“Depeche Mode”

22:42она вместе,

22:50и он Land still стал claro, но в таинственной силе яedeеня что -то пересекло, took from or were born out of a different era and then created your own genre in a way. I mean, not to put you on the spot, but because there weren't a lot of people who were making what you guys were doing. People just started doing, and I don't, like, Bronski Beat, you know, they were doing stuff, but they came after you guys, like two years after Speak and Spell. Yeah, it's almost like we had Bono on and we were talking about how, you know, when all these pop stars like Madonna, Michael Jackson, и все другие большие покrichи, عنった «Атес» и «Юрганс Джошуатрия» ведь это фирал, смотри, стía бы, она такая dazu!

23:31Тысыる Вы숨 в любви irgendwie и были поверхность los Primary-Wечья Profila и вот его мягко с ним! Этой групп!... У нас были saying « avail бы я давно были каждой группой, родом дазут меня» There was a wave of stuff that came, but we never quite fit. And I think that was a really good thing. And I think a lot of that was to do with Daniel Miller and his guidance in kind of allowing us to slowly develop into what it was we wanted to be. And by the time we got to Black Celebration, I think we had kind of found, a bit before that, but we had found our own way, right, Mark? Да, кстати, Teresa – It took us a while, Arie.

24:23И мы вместе вчера вернемся! И теперь, вернемся еще! Марта, я все а��고 Алексею‑ configure's, благо הזה vanished Язeterной группой. Feuer тогдаישа ovenongeю, он disse Cambию угаскиваешься? Раскоп that happened that you sort of stepped into that position well if you i don't even mean to put it i don't know how to no uh yeah i wrote a couple of songs on the first album and yeah because i was the only one who actually wrote songs when this left i kind of had to do it right it was just like we were like uh so and daniel literally was like does anybody else write songs because your writers left and we were like does that mean it's over and he sort of mine was like i got a Девушки отдыхают.

25:47looking around going, who the fuck's going to do this? What was the first, when you started writing, what was the first sort of like big hit that you wrote and everybody's like, ah, fuck yeah, Martin, well done, man. It was straight away, actually. First thing we recorded was See You and then you released that as a single and that was a massive hit. Wow. We actually went the highest, we'd gone in the charts and then we went to number six, it was a big thing and Martin had this new synthesizer called the PPG. и so we didn't use much equipment in the studio it was like a few pieces, Daniel had a couple of pieces of electronic stuff and so you kind of were very and there was no sampling then it wasn't like now you just kind of like it's almost too much but we picked we had these few pieces so this one synthesizer dominated the sort of sound I would say, right Mark?

26:41of that song in particular и это было очень хорошо, это было очень хорошо, это было как Эверли Brothers' song. И мы, вы знаете, мы были на ТВ и это было очень много. Я думаю, это было «Hermans, Hermans». «Миссис Брян, вы в горе, ты в горе, ты в горе, ты в горе». Я не знаю, «Беетлз», но я думал, что это было слишком много. Гибель, вы были young. Мои grandparents used to have a «Hermans, Hermans» record, и мы used to play it when we were kids. Зоу. Do you remember that Mrs. Brown, You've Got a Lovely Daughter? Yeah. Yeah. Fucking hell. You've got to remember, I was only 10 when this was happening.

27:18Are you guys so shocked that your song, Just Can't Get Enough, is used everywhere, always, all the time? It could be anything. It's a tampon ad. It's like in the, it's in the cocaine bear. It's like, you know, come on. It is. It fits. It fits everywhere. Yeah, it does. I mean, of all your songs, I really do know probably every word to every song. And I'm like, That's the song everybody plays everywhere. You know, it's funny, when Vince wrote that song, I think there was that coisa that he was The Office and I seemed to remember him saying, he said something like this to the rest of us. We were sitting on the couch, all kind of squashed together and he looked at Vince and he said, he is going to be driving a Rolls Royce were you three are on the tandem.

28:07And we were like, you know, on the bicycle. And we were like, why? And we all signed this deal. I think he gave us£100 each to sign our publishing the way. He did. Really? So we were like, he's given us£100 for nothing. Signed it to some deal. We can buy a tandem for that. Yeah, we will buy that tandem. Да, но Vince, он говорится, но он деревеная голube, и он сказал, что с кон called to From Д伍. стало been Daft, и мы были Joey T fired up then, кто большла так.eta We were заместирована, потому что в предут supersdayens с . . . . . . . . . . . . . . . . . I remember that. Do you remember the band Hot Chocolate?

29:02No. So you guys are two young. I believe in glucose. Oh, yeah. Hot Chocolate, they were called. That's the thing in that band? We were like, holy shit, there's Errol Brown from Hot Chocolate. So you have some hits in the UK, obviously. What was your first recognition in the U.S. that you knew that people were listening to the band in the U.S.? Ну, я думаю, что «Just Can't Get Enough» было бы получать, как, конечно, клуб play и так далее. Но я думаю, что первая радио была «People Are People». Да, это было очень. И это было еще, как, очень, очень, очень, очень, очень, очень. Это было... Мы не были вообще, как, очень, очень, очень, очень, очень, очень.

29:46И тогда, как, первое, просто, с помощью себя, я всегда смотрю, как, я смотрю, как, как Дэйв Гонн, все время в школе. Я смотрю, как, вы выглядите, как Дэйв Гонн. Я подc filmmakers. Я ещеec это над этим. Важ như, у него появилась в zus. ВыANC составили себя YLVY. Пофиг bị выпаможивали, ح Kai? Liquid является раньше -ч Fred Taylor con von В DSO? Этоافитем за Россию. Это важным семьям. Эпогонииumма выводила soyonzaya. Это повыит geil reflects по всей политике. Верни к deg more, 09 ,000 - fazem орехи. Это обозначает и погoding grosse. Не готовы мак HTTP, могут быть.. Д hazarded.

30:34Д и яираją великой пебе,

30:52вокруг для нас еще camerств, другу. Мы used to think he was extremely old. Like, when we were on that tour and he was, you know, documenting the whole thing with us, he was like this old guy. We used to sort of, like, help him around the stage, you know. Like, be careful with that 35mm, you're going to fall over, dude. He was, like, maybe 50, I don't know. And we were like, he's so old. Like, this guy, who's this guy? And he was just amazed with what he was amazed with, not really the music or anything, it was the scale it was the fans the fandom it was the cult of this following that we had why are they obsessed with this band still to this day there is that same we carry that same it's like the church of Depeche Mode or something does that feel does that feel heavy sometimes или или что -то определенно, светит algo, котораяiltegás на wrench blue, но как они знает.

32:00Продолжение у нас особенно. Я высười hyp защитиваю, и сырой фаны всегда долго понимают bearings лучше, чем она называется, да.

32:13Поэтому commARRY на slime соеди changed. А в�าง reflective, comes complaining. Они не всегда всегда рады, что мы делаем. Они просто арсенал спортеры, как Мартин. Мартин, а ты ан арсенал спортер? Я, да. Ты был из -за North London? Нет, в Северной. Я должен был быть в West Ham. Я должен был быть в West Ham спортер, но... Вы просто... Вы делаете, когда вы 9 или 10, не вы? И вы stick with it, вы не можете. change where we came from it was like arsenal west ham or chelsea basically yeah that was kind of like dave are you are you a football supporter you ever i was a chelsea fan so really and i stopped going to chelsea after getting a total beating actually at arsenal away at arsenal i got chased down the street by a bunch of arsenal fans ended up rolling underneath a car to escape death um where i just Это было бы так, что я был 15.

33:12Это было бы так, что я был 15. Я лет them away, по -моему. Я лет them away. Мартин сделал это несколько раз. Вы showed them where he was, а потом вы были, что это слишком много. Я просто read this book по -моему, Bill Бюфорд, called Among the Thugs. Я не знаю, что вы уже читали. Да, это было. Это было бы так. Челси -кру, которые были called Крэзи Ганг. И это было бы, что люди были в соц. Это было бы так, что это было. Это было бы так. И это было бы так. ЭтоCU - recipients. Это между новой sevplainой героюby, вместе сếnякой. Даг若 - Una presents профильazy. Фестиваль -ни Darwinperson, оф riceкмилищ их control.

33:51Это США, у себя selber себя sets на патологию.

34:09The whole aesthetic of the band, it is so sort of, I don't know what the right term would be, dramatic, cinematic. Yeah, but I mean, I don't remember that, anybody blazing a trail before you guys in that world. There's many, many sort of people that try to replicate that since then, for sure. But where did that come from? Was that deliberate or was it just kind of where you guys were at? Were you inspired by something? I think we were lucky when we wrote Black Celebration that we got involved with Anton Corbyn, who became kind of like the visual head for the band. Who's that? I'm an idiot. He's an incredible director.

34:51He's directed a lot of videos, yeah. He's a film director. He's a very tall Dutch man. He started out as a photographer. Okay. But, you know, he makes films now. For the NME. For the NME with New Musical Express in London. he got to be the front cover guy that would do the covers of that paper it would always be like this amazing photograph of Joy Division or Echo and the Bunnymen or Susie Sue from the Banshees there always were Anton's shots so the chances of us at that time working with Anton were pretty slim but the first time we worked with him I think it was 81 actually and we didn't work with him again till 85 mark 86, Black Celebration, yeah.

35:3781, we got the cover of the NME and Anton was shooting it. He had to shoot us. He had to shoot us. I don't think he really wanted to because he was very cool and we weren't. And, you know, I mean, we were trying to be cool, but... And did he style that shoot in such a way that you guys sort of borrowed from and adopted going forward? I think it sort of began there, Even though we weren't probably aware of it, but by the time we, like Martin said, by the time we got to Black Celebration, we had been working in Berlin, Hansa Studios, the very famous, iconic Hansa, where Bowie had recorded, and Iggy, and various other people that we looked up to and were influenced by.

36:28And I think that's where it really started for us. Мартин had moved to Berlin as well for a short period of time there as well. We started working there a lot. West Berlin. This was West Berlin as well when the wall was very much still up. And we used to work right... There was a studio called Hansa. It was right on the wall. So when you were on the balcony of the studio, you literally were looking over the wall and you'd see these soldiers, you know. Hence the Bowie's line in Heroes, but about, you know, the wall, I think. Heroes always reminds me of Christian F Remember that film in West Berlin It was on the soundtrack That's a great film I'm sorry for the dumb dumb question And you guys have probably answered this a billion times But I don't know Why the religious undertones So many of them It's spirituality They both just started sweating I've never been religious Я всегда искал.

37:29Я всегда искал. Я всегда искал. И я всегда, когда я всегда искал, когда я искал Мартин's words, это тоже как -то, это как -то, это как -то, когда ты играл в этом месте, как мы просто делали в Гарн, или что -то. И в этом гиге, that you do is this sort of experience, it is like a sort of I don't know, spiritual experience it's something that's there and it's also, I have a kind of disdain for it too it feels like you know a lot of bollocks as well at the same time I mean, you even sort of take it I mean, I've always loved blasphemous rumors because I just love that lyric I don't want to start any blasphemous rumors Базарист's Rumors, but I think that God's got a six sense of humor.

38:25And when I die, I expect to find him laughing. I've just, I've always been obsessed. People miss the comedy, see. They miss the comedy in what we do. They just sort of miss the humor from Martin and they miss the delivery from Dave. But, you know, it's all there. You just got to look a little deeper. The only reason I brought it up because I love the comment and the cleverness of the language that you choose. It's really cool. But then it also did fit into, Jason, kind of what you were asking about into the aesthetic. The formative sort of, yeah. Yeah, it became... And you get that, you get that.

39:03I think we like that. I think we're comfortable in that imagery. A bit of theater and... Yeah, yeah, yeah. Well, what was it about the writing though, Dave, that always sort of kind of presented a block for you because obviously you're a very intelligent man, know how to speak, know how to write, I'm sure, и рассказывает, но когда работаетounge onion, и Маринов, яída лучшеiem, будет сто communication, а вообще едет на ст боли когда выб muse reverод и люб週 ингредицию с jedem изOOD, а таков опятьHold fest, обрис했어? Люди,

39:40в начале ultima代 явления, Ahoraу, как мы в forthcoming с 23 гнг, с 23 гнг, Зачем изменяется черезirteen ,عمащие, pencils декомunedes, но я чувствую, если вы действительно если вы действительно И и Use 1.

40:47Я stuntряю темы… Вообще сложно было изуправить с песня сколько нанесло incident ranking. А это не мой вид mais. Но ondan выставить сегодня как Arахст MATT versло.

41:04Я быiesta было решить что sucked работать. Продолжует работа, а которые будут動. Вся exclusively supporting. это новая, потому что нужно нужно перемover. Я работаю, это очень тому, что... который находится в положительной ситуации, это你可以digать мало, Saint Wyler ,до notation поможет быть, но большая часть fiery чтения у bigger trends Nutляного, чтобыAC %lei ты важен бездак. laude. Уров JJ ты начинаешь... Угр -əli говорится, что нужно идти по21, то можно управлять, будут любrete смыть. И, по -моему, ты так и лево. Это Мартин. Он будет вести в моем песне, что мы работаем, скажем, как «Ваггин Тонг», который был на этой реке.

41:54И я сентюрный демо от Мартин, как я, хам -фистовый, на гитаре, пытаясь узнать, и я сентюрнусь, и я сентюрнусь, и Мартин sends это в этом, с красивым, как «Craftwork-esque» и арпегией, и арпегией, и я сентюрнусь, и я сентюрнусь, и я сентюрнусь, мне, then, to another place, you see. Right. Because that changes the perception yet again. I'm sure it's the same with you guys when you're working in film and behind or in front of the camera. Yes, and. You feed off an audience in theatre, I'm sure, and then when you're just in a room together and you've got a bunch of crew standing around you, and you've got to create it for yourself.

42:37Otherwise, there's just this bunch of crew around you. Well, it is true that I can speak Because the three of us, I've worked with both these guys, and none of us really sort of come in prepared in the sense that we don't fully have it memorized a certain way. You can't. You have to kind of have a loose relationship with whatever you're doing because so much of it is informed by what the other person is bringing. You sort of leave room for the effect of the other. Yeah, yeah, like that's a... But by the way, Will, can I just really quick, И тогда мы собираем это сомневаться от этого, передвините, потому что я в этом люблю подattan -то第二 ридж Что -малиты?

43:19Вы знаете, мой prime мостicallyOTHERłых данных, presenter-fanитые детали. Это отличие ,ong bumper -лод Aеруси? И этот голос с persecеницей ию, 제�окие моя любовь на время, arlene меня Astronom setup молCom�로 saliva в Fortune m άλλо. Which completely obliterates the whole song. And as a kid, I was like, wait a minute, I was about to cry. Because love is bollocks, that's why. Love is bollocks. It still gets played at lots and lots of weddings. So Martin's just having a laugh at everybody else's expense. So for a dummy music listener like me, I always struggle to hear what the words... What did they say?

44:40Создѕвī, да? Да. Но, это было бы, но в таком году. Мы были счастливы, что мы сняли что -то, когда вы вообще не могли сделать это, когда вы делали гайд -вокал в студию. Потому что есть трек, который не был в этом, а это будет в конце года. И это называется «Лайф 2.0». И что, ты думаешь, это было бы, «До»? «Лайф 2.0»? «Лайф 2.0»? «Лайф 2.0»? «Лайф 2.0»? «Лайф 2.0»? Девушки отдыхают.

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46:01Были в хай

46:08нацииALLY, fillем репутся. Как -то Kraftwerk-esque? Yes. It's so funny because you're like the third band that's referenced Kraftwerk and I was just listening to Tour de France this morning as well which is such a... I love that tune. And I think it was, Jay, when you had the boys from Radiohead were talking about Kraftwerk as well. Like it was just... What an influential band these guys were. It's unbelievable. Well, they were probably streamer and Martin getting a synth, I wish you imagined, in the first place. Yeah. Н rethinkу significать и о hèли струив burningät и выс proceeds они были через Ужен или навязала яitely м...

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47:14того как всё как высокопистотируется

47:26имяов ов

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47:49Families serkg. Но очень выгновательное. Атом Ener거야, во многих затěcheters д � Alliance大家好! Мы бы ходили с тем, как машинами, в скрапы и сетях, или будучи sites, и мы бы ходили weird шутки, что вы слышали. И «Everything Counts» было все это, да? Да, я не знаю, что это было сейчас. Что было? Это было... Субтитры делал DimaTorzok

48:42You guys are a big fan? Or is it a love-hate with what technology and digital and all that stuff has done as far as the way in which music is sold nowadays and what that's done to the touring business and whatnot? Because you guys obviously have the best of both worlds. I mean, you're still playing Madison Square Garden, and you're still selling albums. So how does all that sit with you, today's current makeup of the business? Sorry, and be honest. Да. Я имею в виду... Это как бы и плохой, да? Мы в Тимзе, я имею в виду, как фильмы, винар, вы знаете, что -то в этом, что -то в этом, что -то в этом, что -то в том, что -то, когда -то, в первые 45 -п, или что -то, что -то, что -то, что -то, что -то, что -то, и вы -вы, вы -вы, и вы посмотрите, вы посмотрите, и вы посмотрите на рынок, и вы посмотрите на песни, и вы посмотрите на это, и вы посмотрите на это.

49:44Конечно, мы в одном из них в ТВ show, где вы, на Thursday nights вы увидите музыку как Bowie, Гарри Глиттер, и Слэд, и Т -Рекс, и все 70s с Роцси -музик. that was a thing that was like where you get lost in it but I think the album I know Martin does as well we both still play albums and buy albums and stuff but you know and listen to music digitally too something has been lost of course in that the specialness of an album you know and how you listen to that how you play one side and then turn it over you gotta actually make the effort to do something I love that I remember that sitting in a room taking it out of the sleeve and putting it on the smell of it you'd have you'd have the dust the brush you'd let it go around and clean off the needle and drop the needle on it and sit there and maybe you would have lyrics, sometimes if a record came out you were waiting и это было лирик.

51:02Вы были, да, это лирик. Это было так. Я думаю, я боже, что -то... Я помню, я stole от меня, Фил Гурри. Я был рядом с его домом. Я был рядом с Фил Гурри, и я был рядом с флотом, и он был в Дубле Ливе, Давид Ливе, в Филадельфия Тауэр album. И я открылся, и я увидел это лирик, как это лирик, и я был просто сидел, и он был в туалет, или что -то, А когда он был, он был 빼баним, он шовет. И я шову его в бак restraину. Наб一 думай, оно desse. Продолжение круто,, transf Moi же, конечно. А с ним в школе этоkelt, я узнала matches ,indruckение. И был бы выиграливhearted, Филу неч senza лихри. Я настолько не с**та Councilu, это получилось.

51:51Этоmbолый хорошее это было, чтобы бы ничего sensильного프ания. Ты китайку собой туда я нашел Anthony на школе. А я потребовал себя из District Creator. reinforcing Кампир поджар � Bueno и такараrr đầuthe согласись Я rememberẫj я have had so many different record memories so many different record memories Я помню, когда первая Симплеминеза в Крайдинка и они делали в Клиаре. Я помню, что? Да, мы у нас есть в Ред Винале сейчас. Мементом Море. Да, Мементом Море. Это очень хорошо. Это в Клиаре. Да, в Клиаре. Это в Клиаре. И это в Клиаре, и в Клиаре. Это Виналя, 180 грамм. Это круто. Это очень круто.

52:51Ну, теперь я буду покупать. Я буду покупать. .

53:25Когда Антон Корбин says to me, so Dave, so Dave, I want you to get on hands on knees core graveyard on the floor. This graveyard's just set up in a studio, by the way, as well, of course. And it looks already very kind of like, as soon as we get there, we're like, this is, this looks like really, like somebody set this up. I want it to look kind of fake, Dave. And I was like, okay. So he's the only person that would get me to do something like that. At least he didn't put the dog collar on. I think we did about 20 takes of me crawling around. I'm surprised he didn't do that, actually. Snap the leash.

54:01Yes. The only way we got away with it is because I'm the one crawling around, of course. If we had some, you know, beautiful girl or guy to do that or something, we would be in big trouble now. Sure, sure. That's crazy. I have a question. How do you guys determine who sings what track? это это как -то obvious sometimes я я думаю это это просто obvious просто потому where the range is я я я mean soul with me on this album I knew I thought to myself Martin would just be able to sing that song much better than me we have a different tone a different way we sing but together it's just unbelievable I to get bent out of shape a bit I used to years ago союз finished, поэтому ему далее есть первое пакет и techno сходится хорошо но он как ещет, правда, же!

54:56кротится на его

55:1750Ch bede 50Ch bede валовая масса

55:48Мы бы просто взяли в ай -нап, whereas в древние древние древние... Мы бы были. Looking for something to just get a little bit more electricity into that set.

56:02Was that fun, playing the Garden? It must have been fantastic. It always is. It's the Church of New York, let's face it. We've been lucky enough to play there a lot of times over the years. It's always one of those gigs

56:47Я знаю. Непо, baby? Ну, Стелла Розен, the Dead Language. The Dead Language is fucking great. They're pretty cool, too. They're like way cooler than us. But we were the headline in Acts, so you know. Because it's me, I have to ask, have you ever been approached or would you ever do, from the ground up, with new songs, a Broadway musical? We did get asked once somebody had this idea and they showed us a script but it was all about like a bunch of heroin addicts. Five, six, seven, eight. So, you know, we politely turned it down. Jason and I would like to and Sean's obviously going to run and going to direct and stuff and it's about a bunch of middle-aged white guy golfers.

57:40You got something there for sure. You definitely got something there. I just want to say before we let you guys go because this has been absolutely mind-blowingly incredible. Sean, and this is really Sean to you, what would you say, Sean, can you believe that the college is you? You guys, I can't even describe it. I have to tell you guys right now to your faces, this is the honest-to-God truth. I'm doing a show here in New York, a Broadway show, and every day that I walk to the theater, sometimes I get a ride, sometimes I walk, every time I walk, I listen to you guys. I literally, as I'm walking I'll go, hey Sari, play Depeche Mode I'm on my island and telling the Broadway song is about a heroin addict that's a true story though and I want to say this before you leave such a massive massive influence on me and my life in such a huge way, just incredible thank you for saying that the posters up in college and the concerts I've been to it's just everywhere Это неende.

58:45Я уже не puedo... Я думаю, что это классное, что мы где -то делать, и оiyorоже Armі Lowell, мыimentos идут от вы 겁בתóиска, парф interact友 зуб calculанная система, где мы сделаем их học, как Canadians так или инту дов OP, основную виду их. Этоilиеы. Это юная случая, что там, кто играет в 요� kanssa. enfants, следовательно так на абсолютная музыка, как она сделана нам有ревoting, для нас honourable phrase мужчина бывший это свой Ryan �ident liquid прид - Princeton

59:21будто

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59:55от программу расцами тут сейчас в Утrat Пап

1:00:06Мы только скорбют Субтитет Кроме Мы только скорбют little run in the states, but we're coming back yeah, I think September, October November, December we're doing a much bigger North American tour, we're off to Europe I will definitely be there We're going to come and see you guys Oh please, yeah, you know, thanks for having us on your show, it's really Yeah, thank you This has been a dream come true Yeah, for sure All three of you in some way, shape or form also have been in my life So I can say that honestly. We apologize. And we don't always have to say that honestly as well. But, you know, but I mean that sincerely.

1:00:48Thank you. It's very nice of you guys to do this podcast for us. Cheers, guys. All the best. Thank you. We'll see you on the road. Cheers, guys. See you guys. Thanks, guys. Bye. Wow. My God. Well, are you guys all right? I mean, I was really honestly truly shaking. Like, I haven't done that since. Sean, are you sitting on plastic? Did you lay down some plastic? Scotty, just under frame, lay down some plastic for you? That's why Scotty came in in the middle. Not since the Michael Jackson concert in 1983, was I shaking? Oh, my God. I mean, they really, I really honestly swear to God, listen to them every day.

1:01:25No, I know. That's crazy. It's unbelievable. Why is that? Is that something that kind of gets you going for the show? I think a lot of, I don't want to bring this up, But I think a lot of like, they have a big gay following. And I think because it was, they were cool and underground and like left of center. And they weren't like machismo, hard, big hair rocking, you know, dudes. Yeah, there was something kind of interestingly glam about them. Kind of like Bowie was beforehand. Sean, I get that. I think I know what you're saying. It's not a gay straight thing or anything. it's just I had a lot of gay friends in college that we found this band and were like oh they're so cool I think I know what you mean there were some bands that sort of came certainly Erasure were a band that were big in gay culture back in the 80s right because I guess a lot of the Depeche Mode songs were turned into dance songs and they would play them in the clubs and so I think like Personal Jesus everyone knows Personal Jesus all those earlier songs they have a beat that you can dance to.

1:02:32And so they turned those into club mixes. And I think that's probably one of the reasons we're like, oh, what's this band? It was so cool. Plus they were like dark. Would it be funny if I got a personal assistant named Jesus? No. Why would that be funny? Because then I'd have a personal Jesus. Oh. Wow, I'm slow today. It's a long walk around the block, but boy, the address is nice. It's not right. But just blown away. Да, они очень огромное южное явление. Да, же. Я знаю, folтные таки действительно чувствуем и какские работы. И CSS такое как для этих действительно Czechs, вот этиcen patter Mosерна из я, в какие -то те, что они заложат, я просто захватан и изменил 뽑ание, Самое велосипедippе, möchten, мнındо, Probably мы ее foolем Да, все девайсеры, которые оказались в предап Speaking Аня.

1:03:29Я очень계uellisниками. Я себея quests. Я же не могу зафиксировать update мои дешевые глаза парнями исходящих. Я просто не оченьикарный. Вы знаете, ты mnie докупил чтобы不要 в нем оченьração, когда Джейсон продарил в храни и в р thуре, п obe całке какой -то нез Demon Spocnam. Все же ,jemни me Qu traces, да мне спекается что - не просто бесед на evapor terrific расскажу, но будет Repاد contстреподобные разворщики по сложным языкам. By the way, I got into it with a woman on Instagram About two months ago Sean, maybe I told you Because she was saying It's actually, you're thinking of Yazoo It's not Yaz And I said, no, in North America Yazoo was called Yaz for legal reasons And I had to school her Because I was like, don't fucking correct me What was Soft Cell's big hit?

1:04:16Tainted Love I listened to that too And I loved classic rock But I also loved so much I loved Bronsky Beat I fucking just loved it so much I loved all those bands promote that and of course Depeche Mode I don't know But, you know... When they first came on Here we go Boy You know what it is? You are a look in your eye Я не так, вот так буквально Я неnea Продолжение следует...

1:05:35Субтитры делал DimaTorzok