In short
Founders must market like their product is the hero—especially when they own a factory and face extreme seasonality. The episode covers pros/cons of owning manufacturing, what to do with excess inventory, how to improve merchandising/throughput, and how to expand into off-season categories (e.g., lounge/athleisure) without getting stuck with unsellable stock.
Guests (backgrounds)
- Elaine: Founder/CEO of Dip and Daisies, Gen Z swimwear brand. Started wholesale (boutiques, trade shows, LA fashion district store), moved D2C in 2018. Closed a cut-and-sew factory during COVID; opened a factory in Vietnam (about 80 sewers). Has ~8 months postpartum. Sells ~$120 swim sets; carries 8 months of inventory; seasonality: swim ramps in Dec/Jan, peaks March/April, slows after July 4.
- Sean and Katie: Operators Podcast hosts; discuss DTC scaling, Meta ads/creative, ERP/3PL systems (Fulfill), and category expansion frameworks.
Key claims
- Owning a factory doesn’t automatically lower COGS; fixed costs and inventory risk can be worse.
- Brands die when factories keep running and create too much inventory.
- Throughput and trimming the “long tail” (focus on top styles/colors) is the merchandising lever.
- Category expansion requires new ad creative/campaign structure and time (often 6–8 months) to train the market.
- For seasonal brands, merchandise and spotlight off-season categories to drive traffic.
Notable examples
- Swim best-seller “black” style drives ~20% of revenue; many other styles underperform.
- Ridge examples: rings succeeded while watches failed; category launches can take months; “newness” drives ad performance.
- Pre-order and VIP polling are suggested to reduce guesswork (Elaine currently only pre-orders after sellouts).
- TJ Maxx/Burlington are discussed as a way to move excess inventory, with brand-risk considerations.
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Chapters
Tap a time to open that second in VOElaine's Business Journey
0:45 to 3:14
Elaine shares her journey from wholesale to D2C, her challenges, and insights into her swimwear brand.
“And then when COVID happened, I closed my cut and sew factory.”
Addressing Key Challenges
3:14 to 6:40
The hosts discuss four key problems Elaine faces regarding manufacturing, inventory, and marketing.
“Number one is the pros and cons of owning a factory.”
Seasonality in Swimwear Sales
6:40 to 8:52
Discussion on the seasonal nature of swimwear sales and strategies to manage inventory fluctuations.
“on exclusive designs, maybe that's opportunity for you.”
Factory Ownership and Solutions
9:41 to 14:01
Discussion about the advantages and challenges of owning a factory, along with strategies for efficiency.
“Elaine, I think that as somebody who owns a factory, those downswings suck, right?”
Addressing Seasonality in Fashion Production
14:01 to 16:41
Discover strategies to manage seasonality challenges in fashion businesses.
“Maybe you don't want to have those two different hats on, but like it's a great way to solve a lot of pressure in your business when you own the means of production.”
Exploring Product Expansion and Manufacturing
16:41 to 18:31
Learn about product expansion strategies and the pros and cons of manufacturing in-house versus outsourcing.
“but you have to have higher quantities and manufacturing in the U.S.”
Navigating Partnerships and Discount Retailers
19:32 to 23:24
Understand the implications of working with discount retailers and the importance of brand integrity.
“for different swimwear designs that you come up with, just be a designer, or keep your factory and keep the lines running with stuff that is going out the door for somebody else.”
Strategies for Successful Product Launches
23:24 to 28:00
Explore effective strategies for launching new product categories and managing brand complexities.
“But do you have really tight margins with them?”
Challenges of Scaling New Brands
28:00 to 29:36
Discussing the difficulties of scaling a new brand in a competitive market.
“Black Friday and Cyber Monday are coming.”
Navigating Product Category Expansion
29:40 to 37:43
Exploring strategies for effectively launching new product categories.
“And you said like you're six to eight months of like a new category finding its place.”
Show all 23 chapters
Best Practices for Category Structure
37:50 to 42:00
Analyzing the best practices for structuring product categories in marketing.
“People are always at, it's one of the most common questions in any media buying group is how do I structure my account for a new category, right?”
The Challenge of Predicting Best Sellers
42:00 to 45:52
Learn about the unpredictability of product drops and strategies for gauging customer preferences.
“It's like Sean's a hundred percent bang on.”
Engaging Customers for Feedback
45:52 to 49:01
Discover methods to engage customers and gather insights on product preferences.
“group you should look at kitch jeremy and cassandra from kitch have an amazing vip group Portland Leather Goods is an amazing VIP group on Facebook.”
Testing and Iterating for Success
49:08 to 53:14
Explore strategies for testing product effectiveness and improving marketing tactics.
“Just be like, hey, do you have this one or this one?”
Optimizing Product Presentation
53:14 to 56:00
Understand how website merchandising and product presentation impact sales.
“I always recruit the best models and LA has very expensive models.”
E-Commerce Bestsellers and Trending Strategies
56:00 to 57:28
Learn how to navigate and categorize products effectively in e-commerce to boost sales.
“So we actually broke out of bestsellers and then a trending.”
Inventory Management and Discount Strategies
57:54 to 59:50
Explore how to manage inventory and create discount products effectively.
“I think you have a print and an ad that takes off every time you do a launch and that's what drives it.”
Scarcity and High-Value Product Strategies
59:50 to 1:01:56
Understand the impact of scarcity and high-value pricing strategies in retail.
“And we sell them for like 20 bucks a case.”
The Importance of Site Merchandising
1:01:56 to 1:04:08
Learn how effective site merchandising can enhance product discovery and sales.
“And none of your friends are going to have this at the same spring break vacation spot.”
Leveraging Factory Ownership for Flexibility
1:04:08 to 1:07:20
Discover the advantages and challenges of owning a manufacturing facility.
“own the factory, you have to keep it running to cover fixed costs.”
Investment and Marketing Insights
1:07:20 to 1:10:02
Gain insights on how to invest appropriately in marketing for better outcomes.
“that's not your strength maybe it's worth the investment because your photography and your product is gorgeous i mean i i'm inclined to tell you take lounge off discount try it again Oh, sorry.”
Navigating New Categories in E-commerce
1:10:02 to 1:10:44
Learn how to effectively manage product categories on your site.
“Like, Swim lives on our site in Q3 and Q4, but you gotta dig for it.”
Entrepreneurial Growth Aspirations
1:10:44 to 1:11:07
Hear insights on bootstrapping and aspirations for business growth.
Transcript
Automatic transcript. May contain errors.0:00Welcome back to the Operators Podcast. Elaine, this is your first time on the show. You're our first, I'll tell you this, you're also the first person we talk to that is like just in swim. Katie, I think you do a bit of swim, right? Yeah, yeah, we do. I'm so excited about this topic. I feel like I can be of help to you. So it's good. Elaine, maybe just for everybody listening, we've got a brief. They don't have one. Can you tell us who you are, a little bit of background, a little bit of background of the brand, what you sell, all that good stuff? So I'm Elaine. I'm the founder and CEO of Dip and Daisies.
0:35I started off as a wholesale first, selling to boutiques, going to trade shows. I opened a wholesale store in downtown Los Angeles in the fashion district. And then I started selling D2C in 2018. And then when COVID happened, I closed my cut and sew factory. I opened my factory in Vietnam four years ago, and we have around 80 sewers right now. Dippin' Daisies is a Gen Z swimwear fashion company. Just had a baby eight months ago, and I spoke five minutes at the operator's webinar. Tell us a little bit about where you're focused on the business right now. and then I'm sure Sean and Katie have like a bajillion questions I know I do I feel like I don't know so much about D2C and ads and marketing I have like a very strong background in production and in manufacturing I wanted to get people's thoughts about like how they merchandise their their their assortment like I would hear Curtis talk about how he can sell tens of thousands of units of a color and he does in-house manufacturing.
1:54And then I wonder how does he do that? I have a premium brand, like my swimsuits cost$120 a set. I can't scale like that fast, that quickly and scale the ad spend that much. I know like some of you guys manufacture your products in-house. I know you, Matt, you manufacture your phone cases in-house and you do that for like a negative cash conversion cycle. I opened my own factory because I wanted to lower my cogs, but I'm finding out that the cost is just the same as buying inventory from a supplier. I have to pay fixed costs every month for my seasonal business. And in order to keep my factory busy with work, I have to keep making more inventory to the point where I'm carrying right now eight months of supply.
2:52Some years, it's like a year worth of supply. And I have to make a ton of money from January to August, and then I'm doing nothing September to December. I need to find new product categories that will hit for the off-season. And I know you guys always talk about going and expanding into different product categories. So Elaine, I think there's four key problems we want to address and help you with today, right? Number one is the pros and cons of owning a factory. Number two is when you own a factory, what do you do with excess inventory? Number three is merchandising and actually how to get throughput out of these designs.
3:30And then number four is how to do product expansion. I think if we could do four of those things and you could come up with a good tip for each one, it'd be a great episode for you. Katie, how often do you do drops? What's your drop schedule? Start there. So, well, first of all, Elaine, you're a badass. Like you just had a baby. You're cranking out this stuff. You have your own factory. You're trying to source overseas. I think immediately you switch back. I mean, like you said, with COGS. And the biggest thing, like what you mentioned about how Curtis has drops and then sells high volume like that, he is not a seasonal brand like you are.
4:04And he's not dealing with women's apparel and sizes. So don't stop comparing yourself to other people. I do not do what Curtis does. And I completely, also, I have to tell you, I told my daughter that I was talking to you today. She's 18 and she loves your swim. Oh my gosh. Thank you. And I think you're not just one generation. I think that your whole style is amazing. And I definitely see where you're talking about like, swim's hard. We do swim. And it's same thing. Like mid-June, it comes to a screeching halt. Really? And then, oh yeah. Yeah. Pre-season. Yeah. So swim, she can sell swim starting in December.
4:44Correct me if I'm wrong, Elaine, but you start to see it in early December with like crews and people taking vacations. January, it goes crazy, which I know makes no sense because it's freezing outside. But everybody's thinking about spring break. And then she her best months are probably March and April. And then it starts to slow down. And as of July 4th weekend in the US, all her swim goes discounted. come on yes yeah exactly yeah i i feel your pain girl when the weather is best nobody's buying the thing yeah well i mean it's i mean matt we launched christmas in august so it's okay i've always thought you were a little weird for that but uh it's also i mean i'll tell you like the first thing that comes to mind like sean when you need a bathing suit you just go buy one yeah but you You know, men are going to be different.
5:35I mean, my wife is straight up planning swimsuits for six, 12 months in advance or whatever. But I, oh, I just want to, on that one point, it's a reason why all the greatest swimwear brands are Australian is because they just have a longer sell a season so they can stay in market longer. And it's why it's so hard to compete as an American brand. It's like you have this big ramp up, but they have a core base, but keep going, Katie. Yeah, so Elaine, I read your entire doc And the whole time I'm like, yes, girl, I feel your pain. So you I think product expansion is amazing and definitely what you need to lean into.
6:11You mentioned that you did athleisure and casual wear. I think because of your audience, like really kind of leaning into even match sets, like how like daily drills is really trendy right now. I'm sure you're familiar with those kind of, yeah, brand like it. I mean, even for Caden Lane, we've looked into it, but we're really just more baby. focused. If you can get yourself out of a seasonal, because even like your stores, like you said, anthropology, urban outfitters, I mean, I feel like if you even worked with them on exclusive designs, maybe that's opportunity for you. I also started off wholesale and then switched over to DTC.
6:50The fact that you're still cranking out wholesale and you're just trying to lean into DTC, I think you have all kinds of opportunity ahead of you. But your comment about how your black swim was like your go-to and you wanted to be able to do that swim style every year and have the 80-20 rule apply to you, I think there's two things working against you on that. One, you're selling to women and women don't buy the same swimsuit over and over again, right? We like to buy, we buy that one black swimsuit that we love and then maybe when it dies three years later, we'll go try to find it again. But we always go to black swimsuits.
7:30And I think maybe a way you can think about it is it's not necessarily that one body style, but you're trying to each season have the 80-20 rule. That's how we look at it. So when we launch our swim every year, we really try to pick out what are going to be the core body styles and colors. And then we order heavier on that. And then the ones that are kind of like what we call like the sister prints to it. So like your, your cherry prints or your florals that you have that you know, won't be as high of volume, but that you can't just have black swimsuits on your website. Right. And it kind of leads into it.
8:05And, and because you're probably really leaning into LTV and I imagine you have a strong LTV where they come back and buy a swimsuit from you every year, you've got to keep that freshness. And that's where your drops come in. Right. Um, you did mention that your ads, like you're drop heavy. And so you are constantly, and I looked at your creative on meta and it's fabulous. Like, I think you do a really good job with it. Um, but I think you can, like what we do when we think about creative is that we're every week we're launching new creative for our prints, but then we always make sure we lean into like what we call our BAU.
8:48Fulfill is the ERP built specifically for D2C and e-commerce brands. Inventory, purchasing, warehousing, financials, all in one system built for the way your operation actually runs. There is not an ERP on this planet, not one, that has more direct 3PL integrations than Fulfill. They integrate with over 400 3PL locations globally, and most of you listening to this right now are either running your own 3PL relationship or you're about to. And the second your 3PL and your ERP are talking to each other in real time, you're flying blind. You don't know your true lander costs. You don't know your real margin.
9:18You're reconciling spreadsheets at 11 PM trying to figure out where$40 ,000 went. I know because I am on Fulfill. The visibility we have now versus what we had before, it's not a marginal improvement. It's a different game. Fulfill is the only ERP I've seen that was actually built from the ground up for DTC, and it's not some five-coded piece of crap. Believe me, those exist. Fulfill isn't one of them. Go check out for Phil. Tell him Sean sent you. Let's just talk factory. Elaine, I think that as somebody who owns a factory, those downswings suck, right? So how do you manage staffing and overhead when you have the troughs in your seasonality?
9:59We have the same thing. So we have a really sort of a decent peak up with iPhone launch. So I actually have to staff up in our factory factories ahead of apple's iphone launch and then we kind of keep everybody through sort of january and then i actually have to start ramping down so like we've actually had to build a pipeline of people it's mostly people like the actual fixed cost of the building and energy and that stuff is pretty low i don't know i don't know what it is in vietnam but like i'm in canada and in phoenix uh and it's still pretty low like relative to the size of the business. So that's usually not the thing that's killing you.
10:38It's the labor, right? I suspect in Cut and Sew, it's like much more specialized, but we can hire people. We can basically surge staffing up during those times. I don't know if you have the same capability in Vietnam, but that is like one solution to it is just to build a better HR function. Like we have a person on the team lane, that's all she does is she, her job is nothing but staffing for the factories. She is constantly like running recruiting. How do I find better people, temp workers, full time? What's the training programs look like? Like all that stuff that is just her job. And the way that we justify having that person is because she saves us money.
11:20Do you own the factory lane in, in Vietnam? Yes, I do. Um, and, um, yes, I do staff up during peak season i staff down um in low season and uh yeah i do pay rent the rent in vietnam costs as much as la well well i would say like like it was it's a 40 000 square feet warehouse um ten thousand dollars in rent okay maybe a quarter of la a quarter of i think i was gonna say we've looked at buildings in vietnam and china and dude real estate it's incredibly expensive like you're like, oh, what does$2 million get you? And it's like basically nothing. So yeah, I've been there. I didn't know that. So Elaine, is the factory and the, I guess, Sean, maybe we can connect to sort of owning a factory and then throughput on styles.
12:10Right? Because are they not, if you had better throughput on more styles, would that help you on the sort of the factory front? Like if you were just bigger, I guess, would the factory be less of a concern? If I could move more volume and just go narrow and deep with my styles, like cutting out the, the dogs, the 20 % of my, um, like my lower 20 % of my assortment and go deeper in units, that would be a lot better. So let's talk about the, the biggest pro of owning a factory is that you control like the, the, the actual output of, of the product, like the quality, like if you want to make a new design tomorrow, you can do that.
12:54But there's an idea that you tie up less working capital because you can get things done cheaper. But the reality is if you go to a big supplier, they're going to get better negotiations. They're going to have better freight prices. But the problem is you're going to be lower in their totem pole. And then the biggest con is the longer you run the lines, the cheaper everything gets. So if you can run the lines 24 hours a day, 365 days a year, that's how you actually optimize the factory for output. but now you're in this chicken egg situation where you're trying to run the lines longer and you're making too much inventory and now you're stuck with too much inventory and that's how brands die.
13:32So my first piece of advice is, I'm not telling you to wind down your factory in Vietnam. That sounds really, really hard and just start buying on market. Like you have to do the dev to get quality. It's like it ends up being a year plus solution to the actual factory. But could you make stuff for other people? It's like, that's the other way to keep the lines running is like instead of trying to sell swim yourself, hey, why can't we just do batch runs of swim and be a contract manufacturer for somebody else? Maybe you don't want to have those two different hats on, but like it's a great way to solve a lot of pressure in your business when you own the means of production.
14:08So what are your thoughts on that, Elena? I want to hear Katie's take on that. Yeah, I do private label as well. I am a factory, so I do produce for other brands. um it's like my private label business um I also have like a big discounter business like the TJ Maxx's and the Burlington's of the world and um that's actually 25 percent of my business but the problem is that they all want it at the same time because it's somewhere I think her biggest problem guys is seasonality if she can solve for that it's going to make a lot of these problems go away, Elaine. Katie, would you think the product expansion would also then leverage the same factory?
14:59So like you want to adjust, you want to address seasonality in Elaine. Maybe that's what you're thinking about already. It's like, what products do I go into that are off season? And can I make them in the thing that I already have with the talents I already have? So like, can I actually just get more, can I fill in the four month, whatever, five month? I think you need to think about it differently, Elaine. Like there's so many brands out there that are high volume and Q4 because they're gifting and they want to fill the other months. You've got six months where you're crazy. And honestly, your gap should be one of the easiest ones for you to fill.
15:34You already have those customers. You've just got to think about what else they want to buy. Why do you think your athleisure was a failure? So I did try out athleisure. I tried out lounge clothing. they had a 10 % sell through for the month. I don't know why they failed. My guess is that I just didn't, I'm not very strong in launching new categories. I've never really done that outside of swimwear. And marketing a drop is, which is a new category, would take a lot of upfront capital, upfront costs, new influencers. And that would, that, in my experience, pretty much failed. And then I get stuck with the inventory after five years and it accumulates in my warehouse.
16:34Elaine, can I expand on the factory thing? Because Sean, just to kind of wrap it, like, just hearing you and reading that, like, your costs are the same manufacturing in Vietnam, but you have to have higher quantities and manufacturing in the U.S. where you can manage it a little bit better. To me, if I was you, I would get out of the manufacturing business and come and do it in the U.S. until you're in a better spot with higher volume. Because the other part with your seasonality and swim styles is sometimes you don't know which prints are going to be the most popular, right? So you're having to guess in advance.
17:09Have you ever, I know Curtis says this too, but have you ever played with pre-orders on your swim to try to get a better idea for volume when you first launch it? No, I haven't. I've done only pre-orders after a style sells out and then have it be restocked. But yeah, but I, and that hasn't been like a significant can lift in my business. It's basically just selling my stock, which is 99 % of the business is just selling the stock. Most AI tools right now are all promise and no delivery. You know exactly what I am talking about. Super fancy launch videos. This is why I'm loving what Rich Panel is doing.
17:54They have AI and support smashed together, made it practical, made it useful, made it valuable to brands today, not on some future promise. And instead of asking you to spend weeks writing prompts and uploading help docs and babysitting, they flipped the whole script. Their AI builds your support team for you and everything it needs. I've watched it. It works. It's freaking amazing. RichPenal even guarantees 50 % of your support volume will be automated by AI within 30 days or your money back. I call that a no-brainer offer. The pricing is also kind of wild, about 20 cents per conversation instead of most other vendors being like a dollar to$3, which is a little nuts.
18:31If you are interested, go to richpanel.com slash demo, not for some generic demo, but to actually book a call and watch them build your actual support team. I'm glad you tried to solve this with product expansion yourself. And this will tie in the fourth point about product expansion. But really the problem is you have fixed costs in a factory then have to keep running and you right now you're taking on more water with uh with the brand itself but buying inventory and really what i'd like to do is try to sell lounge loungewear or athleisure as a contract manufacturer to other people right like going to the tj maxx of the world and even if you do it a break even at least you're not putting more inventory into the swimwear business right like that is that is like the actual offset instead of trying to sell the loungewear yourself just doing white label or private label or contract manufacturing as a lounge supplier and just being out there in the market doing that.
19:24That's the opposite of what Katie just said. So you could go either way on that. You could either shut down manufacturing and become a spot buyer in the market for different swimwear designs that you come up with, just be a designer, or keep your factory and keep the lines running with stuff that is going out the door for somebody else. But that's not, but that really, Sean, if she does that, the seasonality of lounge or the other product category she has is more year round. And so it's still going to, it's going to spread out her volume and fill her gap in the Q3, Q4. But I, Elaine, do you want to do that?
19:58Or do you, are you looking to, because I mean, girl, I can send you stuff. You can make lounge for us in the fall for sure. But I think I would love to keep my factory because I like, I have this vision of having like a house of, a fashion house of many different brands and then selling the brands once they get big and then do it all over again with another brand. But having like the manufacturing in-house, which is my forte, it's great because my margins are great. My cogs is like 10%. So then I can like really scale, like I can, I can sell a lot of, a lot of units. um what i what i do is um in um when i well another question i want to ask uh sean you said oh go and sell to like these discounters even though they're break even um i make production for like this these discounters but they sell my brand at like an 85 discount that's your brand though i think what sean's hitting on is like if you go to uh somebody else like it not a tj but like if you were to go to Nordstrom and just say like, I can make lounge for you under your own private label or your own brand, right?
21:19And just try to fill in, I mean, I don't, just try to fill in the supply chain, I think is what Sean is saying, by manufacturing another category. Like, so you have a hard time launching lounge, right? But that doesn't mean that - Anthropology would, yeah. Somebody else couldn't, yeah, anthropology wouldn't, right? So like, can Anthro, can you just make lounge for Anthro And then that gives your factory more to do in the off seasons. Yeah, like my brand, not like Anthropologie's brand. No, no, Anthro's brand. Yeah, so let's really dive into what we're talking about, right? Like you have a conveyor belt that is spitting off stuff, right?
21:57And you have to run it 24-7 or else you lose fixed costs. And the conveyor belt is spitting off a bunch of swimwear. And when you don't have anything else, it just makes more swimwear for your own brand. And now you have a big stockpile of years of swimwear on hand that like it's really hard to sell through, right? And that is the scariest thing for a brand because you're seasonal. And unless you're going to shut the factory down and sell through old stock for two years, it's just like, I've seen a lot of brands die doing that. So what we want to do is what can the conveyor belt spit out that isn't just your own brand?
22:26And doing orders for Katie. So you're going to make Caden Lane swimwear or lounge or whatever else now. On the selling to TJ Maxx, that is a personal decision. if like you're cool with them discounting your brand. Like one of your questions was, is it going to train my customers to go to TJ Maxx? Probably not. The person, the Gen Z person shopping off Instagram ads and influencers like is not going to TJ Maxx and doing the discovery. That's going to be their mom, right? And, you know, James Purse does like over$75 million a year in TJ Maxx. So like you can have a luxury brand and you can do in TJ Maxx.
23:04It's just like if long-term, if you like him as a partner or if you think there's brand risk. You know the category better than me. I was going to say I love them as a partner. They pay on time. They're never late. It's very easy to ship to them. Compliance is easy. No chargebacks. They're a perfect partner. But do you have really tight margins with them? Like are you making good money selling to them? Or are they just helping you move excess inventory? We do both. They move my excess inventory. So like I sell them my ATS. And then I also sell them production, which they can order like a lot of units.
23:50At the same quality of your normal DTC stuff? Or are you producing a lesser quality for them? Same quality. Same quality. Because we use the same raw materials, same fabrics. I can't really do seconds. I really like Sean's idea of considering white labels. Like you named off some really big brands that you partner with that buy your swimwear. Have you ever gone to them and offered an opportunity at a white label where you are the manufacturer for their own lounge brand? Yes, I have. They are always like a different buyer. And then they're very happy with their own vendors. But I think what my problem is that I really want a factory where I could just like do all of my own dip and daisies production.
24:46and I don't really like making money for other people, other brands, for them to make even more money. I just want to make money for my brand. So product expansion is your biggest, if you really want to keep manufacturing, you've got to find something to sell the other half of the year. Well, I think she already has, guys. I think what I'm hearing is it's like how to market another category. How does she actually make lounge work? Because lounge is big enough. like we know that right uh you know like and so there's i think that's a major topic here is like how how does she expand and this is um like if you go on frankie's bikinis if you go on monday swimwear everyone the challenge you're facing is the challenge every swimwear brand faces why is swimwear such an attractive category it's because the margins are insane it's like people will spend 120 to 200 dollars on like like less than one foot of fabric the less fabric the more expensive it is for some reason right so it's like that's where people are so attracted to the category but the downside is you can only sell for six months out of the year so every one of these brands is trying to go into clothing coverall loungewear um and it's the journey everybody's on right um so my first question would be is does it have to be under the same brand can we just launch a loungewear brand because like one of the challenges is like dip and daisies is so swim focused and then introducing the secondary category like uh every swimwear brand is trying to do it yeah yeah like you what i would recommend is if you're committed doing the same brand i've had to do the same thing like when we had wallets and i had luggage now i have chains like it's a lot of different stuff and it is entirely new ads an entirely new pixel and it is understanding that it's going to look like for like six to eight months in the ad auction until you start to actually like train meta to find that customer for you.
26:44So I guess my question is, does it have to be the same brand or can we launch a new loungewear brand? It has to be the same brand. Why? Why do you say why, Elaine? Just because having a second brand introduces more complexity into the operations, a new label, a new website. And yes, I could probably like have my own employees like doing the same thing, but just a second brand. We would just have to have more conversations about having a second brand. Elaine, I'm going to tell you something that you don't, it doesn't have to be that complicated. You can actually launch a second brand. So because what Sean's saying is true about Meta.
27:30And even though you'll switch from advertising swim to advertising lounge, you'll want different pixels, but the signal gets complicated and it takes time, right, to to get the signal shifting. But you could launch a second brand in your Shopify store and just have it a different experience. Like, think about how like pottery barn right does like kids and home and family and and everything like that kind of already does that though like there's dip and daisies i'm on her site now there's like dip and daisies and there's this risk swimwear that's the second brand that i have as well but that's more of like a mature um more like like sexier um brand it's like a different brand so why couldn't you do that as with a third one for for lounge it takes a lot longer to scale a new brand these days because the cacks are like so high right now and um i feel like if i could just like do existing um do do an existing brand we already have the customer and then having them just like naturally buy a different product with the same aesthetic would be easier.
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30:00how should she think about uh actually scaling up lounge how long should it take how does she do the setup like technically is it if it's under the same brand right is it separate pixel is it a separate buying cycle like all of these things is what i've heard you talk about this dozens of times here's the problem you're telling me lounge has to work and the market's not telling me lounge has to work right so like when when we launched categories at ridge like we've launched we launched them with the assumption that they're going to go to zero and not work right so like if i the famous example of ridges we had watches and they totally failed um but if i told the team no watches have to work keep making watches work it would have just i'm pushing water uphill you know what i mean but we launched rings rings did work i'm like okay we're selling rings now right and we scaled that business.
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30:49The Rings will do over$40 million this year in top line sales. But Sean, watches is a bad category. Lounge isn't. It's true, but I've also tried to make good categories work on my business. I try to sell t-shirts that didn't work. I try to sell socks that didn't work. And she already tried it. She already tried it, is what you're saying. We should just be open to the idea that maybe it won't work. Yeah, no, totally. I guess what I'm hitting on is she's already self-admitted that she's not a good marketer. Yeah. I wonder. I mean, I'll just call it like. That's but Elaine, maybe it wasn't product.
31:24Maybe it was just that you didn't put enough effort to it. Like we've definitely launched product categories that like the team just didn't put 100 percent into. Right. And I feel like we could have done better at it. And so now when we launch new product categories, we make sure that we're putting 100 percent effort in. But we go into it slowly. Like, Like, is there a space where you can, you clearly have a great customer base because you know she's going to come back as the Dippin' Daisies brand and buy something else from you. So what else would she maybe, I mean, have you thought of other categories that you can test and you can throw out some ads?
32:04I mean, Sean, I've heard you talk about like you basically post the ads and then you know right away if they start to get any kind of traction or not, right? And if they don't, you're just like, eh. Well, yeah, look, if I was prescribing, like, you know, the thing is we have an asset in that we have a customer base. We have an email list and we have the stuff already made. So it's like, how are we going to sell this stuff? I would make a different ad account and I would have a different pixel that is just trained on lounge cover-up accessories purchases. I would build a landing page for that stuff and see if you can acquire a lounge customer separately.
32:46And the answer is you should be able to. It's like you're selling cute stuff at cheap prices. You know what women love? Cute stuff at cheap prices. So you should be able to move through a ton of inventory. I just don't know if the customer is going to be good or if it's going to be profitable. Because it's a knife fight of a category, right? Let me ask you this question. if you if I spent like I do have a lounge collection coming up out this fall by the way if I if I'm spending like five hundred thousand dollars on this collection at cost for this lounge collection how much should I be spending on ads?
33:24Swimwear typically has like 90 percent margins so you have five million dollars of MSRP retail value let's say you have 3.8 million of after a higher discount net revenue coming into the business if you had 100 % sell through in the collection. Yeah, you should probably spend like one and a half million dollars trying to sell it, right? That would be like a really good MER for this. Did you place one large PO, that's where you're pulling out your 500 ,000, and the inventory's on its way? Yes, yes. I like front load all my inventory. Yeah. Like one big PO. Ooh, girl. Why? You own the factory. That's the point of the factory is to not do that.
34:09Because making one unit costs 10 times more expensive than making a thousand units. No, I know. But can you make$100 ,000 in units? That's close to the$500 ,000 price. Well, she's already done it. And I think it's I think Sean's right. I mean, Elaine, my gut is I don't because Dippin' Daisies to me isn't like it doesn't sound like it should only be a swim brand. So if you're stuck on, I really want to keep Dippin' Daisies as the brand, I do think you need to have a different UX. Like it's confusing for the customer, right? Us, you and I are your customer or the older version of her. We need to come and feel like we're not landing on a swim site that happens to sell lounge.
34:52I want to land on a page where like she's telling me how amazing her whole lounge collection is and the accessories of it. So maybe that's the first step. And then I think for your ads, so you're going to have two choices here. If you're going to keep it as Dippin' Daisies, to run a separate ad account, you have to have separate socials. You can't run them to the same social. So you'd have to create a new Instagram and a new Facebook to be able to split that off, which maybe isn't a bad idea. I mean, Sean, we keep ours all in the same. The only thing where, so we sell swim, lounge, gifts, personalized, everything all in the same ad account.
35:33Um, but pet that's launching in two weeks is the first time we'll have a separate ad account, Elaine. Uh, and I w because I wanted it to have that same, that different experience, like what you're talking about. But I guess I don't think she has to like Kate, Katie, your brand and dip and daisies are very, they can, you can basically, there's a strong analog here, right? Dippin' Daisies is a brand, can absolutely have multiple categories. And it's just a navigation and a user experience thing. It's also, when you're seasonal, you know what you can do? Take all the swimwear off the homepage, put the lounge stuff on.
36:05That's what we do, Elaine. Like, literally what Matt says. Like, you just kind of transition your homepage. So you would actually not put your products up live and it would just be sitting in your warehouse? No, I think it's just shifting where the spotlight is, right so we always talk about this at ridge it's like how many spotlights do you have and i do think the problem is you don't you don't have enough people shopping the clothing page because i'm looking at the clothing page and it's like as a product expert that you have a baby tea for 19 and i'm like yeah it would crush on tiktok shop right like these are the type of things cute things at low prices will really work on tiktok shop the problem is you don't have people going to find those products because you have everyone showing up for swim they're clicking and the swim banners, and that's what they're shopping.
36:49So you don't have any traffic that wants to shop the other stuff. And I think you solve that with, it maybe doesn't have to be a different ad account, but different campaigns that highlight the other stuff and drop them on landing pages designed for the other stuff. If you're a founder using AI for analytics, you know the trap. Claude plus BigQuery gets you answers that are fast and wrong, or slow and right, never both. The problem isn't your analyst, your data, or your tools. it's your business context gap. Sarah's IQ fixes that. Connor, who runs my marketing, cut his reporting time from 10 days to 45 minutes.
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38:01So like the basics of what Sean is hitting on is you start off with like, it's going to be a new campaign. It's going to have a completely separate set of creative. It's its own contained little unit inside of meta. That's like level one of category expansion. That's when you're saying the buyer is the same as my other products and their behavior isn't that different. Okay. Level one. Above that, where it gets harder is like, oh, we can't do a separate campaign. We need a separate ad account, probably a separate pixel, a separate page, like separate everything because the buyer is now different and their behavior is fundamentally different.
38:38That's why Katie's adding pet separate because her bet is that the buyer for pet is just going to behave wildly different than the buyer for all the other stuff. Sean did that with rings. I think Sean rings is just a totally different everything in rich, even though it's all flying the rich banner, he had to up the level of difficulty and complexity and how he advertises that category. Right. It was what you're talking about. What Sean's hitting on is you can just start off at Level one is like, let's create a new campaign. We're going to self-contain it away from Swim. Merchandise the site seasonally, also good.
39:19I think that then what I would say and what I've seen with lots of brands is what winning looks like when you expand a category, that is different. You have to have a different set of measures and expectations for what a new category will do for your brand and how long it will take before it starts to look as good as Swim. because like swim margins are amazing, but that is like crack cocaine. Not every category is going to be as good as the one that you have as a hero. So like maybe winning in lounge, Elaine, is like you just sell through most of that first big PO and then next year you up it a little bit again.
39:55Your margins are the same, are they not, Elaine? For lounge and swim? For lounge and swim. Yeah, but it's not even the margin. You have to train the buyer. Yeah, lounge requires more fabric. and swim is like one of one in terms of the apparel categories um look i agree with everything matt's saying um i i want to talk about the merchandising piece if just just i have a lot of thoughts on your website right now one i think risk k is a mistake this is like i i don't know your business very well but it's really confusing i do have a cookie banner over it so i didn't even when you're talking about risk k i couldn't even see it but then i click into the cookie banner And I'm like, oh, there's already a bifurcation of the website.
40:35And I bet nobody is clicking between the two. And it's like, you should either shut it down or just roll it into the main website as a separate function. And then the biggest lesson I've learned this year, if I could just impart something into you, is that the answer to all your problems is throughput. It's like, right now, you have a small amount of peanut butter and you're spreading it as far as possible across 20 ,000 styles or whatever, right? Across lounge, across all these different things. And your team is going to tell you that they can't cut things because, oh, we'd lose that revenue.
41:13The revenue flows back up to whatever the actual core styles are. If like you have a thousand different styles for sale right now, you would do the exact same revenue if you had a hundred, right? And maybe it falls down when you get to like five, like you need some variety for sure. But like Ridge lost a lot of money making all of these styles for all these different people. And you have hired merchandisers being like, we need this, we need this, we need this. When throughput is the answer, right? You've already seen this with your black, it's the bestseller. I think you said it does 20 % of your revenue and there's 50 other styles that do nothing.
41:46It's really trimming the long tail. And newness is important because newness works in the ad account, right? Like newness is incremental. It's like you want to make outlandish, crazy stuff that people click on an ad and they go to your website and they buy the black one anyway. So it's like the smallest. You talked about that, right, Katie? Like that's what that's like. And Curtis does that to Elaine. It's like Sean's a hundred percent bang on. It's like you actually design the style. You don't even need to actually have it in inventory. And that's where the whole pre-order function comes in is you should consider what Comfort used to do, or maybe they still do where like you have an ad to cart and then you have a pre-order at a lower price.
42:26So like you can actually give your customer an option to wait for things. So you could do a straight pre-order or you could do a dual add to cart pre-order button. But her season's so short, guys. Right. So remember if she's - I get it, but you can advertise that long in advance, Katie. Like you can get a sense for like, is this style going to pop off when it actually starts? Yeah, that pre-order would be amazing, but operationally that is a nightmare. and and um um so like when you launch a collection um typically like when i have when i have a collection drop i have 40 styles three prints three solids and the top six styles will drive 80 of the revenue and half of the time i'm shocked by what the top sellers are and it's unpredictable i'm guessing every single time what the best sellers will be you got test with your customer base way ahead of time?
43:22Which ones you think it's going to be? No, because when we tease it, we don't sell it on our website live. We like tease it on socials. He's saying like, if you have like a VIP group, you could maybe pull them on what their favorite ones were. Like, do you like this floral or this floral? Yeah, like insiders group on Facebook or like where you actually survey and show them ahead of time. No, I don't do that. So how do you guys know what are your best sellers going to be? I mean, we do that. Like, post on VIP and ask them what their favorite print is going to be. But, I mean, I'm listening to you and what you just said about the six prints in your drops, I think that's a really big collection to be dropping at one time.
44:08And I'm wondering if you should spread that out. We do a drop every week and so does Curtis. and I think you might see a better return rate with your customers. So think about it as a shopper, right? Like you send me an email and it's all your new swim collections. I'm more than likely because your swim's expensive. I'm going to just buy one or maybe two. But if you take all those SKU styles and break them out into two or three drops, you might be able to get me because I'm going to come by the first print, right, that you launch in January, but then you launch another one in February and I might like that one too.
44:45And I've already spent the money. So I might spend it again. Like, I wonder, have you tested breaking out? Cause that's a big drop. Six, three prints, three solids you said, and with multiple sizes and that's a lot. You're asking the customer to do a lot with that many styles on one drop. So Katie's hitting on Elaine is actually really, is if you, have you tested that before? Have you tried a moving to a weekly yes this june i did um i did six drop no i did four drops in six weeks that was a nightmare it was just but yeah but nightmare for you or what the numbers were not that great um unfortunately um we're having like a a meta problem right now so this year is a little bit tough oh june was really bad for most people uh elaine like the june was not a great it was great for sean because father's days in june it's crutch june is my peak peak month so i try to drop as many styles and more collections in june tried to capitalize on all the the the traffic coming in and it did not do good because i do feel like the customer doesn't buy a swimsuit every week on the vip group you should look at kitch jeremy and cassandra from kitch have an amazing vip group Portland Leather Goods is an amazing VIP group on Facebook.
46:07Join both of them. And you'll see thousands of customers posting and engaging with each other every single day. And like maybe you're, you know, what's the Gen Z version of that? Maybe it's, maybe it's still Facebook. Yeah, totally. So you should get all those people together, give them a free swimsuit and then just like poll them. Be like, hey, do you guys like this one or this one? On the more frequent drops, you know, Ridge used to do weekly wallet releases. And now we do like once every two to three weeks, we're doing, you know, bash wallet releases a couple at a time. And there is a happy medium there.
46:43I do think you, I would pair like two or two styles together, probably into your drops and tell people, hey, this is limited, only 50 pieces, right? Like put that in the email and drive that sort of awareness showing up. And then it just gives you like a very clear idea of what to shoot for ads and then try to run those to separate ad campaigns. So like you have newness and every two to three weeks, there's just two or three sets being put in there, right? And really focus on that one product specifically. How early do you post it in the VIP group so that you can get your production order in? I had an idea though, guys.
47:19If she doesn't have a VIP, Elaine, if you don't have a VIP group right now, it's gonna take you time to kind of build that up. I just saw the brand Loopy, which is the phone cases. sent an email out to all their customers and it had a poll in it and i'm like a sucker for that i clicked on it and it had me vote on next year's prints for them well that's just because they suck the the that's my competitor tell me how you really feel matt but she doesn't have a vip group and she's like what are you doing a year in advance polling for all you guys that don't have to do with apparel and seasonality need to shut up because this is hard you just you just raised my competitor, I can tell you, you don't have to do that.
48:02You can test like so, so much sooner. Also, she's got a down season. I know, but she just asks a question of how can she, how early in advance can she test for print? You know, asking the VIP group, right, Elaine? Like you're, because you have to, you're working on next season swim right now. Yeah. Yeah. So are we. So, and I, I mean, I think you can ask now. I think you can ask your customers now. Most AI tools and software don't give you direct ROI every month, but PostScript does. I run two PostScript AI products at Ridge, both show up on our P &L. Infinity Testing runs continuous A-B tests on our SMS automations completely in the background.
48:43It's driven$446 ,000 in incremental revenue, not just attributed, incremental. That's a 32X incremental ROAS with click-through rates up 43%. Then there's Shopper, an AI sales agent that answers every inbound text in under 40 seconds. We're running 23x ROI on messaging costs alone. If you want SMS software that gives a proven ROI, go to postscript.io and book a free demo. We've done the poll emails. The poll emails are good. Also, just post an Insta story. Just be like, hey, do you have this one or this one? Just so you could have people vote and engage. And you could do that every day for a week or whatever and just get some sort of insights.
49:19But going back to your actual question is, how do you know what the winners are? And you don't. A lot of it is, it's going to be your gut instinct. We just launched a collection. It's called Tiger Stripe and Neon Tiger. And you can go on our website and you can see this. And Tiger Stripe is classic camo, basically. And then Neon Tiger is like a Call of Duty skin. It's like a neon print. And I was so confident. I'm like, dude, Neon Tiger is going to rip. We're going to make so much money. Nobody wants classic camo. Totally inverse. The Tiger Stripe one did hundreds of thousands of dollars more.
49:52And yeah, you're still guessing, right? Like your best guess is putting out what you think is best in the market. Sean, you still had, I think what we're hitting on is some data is better than no data when you're making your guess. And you are your customer. You should always be the customer of your product. But I do want to say, going back to merchandising, more is less, right? There is diminishing returns. You have hit that level of diminishing returns. Especially, you have so much cute stuff on your website, but I do not think it gets surfaced correctly, right? Like your lounge business, your clothing business basically could be a whole section on Anthropologie that girls would love to shop, but like it's buried three menus down on your website.
50:34So it's not gonna be successful because nobody's looking at it. It's an intention game. You have to get eyeballs on that somehow and it's gonna be ad campaigns for it. So you're drowning in too much good stuff. Have you ever looked at how the dropshippers or how like people test brands before they launch them? Like they're basically fire up ads long in advance, even though they're never going to ship the damn thing. So they actually just like run ads to get signal on which ones get clicks, which ones are actually going to get people to buy, and then just refund the order. So like there's lots of ways to get signal before you ever have to make the thing.
51:10I'm not saying go do that, by the way. I'm just saying like people do this all the time. They test the market with products using ads just to get some data before they go do a run. Elaine, also maybe, like I'm really clicking. First of all, your swimsuits are so cute. I want all of them. Yeah. They're so good. Like her photography is gorgeous. She said she's a product person, guys. It's a great thing to be. Like Elaine, I think that's a huge advantage. Have you tried to move some of your inventory? Have you ever reshot? Like, so you know how you create ads and then there's always one ad that just runs it, right?
51:46And you sell out of that style and it's too late for you to reorder. And then you're like, okay, now I got to try to push these others. I mean, I will say like with AI now, you could take like the body and the woman of your top selling swim style and then just have it switch out into one of these other cute. Have you tried that yet with ads? No, my marketing team is totally against AI. Well, you need a new marketing team, sweetheart, because that is a no-brainer. And I'll tell you, we even had on one of our swim styles, because it's really hard to find hot dads and serious guys. And we had a swim style on a guy in ads that was like a daddy and, you know.
52:31Daddy and me. Daddy and me, basically. And we kept looking at him. We were like, we think it's because he's a little pudgy. we fixed him in AI and that ad started ripping. So yeah, you need to tell your marketing team to either like get on or get off because I think you could take some of your top, like I'm looking at your ads and the images. I can tell which ones are probably your top performers and your prints are all so good. Like you don't have a lot of duds, but you're sold out on some of your best sellers. That's an interesting take, Katie. How much does the model impact the sell-through?
53:07Huge. On everything. On Swim too? Elaine, would you agree with that? Do you think the model that you put the suit on has an impact on how much you sell? I always recruit the best models and LA has very expensive models. So I, I, I don't, I have never compared like an A plus model to like a C minus model. Elaine, stop paying excessive money for models in LA. Like our, every model on our website is our customer. And I think you could send out an email to like, there's so many ways you could save and LA's filled with gorgeous women. I mean, you should be, I'm not wrong. Like if you're spending crazy money, but I do to answer Matt's question and looking at your ads, like I think women want to see themselves, but also they want to see a better version of themselves, right?
54:06Like they want to picture themselves in that. And I just, you should just try it because you're still in the season. It's still swim season. Take your top performing, however that model was posed and the whole thing, put a different, have AI put a different swimsuit on. The way I understand meta and the way it works for us is it's going to push spin to it and it's going to work. I would bet money on it. I 100 % agree with Katie that you should be swapping out swimsuits on top performing ads and AI, like your marketing's against it. It's three clicks. Like you want me to do it for you? It's like, guys, like H &M is doing this.
54:44You have to do it too. One more tip on merchandising. I want to talk about the idea of site merchandising. I'm going through your site right now. You sell kid swimwear. You sell maternity swimwear. You even have the Ken shorts. You have swim trunks for guys. It is so hidden and so hard to find. If you want to sell more lounge, just put it in every fourth slot in your bestseller collection. Just like drop in a piece of, you know, the bikini tops or whatever. It was like the baby tee. Just like put that randomly throughout the collection. So it's inside of every single collection. More eyeballs on it, you'll sell more of it.
55:24And even if it's small wins, like right now you might sell one baby tee a week. We could probably get it to 10 baby tees a week with the exact same, like no marketing dollars spent on it, just surfacing it more places. Right. And it's like the cross shop. Sean, on that, Elaine, do you, which I agree with you, but do you, are your bestsellers collection on your page? Are those actually your bestsellers? Yes, those are my bestsellers. Yeah. Oh, yeah. Yeah, you got to start lying. It doesn't work like that. It does not work like that. Yeah, when I design a core collection or a bestsellers collection, it doesn't sell.
55:57I found out that I have to get like the top units sold styles and put it in my bestsellers collection. That's how I can do it. No, no, I get it. Okay, so I'll give you two things. Obviously, it doesn't work like that. People want the bestsellers. So we actually broke out of bestsellers and then a trending. And we do what Sean does. In our bestsellers, we will absolutely merch in products that we want people to even be aware that we have. They don't even know that we sell them. So we'll put in a new category in there, even though it's not a bestseller. And I won't do that everywhere because it's not a bestseller.
56:31but it's good real estate and that page gets a lot of traffic. So when you want to introduce a new category, it's not a bad idea. But we created a trending sort. So people go to our bestsellers page and then we have a trending. Trending is where we put in all the weird that we try. And we have found new bestsellers. We find a new bestseller every month by just calling it trending and showing people stuff that we think should be better, like it should sell better. That people just, when you have a lot of styles, they can't find the damn things. If you're scaling an e-commerce brand today, ads alone aren't enough.
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57:48So check out Aftersell and tell them that the operator sent you. I would bet that an ad drives your best sellers. I think you have a print and an ad that takes off every time you do a launch and that's what drives it. But Matt's right. Like you're if you get on a heat map on your site, Elaine, and you on mobile, not on desktop and everybody, the first two things are going to click on is either new arrivals or best sellers and you should break it out. Like your best seller. First of all, your new arrivals doesn't have lounge on it anywhere. And Sean's You need to add, you could even just have a dropdown that says New Arrival Swim, New Arrivals Lounge.
58:26And then for your best sellers, break that into more categories too. It will give you natural eyeballs on those products and there's a better way you can merchandise this. But your lounge is so freaking cute. I can't even find the kids stuff on your site. And your lounge is adorable. You should have, yeah, you should have this. The lounges, last season styles, those are on markdowns right now. But because I have a lot of inventory, I go on markdowns very often. 50 % of my assortment is markdown, like 50 % off. So, like sometimes I, like I, because I have fabric liability, because I don't know what styles will sell out, I have to like front load my fabric and prints are very specific and these prints they may not sell and I get because these prints don't hit I get stuck with the fabric inventory so then I have to go and make like markdown products off of those leftover fabrics and then sell it in season for 50 % off no and it will sell but you're not acquiring a customer you really want probably right she's only going to come back and shop when it's on sale I mean I it's like what Sean started with I feel like your whole it the production like the fact that you placed a half a million dollar PO on your lounge coming in the fall and you can't like there's it's going to be hard for you to adjust for it is yeah do do you guys make markdown products like do you guys produce markdown products just to like get the customer like an acquisition cost we do but we do it a few times a year we actually make we call them leftover cases so like we actually take all the leftover material and we grind it up so it's like think of these are like tons of colors and we just mash them together and it produces these weird looking ugly ass uh like tie-dye like it's just a strange collection of things and then we sell them as our trash.
1:00:40Like this is our waste, right? And we sell them for like 20 bucks a case. We sell them for way less. We do this. They crush. People think because people, there's weird people in the world, right? There's different buyers for different things. So we actually produce these things as like a discount collection of like, look, these are all the rejects that we just reformed into these new things. We can't control the colors. Every single case you're going to get is going to be unique. So none of them will, not one will look the same as the other person. Surprise when you get it. So we've done stuff like that.
1:01:11I know Curtis actually produces, well, no, he doesn't. He has like his seconds. What about mystery boxes, Elaine? Oh yeah, I have done that and it's done great for like the pop-ups and selling like high units, but for like Markdown products, it actually drives a lot of revenue because I could sell like a swimsuit for 50 % off. Um, and it's a good, yeah, it's a good volume driver for me. Uh, I like making discounted products. Yeah, but you don't, you, you gotta be careful on if you're going to be like a discounted brand or like, cause I do think like I'm shopping your lounge and it's a mix. Like if I was just merchandising it, I would say you need to move all your sale to the last page and the whole first page needs to be full priced items and right now it kind of like goes full price sale full price sale so i you have a lot of low-hanging fruit that you can optimize on like truly which is a good thing right katie and elaine can i ask you guys this uh this is more of a how women shop thing would it has anybody ever tried just doing like I've made a hundred of this style, that's it.
1:02:28And I sell it for way more money. And none of your friends are going to have this at the same spring break vacation spot. So like where you really use scarcity in your favor. So like we're talking about discount styles. What if you went the other way? What if it was like, no, no, no, I'm only making like 250 of this swimsuit and it's a$200 swimsuit or$250 swimsuit. I think it's a good thing you're not doing swimsuit brands, Matt. There are brands. Well, I don't know. I said it's a question. I'm not saying it's a suggestion. There are brands that sell out limited edition. Like, I'm sure you guys heard of Park, their mock net, and that active, their active wear.
1:03:08They sell out within the first 30 minutes. But they have a huge social TikTok following, Elaine. Like, that's very hard to recreate. Also, set is not very big. it's like you're you're getting very close to the size set is like i know that business a little bit and um you make way more money making stuff and selling lots of it uh i think you know to summarize your problems as i see them right um if let's talk with product expansion if you really want it to work you have to give it a really honest try and that is comes as a site merchandising you have to fix the discovery aspect of it and you have cute cheap clothing that will work on TikTok shop.
1:03:51So you should lean into that as a discovery channel. And this is really for the clothing side of the business. I think probably your biggest opportunity, because it solves a lot of things downline, it is like, let's get scale on this. The second problem I see is because you own the factory, you have to keep it running to cover fixed costs. I've been here before, so you make a bunch of stuff. Now I think you're over-inventoried and you just get into a lot of bad habits where you end up buying and expanding selection for customers. And then when you have too much of it, you dump it on TJ Maxx. But then you have to buy more of it because TJ Maxx wants it in January too, like everybody else.
1:04:32And it's like, if we can't actually fix this problem and actually get the new product stuff working, it just gets worse and worse and worse until I'm talking to you and you're like, yeah, I have five years of inventory on hand. I'm bankrupt. Like, I don't want that to happen to you, but it's happened to a lot of people I know. And then down the line from that is, yeah, your life would be way better if you could just sell black swimsuits. So how can we get all of the juice of new launches, but like hyper-focused on, you know, the winners, the blacks of the world, right? Well, the black swimsuits of the world need to be driving your new customer acquisition.
1:05:04Like that's why you need to not forget to keep creating new creative for your black swimsuits. Yeah, I think that's a great tip from Katie. It's like so often we forget about the winners because they're the winners, but you can get way more juice out of them. So anyway, that's probably what I would do. Focus on site merchandising and then focus on new ad campaigns with different pixels and TikTok shop focus on the clothing aspect of it. And it seems like launching new brands or selling or like making lounge for other people is off the table. So we'll just try to solve it through the ways I just described.
1:05:41But Matt, Katie, what are you guys thinking? I think it's, she needs more, at least some data to better predict what she thinks is going to be. Like she has a wicked advantage guys in having a factory. She doesn't need to, she doesn't have some factory saying, Hey, place your PO now for nine months from now or 12 months. Like she can actually be a lot more flexible than her competitors can. So like, to me, that's a huge advantage. I would, I would just think like, what data can I get that would tell me a little more about what I'm going to sell more. Maybe, Elaine, I know you said you don't want to manufacture for other brands.
1:06:15You want to just do your own. But maybe that's how you get the data. Maybe you manufacture for other brands, see what volume they're pushing. Oh, that's interesting. They're a different customer. But yeah, that could be good insight. But Matt says, like, the factory is, like, a great advantage. Katie and Sean are saying that get rid of my factory and just place POs with a big supplier instead. So we've not helped. So what she's saying is we've not helped her at all. She says she regrets coming on her for the past hour. No, I'm not saying that. I still got a lot of great insight about how to be a great marketer.
1:06:53No, we don't need to agree on everything. And I obviously have my bias, Elaine. Like in our business, the speed matters. And weekly drops for us absolutely matter. When we do less drops, we make less money. Like that's just how it works. so obviously different buyer different category i think i don't know i feel i feel like maybe elaine you're like you have a great thing going maybe you just need to focus on being a better marketer for a minute and maybe that or maybe that's a hire you need to make if you recognize that's not your strength maybe it's worth the investment because your photography and your product is gorgeous i mean i i'm inclined to tell you take lounge off discount try it again Oh, sorry.
1:07:34On the factory piece, the factory is an asset. I own almost every factory we do business with, or at least I have a JV with them, right? But it can be a liability when you have to keep the lines running, when you don't have the demand to satisfy it. And so you want to be in the position where you're always demanding more product from your factory, not the position where, oh, I have to keep the lines running. And that's like the problem, right? It's like, you know, what happened to, you know, GM Motors in 2008 is they have union contracts and they have to keep making cars, right? Because they have to pay these people, but nobody's buying cars.
1:08:09That's what you want to avoid, right? And just right now, we're on the wrong side of the supply-demand curve where we have too much supply. We have to generate the demand. i agree with katie that like the next year of your life you're gonna be the world's best marketer but you gotta just figure that out it's um you know it's funny i'll tell you two things that this reminds me of like we actually did look at making stuff for other people in our factory lane and uh i think i got the same advice from mike that uh i'll give you which is like it's the swan song of open of owning a factory is like well i'll just fill in all of my down cycles with like other people's stuff, which then means you're like, now you're a B2B salesperson and you're like, it's a, it's just a different business and it's very distracting.
1:08:50So what Katie and Sean are saying is ultimately where we landed, which is no, I just need to sell more of my own. And that, that meant being a better marketer and a better merchandiser and a better everything else. I'll tell you the thing I'm learning from this though. So like, this is less of advice. We get the outcomes we invest accordingly, right? Like, so I have, I've said, I've said this in the show before. I've never made Amazon work. But if I'm being honest, I have never really invested in Amazon in a way that Amazon should work for us. Like I have treated it like the redheaded stepchild.
1:09:23It's off in the corner. It gets, oh, sorry, Katie.
1:09:29Doing it on purpose. And we've just never really plowed into it. And I would say that five or six years ago on Pila, like it was the same thing with new products. We never really invested in them and gave them the time that they probably needed to become good new categories. Like I would, we killed them too fast or we just didn't care. Like that's the truth. So I think my takeaway from this is just invest according to the outcomes that you desire. If you want a new category to work, that category has probably got to take over the whole site for a period of time. And that's okay. Like, Swim lives on our site in Q3 and Q4, but you gotta dig for it.
1:10:13And it transitions completely. I also... One last line, you could throw it away, who cares? You call it lounge? I assume it's gonna be sweatpants. It's not sweatpants. It's like cute tops and skirts and stuff. So maybe... I'm not shopping a website, but it was confusing to me. I thought we were talking about doing sweatpants. Oh, my God. Elaine, you can keep calling it lounge. They're idiots. Don't listen to them. Sean doesn't know okay well thank you guys for all this advice it's like been amazing hopefully I can grow my businesses to like your guys' size but yeah fully bootstrapped so I'm hoping that I can I can make it you guys thank you
1:11:06GPA Watch
From the publisher
Help an Operator Out (HAOO) is a series where real business owners join the podcast with live questions. In this episode, Elaine Tran (Founder & CEO, Dippin’ Daisy’s) brings the hardest problem in owning a factory: keeping the lines running without drowning in inventory.
The conversation covers owning a factory versus buying from suppliers, managing excess off-season capacity, and launching a new category without it flopping. Sean makes the case that contract manufacturing for other brands can keep the lines running without adding to her own glut. And everyone lands on the same fix nobody’s using: better ecommerce marketing + merchandising.
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