Why Emmanuel Acho Left the NFL to Create a New Kind of Platform

30 Oct 2025 · 49 min · 23 chapters

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In short

Emmanuel Acho explains why the NFL keeps growing, how money and private equity affect players and league dynamics, what’s wrong with college football’s NIL/transfer system, and how he built his new media platform Speakeasy after leaving the NFL and FS1.

Guest backgrounds

Emmanuel Acho is a former NFL player and media personality. Hosts are Jason Kelly and Alex Rodriguez (sports/media business perspective).

Key claims

The NFL “never overextends,” matching demand with limited games (17+), and fans mirror player commitment. Private equity raises player salaries now (e.g., Dak Prescott $60M vs earlier ~$25–28M top pay) but could trigger future contract disputes at the next CBA. College football NIL is good, but NIL plus an unrestricted transfer portal “perverted” the sport; he argues restricting transfers (sit out) would restore stability and fun. Streaming is ideal for global reach, but needs production/infrastructure.

Notable examples

Super Bowl halftime/cultural leverage (Kendrick/Drake, Bad Bunny); NFL scarcity (16–17 games); Texas jersey profit example (18/81); his Speakeasy launch in 54 days; Speakeasy’s social-media-first format with super chats; Uncomfortable Conversations with a Black Man (25M views; calls from Matthew McConaughey and Oprah).

Written by AI. May contain mistakes. Listen to the episode to check what was said.

Chapters

Tap a time to open that second in VO

The NFL's Growing Dominance

1:17 to 2:13

Discussion on why the NFL continues to grow in popularity.

“The Bloomberg Sustainable Business Summit returns to Singapore on July 22nd.”

The Secret Sauce of NFL Success

2:14 to 2:36

Exploration of what makes the NFL so successful and popular.

“My first question right off the top has to be the NFL.”

Creating Big Moments in Sports

2:37 to 6:38

Analyzing how the NFL creates memorable moments and events.

“What is the secret sauce of the NFL magic?”

The Impact of New Money in Sports

6:39 to 10:01

Discussion on the effects of private equity on NFL contracts and player salaries.

“We look so much at that, the valuation sort of just climbing and climbing and climbing.”

The Business of College Football

10:02 to 13:18

Insights into the business dynamics of college football and NIL implications.

“Like you didn't say, I'm going to go own an NFL team.”

Future of Ownership in College Football

13:19 to 14:00

Speculation on the potential for private equity in college football ownership.

“Jason just mentioned private equity in the NFL and in sports broadly across the globe.”

The Role of Infrastructure in Sports

14:00 to 17:00

Explore how financial infrastructures affect sports programs, particularly in Texas.

“And I'm like, who the hell is this dude?”

Transitioning from NFL to Media

17:00 to 19:30

Emmanuel Acho discusses his journey from NFL player to media personality.

“You know, as so many athletes in the, in football are, you're done at a young age.”

The Influence of Communication Skills

19:30 to 22:20

Acho talks about communication skills learned from his upbringing and their importance.

“They want to promote me nationally to ESPN.”

Crafting Unique Presentation Styles

22:20 to 26:40

Acho explains how he combines personal style with effective communication in sports media.

“So, E, one of the things that I always talk to young kids about, and even as I go to universities, people always talk about math and I have to be great at math.”
Show all 23 chapters

Creating a Nighttime Sports Show

28:01 to 28:34

Learn how Emmanuel Acho conceptualized his nighttime sports talk show.

“If you're going to do a show at night and you're going to put speak in the title, what the hell do you call it?”

The 54-Day Challenge

28:34 to 29:15

Acho discusses the tight timeline to launch his show after leaving Fox.

“The Emanuel Acho show and you're doing it, you know, from your mom's basement.”

Navigating Financial Decisions

29:15 to 30:21

Explore how Acho leveraged his social media following for financial gain.

“Find a team, find a production team, buy all the right cameras and then buy all the right furniture to to furnish the studio.”

Anxiety and the Startup Journey

30:21 to 31:33

Acho shares his fears and mindset while starting his new show.

“I was only ever scared and I was only ever anxious.”

Planning and Backup Strategies

31:33 to 32:45

Discover how Acho handled logistics and potential obstacles in his launch.

“How in the world did I kind of move forward?”

Identifying Talent for Success

32:45 to 33:58

Learn how Acho selects talent to enhance his show’s success.

“that I was taking over 30 ,000 Facebook posts, some enter, tab, enter down, enter, enter, tab, enter, down, enter, enter, tab, enter, down, enter, enter, tab.”

Building for Social Media

33:58 to 34:52

Acho explains the difference between making a show on social media versus for social media.

“So I was like, okay, you get shady because shady is the big sports name.”

Funding and Business Models

34:52 to 37:58

Acho discusses his business model and funding choices for his show.

“I'm just, but I kept yelling off camera.”

Adapting to Market Needs

37:58 to 39:46

Explore how Acho anticipates market needs and builds his content strategy.

“And so seeing around corners looks like where's the market going?”

Lessons from Building a Media Empire

39:46 to 42:00

Acho shares key lessons for aspiring entrepreneurs in the media space.

“And so how does that feel to you at this point?”

Emmanuel Acho's Journey with Uncomfortable Conversations

42:00 to 45:58

Learn how Emmanuel Acho created a platform for honest dialogue on race.

“So the reason I didn't name the show after me was because, oh, I don't always want to be the show.”

The Impact of Fame and Responsibility

45:58 to 46:56

Acho reflects on his rise to fame and the responsibility that comes with it.

“What is it like when you pick up the phone and it's Oprah on the other hand?”

Rapid Fire Questions with Emmanuel Acho

46:56 to 49:03

Engage with rapid-fire questions revealing Acho's thoughts on various topics.

“What's a deal that you wish you had done?”
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Transcript

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0:00Get the news you need in just 15 minutes. Start your day with Bloomberg Daybreak, the podcast with a global view on the stories that matter. I'm Nathan Hager. And I'm Karen Moscow. Join us each morning for curated stories on current events, politics, business and foreign relations. Plus one conversation on the day's biggest developments all in just 15 minutes. Subscribe to Bloomberg Daybreak for a precise, thoughtful take on the stories that matter. Listen to Bloomberg Daybreak each morning on Apple, Spotify or anywhere you listen.

0:32Bloomberg Audio Studios, podcasts, radio, news.

0:40Welcome back to The Deal. I'm Jason Kelly. I'm Alex Rodriguez. And coming up, Emmanuel Acho. He played in the NFL. He knows a lot about the business of big football. He is a media personality. He's got a new show called Speakeasy. We're going to get into all of it. He is the perfect guest. I'm so excited. Jason, when we came up with this show a couple years ago, He is the epitome of what we're thinking about. Sports, media, culture. He speaks at a very high level. He's also going to tell us why the NFL is king and getting bigger and bigger. He brings a lot of energy, so get ready. Coming up, Emmanuel Acho.

1:17The Bloomberg Sustainable Business Summit returns to Singapore on July 22nd. Our fifth annual Asia-Pacific Summit will explore how business and finance leaders are shaping the next phase of globalization. by strengthening resilience and driving a multi-speed energy transition across Asia's diverse markets. Join us for solutions-driven discussions and networking opportunities. Thank you to our summit advisor, Bangkok Bank. Learn more at BloombergLive.com slash SBS dash Singapore.

1:53we're here in los angeles with emmanuel ocho someone alex who when we think about this show is just right there right at this intersection we love a business uh sports and culture in part because of the nfl so first of all welcome thank you we're so happy to have you here glad to be here. Yeah. So great to have you on the show. My first question right off the top has to be the NFL. Now I'm coming from the lens of, I'm right in the midst of my October media with Fox and doing my coverage for the playoffs and World Series. And everything the NFL does, it works big. Now I remember in 2004, when we played the Red Sox, we were getting 25, 30, 35 million people watching.

2:36Today's a fraction of that. The NFL keeps getting bigger. So you're like 10X bigger than us. What is the secret sauce of the NFL magic? What is it? I think the biggest thing is the NFL never overextended. The NFL made sure like as the viewers grew, it extended the games in parallel to the viewers growing. I think the NFL probably better than any other sports industry has matched demand with supply. Whereas you could suggest the MLB, you could suggest the NBA, so much supply, but not necessarily that much demand like 82 NBA games. We don't watch all of them anymore baseball now we obviously care in october but the dilemma is there's so much supply it doesn't directly correlate to the demand whereas the nfl bro when you only have 16 of them and now there's 17 of them as of the last four years everyone matters and i think what's missed and not talked about enough is fans are a reflection of the players if the players care the fans care if the players don't care the fans don't care in the nfl all of the players care about every single game in part because our contracts aren't guaranteed in secondary part there's only so many games the fan is simply a mirror and whatever the player does the fan reflects back onto the player and that's i would suggest the secret sauce of the nfl to that point about scarcity the the fascinating thing about the nfl is it still finds all these ways to be in our lives all the time so you're right you're totally right 17 games and yet the nfl draft the nfl combat like it has become like all the all this like yeah really really rich content so how are they doing that right the nfl has done a great job making everything feel big the nfl draft it used to be in what radio city music hall that felt big and then when the deal with radio city music hall fell apart they were like you know what we're going to make it a spectacle we're going to move from one city to another and they've done a great job of not going to cities with a lot of distractions make them feel iconic super bowl you're going to have a mega star celebrity performing there we joke half the time that it's a beyonce concert at a football game right you know what i mean like i think the nfl does such a good job making it feel big but then again when you have less events you can make them feel big.

4:58You can't make every baseball game feel big. It's too many of them. It's such an interesting point about the halftime show. It's like, you know, Bad Bunny being announced to perform dominated the news cycle for like three days. It's crazy. And bro, think about for a second, last year's Super Bowl, it leveraged a cultural beef that had nothing to do with the sport of football. Right. It had nothing to do. Kendrick Lamar and Drake. Exactly right. It leveraged a completely different entity than the actual game itself, which we don't see that often enough in other sports. Well, I'll give you the best one.

5:33That's been the biggest number we've done over the last 50 years. It's been World Series 09, Game 2. Right before the game, here comes Alicia Keys and Jay-Z, Empire State of Mind. That song was very much synonymous with our season and that team, but it was a magical moment. and we've never done it again since last year with I I think it was a was it a Fadjo and yes yeah but that's a really good point I think if you can find a way to leverage another industry or to leverage somebody else's success that I think is how you can create more success there's not enough like discussion outside of the games there's the sports shows that are going on daily that are driving people because of storylines yeah Caitlin Clark Angel Reese is you have heroes you have villains you have villains to some you have heroes to other that drives viewership caitlin's a great basketball player it's not that alone it's the story lines yeah and i think in baseball last year it was popping because we had or we had yankees dodgers if not mistaken you have storylines you had iconic franchises iconic brands you had shohei you had judge you had storylines i don't think we have that enough in baseball and i don't think we have that enough in basketball either because everybody's also all buddy buddy in basketball yeah before we move on from the NFL, I have to ask you about sort of one of the mega sort of deal points, which is new money coming in, private equity ownership.

6:54You know, this is Bloomberg after all. We look so much at that, the valuation sort of just climbing and climbing and climbing. What do you make of money coming in as a former player, as someone who watches this game so closely? What's the net effect that it's having? I'm looking at everything from a player standpoint, first and foremost. And so one, the contracts are going crazy. You know what I mean? Like back in the day when I was leaving the NFL in 2015, highest paid players were probably making 25, 26 million dollars a year. Jimmy Garoppolo went to the 49ers and was the highest paid quarterback, I believe, at 28 million dollars a year.

7:28Now Dak Prescott's making 60 million dollars a year. You know what I mean? So the very first thing I'm taking a look at is just the number in the contracts. The second thing is eventually there's going to be a rub. and there's going to be a rub because at the point in time you have that new cba and players are going to start to look around and say hold on a second now all these billions of dollars in tv revenue i want mine yeah and so that's the second thing always looking from a player's perspective at the rub but i think lastly it's cool to see the nfl continuing to grow at such an exponential rate yeah and now i just want to see like how can we get more diversity and ownership and what do you suggest for that man the first thing is i love how people are pulling together it's no longer We're just like one family and y 'all are exclusively owning it.

8:13I love how it's like, hey, no, we're going to bring in this office. And this office might have a couple different names on it. I mean, one of my great mentors is Jerry Reisdorf. The days of him buying the Bulls for$16 million and the White Sox for$19 are long gone. I mean, these numbers are gotten so big that you need groups to come together. And I also think now athletes can know it's possible. You know what I mean? What you've done with Minnesota. Now athletes can know it's possible. Before you can ever be something, you got to see something. you feel me like thinking about owning a team was what yeah how but now that we've seen different athletes do it even you know i'm trying to do different things by owning different what wnba teams and and getting in different um uh groups to own wnba teams because i'm like now that i've seen different individuals do it all right like it's possible go make it possible for you so ownership is on your wish list absolutely but it has to be intelligent ownership okay to your point I mean, the reason why I'm an owner today is because of Magic Johnson.

9:09I grew up in an environment where it was men of color were either street or they were athletes, and I wanted to be an athlete. Magic was the first one that I said, oh, wow, here's a man of color who is where little short shorts in the court and then wears a pinstripe suit in the boardroom and is a Hall of Famer in both. If he can do it, why not me? And that woke me up for that. That's beautiful because I think especially people of color and all people, but speaking me individually, I've seen different things. The reason my first email, no longer active, so I can't get spammed was Nigerian nightmare.

9:42Oh wait, at yahoo.com. Because Christian Okoye running back for the chiefs went by the Nigerian nightmare. And my parents are Nigerian, I'm Nigerian. And so like, I saw that and I said, okay, I want to be that. And the same, I believe can be applied in business. The same has been applied in TV and everything I'm doing now is like, wait, once you see it, you can be it. Now the trick is you don't just have to see it in one specific industry. Like you didn't say, I'm going to go own an NFL team. Hell, you went to basketball, went to the, you know what I mean? You went to all these different things.

10:10So seeing it is so, so, so important. Yeah. So I want to go back to football for a second if we can. And speaking of money, University of Texas, college football. We are, I think it's fair to say, Alex, obsessed with college football. Help us understand this. I mean, you're watching this so closely. You're watching it through your alma mater, especially Texas, Arch Manning, that whole scene. How do you start to unpack the business that is big time college football at this point? I remember being in high school and my senior year in high school, somebody that was in the NFL walked up to me and he said, enjoy this last game because this is the last time you'll get to play for fun.

10:49He said, once you leave here, it's a business. And that was before NIL was even involved. Now I will say this, NIL without the restrictions of the transfer portal in my mind of ruin college football. I do believe college football was always an unofficial business. So make it official so the players can get paid. I went back to university of Texas two years after I graduated. I walked into the co-op. That's where they sell different gear and jerseys. And I saw an 18 Jersey by 81 Jersey. Why the hell you see an 18 by an 81 Jersey in the co-op. Oh, Emmanuel Ochoa number 18 and Sam Ochoa number 81.

11:23They were selling our jerseys without selling our Jersey. Yeah. I'm not getting no profit from it. My brother and I took a picture by it. I still have it to the stand case and you'd file a lawsuit so like i'm not getting no money from that and so i love now that players can actually be compensated for their name for their image for their likeness because people don't realize i couldn't work in college because if you work in college you could end up getting sued in the event you get paid and they start to look into where you're getting paid more than what you're working for so now athletes aren't even allowed to work period whether you're working right or working unjustly.

11:55So I like what the NIL is doing. However, NIL without restrictions in the transfer portal have completely perverted college football. Because essentially it's unlimited free agency and you're just getting bid up and you see, I mean, you watch a game, even the broadcasters, they're like, this guy started here, then he went here, then he went I mean, it's often two, three, four teams that a player has played for. Is the solution to restrict the portal? How do you fix this? You restrict the portal, you fix everything. Because once you restrict the portal, once you go somewhere, you need to stay at that place at least for a year.

12:34And if you transfer, there has to be some restrictions as you sit out a year, you sit out two years. That's how it was when I was in college. If you transfer within the conference, you got to sit two years. If you transfer out of conference, you got to sit a year. You ain't going nowhere, A-Rod. You ain't going nowhere, JK. You sit in your butt at Texas and you better learn how to get on the field. And so that's what I think needs to happen because the dilemma right now is I don't think you can serve both. I don't think you can have a ton of fun in college and make a lot of money. What I've heard of players at Texas is, and the coaches has talked about, the players aren't having fun anymore.

13:04I said, I don't pity them. They're getting paper. I had more fun, but I wasn't getting broke off. You know what I mean? If you are playing for money, it's very hard to have fun. because the second you start sucking, you know you're losing money. Hard to do both. I don't know that you can serve money and serve fun. Yeah. So let's talk about having less fun. Jason just mentioned private equity in the NFL and in sports broadly across the globe. But specifically to the NCAA, you went to Texas. Is it a matter of time so Blackstone and John Gray owns the Texas football team? And how far are we from that?

13:40I don't know if that would ever happen because of the boards of regents. I don't know if I don't know if that would ever happen that anybody would come in and own one of those big time college programs. Now. Own, you could unofficially do it. You know what I mean? If you're one of the biggest donors, if you're one of the biggest investors, there were people at Texas when I went there and they were always at practice. And I'm like, who the hell is this dude? And then my friends will text me, oh, yeah, this dude, oil and gas from way back when. Like, yo, who the hell is it? Why are they on a bus?

14:15Why are they on a team plane? They not a coach. You know what I mean? Them big old Texans walking around with a toothpick, a little straw cowboy hat. And I'm like, who is this guy? Unofficially owned? Sure. Officially? No. Or maybe a minority. You see a Blackstone or KKR owning 20, 30 percent, but the board still runs it. But the finances, what they do is bring that infrastructure, back office sophistication. sophistication because as you mentioned as the business keeps growing are the universities as today are they currently built to you know understand what the money's coming in money's coming out now you have payroll it's an incredible trends transition i think that could happen at the lower scale that wouldn't happen at texas because at texas is too many elbows to grease you know what i mean like at texas we not let nobody just walk in here and oh no not at texas you know i I mean, like a point not a Texas, not to mention.

15:09Texas and those big time programs like the U, they're so traditional. We don't like nothing change. We wanted black jerseys when I was in college and the amount of pushback we got just to change our jerseys was a hell no. This is the way we do things where we're always going to do. Yeah. So it's somewhere like Texas. I don't see it happening at a smaller school, maybe even a private school. Yeah. Then I could see it happening. And yet you do see the money coming in because of the TV contracts. So knowing what you know about media, where do you think NFL games should play? Like network. Yeah. Network, streamer, anything.

15:48Streamers. I think one big bank takes little bank. You know what I mean? A streamer's got big, big bank. And the reason I would say streamers is the games and Netflix can be watched all over the world. You know what I mean? if you got a game on fox you got a game on abc you had a game on cbs to some degree that's limiting in nigeria when i go back during christmas i can't necessarily watch that i believe the streamers have more reach i also believe the streamers have easier barriers to entry oh i just need the ad yeah you know what i mean there's just an easier barrier to entry so i think the streamers the problem is the streamers do not currently have the infrastructure y 'all saw netflix tried to do a couple live sporting events things are freezing they don't have the right host to do it they don't have the people to call the right games they don't have the right production quality i mean they're outsourcing everything not realizing to put on a good product you have to have be a team you have to be molded together you have to like like like we've talked about in sports like you have to have camaraderie but i do think streamers would be ideal just because it has the biggest reach.

16:52So to that point, I mean, let's talk about as we shift from sort of NFL and football to the media world, talk about your transition. Talk about, you know, that moment where you're like, okay, I'm done. You know, as so many athletes in the, in football are, you're done at a young age. How'd you decide what to do next? So this might be my favorite part of the conversation. sitting across from one of the greatest at what he ever did athletically. I was not. Humble enough to acknowledge, I was not. I looked myself in the league, JK. I looked myself in the eyes in the league, A-Rod, and I said, okay, Acho, you're not going to be a pro bowler.

17:30You're not going to be a Hall of Famer. You're not going to be an all-pro. You've played four years in the NFL, vested pension annuity. Leave while you still have your health. Now, what I did, the oldest text message in my phone to this date, 2016, August 23rd, it's a text from the Buffalo Bills. And the Buffalo Bills were like, hey, Emmanuel, we want to bring you in for a workout. Send us your social security number and your license. I never responded. Why did I save that text message? Because I wanted to remind myself I walked away from the NFL. The NFL didn't walk away from me. Whether that's true or not, at least you have a text message of an NFL team asking you to come in for a workout of which you rejected and you declined.

18:06Who knows if they would have signed you, but psychologically that helped me move forward. Now, after moving forward, where the hell are you going to go? How old were you? 25 at the time. 25 at the time. I had been cut five times by the age of 25. So been cut five times in the NFL by the age of 25. It's time to move on. Okay, I go back to Austin, Texas. That was home. I send an email to every news director at every local station in Austin. The news director is essentially the owner, if you will. They make the decisions. CBS, NBC, Fox, ABC, local stations in Austin. I say, hey, I would love to come on your network following Texas football games and do a show.

18:44You know, maybe Mondays with Manny, we can call it. Emmanuel Manny. Mondays with Manny. One news director bit. Pam Vought, local station in Austin, Texas, Fox 7. So I start doing Mondays with Manny. Simultaneously, I'm born and raised in Dallas, Texas. Huge Rangers fan when A-Rod was who I vividly remember. I'm born and raised in Austin, Texas. The Cowboys were creating a Twitter show. I get an email from the head of social for the Dallas Cowboys. Hey, we're creating this show on Twitter. Do you want to come do it? I'm like, well, I need the money. I got the opportunity. Okay, cool. So now we're doing Fox 7 Austin.

19:14We're doing a show for the Dallas Cowboys on Twitter. Longhorn Network is University of Texas' own subsidiary. So they were like, yo, hey, can you do Longhorn Network games? I said, why not? And I just did that over, over, over, over, over. Finally, I get recognized after two years. I get a call. They want to promote me nationally to ESPN. So now I'm going to ESPN on Mondays and Tuesdays to do Get Up. Now I've made it to big time ESPN. ESPN, all the execs to get an email. Hey, we love this dude in the pink suit. Who is he? I'm the dude in the pink suit. The email came from a guy named Bob Iger.

19:51Heard of him. Iger sends an email to all the execs. I love that guy in the pink suit. Happens to be me. CEO of Disney. And that is how my sports media career began. Wow. I leave ESPN after two years because Fox recruits me. Hey, we want you to essentially come host a show. And I was like, I could stay at ESPN and be a guy or I could go to Fox and be the guy. I'd rather be a big fish in a small pond than a small fish in a big pond, leave, go to Fox to become the guy. But interestingly enough, my sports career, actually sports TV career paled in comparison to my cultural TV career. Right. So we're going to get to that in a second.

20:27But I want to go back just to the very beginning of that, which was sort of what inspired you that it's like, I want to be on TV. What was that? Was it something you had done, something you had studied in high school, in college? What was it that attracted that? But if I was good at math, I would have been an accountant. You know what I mean? But I was good at television. So I went on TV. Grew up in my dad's a pastor. Yeah. So I grew up going to first service, second service. And that third service was the longest. But I grew up going all three services in a church. And so I heard speaking for a living.

20:59Yeah. And so I knew how to put words together. And all television is, is for those that are actually good at it, is just figuring out how to put words together. Analogies. You know what I mean? similes like can you tell stories anecdotally and so because i grew up just capturing that through osmosis i said let's go into tv yeah and then a rod jk it's just sharpening your sword yeah now it's just sharpening your sword and so on television i do two things i watch oprah winfrey and i watch battle rap watch those two things oprah and battle rap oprah teaches me how to be an interviewer battle rap teaches me how to present and so that was kind of like my hidden secrets to the sauce of television.

21:44I'm Francine Lacroix, an award-winning journalist, and I've got a new podcast, Leaders with Francine Lacroix from Bloomberg Podcasts. I've interviewed everyone from heads of state to fashion icons about the news of the moment, but I've always been curious, who are these people as leaders? I don't think there's one right way to be a leader. Make decisions. A poor decision is always better than no decision. Listen to new episodes every other Monday. Follow Leaders with Francine Lacroix wherever you get your podcasts.

22:21So, E, one of the things that I always talk to young kids about, and even as I go to universities, people always talk about math and I have to be great at math. And I actually say, ironically, one of the best things you can do in business is be a great communicator. So you have to be able to articulate so you're halfway home, but you talked about you specifically your father was a preacher Can you tell me specific things that you learned about him? About what made him such a gifted speaker and are you more like him or you're more like mom or you're a hybrid? A thousand percent like dad dad came from Nigeria to America with nothing in the late 1970s He was working at Taco Bell and was working at a janitor And then he got his undergrad degree and then he got his doctorate degree after getting his master's degree So he has his own private practice in psychology.

23:03And so that started his own private practice in Dallas. And then remember, he's a black man with an accent that's about five, nine talking like this now. So he's a black man with an accent in the late 80s with a doctorate degree. You know what I mean? And so then in Dallas, Texas, importantly. And so really what I learned from dad was a couple of things. One, a work ethic that is unparalleled. Two is how can you communicate in a manner that makes someone able to understand? I think one of our biggest problems in society is we have too many people that are receiver oriented as opposed to speaker oriented.

23:40Speaker oriented. It's my job to make sure A-Rod and Jason know what I'm saying. Receiver oriented. Hey, we're putting the onus on them to understand what the speaker is saying. I'm a speaker oriented person at all times. So it is my job to make sure I dumb something down as simple as possible to make sure the receiver can hear what I'm saying. And so that's what I try to do as a communicator. It's like, OK, what's my avenue in? And so like I have to figure out and I feel like we are all charged to figure out what's the best way to speak to make sure the receiver can understand. And that's also what I learned from watching pops in the pulpit.

24:14You know what I mean? Depending upon the sermon, I'm going to change my energy to make sure you can receive it. If I'm preaching about tithing, I might be a little bit more gentle. If I'm preaching about, you know, changing your life radically, I might be a little more passionate. So learning how to change the way you speak and communicate so people can receive. And so how does that translate to talking about sports? Because I will say, I've been watching you for years and, you know, you clearly have a different approach. I mean, it is the thing that Bob Iger saw with the guy in the pink suit.

24:47You know, you pop differently, not just because of the suit, but because your presentation, the way that you present is very, it's the pulpit. How do you translate that to sports and how do you translate it specifically to Speakeasy, which is your new show? Man, Speakeasy, a different entity. So I'll get to that. Yeah. Translating it in a sports, man, it's sports is almost like catching the wind. Which way do you need to speak to make sure like you're hitting people where you need to hit them? Everybody says, we don't like debate. We don't like debate. That's a lie. Debate rates. Yeah. So you do like debate.

25:21Now, you might not like the certain debater, but you like debate because debate rates. In sport, you have to learn how to be like more explosive. You have to learn how to be a little bit more inflammatory. But on social media in sport, everybody thinks they know everything. You can find somebody that thinks they know more about baseball than A-Rod on social media right now. Yes. You know what I mean? like at EA22999 underscore. Like they right now, they think they know more about baseball than this. Alex is very familiar with this. Right? So on social media, I don't try to teach. On social media, I try to say, hey, here's what I found.

25:57What do you think? Oh, interesting. If I try to say, this is what they're doing, they'll be like, well, no, it's not what they're doing because my high school coach told, nah, social media is different. Social media is like, hey, I'm going to show y 'all this and what do y 'all think? And that's how you try to manipulate that algorithm. Also realizing though, Instagram, X and TikTok are also all different. So you can't just think you can communicate even in sports in one, one size fits all way. The only way is being true to you and figuring out how do you manipulate what's true to you into that platform or that network or that device.

26:38And so tell us about Speakeasy. How does this come about? I mean, the origin story, we know enough to be dangerous about it that your gig ends at FS1 24 hours later? Bro, I haven't shared the details of this story, but it's a safe space. Okay. So let's buckle up. Let's do it. I am in Paris on vacation. I get a call from my agent and my agent says, hey, Fox is canceling all LA based sports shows, daily shows. I'm like, wait, what the hell? Yeah, Fox is canceling all of them. So now I'm shocked. I'm literally like in Paris chilling. While in Paris, two interesting things happened. One person came up to me because I used to be on a show called Speak for Yourself.

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27:22They said, yo, Acho, I love you on Speak for Yourself. I was like, I haven't done that show in years. I was currently Aaron on a show called The Facility. Another person came up to me, yo, Acho, I love you on the faculty. I'm like, it's The Facility. So that taught me two things after realizing my show had been canceled. Hey, Acho, if you create another show, leverage the four years of IP you built into Speak for Yourself. So if you're going to create another show, put speak into the title. Now I looked at the market of sports television. I said, where are the vacancies in the sports TV market?

27:56The vacancies at night. I live in California. Games, primetime games end at eight o 'clock. Yo, you can go live at night. Okay. If you're going to do a show at night and you're going to put speak in the title, what the hell do you call it? Speakeasy. Sophisticated sports talk. Okay, great. Well, now, how are you going to do it? By the way, this is all happening in like real time. OK, I like no time to mourn, no time to cry. It's time to get to work. And so, OK, where's the vacancy? It's at night. Show title. Speak easy. OK, now, how are you going to do it? Acho, build a show so nice that you can sell it to network immediately.

28:33Don't do nothing on your laptop with some little, you know, logo behind you. The Emanuel Acho show and you're doing it, you know, from your mom's basement. No, build a state of the art studio that a Netflix, a Peacock, a Paramount Plus exec can look at and say, yo, we can green light that right now. Because now I can go to network and say, don't worry about hair. Don't worry about makeup. Don't worry about wardrobe. Don't worry about studio costs. Don't worry about production costs. Don't even worry about talent costs. I got all of that. I have proof of concept. You give me a boatload of money.

29:05I'll give you a show. The dilemma is from when the show got canceled on July 14th until season starting September 4th, A-Rodda had 54 days. I got 54 days to think of a name, find a studio, built out a studio, find talent, hire talent, negotiate with talent, relocate some talent because they lived in New York. Find a team, find a production team, buy all the right cameras and then buy all the right furniture to to furnish the studio. You got 54 days because you're launching week one because it's the Cowboys versus Eagles on Thursday night, September 4th. Go. And I looked at it like a game. What do I mean by that?

29:45I looked at it and I said, OK, if Fox is going to give you money to leave, but it's not going to be the same money you're going to make for the year. I'd like to. Can you make as much money as you were making in your one year at Fox by taking this money and taking these social media feeds? Because that was part of it. Like when I walked away from Fox, I walked away with the social media feeds from my show, which means I walked away with 2.6 million YouTube subscribers, 1.4 million Facebook subscribers, 720 ,000 Instagram subscribers, 500 ,000 Twitter subscribers and 400 ,000 TikTok subscribers.

30:17That's real currency. Yeah. People don't realize like that's currency. So can you take those followers and can you take this money and can you build something that will make you money? How did you get to hang on to that? Negotiation. like can you take this followers this money and can you build something bro within 14 days of starting the show i had a seven figure offer let's back up that's a beautiful story but i really want to get into the mental side of this yeah okay so you said 54 days walk us through now you're in day 24 is it more excitement anxiety nervous are you looking for investors are you waking up in the middle of the night go speak easy is that the right name or the wrong name great question oh I like good questions.

31:04I was never excited. Never. I was only ever scared and I was only ever anxious. But when you're scared, just do it anyway. I was never excited. Really? Never. Never. Why? I was scared. One, what if the idea is not good? Two, what if it doesn't work? Three, you're hemorrhaging money until you're not. Four, what if you can't get all these contracts done? Five, what if you can't start on time? Six, what if people hate it? Only ever scared. How in the world did I kind of move forward? Day 24, I had a couple issues. I need to find somewhere to build a studio out. And then you have to allot like seven days for ish to go wrong.

31:46Yeah. You know what I mean? Like, that's why I love being able to share my story because I tell people all the time, I'm not that talented. So the people that are watching, you send across from a cat whose parents came to America with nothing and is just figuring it out. I'm not that talented. I just work really hard and I'm resourceful. So day 24, I'm coming up with backup plans in case my first plans go completely awry. That's day 24. I laid things out, A-Rod. I said, OK, Acho, let's work backwards. If you want to launch by September 4th, then you need to have the studio be done being built out by the last week in August so that you can rehearse the last week in August, which means you need to start construction three weeks before the last week in August, which means you need to know your talent four weeks before that.

32:28So I'm starting to work backwards. So now that you work backwards, who's going to be your general contractor? Who's going to be your designer? Where are you going to get the furniture? And then Acho, you cannot afford to sleep. You just can't afford to sleep because you don't have time to sleep. So if every, if something fails, it stops with you. And I had to do little stuff like delete all the Facebook posts on the previous account that I was taking over 30 ,000 Facebook posts, some enter, tab, enter down, enter, enter, tab, enter, down, enter, enter, tab, enter, down, enter, enter, tab. And I got to do all that.

32:57Yeah. You feel me? So not only do I have to ideate all of this show and then negotiate all of the show, of which I did all by myself, mind you. Like there's no agent, just me and chat GPT. So of which I did all by myself. You also have to do the mundane work, like deleting social media posts from an account you're taking over. What about talent? How do you identify that? That's the most fun part. Identifying talent is how you win. It's how you win in sports. It's how you win in anything. Identifying talent is how you win. Getting the right roster. There was a kid that came up to me. His name was Kieran.

33:28He came up to me in 2023 at a track meet in New York. Yo, Acho, big fan of yours, man. I do some stuff on social media, bro. You know what I mean? Like just a big fan of yours. I grew up in Dallas. Cool. Nice to meet you. Yeah. Over the last two years, I saw a couple of his videos going viral. I wake up JK. I wake up A-Rod after doing the show. I was like, what was that kid's name again? I searched one of the videos. I didn't even remember his name. I just searched like viral video of this athlete knowing he had done the viral video. I hit him up. hey yo i'm starting something let's hop on to zoom at first he's like man i'm working for this company working for that company i can't do it i said what's your price everybody got a price and i'm also like if you nail the show right ocho the money will come forget the money if you get the talent right the money will come so i go and i get him and he ends up being kind of like the sidekick co-host and then la sean mccoy philadelphia he's the guy behind the bar he's the guy behind the bar then la sean mccoy eagles hall of famer we've worked together the last five years we were teammates back in 2012.

34:27So I was like, okay, you get shady because shady is the big sports name. I show you're the brains behind. He's a vibe. He's always, he is a vibe. He's a vibe. He's the sports name. I show you the talent. The sidekick speaks to the younger generation. There are a lot of shows on social media. We're a show for social media. And there's a huge difference, a gigantic difference. Tell us any show can be on social media, but not any show can be made for social media and so i got the care bear karen dude because he's young yeah 900 000 on tiktok he speaks to that demographic he's been doing stuff on social media i got a dude named social trey i keep him on camera so social trey his name's trey he just runs social yeah call him social trey he sits on his laptop he's literally like in the corner he's in the corner yeah a rod he's in the corner on his laptop he's chatting with people during the show if there's ever a poll i'll be like a social trey drop a poll is a rod the greatest ranger of all time drop the car drop it in the right now right now right now and then he'll see the comments like oh i gotta interrupt you i gotta interrupt you the poll results are in yeah and he'll interrupt me yo acho we got a super chat super chats if somebody pays for their comment to be seen on youtube so he is literally on the show specifically to be the social media's voice on the show so i didn't make a show on social media i made a show for social media because if you went on social media network will come so wait wait so let me get this straight so you have fans that are log in to watch a show they can pay like five ten bucks to ask a question how does that work they can pay up to yesterday we got a hundred dollar super chat wow and all it does is it puts their it puts their comment whatever they say at the top of the youtube chat there's a whole youtube discourse going down so it puts their comment at the top of the chat and they just pay for their comment to be seen i have a guy specifically dedicated to interacting with those people then i have a camera specifically dedicated to him yeah during the show first two weeks of the show.

36:16He wasn't on camera, A-Rod. I'm just, but I kept yelling off camera. Hey, yo, can you make a poll? And I was like, wait a second. Acho, just put them on camera. So in terms of creating it for social, how do you, how do you keep it looking around the corner? You've talked about that a lot. So what are you seeing now that you know you want to do and just haven't been able to do yet? A lot of things. But remember the very first thing we started this conversation with was do not overextend. Right now, Emanuel Acho's financing everything. I bought the cameras. I bought the set design. I put in probably $300 ,000 into everything, all things considered.

36:57And mind you, I'm paying all talent. So I'm sole owner of it, paying talent salaries. But what I realized was this. If you look at ESPN and Fox, the two primary sports shows, daily sports right now, over 50 % of their content from 7 a.m. to 3 p.m. is shows that are produced that are licensed back to network. That's not the future. It's the present. Yeah. It's not like in some distance it's happening right now. 50 % of the content, 50%. 50%. Yeah. So with that being said, that's the present. So I said, wait a second, Acho, just build it. They're already coming. Not they will come. Furthermore, where's the market going?

37:34Oh, Netflix, you want to get more into live sports? Oh, you ain't got a sports show. I can save you a headache and a whole bunch of money. I'll just do it for you. And then rather than going to Netflix with different note cards and, hey, look at my slide presentation. Hey, here's a show I want to sell you on. So I'm going to sit here and this is going to person is going to be here. I know you have to build. It's going to cost you a couple hundred thousand. No, no, no. It's done. It's built. It's done. Like, just cut me to check. It's done. And so seeing around corners looks like where's the market going?

38:03What's the market need? Anticipate those needs. What is exactly the business model? And is the business model one that you're hoping to tread water until the big fish comes and you can land on Netflix or on Amazon? And at what point are you thinking about raising capital, if ever? Great question. I was offered capital. I said no. Reason being, I'm sitting on a gold mine. Hell nah. Like, y 'all stay over here. I don't need the capital because I don't want to have to dilute what I got going. Phenomenal question on are you going to tread water? There's several different business problems when you start a show on social.

38:37Number one, you can exist and make a boatload of money off your sponsors. Right. So like right now, I landed the seven figure deal that will essentially cover 90 percent of my cost. Grace of God, I landed it within two weeks of starting the show. It's a sponsorship sponsorship type deal. Like that's crazy. There's YouTube ad revenue. Those sponsorship deals. Those are your primary ways to make your money. All while simultaneously, A-Rod, the reason you built the show so nice, Acho. Remember, land the streamer. I didn't build the show to exclusively stay on social if I did that I could just got my laptop done it super cheap yeah instead I built a studio I built like a real like state-of-the-art type studio so that a streamer can yo oh that's nice greenlit right now that I know my costs if my costs are x if I can make y then your money is that that difference between that y and that x whereas when I'm just working for Fox or working for a network this is your salary but bro now Now that I'm an owner, it's so interesting because I'm like, okay, wait, Acho, this is your expenses for the year.

39:38So now this is the number to break you even. And anything above that, you're making money. Figure out how to go make money. And now you eat what you kill. And there ain't nothing better in life than living with the eat what you kill model if you know how to go kill. You know what I mean? And so how does that feel to you at this point? I mean, it feels like you said you weren't excited. It feels like you might be excited. But the reason I'm excited now is oftentimes people don't get to see the light at the end of the tunnel. You just got to walk through the tunnel in the dark and trust you're going to see light.

40:11I've gotten to see light at the end of the tunnel. Quickly. Incredibly quickly. That's why I'm excited. Otherwise, it would just be a long, arduous journey. But I'll say this just for those listening. the three things I learned. If you want to start like a million dollar business, find a billion dollar corporation sports. The second thing I learned was, is there a vacancy, a part of that corporation? Oh, nighttime sports show. And then the third thing, are you, do you have an inherent access point? Do you have an inherent advantage? My advantage, I was starting with 5.3 million subscribers across all channels.

40:48So if you want to make a million, find the billion. Then is there competition in that million of the billion that you're finding? If there's not, exist there. And then lastly, do you have an inherent advantage? If you can check all three of those boxes, I suggest it's not that complicated. It's just difficult. Yeah. So three names, Pat McAfee, Stephen A. Smith, Bill Simmons. Are any of those three kind of the North Star of what you're trying to build? If not, who? I'd probably say an amalgamation of all three. Here's why. And I don't use that as a cop out. I was reading a book called The Hidden Habits of Genius.

41:24And The Hidden Habits of Genius just looked at different geniuses suggested throughout the history of mankind. And geniuses synthesize information. Can you find the invisible connective tissue between different things? The reason I did Speakeasy Speakeasy instead of the Emanuel Acho show, the Pat McAfee show, I don't always have to host it. So you can sell Speakeasy. one day, find a really good host, slot them in the chair. Then I can go do speakeasy, sophisticated political talk. I ain't got to host it. You've already built the model. Then I can go speakeasy, sophisticated pop culture talk, hosted for a year, get out the chair.

41:58If you name the show after you, you got to be the show. So the reason I didn't name the show after me was because, oh, I don't always want to be the show. That's why I set an amalgamation of all of them. You know what I mean? Like McAfee is brilliant. I think he's one of the first to have ever done it, But McAfee's the McAfee show. Yeah. He can never stop working. He is the brand. Yeah. The social media channels of his show are his net. He's the brand. I did that with uncomfortable conversations. I didn't want to do that again. And so whereas Simmons, he isn't necessarily the brand. He created the brand.

42:31The ringer. Exactly right. So that was kind of my thought process. So I'm glad you mentioned uncomfortable conversations because it's really, I have to say, one of the first times I really encountered you. Uncomfortable Conversations with a Black Man, I feel like, took you to a whole other level, like a different universe, a different galaxy. So distill it down for us if you can. Like, what happened? Uncomfortable Conversations got me into the Matrix. Yeah. It got me into the Matrix. Changed my life. Five days after George Floyd gets murdered, I start a show. I'm in Austin, Texas, and I rent a studio space.

43:09and I say, hey, Emmanuel, you should just go talk and answer a lot of questions in society right now that people are asking. Hey, why are black people rioting? Why can black people say the N-word, but white people can't? What is going on societally? And I was like, okay, Emmanuel, you should do this. I was gonna do it with a sweet white friend of mine, but at the last second, my white friend got cold feet. So I said, Emmanuel, you gotta do it yourself. At first, it was going to be questions white people had. That was gonna be the name of the show. Terrible game. But as she's driving down, she's like, yo, Emmanuel, it's not just white people have questions.

43:38Why don't you change the title? maybe uncomfortable conversations. Cause I was like uncomfortable conversations. It just doesn't stick. I walked by a mirror. I looked to the right. I walked back by the mirror. I looked to the left. You're a black man. Uncomfortable conversations with a black man. So we do that. Now I don't have anybody to shoot it. I don't have a beautiful video team that y 'all can't see. That's behind all these cameras, but I knew somebody that was a wedding videographer, wedding videographer said, Hey, yo bro, can you come shoot this thing? I go to this all white studio space.

44:03I shoot this episode within five days. It had 25 million views. I have direct messages from the likes of Reese Witherspoon, Jennifer Aniston. Everybody and their mom has now hit me up. I don't know what to do. I get a call from a no-caller ID number. I pick it up. Acho, McConaughey speaking. I want to have a conversation. I said, McConaughey? Like Matthew McConaughey? He's like, I want to have a conversation. I was like, all right, let's do it in three, four days. He says, how about tomorrow? I was like, now the thing about it, A-Rod, I didn't want to follow up because how the hell do you follow up 25 million views?

44:37You don't. But McConaughey says he wants to do it tomorrow. We do it tomorrow. Me and McConaughey, Matthew McConaughey, we sit down and do the next episode. I get a call five days later from another, no call or ID number. Hi, Emmanuel, Oprah Winfrey speaking. I'm like, Oprah? Like Oprah? Oprah? Oprah, Oprah. She said, Emmanuel, do you have time to FaceTime later today? I said, do I have time? Do you have time? We hop on FaceTime. She's sitting in her kitchen. She asked me one question. She says, Emmanuel, what is your intention? I said, Oprah, my intention is to change the world. I truly believe I can.

45:09I'm currently working on writing a book. She said, books, I love books. So Oprah and I partnered together to write Uncomfortable Conversations with a Black Man, number three on the bestseller list. Uncomfortable Conversations with a Black Boy. I've since written Uncomfortable Conversations with a Jew, number three on the bestsellers list. I'm the only person not named Oprah to have more than one book under the Oprah imprint. So I wrote my books under the Oprah imprint. After that, boom, life changes. I end up hosting The Bachelor. I end up moving into corporate America. I've spoken for every corporation.

45:34Michael Jordan calls me and they fly me to Seaport, New York. And I speak to everybody at Jordan brand, Jordan included, um, just about all of these different things. And so it was one of those things. The reason I said I entered into the matrix was because uncomfortable conversations was what put me into society in a manner. I couldn't imagine. Changed my life. Changed my life. What is it like when you pick up the phone and it's Oprah on the other hand? I mean, did she say, yeah, man, you're like, what? What is that? You know what, bro? None of those moments moved me because I was in such a period of life where I was like, Acho, steward it well.

46:19I would just walk down Beverly Hills because I lived in LA then at the time. I moved from Austin. And I'll say, Acho, steward it well. Steward it well. Be a good steward of it. This is not about you. Be a good steward of it. So when Oprah called, it was cool. McConaughey called. it was cool. Justin Bieber came up to me. It was cool, but it was just Acho steward it. Well, like do not, do not miss the mission. Do not miss the moment. Like you're a man on a mission. You're a man who meant a moment steward it. Well, so that's gotta be your dad, right? Probably in my faith and my faith. So it's all been cool.

46:54It's all been special. We've done a lot of great things. I mean, how the heck we started TV, we got two Emmys, you know what I mean like but that's why i'm like this is above me this is if you work very hard at what you do and if you work very smart at what you do and if you're incredibly resourceful with what you do you will find success at what you do

47:24all right so this is where we do rapid fire 10 questions we'll bounce it back and forth you ready let's go all right what's one word to describe your deal making style strategic what's more important to you gut or data oh that's a good question data who's your dream deal making partner uh let's say magic what's the best piece of advice you received on deal making or business bet on brains what's the worst advice you've been given huh that's a good freaking question You can't do it. What's a deal that you wish you had done? I don't want to live in regret. So I'm going to say none. But I had the opportunity to host The Bachelor in perpetuity.

48:10And I'm always curious what that would have looked like had I done it. Interesting. Do you have a dream guest on Uncomfortable Conversations? Who isn't? No. My dream guest is whoever meets the moment in time. So there's no dream guest. You can only watch one sport for the rest of your life. Here's the thing, A-Rod. You got to qualify. Game seven? Game seven or Super Bowl or the Olympics. You know what I mean? If I'm only watching one sport, football. But if you're telling me like the Olympics, I'd take the Olympics. Which sport? Track. Done. I'm watching track and field. I'm watching the four-by-four meter relay.

48:41What team do you want to see win a championship more than any? The San Francisco 49ers. What's your advice for someone who wants a career just like yours? Don't. Have a career like yours. There you go. All right. Emmanuel Atchner, thank you so much. This was so much fun. Thank you. Thank you. This is great.

49:03The Deal is a production from Bloomberg Podcasts and Bloomberg Originals. The Deal is hosted by Alex Rodriguez and Jason Kelly. The show was produced by Anna Mazarakis, Stacey Wong, Lizzie Phillip, and Eden Martinez. Original Music and Engineering by Blake Maples Our booker is Paige Keffer David E. Rivella is our managing editor Our executive producers are Jason Kelly, Amy Keene, Jordan Opplinger, Trey Shallowhorn, Regina Delia, Kelly Laferrier, and Ashley Honig Sage Bauman is our head of podcasts Special thanks to Rachel Carnevale, Elena Saus Angeles, and Nick Silva Joshua DeVoe is our director of photography Rhubob Shakir is our creative director Art direction is from Jacqueline Kessler Camera operation by Don Downey, Genevieve Agar, and Emmanuel Moran Our gaffer is Kelly Porterfield And our grip is Justin Birch Alex Diaconis is our video editor And Will Connolly is our assistant editor You can listen to The Deal on Apple Podcasts, Spotify, or wherever you get your podcasts You can also tune in to the video companion on Bloomberg Originals and on Bloomberg TV.

50:22Thanks for listening.

From the publisher

In this episode of The Deal, Alex Rodriguez and Jason Kelly talk to the former football player and award-winning producer Emmanuel Acho about why he rejected the NFL and rebranded as a media influencer. In this conversation, they discuss the business of the NFL, why Acho’s “Uncomfortable Conversations with a Black Man” video series became a viral success and how he’s revitalizing sports media with his new show “Speakeasy.”

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