#88 Jacopo Ficulle - Filmmaking as a Form of Healing

6 Jul 2026 · 1 h 12 min · 33 chapters

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In short

Jacopo Ficulle discusses “Filmmaking as a Form of Healing,” describing how a creative rut led him to shift from commercial filmmaking and algorithm-driven YouTube toward his Dormant Seed project, where filming becomes mindfulness and emotional processing.

Guest background

Jacopo is an Italian filmmaker/cinematographer who has spent about 12 years doing commercial work (often as a “one-man band” on smaller productions). He’s also been in therapy for 12 years, journals regularly, and recently started the Dormant Seed channel (only a few months old at the time of the episode). He lives in Turin, originally from Tuscany, and draws on Italian family relationships—especially elders from his wife’s Italian family.

Key claims

Losing clients pushed him to listen to an “inner subtle voice.” Using a camera reduces mental commentary and turns filming into “immediate meditation.” The Dormant Seed process heals his urge to control and reframes success as courage to play and stay out of results. He writes after filming by connecting weekly journal “building blocks” to feelings during editing.

Notable examples

filming in comfortable physical scenarios with minimal audio interference; using breathwork/Tai Chi routines to prevent overthinking; community/art residencies helping him adapt without rigid structure; elders (grandmas/grandpas) featured as sources of grace and wisdom.

Written by AI. May contain mistakes. Listen to the episode to check what was said.

Chapters

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Finding the Dormant Seed

0:45 to 1:40

Jacopo discusses his creative rut and the realization of a dormant passion.

“And I was also developing the awareness that us as human beings, we develop while growing up.”

The Transition to Mindfulness

1:40 to 2:53

Jacopo shares how filmmaking became a form of meditation and mindfulness.

“so i did it have you have you always been like self-reflective and like very maybe introspective about your life and your thoughts and like who you want to become?”

From Commercial to Personal Expression

2:53 to 5:27

Jacopo reflects on the contrasting worlds of commercial filmmaking versus personal projects.

“because i realized that when i had the camera with me i i could become immediately mindful Like all of that background commentary could immediately leave space to direct observation, to graceful participation.”

Fear and Passion in Filmmaking

5:27 to 8:30

Discussion on the initial fears and doubts Jacopo faced when starting his filmmaking journey.

“And it's like somehow I inherited this, this drive to explore it, but it was more of me pushing and pushing and pushing on my own because, because they had, they had to make different choices for their lives.”

Understanding the One-Man Band

8:30 to 11:59

Jacopo talks about the challenges and benefits of being a one-man band in filmmaking.

“kind of delusionally convinced that I had to I had to become a director, I had to get to direct movies I can now see there was no basis and but my mine was like a crusade.”

Creating Unique Content

11:59 to 14:02

Jacopo discusses the vision behind his video projects and the need for authentic storytelling.

“Like, I do it all for everybody and I don't excel in anything, you know?”

The Balance of Filmmaking and Connection

14:02 to 16:40

Explore the challenges of maintaining authenticity while growing a channel.

“i can tell that you that you are making this broadcast for a long time because the questions you put they go like a blade.”

Navigating the YouTube Trap

16:40 to 19:30

Discuss the pitfalls of creating content for popularity versus passion.

“I just wanted to make things and I wanted to sort of document where I was going in my life and how I was growing as a cinematographer.”

Self-Reflection in Creative Work

19:30 to 22:40

Learn about the creative process and the emotional aspects of filmmaking.

“And I also wonder from a creative perspective, you create these films, these videos that are very deeply reflective.”

From Control to Freedom in Filmmaking

22:40 to 26:15

Understand how relinquishing control can enhance creative expression.

“In fact, the process is I find something I'd like to feel instinctively.”
Show all 33 chapters

Redefining Success Through Art

26:15 to 28:00

Redefine what success means in the context of creative fulfillment.

“But as you started to pursue this project with the dormancy and the type of filmmaking that this is, have you noticed anything about yourself personally that you've been able to release a little bit of that control?”

Redefining Success

28:00 to 28:30

Exploring personal definitions of success and the journey to find true fulfillment.

Cultural Influences on Success

28:30 to 29:50

Discussing the impact of American culture on perceptions of success and personal desires.

“because sooner or later some kind of fear that is it going in the right direction and I'm making a living out of it counts.”

The Process of Self-Reflection

29:50 to 30:50

Understanding the importance of reflecting on one's career and joy in life.

“And what I've been reflecting on lately is what is it that is actually meant for me?”

Insights from Podcasting

30:50 to 33:00

How podcasts serve as a platform for self-awareness and learning from others.

“an answer right away when I ask myself a reflection question.”

The Power of Open Conversations

33:00 to 34:20

The significance of open conversations in processing thoughts and feelings.

Writing as a Therapeutic Process

34:20 to 35:50

Exploring the role of writing and journaling in processing emotions and experiences.

“similar path and has a willingness to listen.”

Connecting Feelings to Writing

35:50 to 38:10

The relationship between feelings and the writing process, including honesty in expression.

“I did several, I tried several ways, you know, to make sense of my subjective experience.”

Influence of Elders in Storytelling

38:10 to 40:30

Discussing how older generations and personal relationships inform storytelling.

“So I think the way that you expressed it, perhaps might be able to give somebody an opportunity to look at the way that they can now maybe pursue something or try something in a new way.”

The Value of Intergenerational Connections

40:30 to 42:06

The importance of connecting with different age groups for a richer life experience.

The Influence of Family on Success

42:06 to 44:40

Learn how familial connections shape personal definitions of success and fulfillment.

“uh i think this is a treasure that it's that risks getting lost like society structures lives horizontally.”

The Need for Community and Care

44:40 to 47:20

Explore the essential human need for community and the impact of care on longevity.

“Because I grew up, in a very American, Italian American household, but pretty American.”

Finding Peace in Location and Roots

47:20 to 49:55

Understand how returning to one's roots and beautiful locations can foster peace.

“The reason people in the little villages in Italy die at 95, it's because they have a community.”

Balancing Giving and Self-Care

49:55 to 53:10

Discover the importance of self-care for creatives amidst giving to others.

“to film a bit and started to regain the connection with my roots.”

The Power of Saying No

53:10 to 58:19

Learn how recognizing choices and saying no can enhance personal well-being.

“Do you experience this yourself or it's something that you're not going up with the other person?”

Embracing Solitude for Self-Discovery

58:20 to 1:00:18

Discover the benefits of spending time alone and the insights gained from self-reflection.

“And I think that we as a society need to work on a bit of being okay with like being with ourselves more.”

Finding Balance Between Thinking and Action

1:00:19 to 1:02:39

Explore the relationship between reflection and taking action in creative processes.

“because I've allowed myself to sit with myself.”

Establishing Structure in Creative Life

1:02:40 to 1:06:00

Understand how a structured routine can enhance creativity and mental clarity.

“to the point where they become paralyzed in their thoughts.”

The Importance of Community and Connection

1:06:01 to 1:08:58

Learn about the benefits of communal living and relationships in creative expression.

“And I think rhythm as a creative is really important to be able to allow your mind and body to feel when certain things are happening and recognize certain emotions and actions that you're able to take.”

Intentional Impact of Art

1:08:59 to 1:10:07

Discover how art can create profound moments of self-reflection and pause in a fast-paced world.

“I'm still a very picky, selective person.”

Reflections on Honesty and Self-Perception

1:10:07 to 1:10:25

Listeners will explore the impact of honesty in personal feelings and self-reflection.

“like they see it and they feel like, oh, this guy said something very honest.”

Gratitude and Encouragement

1:10:25 to 1:10:51

The discussion highlights the gratitude for open conversations and the encouragement they provide.

“It was, I really, really enjoyed our conversation, our chat.”

Promoting Creative Work

1:10:51 to 1:11:27

Jacopo shares where to find his creative work and the feelings behind it.

“Please share anything you want to promote or your channel.”
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Transcript

Automatic transcript. May contain errors.

0:00Gian Carlo:Jacopo, welcome to the Creative Gap podcast. It's good to have you. Thanks for having me. It's a pleasure. I'd love to just start off by knowing where the dormant seed came from. I was like in a creative rut, as they used to say. I was in a period in which for too long I just kept working for making a living, which I think is necessary. But slowly, it's like I stopped enjoying it gradually, you know. But at the same time, I started developing a different awareness. Like I was at first aware that I was losing the spark, losing a bit of the passion. And I was also developing the awareness that us as human beings, we develop while growing up.

0:56and so there I felt was the seed that was dormant in me and for which I should find the right conditions for it to thrive and to find the light and so I took advantage of the conditions I was in meaning that all of a sudden I lost my four main clients my four main sources of income and that was obviously very scary but it really pushed me to touch to touch base with the inner subtle voice that wanted to be expressed and that was the time to to do it then or never

1:40Gian Carlo:so i did it have you have you always been like self-reflective and like very maybe introspective about your life and your thoughts and like who you want to become? I think always being like this, always been positioned and always felt it like it was like a disadvantage until it stopped being a disadvantage and it started to be like something about myself only. Hmm. Why, if you don't mind me asking, why at one point did you think of it as a disadvantage? because I felt I was spending much more time in my head than I was actually living life as a direct experience and when you were making the decision to kind of maybe change I guess that version of you or the version that was always in your head to doing things you know outside or starting to film or whatever the case may be what what actually changed like why did you make that decision to actually think of it as a positive and not a negative anymore because i realized that when i had the camera with me i i could become immediately mindful Like all of that background commentary could immediately leave space to direct observation, to graceful participation.

3:16And actually had me, it was like an immediate meditation practice. instead of thinking and rethinking things, organizing patterns in my head with a camera in the situations in which I was comfortable in. So situations I would like to feel directly, the commentary ceased. And it was just nice. I wanted to be like that more.

3:48Gian Carlo:I would love to hear about your sort of transition maybe or even if you still do the commercial side but like what if you could look at the version of you that was really pursuing the commercial world and filmmaking opposed to maybe the version of you now what are some major differences that you've kind of noticed about yourself very nice question because it helps me out also like thinking think about this this process that is happening for me it's all all very new it's only a few months that i started this so i'm trying to also notice this stuff uh definitely while doing commercial stuff i've always been something like a yes man like a yes for everything i couldn't think of anything else other than satisfying clients' expectations.

4:41And that obviously contributed to lowering my artistic expression, in a sense. While when I'm doing, when I'm filming, editing, coloring for my project for the Dormant Seed, I manage to not think too much of external expectations and somehow I tap into that very subtle voice that wants to express something maybe very little but it's the only way for it to come out if I give it a lot of space without having to fulfill others' needs or expectations.

5:26Gian Carlo:at what point did you um let me let me rephrase that question when you started filmmaking did you have a passion for the whole area of storytelling and filmmaking or were you really focused on like a specific specialty when you first started i remember uh wanting to be a director as i think all of us yeah but but then I realized that I didn't like to properly direct to like shape reality I'd rather like to let things happen and capture them in the best way possible so immediately even unconsciously I started to call myself something like a director but I was definitely not directing I was more of a GOP maybe in the perspective of how like trying to find the best shots, the best angles, the best lighting in all scenarios and color grading was something that was complementary to it for me to achieve something cinematic like it was a combination, I had to film it properly and also to find the best recipe to follow it and make it cinematic when you grew up was it were you surrounded by family or people in an environment that that allowed creativity that that helped you kind of pursue a creative path or was this a completely different sort of area than maybe what your family expected perhaps i i'd say rather the second because i think in my family almost everybody had the creative side But unfortunately none of them explored it.

7:21And it's like somehow I inherited this, this drive to explore it, but it was more of me pushing and pushing and pushing on my own because, because they had, they had to make different choices for their lives.

7:40Gian Carlo:yeah i think that's like a very common thing too is a lot of filmmakers they they come from a background where it's not very common to do it and having to pursue something that isn't normal maybe or something that their family has done um is a very new thing it's very unique it's very scary at times and when you first started to kind of want to pursue filmmaking or a creative path were there certain things that you were maybe fearful of were there things that you were unsure if you were if it was going to work like what was that sort of mindset going into starting filmmaking

8:22if I have to be completely honest I was kind of delusionally convinced that I had to I had to become a director, I had to get to direct movies I can now see there was no basis and but my mine was like a crusade. I was very sure that either that or nothing. I had worked every summer, as it's quite common in Italy, doing several things while going to school, while studying at university, while working in a factory, I work in restaurants and stuff. And so it made it clear to me that my character, my way of being in the world was not very adaptable to the situation. I've always been very sensitive, everything like, and made me feel stuff very intensely.

9:31So even basic work relationships looked hard to me. So it was, I was very convinced I had to do something creative out of my own intentions.

9:45Gian Carlo:And coming from the commercial space where you are sort of, like you said, the yes man, you're kind of just, I don't want to say a tool maybe, but you're another piece of the puzzle in the space to be able to create something for somebody. how were you were you able to at all find your voice within those projects within the commercial world at all or was it something that you started to lose passion for did you did you ever have a passion for it i i had very clear in mind that it should have become very quickly my way of of earning a living. Otherwise, that could have been a train that I had lost.

10:34And I couldn't imagine doing something else and this. So I decided, okay, this is a nice, the right compromise for me to go to. But the kind of commercials I've always done and still do, it's not, I think, for example, the commercials that you do with sets and with proper productions and lovely projects, by the way. Really well now. Thank you. Mine is a smaller world. Mine is stuff in a smaller scale. And so I have to do it all. I have to do it all. And so it trains you. Even if you develop your voice, you have so many variables to take care of that you find yourself just wanting to understand what's the other intentions and needs and be sure you fulfill them at the first attempt otherwise it

11:33Gian Carlo:can become unmanageable do you think that's also maybe like a superpower as well being able to understand all areas of filmmaking especially as you're pursuing you know the dormancy that project that style of you being able to understand sound editing composition lighting everything do you think that being forced to be the one-man band in the commercial space has really given you an opportunity to be the best version of you for the dormant seed project yes absolutely now it's like like now this is how i see it but if you ask me one year then eight months ago before before the first thousand people looked my videos in my channel, I would have said like, I'm an idiot.

12:24Like, I do it all for everybody and I don't excel in anything, you know? I would have said, I was thinking negatively, honestly, very much about myself because I thought I didn't specialize. People going on set and having careers and I felt like, okay, I decided to do it all for a bit of money at the beginning, how is it rewarding? Now, luckily, it all made sense because I can really... Obviously, I don't do everything in the same way. Like, in not all areas, I am at the same level. Right. But all in all, I can take care of the entire thing that comes out, and it's nice. And it's very nice to not have to always rely on uh several people in small things like this small projects like mine hard for now

13:22Gian Carlo:the dormancy project you know i i think i came across one of your videos maybe a couple months ago and it just like it was like a breath of fresh air it was uh something totally out of the like i've just never i haven't seen anything like that on youtube especially in a long time it hasn't it didn't feel like the normal filmmaking stuff you see on youtube and i'm curious like before you made your first video did you have a plan in mind of what you wanted this to be did you have any expectations at all

14:02i can tell that you that you are making this broadcast for a long time because the questions you put they go like a blade. Fantastic. Thank you. Your pleasure. There is, I think, this is the hard theme for me now. Right now the channel is relatively small really, but not small enough for me to really go with the flow it started to be a bit a bit bigger or big enough for me to start losing balance in exactly in this respect because i realized that first of all i want to like emit a signal send the signal outside that comes from a place of self-reflection and need for connection. And I started this using my filmmaking skills to support this signal.

15:09And hopefully, if I go on in this way, I give it coherence. It becomes a coherent signal outside, aesthetically, content-wise. but at a certain point exactly because somebody was responding i started to unconsciously with the other way around so i started to use my thinking to support my filmmaking skills and and there is the i don't know if i answered your question no that's perfect no yeah yeah and this is the place i am right now like i'm trying to bring myself back to my belly to my heart to feel what i want to do how i want what i want to put out rather than to think what I should put out in order to make the channel grow more, have people satisfied, meet their expectations.

16:21That's a challenge.

16:23Gian Carlo:Yeah, I 100 % understand that because when I started my channel maybe five years ago, six years ago, I didn't have an expectation of what I wanted it to become. I had no real goal of it maybe being a full-time job. I just wanted to make things and I wanted to sort of document where I was going in my life and how I was growing as a cinematographer. And the more that I started to grow, I realized that I was falling into the trap of, oh, I should be making this because of this or I should not make this anymore, even though I really love doing this, maybe because it didn't do well. And I found myself falling into this YouTube trap of wanting to make things because things were popular and things were doing well and the analytics and the comments to the point where I felt like I was getting I got so burnt out with YouTube because I didn't have that same, like you said, that inner passion, that joy, the childlike excitement for making it.

17:38Gian Carlo:And recently, I'd say over the last year or so, I've really made a conscious effort to not look at YouTube as a place where I need to make a living, but as a place, as a home for me to create things based on what I feel and what I want. And if people resonate with that, then I'm happy to cater to the people that resonate with it and not be in a place where I maybe need a million subscribers, but maybe I'm happy with the 55 ,000 that I have, which is still amazing. But how can I strengthen that 55 ,000 and make that the best tight audience that I can instead of creating things for hopefully a million and maybe only a fraction of those people actually care so for me i'm just trying to go deeper into the audience that i have not necessarily create stuff for growth at this point if that makes sense i think you you said it perfectly and i also saw your interview with danny gay views that was touching uh at a certain point a similar a similar topic.

18:48And I think this reflection started even from seeing that. For me, it's exactly what I meant. It's way better this way for yourself. It's sustainable. The other way, it's not sustainable for me, not even in the short run. Right.

19:10Gian Carlo:Your channel is so young. you just started recently and you know you're already gaining some good momentum have you have you already started to feel a sense of just like an overwhelming amount of pressure to create on a consistent basis and a certain quality and a certain style that maybe you didn't expect already at this point absolutely exactly because i'm a very a self-aware person and like always scanning the surroundings to understand the dynamics going on around me and to better fit with them I very quickly started to lean on into the unconscious pressure of the algorithm so I had to slow down I had to intentionally skip one publication or two maybe to not be drawn to the sense of guilt to not be guided by the sense of responsibility for something that is so fresh and so new so it would be a shame if this thing can grow without too much of that pressure I think it's only for the best the one thing I notice which is really really special, I believe, about your channel is how much you engage in that sort of self-reflection and internal thought process that you have.

20:48Gian Carlo:And I also wonder from a creative perspective, you create these films, these videos that are very deeply reflective. They're very thought-provoking. They're strong messages. And when your audience watches them, they have a very strong reaction to it emotionally. How does that make you think about the films that you're making? Does it put an additional layer of thinking or pressure maybe even? Just like, I'm making these strongly emotional films and people are resonating with them very emotionally. how do I keep up with this sort of emotional strength? Yeah. You've got this too.

21:42It's since this is the place where I give myself the opportunity to express what I have to suppress in most aspects of daily life like in outside society not with my wife because there I'm very privileged I can be as weird as I am and as heavy as I am and since this is the place in which I can do that that part is coming out easy I still feel I still see the privilege in this. Like, okay, somebody's connected with my self-expression and thinking and emotional processing. Wow, that is the way I spoil myself. that I keep doing it like unapologetically. In fact, the process is I find something I'd like to feel instinctively.

22:51Right. Usually it's a context, a situation that I feel myself comfortable in. I put myself into physical situations, scenarios with people where I would want to be even without a camera. no so i bring the camera i mindfully film i'm there physically but i don't interact too much neither i hide myself like i'm there present with expressions i give feedback i participate non-verbally but i don't pollute the audio nor the dynamic too much because i want people in front of the camera to feel like i'm a comforting presence and they can express themselves naturally have a laugh with a friend, with a grandma, pick a flower and stuff.

23:41And so when I come back home and I have this dynamic, hopefully, and like in the best case, it's a pure dynamic, something that happened in front of my eyes, like when I was a child, there I breathe and I say, oh, what does this make me feel? And it comes out.

24:00Gian Carlo:So your process, maybe from like a technical standpoint, the messages that you create for the film, they come after you're in an experience shooting, you come home, then you write? Exactly. It's almost always reflections. It's always reflection that came from the filming. and they and they find real shape when I edit so in a different day so it's an impression that maybe underground matured like a dormant seed it started to put roots and then when the flowers come comes out it's in the editing day and what I feel in that day so it can be everything and how How is this filmmaking style for you different than maybe how you were to pursue the commercial side of you?

25:00Gian Carlo:How have you used the skills there to influence how you're able to create now?

25:10I try to do the exact opposite. It was in the commercial area. I tried to control every variable. I try to figure it out in advance to deliver. Now I try to do the opposite. I'm there with my skills and capabilities, thanks for the 12 years of commercial intensive co-working. But I let things happen, which is something sometimes I struggle with in my daily life. I always have to take control of everything I call the electricity company in advance if they don't send me the bills you know I am not paying the bills I want to pay the bills this is the opposite I let things happen and and I'm free to express what I feel in that moment in the voiceover the opposite of what I do in the commercial area

26:12Gian Carlo:personally for yourself you say that you're somebody that wants to be in control of everything. But as you started to pursue this project with the dormancy and the type of filmmaking that this is, have you noticed anything about yourself personally that you've been able to release a little bit of that control? Have you changed yourself at all a little bit? Yes, absolutely. It was a process that was beneficial. It was a healing process in that sense as well. like doing it I think what you do with your art really transforms you if you let it so it's helping me let go of this urge to control everything to make sure everybody is safe it's happy that they are okay with how things are going and this is really thanks also to this project and to the people that are supporting it because I have to say, first two months, I hit like 22 views most on YouTube.

27:19Oh, yeah. And it was frustrating. I thought, okay, it was all a fairytale in my mind. Nobody would resonate with this. But after really the first couple of videos got seen a bit more from, I don't know, a couple of thousand people and they were engaging with the stuff, writing mediums, I'm sure it happens to you a lot as well. People that write in the end, maybe make stories, telling what this thing made them feel. Oh, I felt connected. And that was healing as well, very much.

28:02Gian Carlo:have you changed the way that you view what success looks like in your life yes a 1000 success now is having the courage to play doing what you love staying out of the results having fail obviously this is an idealistic process because sooner or later some kind of fear that is it going in the right direction and I'm making a living out of it counts. But ideally, yes. Success is playing, doing what you are loving, sincerely,

28:50accepting failures. Maybe that doesn't go well. A few moments that are quite nasty. And for you, can I ask you, because you are in a different stage of this path. It changes for me, I think, quite a bit.

29:11Gian Carlo:And I think I allow it to change a little bit in my life. And I think at a certain point, what I really believed success was, and maybe it's just due to the fact that I'm American and I come from America, that success is the big homes the big flashy cars the huge bank account and while those things are good i based my entire life on trying to get that or i based not my whole life but i based a lot of my decisions on trying to pursue that and what i found was that i was doing that because i believed that's what I should want in my life. And what I've been reflecting on lately is what is it that is actually meant for me?

30:05Gian Carlo:And what is it that I actually deeply want for my life? And I've been in a process of reflecting on my career as a cinematographer commercially, and also my my world on YouTube and podcasting and some other things that I do and asking myself, where is it that I feel the most intense amount of joy on a daily basis? Where do I feel like I can express myself the most? Where can I be myself the most? And through this process, I don't necessarily have an answer yet. Part of what my thinking is not necessarily always having an answer right away when I ask myself a reflection question. I like to sit on things for a while and go through weeks, months, experiences, and think about it as I'm answering that myself.

31:09Gian Carlo:And I'm currently in a season of what thinking success looks like in a way of what is it that I truly believe fulfills me versus what is it that I thought I should be doing in my life. And that's sort of where I'm processing right now, if that makes sense at all. The thing that strikes me is that how, yeah, the American culture maybe puts you this pressure but to certain people it makes them realize it so early like can i ask you how old are you i just turned 28 it's unbelievable man like at 28 to have this kind of awareness and maybe it's exactly due to the pressure and the conditioning it's what the society gives you it i think it has to do with a lot of areas of my life that I also am a very aware person.

32:17Gian Carlo:I observe things a lot. I feel a very similar connection with you in the way that we think. And something that has really helped shape my way of thinking has honestly been this podcast, has been a major eye-opening experience and way for me to be able to gain insight and knowledge from people all over the world at different stages of their life and look at what they love about their life, things that they want to improve on, things that they don't like, and take all of this knowledge and just understand it and observe it and look at my own life and ask myself similar questions that I ask you as well.

33:00And it's just, it's given me a place and a platform to be really, really thoughtful about where I want to be and where I want to go in my life and the

33:15Gian Carlo:value that I bring as a host to a podcast, for example, and be someone that is able to think and be self-reflecting to bring questions to people. that bring that out of them as well to again bring that back to me and bring it back to you and it hopefully is this cycle that i can keep learning and then whoever listens to it also is able to gain from that as well that is so noble uh really there's uh this is a gift for others and for yourself too i'm sure it is

Read the full transcript

34:01Like when you emailed me, I felt like it started a process in my mind that wasn't going on until there. Like, oh, now I have the possibility to put things on a table with a person that had a similar path and has a willingness to listen. Wow. This is a lot.

34:29Gian Carlo:so thank you really yeah of course i i love these conversations they i look forward to them all that it's it's one of my favorite things that i am grateful and able to do and it's just um i appreciate your willingness to also be open and share um because i know some people are afraid to open up a little bit but i i really appreciate you being open about a lot of the things that you are thinking in your your mind in your life as well did i would just like dream of this a few months ago and now all of a sudden i got invited to the cool kids party you know so the name is in the past studies of the wow ice well i wanted to really ask you from a writing perspective because your visuals are obviously beautiful.

35:26Gian Carlo:You know, I want to go into location a little bit later because I think that is a very important player. But your writing is very thoughtful. It's very simple, but it has deep meaning and impact. What is your process of writing? Because I know that you shoot your film, you come back and reflect. But when that happens, what is that process to then create an output of writing, a dialogue? I have to make a disclaimer. I've been 12 years to therapy. 12. And also I tried other paths. I did several, I tried several ways, you know, to make sense of my subjective experience. and this shaped the way I think.

36:19I think it makes me often think in a way that it's already communicable, that I can already communicate. It gave me the ability, the habit to journal. So when something I'm associating, an insight comes up, I write it down in the mostly in my phone which is not very quite but this creates some bits some blocks with which to be the house you know and so when I go there in the editing and I have this feeling going on it's usually not a feeling that arose in the very moment people that are a lot in the a lot in their heads, like I used to be and still often am, I think we drag feelings for a long time.

37:23Exactly because we are stuck in the head and they remain stuck somewhere, unprocessed. So when I get there in the time of writing the text for the Waysolver, it's the occasion to connect with that feeling with honesty, with a bit of courage. Let it move in my body somehow. So it's a physical process. And when I'm settled down in that feeling, okay, this is my feeling now. I'm not as happy as enthusiastic I would like to be most of the times in the moment of writing because you want to be like,

38:06Gian Carlo:yes, this is nice, amazing. amazing let me write it down not always the case but back i have building blocks that i noted during the week that maybe give me the trail that brings me to now like this is the this is the path that this feeling that i avoided until now took took for me to be here and this is the insight i don't know if this is too mental and or is comprehensible mm-hmm no it is and I think that's a really it's a really unique way to process the way that you want to deliver your message and I think it's there's no right or wrong way to write and I think you just sharing your experience of how you process it might give somebody an opportunity to think about the way that they process their thinking and the way that they journal and maybe have unlocked a new way that they could explore.

39:12Gian Carlo:So I think the way that you expressed it, perhaps might be able to give somebody an opportunity to look at the way that they can now maybe pursue something or try something in a new way. And I think that's amazing. That's very encouraging. Yeah, I could have phrased it very simpler, I try to be honest and see what I feel. And I help myself looking at what I wrote during the week to realize, okay, it's a week that I'm angry. It's true that I'm a bit sad, but whatever it is, I try to let it shape what comes after. And it's always, and if I do it with honesty, like that I express what I'm feeling, what I'm sensing, it always brings a positive note if I try to force it like oh no I'm not in the right mood let me write something that feels nice it feels like a barilla commercial I love that you said a barilla commercial yes because we don't have I mean we get some pasta commercials every once in a while here but I think that's so funny that you said that I love it lovely pasta yeah yeah absolutely um you know the the other area that fascinated me about your storytelling though your videos is the people that were involved in your films the people that are on screen and a sense that i get that you have people around you that have made a impact in your life and I don't know if it's maybe just like some of the films that I watch where there's you know grandmas around or grandpas around like older generation but coming from an Italian background my my wife's family's from Italy and talking to her nonna and their experiences there's a level of wisdom that older Italian people have in a way and again maybe that's just because of you know my culture as well like you know being italian-american you being italian but i love to hear just how people in your life have influenced you do you were you exposed to your grandparents to relatives in your family a lot yeah yeah okay for for most of my life they passed away fairly young um but i was able to gain a good amount of experiences with my grandparents but especially my wife's family as well especially because they are from italy it's a different experience than the american side that my family is beautiful then yeah you sensed it because you lived it uh i think this is a treasure that it's that risks getting lost like society structures lives horizontally.

42:22You are in school with people your age. You go to college with people your age. You are at university or start working with people your age. You go out with people your age. You have families and you go out with people your age. And that to me started to be a bit sterile. Like, I wasn't stimulating anymore. And so I realized I wanted to expose myself to kids. I wanted to expose myself to elderlies mostly because in Italy kids are very rare very low natality rate while it's an aging country but luckily I had a huge back in my life that I had I managed to to know properly all my grandparents all of them three out of four of them they are still alive

43:13Gian Carlo:yeah incredible I managed to to meet and know decently four great grandparents. Wow. It's unbelievable. And they have a way, most of them really, they have a way of being in the world that is graceful. Oh yeah. Because they have no pressure anymore to achieve results, to all the stuff. They somehow start to be to be respectful of being still alive and I want it and so whenever there is my grandma or grandpa or somebody else's grandma or grandpa we have a shot and we get along very quickly and I think okay if I can I would feed them and usually people are very happy for me to do so because they don't know how long they will be around and this beats a nice memory for them.

44:19Gian Carlo:I think that's an amazing, beautiful thing that I have come to learn and realize is just, which I think is part of my process of shaping my definition of success at this point is how much I have become influenced by family. Because I grew up, in a very American, Italian American household, but pretty American. And although I had an amazing childhood, amazing family, I wasn't close to a lot of my family, like how I am with my wife's family. And I am, I say her a lot because her family gave me so much in my life and being able to slow down, sit at the dinner table, enjoy each other's company, just have a talk.

45:19Gian Carlo:Her grandparent, her nonna's here still. We see her every week. You know, she's in the garden. Everyone, it's just the way that they live their life and her family is truly just inspiring to me. And although they are driven and they have passion and they want to succeed in their life, they also prioritize being around each other and that being the foundation of everything they do. and that to me has been the biggest indicator of where I want to go in my life and whatever I do is it leading me towards creating a life where I can sit at the dinner table with my family for two hours and talk lovely lovely this is uh this is what we should pursue I think as a species

46:19we forgot this somehow we forgot this that really is theoretically this is within reach and so that that makes a total sense and i and with my videos as well i try i try to send the message that i think it can benefit others as well I need a reason sometimes to feel that I'm doing this not only for myself the reason to tell okay is this helping somebody obviously I have no I don't have the ambition to know what really helps anybody I cannot know but as a species I mean we need family we are mammalians we are animals We need care. We need the reciprocal care, be it family, a group of friends, your community.

47:22The reason people in the little villages in Italy die at 95, it's because they have a community.

47:36you.

47:37Gian Carlo:Along with the culture side of, you know, family and in that I couldn't help but recognize just the beautiful location that you are in. And besides a visual sort of beauty of it, there's an element maybe it's the way that you shoot it and what you frame but like there is a level of just pure calmness and peace that i feel in what in where you are and i don't know if you feel that because maybe you were you know i i believe you do but sometimes i think we often as a society as well don't recognize the beauty that we have because we're in it so much and we see it every day. And I'm curious if you have ever felt at a time that maybe you wanted to move away or did you always recognize that where you are is a place where you feel at most peace and calm perhaps?

48:45I am originally from Tuscany. So I am very lucky. I'm very lucky because I was born in a place that are not exactly there, but nearby places that are on postcards. That makes your life easier. But now I live in Turin, which is a beautiful city, but nonetheless a post-industrial city. Not the place in which right now I personally feel the sense of calmness that you said you feel in my videos. For that, I had to go back to Tuscany. And this is a gift because for somebody, for me at least, growing up, I felt the extreme urge to go away, to explore somewhere bigger with more professional opportunities, with a more dynamic society.

49:43Filmmaking made me the gift, gifted me the possibility to go back there with the excuse of, yeah, I'm back here to film a bit and started to regain the connection with my roots. And some other locations are in Catalonia, which is in Spain, is the area where Barcelona is and there as well is an amazing place. within reach from where I am now. So I was lucky regarding locations, but I'm very picky in anything. I'm not an easy person to be from with, not with many reasons, but because I have very, very clear necessities.

50:38Gian Carlo:I think that's really a valuable thing to talk about as well, because I just had a conversation with somebody a few hours ago, right before this call. And something he was talking about was that he gives so much and he's, he gives and gives and is always willing to do something for somebody, no matter how big or small, it's no big deal. And what he was talking about was coming from a place of not feeling like he ever was able to refill himself or like, or, or be confident enough to do something for him. And I'm curious from, from your place as a, as a creative, as, as an artist, how important is it to actually do things for you?

51:34Gian Carlo:Because it's important to serve people and give, but you You also have to tend to yourself as well. I'm just learning this. And I'm 36, almost 7. I am just learning this. I'm the first son. I want to say hello to him and I feel you. I realized how much it had an impact on me. And that's why I honestly sometimes tend to isolate myself. Unfortunately, it's the only way I learned when I was a kid. to bring fuel back inside myself. But there is a paradox in this because I also discovered that the only way to gain fuel is through relationships. And so it brings up the necessity to find a better way to relate with people, not to withdraw from relationships.

52:31And it's tough. And sometimes you have the best intentions and you fuck up. Sometimes you feel the urge to set a boundary, to connect with your inner voice, but you have never listened to it. So you put a boundary... Or learn to trust it as well is a big thing.

52:53Gian Carlo:Or learn to trust it. And so you are confused. And then a sense of guilt comes up. Maybe I offended that person and now I don't know what to do with this freedom. So it's a challenge. So I'm studying. I read, I try, I see a lot of YouTube videos and I talk with people and I try to learn. Do you experience this yourself or it's something that you're not going up with the other person? Yes and no. I feel like I've always been somebody that loves to serve and be able to give to people, but I have also recognized that I need to, in order for me to really be able to present myself in the fullest of who I am, in the best version of me, that means that I need to do the things that I love in my life, the things that I choose to want to do.

53:58Gian Carlo:And a lot of that comes to saying no. And I've gotten very comfortable saying no to a lot of things. And a conversation I've had with my wife many times, similarly, is she's very much a person that will put other people in front of her at all times, no matter what, which is an amazing characteristic of a person. But there's been times where she has felt drained. She hasn't, she feels like a lack of identity in who she is because she never cared for herself because she's always putting other people first. And through different people and experiences that I've seen in my life, I've just realized that it's impossible to give fully to people until you are able to fully give to yourself.

54:54True. Very true. And did you find that this is a muscle that you train while simply saying no? Or you needed some other insight to actually orient yourself in this new territory?

55:08Gian Carlo:A lot of it is, if I'm going to be honest, a muscle that you have to consciously think about when you're in situations where you have two roads you can go down this road of do I want to do this I know it might I know I'm using an example of helping people but it's there's many scenarios but do I want to take my day and go do this with this person whereas I know I should be doing this for myself or I should be working on this there's two different roads that are always a choice that you can make and when you recognize that consciously that you have a choice, then you can start working on that muscle depending on where you are in your life and what you want to pursue to make that decision.

55:52Gian Carlo:And there are some people that maybe are so far down this road that they only care about themselves that might need to start looking at this side of their road as well. So it's not just one or the other. I think it's about understanding who you naturally are and things that you need to improve on perhaps or things that might need just a little bit more emphasis. And for me, I realized that I need to just say no a little bit more. And that came from a conscious place of recognizing certain situations and being in a place where I knew I had of choice in a particular moment. And the thing that helped me as well is reflecting on those answers when I chose and being like, did I regret saying no to that thing?

56:43Gian Carlo:99 % of the time, I do not regret saying no to that thing in order for me to potentially do the thing that was best served for myself in that moment. On the other side, there is a higher percentage chance that I regret saying yes to the thing and committing to whatever that is because I felt guilty or I felt like I needed to say yes in order to please that person or whatever it is. I often feel more guilty or I often regret that decision more. And in realizing that it was, it starts to become a bit of a, not an easier decision, but it makes you think about what is, what could be more valuable in certain decisions, if that makes sense.

57:32It absolutely does. You have to first take the leap, have courage practice it and then the the thinking support will come the realization the rational comprehension will come but first you have to move like from a place of instinctual even like the heat that you want to feed the broth and just say no I think we suppress that a lot and you bringing the example of your wife also had me had me thinking like you see we have every positive side potentially has a downside maybe this is also because

58:21Gian Carlo:the importance of family of being together requires more suppression of your nose or your loss i guess yeah i there's there's always two sides to whatever it is that you're looking at i do believe and i i don't i think it's important to recognize it at least and And sometimes it takes a lot of conscious effort to recognize that maybe you have been doing one thing only for too long that you never even knew that there was an opposite side to it. And I think that we as a society need to work on a bit of being okay with like being with ourselves more. I think a lot of what we just talked about comes from not feeling comfortable being by ourselves or being within our own thoughts, being with our own decisions, being with the ugly version of ourselves that maybe we don't like and we have to think about that or process that.

59:46Gian Carlo:we want to always give and do in this to maybe avoid the actual intellectual thought process of being with yourself. And I think that's another aspect that has helped me a lot is being okay with sitting by myself with my thoughts, going to dinner by myself, being in uncomfortable situations by myself and learning to understand more of who I am. And although I'm 28, I've felt more connected with who I'm becoming and who I want to be because I've allowed myself to sit with myself.

1:00:32Beautiful. Really. And it shows. It really shows. I can say that I did it so much that I ended up on the opposite side of the spectrum maybe too much self-reflection too much self-analysis

1:00:56and now I'm trying to deconstruct a bit of that system but I think you're right I think generally it's the opposite that happens because of all the stimulation that we have constantly. Everything wants you to not sit down with your feelings. Wants you to act on feelings. Consume because you have a feeling. Scroll because you have a feeling. Avoid it. Go outside. Have fun. Do not sit with that feeling. Yeah, we keep on accelerating as a society. but many of us, I think, are starting to feeling a bit tired. And that's it because it forces you to acknowledge what's happening inside.

1:01:47Gian Carlo:And, you know, I think there's an area that I think is really interesting too. And I keep thinking about the conversation that I had with my friend a couple hours ago. And what we're talking about is bringing up a lot. And there's like that balance of being someone that is a thinker and that is able to be in a situation or observe things and think about it, but finding the balance of not overthinking to the point where you don't actually do anything versus thinking and internalizing, but then translating that into something that you could actually do. and like action. And I'm curious from your perspective, if there's a time or if you found a way to translate your thinking into action because some people sit in their thinking too much to the point where they become paralyzed in their thoughts.

1:02:46True. In my experience, the thing that hurt most was building a structure. in my life. Like every morning, first thing that I do when I wake up is breath work. 15 minutes of breath work to actually stabilize my body when I wake up. And then I do a bit of Tai Chi, slow movements. And then, not every day, but a few days a week I work out. I have breakfast, I sit at my computer, you know, a routine that gives my nervous system a structure. And within the structure, things stay in hand. If I start to think or overthink, I can realize, okay, is this beneficial? Maybe because I'm like using it for the whatsoever of a video, or am I just like trying to find the problem where there's none apparent?

1:04:01Because overthinking, I feel for me, it's usually that you go looking for a problem to analyze it and deconstruct it, to find the solution, compulsively looking for solutions until you invent problems, basically. And I do sometimes.

1:04:20So to me, it's structure. But obviously not for everybody is the same. I think structure is really, for me, it's very valuable.

1:04:33Gian Carlo:And I've always been a big fan and big advocate for structure because for a lot of the people that I talk to online and whatever, we live in a creative industry, creative world where nothing is normal nothing is set in stone nothing is organized and i don't believe that us as humans are meant to fully live that way i think there is a level of of embracing that freedom but also as long as you have a certain level of structure to one come back to but or to kind of set the foundation for you to actually begin that that freedom moment that that spontaneity um because i i find that for myself i start to spiral more when i lose my routine when i lose my my my certain couple of things that help me i start to lose focus a bit i start to sort of just notice a change in who I am a little bit.

1:05:48Gian Carlo:And it might sound weird to some people that maybe don't have a routine, but once you find that, you start to really develop a sense of who you are a little bit more and create a rhythm in your life. And I think rhythm as a creative is really important to be able to allow your mind and body to feel when certain things are happening and recognize certain emotions and actions that you're able to take. 100 % in everything is relative. So what I said, it's relative to the society we are living in. In this society, which is completely destructured, completely in which nothing is fixed, because everywhere should be an economic transaction to take place of like a natural, let's call it structure, any form of it, spontaneous structure.

1:06:46And that is confirmed when I do art residencies. Because something I discovered recently was art residencies, which is basically beautiful places in nature where a few artists can be, I don't know, around 8, 10, 12, sometimes 4, gather for a week, each of them doing their own stuff. But we cook together, maybe. We have experiences together. I don't know, maybe sound works, things, even sometimes artsy things, you know, that are not really my thing in theory. But when you are living communally, everything is so much easier. And I don't need the structure. I find my role very quickly. And it changes and I adapt.

1:07:42And I feel like now I need time. to do my stuff and I do my stuff and I don't apologize. I just know I do and they will understand and I come back and I contribute. It all comes so natural that I was astonished because I had the opposite experience for my whole life. I'm an only child, I was always playing in my room alone with the video games then after. Everything was very much on me. I had to to get a degree, it, invent a profession and stuff. So I always longed for relationships, but it has always been intentional. Because in this society, especially if you're an alone child and stuff, it has to be intentional.

1:08:28You have to make room for connections to happen, for relationships to progress. You have to find two hours to meet that friend that you don't see from three months and you want to have updates on their life, you know? While when you find yourself, at least it happened to me, when I find myself in a communal living for which I have no actual experience, it's like the genome in my brain activates. And it's... You see? You are a cat. You are a dog. You are a mammalian. You are a communal species. And it works so smoothly. Not always I love everybody. Not at all. I'm still a very picky, selective person.

1:09:17We've been there.

1:09:18Gian Carlo:Everything comes easy. Amazing. Last question I want to ask you is, you know, if, if somebody finds your videos and your films for the very first time, what is it that you hope they walk away from watching it? Like what they bring with themselves. Yeah. Actually, the goal at the very beginning was to create something that makes them stop scrolling. They watch this, not even until the end, and they put the phone back in their pocket for some somewhere else. That this is something that does not feed the scrolling race, but it potentially stops it and helps them reconnect with themselves. like they see it and they feel like, oh, this guy said something very honest.

1:10:13What do I feel about this? And what do I feel about myself now?

1:10:19Gian Carlo:Amazing. Well, Jacopo, thank you so much for taking this time to be with me. It was, I really, really enjoyed our conversation, our chat. And yeah, thank you. Thank you so much for being honest and open and sharing everything with me and everyone that's going to listen to this. That was really a pleasure and I immediately felt that it was a reward for the very little I've done so far. So thank you for this. It gives me a lot of encouragement. Where can people find you, your work? Please share anything you want to promote or your channel. Sure. I'm posting regularly, more or less. and quite regularly as the Dormant Seed, both on YouTube and Instagram.

1:11:09It's different stuff, but same feelings behind. And I love it that people watch it and sometimes bright me. And this is the thing I was going for, and it's happening lately.

1:11:26Gian Carlo:Amazing. Well, hopefully you enjoyed today's episode, everyone. Have a great day. Peace out. Thank you.

From the publisher

Gian Carlo sits down with Jacopo Ficulle — an Italian filmmaker and colorist known as The Dormant Seed — for a deeply personal conversation about what it means to stop running from yourself and start creating from an honest place. Jacopo opens with the origin of his alias: after years of commercial filmmaking left him slowly hollowed out, losing four major clients at once forced him to finally listen to a quieter inner voice he'd long been suppressing. From there the two explore the camera as a form of meditation, the writing process born from twelve years of therapy and journaling, and how Jacopo's personal filmmaking is the deliberate opposite of his commercial work — less control, more presence, more truth. The conversation moves into people-pleasing, the paradox of needing isolation to recharge while also needing connection to feel alive, and the unexpected discovery that communal living in art residencies gave Jacopo what modern life never could. Both men reflect on family, older generations, and how sitting with yourself — uncomfortable and unfiltered — might be the most radical thing a creative person can do. The episode closes on Jacopo's simple hope for his work: that someone watches it, puts their phone down, and asks themselves what they actually feel.FOLLOW JACOPO ► https://www.instagram.com/thedormantseed/SUBSCRIBE ► https://www.youtube.com/@UC7fGr0b4pbFeVzwtDUYzEMA Switch to Musicbed and start your 14-day free trial today: https://musicbed.com/tcgpSign up to Milanote for free with no time-limit: https://milanote.com/carlostigsLearn more about Nanlite & Nanlux Products: https://nanlite.com/ // https://www.nanlux.com/#/en❤️ Enjoy the show? Rate us on Apple Podcasts & Spotifyhttps://open.spotify.com/show/6yWlxm2ktUy9DFUbTi0jA8?si=d8b2250d259448c4https://podcasts.apple.com/us/podcast/the-creative-gap/id1639440566________________________________________🤝 Follow The Podcast & Carlo!The Creative Gap: https://www.instagram.com/creativegap/ | https://www.youtube.com/@CreativeGapPodcastCarlo: https://www.instagram.com/carlostigs/ | ⁠ https://www.youtube.com/@carlostigs

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