In short
Podcast Summary: My First Million Episode 475
Episode Title
Reed Duchscher: Inside Feastables, Night Media and Niche Creator Businesses
Episode Hosts
- Sam Parr - [Twitter](https://twitter.com/theSamParr)
- Shaan Puri - [Twitter](https://twitter.com/ShaanVP)
Guest
- Reed Duchscher - [Twitter](https://twitter.com/Reedjd)
- CEO of Night Media
- Manager of Mr. Beast
Episode Overview
In this episode, Sam Parr and Shaan Puri converse with Reed Duchscher about his agency, Night Media, and the evolving landscape of creator businesses. They delve into Reed's ventures, the competitive nature of the snack industry with Feastables, and the intricacies of managing creators in today's market.
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Key Discussions
(03:45) Are Talent Management Agencies Good or Bad Businesses?
- The challenges and financial viability of talent agencies.
- A comparison of talent management as either talent poor or talent rich.
(12:00) Night Media’s Org Structure
- Explanation of how Night Media operates, including its various divisions like Knight Capital and Knight Ventures.
- Discusses the evolution from a simple talent management agency to a more complex creator holding company.
(23:35) How Kick is Overtaking Twitch
- Analyzes the rise of Kick as a competitor to Twitch and the implications for the streaming landscape.
- Discussion of gambling ties to Kick and its controversial methods for attracting streamers.
(26:00) Finding CEOs for Creator Businesses
- Reed shares insights into how he finds and recruits CEOs for brands like Feastables.
- Importance of having executives with a vision to leverage creator influence effectively.
(28:50) Challenges in Creator Businesses
- Reed discusses the difficulties inherent in managing brands tied to creators, including market saturation and competition from established brands.
(29:50) The Success of Prime
- Discussing the case study of Logan Paul and KSI's Prime drink, highlighting how strategic partnerships and marketing can drive exponential growth.
(41:00) Future of Feastables
- Reed elaborates on the future of Feastables, discussing growth strategies including global expansion and marketing tactics.
(48:30) Favorite Creator Businesses
- Reed shares his favorite creator-led businesses, showcasing a range of successful ventures in both mainstream and niche markets.
(1:02:50) Reed’s Thoughts on Twitter vs. Threads
- Reed offers insights into the current performance of both Twitter and Threads in the creator economy.
(1:08:30) Would Reed Sell Night Media?
- Explores Reed's perspective on the potential sale of Night Media and the driving factors behind his commitment to the agency.
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Key Takeaways
- Creator Economy Growth: The creator economy is rapidly evolving, with new business opportunities emerging from innovative collaborations between creators and established brands.
- Impact of Ownership: Creators who have ownership stakes in their brands tend to promote them more energetically and authentically, resulting in more successful marketing efforts.
- Challenges with Competition: Companies like Feastables face stiff competition from giants like Hershey's, necessitating creative marketing strategies and strong management.
- Continuous Learning: The podcast emphasizes the importance of adapting and learning from the changing landscape of social media and consumer preferences.
Links and Resources
- [Night Media](https://www.night.co/)
- [Kick](https://kick.com/)
- [Feastables](https://feastables.com/)
- [Prime](https://drinkprime.com/)
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Additional Episodes You Might Enjoy
- #224 Rob Dyrdek - Insights on life lessons from tracking time.
- #209 Gary Vaynerchuk - Discussing the future of NFTs.
- #218 Why You Should Take a Think Week Like Bill Gates.
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This summary encapsulates the core discussions, insights, and takeaways from the episode while providing a structured overview that can help listeners and readers engage with the content effectively.
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Transcript
Automatic transcript. May contain errors.0:00We'll bleep out every mention because this is the Zero Clout podcast. Zero clout chasing podcast. and we have a no clout policy. We did not want to do that. Wait, but do we have to use his face on a thumbnail? No, we're going to blur it out. I think we have to put his face and then Reed's face next to it and blur out Reed's face and the thumbnail is like the man behind the scenes or something ridiculous.
0:34All right, what's up? We got Reed from Night Media. He's famous for managing a bunch of awesome YouTubers, including one huge YouTuber, probably the biggest YouTuber in the world. But you know what? Every interview is just people asking him about this other guy. I find that to be a little distasteful, a little disrespectful, and very much clout chasey. And I just, you know, me and Sam, we were texted this morning and we just said, you know what? He's coming on today. We're not saying. You can bleep that out. We're not saying that name. Let's just have a good conversation with this guy and not chase the clout, which is very hard.
1:13It's very hard to do because you know you get those clicks when you do it, but we're not going to do it. So that's this episode. We're going to talk to him about his agency, different creator businesses, so how creators are building these often multi-hundred million dollar businesses like Logan Paul's Prime and other businesses like that. So good, good conversation there. But we also have a second announcement. And the second announcement is that it is producer Ben's last day, last day producing an episode. This is it. This is your, your Michael Jordan shot against the jazz. Will there be a wizard's comeback?
1:47I don't know, but this might be your walk off. All right, here's the rules. You can't say anything about next chapter or adventure. I don't want to hear that. And you can't generically say you learned so much. If you say you learned so much, you better tell us exactly what you learned. Those are the rules for this speech. Okay, great. So the next thing for me is basically focusing on how to take over the world, getting the podcast as big as possible. Speaking of like things I learned when I was here, I think people talk a lot about focus, right? And focus is maybe easier when things are not going well, because if focus is about saying no, the world is like saying no to you.
2:29But when things start going well, all of a sudden the world is like saying yes to you. you have all these opportunities, right? And so that was, I think, one of the things that happened to me early on when I came on My First Million. All these people were like, oh, Ben Wilson, the new hot thing. Do you want to try this? Do you want to do this? What about YouTube? We should make some shorts. You want to do TikTok? And I was like, yes, yes, yes, yes, yes. I want to do all these things, right? And so I had all these kind of half-finished projects that ended up not going anywhere because I was maybe a little too dispersed in my attention.
2:58So now it's like, no, no, no. Just let's get the podcast to be one of the best podcasts in the world. That's all I'm focusing on for the next year and then we'll see what happens after that there's nothing better quitting your job when you have twins let alone even one baby what kind of responsible mormon are you what kind of decision was this reckless at best well i mean it's it's not like i'm starting from zero right it's not like i have an idea for a podcast luckily uh you guys have um put me in a position where the podcast is doing pretty well right now. So even if I have a bad year and it doesn't grow that much, I'll be fine.
3:37And if it goes really well, then things will be great. So it's a little bit of a risk, but not an existential risk. And do you have, I don't know, a message to the fans? How do you want to leave us here? Where do you want to go with this? So obviously the first message is go follow How to Take Over the World wherever you get your podcasts. You'll love it. I guess the most important thing is thank you guys. my life changed uh however a year and a half ago when uh when you guys brought me on the show and i called it the ride of a lifetime but really like i didn't know if i would be able to make a living as a creator before you guys brought me on here now now i know that i can do that at least in some capacity and so my life has completely changed so so thank you this has been amazing and i've loved doing it and uh to everyone who has like supported me been such a fan cheered for me on the podcast.
4:28Thank you to you guys, to you listeners as well. It's meant a ton and I've loved it. So I guess that's the last thing. I'm just very, very grateful for this opportunity I've had. The reason I didn't celebrate you leaving because I'm like, you're not really going anywhere. You'll be around. You're just going to be unemployed for a little while and hopefully it works out, but I'm sure it will be and I'm happy you came in our lives. It's fun having you around. We're hiring for a producer, by the way. Speaking of, we uh we sort of need a producer now
4:59yeah uh so we're using one of uh sean's filipino assistants for a little while but i don't know if that's gonna work out uh but my mom is trying to download audacity this morning so we'll see what we can do yeah so we need a producer but yeah ben uh we love you and thank you for everything you did. You were mostly decent at a handful of things. I was like, this was the ride of a year and a half. I gotta tell you. Yeah. It was a leisure walk, but it was fine enough. No, Ben, you're amazing. I still listen to all the pods, so that's how I know that it's a good podcast. Yeah, I'm glad you're doing this because we need more episodes.
5:45I've listened to all the episodes. I just need more episodes, so this is good. I'm glad you're doing this. Thank you so much for everything that you've done. You've brought a lot of, I don't know, good support and good energy to what we do. We make it very easy for me and Sam because we just get to show up, perform, and then not think about it after. As soon as we hit done, me and Sam don't really have to think about anything. That's because of you and a bunch of other people behind the scenes. Thanks for everything you've done, man. We will all go in solidarity. The gentleman's agreement today, you don't subscribe to us.
6:16You go subscribe to How to Take Over the World. Fantastic podcast. It basically talks about great conquerors and people who achieved greatness and great things. Ben goes and reads 50 books and then just summarizes it into one awesome podcast story, one hour, so you don't have to go read all those books and you get the story from him. It's an amazing pod. Go subscribe. Thanks, Ben. Talk soon. We're live now. I went and listened to a bunch of your interviews. I did the... I forget the guy's name. I like him a lot. The Financial YouTuber in Vegas. And then I watched... Graham Stephan. Yeah, Graham Stephan.
6:52And then I watched Samir and Colin. And then a few others that you did, including your channel. And I was like, Sean, what if we just don't say the word the whole time? Because he's great. But I know. I've learned a bit about it. Let's just not mention it once. It's a bad business decision. Not going to get the views. You're not going to get the clicks. You're not going to get all that stuff. But I don't really care. In fact, actually, it's a great business decision to not be chasing the algorithm. So I say we just talk about whatever is actually interesting. I think it might be no bleep. So yeah, I think we might be able to go the whole episode without it.
7:34Let's try. It's only up to you guys. The Colin and Samir videos took off. I think we'd expected it to do well. I don't think I expected it to get whatever it's on, 4.7 million views. But yeah. You're like, who's counting? Accurate as of today, but who's counting? Is it accurate? Yeah, that's pretty much the exact number. How do you describe yourself? You're the founder of Knight Media, but Knight Media has a studio division. You have Knight Capital, I believe. You have... I mean, Knight Media in itself, it's fairly simple. It's just like an endeavor or one of these other agencies, but it's a different genre.
8:12But how do you describe what you do? Yeah, we've started to call ourselves a creator holding company. So at the center of the business, we represent talent. And that's been consistent since I started the business in 2015. But we built out these other verticals now, which you mentioned. We have a venture studio, which has created things like Feastables. We have a studio, which is making shows on streaming services. we have a venture capital fund which is called night ventures it's 20 million dollar fund and then we announced night capital which is 100 million dollar growth fee goal um so for us it's like a platformized creator holding company and yeah it's i think early on it was much easier to just say i'm a talent manager now it's it's a little more confusing when i'm like you know i can be entrepreneurial i can be an investor i'm also talent manager so i kind of play in a lot of different spaces i think it's great because talent manager seems to be a horrible business from what I can tell.
9:05I've met a few talent managers and basically you're either talent poor, in which case your business sucks, or you get talent rich, but then your business is always hanging on a thread of this one whale or two whale relationship. And even then, you might create a lot of value, but the value capture is fairly small compared to what you're doing now where you got this investing vehicle and you got all these other components. you said studio making shows for streaming what have you guys made have you guys made anything that's come out we did a lot of stuff early on with youtube originals and that was kind of the emphasis of like why we wanted to get into it because netflix and hbo and and hulu and all these places starting ask started to ask us to make shows with them and so you know creator games and some of the other things that we did with youtube originals led us into what we're developing now which i don't know if i can technically say anything about what's coming out um i'll just say there's cameras around constantly as well.
10:05But yeah, we have a few things within scripted, one within non-scripted, and then working on a few different docu-mentary type things right now. So we'll have, I think, a pretty decent slate by next year. We'll see how the writer's strike and everything plays itself out. I think that one's been a little interesting for us to get used to. But yeah, we'll have a bunch of different things coming out in, what is it, summer of 2023? So sometime in early 2024. Is the agency business, Sean, he was joking, but he's being serious in that it's a bad business. Is that actually a bad business? Because when I would like...
10:41I mean, I'm totally outside of Hollywood. When I see Ari Emanuel, I'm like, it looks like his personal cash flow was pretty decent on the rise versus a lot of startups. You're in poverty until you have some type of a liquid event. It seems like you guys have some type of... Well, let's explain the structure. right so so what is the what is the structure of a talent talent agency so uh first you basically you you recruit talent you say okay you're uh i'm gonna help you with the business side of your operations or get you brand deals or get you things that you that you want now in the world of youtube are those exclusive or non-exclusive like for example for an nba player their manager their agent is their exclusive representative or they could fire them but like no you can't have multiple people bringing them deals it all has to go through that person they get a cut of everything So is it usually exclusive or non-exclusive when it comes to YouTube?
11:31I think it depends on the type of management company. We've always kind of sat on the fence of exclusive. And I think the interesting thing about talent management businesses is they generate a lot of cash. And so most of the management companies that you look at that have actually started to create things, like when you look at just the big, let's just look at the big Hollywood agencies, like Three Arts, Entertainment 360, Brillstein, and the ones that have built some of the, and launched some of the biggest shows, like It's Always Sunny and Friends and Seinfeld and some of these things that they have backend on that they will just have backend and perpetuity on, which those things are ending.
12:06But those businesses generate a lot of cash. I think the thing that they've struggled with is like, how do you build something much bigger than just this cash generating management company? And so when I started Knight, the management company was really like the wedge of access into everything else. And that's really how I looked. is like, if you could represent the biggest, start with digital creators, because me, like starting this business by myself outside of the Hollywood system was very hard to say, I'm going to go sign an actor, actress, musician, because that is very much dominated by the Hollywood sphere.
12:38And so I knew that it would be much easier for me to build a wedge in digital and go represent, you know, I started with Dude Perfect in 2013, but go represent digital creators, build that wedge, and then use that as the access point to either continue building a bigger management company and other verticals or to go build something within a venture studio, have a venture capital firm. The management company gives you access to everything else. And that's how I saw this in 2015. And I think that the managers that realize that, and there's some really good ones that have realized that, Mapp Carter, I think, realized that pretty early on.
13:11The management business is the means to the end to build uninterrupted and some of the other things that he's doing with LeBron. I think Scooter's probably the best example of what Ithaca became off the management company. And so that's really how we've thought about it. Management is the core of our business, but it really allows us to have a wedge that gets us into everything else. So that kind of proves the point, right? If a business has to be a means to an end, it's probably in itself not the best business to stay at. You mentioned a couple of those. Those sound like pretty cool businesses.
13:47So Maverick Carter is LeBron's longtime friend. I think high school, I think he's, is he one of part of the high school crew for LeBron or did he come a little later? I think one of them came later. I think he was, I don't know the full story. I think Rich Paul was, was came, came later after high school. I think Matt was actually a high school friend and became his manager and they went on to, you know, now have a production company and a few other things. It seems like one of the few times that would work out well, by the way, like your high school buddy, like taking the reins. So good for them.
14:18And so they have a company that does basically production and maybe investing because I think they own a bunch of pizza chains and other things like that. So they do investing. They do production. You mentioned Scooter Braun and his business. And so what is his business? That sounds like that might be a fantastic business. What is it? Well, it started off, I mean, everyone knows the story probably that he met Justin or found Justin on YouTube when he was really young, reached out, you know, the rest is kind of history there. But he ended up building a music management company that was really like, I think that the cash cow of that business was more touring, right?
14:56With Ariana Grande, Justin Bieber, some of the other people. And then he sold it to Hive about, I want to say a year ago or 18 months ago. And they started either buying other management companies, they're buying music catalogs. They're doing a lot of different things right now. Um, and he, he, he did build quite a few things with some of the talent. I know Justin and him built, I can't remember what the clothing business is. And there were some other like auxiliary businesses that came out of Ithaca. Uh, and they also did a lot of investing, a lot of venture investing. Uh, and so I, so he sold it for a billion dollars.
15:25Yeah. He sold, he sold his, uh, media company, Ithaca holdings, um, to, to Hybe for 1 billion. And I think that's because it had those kind of like, like you said, like royal royalties on the music itself, not just the touring, which might stop tomorrow and who knows what happens. In the YouTube world, there's no royalties structure, correct? If you're a talent manager for Twitch creators or for YouTubers, you get a cut of these brand deals, 10%, 15%, whatever it is, but there's no royalties. You have to build other IP to get the royalties, right? Yeah, there's also no back-end deals. Like I said earlier, where Brillstein or some managers company in Hollywood maybe helped launch It's Always Sunny and now they have these like residual checks coming in every single month or every single year.
16:14That also doesn't exist in the digital space. And so we had to figure out like what that packaging business was for us. And we ultimately landed on, we think it's business building. Like we think some of the biggest outcomes for celebrities over the last decade have been through products, right? Beats by Dre, probably the best example of something. I mean, like Vitamin Water was another one where it's like athletes and different people had equity in those businesses. So we think our packaging business is essentially this business building, which we call Knight Labs, which a lot of different things have come out of now.
16:46But yeah, the management company has then allowed us to build these businesses with creators where we take equity. And we think that business is much more interesting long-term than just continuing to stack a management business, which some of these companies do very well. And there are 30, 40, 50 million EBITDA businesses a year. I think they're now trying to figure out like what what do we either build on top of this big cash generating business? Or do we just keep doing it because the partners every single year are making three four five million dollars a year? Do you of your of just the night night media night studios of your holy own thing?
17:23How many staff do you have at the moment? I believe we're just over 60. So 63 full time within the night ecosystem right now. And some of the teams are relatively lean. I would say our ventures team is lean. It's like three people. Our studio team is still, and that's like our venture studio is relatively lean with about six. And the majority of the company is talent managers and then individual like pod systems where a talent manager will have a junior manager, multiple coordinators, maybe an assistant under that pod. And then that pod will represent anywhere between, I would say, five to seven creators on average.
17:58And are you managing someone as well as running the 60-person operation? I just managed ****. That happened about two to three years ago where I was like, this is taking up way too much of my time. And also, it's also the best use of my time. And this was really like when we had started ****. Feastables was an idea. We were... I was helping him produce creator games. There was just a lot going on while he was also growing, doing multi-language, all these other things. um and so that's when i like fully just like kind of rededicated my time to everything that was going on on his end so you're able to get you know your cut from managing him as well as from owning the 60 person company um yeah so so in that regard it seems like things are pretty good uh even though you want to go bigger management company so yeah things i think are always a little hectic and you know i'm i'm most of my focus right now is on feastables i think you guys of, you know, I'm sure you've seen the chocolate bars.
18:59That to us is like, and I are probably focusing the majority of our energy on that business right now, just because it's growing so quickly. And, you know, we just launched in the UK, we have other global launches that we want to do this year, and it's just building into 2024. And so I knew this would eventually happen where you represent a creator and then the business that you're starting becomes the big opportunity that you really want to chase. And we think Feastables is really turning into that. And so I've directed a lot of my energy toward that business. And it's slowly consuming my life at the moment.
19:33Before you started Night Media, what interested you? Where were you going to start instead of that? Well, I grew up watching Jerry Maguire, probably like everyone else. And so I wanted to be a sports agent. I wanted to represent Rod Tidwell. I wanted to be that bigger than life agent representing an NFL football player. And so that's what I wanted to do. And I knew that because I played football in college and freshman year of college, I realized that guys are built different. I, one, couldn't run a 4-3. I wasn't 225-pound wide receiver. That was 5 or 6-5. And so I knew playing in the NFL was going to be very, very difficult.
20:11Just seeing the level of high school to Division I football that I was at. And so I started seeing that a lot of the players that I was playing with were going to the NFL. Some of them were getting drafted. some of them were going to have like NFL careers that lasted 10 years and so I positioned myself to to be a representative for those players and that's really what I wanted to do and then stumbled upon YouTube in 2013 and kind of just became obsessed with it and in college I didn't watch YouTube like I was so focused on football didn't really watch anything on the internet and that changed the trajectory of my whole career.
20:48I saw this t-shirt on Instagram yesterday it said creatives are the new athletes and somebody was wearing that and uh i thought to myself that's kind of a lame t-shirt but i see where they're coming from uh you know i i get what they're saying you know the i don't know if you've seen sam these uh these deals that creators are from twitch are signing with kick what's what's like i heard you talk about it what is it it's just a twitch alternative so kick is basically a twitch alternative but the kind of the interesting part is it started by this gambling company, Steak. So we've talked about Steak before, remember?
21:23It's this company that just absolutely prints cash, and one of the main ways, the main way that Steak was growing, or one of the best growth mechanisms, was they would pay streamers or give streamers money to gamble on Steak live on stream. And so people got to see... Didn't they give Drake like a jet? Yeah, they gave Drake like$20 million and whatever. But the issue was you couldn't do it in America, right? So So a lot of the streamers and they would have to go to Mexico or Canada. And it's still very much like that. You can't do it in America. Yeah. You got to get on a boat, go to international waters and start your stream.
21:57Basically. Yeah. And a lot of the guys were doing this in Mexico. And so now kick basically came in. They started kick is like a distribution, like top of funnel on top of this gambling business, which who knows if it's going to be legal in the U S in two to three years, they actually have stake dot U S. that you can play in America. It's just a lot of the games that you have on stake.com are not there. But yeah, a lot of controversy on this topic because Twitch banned it. And that's why Kickstarter it is because Twitch banned all gambling on their website. It's like there's these stories sometimes in business where it's like, like I have a buddy who's like this.
22:36The guys who bought Milk Road, they own, one of them started this thing called JM Bullion, which is like a gold. It's the biggest website for buying and selling gold online. And I was like, how'd you do it? What's the origin story? And he's telling me the origin story. And really when he started, he was just trying to be a lead gen for like somebody else would fulfill the orders. He didn't have any gold inventory. He wasn't shipping anything. He was like, dude, I'm an affiliate marketer. I just, I get the lead from Google. Somebody places the order. I go tell the company who actually does this thing to go sell it, to go send it to them.
23:10and what happened was that they were kind of yanking him around, changing the rates and eventually they just cut him off. He's like, oh my God, they just killed my business. They don't want my customers? What do I do? He's like, well, either I take this zero or I create the whole supply chain myself. I basically go, I get the physical inventory, I get the warehouses, and we start shipping this ourselves. That's what they did. They ended up becoming bigger than the other company and I think they bought them along the way. They bought that other company that had rejected them and went on to become the number one site for this.
23:42And it's kind of the same thing that you're talking about here with Kik was using Twitch as a distribution platform. And then when it didn't work, they're like, all right, we'll have to make our own Twitch, which is kind of like a huge endeavor. But what they're doing is they're giving streamers these contracts that I kicked the tires on this to figure out if it was real because they gave XQC, who's one of the top Twitch streamers, a reported two-year$100 million contract. What? So that means that this guy's making more than LeBron James playing for the Lakers this year. Like per year, that would be the deal.
24:15And same thing. And crazier than that is that he doesn't have to stop streaming on Twitch. He can still stream on Twitch, right? And so when you first hear this, this sounds crazy. It's like you signed a non-exclusive$100 million deal for some kid in his bedroom playing video games. That sounds insane. And then they did that with a bunch of other streamers. So a bunch of other streamers are also making$10 million,$20 million,$30 million a year to stream on Kik right now. And the big question is, will this strategy work? Will Kik become a thing? Will it just die? Will this stake a bunch of customers?
24:48How new is the website? Because Kik.com, according to SimilarWeb, has like 150 million monthly uniques already. Yeah. So this has been going for how long? Like six to eight months, maybe? Yeah. Like within this year, basically, they've been doing this. How did they get that much traffic that fast? I mean, that's one of the faster growing websites out there. Yeah. So what happened here was two Twitch streamers that when they banned gambling, couldn't stream on Twitch anymore because their brands were essentially built around stake, which one was Trainwrecks, who had a really loyal following on Twitch.
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25:21And then they also then signed Aiden second. And so Trainwrecks and Aiden started streaming on kick, which drove a lot of people over to that website. And then the XQC, uh, the mid, like every, everyone else that they started signing was just driving more and more traffic. And it started to just become a thing of like anti Twitch go to kick. They'll also, the one thing to point out is ad revenue on Twitch. Uh, if you're, if you're a partner on Twitch used to be 70, 30, they brought it down to 50, 50, which sparked outrage on the internet. And then kick came out and said, we're going to do 90, 10 for everyone.
25:53It doesn't matter if you're a partner or not, We're going to lose an incredible amount of money on the content business and just make sure that stake.com remains like the cash cow. And so that's the big thing that they have against Twitch is they don't really care if they have a profitable streaming business or not. But how'd they finance this entire thing? I thought, Sean, that we had talked about these guys. Wasn't the founder of Stake... Is it like a 28? Back then, I think we're talking about a year ago. It was like a 26-year-old guy who bought a$50 million mansion in Australia. Is it still like a bunch of young guys doing this without financing?
26:28I mean, not without financing. The financing is stakes. I mean, outside financing. It had like an$800 million dividend last year. What? That business is just ultra, ultra profitable. And so their competitive advantage is basically that they're like Reid said, their business model is not ads on kick or subscription cut. It's can we funnel these users to come gamble in our casino? And we have a casino. Twitch doesn't have a casino. That's the bet that they're making. The other thing that I, cause I tweeted this out. I was like, I said, this thing is fishy. I said, they're paying XUC a hundred million dollars for two years of non-exclusive streaming.
27:06Are they a lying B is this like incentive based or some like tiered, like, you know, some, some like stock deal they're inflating the value of the stock or something like that to make the number set, the headline number sound really big. Are they just laundering money? Is Is that what this is? Like, what is going on here? And basically it was, here's the, here's what the, the, the answer was. Basically it's a combination of cash and equity. So their equity part might go to zero. So that, that part of the deal might, might go to zero. Um, or it has incentives where it's like, it's based on the number of customers you bring over.
27:39Um, and the second part is that the non-exclusive part is basically so that he could just like funnel traffic from Twitch to kick. so if he just turned off like this is like a big deal like when microsoft poached ninja from twitch he had to stop streaming on twitch that day and like go stream on this other platform and so most people on twitch were just like kind of like out of sight out of mind yeah some people followed him over there to check it out but like ultimately their habit was still built on twitch what these guys are doing is different he streams on twitch and he says all right i'm gonna finish my stream or i'm gonna like play the big game over on kick and then he just like it's like a call to action It just funnels a bunch of traffic over, over and over.
28:19When I was at Twitch, we did the same thing when we were losing foothold in one market in Brazil. We acquired this huge YouTube streamer. And I was like, and it was an exclusive deal. But he started streaming on YouTube while he was streaming on Twitch. And at first, people in the company were like, yo, what the hell, man? You just spent all this money, millions of dollars signing this streamer. And he's still streaming on YouTube over there for free. Like, what's the deal? And I was like, actually, wait, this is probably excellent because all we have to do is just get him to like block part of the screen or like end his like do a cliffhanger and be like, I'm finishing this over at Twitch.
28:57And he'll just keep bringing traffic over. And that's what he did. We just basically let him violate his deal because we realized actually he was smarter than us. That was a better funnel for us than than an exclusive deal would have been. That's insane. Reed, what these I imagine you've talked to these, you know, these state guys well. Is this like a Sam Bankman-Fried type of company or an FTX company where there's a bunch of crazy young kids? Or is this like a dialed-in thing? What are these guys like? I don't know them well enough, honestly, to know if it's going to become a problem. I would say that from my conversations with them, they seem like they have this thing under control.
29:30It's generating a lot of cash. FTX thing, the company wasn't generating any cash when Bitcoin went down. It just completely fell apart. I don't mean is it a scam, But I mean, young people just being wild. Imagine a 27-year-old making$800 million dividend, just like a wild child type of setup. I haven't seen that from them. But it seems like they're a little bit more laid back in Australia, don't really communicate with a lot of people. So I haven't seen that behavior. I mean, that could change. And I know way too much about the deal structures and everything else and how this stuff works. but I would, I'm pretty confident in Kik over at least the next couple of years.
30:14We'll see where this goes. If they continue to want to do that business, I would imagine stake is going to just continue to get so big that maybe Kik eventually becomes a distraction. I don't know. Um, but I, I would say they'll double down on stake.us over the next like 18 months as, as like states open up and allow them to start doing this. That's insane. There was also a secondary business called Rubet as well. That was essentially the stake.com competitor. I'm not 100 % sure what happened to Rubet, but it's still around. And so there is other businesses like Stake. Stake just completely won because they were able to sign the biggest creators like Train.
30:49They signed Drake, which you guys said. At the moment, it's a runaway train. They're taking all the market share. In one of your other podcasts, you'd mentioned how you're like, well, a lot of creators, they think, well, I have an audience. I'm going to launch this product. And you're like, well, that can work for a couple months. But if you do a good job, this turns into a proper company. And the real challenge, you were saying, the real challenge that I'm in is finding amazing executives to actually run the companies and build these into real companies. You said for Feastables, I think you said you had the president of RxBar to come and be the CEO for the burger business or the restaurant business.
31:26You partnered with someone and you also, it sounds like, had a president or a CEO of that company. What type of deals are you striking with some of these CEOs to make it worth their while to do this? Yeah, thankfully, a lot of them realize the opportunity. When they come into these businesses, they know that there's an unfair advantage in go-to-market because the creator has hopefully built this massive platform already that gives them instant distribution and just consumers. And so a lot of the people that we interview for CEOs are actually incredibly excited about the opportunity and are willing to leave their big job at PepsiCo or wherever that is.
32:00And so how the deals are really structured is very similar to any other business. You have a cash basis that you're paying them. And then you also negotiate some piece of equity over a four-year vesting schedule. And so we've had a lot of success doing that. But for the most part, we usually don't have to explain the competitive advantage to the business. When we start meeting these individuals, they already know. They've seen it. They saw it with Prime. They're seeing with Feastables. They've seen it with Happy Dad. A lot of the individuals that we're interviewing already know. And so it makes it a little bit easier for us to get them to leave that specific job.
32:35But it's structured very similar to what a CEO would potentially make if they came in and ran a startup. And are you funding the company with a bit? We fund up to a certain amount. What's that amount usually? It honestly depends on the business. I would say it falls anywhere between the$250 on the low end,$1 million on the high end. So Feastables, that started with just a million bucks, you think? Yeah. The big issue with Feastables was, and this is the issue we're now having with some of our consumer products is retailers instead of... So if you started a chips business or whatever, and you didn't have a creator attached to it or anyone attached to it that gave you an unfair advantage on go-to-market, you would go to a retailer and they would say, we want to test you in 100 stores or we want to test you in 200 stores and from a cost perspective to to fund the po wouldn't be that like it wouldn't put that much strain on the business the issue that we had with feastables was walmart was willing to put us in all 2650 store or 4 650 stores um right when we launched and so that's becoming the issue with some of these businesses is that how do you fund the PO of six, seven,$8 million right out of the gate to meet that retail demand?
33:52And so that's the one that we've had to either raise capital, go beg a bank to give us the money as like a PO loan. And so that's kind of the issue that we've run into. And even with Feastables, we raised a small amount of capital and it was really just to fund the 4 million chocolate bars that we ended up selling in season one that sold out in, I think it was 45 days. That was the biggest cash constraint to the business. Let's talk a little bit about Prime. So Prime seems to be just taking over. Really, really impressive. I don't know how much we've talked about it on here before, but can you just explain what's going on with Prime in a way that would, for somebody who's kind of out of the loop, maybe vaguely heard of it, but doesn't really truly appreciate the extent it's what it's doing?
34:43Yeah. So if you don't know what Prime is, Prime is a hydration drink that was started by Logan Paul, who many people are probably familiar with, and then KSI, who is based out of the UK, but I would say the most popular creator to ever come out of that region. And so they very notably boxed against each other multiple times. They were enemies. And the story was that I'm coming together to start this business. And the company that they partnered with actually made an energy drink called Alani Nu. That's actually, I mean, you see it next to Prime. I think in every grocery store, retail chain I go into, it's like Prime sits here, Alani Nu sits right next to it.
35:18And so the founders of Alani Nu basically created this drink that they had called Prime and Logan Paul and KSI came in. Really is just the marketing edge and they don't do anything operationally for the business. They really just market it. And it became like a clout piece to hold a bottle of Prime. Like now these 10, 12, 13-year-old kids have to have it. They have to drink it. And we've seen some of the, I mean, I saw an article about people saying the FDA needs to go regulate this business because it has too much caffeine in the energy drink. And so now there's just a lot of stuff going on about the company, but it's grown an incredible amount.
35:53I think, I can't remember what Logan said on one of his podcasts, but I think they did $45 million in revenue in January of this year. And that was the last thing that I'd seen them say publicly about the business. I think he said, if I remember correctly, Sean, we talked about it. It might've been six months ago. I think he said like$200 million for the year. Is that right? Yeah, that's one number we had heard. But$45 million obviously would put them on a totally different trajectory than that. So yeah, it appears to be just an absolute monster. um how did who's the who's logan paul's manager who's who's his name's jeff he's he's on the podcast he's been his same manager for a long time uh logan talks about him quite a bit and so if you if you watch some of logan's older videos too he would periodically show up and so they've been together for a long time and jeff put together that deal and it's been incredibly successful we'll see how it ends up i i don't know i would imagine they're going to want to continue to do this thing for another couple of years and then probably sell it.
36:52And those guys who created the drink, you said they created Alani Nu, but that wasn't that big. I remember when Prime first came out, I was like, who are these guys? And I think it's two dudes, right? Who are the founders of that? And they didn't really have a huge hit before that. How did they even secure that deal? And why did they partner with them over some more established thing? Do you know? I honestly don't know. I've never had that conversation with Jeff of why partner with this company instead of doing it yourself. I would imagine what happened was this company presented them with the opportunity.
37:29And it was something that really resonated with Logan. And then I remember the story of him saying he called KSI and tried to get him on board, which he did. And so it probably was just right place, right time. Logan was ready to lean into something else. And Logan's had a lot of different business ventures over the last five years. I mean, this one obviously is far beyond the most successful. But again, I would imagine right place, right time. They liked the product, got along with the individuals who were operating the business. And the partnering with KSI, were they just actually friends the whole time?
38:03And the whole boxing thing was just a sort of frenemies thing? Because that's kind of a genius move, right? You kind of have to give credit to be like, you know what will make this even bigger? Because normally, let's say you're one of the biggest YouTubers. those people tend to have like a bit of an ego. I am distribution. I don't need anybody else to do this. I don't need to split the pie, especially with my enemy. So that's kind of interesting. Well, what's going on there? No, totally. No, they did not like each other. The boxing beef was real. They were definitely enemies. And from my understanding of the story, and I've only heard Logan's side of this.
38:38I haven't heard KSI speak about it. It took a lot of convincing for Logan to get KSI on board because there was still a lot of animosity between the relationship there. I mean, a lot of stuff was said. A lot of personal things were said about girlfriends and parents. And I mean, it was a very personal beef that went on in this YouTube space for a while. And so I think that's why it was so surprising when those two came together to launch Prime because it was the last two individuals you would have ever thought to partner together on a hydration drink. He said my Pokemon was a PSA 8. It was, it got ugly.
39:11Yeah. Yeah. But now it's like, for us, it's been helpful because, you know, we, they launched in Australia and it went incredibly well for them. They launched in the UK. It went very well. And so Feastable is like, we're probably six to eight months behind because they, you know, had a product and launched a lot sooner than we did. But it's allowed us to then go into those conversations in Australia, UK, Southeast Asia, where the retailers have already had massive success with Prime, where it's a much easier conversation for us to explain to them why they should take Feastables. where I think if we were the first ones coming into the industry, like into Woolies in Australia, probably a little harder conversation pre-Prime.
39:52That Prime seems like an amazing category. To me, the drink, the hydration drink, water basically, like fancy water is a better category than chocolate bars. How do you think about categories that you're going to go into? Do you think that's a better category? And also, how do you choose what category do you have to go into? You could basically promote anything. dude when we we we did the thing with sean organized this thing and he brought a bunch of festivals i ate about eight of those things in one night i was i felt horrible the next day i did eat dinner i just ate all this chocolate so at least for that night it felt like a good category yeah well okay so i have to back up just explain how this all started and so you know this started with i you know in a parking lot kind of brainstorming ideas while he was it was in between him filming this video that never got posted like most videos that like just got filmed and never people never saw it but anyway we we came up with this idea where we wanted to launch a snacks company and we wanted to build this content idea around launching the snacks company and chocolate bars to us felt like the right category for a couple reasons like one is it's a massive business like it's a 26 billion dollar industry it's it's very holiday seasonal dependent which which if you're a parent going into a store for Halloween or for Easter or something like that, it's like Hershey's is sitting here and Feastables is sitting here and you have a 8, 9, 10, 12-year-old son daughter, it's a no-brainer.
41:22You're going to buy the Feastables chocolate. And so that was one reason. Another thing is the 50th anniversary of Willy Wonka was in 2021. And so the initial idea was let's put golden tickets in chocolate bars and sell that and give away a chocolate factory, which became just a thing in itself of, you know, buying a warehouse and turning into a chocolate factory was no easy feat. Um, but that, that really kind of sparked the conversation of, okay, well, if we're going to build this on this chocolate factory giveaway with a chocolate bar, um, what are the other categories that we can eventually go into the cookie really came because, you know, had this joke on his channel and it's been since the beginning is you guys see it in the banner.
42:03It's like subscribe and I'll give you a cookie. And so we, we wanted to venture into cookies next. It's not, I would say, as big of a focus for us as chocolate. I think we're really trying to build out seasonality in chocolate. We're trying to multi-pack in chocolate. I don't think people truly understand how big Hershey's actually is and how dominant they are in the space. They truly dominate chocolate because they also own Reese's, which is like, if you walk into Chocolate Island, Walmart, Target, Kroger, wherever, you see a giant wall of orange and a giant wall of bread. It's like you very clearly, those two businesses or those two brands dominate the chocolate aisle.
42:40And so we thought it was a good space for us to go at because it wasn't so oversaturated by 20, 30, 40 different companies. It was like, we really knew who we were competing against. We were like, we're competing against Hershey. We need to be more innovative. We need to build this gamification layer. We need to build a better product that has higher quality ingredients. We knew what the roadmap looked like to compete with them. it's been a lot harder than we thought just global chocolate supply chain i think was something jimmy and i knew nothing about thank god for our team that like understands this that we've been working with but yeah i think we'll we'll definitely go i don't know if jimmy said anything to you guys when you're in greenville but i mean there's a roadmap of products that we're going to do over the next like two to three years we're trying to figure out like what the rollout strategy is going to be but But for 2023 and going to 2024, chocolate is the main priority in getting more space in retail.
43:34I got to take back what I said. I think it's a great category. You convinced me. I was wrong. That was great. Actually, I think what you guys are doing is really smart there. By the way, Hershey's makes like eight or nine billion a year in revenue off of their thing. And the reason I think it's a great category, actually, based on what you said, was the audience fit, but also just like how old that competition is. And like, you know, you didn't say this, but like if I'm Mars or I'm Mondelez or I'm Hershey's, you know, I look at my acquisition targets, my M &A targets, there's not many. And I think this is an opportunity where I don't think the business itself is going to generate a ton of profit just because physical goods and, you know, like as you scale up, it's like, you know, it's not the thickest margins.
44:20but I do think this is like a business where you're going to look up and sell it for $500 million or something like that someday if you wanted to. Yeah. So I take that. You'd actually be surprised. Chocolate actually is a pretty good margin business for us. And I mean, Hershey is still, you know, they probably churn off$600 to$800 million in profit every single year and have been doing this for 50 plus years. And so we, yeah, it's been challenging for us, but we understand like what the roadmap is. we really think that and we don't know how Hershey is going to compete with us seasonally that's like one thing big for us like Halloween is going to be big for us this year we're doing a lot of different sweepstakes and promotional things and so you know for us if we can win those months like October then becomes a hundred to two hundred million dollars just in a single month and we can put our full force into just October and then into holiday and then you turn it around and you're like, okay, now, like, what are we doing for Valentine's Day?
45:17What are we doing for Easter? And so these are all like the conversations that we've been having over the last year. What number would kind of cross the threshold of, all right, we should take this acquisition seriously if one of those guys came to you at the end of the year? I don't think he takes a multi-billion dollar acquisition right now. There's just too much upside in the business right now. Just for Feastables. channels yeah it's just it's the amount of opportunity for us not not only okay let's just just i'm just talking domestically so now let's just let's talk about just the world right chocolate is is popular like globally and we haven't really talked about this yet but i know he talks about on your guys podcasts is we launch all these multi-language channels there's there's really a method to the madness here is like you know we now dub in i think 16 different languages including Japanese and French and Hindi.
46:08Those are all markets for us that we're pushing into over the next like 12 to 18 months. And so the opportunity for us is just way too big to even look at an acquisition at the moment, because for us, like Asia is a huge market. The Middle East has actually become one of our highest growing markets at the moment, which we're now figuring out like what are the points of distribution. And then we're eventually going to be able to just specifically market to those regions. Like we're going to be able to put a video file up and it's going to be the Japanese dub. But instead of being like, Hey, go to your local Walmart and target, it's going to be like our, um, our, our dub artists in Japanese, which is, uh, the voice actor of Naruso saying, Oh, you can go buy it at your local seven 11 or other convenience stores available in Japan.
46:52And so we're going to make everything very localized. And so to us, like we're like, haven't even rounded first base yet to what this business opportunity is. And so I don't know, we haven't even had like acquisition tart, like isn't even a thing. Well, when we when we all hung out with him, he was talking about he was talking to the same thing. I don't know if he was saying feasible, but just like his enterprise, you know, he threw around crazy ideas of like, maybe IPO, maybe sell for billions of dollars. I don't know, like, but But he approached it in a... This isn't an insult, but it was very naive.
47:28He sounded like an innocent like, Oh, I'm just going to do this and then this and then this. That's it. It's going to work. And I remember... But I found it to be believable. A, I believe that he actually could potentially do that, which is crazy. But B, I felt like his ignorance a little bit about business was actually a massive tool for him a little bit where I was like, Man, that's like... You'd be one of the biggest things in the world. And in his brain, he's like, well, yeah, what do you expect? And I don't know if that's... Maybe naive is not the right word, but there was almost an innocence about it that I really appreciated.
48:03Do you think you have that same kind of mindset with this? Or are half the things that you guys are working on, not just you and him, but the rest of your artists or the rest of your folks on your team, are you like, I don't know if we can pull this off, but whatever, let's just try and get into it. We'll see what happens. uh i he's probably we're a little bit different in that regard i think i'm a little bit more of a realist in terms of you know knowing how hard these things are to build knowing how hard these things are to sell i said ultimately it's going to be his decision you know if he wants to sell this thing or not but i i think there there is a level of him and i are very naive to to at least when we entered the chocolate arena we didn't really have a good understanding of what we needed to create how we needed to compete.
48:46And I actually think that was an advantage for us because we were just running as fast as possible, trying to get product out. And we made a lot of critical, I would say, decisions that were either big positives or big negatives. And we were able to go change the negatives very quickly. I think one is... I think you said you didn't even have customer support the day you launched or something like that. We didn't have customer support in... which we then learned in Feastable. It's like, okay, and a little different business. So we had a full customer social support team when we launched Feastables, thankfully.
49:19And you've done a couple of these now. And I think I've always been amazed. Some creators are much better promoters than others. And it's not just like, it matters in a couple of different ways. Sometimes if your brand is like, I'm super real and authentic, anytime you say anything promotional, the audience is like, sell out. You can't do that. and other people whose brand is to be more of a spectacle or more interesting, they can get away with a little more. But there's also just the creator's motivation. So as brands throw money at creators to tell people, hey, swipe up and do this. Hey, swipe up and do this.
49:57At some point, I think everybody becomes a little numb to it, the audience and the creator. What I've been impressed with is for something like Feastable or I also felt this way with Prime. I felt like with Prime, Logan Paul is like the CMO and he's like, he's looking for every edge he's got. It almost, you know, like, I don't think they own the majority of the company. I think they own a small minority of that company, but he almost treats it like a majority owner. I remember when he went to like, he goes to like, you know, the WWE thing or UFC fight. He's got his prime bottle with him and then he'll do something that he knows is going to, he'll like embarrass himself.
50:33So he gets memed like a million times on Instagram. But he's like, yeah, I got meme, but I was holding Prime, wasn't I? And he's like, basically, it was all intentional. He's looking for these little edges. And that's very different than the old days when an influencer holds up some detox tea and just says, try this. What do you think is the difference in buy-in and that mindset of, I'm going to use my engine to promote this to level 100? What have you seen is the difference there? And how does that happen? Yeah. I mean, there's also just a different level of excitement when you have ownership in the brand versus you don't.
51:11Whereas like there's a cash exchange for you to promote audible.com. You're not going to be as excited. You're not going to put as much time creatively into this ad. Let's just say ad read that you will if you own the business. And so I actually first saw this when we did finger on the app. I'd seen him do a lot of like we've done a lot of mobile integrations on the channel. and then when we did finger on the app it was our thing uh we owned it it was like our competition explain what it is for somebody who doesn't know finger on the app was we created this mobile game where a person puts their finger on their cell phone uh and the last person to take the finger off the phone went 100 grand and there's little bombs that would pop up so you'd have to like move your thumb around to just avoid objects that would pop on your phone it ended up lasting 72 hours and then someone won 100k but uh level of excitement and level of promotion just went to the next level uh he was you know telling people why they should download it and he was you know messaging people back on twitter who was like hey i just downloaded i'm ready for the game he was responding and so there's like a much more there's much more depth to the level of excitement on the creator side and you really see that with prime and too with feastables and you see it with also happy dad with nelk uh they're going all in on happy dad the podcast is essentially built around you know happy dad is everywhere for each podcast episode and i i do think the future is creators starting businesses the issue is like most of the time it's just going to happen at the top uh where you know where we are seeing some interesting businesses for like a mid-tier creator who maybe isn't to the level of logan paul or nilk but they're you know cars versus bids or something like that where it's you know the channel maybe has two three million subscribers doing 500k video and they're gaining a lot of traction on that type of business what are some other examples like that um in the creator space in the creator space cool creator businesses that are not just like well i'm the most famous guy on earth so whatever i say works uh you know what are some like we had doug de maron for cars and bids yeah what are some other examples like that uh there's one called uh rare candy it's with leon hart who's you know he's a relatively large pokemon style creator and he has a marketplace where you can buy pokemon cards and do Pokemon unboxing.
53:27So it's similar to what not and how it works. But it's, you know, Leon Hart owns a large piece of that business. I mean, to go back to the top, like Emma Chamberlain Coffee, I think is another one. It's like very organic to her, talks a lot about coffee. And now I'm starting to see a lot of businesses pop up on the smaller end where it's maybe you have a channel that washes windows, right? So it's like a TikTok creator who maybe it does ASMR through like washing a house or washing windows and they use it as like this top of funnel in like a city where all these individual houses or all these people are now reaching out to and be like oh this person's in austin i'll pay them four hundred dollars to come pressure a lot of those for pressure washing they're all over the place and the grass cutting uh like a lawn mowing yeah lawn mowing vending machines uh seeing a lot of like little small niche businesses getting built but i i think these businesses are much bigger than people think they are.
54:22They're gaining, even in the pressure washing, I'm meeting creators and they're making$20 ,000,$30 ,000 a month just from pressure washing homes. And then all of a sudden, they hire two or three other people because the demand is so high for people booking them out to clean their home that they start to hire employees. And then it becomes a real business that once just started as one TikTok video of them pressure washing their own house. Are you from the Midwest? I'm from North Dakota. You're the first person on the pod that says the word wash like I do with an R. I grew up 40 miles from the Canadian border.
55:01So I'm probably just as Canadian as American at this point. I get made fun of all the time for saying that word that way that I'm embarrassed to even say it, but I just heard you say it. Are there any companies or any creator businesses out there that are shockingly large that many people don't know about? Yeah. So one that I was wildly impressed by that was much bigger than I initially thought was Dharman. So it's the largest scripted YouTube channel on the internet. And so it's all like it's daily uploading, but it's long form scripted storytelling. And so I really didn't understand like how big of an operation that was and how many people and how many sets and just the sheer volume of content coming out of that business.
55:44That was one I was pretty surprised by. And if you don't know what it is, I remember when I first saw it, I was like, are people watching this? And then I just have been paying attention. It's slowly growing. It's almost like the Hallmark or Lifetime channel, but for... How do you spell it? What is it? Dhar Mann. D-H-A-R space M-A-N-N. He has 18.5 million subscribers. it's like um it's there's like a lesson to be learned in like each episode is that right reed yeah he used to do something completely different right like dar was doing something completely different and then he he pivoted into this he'd yeah found found his footing in scripted storytelling on youtube uh more fast pace a little bit more light on the scripted uh like storytelling aspect because it's like more content and volume i'm pretty sure this guy had a giant weed business before this.
56:36Makeup, actually. But I think he also had a weed business. His wife is also an influencer. I think she has a makeup business. I'm pretty sure this guy had a cannabis business. I don't know if I got that right. But that's so funny. Yeah, WeGrow. He started WeGrow and sold hydrophonics and marketed for growing medical marijuana. That's funny. Why is this guy impressive to you, Reid? What's the behind-the-scenes information? Just the sheer size of the production company. People say it. They're like, oh, you can build production entities on top of YouTube and creators are hiring employees. It's like, this is a good example of massive production entity built on YouTube, cashflow positive, making money.
57:16I think most people thought that you couldn't do scripted storytelling on YouTube and actually make it a profitable business just because it didn't make sense with how the ad revenue worked and how the splits worked. And he's really figured it out. And it's hard because you have to upload daily and you have to average two, three, four, five million views per video to start making significant amount of money. But they've really figured it out on a large scale. Did they get the revenue up or did they get the expenses down? What did they do different than you would have expected? Or what was the trick?
57:46From what I've seen in the scripted space on YouTube, and this is also in the streaming services, scripted content is very expensive. You have writers on staff. like it's usually long timelines they they figured out how to create content on a scripted basis much quicker and much more cost efficient where it's like dar is doing a lot of the writing they have a lot of just like part-time talent that comes in periodically and acts uh and then they also just like figured out how to do this with their own sets so they're not renting space like they actually built their own sets in uh in in la and they're just just reusing the same sets i mean if you watch a lot of darman videos you'll see the school you'll see the movie theater uh there's a there's like a gas station there's a lot of like staple sets that just continue to show up and they do a really good job just repurposing those sets that's amazing i can't believe i remember seeing this guy when he was coming up i never a million years would have bet that this would have been a good one what what are uh what are some other businesses out there that you've seen that are just shockingly interesting so this wasn't it's not a channel that's a business yet but i i stumbled upon it a couple weeks ago it's called ryan hall y 'all and he was a former meteorologist and it's like a channel based on just uh what weather uh is happening across the country uh different things that you should know about like the hurricane season and how it's going affect the the like us the southeast and you know it's i i'd seen channels try and do this in the past he's the first one that's gaining like tremendous traction and you can see it in the views per video you know it's like two three million views per video just on just talking about different weather patterns and this this is one that could i think become pretty interesting long term whether he decides to build something on top of that and i'm guessing it's like a very minimal team.
59:40It's probably him plus an editor. What is he doing? Because weather is so local. What do I care about the weather in Toledo? Unless it's a natural disaster. What do I care? So how is he doing this? This is incredible. More of talking about just the things that you should know about tornadoes or these are the most dangerous weather patterns of the year, of the month. So he talks more holistically about just the entire industry. It's not really localized. I mean, I'm sure he could start localizing channels, but that becomes a much smaller opportunity. You have to make these videos appeal to everyone.
1:00:16And he's done such a good job at that. But these type of like little niche channels that start to pull a tremendous amount of views pop up every single month on YouTube. I mean, the vending machine one was something that I went down that rabbit hole and farming. I went down the farming rabbit hole. What's the farming and vending machine ones? Yeah. So farming, Cole the Cornstar, I'll hit you with a few. So Millennial Farmer is probably the one that I watch the most. And I grew up on a farm. And so it wasn't that interesting to me because I know all the stuff that he's doing. But for a normal person on the coast who doesn't know about cultivating or anything like that, I think it's really interesting to them.
1:00:54And so he's one that I think appeals more to an older crowd. Cole the Cornstar is another one that probably appeals to a little bit younger demographic where it's a little bit more like pranks and things like that on the farm uh and then lauren farms a female channel also kind of showing like in the in the daily aspect um of just what do you do on a farm and so there really is a space for all types of content on the internet now that's why the the argument of the internet is so oversaturated it's hard to break through as a creator like i just have never bought that argument because on TikTok and YouTube shorts, I'm seeing things that continue to break through on a weekly basis.
1:01:36And then people are figuring out how to turn it into an actual channel that's profitable. And we're seeing it with people like Ryan Hall, y 'all who, you know, nobody would have ever thought that a channel about the weather could pull 3 million views a video. But yet here he is doing it time and time again. Well, that kind of makes sense that one of the comments on Ryan Hall's videos that said, man, the weather channel has really lost his way. I'm so excited that Ryan is doing it this way. Which is funny that someone like... And that was actually the most upvoted comment, which means a lot of people pay attention to the Weather Channel enough so to actually wonder if it's lost its way or not.
1:02:11So it kind of makes sense where you can just look at what are... For example, you could be like, well, Court TV. Court TV has been around for... Or C-SPAN. Some of these things have been around forever. You could go and look at what their revenue is. You could see what's interesting about them, what's not interesting about them, take a new spin. So Weather Channel is owned by... It's that... The guy in Hollywood, Byron Allen. I think he was an actor. Now he's one of the richest black men in America. He owns Weather Channel. I think they still make$500 million a year in revenue. So great business.
1:02:38We were friends with this guy named John, who was the president of BuzzFeed. And he told me he was like, Man, if you look at CSNBC, they only have 50 ,000 concurrent visitors or viewers on the channel. But they make this much in revenue. I'm going to create that, but for Facebook Live. And he ended up launching Cheddar and sold it for hundreds of millions of dollars. And so this is an interesting strategy of just looking at which channels have lived for 50 years and are doing good, but they're just been doing the same thing over and over and over again for a while. So it's actually an interesting strategy.
1:03:10Totally agree. Building a new weather channel, I think, is incredibly complex and complicated, but he definitely has the type of distribution that could start that business. I think then it's just like you would need to find a partner to help him probably execute that. But yeah, that's, I think, why I found that the channel so interesting. It's like I go to the Weather Channel. I even have a widget on my iPhone that like pops up from it's like automated from the Weather Channel. It gives me the weather every single day. I was like, I would much rather download a Ryan all y 'all widget that like gave me the totally much rather support that than the Weather Channel.
1:03:43And so, yeah, I think there's a much there's a pretty interesting opportunity there for him. You'd made a comment. You said something like you would bet that YouTube will be five times more valuable than any other platform combined in terms of value from a creator's point of view of the type of business you can build on top of it. You know more than I do. But Sean and I had made this argument a year and a half or two years ago where Twitter is happening in the tech field. But there's not really a... What's the Kardashian lady? The Jenner? There's not one of the Jenner persons who have launched this Instagram business that became a billion company off of Twitter yet.
1:04:22But we think that there's going to be something there. And then Sean was like, yeah, there's the guy mafia on Twitter. There's the strip mall guy. There's the storage guy. And they're actually raising a significant amount of investor money to create some of these companies. Have you been playing around with Twitter and seen some of the micro influencers? And the major difference is instead of what you do, which is more pop culture. This is a little bit more B2B and much older. But have you paid attention to Twitter and played around with the idea of one of these folks, whether it's a sweaty startup, our friend Nick Huber, who's got a 400 ,000 following, about them building pretty big companies in the back of Twitter as opposed to YouTube?
1:05:04Yeah, I've seen it. I'm actually not surprised because I've been pretty outspoken of social platform. Where do you build the most fan loyalty across social. And I've seen that Twitter is at the top of the pyramid in terms of fan loyalty, like a Twitter follower that will comment on your tweets is much more valuable than a casual viewer on TikTok or Instagram, because usually like they actually care. And so I think people are now starting to figure that out that, oh, Twitter is actually incredibly valuable if you can start to get traction and start to get people that really engage. It's also, it's an older demographic where I think the one thing that YouTube is really struggling with right now is, you know, yes, there's people like Ryan Hall and there's people like Millennial Farmer who are appealing to maybe a 20 to 30 year old, but it's much more suited for an eight year old to watch content.
1:05:53Whereas Twitter to me is like, I spend most of my time on Twitter. The people that I meet on Twitter, like I would buy products from if they actually promoted something. And so I just think that Twitter for me has been really interesting from just a fan loyalty perspective uh it's just the depth of the platform whereas instagram and tiktok to me have been more casual uh i i buy things on instagram but it's rare and tiktok is like my mind shares like every single second i'm seeing a new video i don't even remember the names of the channels that i see on tiktok they just come and go like i and when i'm at different events and i see a lot of tiktok creators i i recognize them because i've seen them on tiktok i have no idea what their TikTok channels are, which is bad.
1:06:37But I will remember someone's Twitter at that I see and I'll be like, oh my gosh, that's at whatever it is. Very rarely do I say that about TikTok. And so I just think that the depth of consumer is just much different on Twitter. Who would you buy a product from? Which of the quote Twitter creators would you buy a product from? Or rather, who are some of your favorite follows? I mean, I met Blake Robbins, which we did a podcast together. I met him on Twitter. That was how we met. I thought his tweets were incredibly interesting. I thought as an investor, he was talking about a lot of things that interest me.
1:07:12And so if Blake would have sold anything three to four years ago before I knew him, I would have instantly bought it because he had built up that loyalty. I had that loyalty of like, I not only agreed with a lot of things he was saying, I thought it was really interesting to the point where I would take time to comment or like that tweet. And I have a lot of those now just that i follow on twitter and then you get to like the of it that are getting hundreds of thousands of likes and i think you know now then you have the bots and you have a lot of internet trolls and stuff like that but where blake kind of sits is in the 30 40 000 follower range and a lot of those people care about what he's saying and then the word of mouth becomes really interesting where someone says hey i use an eight sleep mattress um it's changed my life if someone like Blake or you guys tweet that, I'm going to be like, what is an eight sleep mattress?
1:08:02I should probably figure out why they like this so much. But if someone on TikTok is like, oh, my eight sleep mattress, well, I probably just scroll past it and don't even think twice about it. So that to me is like something that I've noticed. I tweeted out that I love eight sleep. I don't have any affiliation with them. I just had one of their mattresses and I tweeted out how much I loved it. And then right away, their team reached out like, hey, can we do an affiliate deal or do you ever want to partner together i'm like no man i just i'm just talking about cool shit that i like and so but they said they they said they sold a lot of mattresses from that tweet yeah the people that follow you also can't afford the product they you know probably been following you for a long time they trust what you say because you guys aren't shilling a ton of stuff constantly so when you authentically talk about a product like people pay attention it's like tim ferris right like i i used to pay a lot of attention to what tim ferris was using and talking about on Twitter.
1:08:54Are there any other good follows that you have that you could see launching a business and succeeding? I mean, you guys mentioned some really good ones. It's not a platform that I pay a lot of attention to in terms of individuals like that can grow businesses. I think I'm much more suited for YouTube. I live in the depths of YouTube every single day. Twitter for me is like following people I know, you guys, my friends, like other people in the business sphere. But we'll see. I hope they're able to grow businesses on top of it. I have a lot of confidence in Twitter just as a platform to grow fan loyalty.
1:09:28What about threads? We didn't ask you about threads. If you guys look at the Google trends for threads, it's not looking good. I also saw a graph this morning on daily active users for threads that just like fell off. It plummeted. It's it's I didn't have a lot of faith in it, but we'll see. I don't think that I saw a lot of people talking about that. And I think their takeaway is like, oh, it's not working or it failed. But like that was always going to happen, even whether it's going to succeed or not. If they got 100 million people to download the app, any app, look at the Twitter app will do the same.
1:10:02If you get 100 million people in a day to download the thing, you're going to churn like, you know, 80 % of them won't just start using the app regularly, habitually right away. So to me, I see that and I'm like, this is completely normal. And to me, that was going to happen either way. There was no chance that 100 million people are going to download it and 100 million people are going to keep using it next week. No app in the history of mankind ever has worked that way. And so the question is, what happens, I don't know, three months from now, once they get their core base of users, does that start growing or not?
1:10:40and there's no way to know until then. Yeah, totally agree. I haven't logged on. I logged on the first day I downloaded it and haven't really been on since. There's also like... Do you tell your talent to keep an eye on it or what do you tell your talent? No, we honestly don't care. It's up to them. Most of them will download it and we'll post on it and see if they like it. I think we'll wait. Like you said, it's going to take months to figure out if this is going to gain traction. I think most of them are just going to patiently wait. I don't think any of our talents are going to fully end the threads.
1:11:13They're better off putting their time into making amazing YouTube videos. We did this video, Sean and I did this video like two weeks ago or a week ago where we were talking about how we liked that Zuck did this and we were Team Zuck. And Sean, we officially have a new nickname. I don't know if you saw this in the comments of YouTube but we are officially now Zuck's Cuck. Cuck's plural. Both of us. Zuck's Cuck's. They call those Zuck's Cuck's. Uh, the t-shirts are getting printed. Uh, we should be all right. I don't know like how we are his cock. Does that mean we are having sex with his wife or, or is he having sex with our wife?
1:11:49It's more like the mighty, the mighty ducks. It's like, we're the, we're the mighty ducks. We're this, this, this, uh, the small group of people who really believe in this thing that everybody else kind of, uh, has written off or hates. Yeah, but we're a cock. So I don't know who's, who's having sex with whose wife, but something is happening there of which we are involved in. we are officially Zucks Cucks which I'm okay with I'm a Zuck Cuck for sure well once they box or fight MMA I'll be in Elon's side of the octagon so maybe we'll will you really? bro I think so I will bet you a large sum of money that if that ever happens Zuck would crush him in terms of who would win just looking at the pictures that Mark posted with Israel Adesanya and Volkanovsky scares me a little bit if I'm Elon Musk, but I still like, I gotta support Elon.
1:12:40So, win or lose. Do you, last couple questions, but what would you sell Night Media for right now? I wouldn't. I created Night because I really enjoy it. What would I do if I sold Night Media? I become an investor? Like, I already get to do that. Yeah, but there's always, there's gotta be a number. What do you think it's worth? Man, I don't know, to be honest. It all depends on how you value the subsidiary labs businesses. I mean, I could probably, I know what the core management company is worth and what the subsidiary businesses are, I think is like where it could flex quite a bit. But I enjoy it.
1:13:21I think if I sold Knight, the acquiring business would have to make me the CEO. Like if we sold it to an agency, like they would have to make me the CEO of that major agency or management company because I actually enjoy doing this. It's not something like I didn't start Night Media to sell Night Media. I started Night Media because I was like, I really enjoy what I really want to do this. I find fulfillment in it. I have a venture capital fund. I get to invest. I get to start businesses. I get to be entrepreneurial. I get to be a manager and I get all the perks of being a manager. I don't want to do anything else right now.
1:13:58That might change in a few years. Who knows what time we'll do? But yeah, I don't know. I wouldn't sell. it we've had offers like i just wouldn't sell it so what um hundreds of millions of dollars i would assume low i wouldn't north of hundreds of millions of dollars there's no chance of now that's that's wild that's a good you're in a good position to be in right yeah i mean there's just i feel like we're i said this about feastables i i feel this about the whole company in general as we haven't even got started it'd be hard for me to to sell this thing with the amount of upside that I see over the next five years.
1:14:34I could see a partnership of some sort. I don't think I could just fully sell it and walk away or have an earn out over multiple years right now. Not yet. Well, you raised$100 million or you received$100 million from churning in a separate fund to buy consumer businesses that you could then plug in YouTube distribution into something like that. I think that's the idea. Can you explain the big idea there and if you've done anything with that yet? Yeah. So Labs will start a business zero to one. Feastables was started, ground level, raise capital, hire the CEO. Knight Capital is more fixated on finding a business that's generating cash that maybe is doing$5,$10,$15 million a year.
1:15:23and we think we can come in, probably buy a majority stake in that business, roll some creators or a celebrity onto the cap table and expand what that business is doing or just continue to grow that business. It's very similar to what Chernin does and is doing with Cars and Bids and did with Barstool and Hello Sunshine and all these other businesses. Yeah, they've done that tons of times. Yeah, a massive opportunity for us to do it as well. But just because we understand this creator ecosystem and just internet pop culture so much better than anyone else, And so that ideally is like why we did my capital.
1:15:56We're not in a hurry to do a deal. I think the economy has been something that scared us a little bit. And everyone that did deals in 2022, I think is really regretting a lot of those. And so we're just patiently waiting for what that thing is going to be. Well, dude, we appreciate you doing this. You're the man. It's always I like just hearing like what you're tinkering with. You have a very interesting perspective on things. What do you think, Sean? Yeah, this was fun. And I'm glad. I don't know how well we stuck to our mission. but I think it was pretty good. Yeah, it was pretty good. We'll bleep out every mention because this is the zero clout podcast.
1:16:32Zero clout chasing podcast. And we have a no clout policy. We did not want to do that. Wait, but do we have to use his face on a thumbnail? No, we're going to blur it out. I think we have to put like his face and then Reed's face next to it and blur out Reed's face. And the thumbnail is like the man behind the scenes or something ridiculous. I'll let you guys figure that one out. I mean, there's plenty of things that... No, you got to figure it out. We don't know how to do it. We suck at YouTube. Nah, you guys are killing it. No, YouTube is... We have way more downloads on the actual podcasts, iTunes and stuff like that.
1:17:08We suck at YouTube. I mean, I would argue that a listener on iTunes or Spotify is probably way more valuable than a single listener on YouTube in the podcast genre. So I think what you guys are doing is incredible. and I would continue to focus on listens across other platforms. I wouldn't hedge too highly on YouTube at the moment. I agree. We went hard on YouTube for the last 12 months and now it's like, oh man, actually the podcast number that just steadily grows every single week. Whereas YouTube, it's a little lumpy. Yeah. I'm the opposite. I love YouTube. I think it's great. I think I just like the comments, I guess.
1:17:44I love it too. But I do think that I consume your guys' podcast on Spotify. so yeah i guess that's what you get used to once wherever you consume it you're like this is a good place for things and so yeah you know that's where things go all right reed thanks for coming on man where should people uh follow you or find you a shout out wherever you want people to go i mean we spoke a lot about twitter so it's just rejd on twitter um and then i i probably am the most active on instagram in terms of like answering messages so uh same thing rejd on instagram so I appreciate you guys. Thanks for having me on.
1:18:15See ya.
1:18:32All right. This episode is brought to you by Mercury. They are the finance platform of choice for over 200 ,000 companies. Shouldn't be surprised because I use it myself for not one, not two, but I have eight different Mercury accounts. I have seven for different companies that I'm a part of. And then I have my own personal account because now they have personal banking, which is a really cool feature. I highly, highly recommend it. Like I said, I use it myself. And the reason why is because the way that Mercury works is beautiful. It's very intuitive. And you could tell that it's actually made by a startup founder.
1:19:00It's an entrepreneur. You could tell it's made by somebody who used other banking products in the past and didn't like all the different rough edges and annoyances and decided to actually fix it himself. And really any type of entrepreneur you are, let's say you're an agency. Well, one of the things every agency has to do is be able to send invoices, easily create them, send them to customers, and stay current on your balances with all your customers. Well, you can do that inside Mercury. And so I think that Mercury is great. Highly recommend you check it out. And thank you for sponsoring the show.
1:19:25For more information, check out Mercury.com. Mercury is a financial technology company, not a bank. Check show notes for details.
From the publisher
Episode 475: Sam Parr (https://twitter.com/theSamParr) and Shaan Puri (https://twitter.com/ShaanVP) talk to CEO of Night Media & Mr. Beast’s Manager — Reed Duchscher (https://twitter.com/Reedjd) — about his agency, his favorite creator businesses, why he chose to go up against Hershey’s with Feastables, and more.
Want to see more MFM? Subscribe to the MFM YouTube channel here.
Check Out Shaan's Stuff:
* Try Shepherd
* Shaan's Personal Assistant System
* Power Writing Course
* Daily Newsletter
Check Out Sam's Stuff:
* Hampton
* Ideation Bootcamp
* Copy That
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Show Notes:
(03:45) - Are Talent Management Agencies Good or Bad Businesses?
(12:00) - Night Media’s Org Structure
(23:35) - How Kick is Overtaking Twitch
(26:00) - How Reed Finds CEOs for Creator Businesses (like Feastables)
(28:50) - Why Creator Businesses are Challenging
(29:50) - How Logan Paul & KSI started Prime
(35:00) - Why Reed & Mr. Beast Believe Feastables is a Massive Opportunity
(41:00) - How Does Feastables Play Out?
(48:30) - Reed’s Favorite Creator Businesses (Mainstream + Niche)
(1:02:50) - Reed's Thoughts on Twitter vs. Threads
(1:08:30) - Would Reed Sell Night Media?
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Links:
* Producer Ben Twitter - https://twitter.com/BenWilsonTweets
* How to Take Over the World - https://open.spotify.com/show/1gqvQ7h7BxNSVoQVTnwihr
* Ithaca Holdings - https://hybecorp.com/eng/news/news/189?companyCode=ALL&page=0
* Night Media - https://www.night.co/
* Kick - https://kick.com/
* Prime - https://drinkprime.com/
* Rare Candy - https://rarecandy.com/
* Chamberlain Coffee - https://chamberlaincoffee.com
* Dhar Mann - https://www.youtube.com/channel/UC_hK9fOxyy_TM8FJGXIyG8Q
* Ryan Hall Y’all - https://www.youtube.com/@RyanHallYall
* Millennial Farmer - https://www.youtube.com/channel/UCp0rRUsMDlJ1meYAQ6_37Dw
* Cole The Cornstar - https://www.youtube.com/c/ColeTheCornstar
* Blake Robbins - https://twitter.com/blakeir
* Do you love MFM and want to see Sam and Shaan's smiling faces? Subscribe to our Youtube channel.
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Past guests on My First Million include Rob Dyrdek, Hasan Minhaj, Balaji Srinivasan, Jake Paul, Dr. Andrew Huberman, Gary Vee, Lance Armstrong, Sophia Amoruso, Ariel Helwani, Ramit Sethi, Stanley Druckenmiller, Peter Diamandis, Dharmesh Shah, Brian Halligan, Marc Lore, Jason Calacanis, Andrew Wilkinson, Julian Shapiro, Kat Cole, Codie Sanchez, Nader Al-Naji, Steph Smith, Trung Phan, Nick Huber, Anthony Pompliano, Ben Askren, Ramon Van Meer, Brianne Kimmel, Andrew Gazdecki, Scott Belsky, Moiz Ali, Dan Held, Elaine Zelby, Michael Saylor, Ryan Begelman, Jack Butcher, Reed Duchscher, Tai Lopez, Harley Finkelstein, Alexa von Tobel, Noah Kagan, Nick Bare, Greg Isenberg, James Altucher, Randy Hetrick and more.
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Additional episodes you might enjoy:
• #224 Rob Dyrdek - How Tracking Every Second of His Life Took Rob Drydek from 0 to $405M in Exits
• #209 Gary Vaynerchuk - Why NFTS Are the Future
• #178 Balaji Srinivasan - Balaji on How to Fix the Media, Cloud Cities & Crypto
• #169 - How One Man Started 5, Billion Dollar Companies, Dan Gilbert's Empire, & Talking With Warren Buffett
• #218 - Why You Should Take a Think Week Like Bill Gates
• Dave Portnoy vs The World, Extreme Body Monitoring, The Future of Apparel Retail, "How Much is Anthony Pompliano Worth?", and More
• How Mr Beast Got 100M Views in Less Than 4 Days, The $25M Chrome Extension, and More
