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The Duct Tape Marketing Podcast - Episode Summary
Episode Title
Navigating the Nonfiction Author Journey
Guest
Honorée Corder
- Accomplished author with over 50 books.
- Founder of Indy Author University.
- Passionate about transforming aspiring nonfiction authors into best-sellers.
Episode Overview In this episode, host John Jantsch interviews Honorée Corder about her journey as an author and her insights into the world of nonfiction publishing. The discussion centers around her recent book, *Write Your First Nonfiction: A Primer for Aspiring Authors*, and the various aspects of becoming an author.
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Key Topics Discussed
- The Author's Journey
- Honorée shares her experiences since writing her first book in 2004, titled *Tall Order*.
- Emphasis on how authors often forget specifics of their own work after publication.
- Essential Questions for Aspiring Authors
- What's in it for them?
Authors should consider what they want the book to achieve for their business and personal brand.
- Understanding the Role of the Book
The book should serve as an asset that enhances credibility and clarifies the author’s expertise.
- Target Audience and Action
Define what readers should do after reading the book, ensuring the content provides value beyond just promoting the author's services.
- Writing Process Insights
- Authors should prioritize clarity and specific messaging to avoid overwhelming potential readers.
- Start with defined questions and organize the content logically to facilitate the writing process.
- Break writing into manageable chunks (e.g., writing in Pomodoros of 25 minutes) to reduce the perceived burden of writing a full book.
- Structure and Length Considerations
- Books should be concise enough to engage readers but comprehensive enough to fulfill the book's purpose.
- Honorée suggests shorter books (like 100 pages) can be more effective as they are less intimidating for readers and can lead to quicker transformations.
- Publishing Options
- Explored the validity of traditional, hybrid, and self-publishing avenues:
- Traditional publishing offers validation but may be more challenging to access.
- Self-publishing provides more control and flexibility, allowing authors to define their book's trajectory.
- Honorée emphasizes viewing a book as a long-term asset, regardless of the publishing route chosen.
- Audiobook Opportunities
- The audiobook market is growing rapidly and offers convenience for consuming content.
- Encouragement for authors to consider audio versions of their books as a viable format.
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Key Takeaways
- Understanding Motivation: Authors should start by clarifying their motivation for writing and the benefits for their audience.
- Value Creation: Focus on providing actionable insights that allow readers to benefit even without hiring the author.
- Organized Writing: Use structured outlines and logical progression to simplify the writing process and alleviate feelings of overwhelm.
- Publishing Strategy: Choose the most suitable publishing route based on personal goals and desired reader engagement.
Conclusion Honorée Corder’s insights provide aspiring nonfiction authors with a roadmap to navigate the complexities of writing and publishing. Her emphasis on clarity, structure, and understanding the audience is crucial for anyone looking to make their mark in the world of nonfiction.
For more information about Honorée and her work, visit [Honorée Corder's Website](https://honoreecorder.com/).
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Transcript
Automatic transcript. May contain errors.0:00Hey, this is John. And before we get started, I have a gift for you for being such an amazing listener. Everyone's talking about AI these days, but most of it's about tactics. We've created a series of prompts we use to create strategy, and you can have them for free. Just go to dtm.world slash free prompts and grab yours. Now, let's get started. Hello, and welcome to another episode of the Duct Tape Marketing Podcast. This is John Jantz. My guest today is Ana Rekorda. She's the author of more than 50 books, a publishing consultant, TEDx speaker, and the founder of Indie Author University. Honorise passionately turns aspiring nonfiction authors into best-selling and best-earning authors.
0:45I like that second part. She also runs the Empire Builders Mastermind, and we're going to talk about her most recent book, Write Your First Nonfiction, a primer for aspiring authors. So welcome to the show. I'm delighted to be with you. Thank you for having me. Awesome. So 50 books. Sometimes I tell people I've written seven and they're so impressed, but 50 is crazy. When did you write your first book? 2004. 2004. Do you remember the title? Yes. Tall Order. I do. Yes. You never forget your first one, right? That's right. That's absolutely true. It's funny. And I don't know if you've experienced this on yours, but some of my books from writing, turning in a manuscript to publishing and being out there in the world and doing interviews like this might've been 18 months.
1:29And somebody would ask me very specifically about something on page 27. I was like, I don't know. That does happen. Someone will say, what are the seven things? And I think, well, I don't know what they were when I wrote the book, but I'll give you seven things right now and let's see how it goes. So let's dive into, I mean, there definitely are, as the title or subtitle mentions, there are many aspiring authors. What's the first question somebody should ask themselves if they're thinking, I should write a book. What's in it for me? Not me, but them. What's in it for me, for them to write a book?
2:03Nothing. What is in it for them to become an author? What do they want the book to do for them, for their business, for their life, for their brand? So that's the very first question. Okay. So there would be some people, and again, I know you have a little different tick because the fact that you actually even said best earning authors, because I think there's a lot of people that would suggest, no, you have to have something important to say before you should write a book. What's your take on helping people understand a topic? Well, that's such a great question. The reason I start with what's in it for them is because sometimes it's helping them to clarify their message or clarify their thoughts or crystallize what their place is in the world about a particular topic.
2:45Yeah. And I think it's probably healthy to have a conversation because I think a lot of people probably, I'm guessing people that come to you sometimes have a misconception about how hard the process is, how many books they could possibly sell. And so really tying that to like, what's the end game? I mean, cause it's a lot of work. And so having an end game that seems appealing is probably a really good idea, isn't it? Yes. Start with why, right? And then understanding what the book will do for them, but then also understanding the job of the book, because the book is an asset. It's supposed to be an asset in one way or another.
3:20Either it is something that gives you credibility, boosts your brand, or helps people to understand your process, how you think, and whether you're the right person for them to hire. To that point, most nonfiction books are written by business owners who have something at stake in what they're writing about. How do you help them? I mean, anybody walking down the street who fits that qualification, would you say to them, you should have a book because it can help your business? So the offhanded answer that I'm, that I give all the time when someone says who should write a book, I say, if you perceive yourself as an expert and you would like others to perceive you as an expert, and there is anyone else out there who says, well, I do that.
3:59I'm an estate planning attorney. I'm the best CPA in the world. The one thing that will differentiate you more than anything else is having a book. So if there's anyone else who does what you do, and you want to be perceived as an expert and you have the miles and the hair, the silver and the credentials to back it up, then having a book is going to be the thing that will leave no doubt in their minds. Yeah. It's interesting over the years, you know, I've had people that I'm absolutely certain did not read my book, but the fact that it was out there and it was on, you know, lists of things were like, that's all that mattered, you know?
4:34Right. But certainly I've also had people that have said, I read your book and it makes total sense. Like when can we start working together? It really can lead to many avenues. Would you say your books that you've written have played a role in your developing your author university and your TEDx, you know, invitations? I think all of the opportunities that have come to me in the past 19 years are in one way or another tied to a book that I have written. Yeah. And make anything that I attempt to do easier up to and including here's what I do for a living and someone will say, oh, I'd like to talk to you about that.
5:08Do you have a business card? And I say, well, I don't actually now have a business card. I stopped printing them. But I used to say, well, I do have a business card, but I also have a book. And I know you know this as being an author. When you tell someone you have a book, their face lights up. You become the coolest kid in the room. And you go from being an introvert who wishes they stayed home to having the topic of a conversation built in and some common ground with someone because they will generally say, oh, I'd love to read your book because I want to know more about this topic. Or what's it like to be an author?
5:38How do I become an author? Right? There's some sort of instant connection that you have with someone when you are an author. And that's great. No question. Let's maybe get into what you teach in this particular book. And I guess I'll start by saying if somebody came to you and because essentially this book is a little bit of a consulting roadmap, right? For how to do their own book. So if somebody came to you and said, I'm the best estate planning attorney and I want to write a book. Where do you start with them? Do you give them an assignment or I'm guessing most of them don't come to you with a manuscript?
6:10Most people do not come to me with a manuscript. They come to me with the knowing that they are author bound and they're not sure, do they take the train, the plane, or the automobile to get there? And what are the first steps? So I start them with initial questions. The first one you got, which is what's in it for them. The second one is what is the job of the book? And then we get into everything else. Question number three is what do you want the reader to do as a result of reading your book? If they have no communication or conversation with you, this is not if they hire you. This is what's their takeaway.
6:41In other words, don't waste people's time. In my humble opinion, don't waste someone's time just giving them a sales pitch or your estate planning services. Tell them why they need an estate plan. Tell them how it's going to protect them and their wealth and their heirs and give them some things they can do if they never talk to you? How can they do a, and I'm, you know, some estate planning attorney is going to send me an email and say, no, don't have them Google how to write an estate plan. But what actions can they take on their own without you? There should be something in your book that allows someone to have their own transformation without the author involvement.
7:16Question number four is what do you want your reader to not do? For this book, for write your first nonfiction book, I want aspiring authors to not write their book. I want them to write their book. I want them to fail to procrastinate. I want them to actually write their book. And then ultimately the fifth question is, what do you want the right reader to do? What do you want the person who reads your book and likes your message and likes what you have to say and likes your area of expertise? What's the next step in their journey? What do you want them to do next? So those are the first five questions that I give them and then I ask them to write down some of the common questions that they are asked as professionals.
7:56Do you immediately get into, because I'm a book that like you just described where maybe the ultimate goal is I want them to hire me as their estate planner since we started down that path. Yeah, let's go there. Probably doesn't have to be a 400 page book, does it? Does not. No. So how do you get them to start thinking about length, for example? Well, I have the lawyer answer. So we're talking about estate planning attorneys, right? So I'll do the lawyer answer. And the answer is how long should a book be? It depends, right? It depends on how long is it going to take you to fulfill the job that you've given the book.
8:29Tell them what they need to be told. Nothing more, nothing less. You don't need to add in all sorts of things to make people feel good about reading a 300-page book because they won't. As a matter of fact, this book is only 100 pages. It's 15, I think this one is 21 ,000 words. It's a fast read designed to empower someone to take action, to get out of procrastination and into action. If I wrote a 300-page book, I'm writing your first nonfiction book, probably it would just sit there. People would say, oh, I want to write a book. I'll get that book and then I'm going to lovingly place it on my bedside table where it will sit and collect dust.
9:04And I will lovingly move it to the long term bookshelf. And then the next time I move, I will lovingly donate it to the library, having never read it. And so that factors in to how long should the book be? The book should be long enough so that the person solves their problem, feels empowered to take action and is ready to move on to the next step once they've read the book. Don't most attorneys need about one hundred and twenty five pages to talk about who they are? I'm just kidding. Sorry, that was unfair. I'm not an attorney. I'm not offended at all. In fact, there's kind of a trend towards smallish books, I think, with the idea that they're not so overwhelming.
9:38I could read this on one plane ride. I think I've heard somebody say that's like an ideal length for many books, because I do think there is an intimidation factor if somebody looks at a book and goes, oh, man, I don't know when I would ever get through this. Yes, because time is everyone's most precious asset. and when you look at a book, I immediately say, how long is this going to take me to read? And when am I going to be able to allocate that time? I want to ask this question. So it's, does your answer isn't duh, but a book needs to be organized well. I've worked with many editors that have rearranged things in my writing really with the idea that's not everybody's power skill.
10:15How do you work with somebody about getting the right structure for a book that's going to accomplish their goals and not just drone on about some topic until they bore people to death. Well, so I think you're asking, you're not asking a duh question. It does need to be well organized, but I think that one of the reasons people who want to write a book don't write a book is because they get overwhelmed with where does everything go? You start from the perspective of what are the questions that I need to answer in this book? And then you think if I were answering, how do I get to the grocery store from my house?
10:50I'd say you go to the end of the driveway, you'd make a right, you'd make another right, and you'd go until you see the grocery store on your right. Everything's on the right, apparently. That's the logical way to give directions. There is a logical way to explain to your reader the contents of your book. However, worrying too much about that in the aspiring author, in the writing, can really paralyze someone. And that's unfortunate. You do not want to publish your book without the aid of your village, right? You need the people that are going to help you publish it. And if it is your first book, you probably want a developmental editor.
11:27You probably might even want a book doctor, someone who's going to get in there with you and say, but I think chapter two would be better in chapter seven, because I'd like you to lay a little bit more groundwork before you dive right into where's the binder when you die. Let's get into what goes into the binder first, right? Let's have you die at the end of the book with your estate plan as opposed to in the beginning. Right? Yeah. Makes total sense. So having people wrap some arms around the process with other people is actually, gives you some peace because then you can just say, I feel like writing about this right now, I'm going to worry about where it goes in the book specifically later.
12:02Yeah. So do you help people through? Because again, I have lots of clients that I've asked to write a blog post, you know, 500, 700 words, and they're paralyzed. And so, and actually even in my own writing over the years, you know, I'm actually, I write from a outline subheads, you know, all the way through to where I, if I do that part, I can write a couple thousand words almost in my sleep because it's outlined for me already. Is that a process you would recommend for the person who, I mean, even 21 ,000 words for some people is going to sound like a huge mountain. Yeah. So first let's reduce it to the ridiculous and just say 21 ,000 words was written 250, 500 and a thousand words at a time.
12:43So if you've written three emails today, you've probably written 500 words and you didn't think how many words were in that email. You didn't get wrapped around the tree about the word count until you were putting it in to the perspective of a book. So sometimes a book feels big, bigger than what we can wrap our minds around. And so therefore we're paralyzed. So the first thing is focus on writing that next bullet point. And to your point, when I'm writing a book, I take the questions that I want to answer in my book and I put them in a logical or linear order. And then I break it down. What are the points that I need to write about in order to answer this question?
13:22And what's the next point? And what's the next point? And what's the next point? And I take it, one, I write in Pomodoros, 25-minute writing sprints. I write in Pomodoros. I'm not worried about 21 ,000 words or 50 ,000 words or 70 ,000 words. I'm just focused on today and this 25 minutes that I have to write and this Pomodoro. And then I look, how many words did I write? 300, 500, 1 ,000. Okay, great. I'll come back tomorrow and write some more. If you can reduce it to the ridiculous and not get so overwhelmed by it's going to be a book. It's going to be a big deal. it's easier to get through it.
13:56Again, this is probably going to fall into the depends category because there isn't any one way, but you know, I could see some people going, oh yeah, I'm going to work on that when I have time here and I have time there. Next thing they know, like six months have gone by and they're still not through. But would you say that the most condensed you can make your at least first pass the better? Yes. Give yourself a deadline and just work on it a little bit every day. You are not ever going to, I'm not ever going to get a sabbatical to a beautiful island where I get to just write my manuscript. I have to fit it in.
14:31It's my job, but it is my job to make sure that I carve out that time every day to put words up on the page. That's the only way I get the books written. Yeah. And I know a lot of people that give themselves like a thousand words a day, you know, and stop, you know, that kind of thing. I wrote my first book, the bulk of my first book over three three-day weekends. I just locked myself. In fact, I did actually go to someplace where there was nobody there, a house that my in-laws owned. There was nobody there and locked myself away for three three-day weekends. But then I wrote The Self-Reliant Entrepreneur over, it's a whole different type of book, but I would write a couple hundred words a day.
15:08So, and I'm not sure which, I think the actual couple hundred words a day was more painful. Death by a thousand paper cuts kind of thing. Exactly. As opposed to just go trudge through it, but everybody has to make it work for them, don't they? That's right. So there are obviously many ways to get the book published once it is written. Do you find that going a traditional route is still a legitimate avenue for many people, particularly since self publishing and hybrid publishing has become so much more flexible and so much more acceptable? I think that all three paths are fantastic and it just depends on the author and what their desired outcome is.
15:44Some people want to go the traditional route. They want someone else to handle all of the details. They want that validation. They want to know that they have climbed that mountain and someone who has a position at a publishing company has said, give you that stamp of approval. I think it's becoming more and more challenging as publishing is changing. The hybrid model is not my favorite, so we'll skip right over that. And I am 100 % indie published, except I have many foreign translations and those have all been brokered through traditional agency to other countries because I don't have a line of sight.
16:18I don't speak Lithuanian or Russian or German or French or Italian. So I'm very grateful that there is someone to handle that side of the business. And just as we record this, I've released an audio book traditionally with Podium Publishing and they are the world's largest producer of audio books. And they came to me and they published the bestselling book formula and they're publishing write your first nonfiction book in audio. I have a little traditional experience myself. We'll see how it goes. I don't have any objection to any one of those. My hope is that whichever way someone chooses, they think about the book as an asset that could work for them for 10 years.
16:57And it is published as professionally and profoundly as possible so that it does what they want it to do in their head. The most frustrating thing for me is hearing someone who's bummed out or disappointed in what their book is, either because of how quickly they published it and they didn't know which boxes to check, or they thought, oh, I'm just going to let an expert handle it. And then the expert didn't do a great job for them. And so they're just disappointed in the results of the book or the sales of the book or the book isn't doing what they wanted it to do. Yeah. So I'm glad you mentioned audiobook.
17:28Again, it's become easier to do as well. And I would certainly think that you encourage people to go that route as well. I do. It's the fastest growing segment of publishing. It is so easy for someone to find the time to read a book because they can do it while they're driving to and from work on the treadmill, walking their dog, cleaning their house right there. When you're physically reading a book, that's all you can do. You have to focus. But when you're reading a book in audio form, the possibilities are endless on how you can consume that content. At two times speed even. Oh, yes. Two and three times.
18:01Yeah, some people need speed to speed up, actually. It's not an efficiency. It's just they should read faster. Annunciation is hard at speed, right? It is, right. But I know certainly on my older books, there's more audiobooks sold than the print books by far now, or that edition anyway. So, Honoré, I appreciate you taking a moment to stop. I talk about your first nonfiction. You want to tell people where they could connect with you or find your work and your books? Yeah, so my books are everywhere. Books are sold and my website is HonorayCorder.com. And I'm just delighted to meet you and have a conversation with you about books.
18:37Absolute pleasure. Appreciate you taking the time. Hopefully we'll run into you one of these days out there on the road. I would love it.
From the publisher
In today's episode of the Duct Tape Marketing Podcast, we're joined by Honorée Corder, an accomplished author, publishing consultant, and the founder of Indy Author University. With over 50 books to her name and a passion for turning aspiring nonfiction authors into best-selling and best-earning authors, Honoree brings an unparalleled perspective to the table. We discuss her recent book, Write Your First Nonfiction: A Primer for Aspiring Authors, and delve into the intricacies of authorship, focusing on the business benefits of publishing your own book.
More About Honoree Corder: https://honoreecorder.com/
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