too over the top but it is the core product is is brilliant you know people come back for it and i think as long as you keep it simple and easy to you know as far as movements go as far as cooking goes it makes more sense you know what i mean because as soon as you start getting into it this element that element try to bring it all together it's it's hard work and it's more staff and it's more skilled staff in a time where skilled staff are scarce yeah and also i suppose like the complex people don't i don't think as you said the way consumers are eating now yeah it's changed people don't want these hooty flutey wanky things you know yes like to go yeah go on so i think over the last five years certainly the the dining experience and expectations has completely changed from when a restaurant used to be like a meat and two veg starters main dessert people coming out for celebration only people coming out more casually these days, people coming out during the week a lot more.
4:34There used to be a time where restaurants, people were able to go for a special occasion or, you know, I think dining out now has become more and more prominent over the last, certainly over the last decade and even more so it's accelerated over the last five years. We tried to meet the consumer halfway with trying to give them a product that they can enjoy during the week and during the weekend not feel intimidated by coming out to a restaurant because some people don't particularly like the social settings or some people aren't too clued up on food. So, you know, we wanted to create a space that was inclusive where you can turn up a new trackies, you can turn up a new jeans, you can come for a night out.
5:13We wanted to hit the map where people would just come no matter what time of day, evening or night, get the same level of service, same level of food. And it can be a casual experience or it can be a formal experience and it will be whatever you make it. and I think that's what I saw a gap in the market with Cafe Continental because at the time when at inception a lot of restaurants were opening in Manchester and it was more and more fine dining so not the typical fine dining that we're used to from way back when but you know a lot of the big boys from London were turning open it was still quite spectacular whereas I didn't see a lot of casual dining restaurants opening so I thought you know what there's a gap in the market there for this casual landscape where we can offer city centre quality in the suburbs and not sort of scare people off with high prices or you know expectations on dress code you know although we're not one of the cheapest restaurants locally I still believe that we offer a premium quality for a reasonable price like we we do try and keep our prices as sort of inclusive as possible so everybody can afford to eat here it's not like 35, 40 quid for a a pasta dish you know we do try to keep it in the mid range yeah there's also if you want to come in and have fried chicken and a salad and a chips you can if you want to come in and have a full turbot and a t-bone you can you know there's enough on it for everybody you know what I mean it's like making Aaron who I did a podcast yesterday with in Liverpool he they run Casa Italia which is like it's by the cavern in Liverpool where the Beatles started and But it's not a twine dining restaurant.
6:58It's basically like really good pasta and pizza. And we were having this conversation saying, look, on Instagram, everyone's a fucking foodie. There's a lot of people in the UK, right? And it's like you can either follow the Instagram trends and make something that is for a small market and is the high kind of hooty, floty bollocks. Or you can make something that, as you say, people come and have in your trackies have fried chicken and a salad or suited and booted dangerously dapper and have a full blown steak red wine and hopefully shag afterwards do you know what I mean like it's like do you know what I mean and I think what I find fascinating is how you've created that almost egalitarian menu where everyone's everyone's welcome do you know what I mean I've always been I've always believed that being ultra cool as a shelf life being what?
7:49ultra cool yeah being like super cool as a shelf life and you know like i said it evolves that quickly generations change and habits change that being at the very tip of that curve can be risky because you know as i said like people are moving on but if you find like a middle ground what people are used to where you can't not reinventing the wheel but you're sticking to staples doing them well offering them in it like like you say in an inclusive dining experience for everyone then i think that is a safe middle ground to be rather than trying to be over the top too cool you know some people don't understand cool either like this mate some people don't understand cool it's um like there was that place in london called sketch which had all the toilets really cool toilets right about four or five years ago i've never been so i'm not just not shitting on it but like that was the place to go that's not on any of these fucking lists anymore and it was like trying to be too cool Osh from the Devonshire has got a great role on this and he goes timelessness over timeless timelessness over trends and we were having a discussion about it and Osh runs the Devonshire he was saying
9:01everyone's like what's coming next what's new what's going to be happening sorry I'm scatty as fuck but like Jeff Bezos has a quote he always gets asked at these talks going what's going to change in the next 10 years but how do you think ai is going to change things and he goes the better question to ask is what is not not going to change because that's what you're going to what's going to be around and i think trying to do something that's cool as you i think you're so right you can burn yourself out trying to be cool and like what you think is cool and what somebody else thinks is cool are two different things so you are really sort of marginalising your demographic to sort of that much and you're like well is the bills going to be paid on cool or is the bills going to be paid on commercial style and quality over yes over sexiness and modern and whatever the new landscape is at this moment in time it's so interesting like if you look at something with a 10 or like almost like it's not like a game but like I say like a 50 year business plan versus a four or five year business plan that will completely change when you build things absolutely but you've got to look at the boys who have been there doing it consistently for 10 years like so hard to like even like nightclubs and bars often have a five-year lifespan yeah a lot of the time it's because the customer base is cannibalizing itself as well because not only are people getting older, they're going out into nightclubs and bars, they're meeting each other, they're then getting in relationships, they're then having babies, they stop going out.
10:39So you're ever evolving, you're ever chasing and chasing and chasing, trying to sort of stay modernised, offer what's fresh. I think if you just hold back a little bit and try and keep it to the simple staples and then offer a little bit of modernisation on top, like I say, you're not constantly reinventing the wheel, but you're just finding new ways to offer a product. it's still the same product but you've just got to get your message out in a different way like such as for you guys like is it the burger that's come on or like how are you how are you doing the brilliant basics and then adding that little bit of so we fortunately we've been viral quite a few times and like the when I first opened the the the plan was to get the message out there as far and wide as possible now so a lot of people turn their nose up at food bloggers and and influence and stuff like that.
11:30But I knew that they weren't to be ignored. And obviously the more people became dining and shouting about the experience and the food, you know, the more customers we're going to attract. So we're not always trying to stay viral, but it just so happens that a lot of dishes we do end up sort of turning viral because we're very, very fortunate. Obviously, Lee's here cooking amazing food. You know, I'm sort of pushing the marketing side of things and trying to collaborate on dishes that I know is going to work to the wider audience rather than just a certain demographic. So will you create a dish, and like, be honest, that you think is going to go viral?
12:11There's been a few. There's been a few, like... I don't think there's anything wrong with that. I think that's fucking smart. We've never created a dish to, we need this to go viral. We've created dishes, this has got legs on it, you know what I mean? Yeah. So it's always been a natural, occurring thing. we we sorry well it's a fine line right because um i saw because i think you've got to build stuff to as you say move the time so it's like that burger with the like which is like that which i hope we can have later right it's like that is a fucking banging burger so it's authentically you yeah but equally it probably would go viral because it's just it's no one's seen a burger like i know quite a few people are doing it now but like that so that's like that's an that's an example of doing it right another example i don't mean to shit on this is i saw a sushi fucking hot dog which has clearly been built it's like a popsicle looks like yeah yeah like that like how that's going to last for a year like all six months and then people will like try it the influencers have posted it and it's gone and it's gone so it's like it's a dance isn't it between doing something that's built to has legs as you say lee yeah but but equally when people come and try it it's authentic to you and it's banging and it's simple like do you know what i'm trying to say yes yes people so the hungry reading list is here right if you listen to the podcast regularly you know i love reading i think books are the most beautiful thing in the world as stephen king said they're teleportable magic or something like that these books i whittled down my gargantuan bookshelf into 46 absolute 30 bangers the link is in the show notes to get the list whatever and it'll also make you a subscriber to our weekly newsletter, which I think is sick.
13:53So yeah, get your fucking books, boy. Yes, yes, people. We're trying to make Hungary into the most valuable food and drink business podcast on planet earth, but I really need your help. I want to make this podcast so valuable for you to help you grow your business faster, stronger, better, have way more fun. We've got a super short customer feedback, sorry, consumer survey, audience survey thing on Google Forms. There's a link at the top of show notes if you could fill that out it would be so helpful we make this podcast way better for you you eat with your eyes the first thing you the first thing you see on a plate is opening up your senses and that's you know you're already enjoying your meal if you see what's good on the plate now that also translates to social media so if people are looking at and yeah people you know we get people come in and say oh that is it's we've had a few people well they've given influences bigger portions and this and that like we haven't obviously the most of what we put on a plate is what if somebody else is eating is what you'll get when you come in the restaurant yeah like obviously our social media posts are a little bit more curated because you know we have to make them look good for our camera but it the the key thing is that what you see on social media for us is what you get when you come in yeah we make sure with the lightings right and stuff like that but that's because you eat with your eyes and you're also we're also appealing to people's eyes on social media so we've we've you know we've we've got to think of dishes that look good on camera as well that's that's that's awesome yeah of course yeah like we're not going to pick stuff that looks dull on a plate stuff that looks dull on a plate to the camera also looks dull to the eye so we want people to be excited when when they see the food put put down on the table and unfortunately for us like with we we've got some momentum in our social media where we can present these dishes online, get them out to the masses.
15:42And yet, as a byproduct of that, some of them go viral. And it also depends on what your class is going viral. Some people, as far as a million views, some people class viral as 100 ,000 views. But I think our burgers have like a quarter million views now and other videos I've done as well. But we're not purposely trying to go viral. It's just we're just trying to get the message out there constantly, trying to stay in people's attention span trying to stay on people's news feed and in the reels and stuff because ultimately that's what bings the bookings in this yeah it's do you know have you ever tried Bold Bean Co you know the beans use them yeah oh you use them oh mate Amelia's a really good friend of mine yeah I've known her for like 10 years and we I recorded a podcast with her last week and you know before she started everyone you basically had the shitty beans you get in supermarkets and she was like how do we take beans that most people perceive as you know it's in a can and it goes in the back of your fucking larder how do we how do we make them how do we get people in and so they're like well we're going to create dishes do loads of bean bean recipes that stuff that like we would want to create like something you know kind of like a maybe i think they did a cacho pepe with beans for example um and that was doing really well that was getting what wasn't getting absolute virality but it was getting people in and the sales were going up but then they were like we need to create some other content which is going to get loads of people into beans so they did like a pizza beans recipe everyone knows what fucking pizza is and that went completely viral and it gets more people in so i always think like how do you get more people into the main thing do you know what i mean yeah yeah absolutely so your product is one thing yep your delivery is another but then you've got to then show the people like you wait so sorry so product so yes so you better so in my opinion like this it's a very simple equation you need to have a good product you need to be able to deliver that product and you need to be able to show people that product what if you do all those three things right you will be booked like your restaurant what's the delivery bit getting them get so making sure what they see on social media is what they get on the table yeah so as long as you got those three things right there's no reason to overcomplicate it it's a very simple business strategy and that that's one thing we just try and implement all the time and follow like make sure it looks good make sure it tastes good show people the product any business going anybody going into business will always tell you if they're in e-com anywhere most of your budget goes on marketing like that you've got to be able to get your message out there somehow luckily we We chose the right routes to market, which was via the bloggers, via the influencers.
18:26And we never paid any. Did you invite them down originally? Yeah. What was the, take me to the first two months when this opened? So what, that was 2025, 2024? 25? 24. 24. It was two years last week. Oh, sick. Yeah, congrats. Thank you. So the strategy was simple. We, like I said, we got the product right. We had a very basic menu at the start. What was on the menu when you opened? We had two of our core products, which have been staples on our menu ever since, which me and Lee developed, were the giant tiger prawns, which they've evolved since we opened, haven't they? And the beef short rib, which is a bit of a showstopper on a plate.
19:11and then when we first opened I got we got visited a few times by a chap called Tom Jenkins who has Edible Bible good lad from Manchester he's fairly local and he really loved it and like I was sort of on Instagram trying to invite bloggers down this and that and then once he posted we got an influx of people then answering our DM saying would you like to come down we never paid them you know we've not paid like one food blogger ever we've got quoted by some who we've outreached to and said no that's not authenticity we're not willing to do that we'd never part with money for a post so then I saw Tom Jenkins on his story with Todd eating with Todd yeah yeah so I just jumped on the inbox straight away and I was like do you mind if you get in touch with Todd for me he said he's ever in Manchester would you mind coming down and filming the restaurant and he was like yeah yeah of course I will I think the day later Tom messaged me back he was like Todd's up for coming we're in Manchester next week literally and I was like okay let's do it anyway he booked him a table and I was like all the way I understood like the reach I didn't just understand like how deep Todd's reach went it's huge so obviously I was looking into it more and more and I thought I can't see this guy is going to come he's doing some really top gaffes in London and this and that and I thought we're just a suburb restaurant we're doing good food but is there much to talk about and then obviously part of our original business plan was to have the open kitchen to make it interactive for the customers and the chefs because not only does that keep the customers engaged we don't have a massive staff turnover because the chefs are also included in the restaurant themselves so they're not tucked away in the back everything's open and one of the key things that we had was open fire cooking so we had a we've got a wood fire oven and we've got a charcoal grill and most of our menu is cooked either on either so i was like you know we have got a bit of a story to tell like we've got the open fire we've got you know we've got the dishes and that so was like i still didn't think he was going to turn up anyway on the day he turned up we filmed i was like i was really happy with how it came out i sat with him for a while and had a few drinks um and it was it was a really nice evening and then a couple of weeks went by, I was like, he's not posted.
21:37And I was like, he didn't really have to post. Like there was no deal in place. I was like, it is what it is. He might not have thought it was good enough. And I mean - Was the restaurant busy at this point? Yeah. Yeah. We were slowly getting there. We were, the weekends were full week, you know, the bookings were going up and up every week. And then eventually, obviously when that dropped, yeah, it went. But I'll tell you in a sec what, a couple of things that we started with that we had to change. but yeah so I went by a couple of weeks and I was like Tom like do you mind just reaching out to Todd again because I didn't have his contact number at the time I was like do you mind if like you just give him a nudge and see if he is going to post it'd be nice to know if he is so I got a message back saying yeah yeah he's going to post actually doing it on Friday so then Todd posted for us and then it just went like yeah all the bloggers then wanted to come and see us so all my inboxes got opened you know the booking started ramping up and up and up and then we were just we were just like trying to maintain standard and keep rolling, weren't we?
22:37And then he came back to film Sunday Roast as well. And I was like, okay. And I didn't think he was gonna come back for that because he doesn't really do restaurants twice. So when I got the inbox off him directly, it was like, I wanna come and do your Sunday Roast. I'm doing a Sunday Roast tour of Manchester. I was like, yeah, come back. So anyway, that was maybe two or three months after opening. So anyway, he came in with his lovely missus and sat down, had the roast. I went and sat down with him, I had a bit of a chat. Again, went really well. He thought the content was amazing. And then I got an inbox off him like two days later saying, listen mate, I'm so sorry, but my phone deleted all this data overnight since I got back.
23:17Put it on charge, like there's no data left. And I was like, all right, okay. I was like, is that like a polite way of saying it was a bit shit and I'm not gonna post it? I was like, all right, no problem. So I told him, he was like, fucking what? So then two days after phone call, because he had my number by then and he was like I'm going to come back in and refilm I was like you know what he's like I'm going to come back in and refilm I'm getting the train up next week I'm going to come back in and refilm I was like okay cool alright then again took it with a pinch of salt because I know he's busy he's probably got a million other restaurants to visit anyway he turned up like on the dot the following Sunday refilmed everything and then reposted our Sunday roll so I was like that to me was like the turning point of the Cafe Continental online exposure because he is the biggest in Europe I would agree and like a lot of other people try and replicate what he does and I think a lot of other bloggers sort of our manager's the same we work with the same agency right CCA manage Todd or they manage us yeah he's a fucking legend yeah he's a guinzer he's been on the pod and he he's just really sound so I think I totally I think you should give yourselves more credit about that because it's not he can pick any fucking restaurant he wants oh yeah oh you you were doing something right and also i think it's that i've and i've learned this from the podcast of getting big guests when we had no like we didn't have no audience we had nothing and people will actually go out of their way to help people want to help other people out but it's just how you ask and most people don't know how to fucking ask things i mean we get it with with now with people trying to come on the show they're like hi um not even like how are you it's like people email etiquette or dm etiquette it's like hello if you just say hello mate like look we've just opened no expectations at all would really appreciate you coming down uh if you want to film it you can if you don't people are way more likely to say like say yes to that versus hi mate we've just opened i'll give you 500 quid if you come and post it's just like it's the art of asking and then as you say it's what do you say product delivery um so product delivery exposure exposure so like those three things had to be in place for then Todd to go and yeah absolutely but I'm a I'm a fucking pest on social media with like the people I want to try and get here like I'll be like I'll touch base with like the bloggers who I want here all the time and we've had James Dimitri's come in he's an absolute geezer we just had the Bite Twice lads who were an absolute pair of diamonds like and we've never really had any awful ones who've come through the door and we've been like you know what he was a bit kind of like right there's been a couple of weird ones really yeah we don't say who they are but what do they do some of them obviously they just don't get it yeah not sorry mate not so much the food like listen everyone's into the food and the thing is the food everyone's got an opinion on food yeah yeah yeah so you know one one blogger's idea of what's good on a plate might be another and that's absolutely fine that's what they're there to do and people are there to listen to those opinions but we've had a few like well obviously they'll come in, obviously, sometimes invited, sometimes not invited.
26:24And then they'll always say, if they want to film in the kitchen, I'll always say, if you want to film any footage in the kitchen, give me a nod. We'll let you up there. Obviously it's busy. Like we don't, it's none of this is staged. Like we're always open when these guys come in. Like it's literally in full flow. Well, do you want to come up to the kitchen? Yeah, yeah, yeah, no problem. And some of them move around the kitchen like fucking snuck. Yeah, no, no, honestly, like some of the shots I've seen them get and they are, it's like they're not there some of them they're fucking there yeah and they're in the way and it can get yeah I've had to give it to them get them the fuck out of here faster yeah what are they getting in the way of you oh god yeah yeah yeah yeah do some people come with because we've never I've always just done chats right we're doing more of that kind of style stuff but like do they come with like full blown fucking kits or is it like sometimes it's a light and a phone it's a light and a phone like that sometimes you know he's like alright can I get this one guy's got a light and then your kitchen turns into DC 10 it's just like I'm trying to text something like that listen mate I will fucking burn you mate you know what I mean you need me they are like so but obviously a lot of them are privy to like kitchen etiquette and stuff like that so you can really tell when they come in and they're just like stood in front of the wood fire when we've got chefs like turning with flatbeds and stuff like it can be fucking dangerous as well yeah it's hot when you got there but on the whole the good people yeah I know there's some of them I wouldn't say I wouldn't know what to, if I was to start filming, I wouldn't know what the fuck to do, mate.
27:51There's an etiquette. Some of them are absolutely belting. And do you know what? Most of the food bloggers are doing it out of passion and hobby. Like, very little of them monetize it. There's not many who can make a career out. So this is the beat of Seaside, which is Jordan and Mike, who are both our managers. They're like, because there's so many who are trying to do the food, that style of content, it's fucking hard to make money out. Yeah. because unless you're like a Todd or a Topjaw or someone like that it's fucking well again because it's such a wild landscape and it's becoming saturated it's the 1 % club again like the 1 % will make it people will engage with their content people will find something that they like about their content and then they'll make a career out of it I think we had Fudi fella Kieran in he's a good really nice guy he came in you're right to come a bit closer is that mate yeah yeah sorry yeah yeah all good yeah he's a really he's a cool guy and I was speaking to him maybe I think I think he came in was it 18 months ago and he was just on the cusp of like turning it into a career and I was like you know that's sick I think he was an ex-pro footballer or ex-semi-pro footballer and he I think like this was his passion he was just managing to turn it into a career but we have some amateur bloggers coming in and you're like they're asking the right questions and they want to do the right things.
29:16But some of them are just literally putting pictures of food on. And I'm thinking people are going to engage. There's a lot of amateur food bloggers who are just taking pictures in restaurants. People don't want to look at pictures. People want to watch video. They want to sort of absorb everything. I think it's really lazy to not video now. Yeah, yeah, yeah. So what do the best bloggers do when they come in? Do they have like a story arc? Do they think about... I wouldn't know what sort of the brief is that they give themselves but you can tell the ones who are filming the ones who are engaging it's ASMR isn't it people like to see things pulled apart oil dripping cheese sauce and some people some of the food bloggers get engagement from rage bait as well a lot of Tod's is rage bait yeah a lot of people if you read his comments some people are just fucking dickheads like well he said to me the reason he puts the sauce there it's the rage bait but also people there's a lot of people who hate on him and he and then like so like there's a few like Michelin chefs who like whose restaurants are shut I won't say who and they're like just hating on Todd I'm like yeah but like mate like he's like he doesn't know anything about Michelin it's like bro your restaurant is fucking shut like you're either going to go it kind of links to this cool point there's this whole Michelin thing of you know even Oshman said to me he goes fuck Michelin I don't give a fuck and he's got the busiest boozer and they do 20 ,000 pints of Guinness a week like he doesn't give a fuck whether he's got Michelin star or not what do you hate about Michelin chefs shitting on small plates well so I'm a restaurant owner I'm not a chef Lee's a chef and like there's there's a business element to a restaurant like it's not just food it's not just food like although that might seem a bizarre comment like that i saw a podcast the other day and like a lot when it was i can't remember it might even been yours and it was someone saying like the reason a lot of restaurants fake is because it tends to be somebody who's had a job in hospitality whether it be a manager or a chef and they've not really had much business experience and then they go and open the doors thinking we're just going to knock out all the food we're going to make loads of money and like they don't understand the basic business principles and they get in hot water really really quickly I can't remember who said that and I thought that was a really interesting point because yeah but you don't really tend to open restaurants unless you've worked in hospitality so it's a bit of a catch 22 and the Michelin star thing for me if you want one and you want to make your life's work to go and get one be my guest you work towards that but Michelin star doesn't necessarily mean the tills are ringing the most important thing in a restaurant is the tills are ringing it's not it's not it's that's to stay open obviously the reviews matter and your return customers matter but ultimately you've got to make money to stay open and like I think Mitchell and Star that landscape is so tough so demanding it also puts that much more cost on your business so much more cost you know the training the and people aren't out eating that food every day so you you've really really got to be on your game and making sure you've got those people coming through the door who want to eat that food seven days a week six days a week like it's it's such a tough thing to to keep a head off so like I'm sure Lee would like disagree with me I'm sure he'd love a Michelin star because he's a chef and I think it's a really chef-y thing I think it's like a big cock-off between chefs yeah it is yeah yeah yeah it's a swinging dick contest yeah it's a swinging dick contest and like if you want one that's fucking great but I just see so many angry Michelin star chefs like bashing you know small plate restaurants and bakeries and like you know I see them whining on about it being tough in the industry and hospitality is so fucking difficult and then on the next podcast I'm watching them go yeah small plates are fucking shit I don't understand that like what's all that about like well we're all trying to make it like if your style is your style our style is our style they don't meet anywhere near but you know a mixing style yeah if you want one it's fucking great but if you try and work towards one and you're not getting it like you say you're going to drive yourself in fucking safe why do you hate them shitting on small plates well Well, you know, some mix-in-star restaurants do small plates.
33:42They're just doing the fucking 15-plate order. I don't want to eat 15 fucking courses, but here we are. It's a lot of people, not just Michelin Stargaffs, they've got an issue with small plate restaurants. And, you know, at a time where, you know, there's a lot of people in this industry needs to pull together. It's this, it's that. Yeah, and then you're knocking a style of dining. Give it a rest, you know what I mean? We should be supporting each for not having a pop, you know what I mean? But also, if you're having a pop, we're doing pretty well, you know what I mean? You concentrate on yourselves a little bit more.
34:15Don't worry about what everyone else is doing and then, you know, you wouldn't be struggling as much. Obviously, you do hear things like, especially when you're in a city like Manchester. I know I've heard people bashing sort of our route to market, like fucking bloggers, influencers, all that. You know, and there's some very old school PR teams in Manchester. who have opened restaurants recently, who've stayed a lot of restaurants away from that because it doesn't look very cool or this or that. I'm like, I didn't give a fuck. I wanted my restaurant to be busy and I wanted to serve this city, our food.
34:48I take great pride in the food that we serve. It's just, I wanted to see my restaurant busy. That was the overall goal for me was like, yeah, we've done well because people are enjoying the food and they're coming back. There's the Marco Pierre White quote, which is the real success of a restaurant is does it make money? Yeah, of course. Which I love. coming from someone with his acclaim. So I actually boil it down. It has to make money. The other thing, you know, and what I do think is smart, to be fair, is the chefs. So like Adam Handling, I had lunch with him in Cornwall. You know, he's got his Michelin star places, but he's also a business bloke.
35:23He knows what he's fucking doing. Same with Paul Ainsworth. He's got number six in Padstone. But then they build these restaurants, whether it's a pub or a brasserie, that can be busy all the time. you have the credibility of the mission joint and then the business side and it's like people who are hating on Gordon Ramsay's burger and Gordon Ramsay's fucking pizza place it's like why are you hating on that? I don't think Gordon Ramsay gives a fuck one Gordon Ramsay doesn't give a fuck three again it's such a microcosm of people sorry two it's a microcosm of people most people will never be able to afford to eat at Royal Hospital Road.
36:07Exactly. Most people will never be able to afford to eat at Petrus or any of his places or, you know, even, what's the, is it Bread Street? Bread Street. Yeah. So for someone who is just trying to get through the day in a part of the country where there might be a single mum, if they can go and take their kids to a Gordon Ramsay restaurant and it might be a pizza place. Yeah. It's a very, and then he's printing money off the back of it. Everyone wins. Everyone fucking wins. Everyone fucking wins. I can't stand people who like shit on these things. Like, I actually get the pizza. It's bottomless pizza.
36:38I think it's fucking good. Typically like, is it the best pizza I've eaten? Probably not. But it's great. And I just think when I go there, I'm like, he is a gangster. Yeah. Because he knows how to print money. And he's not giving a fuck when he's getting a chopper down to Cornwall. That look, but also everyone's got an opinion of food, you know? Yeah. It's a much divisive. It's a much divisive fucking thing, aren't you? You can't. You're never ever going to get away with it. it's even when we opened here we started we started to do breakfast you know brunch and all that but obviously breakfast for me I've never the amount of opinions that kick about with breakfast you know bacon your eggs and it becomes that I don't see how anyone can get enjoyment out of doing a breakfast or a brunch it's because everyone knows how to cook a fucking egg so everyone's got an opinion on how an egg's cooked so that was the challenge wasn't it like Yeah, yeah, yeah.
37:30Like, eggs were the biggest fucking challenge. Wait, so what was the kickback you were getting on your eggs? I mean, it wasn't constant, but like, the only time we got customers who were like, could be nasty, it was the breakfast crowd. And it was like, well, we didn't really set out to do breakfast. We just did breakfast because we were open all day. And we thought in our infancy, that was the dumb thing. But - Do you still do breakfast now? No, we cut that off. Yeah. So you've got to be able to - Also, I think with the full English, like it's it's kind people don't you don't make money on that also I think you make it the best at home it's one of those things like you can go and have a bang in full English but more often not if you're hung over it you're better making it yourself because it's so nuanced some people put Tabasco in their fake beans some people think you're a twat everyone's got an idea of every aspect of a breakfast and how it should be and how they want it you know I'm getting checked it's one full English and it's that many this I want this like this I want like that yeah it's coming like that oh yeah like off right yeah you get it i haven't got the time to do i watch some people like two i mean i'm one of those twats i'd be like can i have two sausages i'm one of those twats i'll remove the beans i'll be like oh can i make i'll hold my hands up you would have ate of me yeah but that's the only like you would never come in um for dinner here you know and ask to swap an item on an evening menu dish for something else because it's fucking rude.
38:56But I never thought of that. Yeah, but for people to do it at breakfast, it's normal. It is how it is. And fucking, even coffee, lads. Yeah. Some people like it fucking boiling hot. Some of them, it's like, I think coffee's supposed to be served at a certain temperature. So you're like, we did, we do it. I'm not a barista, but I think it's like, is it 45 degrees or whatever? But a lot of the breakfast crowd as well, like they're brewed red fucking hot. It's like asbestos mouth type shit. So the amount of coffees that you used to get sent back, it tends to be like the plus 30 crowd who are a bit older, like the brew's a bit hot and you're like, what are we actually doing here?
39:34We're just dealing with like shit that we don't need to deal with all day. And like all in the throw of this, you're probably prepping for the evening fucking service at the same time. And he's got trays of bacon and sausage in the oven. You're like, right, we can't. Yeah, it's such a broad market. that'll be even like we always charred sourdough you know on a live grill it's going to be charred yeah obviously it's coming it's burnt it's like alright yeah you want a toasted piece of Horvice it's different you know what I mean on the hollandaise come in warm it's a warm sauce it's not hot like well it'd be fucking hot it'd be fucking scrambled wouldn't it I hope it yeah so yeah we had to like we had so again it boils back to that first principle of just keep it fucking simple like not just with a dish but in the her terms of business.
40:21What other ways you've overcomplicated things? Well, you've not got to be scared to admit that that's not working and change it quickly. Yeah, so you... I think that's... Ego gets in the way of things so much. Yeah, so we went, right, so, yeah, I thought our breakfast was amazing and, like, some... Even our hash browns, they're sort of a diverse of our potato collects, which we'll try later, but, you know, a lot of work went into our breakfast. Even the beans were homemade, like, and we're like... If we're not getting... Bold beans. not at the time at the time I've not come across them I only come across them in the last six months it was even it was just a nice salad San Mazzano tomatoes vinaigrette the queen butter beans but again I've gone to the shop and I've bought a jar just to spec it out and they're gorgeous they were seasoned the texture was lovely but obviously when I've gone to order them I've got a shit tin and I've tried it it's not even worth without one product changing it wasn't worth doing the dish so yeah yeah i managed to get my supplier to supply them to me but yeah the you've got you can't let your ego get in the way of of making a change we did what are the changes we made many mistakes like ira is an ai communication booking platform where restaurants can manage all inquiries bookings ira allows you to take bookings directly from your instagram dms this is literally a world first It makes the whole booking process super seamless.
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42:25It's so sick. A feature I really love is Aira will automatically send out cold outreach emails. Aira can send these emails to people who haven't been in for a while, to regulars, to people who've got a special occasion coming up. The customer simply clicks the link at the bottom of the email and the pre-filled booking form is already filled out. So all you've got to do is click and you've made the booking. It's so simple. click the link in the show notes to book a demo you're gonna love it we had we had a lunch menu so we did breakfast and then then we would go on to our lunch breakfast and start what eight nine when we were first over i think it was eight o 'clock and then yeah like you've been outside but it's although there's a train station people are just moving through staley bridge to get out of staley bridge in the morning like they're not it's not sort of milling around type stuff and there's not like many offices and most people going into the city yeah yeah so like the breakfast the scene is not sort of live and kicking at eight o 'clock in the morning.
43:16So we moved it to like nine o 'clock and we're like, still not kicking off. Then it, so we were staffing it between eight and 10 and getting like one cover in and stuff like that. We moved it ever so slightly. The breakfast thing gets smaller and smaller, but we still had a lunch menu to maintain from like 12 o 'clock. But the lunch menu was very brunchy, you know, sandwiches as well. I mean, when you do it, it's an absolute fuck about. Like we've got a small kitchen and then, you know, you've got one set up for breakfast. you've got a set up for lunch and then we then we had an evening menu on all of this god we were changing fridges over in between and it was like full setups and it was like the amount of work and it's like it's just not worth it this because and then at the same time obviously we took off with the evening menu after the bloggers and that was like we just we just focus on this one evening menu let's do it lunch and dinner and that's it and then that menu started evolving better because no one was thinking about breakfast no one's thinking about making breads for sandwiches and when we have more time and that's it we've well lunches have been banging ever since evenings have been banging ever since yeah because we do you know when you focus on one mate focus is like i'm very bad at focus like my brain's just like i fucking chain smoking on ideas but like one of the things i keep having to try and remind myself is just like even like we do this newsletter that we've been doing for eight years and then only in like a certain style i'm I'm just like, I don't want to do that anymore.
44:38It's just, it's taken away from my time doing that. Now we've fucked that off. We're still doing it, but like not the old style. It's like, oh, I've now got capacity to think about, okay, so after we do this, we're going to have lunch. And that's another piece of content. We're doubling up what we're doing in one day. You know, and it's just, but I think, I don't know, man, like complexity, who was it? The guy from, Julian Metcalfe from Pret. Yeah. Gangster, right? Yeah, yeah, yeah. Yeah, absolutely, yeah. He's a serious dude, does he too? He said to me, I mean, he absolutely tore me a new one on the podcast.
45:11It was hilarious. Cause like he was just on one, mate. Like, and he, you should listen to it. And I put it out as it is. Cause I was like, this is the best window into what he's like. He wasn't, there was no veneer. There was no, you know, I'm on a podcast. He was like, you've completely over complicated that comp question, simplify it. Cause like you're being so complicated. He started battering me and I was like, oh. But it was really good. And he was like, he basically said complexity is a cancer in organisations. We don't even know it's there. We can't even see it. We don't even know it's killing us.
45:46But it just seeps in, whether it's on the breakfast menu. You know, on paper, we're open all day. Let's do a breakfast menu. But all the, some twat changing sausages for bacon, you know, it just begins to seep in. what are other ways maybe from marketing or just other how's the complexity counts to sort of eat into the business in other this is I Michael Pierre White was the guy who said like in so much of a nutshell like people actually don't give a fuck how much of your process goes into a dish like they're not bothered how you cook your beans or how you scramble your eggs or stuff they just wanted to say it's good when it gets on the plate and like if you get wrapped up in fucking overcomplicating dishes, like Lee said, we cut ours down to like three ingredients.
46:36You get wrapped up in this fucking whirlwind of process when really the customer doesn't give a shit about the process. They give a shit about the end result. Now it's how you cut that fucking process down. And I think perfect is the enemy of good. Oh yeah, that's good. So say perfect is the enemy of good. Perfect is the enemy of good because you're never going to be perfect ever. that's just not it's not even achievable and also good consistently is great someone said that to me and I was like that's a fucking genius yeah doing something good consistently is great yeah because if you are better perfect well yeah I'm sure some people would go that was perfect but is it one in every ten you're going to hit that like you said consistently good you're winning like I think that's something that we've got down to the team but even for us to be consistent we have to get we had to again get rid of so many things get rid of breakfast also breakfast getting people chefs to turn up on time in the morning yeah very very hard thing to do yeah getting rid of all the over complicated lunch brunchy stuff again dishes with seven components bring it down make the processes simple make them bulletproof and then the kitchen flows like a well-oiled machine we were doing chicken burgers and fucking all sorts yeah what other stuff were you doing like out of interest like so we did like making the breads for the steak sandwiches.
48:00But then obviously, we're doing these, okay, remember the weekends. So we're doing like Sunday. Sunday's a fucking heavy day here. We were doing breakfast from 10 until 12. Okay, then we'd have one hour break and then we'd do Sunday lunch from one till seven or half seven, I can't remember. One till seven, yeah. But the last wave of brunch in bank holidays, I'm like, how am I fucking going off my tits up there, yeah? The gaff is full, right? So all the orders are coming in, you know, five past, ten past. So obviously these cut-offs we have just went out the fucking window. And then you've got this, in this cut-off, people, I want to order roast.
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48:42All right, but you can't order it till this time. But then by that time, they've already waited 20 minutes to get this on, and we're trying to flip this kitchen. Listen, there was time. With people losing their fucking mind. There was times, yeah, where we'd sat people down late because it'd been busy or whatnot. Oh, there's a big group. And there was a big group. And I've had to go up to the kitchen to him while he's got fucking joints of beef coming out of the oven. I'm just going, table five on five's got more eggs on. We've had some interesting conversation. These fucking eggs, right around the back of the pack.
49:15It's fucking two joints in the evening's hand. I'm like, is that all right? No. All right. Off we go. You're going to have to have Sunday roast table five. the that's interesting like there's a who was it avoid what was it I think who was it it was like don't avoid unpleasant conversations I think that's it you've got to have them yeah what's the biggest like not bar meetings you've had but how do you as a creative partnership make sure you are fucking off the breakfast menu like what's the art of having having difficult conversations so to be honest with you there's there's there's four of us there's me there's Lee there's Jack Jack, who, he was a builder, he built, he built the place.
49:59And then my best mate from being sort of young teenager, Dave, and Dave actually manages the bar and stuff. So we're all sort of involved together, but myself and Lee will take the creative direction and the food direction. So, you know, Jack and Dave are quite happy to sit back, let us take the lead. and luckily, like, myself and Lee are quite aligned on the dishes, on what we're serving, when we're serving it, how our role should be, like, we don't really have many disagreements. Yeah, we have disagreements on service levels and this and that, but like I said, Lee is a perfectionist because he's a chef and he's a good chef, where, like I said, my motto is perfect is the enemy of good, so I'm just striving for consistently good, where Lee will always strive for perfection.
50:51That's a great, That's a great tension though, isn't it? Yeah, absolutely. Absolutely. And like, sometimes I need bringing up when something's not to standard and he has to talk to me and then sometimes Lee's talking down and I'm like, you know, Lee, nobody cares about that too much. Like, let's just, let's get it on the table and let's get it out. Let's get out as a dish, this and that. So we don't have, like, I can't say we've never had a fight. No, I don't think we've ever had a fight. No, we had some fucking tense conversations over certain things. What's been the hardest conversation you've had to have together?
51:20I've been fucking stopping breakfast. Yeah, I was banging the drum for a long time. Yeah, I was. Because you had to fucking cook it. I didn't have to cook it. So I was like... Were you making good money on it? No, so you don't make money on breakfast. I think you obviously do, but it was a struggle. I was using the best sausages you can buy, the best black pudding you can buy, the best... We went too heavy on breakfast, but I do think especially... Hotels make money on breakfast, because it's 21 quid. Yeah, there's only so much you can buy. How much is your breakfast? 14 quid. Yeah, and I think even that's at the high end of what you can charge for full English.
51:54And I wouldn't have felt comfortable charging people more than 40 quid for breakfast. Obviously, we need to make money, but we're not ruthless in our approach. I realise that even our Sunday roast, we charge, I think it's 24.50 for sirloid of beef, where a lot of restaurants are charging 24.50 for rump. Now, we do have conversations like, you know, Ryan, this is a little bit too cheap. And I'm going, I understand that, but could I smile at a customer for a 28 pound roast? it should be probably about that because our sirloin is fucking good. But there's a balance between offering a good product at the right price and then people also unfortunately have an opinion on price and you find it very hard to move the market.
52:38We got that a lot when we, the amount of times I've heard they can't charge that in Staley Bridge. We are using the same products as a sitting centre restaurant. We're delivering the same quality as a city center restaurant, but because we're in a suburb, we should be charging a lot less. We're still labor-intensive like any restaurant is. We still can't claim VAT. We still pay 25 % car tax. Our ingredients, if anything, our ingredients are dearer because we're not a big chain. So we don't have the buying power. So obviously, we have to make a margin to stay open. So the principles are, good is perfect is the enemy of good.
53:19good consistently is great what was it have a good product deliver a good product and show people a good product any other principles
53:33don't be afraid of saying you got it wrong don't be afraid to say you got it wrong and change the only thing that we will maintain is our direction of the basic principle of the style of the restaurant the style of the food and the only times where we've had to change our mind is where it was outside of our own principles which is obviously the breakfast mate at one point our coffee menu was fucking bigger than the breakfast menu we were doing fucking all sorts and like we used to have back and forth about it because I was always like because the food was so good and my thing to leave was like our food is so good like I kind of wanted the drinks menu to reflect that and it was over complicated It really fucking was.
54:18But I thought we were sort of matching that for the customers. And do you know what? We were busy on the coffee machine because we were doing all sorts of cold foam match this fucking... Even Agnet. I didn't know what a blueberry cold foam was. You know what I know? We were doing that fucking... We were doing... We were doing the fucking Parisian hot chocolate. So this Parisian hot chocolate, I think it used like a full fucking bar of galaxy. and the barista at the time I had poached her she was a good barista she was passionate about it and I kind of let her run with the coffee menu and I was supportive of the coffee menu because I thought, do you know what it's good and the food's good I wanted them to both be in sync I wanted to be fully impressive and everything was over complicated on the breakfast so I looked at it and I'd never sort of questioned it It's a really interesting tension of sticking to your coffee so what gets you from A to B in terms of this links to this cool piece it's not necessarily going to get you from B to C i.e.
55:17you may become irrelevant you know and there's the two things it's like you've got to stick to your fucking guns yeah but you've also got to adapt and in the middle of those two things is ego yeah yeah because the thing that got you flying yeah well no no we've had this with the content that's why we're trying new content styles I was a you know my ego was like no no I know what I'm doing but you know we need to try and adapt and do new stuff and then but if you're just chasing the next fucking thing then what are you? I'm like, yeah. Do you know what I'm trying to say? You quickly forget like the basics quite, like ego can get the better of you like not, like obviously the breakfast thing I was like, I wanted to have the best breakfast on the side of Manchester, you know what I mean?
55:59And like, not saying Lee didn't but he knew the intensive nature of breakfast and the demands it put on the kitchen and like, it took a while for me to fall and I go right, fuck the breakfast stuff let's, but please can we keep the lunch menu because I still wanted to attract people in the day and I was I was reserved and scared of not appealing to enough people during the day because I thought you can't just survive on a Friday and Saturday night like you know a lot of businesses fucking struggle in this game because the main source of customs Friday and Saturday nights and you might get a tickle Thursday Sunday if you're looking if you're not doing Sunday rolls it's not easy to sort of attract customers in for the basic menu so i was i was adamant that breakfast was the right thing it was bringing people in the day it was paying some of the bills you know we weren't making loads of money on it but at least it was some cash into the business and like it wasn't it wasn't good cash it was it was it was poor cash and you know the labor intensiveness the staffing of it the coffee machine it was just it was a fucking free-for-all really wasn't it but i still So we still want to keep the lunch menu.
57:03And the lunch menu ran for a while. And we both had a conversation, the boozer one night, and was like, you know what, mate? Should we just trial and error, see if people want to eat our food in the daytime? Because what was happening is, after all these videos have gone viral, people were asking for our evening menu of the day, and people were turning up disappointed that they couldn't get that food. Right. And we were like, really upsetting quite a lot of people, because we're like, we've come for the short rib, and it's not on the lunch menu. And I was always like, let's not put the short rib on the lunch menu, because I want people to have an excuse to come back in the evening yeah and yeah it took a while didn't it but after after a bit of discussion we pulled the lunch menu and like we just started doing our evening menu and even even the evening menu was sort of more lunchy at the time wasn't it because we were trying to evolve it rather than just going straight to the evening menu there's still a fact got a few what other classes of lunch dishes on the evening menu but we changed it didn't we and like yeah yeah it's a real good lesson like the ego is the enemy and it's just like look what's in fucking value But it has been a nice natural progression of, you know, we got to a place where we wanted to be.
58:06We've had to do sacrifice a bit for it. You know, we had to do a bit of shit to get there along the way. But now it works. Everyone's happy. Like we've got the lunch menu at lunch. Sorry, the evening menu is the only menu we do. But then we have a specials board and we'll fill it as much as we want, you know, because we have more time. We have more freedom. And yeah, it's a beautiful place to be now. we honestly like I've got a group of really good chefs up there and they stay because they do have the freedom to cook whatever the fuck they want you know what I mean we'll always have a chat you know Wednesday right what we're getting in for the weekend you know what I mean and like how dishes you know a special evolves into a dish and then it's added to and then it becomes a permanent dish a lot of our core menu now is we're always specials that evolved along the way and it's yeah they become that hard to take off because people see it and they come for it they ask for it but even obviously I knew with like the burger he was getting phone calls will that burger be on on this day on that day you already have the feeling yeah it's going to become a classic of the restaurant you know what I mean yeah I want to talk about Manchester I went to uni here so I was like I fucking love this city it's got like a I don't know like it was the epicentre of the industrial revolution yeah so all the fucking it was Cottonopolis yeah like it was yeah basically the centre of the world at one point with all the canals, it was just a huge export.
59:30And then you almost had the, the madchester days in the eighties, everyone was getting peeled up. Yeah, Hacienda. Hacienda, Oasis. I think the food revolution's happening. You're having a Hacienda of food now in the city, especially the places I went last night. Sorry, can you, is the mic picking the kitchen noise up? It should be okay. Are you sure? Right, demo, just with any blenders right in the back. It should be alright, we can cut it and we can cut stuff out. You might just put all of the stuff. Damo, we just... Yeah, just knock it on the head for now, it's only another hour mate. Damo, just turn the extractor down.
1:00:07Just put the slide in front of his face. That's alright. Isn't that better? Yeah, so it's got this grit and this creative grit is what I've described the city as. It always has. It's just different generations of creativity and what the buzz is at the time. and what the key focus is at the time. Like we've had the music. We've had, like, I think Manchester had the massive bar revolution as well. Just not, not just nightclubs. Like... What do you mean as in like, as in, is that happening now? Sorry. So, yeah, no. So bars, but nightclubs started to die because people's drinking habits and partying habits changed.
1:00:46People wanted to go out early. Because I was here in 2016 when clubbing was big. Still big. It was probably the last as it was Keeling Off. So we used to go to Sankey's. Yeah, yeah, yeah. Fucking, what was it? Was it called Hidden? Hidden, yeah. I think Hidden is still there. Hidden was great. Yeah, Hidden, yeah. Like loads of places like round Fallowfield. That's when people were still getting on it and partying. But that's sort of, I feel like food's replaced party. You just wanna come out now and instead of getting, doing loads of gags, they just wanna have like a nice steak and a bottle of wine.
1:01:13That was obviously my DJing career sort of fizzling out as well, because there became a new evolution of sort of bar, straw, restaurant, where people wanted to eat and drink in the same place and then party a little bit after and then go home earlier rather than sort of coming out, pre-drinking and coming out and then going to a nightclub and then getting off your face and then going home. Like, late girls wanted to dress up a little bit more. They wanted to wear the heels and dance at the same time. Lads wanted to dress a little bit smarter rather than going out in rave gear. So that, this evolution of like vibrant dining became sort of prominent and then bars started to pop up here left, right and centre as nightclub started to close.
1:01:52So the bar revolution, I think, was a popular invention. It's so interesting, like, have you been to Dorian in London? Oh, no, I haven't, no. Mate, so I went the other day, and it's like, it's kind of that. So you're sat at the counter, and they're banging out steaks, and, like, it's open counters, it's like the cinema of shit. Yeah, absolutely, yeah, yeah. But they're playing all this, the music in there is, like, full fucking whack, and it's like, oomph, oomph, oomph. Yeah, yeah. And you're eating this banging food, and, like, you kind of, you know, and then, weirdly, I was having a cig outside, and Chris, the owner, as we were getting a cab, popped in and saw Ash and was like, and I was like, mate, the music in there is fucking sick.
1:02:29And he was like, yeah, we were going for this, I don't know, he says that he's this crazy Australian guy. He's like, we're going for like this, this like Al Pacino Scarface techno. And I was like, this is how it's moving. It's like, we're wanting to go to these places where you can go to a bar afterwards. And I feel like people are either going to a restaurant or a pub and pubs now are really becoming music venues or you're going to a big fuck off rave like a Josh Baker thing at you know like a proper stadia rave you're not going clubbing really it just exists in a very rare form now clubbing like I said people want to stay in one place if they can Sankey's reopened Sankey's has reopened yeah in a different location shout out well that's the other thing because Anco's when I was at uni was a It was a ghost land.
1:03:21Yeah. Busy gaff now, Ancocs. Well, Ancocs is like the Shoreditch of Manchester, isn't it? Yeah. Pretty much. Yeah. So the evolution of the bar, and then the bar started doing food, and then the bars then became sort of nightclub at restaurants. You can see the evolution. It went back to, back in the early 2000s, you had something called Dean's Get Locks and the Sugar Lounge. So Sugar Lounge was like one of the first premium bars in Manchester where all the footballers used to go. And then you had the living room the living room popped up doing food and that was David Beckham's favourite place to go and so on and so on and it's just grown and grown and grown into this sort of behemoth of vibrant dining like you had probably 12 years ago Neighbourhood a lot of inspirations come from the meatpacking district in New York I haven't put those links yeah like even the ones in London like they were like the ones to sort of really push this forward like this nightclub restaurant type have you been to New York Catch and stuff like that just like overly noisy very brash food's expensive but everyone's having a good time a lot of inspiration was taken from these areas in like New York and stuff that was like at the forefront I mean we went to Carbone in London well sorry I went to Carbone in London a few weeks ago and that was very very similar I was expecting like a retro Italian gaff in like you see in the one in New York but no it's it was very very much sort of nightclub it was very dim lit but the bar was booming and stuff like that and I was like this is it now it's also I think a big part of that is Sewer House in the sense that what they did is they that whole all day dining and it moves into nightclub sort of thing so you're not actually leaving the so we stayed at Molly's last night which I think started as under Sewer House and then it got sold it feels but it's like you know there's Molly's Diner but then downstairs is the bar and the music slowly throughout the day gets more like do you know what I mean and it's it's mad how culture is changing but as you say like if you're trying to you can either go with that tide and stay to your true roots or you can just get stuck in the past we did we did when we opened we that like we did like we so we had do you have this go can you have you got a license to turn this into more of a like oh we did so let's say the kitchen we used to turn into a dj box and we used to see can you see up there that was the d now the dj used to go up there we used to have like rent sound systems and stuff we used to have singers on when we first opened like the dj thing was more like specific parties that we used to throw and like we used to have like live singers on and this is another direction where we had to just go no it's not working yeah I forgot about that yeah yeah like so yeah because that seems like that would be a sick idea well because well we're a restaurant not a nightclub and like there's the author Stephen King has a quote I love which is kill your babies yeah yeah which is basically say you've written a book and there might be a section you really fucking love and you think it's some of the best writing you've ever done yeah does it work you've got to kill your babies so like if you're an ex-DJ DJ, fuck me, I've got a banging restaurant.
1:06:18Let's put some parties on. Yeah, again. Gotta kill your baby. There's a little bit of ego in that as well. We did, we love a fucking party. It was quite appealing to us two years ago. But that was a bit of ego as well. It was like, I used to throw these parties. We've had some pretty well-known DJs. Who've you had to play here? So Corrupt FM come and did one event for us. We had Sweet Female Attitude, Zed Bias. And then I had more booked in some of the bigger names. I don't want to mention them on here. We can take it out. Yeah, it was just. Sick. They're friends of ours, so they said, yeah, we'll come and do one of them.
1:06:55But I looked at it, I was like, and we used to post videos of it online. And I used to look at it and I looked cringing on it. I think, what were we trying to do there? Like, it's just a bit, it looked, from the out face, it looked just a little bit chavvy. And I'm like, right, we need to pull that. Same thing, we used to have like a stage here where I'm sat. We used to have live singers on every, we see it Thursday, Friday, Saturday sorry, Friday, Saturday, Sunday What sort of music? Just like live acoustic Like their own songs or was it like Covers, covers their own songs we had some really good singers on our books because I knew a few back from when I was doing sort of music and we'd get people coming in asking to specifically sit away from the singer and stuff because it was loud and I was like, whoa so in the end I was just like are people actually enjoying this?
1:07:44because it's taking up sort of covers in the restaurant it takes quite a big space even if you had like someone on a stool they've still got a speaker we've still got to plug all the cables in it's a bit of a nightmare it was like it's not our thing like we're not in the city centre we don't have to be vibrant yeah when we got rid of it like no one batted an eyelid no one cared there was not one comment it was just it was gone and then that was it we moved on so do you know Will Godara who did 11 Madison Park he wrote Unreasonable Hospitality no it's the book that like it's that yellow book that everyone reads but that 11 Madison Park, it was a freestyle place but it became the best restaurant in the world.
1:08:18Anyway, he said when he started his restaurant, well, he wanted the restaurant to reflect the singer Miles Davies. And he said, if you think about that in your head, it's a bit of a weird question this. But I'd love to know, out of all the bands that have come from Manchester, which are the ones that sort of, would you want to model this restaurant off creatively? Well, if you're talking Manchester, Stone Roses and Oasis, Happy Mondays. It's like It's all the cliche ones isn't it but they are the best you can't you can't deny that we went to Oasis didn't we last year in Manchester yeah Heaton Park it was unbelievable but you don't realise just how successful Manchester is as a city until like you've been to one of them gigs and you've seen the love and support that people show up how many gigs did they do five, six in Manchester maybe maybe less but and the amount of people who just swarm to the city and like everyone there was a different vibe at them concerts wasn't there like yeah I still put it down as one of the greatest nights of my life to be sure I saw them at Wembley fucking hell no not Wembley was it Wembley yeah it was yeah Wembley yeah yeah yeah mate and it was just I just literally come back from my beef the day before and then my mate was like do you want to go to Oasis I was like fuck it yeah go on and just even we were in Soho and everyone had the caps bucket hats on mate it felt like you know like before a footy game you know I'm a Spurs fan my dad's got a season ticket so we'll go to the games and it's just this this tribal fucking energy yeah it's hard I've never seen that before but that everyone so it felt like everyone was going to a football game it felt like the World Cup but for music it was just this yeah the World Cup was fucking hard work I think they as you say they're cliches they're cliches but cliches for a reason exactly what do you think it is about like the I know like the Manchester perspective with creativity like why do you think this city just produces this I don't I don't I think there's a there's a Mancunian spirit man isn't it like you know what is that spirit it's like tough chin up carry on mentality away nothing gets you down there's a there's a little bit of Mancunian Mancunian spirit it's like stick it to the man isn't it like they're quite a rebellious energy about the Mancunian spirit and it's a working class environment like everyone's sort of like back in the day everyone used to know everyone's business and like neighbours were neighbours and front doors were left open and it reflects in the music but again it's I think the music scene and the hospitality scene just run so much in sync Yeah that's why I wanted to explore this because it's like they're not They're very much in cahoots and some people don't realise it.
1:11:10You know, I think, like, there's scientific studies going, like, depending on, like, the tempo of the music played in a restaurant, you're more likely to order more this or that, or, you know, the slower the music, that might make you more tired and you spend less money. I've seen a few podcasts where, like, some of these restaurants and stuff are thinking that deeply into, sort of, the music coherence with the food. Oh, mate, the music punctuates the food. Oh, absolutely. So Stowe last night, I loved it. It's very industrial. It kind of has the vestiges of Manchester in there, but it's got, you know, festoon with all these little flickering candles.
1:11:49So it creates that vibe. And the music is just old school 90s hip hop fucking loud. And it's just like, no, no, no, it's not that casual. But you know what I'm saying? And then you get these delicious plates of food and the music punctuates it. It's just like full stop bang, full stop bang. it's like in this city it's just got it is fucking mad because it's it's a big city but it's not a big big city and on the grand scheme of things it just it punches so above its weight creatively yeah it does I think like the second capital of England now Manchester is it oh yeah yeah definitely I think it's been like that for a while culturally it's been as big as London yeah because you've got the football you've got the it's always been what do you so I don't know if you listened to the pod we did with John Hegarty who's the big marketing guy.
1:12:36Yeah, I've seen a few clips of that. So he's quite old now, he's like 80, not being ageist, but he was one of the OG dons of British advertising. Set up BBH. They did the famous Levi's campaign. So before BBH, Levi's was some really pony brand. Marvin Gaye's career was going down the pan. He was shit. And they did this advert and everyone was wearing jock straps. they weren't not jock straps um what are they called like what what are the things called breaches breaches sorry yeah not jock straps um but basically he did this advert which was the famous uh laundry uh advert which the first time like people got he you know to do that back in the 70s or late 60s was really pushing the boundaries and you know the guy comes in takes his kit off and he's wearing boxers off the back of that advert that one i'll show you after we've recorded levi's became a sick brand marvin's gay's song came number one and the culture changed and people started wearing box shorts because it is just the guy did the toshiba thing as well that's dave trot so he they're in the same pantheon of yeah but yeah but um but anyway what what so john hegarty says he's got this amazing book called creativity and he says if you want to be creative go to places where the weather's shit and he says you won't ever be creative in in a place where you need to go where you don't have to think as much you've got to think more you've got to be a bit because you've got to be a bit fucked off for creativity you've got to be also when you're indoors when the weather's great you're going to be working more hours yeah like how and this is a bit of a maybe airy fairy question but how how does that how do you think that helps with your creativity the weather in manchester it's got that grit to it do you know I mean that's a is a fair point because we do have to think on our feet as well because we don't have a massive outdoor dining space at all in fact none um we've got a couple of small kitchen tables yeah a couple of small tables outside but like summer hot summer is your enemy when you've only got an indoor space so obviously you're gonna have to think of like light additions aren't you things that are going to bring people in the door it's not going to sort of feel like too over feeling and then vice versa in the winter we want to keep people indoors invite them in for like wholesome full home cooked style with our spin on it food and like yeah the environment outside very very much dictates your menu as it does with any restaurant how do you how do you dance with that then like in terms of the menu creation if you're not again we always have the car menu and there is we'll sort of change it every quarter with a season but obviously the seasons are half out the window now anyway it's uh yeah nothing makes sense to me in a season anymore well again when the car does most of the talking and we just blast the specials bar with whatever we want and you know we'll have sometimes different because we do just specials till we sell out i'll have different specials at lunch and then different specials at dinner and that's always been able to you know we've always been able to keep if there is because even you know you look at the weather 30 degrees tomorrow right let's bang on to about later tomorrow just we we go with it like that you know right just as long as we can react fast that's the way we've done it so far it always seems to work for us yeah we have to turn it around quick as well we have to get the dish out get out on social media almost like going fishing for customers like we'd yeah we need to attract these people in who want to sort of stay out the heat like even we didn't even do the post not so long ago like we just put air condition on the specials board.
1:16:18Obviously it's been fucking boiling this summer. It's been a banging summer and there's so many cafes that we're sort of just putting on the blackboards. We have air conditioning. Yeah, yeah, yeah. I think it's just like just that adaptability. What's the, so you're not in the centre of Manchester. I think restaurant location is one of the things that or site selection. It's science, it's art, it's intuition, it's data. it's fucking fascinating to me. Talk to me why you didn't open in the centre where everyone is. So this... So just the context of people listening, we're about half hour drive.
1:17:00It's like 12 minutes on the train straight from Piccadilly to the train station, which is two minutes behind the restaurant, to, you know, if you're on a good one, you can get into Manchester in 20 minutes in the car, you know, anything from 30 minutes to 40 minutes spending on traffic. But this was supposed to be... Well, this was never targeted originally. We looked at Stockport for the restaurant. We did look at city centre locations. Why do you look at Stockport? Because there's a little bit of a heartbeat in Stockport that's sort of up and coming. I think that was them. Now Stockport, there's loads going on at Stockport.
1:17:35Really? Some great restaurants at Stockport. Who's the band that's from Stockport? The Blossoms. Fuck. Ciao, Chaz. There's a good band that's from Stockport. It's Escape Me. There is, yeah. but that's south isn't it Stockport yeah is it south of the city yeah like towards like the airport way yeah yeah yeah it's literally a 50 minute drive from here it's not far but I was on the hunt and I went to I went to view a restaurant in an empty shell in Stockport and I'm walking around and I'm like I just at the time I didn't have any familiarity with the area I was like I didn't know sort of the pockets of places that might be good because they've got something called the underbank now and that was supposed to be the place to be on that was the upper underbank what's that underbank I think literally it's underbank like it's just like but is it like one of those restaurants yeah like just like a little street full of bars and restaurants and cafes but I went to view this place and I came away it was tiny it was like it was probably the same size in total the same size as this restaurant floor and I come away and I was on the phone to me my wife and I was like I found this place but it's cheap enough it's got good transport links but it it just didn't sing at all to me and like it was it was just a square room it already had like a small kitchen fit and I was like is this I don't I don't feel a connection to it so I was like I was on the way home and I was like fucking hell what can I do here because I'd looked at other towns like there's somewhere close to a car up a mill it's just a fairly vibrant area in one of the villages it's expensive and the footfall is what it is it's in a village it's quite remote but it's popular for tourists but it's as and when and I was driving home and I thought I have to come through Staley Bridge to get to my house so I thought do you know what I'll just go and look is there any empty units there so I drove down here my wife's mum has got a shop just like five doors up she's a hairdresser so I always knew this was here but it never came what was this before it was a chemist this was a chemist?
1:19:43yeah massive fucking chemist yeah yeah oh yeah no so what was it before that a tea shop yeah it was like it was like a tea importer as many years ago like i think it was like a proper old school general store um so yeah i came out i packed my car up looked outside here there was this and it had been up for rent for about four years i knew it was here but it just never come to my mind so the shutter was down but there's like a post box slitting in the shutter so i just popped my eyes through and I looked at the floor, the square dining room, and just above you there, it's a platform, and that was just an empty platform that you could see above it, and I thought, that's the kitchen there, just immediately, and that's the kitchen, so I got on the phone, I viewed it, and was like, yeah, and the rent was the right price, and the most important thing to me was the transport links, because the train station's there, there's loads of car parks, it's not that far out of Manchester, but as the crow It really isn't difficult to get to.
1:20:39And I thought, you know what? As long as people can get here by any means possible, I mean, that'd be train, tram, because Ash Thunderland's got a tram as well, car, loads of car parking spaces. I was like, we can make it work. I had confidence that we would make it work. So yeah, the selling point to me was actually the kitchen platform because I wanted an open kitchen that was always sort of on the business plan and the transport links. And yeah, fortunately, it's paid off because people have actually traveled. They don't find it too difficult. to get to and they can park up there's plenty of car parks around which is important people don't believe how important that is but it really is yeah I hadn't thought of that like the car park I think that's why the car park that's the thing with town like you think you want to drive into Manchester yeah we were trying to park last night you've got to get in the car you've got to get ready you've got to get in the car if you're not getting an Uber which is expensive now albeit they've got no choice because the cost of fuel and everything else is ridiculous but you jump in the car now after you've got ready go and try and find a parking space in town if it's pissing down it's not inviting and you've got to walk to wherever you are because typically car parks on street parking are never near any fucking restaurant it becomes a bit of a rigmarole all evening and then you've got to do the same home where we've got to look quite lucky here because you can literally park outside the restaurant there's a car park around there if it's pissing down you've not got far to come to the door people aren't that fussed about getting overly dressed up so like there's a few things that like weren't thought of which have worked out in our favour and you don't realise it's too open like had you thought about those things beforehand or was it more some of them no but the transport links was one that's why we didn't sort of aim at the other villages close by to it because they're a bit remote albeit there's some train stations nearby nothing is close to what we've got here yeah and and and the the shape of the restaurant and the kitchen that was that I just have these pictures as well for people that we can put them on the screen people listen who's the photographer?
1:22:40Robbie McIntosh. Robbie McIntosh. Yeah, from Naples. Yeah, he's from Naples. Yeah, yeah, yeah. What's that geek? What's the old geek? Tutor Passa. What does that mean? Everything passes. Everything passes. You've got to live in the moment because it's not here forever. How do you guys apply that to what you're doing now? Oh yeah, yeah. What do you mean in terms of how do you live that? We haven't taken it too seriously. Although... So what does it say? Everything shall pass? I think it means actually it will pass. It will pass. Too tall passes. So good things, bad things, ugly things. Yeah, don't take things too seriously.
1:23:18It's going to move on. How do you not take it seriously so much? Well, obviously, we're serious about food and there is a business run behind this. But we've enjoyed ourselves in the process. We've gone on food tours. like we've we've gone like nights out like we've partied we've we've we've grown with the business like in a in a in a casual way as the dining experience is like when you say like you don't take it too seriously obviously we've got a job to do and we've got to deliver a product that people love but we have had the ultimate amount of fun in the process it's not it's not been like doom and gloom for us and we are one of the fortunate businesses that are sort of surviving in this climate but I think most of the reason why we've done well is because we all get along you know there's like I say the four business partners we are all friends we we we we go out on the wine tours we'll go abroad we'll do our food research we'll do it all as friends yeah that's pain yeah we're doing it as mates and like we've got like friends of the restaurant now like who are our friends who are just in here all the time like our a maintenance guy, a couple of other guys, they come with us now, they'll do the food festivals with us, they'll give us a hand, the restaurants start to become this hub for people that we know who come in constantly, and we take them on our abroad trips with us, we'll include them in the events, in the restaurant, and we've had an amazing time in the last two years, we're just socialising, we've got now a community around there, of, you know, everyone that's been involved with this restaurant, you know, the Joyner, the Sparkies, the, you know, everyone gravitates towards it.
1:25:11And we include everyone in everything. And if we announce something, that we're going somewhere, we're doing something, you can guarantee there'll be 15, 20 people who want to get involved just because it's us. That's sick. Yeah. I want to get into both your backstories and how you guys kind of met, because I think it's important for context. So you were DJing, mate? in different venues. I remember you saying that you almost went to all these different restaurants and had a list of things you didn't like. Yeah. Talk to me about that and then what was on that list of shit you just thought, oh, I don't like that.
1:25:43Like 12 years ago, I quit my job because I was offered a, because I was DJing on the weekends and I had like a, as a sales manager in the day. What were you selling? I worked for an electrical wholesalers. So like anything electrical really to electrical contractors and whatnot. Very much building trade. And I got offered this job which was because I was DJing on the weekends and I got offered it up. What sort of music were you playing? So I was predominantly sort of R &B and house and this job came up where it was like there was a I don't know if they're still going now but individual restaurant group where they pumped a load of money into putting live DJs on their terraces and their outdoor spaces.
1:26:30And my dad's old business partner at the time was the guy in charge of sort of curating the music and finding the DJs. And he come to me and said, do you want a full-time job here? Like, it's four days a week. It's really fucking good money. Low stress. Long hours, but low stress. I was like, yeah, do you know what? I will do because I've been driving around up and down motorways for the last four or five years. I fancy a change. So I jumped on it. I was doing four days a week. And I was moving around different restaurants because they're all over the northwest and even down to London. so I got the opportunity to work at a few different places over about a two year period when you spend 12 hours a day in a restaurant you pick up a lot of things what restaurants were you going to?
1:27:10so at the time there was piccolinos, bar and grills I think they'd just started taking over Gino De Campo restaurants at the time I worked in a lot never on the food side of things but I'd always been into food food has been my biggest passion so you pick up things when you're in there and I spent a lot of time observing because I'm there for 10-12 hours a day what are you DJing for 12 hours a day 10-12 hours a day what from like I suppose 12 like 12 in the afternoon until midnight some nights especially on the weekend they really invested a lot of money into creating this a broad atmosphere yeah yeah yeah again because now that's everywhere yeah this was 12 years ago so yeah I spent a lot of time there and one of the main places I worked was just in the city centre where Lee was working at the time and we just you know we just used to have fleeting conversations and stuff I always knew he was passionate about food because he'd always be making stuff off menu and letting me try things and this and that so we stayed in contact with each other but like not like anything more than just chatting online and stuff like that seeing how he was doing checking in and yeah you were working in Bermuda at the time weren't you or something yeah well I can't even remember how it came about you shouted me I was working in Bermuda but I was leaving Bermuda at the same time and I think you shouted me what are you still in Bermuda what are you doing because I'm planning this and I said funny enough I'm actually moving back so I'll give you a shout when I get back and then I moved back to London but I came down to visit Whereabouts in London were you?
1:28:39I moved back to Canary Wharf just because my brother lived there so Yeah yeah yeah I just moved in with him because it was available you know what I mean so but my plan was always to move back and work in London but obviously I took a bit of time off I took a year off just because I had an injury that needed to fix and then obviously in that year the restaurant's been found and we've gone from there and it was more or less perfect timing by the time this restaurant was ready I'd moved a few months before yeah and that's just sort of went in sync like that but yeah it was a pretty much pure fluke the timing of it I'd had enough of Bermuda and I was coming back What do you not like about Bermuda?
1:29:23I mean, when you're there for long enough, the food seems... Is it in the Caribbean? It's in between, like... Yeah, I think it is classed as Caribbean. It's just above the Caribbean. It's just in the middle of the city, and it's on its... Somewhere. Yeah, yeah, yeah. I mean, it's a beautiful island, but the food's stuck in the past, and the... I mean, unless you like golf or fishing, you're fucked, you know what I mean? The two, yeah, everybody knows your business, and... What sort of food were they doing? like it was a bit of a pastiche of like yeah but i mean you had a beach club a golf club and it was one was italian one was obviously seafood you had the main hotel i mean it was a beautiful hotel yeah it's a rose with the nice gas you know oh yeah lovely yeah yeah but still there's when you know you get a menu you can barely it's a hotel menu for x amount these kind of people it's you know we're still talking about herb crusted raxalam and stuff like that it's it's how did your creativity change when you came here with the with back to the grittiness oh god yeah yeah banging out left right and specials left right and center and did you feel like you have i love heston's describes creativity and i believe this because i have all these i'm right right so i have all these fucking ideas and it's like it's like a rain sweeties falling down yeah i think it's the best definition of creativity and you're just like trying to catch it write it down was it like was Was it a spittering of rain in Bermuda and then like to rain?
1:30:50100%, yeah. But even like, towards, even that's why I left. Because I couldn't even be arsed for food at the time. I was like, this is mind-numbing, so I have to leave. And then obviously I left. My idea was really to go back and work in London again. But when you look at what you've got to learn to live comfortably in London, you can do a lot better here. You know, you can earn a decent wage here. You can have a decent flat. not too far away from your job and it's comfortable. Whereas in London, you know, you're in a shared house, you're struggling, the fucking, the travel's horrendous. And I much preferred it up here.
1:31:25So that was, and obviously when me and him connected, it was like, you know, good timing. Fuck it, we'll be a bit short, you know what I mean? Yeah, the travel thing is interesting in London because everything's 40 minutes away. Yeah. And that's considering, like, not, that's considered not far, I think, but it fucking takes ages. London is my favourite city to go to for food. even more so now that I don't live there what's one of your favourite restaurants? I mean, the cliche but it's St John I love, Wright Brothers in Borough Market has always been, I used to live around the corner from it, I used to it's one of them, it's got a buzz for me I love sitting at that counter, I love them the stands that they have every birthday or important event, I've always had it there and I've loved it I mean, Casa Crute on Bermondsey Street I love that Burmesee Street's got loads of good spots yeah erm I mean I could probably go out there erm yeah too many far too many to mention but it's it's some gaff London though like you just you can't keep up with what's going it's you the things that I hear that are opening up I'm like I've always just heard about the last thing that apparently is now old news and like I really want to get to Dorian like I'd absolutely love to give that a go oh it was so sick was it yeah Yeah, I was obviously going.
1:32:43You went to Mountain? Yeah, went to Mountain, like early doors. Trying to think elsewhere else. Yeah, because what is it? You're right, like they opened that Impala place, which was the guy from Kiln. That's open, that's the new thing. And then already kids opened, which is David Carter. Yeah, it's mad. It's like this new fucking place. And that's what I say. I was like, with this, you know, I spent a lot of time in Lisbon because my mate lived over there. and i realized that actually you know i love food so i'll bang out try a new restaurant so i was like i couldn't do the podcast there because you'd run out of places pretty quickly so doing it in the uk or maybe new york there's just so much constantly happening changing that you can keep fresh conversations happening the um mate so that's mad so you've got the the backstory of your your creativity changed when you came here.
1:33:35What were you learning, mate, about, what did you hate about restaurants? What was your list of things we don't want to do that? I don't want to be one of them guys who just comes on and bashes. Not to bash, but it's like, I think, I think knowing what to avoid is sometimes better than what to strive for. I do look at some restaurants and like,
1:33:56some of them just do bad food. Yeah, of course. And that's where we're at. and I think how do you not the basic principle is having good food and I don't view it as rocket science to do something well the simple dishes that can be done well what people will be blown away by and like although price isn't king for me I will pay for a good meal the worst thing is when I pay for a meal that's not good and I'm like on the review landscape people are people are most angry when they feel like they've had money taken off them for a bad bad service or a bad product and that's my biggest gripe is when when I go somewhere and it's not up to scratch and I've and I've paid for it and I'm like what this isn't sort of at the medium level this is when you go to what you would be classed as like a fancy restaurant or a high class restaurant you're like what have I actually just paid for there like if one thing about us is you will not leave hungry like we you'll see you'll see later like we our portion sizes if anything are fucking too big but generous but I've been to some place where I've like I've laughed like paying 200 quid and I'm like what the fuck have I just eaten and have I eaten so but I don't want to go too much into what I don't like about restaurants no no no I don't mean I don't mean bashing I mean more like I think you know positioning is all over the positioning yourself is ultimately being against something so overly overly big menus yeah i don't think can i don't think you can do that many things well yes when you see like these and they're like three pages long i've done like how you can do all those things well is fucking beyond me like you can't so overwhelmingly big menus are a red flag for me um elaborate cocktails what what plus 20 quid per cocktail i'm like i'm getting spanked here.
1:36:00I think also like, with not having, we're good at what we do, you know, we cook over fire, but when people have, they're trying to have a little bit of this and a little bit of that, but nothing's done well. You're trying to hit every target market. So red flags, yeah, are overwhelming the big menus because you can't cook all that well, it's impossible. Expensive cocktail menus, what I don't understand, and with weird and wonderful concoctions that are just names on a fucking board and then like starters, mains and desserts I'm not like that's that's not the style of dining I like to eat there's nothing wrong with that but like it's I class that as sort of an old school dining experience and I prefer to just like have everything on the table at the same time that's just how I like to eat and like trying little bits of everything rather than just being like my meal is my meal type thing yeah it's not a right to eat man I mean, the argument I've heard is when, you know, people have got a dish and they want to enjoy the whole dish.
1:37:01And, you know, people are annoyed when other people... I'm not. I want... I get my dish. I'm a greedy fucker. I want some of his as well. I want some of yours. But if I'm going to a gaff, I want to try and try everything. I'm not getting... But also, mate, we've been... Everyone thinks the small plates things is a new concept. Chinese and curry, which we've been eating for years, is essentially a small plates concept. But the only person who didn't do that was my granddad, which was hilarious. He used to order a curry. Yeah, yeah. He'd be like, right, that's my boon. Exactly the same with an uncle, yeah.
1:37:33Yeah, yeah. And he'd get his old boon and go like, bang, on his plate. And we'd be like, mate, what are you doing? So we'd been doing the small plates concept. Yeah, yeah, yeah. In our culture of Chinese and... Yeah, they'd literally been doing it for years as well. We haven't invented small plates. and that was one of the things that here like I love eating in Spain like Spain's one of my favourite places to eat and going out to a restaurant at 10 o 'clock at night when everyone's just coming out to eat because they eat so much later yeah they do yeah it's bad and just like when you're hungry and like you've had a few beers and you just can sit down in like a mega alleyway just scrann it up just absolutely just scrann it for fucking hours and just ordering and then being out and ordering more and more as you wish and like it just being little tastes of everything.
1:38:21That's fucking magic. That's the best way to eat. That is my opinion, the best way to fucking eat. Yeah, it's also people shit on small plates but don't shit on tapas. Yeah, exactly. It's double standard, isn't it? You can guarantee those people who are shitting on small plates are going out and eating tapas Indian and Chinese restaurants and having different dishes. Yeah, exactly. Exactly. We're doing Chinese and Indians essentially tapas-style food. What would you say is the biggest scam in hospitality? The biggest scam?
1:38:51For me, I mean, for me. Fucking Food Awards, man. The Food Awards. The sketchy fucking Food Awards. Like such as? Well, I got invited. So we got invited to a Food Awards last year. And it was, can I say it and it be edited out because the **** Awards. and I got contacted like you've been nominated for this, this and this sorry this particular thing I was like oh cool, also you can nominate yourself for a couple of other categories if you like just fill out this form I was like alright that's cool so I filled out a couple of other categories which are like best newcomer I think we got asked to be like best newcomer sorry we were nominated for best newcomer and then I did best casual I did best casual restaurant because I thought that would be a similar field and then I think I did something about one of the chef category anyway I got an email about you've been nominated for two of the awards would you like to buy a table to come and support I was like okay yeah so this was like I viewed it as like this is our first big award it's like one of the big award shows in Manchester I was like yeah this would be pretty cool to win this so I was like and I was confident that we might be in with a chance because of the media coverage we've had and stuff so it was like how much is the table it was like fucking it was 200 pounds a fucking seat yeah and the table you had to buy a table of 10 but we were like so that's 2 grand yeah and obviously we've got there's 4 business partners so we've got quite a big family we had wives and girlfriends and people who wanted to come so it was like we needed 2 tables in the end which was like right do you know what we're inviting people out on the night and we'll cover the cost so it pays like 4 grand or something like that who were nominated for these fucking categories anyway after we paid it and stuff like that I managed to get to speak to the owner of the awards and I was like just out of interest like have you who came and who came and tried our restaurant and they was like oh no no one's bitten I said I'm so sorry what he's like yeah that's not how we vote he's like what do you mean that's not how you fucking vote like they had a panel of people obviously that hadn't been here that vote on they had a vote vote for you yeah they decide but then you look into some of the panel they link to some of the other gaffes and xyz yeah it was wild and it's like alright that's how it works so but from my understanding a lot of them work like that it's also what PR PR agency yeah like I think yeah the the award scope is the is the biggest scam and it's a scam on the restaurants part because you often have to cover your costs to go into these awards ceremonies and you have to pay for your staff to go and like you're paying for a table you pay for a meal you pay for a drink like all in all it's a night out and they've coaxed you into this night out to offer you in a while that fucking some of them you don't even fucking they've not even been to your fucking restaurant that's like a I think that's everyone's losing bar them situation yeah like did you win it no no we didn't we had a good night out fully enough where was it whereabouts was it was it like a black tide job yeah oh fucking full job mate yeah yeah was the food good room full of people was the food good what sorry man it was fucking shit yeah shit it was fucking 200 quid where was it full traffic yeah oh careful Cricket, man.
1:42:07What would you say the biggest scam is, mate, in hospitality? The biggest scam? I don't know, because, I mean, it's pretty hard to scam anyone now. Well, the thing that really fucks you off. I mean, proper gimmicky shit. You know what I mean? I can't... Yeah, gimmicks. Fucking smoking cocktails. Gimmicks on social media. Oh, whoa, whoa, we are a gimmick. Yeah. Yeah, I mean, there's not that much that fucks me off, to be fair. pass me in a wine glass yeah we've done that really yeah i've seen that it's it's hilarious that what were so i think what's fascinating about um uh i love cross-category learnings and i think djing so um djing and service are kind of similar from people i've spoken to in the sense you're trying to read a room, understand the energy, pick the next song or like, you know, offer the next dish.
1:43:10You know, there's a dance and an energy to it. Like, what are the lessons you took from DJing and understanding a room to putting on banging service here? I swear, some cunt left a comment on saying, I think it was Todd, he was like, Ryan was a DJ, like one of our first posts, like Ryan was a DJ in Manchester and some cunt wrote under it, like, I prefer all my chefs to be DJs. so I was like, you fucking wanker. I was like, but you like - Wait, so what did he say? He said, it was on the Todd video. Todd had done the video and like the video started with like, Ryan used to be a DJ in Manchester, but then some funny cunt has put underneath it, as I prefer all my chefs to be DJs over the other than chefs.
1:43:47And I was like, all right. And he's like, yeah, yeah, yeah. All right. Fucking fair enough. But I was like, but you, you, pleasing a room full of people, pleasing a room full of people is similar whether you deliver a musical food. Like you play to the audience, like we're picking dishes that the masses are going to like. Like you generally pick music that the room is going to love. It's about pleasing people on their night out. And yeah, like obviously they're not one and the same thing. Like there's a lot more skill in probably cooking a dish than there is in mixing a tune. But like learning how to sort of please a room full of people, whether it be feeding them or giving them music and stuff like that it's about being tuned into your research and knowing what's going to work and what's not going to work like you don't turn DJing without tunes that you know is going to work like we wouldn't put something on the menu that we know so would you research before a night before a DJ and you'd research what venue yeah like obviously when you way back when like obviously you'd be on the lookout for new tunes classics this and that and you'd be and you'd be blending things together like there's not much different than curating a menu you're mixing classics with twists and a bit of modernisation and finding things that work and what people love.
1:45:02But I think that's any product delivery. No, but it's interesting. So again, it links back to doing what you want to do, probably the artist piece versus giving people what they love. And I think out of our conversation today, that is an interesting tension. And the thing in the middle is ego. What Nick Finchuli said to me is he goes, I've got a rule which is one for me, one for you. So if he's playing a set, he'll play a song that he thinks is a banger that some people may love. Some people think, what the fuck is this? It might be a bit weird. And then to satiate the audience after that, he'll play something that everyone fucking knows.
1:45:36And it's just a surly banger. It's just like gets people going. I think that is something we're trying to learn to do is, you know, give people what they want, but then also ask the things that you need that are in here. Some people leave the arse and want to be educated and want to try stuff new. and then the majority of people turn up because they know they like something and they want to go and experience a variation of that or something that they love and they know what they're going to order and that's that. We do our research to make sure our delivery's there and then hopefully the customer loves it when they walk through the door.
1:46:07So how would you guys research before you create a menu? We're going to piss quite a lot. Yeah, quite a lot, yeah. So last year we had, I don't want to fucking sound dramatic, but a life-changing trip to San Sebastian where we ate our way around it like me Lee Jack and Dave Dave just walked in he's one of the other business partners we had a trip there didn't we like fucking and it was literally we didn't turn it into a turbo piss up like we actually ate around because they can sometimes get carried away if you get out of hand but even all everything we ate there nothing was complicated everything was simple and even then when you've seen that and that is class now as a food capital of Europe isn't it we were on the right tracks you know what I mean and obviously it we you know nothing like it was simple cooking but some simple cooking doing very well you know yeah yeah yeah honestly like we there wasn't a restaurant where because because it's san samsung a lot of them are rammed it is there is a lot of tourists there you can't get around that but even the quieter ones that you think do you know like normally if you'd be walking down a food alley and like there'd be a few quiet ones and a few busy ones you think there's a reason there quiet even if you called into like an empty one the standard would be so high on that street or in that town where did you go what place did you hit up for research in San Sebastian I'll give you the list after here remembering all the names the best one we went to was I can't remember the name of it it's down a little alleyway but we sat and had lunch outside we had the entire menu some of it twice we had we had four bottles of wine and it was 260 euros or something and we ate you know what i mean it's every single dish blew us away but we took we took things away doing that like going like the same thing in lisbon where you just go and eat yeah we were in lisbon literally a couple of weeks ago did you go to sal grosso in lisbon what's that one is that chicken gaff no no it's like just down this little side street it's so funny so the menu's on the wall and there's there's this old canadian couple sat on a two top there and they'd just been on like a not ferry like a fucking cruise and i was steaming and i was hanging from the night before and i was with my mate bricker who's a unit like we can put food away and the woman came around and i literally said i want one of everything and the woman goes to her husband she goes oh my fucking god these guys are fucking crazy and i was just like i don't give a fuck more and more food's coming and it's just like yeah yeah that is the best that to me For me it's happiness, man.
1:48:40It's stuff in your face, loads of cold beers, loads of cigs, moving from beers to red wine and then potentially like, to be honest, I wouldn't even like, I kind of go out now, but not really. It's even that's the same for us. Like we're going out, we're going for a scrap and then we're going to get carried away after. But it's, we'll probably stay in the gaffer as long as we can. Yeah, until the keeper's out. Until we get asked to leave. And that's how it goes for us now. What's the art of eating out from the other side as a consumer how do you think yeah yeah like what's if you go to a restaurant what's the best way to approach because I think that is an art I think by the time I get when I found somewhere that I want to go I've seen it a handful of times I've asked people about it and then by the time you get there you know you're that looking forward to it do you look at a menu before you go not really I wouldn't say a menu I look at someone's social media and go for it that way but I think some of the best restaurants like my well we went recently Bar Shrimp I fucking love that yeah Bar Shrimp that's what you recommended to the last one so that's the is it like a cocktail place yeah it's underneath it's this higher ground and they're a great gaff in itself but they've opened up a little bar they've got a DJ on there's a big counter yeah like cold seafood like oysters yeah seafood platters but then the small plates are banging as well and the cocktails are great yeah but yeah I love that I fucking love that gaff but I'm not like fucking like I I'll go for like we had we had to break down from a festival the other day and we went into like we'll go for tacos at like Macimeo like what's it called Pico's Pico's Tacos there Pico's Tacos like we'll just I eat casually like I don't I don't particularly like dress up to go out for a meal like I prefer to like go you know what rice and three yeah the three is that still five pound yes I've not been free I've probably not been since I opened the restaurant but I that's one that's in the northern quarters yeah this couple was too yeah I remember going there and it's just on the tin trays or the silver yeah mega absolutely fucking mega three curries for fiver yeah oh mate this and that this and that yeah yeah and there used to be one called Caban I can't remember it used to be the green one on the corner but I think it moved but I prefer just to be like open minded casually walking in somewhere I know it's going to be good or I've heard good things about it and even if it's not like I'm always going in with an open mind because some people go in with over expectations like I think if you if you egg something up in your head you're quite easily like easily disappointed aren't you so open minded dining and just casual dining for me is like the staple of me going out for something to eat like yeah mate I can't remember we're going to have to wrap this up because you're opening soon but what's final question then we can get on we'll eat your food which we can't fucking wait for man what's one truth you believe that most people disagree with you on
1:51:38timing is everything Dom timing is everything and you can't and this I think timing and luck timing and luck are pretty much the same thing like I think timing and luck are just different badges of the same meaning but and you can't you can not predict timing timing comes to you as you can't predict luck can you I believe you the harder you work the harder you get what are your thoughts on that yeah yeah it's like I remember it all saying like the more I practiced the better I got kind of thing but yeah in terms of look and timing like the timing of this place was everything like we can't deny that we've not had luck in the process like like you say you work hard enough you'll find yourself getting lucky at some point but you can't you can't predict the timing as you can't guarantee yourself luck but every now and again someone will come along who just hits the right timing or hits the right spot at the right time with the right idea and you know there's some restaurants that are like five years too early and they don't work and then you know such as not just as concepts for example oh god like there's been some like really mega sort of Pan-Asian-y type restaurants in Manchester but probably like maybe five years too late is Australasia still going?
1:52:57yeah it is yeah yeah yeah they're good friends of mine actually who operate that because that's been going well that was when I was at uni it's changed hands a few times but the principles are still the same the staples are still the same it's the one that's in the glass triangle yeah yeah yeah still downstairs we're staying by that yeah yeah but yeah like some things just I just miss the mark by a few years and like and it's sad to see my mate Jack Rubin runs Purdy and Fig which is the the spray yeah and you know we used to just it's mad like we used to just he was at uni in Nottingham we used to just get on the session and talk about business ideas but he's just a really amazing entrepreneur but But he, I remember going around London Fields with him in 2016, and he created this idea called Pinger, which was essentially what, it was getting people to come and deliver, say you wanted to go and get some toothpaste from the corner shop, someone could go in and get it for you and bring it to your home.
1:53:54That was five years too early. As soon as COVID happened, you get zap, now Deliveroo go into the co-op for you. And he said exactly the same thing. He goes, a lot of this is down to timing. He got lucky. So the timing didn't work for him then. He kept working hard, kept getting lucky. Bang, COVID happens. They're building all this fucking, you know, what was the stuff we almost put on their hands? Hand wash. Hand sanitizer. Sanitizer. So they built that business. Again, talked about killing your babies. They fucked that off. And they were like, this is a million pound business, but this is going to change soon.
1:54:27And they took all that knowledge and built a consumer facing brand. and now who'd have thought but people want that spray stuff in 2000 in the year 2000 my dad used to have an apartment in Manchester an apartment? yeah an apartment like just one of the first apartments that was built and well obviously I was young at the time but I used to go and stay with him on the weekend and to order a Chinese there used to be a thing called the buzzing butler in Manchester shout out the buzzing butler if you're still going the buzzing butler? the buzzing butler I used to ring him and he would go and get your takeaway so he had a menu and he would go and get your takeaway and put some money on it and bring it to your door.
1:55:01That was fucking 2000, man. 2001, that. So that was well in advance of delivery. The buzzing butler. Yeah, yeah, yeah, yeah, yeah. I mean, a lot of this stuff we've been doing for years. It's just timing. Timing and resource and finance. Did you raise money to open this? Yeah, so obviously there's four of us involved now. So, you know, we're all financial business partners. So we all put money in to raise the capital. Yeah, yeah, yeah. Yeah, amazing. What about you, mate? What's one truth you believe most people disagree with you on? I don't think most people would disagree, but I mean, it's probably the most obvious.
1:55:34You've got to have fun. You know, I've worked in gas for, you know, you do for your career and I've fucking hated that entire year. You know, it's a chef thing. You'll work a year here, learn as much as you can, fuck off, work somewhere else. But the, the core team I have, I've pretty much had from the beginning is because, you know, the food is taken seriously, but we have a good fucking time along the way. You know what I mean? You've got to. When you start getting caught up and it becomes this rule that, I mean, if you employ the right people, there shouldn't need to be that many rules. You know, you should be able to trust people to do the jobs and not get carried away.
1:56:14So I think, yeah, just enjoying it and having a good time. How do you have fun? How do you release the valve? Beers or is it? Beers, wine. Yeah, beers, wine. The banter. Nothing's, you know. We go out, like I said, we do go out to all four owners of this restaurant me, Jack, Lee and Dave go out at least once once or twice a month whether it be even if like we go down to Seoul House or just and have our meetings from there and then just have a night out after that just to break things up like if you just carry on just like hammering the seriousness and like just everything just becomes work, work, work, work and you forget why you did it in the first place I think you're just fucked you're fucked mate, mate, mate well I'm a lot of these questions I ask selfishly but I need a reminder of that the last couple of months has been like really serious trying to think about like what's the big vision of where we're taking this thing and it's just it hasn't been that enjoyable but that's why you know coming up Liverpool yesterday here today I might need to be I want to be saying I was saying to Rich this morning so I want to be doing free shoots a week because that's what to me is fun all this businessy bollocks around the side after a while it's like so I haven't done a shoot in basically for the whole of august because we were trying to sort out and i fucking ate it yeah yeah you know i want to be going out there and eating munch and just meeting sick people yeah fucking mate your g's thank you absolutely thank you so much i'm so much to try that it was so much fun sick thank you so so much for listening to the podcast i really really do appreciate it if you liked that episode only if you liked it please do give it five stars subscribe tell all your friends families foes next door but one cat dog whatever please tell everyone about this podcast it means the world to me and i really want to understand what your pain points are as the new wave of challenger food and drink brands please do hit me up on linkedin search dan pope and hopefully we can together create a more meaningful and powerful podcast for the next wave of challenger food and drink bands thank you so much
From the publisher
Café Continental founders Ryan Robinson and Lee Ferguson join Dan Pope to break down what it really takes to build a restaurant people actually want to return to.
From balancing creativity with brutal financial realities to going viral, working with food influencers and knowing when an idea simply isn’t working, Ryan and Lee share the principles behind one of Greater Manchester’s most exciting independent restaurants.
They get into why Michelin stars don’t guarantee a profitable business, the nightmare of serving brunch, why overly complicated menus are a red flag, the backlash against small plates, and how Ryan’s years as a DJ shaped the atmosphere and energy of Café Continental.
Plus: Manchester’s creative culture, the influence of San Sebastián, restaurant awards, social media, staying relevant without chasing trends, and why sometimes the smartest thing you can do is admit you got it wrong.
A proper conversation about food, hospitality, business, creativity — and having a good time while doing it.
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ON THE MENU
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00:00:00 Intro
00:00:55 Creativity Is Booming — Restaurants Are Closing
00:04:40 Why Café Continental Had To Feel Different
00:10:55 The Restaurant Strategy That Made Them Viral
00:16:40 Three Things That Keep Restaurants Booked
00:24:00 The Reality Of Food Influencers
00:29:00 Michelin Stars Don’t Make You Money
00:36:00 Why Breakfast Is A Nightmare
00:44:00 Customers Don’t Care About Your Process
00:51:00 Admit When Your Idea Isn’t Working
00:57:00 Manchester’s Next Creative Revolution
01:03:00 From DJ Booths To Restaurant Culture
01:10:00 What Levi’s Teaches Restaurants About Branding
01:17:00 Why They Bet On Stalybridge
01:24:00 Ryan’s Strange Route Into Hospitality
01:31:00 What Makes A Bad Restaurant?
01:36:00 Why Everyone Hates Small Plates
01:44:00 San Sebastián Changed Their Food Philosophy
01:50:00 Great Restaurants Need Great Timing
01:54:00 Don’t Forget To Have Fun
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