Ahead Of The Joke with Johnny Knoxville & Andrew DeYoung

14 May 2025 · 1 h 1 min

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The A24 Podcast Episode Summary: Ahead Of The Joke with Johnny Knoxville & Andrew DeYoung

Episode Overview

  • Podcast Title: The A24 Podcast
  • Episode Title: Ahead Of The Joke with Johnny Knoxville & Andrew DeYoung
  • Release Date: May 2023
  • Key Themes: Success, vulnerability, comedy, the film industry, and personal growth.

Summary In this episode, Andrew DeYoung, writer-director of "Friendship," engages in a candid conversation with Johnny Knoxville, the iconic star of "Jackass." Their discussion delves into various topics surrounding the creative process, the nature of comedy, personal insecurities, and the profound experiences of sharing a film with an audience.

Key Topics Discussed

  1. The Experience of Filmmaking
  2. Andrew describes the discomfort and intense emotional reactions elicited from the audience in "Friendship."
  3. The psychedelic experience of viewing a film in a packed theater is highlighted as a transformative moment for both creators and viewers.
  4. Johnny shares a similar sentiment regarding the joy and unpredictability of audience reactions.
  1. Influence of Comedy on Personal Growth
  2. Comedy as Catharsis: Both Knoxville and DeYoung explore the uncomfortable and primal aspects of laughter in comedy, emphasizing that the honesty in their work resonates deeply with audiences.
  3. They discuss the concept of humor stemming from vulnerability and insecurity, particularly in male-dominated spaces.
  1. Honesty and Vulnerability
  2. Johnny emphasizes the importance of honesty in relationships, explaining how he has learned to live without secrets, which he finds liberating.
  3. Andrew reflects on his characters' struggles with honesty and the comedic squirming that arises from attempting to hide the truth.
  1. Creative Process and Audience Reaction
  2. The duo discusses the unpredictability of audience reactions to their work, highlighting how some jokes that they thought would resonate did not land, while unexpected moments gained traction.
  3. They touch on the idea that part of the creative journey involves taking risks and being open to failure.
  1. Cultural Commentary
  2. A humorous segment involves discussing the absurdity of hair transplants and the lengths people go to for confidence.
  3. Johnny shares an amusing story about an encounter with a man undergoing a hair transplant, illustrating society's often bizarre approach to appearance.

Key Takeaways

  • Authenticity in Art: Both Knoxville and DeYoung agree that authenticity is crucial in comedy and storytelling, often deriving humor from raw human experiences.
  • Audience Engagement: The shared experience of watching a film in a theater can amplify emotional reactions, enhancing the overall impact of the movie.
  • Navigating Success and Anxiety: The conversation touches on the complexity of managing personal insecurities amid professional success, particularly in the entertainment industry.
  • The Importance of Vulnerability: They emphasize that embracing vulnerability can lead to deeper connections with audiences and more meaningful art.

Conclusion The episode encapsulates a rich dialogue exploring the intersections of comedy, personal truth, and the creative process in filmmaking. Both Andrew DeYoung and Johnny Knoxville provide insightful reflections on their experiences while inviting listeners to consider the power of laughter and vulnerability in storytelling. The discussion also serves as an invitation for audiences to experience "Friendship" in theaters, promising an uncomfortable yet rewarding viewing experience.

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Transcript

Automatic transcript. May contain errors.

0:05Hey, and welcome back to the A24 podcast. For today's episode, we paired up Friendship writer-director and jackass superfan Andrew DeYoung with his idol, Johnny Knoxville. Trust us when we say you want to see Friendship on the big screen in a crowded theater. It's now playing in New York and L.A. and expands nationwide on May 23rd. Here's Andrew and Johnny. Hi, I'm Andrew DeYoung. And my name is Johnny Knoxville, and this is the A24 Podcast. Wait, where'd you come from today? The fighting town of Toluca Lake. Okay, cool. Fight in town. Yes. Okay, nice. No, it's not a fight in town. And yourself?

0:42Pasadena. All right. Dude, it's so good to be here with you. Nice to meet you. Nice to be here. I saw Friendship, your new film, and it is fantastic. It is so fucking uncomfortable. I mean, I'm just - Huge compliment. But in a wonderful way. Yeah, yeah, thank you. The situations, you're just like, oh no, don't, please. Don't, don't do that. I was doing it okay he's doing it it's even worse than I thought what he's doing that's it was so it's just it's one of those things you have to see in a theater it would be fun to watch with a bunch of people I just watched it with my friend and agent Ryan and we were just both yelling at the screen the whole time oh my god at it in a theater at home in a theater okay Wow so I can imagine what it's like with a pack theater have you watched it with a theater Yeah, yeah.

1:34Are people yelling at the screen or was that just me? We premiered at TIFF in a theater that was like a thousand people. And I think it gave me brain damage in terms of like, how can I ever not try to get back to this moment? Which I'm sure you've experienced a bunch of times. Because it was just the experience was so good for you. It's so like just so much laughter, big laughter, things that people were laughing at that I didn't really think were like necessarily funny. Yeah, there was a lot of that with me too. I was probably laughing inappropriately. Which is so thrilling for me. My favorite kind of laughter is laughing but not sure why.

2:15Yeah, yeah. And something deep down is like, I don't know how to articulate it, but it's like trying to do that. Because you feel like you're not supposed to laugh at that. Exactly. But inside you're like, oh God, you can't help it. Yeah, like a catharsis. Well, I feel like so much what you do, the brilliance of that too is like - Brilliance. I mean, I truly, I truly deep down, like we'll get right into it. Like so much of that laughter comes from to me, like how uncomfortable that is, how like primal and how honest. Well, that's one of the things, one of the, one of the things we have going for us is jackass is silly, but it's honest because everything's real.

2:51Totally. And I think, yeah, you person walks, person falls down. It's just, you know, like you said, primal, it's just, it's reflexive laugh. It's ancient. Yeah. But, God, I was just, the Tim Robinson character feels like a cross between Napoleon Dynamite and Rupert Pupkin. Okay, great. Yeah, King of Comedy was a huge influence on the movie. Oh, my God. Hello. Moshi Moshi. We're going to keep that in, Dave. It was, I spent like a good portion of the movie trying to figure out his diagnosis. Okay, what'd you bounce between? I can't figure it out. I mean, he seems to be a little on the spectrum, but there's also a lot of rage.

3:40Sure. I don't know. Do you know the diagnosis? I mean, when you diagnose him, you're probably going to diagnose me by default. Oh, really? Probably. That's an extension of you? I mean, don't you think when we write stuff, it's an extension of me? I feel like it's an extension of me. Well, I don't know. There's many characters in the movie. You could have dedicated any of the characters to yourself. I relate to a lot. I'm pushing him in versions of me probably in this character to the extreme. But a lot of it is like me, my dad, and like friends and things I've noticed. You and your father had social anxiety?

4:14Certain things of like covering, like it's so funny watching people hide. Right. And Tim is like, I feel so brilliant at hiding. and so much of his comedy comes from like him squirming to hide the truth right and i feel like i like i do it i've seen my dad do it and like so many men have to do it too you know like there's a lie and we're covering it up and i find it's so tragic and so funny have you gotten better about being honest with your feelings i think so i try you're being pretty honest right now yeah i mean in social situations, interpersonal relationships. Over the years, for sure, for sure.

4:53How are you with it? Well, I finally reached a point in my life where I am honest. And it's embarrassing. I mean, in my relationship. And that's embarrassing to admit as a 54-year-old man. I feel like I'm the healthiest I've been in my life. So the relationship is like legitimate, healthy, wonderful relationship. Amazing. And that I don't have any secrets from this person. Huge. Where in the past I always did. And it's also embarrassing to admit how wonderful it feels not to keep secrets. Absolutely. It. Yeah. It eats you up. Like, I have a little anxiety anyway, and having to remember your lies.

5:49Sure, sure. It's a nightmare. It's terrible. It's a nightmare. It's a nightmare. Yeah. And it just feels wonderful to be like, okay, you know everything. I don't have to hide. It's so medicinal to just speak the truth. Yeah. It's so much easier. It's so much easier, even though it's hard and could be difficult and have some major consequences, right? But like as I'm 42, so I've learned all the and still learning. I'm still constantly practicing like, OK, how do I be honest? How do I let people have hard feelings? You know, and and I think deep down this movie is like watching the fun of it for me is watching someone not like bury secrets and then squirm and watch secrets destroy their life, essentially.

6:38and by the end hopefully realize that like truth is is the only way forward as messy as it is ideally that's what i'm scratching it yeah well it as a person who has kept secrets and hasn't always been truthful it is uh that comes across because you just you just not as intensely as in your sure sure sure i mean your movie is an intense version of that of course yeah yeah hopefully it's like a catharsis for an audience to do the things that we repress yes and paul rudd's great in it like and he's his characters slowly revealed you know and that's how i took it you know he comes across as this handsome sure everything going for him confident guy but then he's like he has so much pathos and self-doubt sure and uh you knocked it out of the park kid hey thank you i mean well it's funny it's like i was re-watching uh jackass forever and which is like truly one of my favorite movies of all time oh my goodness well thank you truly i i was that whole year i'm like this is the movie of the year why don't people understand it the ideas in this movie but i i bring it up right now because like you're talking about the paul character and like him his secret being revealed right and it reminded me in jackass forever where you're on the ground and you're like are you filming my bald spot you know oh right right and then spike comes and fills it in yeah yeah right he's always got my back and i'm like you know i know that's like oh you know it's there you're kind of playing with vulnerability there you're clearly like comfortable with it but i'm like that's so funny because it was in my head yeah because it's in your head you're playing with it yeah yeah and it's so and all men are dealing like i take hair pills right we're all like and we know that i do too yeah insecurities and free to kind of call it out and it to be like jokingly accepted and covered up by spike your your longtime friend yeah is so beautiful and so funny and so touching and watching it the other day i was like oh that's kind of like similar what i'm trying to do with all my work is this or even in my friendships and like revealing and then they kind of we could laugh about our insecurities together get ahead of the joke get ahead you gotta get ahead of it that's the key that is the key get ahead of the joke is so yeah truth it just takes a little self-awareness especially if you're on a brutal set like jackass that joke's coming absolutely Okay, yeah, we got to get ahead of it.

9:20That's really funny. Do you feel like you're constantly over the years like, okay, I got to get ahead of, and constantly like almost hypervigilant, like they're going to look for my weak spots? No, I just naturally there's self-deprecating sense of humor in my family, so it just comes out, you know. Sure. But I got to say, having the gray hair now has really helped that bald spot. Okay, well, oh, it's really like helps blend? Yeah. You don't even, you barely even notice it. What are we doing? Because when you got the dark hair or when I had, quote, dark hair. Yeah, yeah. Died. Yeah. You know, it sticks out.

10:00I mean, your hair looks great. The contrast. Oh, stop. Stop. What are we doing? You want to share the secrets here? Jesus Christ. What kind of secrets? I'm doing the pills. Secrets of. Yeah. What do you do? We don't have to talk about that if it feels. No, no, no. I, what is it? Take finasteride or something. I don't know what it is, but it's supposed to help your hair. Same. It helps me for sure. And I, yeah, there's no secret. Okay, good. It's working. It's working for sure. Because, you know, I always heard that, like, your hair is dependent on your maternal. Like genetics. Yeah, your mom's dad.

10:39Mom's dad. Okay. And he was bald as hell. I was like, oh, no. Of course. No, both. Oh, actually on both sides. both men both my grandfathers went bald but so far I'm holding up it's doing good I have a couple friends who've done the full transplant stuff which I'm like okay that's an option if I ever feel that insecure yeah I think you shouldn't have to do that if we go bald we just shave it or leave it be just accept it But because, yeah, a guy came in my restaurant. I used to wait tables years ago. And the guy, I guess he was mid-transplant. Okay. And he just had, he had all these dots from the front of his scalp to the back of his head.

11:32And talk about confidence. He just raw went into the restaurant. He just was sitting there eating his Chinese chicken salad. And I'm just trying not to stare at these dots in his head. He didn't give a shit. You didn't ask. Now that is like reaching the shore. You fully. Reaching the other shore. Yeah. The other side. Yeah. You fully mastered it. Well, it's like if he has that kind of confidence, why isn't he okay ball? Exactly. Yeah. You know what I mean? Well, it's complicated. Sure, sure. I know. I know. Yeah, yeah. Of course. Of course. Yeah. I always remember that guy. I'm like, he just. I respect it.

12:08He didn't seem to care, but he cared. I respect him. I hope he's doing well right now. Yeah. I hope he's listening to this eventually. He's probably no longer with us. I'm sure he's not. This was like 30 years ago. He was pushing it then. Okay, I see. You know, I hope he is. I hope his family's doing well. God forbid. Yeah. Have you seen those videos of those, you know, that's like you go to Turkey and get really cheap ones done? Have you seen these videos of like people at the airport? I do like people traveling to other countries to get, you know, a cheap surgery done. Sure. It's, I wouldn't recommend it.

12:42I understand why they do it, but yeah. But what your point was. You know, there's these incredible videos online of like guys just coming from, because I guess like it's so expensive here that you go to Turkey, you get like a round trip flight, meals, board, whatever. And the surgery done and it's really inexpensive. The hair surgery? The hair surgery. And there's these videos in the airport of just like a camera scanning. And it's all these guys waiting for their flight home, just like their heads all wrapped up. Oh, wow. And it's like such a thing. Is it this one guy over there doing it? It's like a whole little cottage industry that's happening.

13:17And because someone brought it up to me and I was like, oh my God, that's wild. Because it's like 30 grand here. Hair transplants while you wait. While you wait. It's crazy. I was in Tennessee. I was in high school and it was at a flea market and a sign advertised tattoos while you wait. And I was wondering how else are you supposed to get tattoos? at a it was at a flea market you can't just leave your forearm and come back later wait what were they waiting at it like a flea market or something i did i had it's just it was a tattoo booth and but you can it's a good angle get them while you wait yeah yeah it's a good angle yeah yeah yeah whatever it takes but yeah to go back to your original like watching it in a room full of people for the first time was you know i'm sure i don't know how you how do you feel when you you know something's final you've seen it a thousand times i'm assuming you're involved in the end.

14:10I see it and I'm like, well, this is crap. This means nothing. And then you see it in a theater and then all these people, it's alive for them for the first time. And it's such a, it's like psychedelic. And with comedy, it's so beneficial to screen it with audiences because it's simple. They either laugh or they don't. And then, you know, we have a friends and family screening a couple of one or two of those and then we'll screen it two or three times before we release and it's just so it helps editing so much sure you know are the changes being made kind of tiny or based off of the reactions are you well it depends uh sometimes they're just you know a few re-edits here or whole bits will come out you're like well that didn't work like that didn't work like i thought it was going to okay interesting some bits you think this is going to kill this is people are going to like this crickets wow crickets and then some things you have no faith in that you didn't want to put in they'll love you can never it's tough to figure that out that must feel does that like disorient you in your gut no because i we don't take it personally uh so much of what we think works works and sometimes you don't know even when determining to shoot the ideas sometimes Jeff will come up with an idea I'm like I don't think so or I'll come up with an idea and everyone be like that's that's not going to work let's not sure and but Jeff and I know enough to know that we're wrong a lot okay and so we end up shooting it and it works yeah most of the time and so we we give give each other that grace one of the few graces we give one another okay it's like okay i don't think that's gonna work but let's shoot it yeah yeah and with what we do you just take so many chances as far as like let's just throw everything against the wall and totally be as open to the process as possible so much about surprise right i could feel like a kind of maybe a idea you don't totally believe in could lead to once you shoot it something incredible happens right oh absolutely yeah you know we have rainy day ideas like we'll have all these ideas that we plan to shoot but if something happens during the day or rains or something vice versa uh not vice versa but if uh we have a list of ideas that pretty much nothing ideas like get six tubes of crazy glue and see what happens that literally it was the whole thing and okay in a really good bit and jackass too with that yeah yeah so you never know with the helmets the helmets no no it was we ended up super gluing we man impressed in the 69 together bam uh super glued his hand to his dad's hairy chest and pulled his hand off and it was super hairy and incredible i tried one which i I can't this I don't I felt like I really dodged a bullet while we were shooting this and kids do not do this at home.

17:25I thought it would be funny to put the super glue around my mouth and chin and super glue my face to Phil's chest so I'd have a goatee. But what happened was I just got I was just doing nothing but inhaling the super glue. Oh, God. And the room started spinning. I almost passed out. Oh, God. It was almost dark. Oh, God. And you couldn't even do the bit. No, no. It was, no. Oh, my God. We had to, yeah. Terrifying. Well, I don't know if I was terrified, but I did realize that I was almost in deep waters. Sure, sure. But that was fun. Sometimes you get surprises you don't want. Oh, there's lots of surprises.

18:11Yeah, yeah, yeah. It's interesting in my movie, Tim doesn't really like to improvise. Really? And, you know, there's things that he's, he comes from the improv world. Of course, like brilliantly funny person in the moment. And he's always like, he adds on to little things and stuff like that. But he's really kind of anti, like whole cloth improv. Especially in his, I haven't worked on his, I think you should leave. But just knowing, like I did a pilot with him and just knowing him and Zach, his writing partner's process. they're really precise about writing but it doesn't feel that way it has its own like aliveness and kind of spontaneity to it too and he loves you and what oh that's very kind i think he's super funny and it's interesting like these different pathways to get to a laugh you know and i also come from improv and have such a desire to create surprise not i mean you guys what you guys do is something i can't do well we don't know what's going we don't have any idea what's going to happen so we're surprised with everyone else that's incredible to create those conditions for surprise right and then roll with it is something that's like yeah some days you're gonna you're gonna might pass out it's gonna go a little dark and some days you're gonna get like yeah incredible beautiful stuff that that we see in in the work i don't know i'm just i really like that like setting up for surprise because i kind of i find it so rare in like i do a lot of tv i I feel like people are constantly trying to kill surprise.

19:35Yeah. You know? Yeah. Yeah. They just, some directors I've worked with, they only like to stick to the script. Sure. And some will be like, okay, this take, do whatever. We got the other, we got the script. So do whatever you want. Sure. That's always fun for me. You know, I've worked with John Waters, who I absolutely adore. Amazing. The greatest dinner guest of all time. You know, people are like, well, if you have five people you would like to have dinner with. John Waters is the first person I want at that dinner. Wow. He's just, you cannot bring up a subject that he doesn't have articulate, hilarious take on.

20:19Amazing. He's so well read and, you know, you go to his house. You can't even sit down because there's books stacked 10 high in every chair on every couch. He gets like 100 magazines a month. Magazines really don't exist anymore. It really sucks going to the airport. I used to love going to the airport. I would spend$75 on magazines and now there's none to buy. You would never bring your stuff to the airport? You would just go and load up on magazines? Oh, absolutely. What were your magazines of choice? Popular Science was one of my favorites. Respect, respect. because I could see all these I come across some silly gadget I'm like I can use that on one of the guys okay sure and I got so a lot of ideas out of that but um the reason I brought up John Waters is like he really wants to stick to the script okay and like he has a cadence in his head too Oh.

21:13Yeah. And he'll give line readings. And I have no problem at all receiving a line reading from a master like John Waters. I actually loved it because they're so specific. Wow. Yeah. Is he giving you readings from like take one or is he letting you get one in yourself? He knows how he wants to have it. Like he'll get the script and read the whole script in each character's voice. Wow. And so you're kind of just doing your version of his take, which I, again, I think is wonderful. I love John. John, I will do whatever you want. You know, that's incredible. Yeah. And the other actors on set, did they have a similar positive response?

22:01Some were, they were a little puzzled, but again, they ended up at like, it's John Waters. What do you need? Sure, sure, sure. I mean, what a legend. He does that with Tracy Ullman. He did that with everyone and everyone just accepted it. You're on John Waters' ride. Yeah, yeah. It's kind of amazing. And it's a wonderful ride. Yeah, for sure. I mean, to have a vision, a director with a vision that clear is rare. Yeah. It's like really amazing. He's fantastic. That's so great to hear. He has this myth about him, like this hitchhiking myth, right? I don't know if you know, like people are like, we just picked up John Waters on the side.

22:36You know, it's incredible. Like he's on another plane. Yeah. He has reached the shore as well. Oh, clearly. A long time ago, for sure. I was going, oh, my fiance worked on Tim's show. Oh, amazing. Yeah, yeah. She had a lot of great things to say about him. She was the costume designer. Oh, amazing. So she was going to work on the second season, but she took Jackass forever instead. This makes sense. Yeah. This makes total sense. Tim's the best dude. You guys haven't met. No, I don't think so. Okay, you guys should issue me. But I've had a few concussions, so we may have spent time together. Sure, sure, sure.

23:11I wish I was joking. He's the best. He's the best dude. You guys, we should connect y 'all. Is it a heightened version of himself that he's playing? Oh, 100%. Yeah, 100%. I mean, all this, like, I think we're versions of what we make deep down. So I think he's just like I am the character that he plays in a lot of ways. He's also a lot of his characters in, too. But nicest guy in the world. Yeah. And so sweet and caring and loves his friends and stuff. And cares about comedy so much. Like, he really is someone I get a lot of kind of encouragement from when I feel I waver, maybe second guess my gut.

23:54sometimes he's like so confident in what he does. Even if stuff he's like, it doesn't work in the public. He's like, I like it. Right. And there's something about that where I'm just like, it's kind of amazing. Yeah. It's like that guy with the plugs in his head. It's the guy with the plugs. He's like, I'm getting Chinese food. I don't give a fuck. I look insane. I don't give it. He probably didn't even think about it. He's like, oh yeah, I got hair plugs. I'm getting Chinese food. I wish I had that guy's confidence. How does one get that? I'm like, are you born with it? Are you just like, because I'm constantly like the confident stuff of like, you know, waiver.

24:29It's a wavering all the time. Yeah. I don't know. You seem like you have that. There's a thing like you got to have the right amount of confidence because too little confidence is a problem. Sure. But I think too much confidence is a worse problem. Totally agree. That is a real, you've met those people. Yeah. How do you navigate that? Especially as success came to you, was that something you had to navigate? No, no. I, no. Too much confidence? No. My problem wasn't too much confidence. I always, I would err on the side of too little confidence. Oh, wow. Especially early, you know, growing up. Part of me is like, well, I'm as funny as the next guy.

25:08And then part of me is like, one day people are going to find out you're not funny. Wow. That's always been there? Yeah, yeah. Yeah, yeah. But over the years, I'm like, all right, I'm reasonably funny. I, you know, I, it's kind of where I ended up. you know everyone has their sure it's because you come across very confident not in a toxic way just like you very you seem very sure not overconfident not over well i know where you're talking about and it's scary not in a steven seagal type of way god bless steven this is a pro steven seagal podcast for sure no yeah not like that we know we see it in culture constantly oh yeah entertainment especially now especially now without getting too far into that absolutely see it now in all the compensating people can do especially men when they're feeling small right and like it's in our industry too it's interesting because like i could see how people get a little success oh yeah and maybe some latent stuff all of a sudden blooms where it kind of takes control and maybe they lose sight of their career a little bit or what made them do what they do in the first place yeah I'm like, I'm careful of how I talk, but it's interesting because I see it a lot of people kind of losing sight of what they did because it's like they get success and it's sparkly and whatever, you know.

26:30Yeah. No, it took a little getting used to, you know, but mine wasn't like I'm overconfident in treating people I worked with like shit. It was just a lot of me spinning out and spinning my wheels and, you know, too much of this, too much of that. Totally. And then finally work your way around who you want to be. Sure. So, yeah. Did you do that kind of privately or was that with the other guys too? And I assume they were probably dealing it with their own stuff. No, I didn't do it so privately. I wish I was more private about it back in those days. Okay. Okay. Oh, it was just fast, faster, and disaster.

27:13Sure, sure. Okay, interesting. Or even like just the vulnerability and sharing that. Sometimes it's like sometimes we act out, right? Yeah. Yeah. And don't share that other side. Well, part of changing is owning up to what you did. You know? You got to be responsible for the things you did. Totally. I'm sorry I got a little distracted. Has anyone ever told you you look like Matt Hoffman a little? Wait, who's Matt Hoffman? I know the name. He's like the legendary BMX rider. He's like my generation's evil Knievel. We did a documentary on him called The Birth of Big Air. Did you just get distracted right now or has it been spinning?

27:54No, no, throughout the – Oh, wow. But I felt I got it out and I feel a lot better about it because – You think I was going to get offended or something? No, no. No, he's a handsome young man. I don't know of anyone tougher than Matt Hoffman. No one said that. I'll take it. Thank you. Yeah. I'll do a deep dive. I don't feel tough at all. So to be aligned with someone that could be possibly tough. Yeah. And is, it sounds good for sure. Thank you for getting it off your chest. I didn't. I'm glad. There you go. I know I could tell something was blocking you. Yeah. There we go. You got the Steven Seagal stuff off.

28:32And now this. Oh man. Seagal. What a, what a dick. He's. And like. Like, one of the things my fiance and I like to do is just watch terrible movies. Okay. Right? It's one of our favorite pastimes is terrible movies. Okay. And we had a long run of Seagal films. Oh, absolutely. And it's very satisfying. What? I haven't been keeping up with Seagal News. You want to, like, what? And he hasn't been top of mind. No, he's, like, it's dark. It's dark? Yeah, it would suck the energy. A lot of the stories would suck the energy out of the room. There are stories. This producer told me once. It's a funny story.

29:19He walked in Seagal's office, and Seagal's sitting at his desk, legs crossed, cowboy boots on the desk, his gun on the desk, script open, and he's weeping.

29:41and the producer's like, hey, what's going on? You okay? He goes, I'm just reading the most beautiful script I ever read. And he's like, oh, really? Who wrote it? He goes, I did. No. No. Yeah, yeah, yeah. That's crazy. Yeah. That's crazy. Yeah. A gun on the desk. Oh, yeah. Yeah, he was really, he had read too much of his press. Oh, my God. That's incredible. Well, I would want nothing else from Seagal than to do exactly that. You know the Gene LaBelle story? No. So Gene LaBelle is one of the toughest men who ever lived. His mom ran the Grand Olympic Auditorium. He grew up working with the wrestlers, the boxers.

30:37He trained in so many disciplines. I think he got a gold medal in judo and the Olympics. He's the first man to go to Japan and train. He's a stuntman as well. And I've worked with him on films. And the stunt guys revere him. Like on one film I was working on, people just lined up. all the stuntmen just lined up outside his door just so he would choke them out. He was legendary for choking people out. And after he would choke you out, he'd give you a patch that said, I got choked out by Gene LaBelle. So he's working on a movie with Steven Seagal. And Steven Seagal saw how all the stuntmen revered Gene and not him.

31:20And his ego couldn't take it. So Gene's a nice guy, but he's a little nuts. So Seagal goes up to him. He goes, there's not a hole you can get me in that I can't get out of. And Gene's like, you're probably right, son. Yeah, sure. It's fine. Go ahead. Go on. Go on. And Seagal wouldn't let it go. And finally, Gene's half off. So he's like, OK, turn around. And he put his arm around Seagal's neck. He goes, when I say go, try and get away. And Gene goes, go. And then just choked him out. and he can control how long he chokes you out for. Okay. And he choked Seagal out for an extended period of time and kind of put him in the side of the soundstage to sleep it off.

32:09Oh, my God. And Seagal had pissed himself, you know, while he was out, woke up and tried to have LaBelle fired. You can't do it. You can't beg someone to do it, and then just because it doesn't go your way. That's incredible. Yeah. That's incredible. And the production said, fuck you, LaBelle's face. I mean, it feels like a Tim sketch. Yeah. In a way, it's like asking to get choked out, losing immediately, and then trying to still win by getting the guy fired. That's my favorite thing, coming up with so much confidence and getting your ass beat immediately. Immediately. Immediately, not a fight.

32:54Too much confidence. Too much confidence, and on top of that, pissing yourself. Yeah. And taking a nap. He choked me out before. He choked out the whole cast. No way. Of Jackass. Jesus Christ. We didn't put it in the first movie just because we thought kids would see it and go, okay, well, let's do it, and they don't know. They're going to cut off the wind as opposed to the blood. Sure. And... Dear God. So we didn't put it in because we didn't want any trouble. A little dangerous. Yeah, yeah. But it's a weird feeling to be choked out. You're sitting there looking at your friends. Next thing you know, you're in a deep sleep dreaming, and you wake up, and everyone's looking at you.

33:31Oh, my God. And you're covered in piss. Yeah, no one peed themselves. But we did put a bike lock around Aaron's neck while he was out. I feel like you guys especially torture him. well he he responds so well his fear is funny sure oh it's incredible it's so well it's just so real it's really satisfying to all of us it's unfortunately for him and wait so the difference between when you get choked out the air it's like there's a the breathing passage versus well you don't want to cut off someone's air because that will kill them okay so how do you So you cut off the blood. Okay, so you put pressure on the side.

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34:16Yeah. Okay, great. But please, no one even tried it. I'm just learning this. And it seems I'm like, oh, yeah, I should know that. Well, now you do. Don't beat yourself up. I'm a fucking idiot, Johnny. Jesus. Now, when does your movie come out? May 9th in New York and L.A. And then it'll start to expand and it'll go wide on Memorial Day weekend. Are you guys doing like audience reaction videos? Because we do that with Jackass because it's such a it's such a fun movie to watch with your friends. And I think your guys movie has the same vibe. They're different tones, but it's like it's like it's such a primal laugh and primal uncomfortableness watching friendship.

35:03I really appreciate that. You know, I feel like you guys use those reaction videos like one of the first times I've ever seen it in like ads and stuff. Right. And I know like some horror movies do it and stuff, but no one's brought it up. We did one test screening when I was still editing the movie and they filmed the audience. And that was the first time. And I would go back sometimes when I would edit and look. I'm like, how do people react to this? Yeah, it helps. It's so interesting for sure. But were people being vocal and twisting and turning and scrunching their face? You see you see it.

35:34You see it like like the one we did was like just people off the street who didn't know what they were getting into. so it was a little they were doing that for sure but it was a little i think people were just surprised like what the hell am i watching i had that at first because i was trying to figure out the tone at first because i i didn't go in knowing anything and so i didn't know what i was watching but then you reach a point where you're completely on board and you're just in for the ride but it It took a second if you don't know what you're walking into. No, I think I like to hear this.

36:12Well, your movie will be marketed well, so people will know what they're walking into. I had no idea what I was walking into. Totally, totally. But I like even stuff, you could truly say whatever. It's interesting to hear how people react. And it's like we were saying earlier, some stuff you're like, this is going to kill. And then you get it in front of 100 people and they're like, no, it doesn't kill at all. Right, right. And it fucks with you a little bit. Yeah, yeah. And it's so interesting. You're like, okay, I'm maybe 75 % right about my gut and there's 25 % that's just me. And that's fine.

36:42And that's fine. You just got to accept that it's fine. Yes. You know? Yes. Because with comedy, you know a little, but you don't know everything. You don't. It's so hard. Yeah. Tim's always like laughing's an accident, which is so interesting. I feel like that's kind of a hardcore take, but in a way it's like true where you're rolling the dice. Yeah. And you think, and then you don't know. But the, I don't know, maybe now that you've brought it up, maybe A24 would want to do like a cringe hidden camera thing. Oh my God. Yeah. If you would have had one on me that day, I just had my hand on my head, my hands over my eyes, screaming like, no, don't, please.

37:22Jesus, fuck, he's doing it. That's so nice. That's so nice. Like when you first played, when was the first large audience you played your stuff in front of? Was it the TV show? Was it the movie? Probably we did a Friends and Family. I can't remember if we did the Friends and Family screening first on Jackass the movie or we screened it for Paramount the first time. But the Paramount screening was an absolute disaster. And this was like a first cut? But first cut, we purposely put in things we knew would never make the movie, right? Okay. Because we wanted to give them something to bitch. Even though we had final cut, you want to give them something to bitch about.

38:12Okay. It's the same thing you do with the ratings board. Okay. You put in red herrings. We don't even want this in, but it gives them something to do. Okay, wow. Wow. So after the first screening at Paramount, one of the heads of Paramount stood up and was like, that Paramount will never release that movie. He was furious. And in his defense, it was, the cut we turned in was gnarly. Okay. Right? You were trying to get that reaction in a certain way. No, no, no. We weren't trying to not get the movie released. Oh, sure. But we put in a lot of things that wouldn't make the film. Yeah, yeah. But luckily the head of the studio, Sherry Lansing, she came up, said, we love it.

38:59We're so happy with it. And at the time we had the opening with the shopping cart in it. And she goes, what we would like is if you guys would bookend it with an ending as well. And so, and she's like, here's X amount of dollars to go do that. And that's when we did the old man thing at the end for Jackass the movie. It was even funny then. You know how angry this one guy got. Yeah, and he was a powerful guy at the studio. Wow. So you had Final Cut, but just to give them something to do and feel like they were participating in it, you gave them these things to like. Well, part of the reason, and part of the reason is like we just wanted to try everything out.

39:41Sure. To see what happens. But some of the scenes lingered a little long. Sure, sure, sure. Went a little. God, I would love to see that. you say that now but I you feel like it felt like you ran a marathon after sitting through like a long longer than usual cut of what we do like tone and pacing is so much with any movie but ours especially certain bits work together certain bits don't I can the music of one next to the how one feeds into the other one yeah you don't want like too many gross things back to back too many I would say too many cocks but there was probably too many cocks in Jackass Forever.

40:22There's a lot of cocks in it. Yeah. Which I was like, I'm like, this is incredible. We, we, Jeff and I, about a third of the way through the movie, we're like, there's a lot. And Spike as well. There's a lot of cock in the movie. So let's kind of pull back on the cock. So we made a conscious effort, but then we'd be on the set filming something and we're like, it's kind of funny if their cocks are out. Yeah. uh so we just kind of threw up our hands absolutely no you gotta go where where the spirit takes you yeah absolutely i don't know that's what i mean talking about vulnerability that movie especially i'm like the vulnerability in it the nudity there's so much cock and balls just right there too much there's right no it's it's a perfect amount it's like right there it's it's truly incredible i was like some of this belongs in a museum i was talking to this guy the other day and he said that jackass forever was one of the reasons that him and his girlfriend broke up uh-huh because she had a movie that he didn't a movie that she didn't want him to see uh-huh and then i don't know it was a it was a bone of contention in their relationship that he he couldn't see it and then she takes him to see jackass forever and he's like there's just so much cock in it and he had this build up animosity for not being able to see the movie he wanted to see and he goes then she makes me sit through this i said you are not wrong sir that's so wait she wanted to see jackass forever yeah yeah and he did it and then he gets there and it's just wall-to-wall cocks and they eventually just that was the cock that broke the cat absolutely Do you know what movie he was trying to see that she didn't want to?

42:14I can't remember. That's wild that he didn't want to see Jackass. Obviously, there were other things going on in their relationship, which culminated in this. Absolutely. That's wild. I didn't take it as an insult. I just completely sympathized with him. Absolutely. That could be shocking. Yeah. I wonder how many over the years breakups Jackass has led to. I don't think a lot. I think I hear more stories of fathers seeing it with their sons or grandfathers seeing it with their sons as we get older. Sure, sure, sure, sure. Absolutely. Yeah, absolutely. Yeah, I'm just remembering like one of my first girlfriends, we went to Blockbuster and rented.

42:57What's that? Blockbuster? Yeah. It's crazy. I know. I'll send you a link. I don't think my kids even, like, we went to a video store the other night. Vidiot's show, Jackass the movie, and I introed it. By the way, they have this theater, a video store in Eagle Rock. Yeah. And huge crowd. And, like, if you ever want to screen something there, reach out because it's fun. Well, Friendship screen there this Saturday. Oh, really? Yeah. This Saturday? This Saturday, if you want to see it with the crowd. Are you going to intro it? I'm doing a Q &A, yeah. It's fun. Yeah, I'm excited. did they should i fuck i can't believe i missed that yeah just showed it the other day yeah they and i cannot believe i missed that it's it's a great experience but what i why would why did i bring that up video stores oh yeah but i took my daughter and her and her friend had never been in a video store before you know which i get it uh 13 yeah yeah makes sense so and i was like okay Arlo there's some things in this movie that I'm going to ask you to like cover your eyes or cover your ears.

44:05Oh they've never seen it? No because it's you know. Of course of course but yeah I mean but then I thought about it and I was like actually they're not going to have to cover their eyes or ears because there's there's not any cock. There's one shot we can sheer shorts but it was really tame and innocent compared to the things that what it became sure it was uh almost refreshing wow the innocence but i mean they did cover their eyes and ears on their own wow but not at my behest so what was that like watching it with your daughter it was so fun because i spent most of the time watching her and her friend's reaction wow and yeah it was fun And what was the conversation afterwards?

44:53Just, I've just seen what bits they liked. Yeah. And, you know, it was a really good experience. That's incredible. When was the last time you saw the movie? Probably a year and a half ago because I showed my son, who had turned 14, the movie. Okay. Because my oldest daughter saw it when she saw Jackass No. 2 when she was 14. now in that movie I made her cover her eyes ears or both because jackass number two was probably our most for sure raw of them all for sure is that the one with the shit pops out where he's like oh the the the pukano yeah yeah that was in there there's certain goddamn images from your the tv show and the movies that are lodged in my brain yeah sorry about that That hits me in a way, which I think is like successful, you know, hits the psyche in a way that I'm like, it does something that I'm like, it'll never leave.

45:56Yeah. And it constantly is in my head. Yeah. Hopefully you have a therapist or someone you can talk to about it. Yeah. I'll bring it up to Gail. I went to the John Waters exhibit at the Academy Museum last year, and there was a little part of the exhibit was this montage video of all his films. And I see this father and son walk in. The son's about 13 or 14. I'm sitting there talking to my fiance, and about three minutes later, this father and son come walking out, and the son's like, no, no, I just don't want to do this today. Wait, what? He was disturbed by something he saw. Oh, my God. And it just, it was, thought it was so funny.

46:46I don't want to do this today. I don't want to do this today. What did the dad say? He just, you know, was trying to be supportive. But it was, I mean, it was a montage of all the hits of his films. Wow. I was in heaven. Everyone was, except for this, you know. Thirteen. Yeah, ish. He had a real visceral experience. Good luck to that kid. Yeah. Dear God. And so do you plan to show your kids the rest of the films? Rocco is seen up to three. He hasn't seen Jackass forever yet. Okay. I'm going to wait on Arlo seeing the rest of it because she's only 13. Yeah. I don't want to have her have the experience that you can't wash some things out of your mind.

47:34I don't mind. It's not a bad thing, but there's certain images. Plus, I get not only the naughty content, just me getting knocked out. There's a lot more of that in the rest of the film. Yeah, I'm sure she doesn't want to see that. Yeah, no kid wants to see that. Absolutely. What do they want to do? Do they want to follow your footsteps in any way? I let them know that that's not happening. You know, I don't want my kids doing that. As far as them, you know, saying something inappropriate, I was pretty easy on them about that. But as far as something happening to them physically, I was like a helicopter parent.

48:13I would be on the playground underneath whatever they were on to catch them. Interesting. So I wish I was a little more easy on that. But that's how I was. sure I mean that makes a lot of sense for sure plus they're smart they're not going to want to do what I do sure sure or some other context like it's interesting how we repeat our what our parents did or yeah it's called generational neglect yes after yeah absolutely like you know we in my case too it's like my dad wanted to be a photographer got a master's in it but was like he was too scared to pursue it and then i'm i became a director you know and almost took that over and it's interesting how that pattern repeats all the time the same with my dad he was hilarious like he should have been in show business but he wasn't he owned a tire company and everyone that worked for him were his marks you know he just pranked them all the time and wow you know that He was frustrated and he drank a lot because of his frustration.

49:22And, you know, I think he was in a job that, first of all, was incredibly hard work, but not something that he actually wanted to do. So just like your father, you know, far as the standpoint of you taking over what your father wanted to do. Yeah. Kind of unconsciously, we finish something or complete something. I heard Jerry Seinfeld talk about the fact that a lot of comedians, their mom or their father were amateur comedians, you know, that never pursued it. And it's their kids who took it up. God, it's so fascinating. I see the pattern all the time in friends and other people I work with. And it's like, it's so fascinating.

50:04So I asked out of curiosity, I'm like, I wonder when there's a certain success achieved, what kids do? Or do they do something similar? like you create conditions for surprise right i wonder from a kid's point of view what is that how does that translate or do they simply just go and become a professor you know where they do something totally different well that's the dream that's the dream you're pushing them to teach yeah just stay off of basic cable but but yeah did your dad see the stuff you did yes yeah yeah and he both my mom and dad absolutely loved it they didn't like the stunts at all sure But they were very proud, and that made me feel good.

50:46But Dad was overboard with it. Like, part of the fact he was proud and people treated him differently. Right? Whoa. Yeah. Wow. Like, pizza people would come to his house to deliver pizza, and he'd open the door. Home of Johnny Knoxville. No. Oh, yeah. and he used to go to police auctions and buy cars and sell them you know just him and mom have something to do but he had cards printed up like you know father of johnny knoxville on his used cars business card this is incredible yeah yeah oh my god yeah he was out of control so did Did he ever say like, okay, he loved like the success, but the stunts, they didn't love that?

51:33No, they hated the stunts. And did they try to talk you out of that, even though I know it was ingrained? Well, they would say, we hope you don't do stunts in this next film. They knew I was doing a film like, just don't do any stunts. Sure, sure. I didn't know what to tell them. Wow. And so he milked the success. Oh, boy, I did. There's something so endearing. Yeah, it's sweet. I thought it was sweet. It never bothered me that he, you know. Wow. That's amazing. Yeah. He was always wearing some type of swag, you know. Proud parent. It's incredible. Yeah, yeah. Did he ever try to get himself in on camera?

52:12I'm trying to think. He would sometimes write an idea in, and a few we filmed, like, I think the department store boxing. He's like, I should go in an apartment store and just get some boxing gloves off the shelf and go at it. Brilliant idea. Yeah, he's good. I think he was in one or two things very quickly on the TV show. Oh, great. But he kind of, I've seen him, like, the news interviewed him one time. He was at this golf thing with my sister. And he just, all his, he had such intense natural charisma. But as soon as they turned the camera on him, he just went inside and just was super behaved and measured and something.

53:01Two things he never was. Wow. But I get it. I was terrified of the camera when I started out trying to act, you know. Uh-huh. And how did you get relaxed? Just doing it. Just exposure. Exposure. Yeah, yeah, yeah. And this was like traditional acting, not... This was, it was so bad. I knew that I wanted to be an actor in high school and that people knew I wanted to be an actor. I remember it was a silly thing. This company came to interview some students about the lunch menu on camera. I don't know what it was for. Some industrial thing. It was like, man, six people. I was the only one who wanted to be in show business.

53:45Everyone was great. They asked them questions. They were present and insightful. And they got to me and I did exactly the same thing as my dad did. I couldn't even think of words to say. Yeah. Mr. Saturday Night. I couldn't even. Wait, how old were you? I was like 16. Okay. And you're supposed to talk about how good the lunch was? You don't even have to like brag on the lunch. Yeah, yeah, yeah. You just got to give them ideas for different lunch items. You can actually complain if you want. You can say anything you want. And I had nothing. I had fucking nothing. And did you have something you were going to say and then you got camera froze?

54:29No, I was like, I'll wing it. Yeah. I'm, you know, I'm headed to Hollywood. I'll wing it. And then I'm like, oh, no. Oh, no. Do you remember? It's like, you ever see that video, Boom Goes the Dynamite? Oh, yes. Wait. The kid was doing the news for his college. Yes, yes. And he starts out, you know, doing okay. And then at one point, something goes wrong. I don't know what happened, but he just went blank and went, oh no. Yeah, yeah, yeah, yeah. I've had so many moments like that in my life where I was like, here we go. It's the tunnel vision. Here comes that dragon again. You're getting choked out.

55:10Yeah. Have you had moments like that where you're just like, oh no. Absolutely. It's so honest of an emotion. It's so, it's so relatable. I talk about primal again, like that, there's something so, it's like what you're explaining is like you're on camera talking about lunch. Yeah. Stakes couldn't be lower, right? No pressure. No pressure at all. And you fucking whiff. Whiff. To me, that is a deal, like my ideal kind of comedy. It's so funny. And with all your friends watching, it's even better. Yeah. Yeah. And this, you think you're a big shot. Oh yeah, I got this. yeah yeah yeah i'll go last yeah you know let me i got this and eating shit oh god it was it was awful i still sweat just thinking about it what i mean i it's something i'm not a performer i did improv for a number of years but out of like which is very brave that's nice to hear but i don't i did it i would be terrified i would be scared i mean it's terrifying but there's a game element to it where I'm like a challenge where it does feel.

56:13And then it's not like stand up. Truly that idea. I did that once. You did it once. Once. How'd it go? The audience, actually I was 15 and the audience reacted well. I got laughs, but my sweat pits almost, I had a problem sweating in high school, but that night my sweat pits almost met, almost met between my tits. I was like, that's fun. Let's never do that again. And I never did. That's crazy. So to do improv is, to me, it's even more frightening than stand-up. Because stand-up, you have an idea of knowing what you're going to say. Yeah, yeah, yeah. But in improv, you're just winging it like me talking about the lunch that day.

56:58I was just winging it. I had nothing. You're winging it. And it could be really terrifying. You're on there with a group of people. Were you frightened doing improv? Oh, always. And especially someone who doesn't like to be, even doing Q &As for this movie drives me, like I'm already dreading Saturday when I have to do one. And I'm like so many people I know, so many people that love me and support me are there. And I'm like, that makes it even worse. What's the worst case scenario in your head? I'm just going to say something insane or, or look insane or look dumb. Even like the, the fear of having doing this podcast with you.

57:26I was like, I'm going to say something so dumb. Well, I mean, you know, I've said a number of things that are really stupid here. Not at all. You've been actually excellent. I've just given up. You got to give up. You got to let go. But you've been wonderful. You've been absolutely incredible. Oh, stop. Now we're back to Jay and each other off again. No, but it's true. But the spinning out is as someone who doesn't put themselves in front of camera a lot. It's like very accessible to me. And I could start to there's certain times improv, especially it happened where I'm on stage and all of a sudden it goes like the vision starts to blur because you're no longer present.

58:03No longer present. You went from being present and in the moment to like you're just in a fear spiral. Complete fear spiral, yeah. And you can't be creative in a fear spiral. To have anxiety and do improv, that's fucking brave. It's true. Do you still, is that something you still contend with from time to time or you relatively have that, is that a thing of the past? You know, I was very frightened of crowds growing up, and I still get anxiety in certain social situations. And talking on a mic in front of people, like in a large room, used to be very frightening. But I've gotten to where I feel okay about it now.

58:42Okay. I don't sit and wonder, like, oh, if I do this, if I do that. They don't laugh. I finally reached the point where, like, well, fuck them. you know you know if something if they don't laugh or they don't if it's okay yeah you know yeah it's fine yeah ending on fuck them i think really works for me ending i mean me too i mean truly like i i learned that from a24 they said fuck them fuck them yeah they don't come to our movie fuck thank you a24 but please please come to friendship you will be happy that you did you will be extremely uncomfortable and uh throughout a lot of the movie but in the best way possible and just some loud reflects of laughter it is a masterpiece i loved it that is truly so nice to hear Johnny.

59:45Thank you for sitting down and confabulating chats and bants. Thanks for your bants. As the English would say. Thanks for your bants. Thanks for your Seagal stories. Thanks for your shots fired at Seagal. I wasn't expecting that but I love it. Oh man. Johnny it means the world that you're here and that you watch the movie and I really really appreciate your kind thoughts. Oh no it was great. I loved it. You're a big inspiration for me so I really appreciate you taking the time. Well, thank you.

From the publisher

Topics covered include: Success giving you brain damage, Andy’s lifelong love of Jackass as a “silly, honest, and ancient” art, squirming to hide the truth, Turkish hair transplants, the influence of The King of Comedy on Friendship, the psychedelic experience of seeing your movie with a crowd, knowing enough to know that you’re wrong, wall-to-wall c*cks in Jackass Forever, beating fear spirals, and why it's absolutely essential to see Friendship in a movie theater.

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