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SmartLess Podcast Episode Notes
Episode Title
"RE-RELEASE: Liam Neeson"
Original Release Date
May 2, 2022
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Podcast Overview Hosts: Jason Bateman, Sean Hayes, Will Arnett Podcast Description: "SmartLess" connects people from diverse backgrounds through engaging conversations filled with humor and insight. Each episode features a surprise guest revealed by one of the hosts, leading to authentic, improvised discussions.
Episode Description In this re-released episode, acclaimed actor Liam Neeson joins the hosts to discuss his career, including notable roles such as Alfred Kinsey and Oskar Schindler. The conversation is laced with humor and personal anecdotes, including a touching story about Neeson's impact on Jason Bateman's mother.
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Key Themes and Discussions
- Personal Updates from Hosts
- Sean's Life in Chicago:
- Mentions daily disturbances from sirens and a noisy dog in his apartment complex.
- Reflects on the complexities of mask-wearing in his building following the pandemic.
- Jason's Family Time:
- Shares a story about having dinner with Amanda (Jason's wife) and Maple (Jason's daughter) while he was working.
- Will's Work and Life Balance:
- Talks about having rules regarding golf on weekends, indicating the importance of family time.
- Liam Neeson Introduction
- Neeson is introduced as a versatile actor with an extensive filmography, including iconic roles in "Schindler's List" and "The Taken" series.
- Theater Experiences
- Sean's Curiosity:
- Sean expresses his admiration for theater and asks Neeson about his experiences on stage.
- Neeson's Theater Anecdotes:
- Shares a story about performing in a play with Kristen Chenoweth, where she fainted during a curtain call, leading to a humorous yet heartfelt moment.
- Discusses his last theater performance being a Samuel Beckett piece.
- Film Career Insights
- Discussion about "Schindler's List":
- Neeson describes the emotional weight of playing Oskar Schindler and the responsibility he felt during filming.
- Shares a poignant moment when a producer revealed his personal experience in Auschwitz, impacting Neeson's performance.
- Role Preparation:
- Neeson talks about his rigorous preparation for roles, including reading scripts and understanding character motivations.
- Personal Reflections and Humor
- Neeson's Thoughts on Acting:
- Expresses that he feels grateful for his acting career and acknowledges the pressures and challenges of the profession.
- Humor in Everyday Life:
- Engages in playful banter with the hosts about golf, acting skills, and their personal lives, creating a relaxed atmosphere.
- Candid Moments
- Neeson admits to his past struggles with alcohol and the importance of discipline in maintaining his health and fitness.
- The hosts share light-hearted conversation about their own vices and habits, including food and drink, contributing to a relatable discussion.
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Key Takeaways
- Authenticity in Conversations:
- The episode showcases genuine interactions among the hosts and their guest, highlighting the significance of personal connections in storytelling.
- Emotional Weight of Acting:
- Neeson's reflections on his roles, especially in serious films, illustrate the deep emotional engagement required in acting.
- Humor and Humanity:
- The blend of humor with serious topics creates a well-rounded dialogue that resonates with listeners, making them feel connected to the personalities involved.
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Closing Thoughts The episode encapsulates the charm of "SmartLess," where humor, heartfelt stories, and candid discussions create an engaging listening experience. Liam Neeson's presence adds depth and insight into the life of a seasoned actor, making this re-release a memorable one.
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Transcript
Automatic transcript. May contain errors.0:05Welcome Welcome Welcome Welcome. Welcome. Welcome. Welcome. Welcome to Smart Less. Smart. Smart.
0:26Smart. Smart.
0:31Smart. Smart.
0:36I feel like I want to get into talking to you guys. I really do. I miss you. Sean, I owe you a call. I know that you FaceTimed me the other night, and I never called you back. And I'm just realizing that now. That's okay. And I miss you desperately. I miss you guys too. And are you okay in Chicago? Oh, William, thank you. Yes, I'm okay. I mean, other than the sirens going off every single day. Every fucking night. And the guy across the hall from us has a dog. They leave their door open, and it barks so loud, it sounds like it's in our apartment. And then it gets all the dogs down the whole hallway going.
1:08Every dog starts barking. Have you talked to him about it or given him a hairy eyeball on the elevator at least? No, I don't. What are you guys about masks? Like people in this building... On dogs? They are carriers. No, like some people in the building don't wear masks anymore and some people are like, oh, the mandate's over. I would like to do it based on how they look. Like, ooh, you need a mask. You know what I mean? But what else? I always forget to bring a meal to rehearsal too, so I'm kind of hungry all the time. We only get 20-minute breaks. So if I run home, isn't this an amazing story?
1:45It's super relatable. Maybe the soldiers in Ukraine would like to hear about your 20-minute breaks. Yeah, maybe they want to talk about your tech rehearsal. Snacks aren't great. Wait, are you going to start complaining about your blocking next? Yeah. Yes, thank you for bringing that up. Wait, take it up with the director. We don't want to hear about the blocking on your plate. No, so I have 20 minutes. I don't know what to do. I never have. Anyway, I'm always hungry. Yeah. Yeah. Jason? I don't have any complaints. I just feel for my fellow citizens around the world. Likewise. Sean, you would have loved it last night.
2:16I had Jason's wife, Amanda, here at the house and his daughter, Maple. But no, Jason. To have dinner with my phone. And not Jason. No, because today is Saturday. Yesterday was a work day. So you're starting dinner at 5 o 'clock. That means I've still got two hours of work left. By the way, what a joke, says the guy who since January 1st has played 34 days of golf. and none of them on the weekend, by the way, because he's not allowed to play on the weekend. Because that's family time. So let's talk about work days. Wait, is that a new rule? It is a new rule, and I feel good about it. And I'm also, a new rule is, this is also something our citizens in strife around the world.
2:55Does it have to do with your Tesla? Go ahead. No. It's, I'm going to not play every day, okay? Oh, wow. You know the term hero gets used a lot. but in this case listen we actors are you know it's not we're not it's easy okay and people that say oh it's so hard and the hours are so please we're so lucky to be doing what we're doing but let me tell you something when I run lines with Scotty just to memorize lines run lines Tracy is like you run lines like you memorize lines and he I have such a short temper with him and it has nothing to do with him but I'm like okay so I come in and I say oh relax Okay, then I say, but it's only four lousy hours.
3:40What can go wrong? And he says, no, it's when I go, go back. Go back to the previous line. Does he correct you on every word, every syllable? Yeah. And does he come to rehearsal and sit out in the audience? And do you go line and Scotty's there? No, for the actual performances. Could you imagine? Can he maybe have like a fanny pack that's got snacks in it or something for you? I know. That's a good idea. Can you make me a fanny pack with snacks? a pack snack a snack snack you know it's almost like he's walking you like he's a dog walker but for you and he's got a fanny pack and he could have some wipes and stuff it's a snacky pack a wipes Scotty with a snacky pack we tried to buy Sean that toilet too and then it wouldn't work right yeah Jason and I wanted to buy you a fancy toilet I know that was so nice yeah listen so when we were on the tour you'd learn a lot about someone when you're living with them and sweet sweet Sean as privileged as he sounds with this past five minutes he was completely unaware that the toilets with the washlet has snuck up on him, and he'd never heard of it before.
4:44You know, those Toto toilets that, like, shoot a geyser in you. Well, no, I mean, people know about them. Not a lot of people have them, but, I mean, it's like, it's this bizarre new technology in... It's a bidet built into the bathtub. Yeah, so we tried to buy... Jason and I tried to, after learning... Sean didn't know. For his birthday. I came out of the bathroom. I was like in awe. I was like, oh, my God, there's these switches. It can clean your ass. And then it blow dries your ass. We were staying in a hotel that had one, and he couldn't believe it. And we're like, come on. So we know that he, well, he's away in Chicago.
5:17He's doing some remodeling in the castle there in L.A. And so we tried to arrange with his husband to get a new toy toy put in there. And it ended up being more expensive than the toilet itself. Toy toy. You had to tear down the wall and go into the pipes. But it's the thought that counts. And you guys are so sweet to think of that. And I was going to get you guys Porsches, but it just didn't work out. Well, there's still time. There's still time. Maybe try again. It's a thought. Speaking of still time, we're running out of time because we have a great guest here who has been really biding his time waiting and being so gracious.
5:50Sorry, that's my fault. And this is somebody who can relate to actor problems because this is a person who's been acting at a high level longer than the three of us have ever, you know, even known what the hell was going on in the world. This is somebody who started on the stage. It's a great acclaim. Moved into films. Has made countless films over the year at the highest level. Great performances. Not Dick Van Dyke. Not only that, he and I have starred together, as it turns out, in three pictures together. Oh. Which only brings him down and props me up and makes me look good. He's somebody that I've just admired for so long because he's such an incredible actor.
6:34And he's the star of The Nut Job, The Nut Job 2, The Lego Movie, also perhaps Schindler's List, The Taken Movies. Oh, good Lord. Honestly, if he's got a new film coming out, Memory, you guys, it's Mr. Liam Neeson. That's a real movie star. Wow. Right there. Hi, Sean. Wow, good morning. Look at this. I did love listening to you. I did love listening to you. I swear. Sorry about that. Jason, you play golf. I have to tell you. Only because I'm trying to understand how the common man lives his life. He's sorry for you, he said. Did you hear that? He said that he already feels pity for you, Jason. I know.
7:14I'm embarrassed. But I do it for the mental anguish of it. To me, it's work. It's very hard to do. Yeah, very believable, Jason. Anyway, I still don't think. As George Bernard Shaw once said, it's a good walk ruined. That's right. It's true. That's part of the job, trying to stay positive. We've had our first George Bernard Shaw quote. You have already classed us up a million percent, Liam. Thank you so much for being here, man. It's such an incredible honor. I'm very honored myself, and I'm very, very fucking nervous. Don't be. Liam, let me start by this, because this is an area that Sean loves the most, which are stories from the theater, and you have a long history of performing in the theater for many years.
7:56So, Sean, I'm going to give you the opportunity to right off the bat ask Liam a theater question, your most prized theater question. Well, now I'm put on the spot. First of all, I can't believe I'm talking to you. I know. I've never met you. This is so awesome. This is so cool. And I'm nervous a little bit. Oh, me, yeah. So my question to you is, what is your favorite tragic theater story? I've said so many of mine on here. I'm trying to think of another one. Well, I can tell you another one. I did a play with Kristen Chenoweth years ago. So the listeners are so sick of me talking about it. And at the end of the show, we come up for our bows, and I look over from opposite wings, and Kristen and I are supposed to come from opposite sides of the stage, meet in the middle, walk down the center, and take our bow together.
8:38Complicated. And I... Never seen that before. So these are the curtain calls, huh? Yeah, walking through. The bows, right? Okay. Did you bump into each other? How do you avoid that? What were your two characters' names? Promises and Promises, right? Are those the two characters? Keep going, Sean. Classy guest. So I look over, and Kristen's not there. And I'm like, oh, my God, everybody's clapping, waiting for us to come out. I'm like, where's Kristen? And I look over, and she's dead passed out on the side. On the floor, passed out on the floor. And I'm like, what the hell happened to Kristen Chenoweth?
9:23And so I'm like, stage manager, I'm like, do I go out? Do I wait for her? What's happened? They're trying to revive her again, Rebecca. So I went out and took my bow by myself. You're thinking, wow, I'm getting double the applause. Yeah. So then she passed out because she didn't eat that day. So they gave her a candy bar and she came back. She did a whole show and then passed out at the end. Oh, my gosh. When is the last time you did a live theater show? Oh, my God. 14 years ago, I did a little Samuel Beckett piece called A Joe. It lasts about 25 minutes. I don't say a word. That's one of the reasons I took the job.
10:12And Ralph Fiennes was, it was an evening of Beckett pieces at Lincoln Center. That was the last time. And do you want to do it again? No. I'm good. The muse is gone from me. It's left me completely. Really? Yeah. And I used to worry about it because I started off in the theater for four years, just nothing but theater, and did the odd play and the crucible and this Beckett piece. And then about three, four years ago, the muse just left me. I was offered some stuff and it's just, I love seeing my friends do it. I love. You're talking about the muse for theater. Muse for theater. Yeah. Yes, Jason.
10:56But, you know, I hear people say that about theater because the schedule is really, really challenging. But the movies you are doing. Are so demanding. You cannot ask for a harder genre for you to do. And you do it. I can understand maybe one out of every five films you're out there doing all the action stuff. But my God, the amount of stamina that you must have and work ethic you have, discipline that you have, and the shape you must be in, it's so incredibly admirable. Well, thank you. A nice little three-act drama down the street. I mean, come on. You need a break. Yeah. Or maybe some little farce comedy, you know, some sort of French farce, you know.
11:46Noises off. Yeah, a bunch of doors slamming, a bunch of grab ass. Yeah, that stuff's hard to do, you know. It is to it. Timing-wise. Or get yourself a podcast, Liam. Oh, God. Come on. Look how cozy this is. Liam, I'm going to tell you something. I'm 51, almost 52. He plays 36. He plays 36. Well, we won't talk about age, but I'll tell you this. I read a script the other day. They said, take a look at this. They send you their interest. And I read it, and the first scene said exterior night. And I said, I'm not interested. That's a true story. Liam doesn't care about that. Yeah, I mean, it does take a lot of those films you do.
12:27Look, we've all done it. You know, it takes a village, right? Yeah. I have a little routine when I'm doing one. I get up, I exercise for 30, 35 minutes maximum. That's it. No more than that. And, you know, when you're doing the junkets and stuff, say, oh, you do your own stunts. And I always say to them, please listen to me. I do not do my own stunts. I don't do that at all. I do my own fighting. That I like to do. But stunts, no. You know, jumping out of windows and falling over chairs. Wait, wait, wait. So you're doing your own fighting? Yeah, the fighting's no bargain. That's not simple. Yeah, but it's like learning a dance, Jason.
13:10You must have done stuff. I did actually, the last big fight I did was with Will Arnett on Arrested Development. It was supposed to be funny because it lasted so long. You know, two idiots that don't really know how to fight. They just end up on the floor wrestling. And they kept cutting back to the scene and were still throwing. So we had to shoot it over the course of like, I don't know, it was like a 15-minute fight. It literally put me in the hospital. We had to shut down for a few weeks because I was so exhausted. And this was 20 years ago. I'm a lot to handle. You'd say that, Mike. You're a lot to – you got a real back on you.
13:43Sure. Okay? Oh, my God. You play golf every day. I play golf. Now, I only play nine holes a day. I can't walk 18. No, that's not true. But, Jay, I asked you about that last – the last episode of the latest Ozark chunk. Yes. Where the guy comes in and beats the crap out of you. I'm like, was that you? And you're like, no, are you fucking kidding me? No, I, for a while there, I kind of thought, oh, no, I'm going to, if there's some kind of a stunt, I want to do it. It'd be kind of, and then a stunt coordinator took me aside one day and he said, hey, guy, I know you're trying to do the right thing for camera and everything by having it be your face.
14:20But, you know, you're taking money out of this guy's pocket over here. He was just standing on the set ready to double you. That's true. And he gets paid for every take. So if you just sit there and try to be a hero, this guy's trying to make a living, too. And I was like, oh. So I learned that lesson early on. Liam, I'm sure you learned it way before. And it's going to make you look good. Exactly. Yeah, it's going to make you look good. Yeah, on top of it all. Yeah. So when Will kind of said that you guys on Nut Jobs, you've got to look for some of those jobs sometimes that are nice and cushy, maybe just with a microphone, preferably like an animated film.
14:57But even if it's on camera, maybe some sort of nice domestic, you know, dramedy or something. Yeah, but I don't get to kill people, you know. You can have a dream sequence right in the middle of like a Thanksgiving dinner, you know. That's true. Liam, wait, you touched on something I wanted to ask you about, which was, you know, obviously you've done tons and tons of such phenomenal work in your life and your career. and, you know, one of the biggest ones out of all of them was, of course, Schindler's List with Ralph Fiennes. And then here I am years and years later watching Clash of the Titans and it wasn't until the end of the movie I was like, oh, wait, those two were in Schindler's List too.
15:41Like, that's how great you are. I completely forgot that you both were in another movie together. And so do you have a relationship with Ralph? Like, did you know him? Did you build a friendship? No, no, Ralph's a really, really good friend. but I remember when we shot that that was the first, we did two at Clash of the Titans and Wrath of the Titans was it? And the first one was nearly 13 years ago but when Rafe comes on he's playing Hades, you know the god of hell and I'm Zeus, the god of gods and he comes and he's my brother I couldn't do the scene I couldn't look him straight in the eyes I had to keep looking at his forehead Why?
16:21Why to make you laugh? Why? Because he kept cracking you up? Well, we just, you know, we're dressed in wigs and beards and all this stuff. And it's like, oh, come on. It was so good. I couldn't do the scene with him. I just had to keep looking at his forehead. There are people that you have that kind of relationship with, where you have that kind of chemistry that they just make you laugh. And when I was doing Arrested, it was Tony Hale who played Buster. And we would often come into a scene together. and so we'd be on our start mark and we'd be with the ADB looking at us about to give us our cue and like right as you could hear the dialogue about to get the cue, Tony would immediately kind of go into his character of Buster.
16:58All of a sudden he'd be standing there and he'd go, ooh, like this, get ready. And as soon as he did that, I couldn't stop laughing and so I'd come into scenes laughing already because I've just corpse-ed off stage, you know what I mean? Oh, God. Now, speaking of people that are unprofessional and can't keep it together, Laura Linney, your friend. Boy, we finally got through that show. How have you managed to stay friends with somebody that undisciplined and untalented for so many years? I know, I know. Come here. So when am I going to see Series 3, Part 2? I've seen Part 1. I love the show, by the way.
17:38This is Ozark. Ozark. Ozark. Thank you, yes. No, it's coming the end of April. I'm not sure when this is going to air, but probably right about now. And that Laura, my goodness, is she good. You guys have been friends for many, many, many years, right? Yeah. She's got so many great stories about you, and I'll bet you of her. But, you know, sorry, listener, for just a second. The listener can relate to this. Anybody in any working experience, work environment, if you love the people that you work with, you don't spend a minute working ever. And she was just so incredible in sort of washing the whole set with her good vibes and positivity and warmth.
18:30Do you think she'd say the same about you? No, no, no, no, no. Between the two of us, we got to something right in the middle. You guys worked together originally. Is that how you met? Yeah, I'm trying to think. Yeah, am I totally forgetting a big thing you guys did together or was it just a social? No, we did The Crucible on Broadway. Okay. And then we did a film called Kinsey. Yes. Yeah, absolutely. And Laura was my wife in that. Then we did another film with Antonio Banderas. She was having an affair with him. We were married. She cheated on me in Ozark too. I love that Liam is still angry about it.
19:12It's just a movie. Especially Antonio Banderas. He's so ugly. I mean, it's like, come on. It's the hallmark of it. I don't want to embarrass you, Liam, but it's the hallmark of a great movie star that you barely remember how many movies you've done or what they are. And for us, like, as sort of, like, fans, we're like, this is so exciting to have somebody who... Will, do you know something? I'm not blowing smoke up my ass here. Just prior to Christmas past, I finished my 100th film. No way. Wow. Wow. That's crazy. I couldn't believe it. I mean, Tony Hopkins used to say, anytime we see each other, give each other a hug.
19:51And I said, who's it going, Tony? And he says, great. He says, I haven't been found out yet. I feel the exact same. But Liam, I'm not great at math here, but if you did four movies a year for 25 years in a row, that would give you 100 films. So, I mean, to do, listener, you know, doing a film as an actor is a three-month, so if you did four, I mean, that's working 12 months a year, every year for 25 years. No, not really. I mean, I started, my first little film was 1977, Jason. Yeah. So little parts count, obviously. Oh, yeah. Was that in Ireland, or were you living in England when you did your first show?
20:35I wanted to get into this. I was actually living in Belfast. I was in the theatre. There were bombs and armoured cars going, it was just like, you know, it was a bit like Ukraine, I can imagine at the minute. Yeah. And I was in this theatre called the Lyric Players Theatre and we played six nights a week during the height of the troubles. That theater never closed. A couple of times there were bomb scares. Wow. Soldiers would come in. We'd have to go out onto the street with the audience. And then, okay, all clear, go back in again. And go back and do the show. What is that experience like? Because, you know, for us, obviously, you know, we're such pampered, you know, guys who have not had to experience anything like that.
21:30But to do a play in an environment like that, it must feel so far apart. Does it even feel like show business? Or does it feel like you're... What is your mindset doing a play day in and day out with real, you know, threat out just outside the doors? Well, my mindset was I was just so thrilled to be acting and getting paid for it. And it was literally as simple as that. And, you know, I was 24 when I turned professional and, you know, still pretty much a kid. And, you know, all this shit was happening out in the streets and stuff. But I don't know, you just, I felt I was just, I was in a bubble, my own bubble of joy.
22:21Yeah. Doing these plays. We did a play. We did a different play every four weeks, you know. Wow. We'll be right back. And now, back to the show. So there at 24, who was the Liam Neeson for you at 24? Who were you looking at and going, my God, if I could have a career that lasts that long and hold that amount of relevance that long and be at the top of my game at that age, now that I'm 24, I hope to be that age and doing that. Well, who was that North Star for you at that point? God, that's a good question. Well, certainly my ambition then would have been, I mean, it wasn't, I never thought of movies at all.
23:03That was... Really? Unartainable for some reason. But I thought, oh, wouldn't it be great to be in Britain's National Theatre? Yeah. As a regular player, you know? That was about the height of it. Who was the big shot in the National Theatre at that point? Was it, does it go back too far to say John Gielgud? So Maggie Smith, Judi Dench, Robert Stevens, Colin Blakely, who was my hero. He was from the north of Ireland, too. But it was that. It was based on theater. Was Albert Finney doing work in the National Theater at that point? No. 1976, he did Hamlet, which was very, very good, which I saw.
23:47I'll bet. My God. Yeah. It just seems, I've just been so lucky, Jason. And I genuinely mean that. It's just been. But you're doing theater and you say, and I'm glad Jason brought that up, and you said that you never had any ambition to do movies that felt like just probably so far away from where you were at that time. Sure, yeah. But then you do a film in Belfast, your first film, and then the first time you're on a movie set, do you think like, yeah, I could see, this scene's about right. Like, did it feel comfortable? No, I didn't have that. The first movie was for an evangelical outreach who were making a film in Belfast, believe it or not, of Pilgrim's Progress.
24:32Wow. John Bunyan's Pilgrim's Progress. And apparently the little film is still touring Africa and stuff, you know, to get converts and stuff. Oh, wow. Wow. The evangelical religion. And I remember there's a place called Cave Hill that sort of overlooks the city of Belfast, and I was playing Jesus Christ. Sure. And I'm actually crucified, so I was on a cross with a fake crown of thorns and stuff in my hands with, you know, makeup, you know, false nails stuck in them and stuff. And I remember thinking, why are they not rolling the camera? why are they not saying action and stuff? And they were all, the team of the evangelical people, they were all praying.
25:21Oh, well, I was standing there and I was like, my arms were getting so shaky. And I'm looking down at Belfast and I'm seeing armored cars going up and down and sirens going and stuff and thinking, this is fucking crazy. But I love it. Yearning for a nice little one act. Yes. And you're thinking, I finally made it. Yeah. Yes. That's so funny. So then you moved to England and you start your film career in England really in earnest at that point, yeah? No, I moved down to Dublin. Okay. And was fortunate enough to do a couple of plays there. And then I joined the Abbey Theatre, which is Ireland's national theatre, I guess.
26:11I was there for a while and I did a production of Steinbeck's of Mice and Men and John Borman, the film director, who lives in Ireland, he came to see it and he was putting together this film, Excalibur. Ah, yeah. Arthurian legends and he asked me would I play Sir Gawain and I was in this film with shining suits of armour, myself, my best buddy, Kieran Hines, was Sir Lott. And the bug really got me down. I thought this is just the best. But it must be time. You started your first film role, you're playing Jesus. I mean, everything after that is kind of a step down. I mean, when he comes to you, he says, do you want to play this night?
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26:57You're like, guy, I was Jesus in the last one. How do you even prepare an audition to play Jesus? I mean, practicing your faces in the mirror playing Jesus Christ, I would not really know where to go. How did he even research that? I don't know how he... I can see the gentleman's face, Mr. Anderson. I think it was Ken Anderson who was in charge of this little outreach. And I didn't do an audition. I just met him and he knew I was Catholic, Irish Catholic, and we never really spoke about professional questions. and this shoot was only about three weeks or something, you know. You just reminded me there, I had a vision of, Will, didn't you play Jesus Christ unarrested for one of your illusions?
27:49Didn't Job have like some sort of a religious-themed illusion and I remember you in some sort of a loincloth? Yeah, and then I went into the cave and I was going to come back and then I got stuck in there. And started whining. Yeah, it was a really, it was a very, not a very well thought out illusion by my character. And you ate nothing but plums and turnips for a few weeks just to prepare for that scene, right? And they ended up finding me because I got, there was a false sort of back on the cave that I put on the stage. And then they ended up, they were, one of those storage facilities and they were doing one of those faux, you know, those shows where they go into storage facilities and they auction off all the stuff and they find this rock and they find me living in there.
28:38Sort of months later, I've been stuck in this cave. And it was very thin at the time. And then, but Liam, you mentioned Tony Hopkins and for Tracy in Wisconsin, by the way, Liam, if you're not, I don't imagine you're a listener of the podcast, but Tracy is Sean's sister in Wisconsin. So anytime we mention something that people might not know, we talk to Tracy and explain to her. Specifically the inside baseball of showbiz. So Tracy, Tony Hopkins is Sir Anthony Hopkins. And you worked together the first time, I imagine, on The Bounty. Is that right? That's right. It was The Bounty and we shot it in Marea, which is an island, beautiful island just off Tahiti.
29:18Oof. And, oh, my God. I turned 31, so I turned 70 in June of this year. So that's a bunch of years ago. First of all, you look incredible. Please. Just let me be as, yeah, at seven. Yeah, you look incredible. My God, you look great. I know. But so you're there and you've only made a few films at that point, am I right? You've made sort of five or six films? Yeah, I've done some stuff in Ireland, some miniseries in England. But now you're there and you're in Tahiti with Tony Hopkins and Mel Gibson. Tony and Mel, Daniel Day, Lewis. a whole bunch of great British actors. You had trouble casting it, huh?
30:05Real trouble. Yeah, but you may do. What was that experience like making it? I loved that. I bring it up just because I loved that film so much. I remember as a youth I watched it many times. Oh, gosh. Yeah, it was good. It was six to eight weeks, and we all just loved Tony because he, as well as Captain Bly, he played brilliantly. He took care of us. He took care of his crew. And a lot of the crew were guys just fresh out of drama school in England, you know. First job, and there you are in Tahiti. But Tony just took care of us. And I'll never forget that quality he had. And we had a great director, Roger Donaldson, from New Zealand.
30:59But he and Tony didn't get on terribly well because he would do endless takes. I remember one day, 27 takes of hoisting the princess, Tahitian princess up onto the bounty. Oh, God. Like 27 takes and the sun beating down and stuff. And what's the point of my story? It was just great. It was a great experience. But we all started developing that. What's the opposite of cabin fever when you're surrounded by water all the time. There's a scientific, there's a medical name for it. So if somebody sent you out a newspaper from Britain or Ireland, you would read this from cover to cover. Sure. And then someone would, you'd give it to your friend to read to, you know.
31:46By this stage, the newspaper's a week old, 10 days old. And then you'd start, I'd say, Richard, where's my paper? I said, but you read it. You finished it. It doesn't matter. I want it back. So, you know, we were there for three months. So we were just all starting to get on each other's nerves. Yeah. If you watch The Bounty today, do you think you would have notes for your performance? Has your style of acting changed over the years? That presupposes that you watch what you do. Are you one of those actors that watches what you do? because some don't like to. No, I don't. I like to see it at least once.
32:31I mean, if I'm playing the lead, I'll watch it at least a couple of times, but that's it. This is while you're shooting, right? You'll watch one of the playbacks to see if you're kind of on the right track? No, I don't do that, Jason. I don't. Unless it's some technical thing where the director needs me to be on the left, and I think, no, I should be on the right of this character, for example. But you'll watch the final product, though. Yeah, yeah, I would watch it. So what about your style? I just say I ask that because I get so cringy when I look at the old stuff that I've done. And I say, oh, my God, I do it so differently today.
33:06Because you have such a wide body of work, I'd imagine it would be pretty fun or scary or what for you to look at all the stuff you've done way back when. Oh, God, yeah. It's overacting, isn't it? I don't know if you ever feel that. Anytime I see something, I think, oh, God. That's what I notice I try to do is do less and less every year. Yeah. If I do something, I used to, when I was younger, would watch it once, and now I don't watch anything I do. And if somebody comes up and says, that was really good, I'll check it out. But if nobody says that to me, I don't need to see it. Yeah, but Sean, you were on a very popular comedy sitcom for many years.
33:48The Millers? Yes. Yeah, the Millers that we run together. Um, and, uh, we, you were, you were like in the, you know, in the top, one of the top shows for, for many years. And it was, it would be hard to avoid that. I'm going to ask you this. So how, how did you avoid that? Did you, you must've seen episodes of your show when it was on the air because it was kind of everywhere. Yeah. Liam, take a seat just for a second. Um, I would, um, no, I, I would want, I would, yes, you're right. It would, the reruns when they used to have reruns and all that stuff. It is hard to avoid. But the reboot of the Will and Grace three seasons, I haven't seen one episode.
34:27Really? Just like everybody else? I was there. Just like everyone else. I heard that. So you wouldn't have viewing parties, Sean, of your stuff? No. Maybe when I was like 27 and I was not up 20. Liam, I want to ask you something. You know, because you mentioned 100 films, it's just an unbelievable accomplishment. There has to be an award for that or something. Or we'll make one for you and send it. And by the way, that includes, you know, narrating documentaries and stuff like that. Yeah, but that's... And let's not forget the one you did with my sister called Satisfaction where she played a little rock and roll star.
34:55Wait a second. Oh, yeah. Is that true? Oh, yeah. Yes, absolutely. She played the lead of a band and what did you... I forget. Oh, I saw that movie. Did you play the manager, the band manager or something? No, I was a retired ex, kind of Keith Richards sort of guy. That's funny. Yeah, I think they wanted me to manage them or so, you know. Yeah, yeah, yeah. You did not submit that that year for Academy consideration, did you? No. No. No. Wait, Jason, I remember that film. That was your sister's kind of breakout attempt from Family Ties. I remember that film. I think Julia Roberts was in the film too, I think.
35:33Julia was in the film? What was it, like 30 years ago? Yeah, it was a long time ago. It has to be. I know Julia was 19. Wow. So that made me, I was 30, 34. You're crazy with numbers. How do you remember 31 years old, 19 years old? He's like Will Arnett. Are you one of those people that can remember what you did, like, April of last year versus June of last year? No, no, that I can't. Will or not? I can't. Names, names, too. I'm the older I get. I have real trouble with names. Even if I'm calling my sisters, I have three sisters. I get their names confused. I know, it's tough. It's tough, I know.
36:06Jason's the same with names. Well, Jason's the same with faces. I was just going to say. I think I discovered my smallest dog yesterday, who, you know, we've had for eight years now. I think he's got facial blindness, right? Whatever that thing is. He barks at me every day. And usually about 30 seconds after he just saw me last. And he'll look at me like I'm a stranger that's just broken in through the side window and I'm coming in to do a lot of damage. I'm like, guy, I just fed you. The actor in you wants desperately for him to recognize you. Please. I walk around with my headshot and it's signed.
36:45He doesn't want it. I watched. You always have a stack of headshots with you, which I admire. I think that takes a lot of guts. Just to try to disarm some sort of unfriendly. Yeah. But Jason, your dog's interesting. Maybe it's, that is interesting. I adore dogs. I do too. That's fascinating. I do too, but not this one. Jason, by the way, speaking of your dog, I met this guy yesterday, you know, Frank, your dog. My top dog? Your top dog. I met a guy yesterday. This is a true story. I forgot to tell you what he said. My dog is Jason's dog Frank's brother. And I said, no kidding. And he said, yeah, the guy who I...
37:23Oh. First of all, my dog's name is Hank. Nice to meet you. Frank. I know. And so his dog is related to my dog, Hank. What's my dog's name? Your dog's name is Petrol. Nice try. Peter. You didn't remember either. Shan... Bella. Bella. Oh, yeah. Bella. So, yeah, now that's my other dog. He recognizes me right away. He's very loving, very lovely. I don't have a problem with him. Yeah, Hank. Sean, we all cut you off. Sean, go, please. No, I just was interested in our guest. Favorite color, Liam. Did I guess it? Did I guess it, Sean? No. Now, you've told us your funny theater story. What's your funny movie story?
38:06He's the worst, Liam. I'm so sorry. I don't want to get into movie stories, but I'm surprised Sean hasn't asked this yet because I'm fascinated, one of the great films of all time, Schindler's List, and how that experience came to be for you. Yeah, well, I was going to ask that too. I know. I know everybody wants to know it, but I don't know any stories, and it's one of my favorite films. Yeah. I was living out in Los Angeles at the time, and my agent sent me this script, which was just breathtakingly horrible and beautiful and incredibly well-written, I knew Steven Spielberg a little bit. Was it Eric Roth or Steven Zalian, one of the two?
38:47Steve Zalian. Yeah. Thank you, Jason. Steve Zalian. And I had read for Steven with a bunch of kids when he was casting Empire of the Sun. Oh, wow. Christian Bale's first movie, right? I guess he remembered me. So I was asked to go in and meet him for Schindler's List. and I had, you know, because it's set in the 1940s, I hired a 40s suit and I tried to keep my ears short and stuff. And I spent about two, two and a half hours with Stephen and Stephen had a camera. It was just he and I in a room and I prepared a couple of little speeches from the film, the script. And then after it was over, he said, thank you very much.
39:32And I felt great. I thought, well, if I don't get this, I've spent two and a half, three hours with one of the great movie makers of our time. And then I went to, yeah, I went to New York after that to do a play. I had to get on the stage again. I thought you were going to say, then I went to Ed DeBevick's and got a dream. So you go to New York and do a play. How long did he make you wait? Well, it was quite a few weeks. I was doing this play where I met my wife. The play was called Anna Christie. I met my wife and Stephen and his wife, Kate, and Kate's mum came to see the play. And they came backstage afterwards, which was very sweet of them.
40:17And I opened my door and I was half undressed and stuff. I said, oh, my God, Stephen, I'm sorry, let me put a robe on or something. And Kate's mum was quite emotional, quite teary after the performance, the play. and I went and just gave her a hug. Apparently on the way, when they left and they were driving back home, Kate said to Stephen, that's just what Schindler would have done. Now, Stephen told me, no, it was your audition, you know, that got you the part, but I like the story of, you know, that's what Schindler would have done. What's the great quote from the man who shot Liberty Valance?
40:57when the legend becomes fact, print the legend. I like to think it's because I hooked Kate's mom, you know, that got me the part. Yeah, that's great. And now, a word from our sponsor. And now, back to the show. Working with, you've worked with so many great directors. Can you remember anything that, from any of them, I imagine Spielberg would be right near the top of it, that really kind of took your breath away like ah that is the difference in great directing versus good directing was is there anything that was super noticeable about what he or any of the other incredible directors you've worked with have done their ability to to make a set comfortable um uh the way in which they work with the crew uh anything that that stands out does maybe even specifically about Stephen with that film?
41:53Because it was just so finely done. It was interesting with Stephen because it was the first film he had done without using a storyboard. Normally he always uses a storyboard and you can go up and see the cartoons drawn of what you're going to shoot. Yeah. He didn't. And, you know, he was telling the story of his people, his Jewish people. And he was incredibly nervous. He felt the responsibility of the story he was telling you. Yeah, and I remember the first day, we finished the play here in New York on Sunday, Sunday afternoon. I flew out on Monday, and as far as my memory, as far as I can remember, it was either Tuesday morning or the Wednesday morning, like 5.30 in the morning, we were at the gates of Auschwitz, the real Auschwitz in Poland, and I think the World Jewish Congress, I think that's the right name, didn't give Stephen permission to shoot inside Auschwitz.
42:52But the production design team did a brilliant job. We shot outside of Auschwitz but made it seem as if it was inside Auschwitz. Right, I remember that story. And I was dressed in a big fur coat and hat and nice and warm, even though it was unbelievably cold. And this train was coming in and all these extras were coming out, as Jewish people and German extras with guard dogs. And it was terrifying. It was terrifying. And I remember I was waiting to do my bit and I walked down, you know, by the barbed wire fences and looking inside at the huts that, you know, the Jewish people were crammed into all those years ago.
43:39And I was just looking and Branko Lustig, who was one of the producers. He's dead now, God rest him. But he came up to me and said, how do you feel? I said, yeah, I'm okay, Branko. You know, I'm warm enough and just looking forward to starting, you know. And we were looking at the huts and he pointed out to a hut and said, see that one there, third one from the left? I'm making this up now. But he said, that's where I was. No way. At the age of six. Well, I just lost it. Wow. Yeah. I lost it. My knee started to shake. And I thought, fuck, this isn't acting. This isn't a fucking movie. This is a piece of history we're telling here, and I'm not worthy.
44:25I just kept saying to myself, I'm not fucking worthy. I'm a fucking Irish actor. I should go back to Ireland, go back into the theatre. What the fuck am I doing here? Dressed up in this big fruit coat and here to save these Jewish people. it was terrifying but Stephen was great and it's a little scene where I pull one of these girls little Jewish girls up because these prisoners shouldn't have been sent to Auschwitz they're supposed to be working in my factory because Oscar Schindler had this armaments factory and he was there to save their lives otherwise they were going to die in Auschwitz so I go up to this guard and say how dare you do this?
45:10These are my people. They have to go back. And I'm shaking. And I pulled a little girl up, and I was doing it too gently because she was freezing, this little actress. And Stephen came over to me and said, you've got to just, listen, stop the niceness. Grab her. Pull her up. Her life's at stake here, you know? So I apologized to her. I said, look, I'm going to grab you quite roughly and pull you up so that this guard sees you. She was only about seven or eight years of age. and I'm supposed to say to the guard, I need this little girl, those small hands so they can clean the inside of metal casings for the armaments.
45:53But I can never quite say the line right. You're speaking in German at this point, right? Supposed to be, yeah. But in English. But anyway, I'm rambling, Jason. They're all different. I love this. All the directors are different. you know they're all listen i liam i have such a you just reminded me the first time i saw that film because i've seen it a few times like a lot of people and so incredibly moving hearing you talk about i can't imagine feeling that and it comes across that sense of responsibility that you felt in that moment and i remember i was at the uh theater of the old chelsea theater is i don't think it's called that anymore but on 23rd at 8th avenue i was living in new york and oh yes yeah Yeah, and I remember I was seeing that film and there was that moment where there's the chaos of everybody coming off the train and stuff and everybody's freaking out.
46:41Nobody knows what's going on. And at that very moment in the theater itself, the fire alarm went off. So they've got those little lights that are blinking and there's a sound going, and the blinking. And it was almost like it happened, you know, that it was part of the film and people started freaking out in the theater and people were openly weeping. because it just heightened an already very heightened moment. Yeah. And it made everybody, and it forever changed the way, it was just such a visceral thing to actually have happen in that moment. Yes. Yeah. What do you get into that is not really, really hard work like you usually do?
47:26Yeah, are you still boxing too? Is that part of your regimen? I have a bag. Well, I have a gym. and I use a bag sometimes, but I just like to read. I'm an avid reader, you know? Really? Yeah. Wow, you guys are, we're very similar, Liam. Easy, Will. No, Liam and I are very similar. I like to read, and I also have a bag right out the door here. Jason has a bag, but he keeps it behind the toilet, and he just goes in there for a couple minutes at a time. Or he plays past the bag with one of his Hollywood friends. But don't use too much of it, yeah. I got to get through the night, yeah? Liam, I would like to ask this question.
48:03What drugs have you dabbled in? Because here's the thing. Here's the thing. He's our secret weapon, Liam. He's the best. Keep going. Sorry, Sean. No, please. When you're doing, like you said, 100 things, like 100 films, whatever, docs and everything. Sure. And you're traveling and the time changes and the night shoots and this stuff. When you were younger, you're like, how am I going to get through this? You had to have partaken in this something to get through all of those many, many films of just endless months of shooting. Are you Cindy Adams? What is going on? Do you want him to admit to drug use?
48:32I'll talk to you about the... We've talked about the drugs we took. Go ahead. I took mushrooms. Tell Rona Barrett the last time you participated in some sort of illicit drug use. You don't have to answer that if you don't want. Okay. I'll bet the way you stay up and peppy nowadays is all that exercise. I'll bet you eat well. Sounds like you're staying nice and sane with lots of reading. It doesn't sound like you're doing a lot of things to slow yourself down or hurt yourself, huh? No, that's about it. It's very boring. I mean, I fly fish. I love to do that whenever I get a chance. We should hook you up with Jimmy Kimmel.
49:09Jimmy Kimmel. He likes to fly fish a lot. Jimmy is, yes. I'm going to go to Jimmy's lodge sometime this year. I don't know when. I was supposed to go last year. There's a big group of us going in a few months. We're going to send you the invite. Come on up. We're going to go this summer. And you can tease me. Are you really? Yeah, I swear to God. It looks spectacular. It's stunning. He's really done a great job with it. Oh, I can't wait. Oh, that's terrific. I can't wait. Wait, Sean, you still want to know about Liam's drug use, right? No. Sorry, Sean. No, no, no. You don't have to answer his garbage question, Liam.
49:44It's interesting. No, it's fair enough. I'm not 24. I just, certainly when I was in Ireland in the theater, after shows we'd go to the local pub, you know, I've adored Guinness. Absolutely adored it. Yeah. And then you turn a certain age and it sticks to you. Do you know what I mean? You start putting on weight and it's like, oh, my God. Yeah. And I switched to red wine. I absolutely adored that. Yeah. That puts on less weight, but the hangover's not as fun. Right? Yeah. It's all that sugar. I stopped drinking eight. Yeah, just over eight years ago. Wow. I must say I don't miss it. Oh, that's good.
50:24Same here. Jason, we don't drink. I don't drink basically out of vanity. I can admit that. But that's okay. What's the remaining vices for all of us? I mean, it's pathetic with me. Yeah, it's like sugar and like crunchy, salty snacks. And, you know, Jay. Yeah. Oh. Golf? No, pot gummies. Oh, yeah, yeah, yeah, gummies. Well, I mean, is that a vice? I don't know. It's legal nowadays, right? Jason, have you tried those, Lima? Have you tried the gummies with the THC in it? And the CBD. No, I have gummies with the CBD and a little bit of melatonin. I take those every night. Yeah, puts you right out.
51:04I do have trouble sleeping. Jason's got some other stuff for you, and the first one's free, he says. First one's free. I'm just going to stay on afterwards. Let me get your P.O. box or something. People still use P.O. boxes? Sean, you like weed. You like to smoke weed every once in a while. Well, I haven't smoked in years. I can't smoke it anymore, but I do eat the gummies. The gummies as well. You don't mind that. And then what's your other advice? You don't drink coffee. Do you drink coffee? Liam, are you a coffee guy? No, I give up caffeine. I know, it's so fucking boring. No, you're very disciplined.
51:36And I'm constantly, this, it's a mug. What is that? Okay, it's a Stanley mug. I adore them. It keeps my black decaf tea hot for five or six hours. Oh. And it's also my little security blanket. Do you know what I mean? I take it on set. I try and get it into every movie. Oh, you do? You try to get it? Do you ever smash guys in the face with it? Because you're in these actual Clash of the Titans. That's going to happen. That is going to happen. Are you doing anything currently that you're embarrassed of? Any crappy TV you're watching? You say you read a lot. Are you reading a comic book that you're not proud to reveal to anybody?
52:16No. Crime. I'm still into my Nordic noir crime. Oh, no, here comes Will. Like Nesbo and those guys? Yeah, Nesbo's good. Henning Mankell, he passed away about four years ago. He was extraordinary. And I just played Philip Marlowe in my last film. So I had never read, much to my shame, Raymond Chandler before. So I read most of his stuff for preparation, I guess. Will has met his match with the smokiest voice on this podcast. Yes. Do you guys do any voiceover work? We've done three films together. And we've never met. And also, we were talking before about Ray Fiennes. He also was in Lego Batman and played Alfred to my Batman.
53:04And we had a lot of scenes together. Oh, I didn't know that. Yeah, and we have yet to meet. And I'm just such a fan. I can't wait. That is terrific. Liam, do you do any voiceover work other than the animation every once in a while? Are you the voice of any particular product on television? Do you do any commercial stuff? No. Because Will talks about GMC trucks all the time. Yes. Lucky for them, he's still doing it. I don't. I like doing documentaries, and I've done quite a few of those. But products, no. You should. My God. Liam, you would clean up. Yeah. Have you done any of the Ken Burns documentaries?
53:42Yes, I have, actually. During lockdown, I did, oh, there's one on Anne Frank. that's coming out. Oh, that's cool. I played Anne Frank's father, just a few lines, and the current one on Benjamin Franklin, I think, has come out. I have a small part. Is that one out yet or no? Not yet. Ken Burns is a genius. Yeah. He's been on the show. He was an incredible guest. We had him on, yeah. You did? Yeah, yeah, yeah. And he's so erudite, and he's just... Did you see the Ali? The Ali. Muhammad Ali one? I haven't seen that one yet. I have to say, and Muhammad Ali was, is, always will be my idol. Always was.
54:26Yeah, that documentary is incredible. The one he did on World War II is incredible too, called The War. World War II, but the American Civil War, I have to watch that at least once a year. It's incredible. And it came out, I don't know, 25 years ago or something. Well, I love that you love Muhammad Ali because you were, and I mentioned before, you did box a little bit, amateur boxer for a couple of years there. Yeah, I started when I was nine. I think I had my last fight when I was like 17 or something. Wow, my God, that's old enough to get hurt. Yeah, it was starting to hurt. Yeah, because kids punch each other all the time, but then you become a teenager and you've got to really be pissed off if you're going to get into that because you can get hurt.
55:09But boxing, so you were boxing as a young adult or adult, right? Well, at the age of 13, 14, I started to shoot up. I mean, I'm 6 '4". That's amazing. Then I guess it was about 6 '3 or something. And the punches were, yeah, they were starting to hurt, you know. And I remember once coming, we had a tournament in our little local parochial hall in my hometown back in Ireland. And I was boxing this guy. And I actually won the fight, but I felt my heart of hearts, I didn't win that fight. but when I came out of the ring my trainer said okay Liam go on downstairs and put your clothes on and I was and fix your face but I didn't know what he meant clothes go down it was weird and that was like a kind of a strange concussion so that was my last fight I knew enough to think fuck this I'm getting out of this You know, I did a friend of ours, Lisa Kudrow, produced this show called Who Do You Think You Are?
56:19and it traces your ancestry. Did she hit you hard in the face during the shooting of that? And all of my ancestors, you know, from Ireland, I'm Irish as well, and we went over to Ireland, everybody is a drunk and a thug. Everybody fought and just fights everybody. Well, there we go. There's a great quote. Thanks, Sean. No, of my ancestors. Thanks, Sean. Of my ancestors. Oh, your ancestors. Yeah. Not everyone in the country. No, not everybody Irish. but all my answers were just thugs and drunks and it's like why is everybody I don't know everybody just seems to be loves to be in fights where are they from Sean where do your family hang out Dingle and oh Dingle beautiful County Kerry and yeah all around you ever go back there Sean just for that the show I did just to fight just to fight it's so pretty over there oh it's unbelievable I think it's like the oh Dingle Dingle's very very special my grandfather's from Dingle and And he was going to...
57:11Beautiful fruit from there, those dingleberries. Have you tried... No, Will. I'm thinking of something else. You are. Liam, we've taken way too much of your time. God, we could talk to you forever. You're just such a fascinating guy and one of those, just such a great performer and I'm just in awe of your talent. Oh, shut up, shut up. Thank you for saying that. That was true. I'm such a kind, kind man too. Yeah. So thank you for spending some time with us on your off day here. Yeah. Thank you, Liam. Jason, can I say to you, I know I said this to you before when I saw you at the garden a couple of years ago, three years ago or something.
57:46Please give Victoria, your mom, my love. Now he's showing off. This guy is the nicest guy in the world. He meets my mother one time on a Pan Am flight. She was a stewardess for Pan Am, a flight attendant for Pan Am. Yeah. 20 years later, he runs into me. He's never met me before, but I guess she had mentioned once she had met him that I was her son. And so this is 20 years later. We're back at a ranger game at Madison Square Garden. And I see Liam Neeson. I'm like, oh, my God. I'd totally forgotten that my mother had said anything, that she'd met him. He stops me. He says, hey, hey, you're Jason.
58:23I met your mother X number of years ago on a plane. And how is she? Is she doing? Remembered her name? It just knocked me out. And then when I told my mother that, she cried for a week. I mean, yeah. So thank you so much for being such a kind man. No, please. And Justine too. Please, please give him my love. I will tell her for sure. And it's something, and I can't quite remember Jason, but it was a flight from either Los Angeles to London, Pan Am, which doesn't exist, of course, or from London to LA. I can't remember. And I was just, I was very vulnerable, not because I have a fear of flying.
59:01I don't. Something was happening. and for some reason, Victoria, your mom, spotted something in me and she just took care of me. Yeah. She'd bring me tea and check on me every so often. I'll just never forget it. Look at both these guys. Very special. Just writing jokes. As soon as you said, take care of me, both of them wrote about six jokes in four seconds. Well, luckily he followed up and said, with a cup of tea. With a cup of tea. They put their pens down. I didn't need to, yeah. She was very accommodating. Well, that's very sweet. It's so great. And again, Liam, such a fan, and thank you so much for your time.
59:39Yeah, it was such an honor. Thank you. It's an honor to talk with the three of you. Thank you so much. Can you say hi to Laura if you talk to her before I do? I sure will. I love her so much. She's going over to Ireland, I think, in May to shoot a film. I'm going over there to shoot a film with my best dear friend, Kieran Hines. Oh, yeah. We're going to shoot a film in Donegal. You're not killing anybody in that, are you? Oh, yeah. You are. Yeah, of course. Quite a few. Quite a few, he said. Why do you think he took the part? He's the Pope, a Catholic. Come on. The great Liam Neeson, thank you so much, our friend.
1:00:16Thanks, guys. So nice of you to do this. Thank you, Liam. That's great. Thanks, boys. Take care. Bye-bye, pal. See you later. The great Liam Neeson. When he came on the screen, I was like, what? That's so, what? Liam Neeson. he's so like iconic it's so crazy when i was like i i wanted to have him on the show and then they said and michael uh mgt said yeah we're gonna have liam neeson he's gonna do it i thought like is this really gonna happen crazy yeah how'd you do that willie yeah i don't know i have no idea i think he i think that he thought you know i mean he knew you a little bit and he was such a fan he talked about seeing us at the garden another time and he wanted to come say hi and he did not And his new movie, Memory, comes out April 29th, which is, the guy, God, he's made it over.
1:01:03I didn't even get a chance to ask him about Star Wars. I know, Sean. Too bad, there's not enough Star Wars in the world, I know. Thank God. It's such a shame that we never had an opportunity to talk about fucking Star Wars. He was in so many Star Wars movies. And then he was like, he was one of those stormtroopers in Force Awakens. And you spent your time with Wrath of the Titans, the sequel to Clash of the Titans. That's right. You're going to lose your card. I swear to God. Sean, I loved, I really, out of deference to you, I wanted to start it off by asking about theater stories because. Thank you.
1:01:38Because he started in the theater. I know. I love that. Thank you. Yeah, I love that. I love. You'd think people would have, like, at the ready. Well, it turns out, it does start to feel like the only, only embarrassing things in the theater happened to you. Yeah. and Kristen Chenoweth maybe that's true and the time that you poisoned Kristen I forget how the story went but maybe she just had an anxiety attack because the curtain call was such complicated blocking so let's just go back so you came from either side of the so it was sort of like a bye entrance was it a bye entrance oh a what a bye entrance wait wait wait are we done bye bye bye bye bye bye bye I don't endorse it smart Smartless.
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From the publisher
Avid fly fisherman Liam Neeson brings his very particular set of skills (and his Stanley thermos) to the show this week. To Sean’s dismay, we don’t talk about Star Wars. However, of his over 100 film roles, we discuss Alfred Kinsey, Oskar Schindler… and Jesus. And the time he made Jason’s mom cry for a week.
This episode was originally released on 5/2/2022.
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