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Podcast Notes: The Goop Podcast - Reflections on Marriage, Stunts, and Dim Sum (with Michelle Yeoh)
Podcast Title: The Goop Podcast Episode Title: Reflections on Marriage, Stunts, and Dim Sum (with Michelle Yeoh) Release Date: [Insert Date of Episode Release]
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Overview In this episode of The Goop Podcast, host Gwyneth Paltrow (GP) engages in a deep conversation with actress Michelle Yeoh. They reflect on Yeoh's journey from ballet to acting, her views on marriage and motherhood, and her recent success at the Oscars. The episode also touches on personal anecdotes about food, cultural dynamics, and friendships.
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Key Discussions
Michelle Yeoh's Early Career
- Background in Ballet:
- Began as a ballet dancer in England.
- Transitioned to acting after sustaining an injury, which led her to explore other forms of performance.
- First Acting Role:
- Landed her first commercial with Jackie Chan in Hong Kong, which marked the start of her film career.
Personal Choices and Marriage
- Stepping Away from Acting:
- Yeoh made a conscious decision to prioritize her first marriage over her acting career.
- Reflects on the complexities of balancing personal and professional life, especially in the entertainment industry.
- Views on Responsibility in Family:
- Discusses the expectations surrounding family responsibilities and how they affect personal choices.
- Yeoh emphasizes the importance of fulfilling one's own needs while being part of a family unit.
Oscar Experiences
- Winning the Oscar:
- Yeoh shares her feelings about winning the Oscar and how it resonated with her at this stage in her life.
- Reflects on the significance of representation in film and what it means for the Asian community.
- Comparison to GP's Experiences:
- GP relates her experiences of winning awards at a young age and the pressures that followed.
Cultural Reflections
- Navigating Cultural Expectations:
- Yeoh discusses cultural norms in Asia regarding women and family, and how her roles in film challenge those narratives.
- The conversation touches on the evolving representation of women in media.
Friendship and Support
- Maintaining Friendships with Exes:
- Yeoh and GP reflect on the importance of maintaining healthy relationships with former partners.
- Supportive Environment:
- The discussion highlights the supportive environment fostered by their respective partners, including GP's husband, who created The Brothers Sun.
Personal Interests
- Food Preferences:
- Yeoh reveals her love for dim sum, particularly chicken feet, and shares other culinary favorites.
- The duo discusses their favorite restaurants and dishes in Paris and beyond.
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Key Takeaways
- Importance of balancing personal life with career aspirations.
- The evolving role of women in film and the significance of representation.
- The value of supportive relationships in both personal and professional contexts.
- The cultural and emotional complexities surrounding marriage, parenthood, and career choices.
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Conclusion The episode concludes with Yeoh encouraging listeners to embrace their journeys, seek representation, and appreciate the cultural richness in their personal lives. The conversation is an inspiring mix of personal anecdotes, insights on familial responsibilities, and reflections on the entertainment industry.
For more insights and discussions, listen to the full episode on [Podcast Platform].
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Disclaimer: The notes are based on the conversation from the podcast episode and are intended for informational purposes.
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Transcript
Automatic transcript. May contain errors.0:02When you are pioneering anything or introducing new ideas to the culture, you get criticized. You do? Yeah. Did you hear about that? I didn't find the one. I found someone I respected and we made it the one. In a sort of longing kind of view of love, people understand each other as if by magic. Nothing in itself is addictive on the one hand. On the other hand, everything could be addictive if there's an emptiness in that person that needs to be filled. I now know that nobody changes until they change their energy. And when you change your energy, you change your life. I'm Gwyneth Paltrow. This is the Goop Podcast, bringing together thought leaders, culture changers, creatives, founders, and CEOs, scientists, doctors, healers, and seekers here to start conversations because simply asking questions and listening has the power to change the way we see the world.
0:58Here we go. I'm very honored to introduce today's guest, the award-winning actress and icon Michelle Yeoh. Michelle and I sat down at the Goop office the day her new show, The Brother's Son, premiered on Netflix. I might be biased because my husband, Brad, wrote it and produced it, but it is truly phenomenal. In it, Michelle plays a complete badass of a mother in a way that only she could. Today, we talked about Michelle's beginnings as a ballet dancer in England, which unexpectedly led her to a career in acting. We also talked about responsibility and family and why Michelle decided early on in her career to step away from acting to prioritize her first marriage and how she feels about that decision now.
1:44If you'd like to watch a short video snippet of our chat, you can check it out on Goop's YouTube page at youtube.com slash Goop. Otherwise, just keep listening. Here is my conversation with Michelle Yeoh.
2:00you live in Paris right we live between Paris and Geneva Paris and Geneva how long have you lived there I think seven eight years seven or eight yeah how do you like it I love it I do I do yeah but then I'm not there all the time right we travel all you know always so I don't speak French doesn't help do you want to learn French I tried I think I'm dyslexic I don't understand the feminine and masculine. It's hard. Right? It's like a mustache. Why is it feminine? I don't get it. So, you know, it's like you can't make any correlation. You know how sometimes you have to remember things? Yeah. So my brain is already so full of nonsense.
2:44There's just no space for it at the moment. I can relate. What do you love about living in Paris? I love Paris. It's one of the most, truly one of the most beautiful cities in the world. And I love walking down the Seine because we live close by. So I literally just go to the Eiffel Tower, follow the river, walk all the way to Notre Dame. Amazing. And what are your favorite restaurants there? I have to ask. Well, we're very good friends with Guy, Guy Savoy. Oh, wow. Yeah. So that's always nice to be able to have the chef's table and watch, you know, these amazing people at work. Then there's this Italian that's run a place called Streza, which is run by the brothers.
3:27So fun. And then we have a great chef from Thailand. Amazing. So personally, I like to stay at home. Yeah. A lot. Yeah. Were you 15 when you went to England? Yeah, almost 16. And so explain to me how you got from Malaysia to England. Like what precipitated that? I always wanted to go because ballet is my first love, right? And fortunately, both my parents were very forward, liberal thinking. And my dad has always said to us, the one thing I'm really responsible for is your education. But you choose what you want to study. He never dictated to any of us, you know, you have to be a lawyer or a doctor, you know.
4:11So I guess at that point, I was the black sheep of the family because, you know, I didn't want to be a doctor or a lawyer. And I wanted to go to a ballet school. Obviously, the most famous one is the Royal Academy of Dance, but that's in London. And that was, I think, the only no-no. He was thinking maybe not so quick to London. Being in a boarding school would be much better because then at least my parents felt that it was safer. Because being in a boarding school, you would be kept, you know, in a contained environment. and I went to Chester, which is one of the most beautiful cities in England.
4:51And I was living my dream because, you know, you start at nine, you danced all day and until, and then I only did like five O-levels, which was fantastic because at that point, I never really thought that I was not an academic. I didn't want to be an academic. I didn't really want to study. And guess what? Being an actress doesn't help, does it? I find that I'm studying more than I ever asked before. So funny. So I chose the school. I found a sister school to the Royal Academy of Dance called the Hammond School. And by myself, my parents were very, they were very bold. I mean, they were confident that, you know, I was old enough to be able to handle myself.
5:33Took the train. From where? From London to Chester. Oh, I was going to say. Okay. I don't know how that train goes. That would be a very long train. That would be a very long train. And so at what point, you know, so you're in Chester. You're, I imagine you spoke English before you got there. Fortunately. Fortunately. Yeah. And so you're kind of ensconced with British, mostly British people studying dance. Was it a very different experience than being a kid in Malaysia? It is very, well, yes and no. Because Malaysia is a very cosmopolitan society. I've never been, actually. Oh, you have to. I think you would really love it.
6:17It's all about nature as well. We have the oldest rainforest there. We have the seas. We have the mountains. But we also have the dynamics of different cultures. We have the Indians, the Malays, the Chinese. And we've lived harmoniously always. So, you know, growing up, embracing different cultures was very much part of the life. As a child, you know, we wouldn't be able to say that we were different. We always felt, yes, you're a Muslim, you're a Hindu, I'm a Buddhist, but so what, right? And we enjoyed the fact that we have all these different holidays. So in that way, so when I went to study in England, fortunately, English and Malay is our main languages.
7:02So I already had the advantage of being able to speak the language and work my way around it. And being in a ballet school, it was very interesting because it was quite international as well. We had girls from the Caribbean, from Africa. I was, there were only two Asian girls, a Japanese girl and myself. There were not so many of us in that particular school. And I think at that time, it wasn't a choice. it was very much ballet was more for, you know, the corps de ballet. You don't really see Asian girls dancing in that background or as a principal dancer for that matter. So it took a long time before we got to where we are today.
7:44But at that point, I didn't care. I mean, I was with girls who loved what we were all doing together. So, you know, we would have cookies and tea and be stretching on, you know, watching TV. And can you imagine these little ballerinas? everyone with their legs apart like that, sitting on the floor, doing their stretches the whole time. Like a little Degas painting come to life. That's so great. And so at what point did you understand that there was a career in performing? Or how did you go from doing ballet to film? Oh, it wasn't a choice, actually. I never, not for one second when I was a kid, thought that one day I would be an actress.
8:29Even though when I was young, my mom took us to the cinemas all the time. She loved the movies. And I would sit there and stare up at the silver screen and thinking, oh, wow, this is fun. You know, horror stories, Tarzan. So we had the full range of different kind of genre of films that we would watch. And when I was, I had an incident while I was training in my ballet on the second year, almost my last year. And I hurt my back so badly, I was told that I had to back off and not be able to do the courses that I was doing. Not be able to dance like from nine till five. And fortunately, the principal of the school, Mrs.
9:11Hammond, she said, you know, darling, there's so much more than just ballet. Which is true. I mean, when you're a 17-year-old, I mean, that is your whole thing. It wasn't so much that I wanted to be a ballerina. I just love that world of, you know, being able to teach just in the world of dance. And so she encouraged me to do a degree in dance. And she helped me go into getting to college. Which was where? In Crew and All Sager, which is now the Manchester University. And it was the same but different world. I couldn't dance as much as I did before. I had to do a little bit more academic, you know, history of dance.
9:52But what I loved was the choreography of dance and how that all came about. And also not just only doing ballet, but learning about contemporary dance, which was actually a great help to me now that I think about it, especially in what I do today. Yeah, of course. Yeah, so... I mean, you can't help but draw correlation between ballet and martial arts. That's right. I mean, it's just one form of movement to another. And a complete mastery over, you know, and control your core and all the little accessory muscles. And all the other accessories that we have. Exactly. So you finish in Manchester. I finished in Manchester.
10:31Sorry about the weather. In Crewe. Oh, no. That's English weather for you, you know. It makes you appreciate when you go back to Asia and you have sunshine the whole day. I finished there. I graduated. And I actually did a minor in drama. I thought it would help. But if my professors at that time, you said to them one day, I was called Chu. I didn't have Michelle as a name at that point. It's going to be an actress. They would bet their last pound that it would never happen because I was so bad at it. I had, first of all, I had stage fright. Oh, my God. Oh, no, no, no. It wasn't even funny. I was like, what the hell?
11:11I did everything I could to sky-flesse me, play truant. I don't know how I survived it. But anyway, it taught me that I really couldn't do it at all. So that's why I don't do stage work. Oh, interesting. No, not like the great English actors. They're more into Shakespearean theater and the whole works. So for me to go into film was actually by accident. Someone had seen a photograph of myself and asked if I would do a commercial in Hong Kong. Oh, so when you left England, you went to Hong Kong? So when I graduated, I went back to Malaysia in hopes that I would go back to England, because I did love being in that environment, surrounded by, you know, artists and dancers and choreographers.
11:59But then my mom, lovely as she is, she enrolled me in Miss Malaysia. Are you kidding? I did not know this. I'm not kidding. She actually, actually, I wonder if it's illegal now because she falsified my signature. I think at this point, you know, it's water under the bridge. So I had to stay on in Malaysia because, you know, I had duties as Miss Malaysia. Wait, did you win? Yeah. Oh, my God. I know. Oh, my God. It was like, how did that happen? Well, I can understand, but it just seems like not totally aligned with who you are. It's not me. It's totally not me. I think it's really my mom. But anyway, you know, that's what moms do.
12:42That's what they do. Then when I was given the opportunity to go to Hong Kong and do this commercial, you know, when you're 22 and you think, why not? So I did. And my first commercial was actually with Jackie Chan. Oh, you're kidding. I'm not kidding. That's amazing. So we've known each other for quite a few years. Wow. Yeah. And how many times have you worked with him? No, actually, we only did one movie together, and that nearly killed the both of us. Yeah. We actually watched that movie recently in Santa Clara. I know both of us go like, what the heck were we thinking? And Brad was saying that was really you doing all of those stunts.
13:20Yeah. I mean, I watched it myself, and I go, wow, you crazy woman. Crazy. Yeah. And people would ask Jackie and myself, oh, I thought you all don't have green screen in Hong Kong, right? And we both looked at each other and go, you did green screen? How come I didn't do any of that? Everything on the train was real. We were on the train. It's insane. I know, I know. That's why insurance, they don't, they take one look at our names and go, no, no, not going there with these two crazy people. So how did the commercial turn into the first film role? And what was it? So the commercial, well, Dixon Poon was the instigator for the commercial.
14:01And at that point, he, being a businessman, he also invested into making movies. So he has signed on actors. He just started a production company called D &B with Sammo Hong. And so he was signing on new actors, actresses, and they offered me a film contract after that commercial. So like the old school studio system? Yes, that's right. Amazing. And so what was the first one? The first one was actually an action film called Owl vs. Dumbo. I know the best names ever. It's better in Chinese. Right. It just doesn't sound right in English. What is it in Chinese? It is Mao Tou Ying Yu Xiu Fei Zhang.
14:44That's right, right? It sounds weird. It sounds good. So it was really, it was an action film where Samuel Hong and George Lam, you know, at that era with Jackie Chan, it was always the guys. They were the protectors. They were the men who saved all the damsel in distress. And in that movie, myself and my co-star, Dini Yip, we were social workers. We were bullied by everyone in sight. We were the whimpering ones who had to be rescued by these two guys. But as I watched them do their martial arts, it was choreography. It was like a huge dance piece with just different speed and different ways of throwing their arms and legs around.
15:28So after I watched that, I talked to my producers and I said, I would love to be able to try something like this. And of course, one look, beauty queen, girl, you think you can do all that? I don't think they took me seriously at that point. So did you start to learn martial art on your own? I didn't. So fortunately, one of the producers' wife, she was a writer. She was of a very popular magazine. and she turned around, she said, you guys are really dumb, you know. You sign on this very different girl from Malaysia, from England, but you want to put her in the same box as you do with all your, then why?
16:10Right. Right? Why don't you let her do something that's different? I mean, then they thought about it and they thought, well, the most popular movies in Hong Kong at that stage were comedy and action. So, I said, well, you know, we can let her try. If it doesn't work, then we'll put her right back in the box again. So they let me try. And what was that film? That one was called Yes, Madam, and Where I Was a Detective. That's why they call the cops, the lady cop, Madam. And I played this detective. And I think what it was, was we made it a point that I wouldn't look all buffed up and, you know, ready.
16:47It was like, yes, she was a detective. Right. But she wasn't going to walk around, you know. Right. So a feminine detective who then could kick ass. And that gave it an element of surprise when it did happen. You know, the audience went, whoa, okay, what the hell is all this thing? And what they loved was the fact that I fought in a very different but similar way. You see, with my ballet training, my movements were a little bit more graceful in that sense. And I could throw my legs a lot higher than everybody else, right? I could do kicks and the boys go, ouch, that looks really painful. So it gave me an edge.
17:27But because I also came from a background of I was very sporting. I did squash. I played. I swam. I did all the different sports activities. And that helped with the transference not just of movements but of power. Amazing. I mean, so were you kind of the first, I know, I think Rotten Tomatoes definitely calls you the greatest female action hero of all time. But were you sort of the first one? Oh, no. In the Hong Kong history of filmmakers in the 60s, there were swordswomen, legendary swordswomen who were very well known, were crafted, were highly skilled fighters, warriors even. But then it was only in the late 70s, 80s onwards, sort of the power shifted.
18:23And then women were sort of like, no, you better be demure. We men used to be strong. So it went through a period, but then fortunately it shifted again. Right. And then women are sort of portrayed in the more natural thing that we can do. Yeah, which is multifaceted. Yes. We can be soft and we can be not so soft. When the time is right, we have to do the right thing. You just realized your business needed to hire someone yesterday. How can you find amazing candidates fast? Easy. Just use Indeed. Stop struggling to get your job posts seen on other job sites. Indeed Sponsored Jobs help you stand out and hire fast.
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19:39Indeed.com slash listen. Terms and conditions apply. Hiring Indeed is all you need. And did it feel like could you feel the power of the example that you were starting to show other women? At the beginning, I didn't really, it wasn't conscious to show other women. It was, first of all, to show myself that why are we not allowed to do these kind of things? It just didn't feel right or sound right. Then afterwards, when you find more and more women relating to it and being more vocal about it, then you go, yes, I think that's, you know, when we have to learn to speak up and speak for each other.
20:18And so it made a huge impact in that way. Absolutely. I mean, especially, you know, at that time. And I don't know if sort of pervasively in Asia, women are still kind of supposed to be more demure. But to see that example of just like unmitigated strength and power, I mean, it's very inspiring. I think it was really necessary because it's very interesting. It's very, there's a big contradiction as well, because, you know, in the Asian homes, the mothers are the nurturers. The mothers hold the key to the wealth in a sense, because they look after the family in their own way. But at the same time, it seems like they are always the one behind, you know, two steps behind.
21:11I mean, it's always been like that in Asia. So women have not spoken out for themselves for the longest of time because they felt that, you know, my mothers did that. My mother-in-law is like that. And my grandmothers were like that. So it's self-pervasive is a good word to use. But it was just generally accepted in the whole of Asia. Is it changing now? It's changed. But still, you know, you still feel like the younger generation. Sometimes when I go back to Hong Kong or to Asia and I have the young generation come up to me and she say, you know, my grandmother says, why do I want an education?
21:51Because the grandmothers still feel and still think in that way. And then they still get very hurt when the sons are more important. They feel like their brothers are more important than them. And it's always very clear, especially when the will is being read, that the sons get more and the girls are like, what, am I not family? So unfortunately, you still have that. You still have the first son syndrome. Right. Primogeniture kind of thing. Yeah. So that's why I think now when you can keep your own name, even when you're married, it's also very important for the girls. It's like, why do we have to change our names?
22:30Yeah, absolutely. so it's that's I think that was one of the things that the Chinese parents used to think is like when the girls marry they go somewhere else they join another family right so you know everything should be kept within this family so very warm sense of thinking yeah it's interesting because you know it's like those cultural things take such a long time to make a shift but again that's why I think, especially in a culture like that, why your performances are so important. Because I think, especially when there are rules, the more rules a country has, or the more, I don't want to say oppressive.
23:15But it is oppression. It is. Then art is the only place where real freedom exists, and where you can get moved to the idea that something else is possible for you. Yeah, it can be very inspiring because I guess it's also through art. Our medium is that we shine the torchlight very clearly on subject matters that sometimes we are unable to bring forth. For example, brother-son, it's like the role of a mother. What is an obligation to family? As a son, what are you supposed to do? Or as a child, what is your duty? How far do you carry that duty? I think sometimes it's very interesting how we look at the West and we go, they have so much more freedom.
24:00But it's also something that the parent pushes forward. So it's a cycle, isn't it? Sometimes it's a vicious cycle. If we can't let go of it, then it keeps going round and round and round like that. Yeah. And sometimes I think actually in the West, we think we have a lot of freedom, but we actually don't. don't. We're so beholden to these systems of the patriarchies and capitalism and it's so inculcated in us that we have to do these certain things and a lot of us sleepwalk through without really questioning who we are and what we want and why we're here. So maybe there's less freedom than it looks like.
24:45I know. I think it's always the grass is always greener on the other side. You think like, oh, if only I could. But you know, as a parent, Do you try to be their friend first or their mother first? I try to be, you know, I think in my case, it was interesting because I grew up, my kid's dad was a traveling musician, is a traveling musician. So I was home alone with them a lot. And then we ended up getting separated. And so I kind of tried to be energetically mother and father and friend and playmate, So a lot of times I question that, especially if your kids are in a situation where you think, oh, gosh, I don't want them to be hurt by a divorce or by friends.
25:32That's where I think we get weak and kind of become a friend. I think there's a way to model and be a mother and have those boundaries and expectations, but also have a child not feel judged. Right, right. Like, I think my mother's generation, there was no way to express, like, hey, you could do that better without a lot of judgment and shame. And so that's what I really tried to avoid. Right, right. I think that with sometimes a lot of Asian families, like, you're number two? Yeah. How did that happen? Right. That's horrible. Horrible. I know. It's like the word of praise is so hard to come out of their mouth.
26:16Oh, my gosh. It's so different. It's like with nowadays, it's very different. And nowadays when I see, but it's almost like it's too much when you overcompensate. You know, and when we were kids, you never answer back to your parents. You know, nowadays we're talking, we're saying we're having a conversation. But sometimes when you look at a little kid, that's not a conversation with your elder that you should be having. So it's like you say, boundaries and what it is to adjust is tough. And did you, am I right that you at one point thought you wanted to start a family so you stepped back from acting?
26:59So when we got married, we decided, and I don't know how women, especially in our line of work, do when they juggle being pregnant, having a baby, going back to work. I don't know how they do it. Seriously, I'm not a multitasker. My attitude has always been, if I'm going to do something, I have to be able to have given it my best shot. Otherwise, it will always feel like you didn't try your best. It wasn't about him or anybody else. First of all, you have to be honest with yourself. It's getting over that hurdle. And you know, with our work, we're always traveling. If you're filming outside of the country, it's like, you know, I maybe would not see each other for a couple of months.
27:46You know, when both parties work, it's hard to find that balance. So I did. It wasn't pressure on his part. It was my own decision, my choice at that point to say, if I want to have a real married life and be able to fulfill all these kind of things, and it would be good, then, you know, I would enjoy this as well. So I stepped away from it. You know, it's like when you had your babies, you chose to. You said, I'm going to take this time out. And that's the only time when you can really give them what you feel they need. But it's also, it's satisfaction for yourself. Yeah. Well, it really is work to nurture a marriage and to, it's, you know, I always feel like if people just leave it and don't give it any attention, don't focus on the quality of communication and having the hard conversations and really saying what you want, it becomes really difficult for it to thrive.
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28:43It becomes superficial. I mean, you become strangers and you wonder why you drift apart because you don't share in life. You don't share in conversation. You don't know what the other person is up to. I love my space. I love to be, it's like Jean and I have a really, really good relationship. And you just got married, right? No, after 19 years. After 19 years. I'm going to ask you about that too. I was like, what are we thinking? But your first, how old were you when you were first married, your first marriage? I was 28. Oh, you were 28. So I was old enough, you know, because my mom was married when she was 21, 20.
29:19So even at that stage, we were encouraged to get married in your 20s, you know, to find the right guy, to settle down. I mean, that was my mom's biggest wish for me as well. And I think a lot of the times that her generation of mothers have that wish for their daughters to find a good man, you know, to be able to settle down and be well taken care of. Of course. Yeah. That sounds pretty good to me right about now. I gotta tell you. But I tell you now. Because then you lose your sense of freedom. Right. You don't have your independence, right? You're always depending on him to tell you what's the right thing to do, where to go, what, you know.
30:00It's true. And then your life is dictated by the whole system. Were you sad that you didn't end up having children in your first marriage? Oh, yes. I mean, still sad. I mean, I love kids. That's one of the biggest joy in anybody's life. But it is what it is, right? I mean, it wasn't for the lack of trying. We did whatever it was necessary to try. And unfortunately, physically, I was unable to. And I felt at that point, again, it was really my choice as well because I knew my ex really wanted a big family, not just one son, but two sons or three even better because he was working hard for a big empire and he needed sons to carry his lineage.
30:53So I was looking at myself going like, oh, God, 10 years down the road, you can't even have one. What are we going to do? That would be too late, right? Is that why you parted, really? That's one of the main reasons, because I think that's tough on any. And I think sometimes, on hindsight now, I think it was a smart thing for me to do, to be able to step away and not pretend that it will work out. Yes, we did love each other, but then it doesn't get better. because, you know, there are expectations. So it was a tough, tough thing. And I guess that's one of the reasons why we are still good friends today.
31:35That's great. His eldest daughter is my first godchild. Oh, that's so sweet. His first ex-wife and I are like, we call each other. We go on holidays with each other. When she was the YPO, I would be her plus one. That's amazing. Yeah. I think it's moving forward. It's accepting and letting go. It's all the same thing. So it was tough. But now I'm very blessed because now all my friends throw their kids at me. So I have six godchildren. That says a lot about you, Michelle, you know? I mean, to be made godmother that many times, I think. It says a lot. It's like, okay, guys. Enough, no more. Yeah, now I have grandchildren, which is even better.
32:21That's so nice. So you end up with stepchildren, right? Yes. I mean, Jean has one. He has one. Yeah, one son. And Nicola, and he calls me girlfriend. I call him boyfriend. I mean, we have a very complicated relationship. But we're very, very good friends. That's amazing. Yeah. In fact, when his girlfriend got pregnant, he told me before he told his dad. Oh, really? That's so nice. You know, it's funny, like the role of a stepmother. And, you know, I'm a stepmother and it's, you know, initially it was so complicated and so difficult. But they were just at like the wrong age, you know. That is much more complicated.
32:59But, you know, as the years have gone by, it's such a gift to have these incredible kids in my life. And I love them so much. Right. It's like a different kind of love that I never really knew I had. You know, you don't have to be bonded by blood. No, you don't. There's a certain, you know, karma. There's a certain, you don't know what it is. It's a Buddhist take on being a step-parent. I like it. That it all comes from the past. Destiny, you know. So it is very nice. And in fact, our grandchild was born on the 1st. Because when we went back to celebrate the New Year's with Nicola and Darina, on New Year's Eve, he said to me, when are you leaving?
33:43So I said, I'm leaving on the 2nd to go to Los Angeles. And he says, you know the baby is due on January the 30th. Where are you? And I'm like, I'm going to be in Toronto. I'll be filming there. He goes, what kind of grandmother are you? You're not going to be here when the baby is born. When do you come back? I said, I think I'll come back in March. He said, the baby will be walking. Oh, my God. He was giving me such a hard time. He was like, how can you leave? What do you mean? You promised to be my babysitter. Now you're going to leave me all. Then the baby appeared on the first. That is so crazy.
34:17That was the best thing ever. Amazing. That's quite early. Big surprise. But healthy, like mighty set of lungs. Born in France? In Geneva. Born in Geneva. Yeah. So tell me why you said yes to doing the brother son with my husband. Oh, you know what? When I received the script, I saw your husband's name there. And I was like, I want to work with this guy because I've seen all the shows that he's done. And I've always been very fascinated by how he always pushed the boundaries. And I thought, okay, I want to see if it's actually him who pushes the boundaries or somebody else. Right. And I was very pleasantly surprised when I read the script.
34:57And I thought, this is something that's not really been done here in America before. You know, to talk about the gangsters and this way. And in such a, that's what I love about Bratz's other shows. There's some kind of dark humor in them. Sometimes it's a little twisted. And I thought, this is the best way to tell a story like this because we don't want to glorify triads or anything like that and make you feel like, oh, yeah, it's so super cool to be a gangster where it's not. It's kind of cool. In the show, it's pretty cool. If you're a brother's son, it's kind of cool. Yeah. Other than that, it's not.
35:36So when I read it, and also it was a character, a kind of mother that I've not played before. Right. Because, you know, I came from playing Eleanor Young and Crazy Rich Asians. So good. And then Evelyn Wong and everything everywhere all at once. Yes. And then now another E. I wonder if they did it on purpose. I don't think they did. No. But it's so amazing. So my third E, Eileen, son, is this fascinating woman, a mother who would do anything for her children. And very extreme, as you will find out. Oh, yeah. So plus the fact that your husband was producing at the showrunner and all that. And he's dropped that gorgeous.
36:19So it's good to look at someone. It doesn't hurt. It doesn't hurt at all. And I love the fact that it's so collaborative. After you read the script, either it appeals to you or it doesn't. But for me, apart from the script appealing, it's also the people who are working on it that's very important to me. Because I think right now we have choices. We can choose what we want to do with our time. And the choice is like I'm not going to do a script where I don't find it fascinating, and then I don't think the people that I will be working with is interesting. Yeah. So in that way, I don't I would prefer to be home with my family, you know, running around with the kids and be a good babysitter.
37:04Yeah. For a change. So I met with them and I was fascinated and I really, really was. So great. And have you done television before? I had. Oh, yes. You've done Star Trek. Yes. Star. Yes, of course. Yes, yes, yes. Of course. It's very different because Star Trek is, you know, it's episodic in the sense it's not just one. Right. Because this is like one, you know. That universe just keeps going and going and going. Right. And then I did. I only guest appeared in American Born Chinese, which was the Disney Plus one. OK. But Brother's Son is really my own show. Yeah. Right. But I must say, when they first, I think David Unger was the one who called me and said, oh, they want you to play mama son.
37:53And I go like, I don't want to play a mama son. I've already, I played Memos of Geisha already. I've done that. He doesn't know mama son. I'm like, what? So he's a mama. Oh, that son. The name son. The name son. Yeah. And what is it about, how would you describe her character? You said it's very different from the other mothers that you've played. And it turns out to be such a surprise who she actually is. Right? Yes. And it was funny because I remember Brad, you know, it's typical of him to always want to enter a world that he doesn't know a lot about, you know? So like whether it's Pose or, you know, he was the only white guy in the writer's room.
38:37He's like, it's critical that everyone, it's an all Asian writer's room. I can be the only white guy in here. and he learned he it was so incredible like he would come home and tell me about like a Taiwanese mom and how they behave and what this means when they say yeah do whatever you want and that it means the opposite yeah and all these amazing intricacies of like of what it is nuances right right no I think that's where I find him very interesting is like we want to be challenged the whole time. I want to be able to walk into a project where I'm going to learn. I mean, for selfish reasons, I want to be always learning.
39:16Yeah, me too. Because God forbid, you know, you think you know everything, then it's only downhill from there, right? So it's fantastic. And what I love is that the fact that he championed an all Asian story. So cool. It is so cool. I mean, it's also his first production for his own company. Yeah, it is. Right? So for me that he has taken this on meant a lot. Yeah. That's one of the main reasons, apart, of course, that I play number one. Of course, number one on the call sheet. Makes a big difference. But it just went to show how much he believed in it, right? Because I only want to work with people who believe in what they are doing.
39:59Because when you do that, then you're passionate about it. And it will show. It will come across and it will show not just on the pages, but, you know, on screen. You will feel that passion. You will feel all those emotions. For sure. And the first time when he brought all the kids to your home. That was fun. No, it was good because, you know, it also showed them that he was caring. He hears them. He sees them. And that is what we all want to be. You know, that's his great gift is being able to be present and hear. Like he sees people so deeply and it's a gift that he has for sure. It's a very, very, very valuable gift.
40:41How is it doing such physical stuff? Oh, fun. Still fun. Oh my God. If it wasn't, I wouldn't do it. I mean, sometimes I look and I think like I'm 10 years younger than you and I could never lift my leg that high. Like, oh my God. Because I do it every day. Right. I think that's the thing is not to stop. And still ballet? Oh, no. I've stopped ballet a very long time ago, unfortunately. Because, you know, ballet is, you have to be dedicated. And also, you have to be able to attend the classes. It's not really something that you can do on your own. Not like martial arts or karate. You know, when I do a lot of shadow boxing, I do a lot of training by myself.
41:24Because the easiest is to say, well, you know, there's no one to train with. So we'll do it the next time or the next day or whatever it is. so with this I can do it every day I'm doing it every day so that I am I'm in practice yeah so that I can you know hop onto the set the next day and go okay I'm ready for you wow let's do this so even if you're not filming every day and will you tell me a little bit I mean we're at goop so you have to tell me about your fitness and wellness regime no I think I should learn from you no mine I mean, I'm terrible. I mean, I, I, one thing that I do is a lot of stretching, because the core is one of the most important thing.
42:05I'm trying to learn how to meditate, failing miserably. Oh, yeah. But I love it, though, because it's the process of doing it. And how do you, why do you say you're failing at it? No, because I, you know, when you try to. You stop the timer and say, forget it. I don't do that. You know, in the old days where they say you have to clear your mind, clear your mind. it's bs right you do not clear you do not mine will never be cleared but i a very dear friend jet jet lee so he introduced me to his name dropper and he he what do you call it name oh i said name dropper oh wait till i drop mornings i love it i love it but he was he is amazing he met he tells me he meditates eight hours what yeah a day what is he doing with the rest of his life but Don't worry, they do it together.
42:57I mean, him and his wife. So, you know, he's like, I guess nobody talks to anyone. Maybe that's the way to keep a marriage happy. I don't know. They've worked it out somehow. But, of course, it's not eight hours in one stretch. Okay. So his Rinpoche was saying to me, it's like, you know, you don't, you know how the concept of sitting in the lotus position and then everybody go, total BS. He says, you can be in any position. is whether it's just your breathing. It could be a few seconds. It doesn't have to be 15 minutes. You don't have to put on a timer. He said, you just do it whenever you want to do it.
43:35That's true. And just be relaxed about it. Actually, I think I'm going to work with this amazing meditation app company that teaches how to do it with your eyes open as well. Because you can be anywhere and do it. That's right. I do it now when I'm hiking, when I'm walking. because it's all about your breathing. It's all about if you can, I have a vocal mantra in my head. So he says, as long as you're saying that mantra in your head, you're already meditating. It's a focus, right? It doesn't sound like you're failing. It sounds like you're succeeding. I prefer to think that I'm failing. So then I keep trying to be better at it.
44:13That might be a trauma response, Michelle. I might suffer from the same problem. So, okay, so do you meditate in the morning? Yeah. Is sleep important? Like how do you get the pie chart of your day? I don't, I don't, I've learned not to do that anymore. You know, you get frustrated. It's like, what is the right amount of hours you're supposed to sleep? So now I'm like, if I wake up at three, I wake up at three. Someone is going to be awake somewhere in the world. That's right. And then if I wake up very early, which I tend to, then that's the time when I just take that time to breathe, say my own little mantra to myself, you know, do my stretches in bed and things like that.
44:57That's so great. Okay, and then what happens? And then coffee. Coffee. And then when do you train? No, then after that I train. Okay. If I can get onto an elliptical, that's my go-to exercise machine. If the weather was good, I like to walk. I love hiking. I love being out in nature and things like that. If not, if it's raining, if I don't have an exercise machine, I just do shadow boxing. Just in your room? In my room. That's amazing. I don't give myself an excuse. If I have this space, I will use this space. Wow. That kind of discipline is so important. But I think it's a way of life. It's hygiene.
45:43Yeah, exactly. Right? I mean, you wake up, you don't think about it. You brush your teeth and comb your hair and you do the whole work. So I've incorporated the exercise. Into that. That's what I've done. I can do my stretches while I'm brushing my teeth, you know. And then I do my squats and I do my leg lifts. It's so great. I mean, it's so inspiring to see how strong you are, you know. And it's just that we don't have to, because I'm just like dealing with menopause stuff right now. I'm feeling it. Luckily, I've done with that. Oh, I can't wait to be done. I just want to be done. It can be frustrating.
46:20It's really, it's not. The flushes is like, oh. It's not for the faint of heart. I was in a meeting earlier and I wanted to rip my sweater off. I thought, I'm at work. I'm not going to do that. Ice cubes. Exactly. I think I need some. What do you eat? Let's get into that. I eat everything. That's good. Yes. What is your favorite thing to order at Dim Sum? Oh, chicken feet. Oh, my God. Are you serious? You ass. Okay. Don't give me that. I can't do that. Don't give me that. It's the collagen. It's the soft bone. It's so good for you, right? Yeah. The Chinese believe if you eat something like tendons or, you know, things with collagen, it's supposed to be good for that particular part of your body.
47:04So lots of chicken feet, lots of soft bone. Okay. My favorite is, I can't pronounce it, although Brad was trying to teach me how to say it in Chinese. It's like the fried... Like the swing roll? No, it's like fried dough, and then they wrap it in rice paper. Oh, chong fun. Thank you. Ju chong fun. I love that. That's my favorite. Do you still... That's my favorite. I love dim sum. Oh, me too. It's like my favorite. We just had that before we came here. Oh, you did? Where did you go? No, we ordered in. Oh, okay. That's okay. Are there good places in Paris? Yes, there are. I think you just have to discover them because right now we have like the Peninsula Hotel, the Shangri-La.
47:50The Shangri-La, the food there is amazing. It's very good. I always eat there. Well, because they come from a Chinese family, right? The Quark brothers, the Quark family. So they run and they always have chefs brought in from Asia, wherever they are. Brad said, I took him there for dinner, and he said, I want this to be my last meal. So when I die, this is what I want the night before. I was like, I don't know if I can plan that, but I'll try. Oh, my God. I know. He loved it. And the Peninsula is good, too? In Paris, yes, for the Chinese food. They have a really amazing Chinese restaurant. Oh, that's so good to know.
48:30I mean, I have to ask you about winning the Oscar last year. just because when you won I won I remember that pink dress oh my gosh I think yeah I forced the pink dress on everyone that was in 1998 or 9 I want to say I was 26 oh wow isn't that a lot of pressure to win the Oscars when you're that young it was really a lot I mean what is your next right Like, when is your next? And then everyone. What do you do to top that? Yeah. Yeah. And then I feel like everybody stops rooting for you, you know, when you're that young. It's like, it's sort of annoying that you won. Right. No, I think I understand what you mean.
49:19It's almost like, oh, God, how can you win when you're so young? You haven't even, you know, been tormented and tortured for long enough to already get that. And God forbid if you get another nomination very quick, soon after that. I know. So. It was a lot. It was, I think it's hard to win at that age when you don't really, you know, when I, I didn't know who I was. I didn't know what I wanted. Like, I was such a kid still. But you wanted to be an actress though. Well, I, I, yeah. I mean, I, my mom is an actress. Yes. So I wanted to do what she did. You know, like she was so powerful when she was acting and so happy.
50:01And so I was like, oh, that's how you get freedom is to do be on stage, you know. So so I I just followed her. And then I think, you know, by the time I was about 30 is when I started to think I'm not sure that I really want to do this. And I think winning the Oscar was, you know, as I mean, it's probably much different when you are a grown up, really. and you win and you know who you are and you have struggled. But I think I felt very exposed and like that the energetic force of everybody like looking at me and talking about me was a lot. Right. It didn't feel. You weren't comforted. No, I wasn't.
50:44You didn't feel like people were like, you know, championing you. No. Oh, gosh, that's tough. No, I didn't at all. That is really, really tough. Yeah. No. But when you won. When I was headed towards that direction, you felt. You can feel it. I really felt, you know, the pressure of, especially the people from my side, from our part of the world, whether it's in America, in Europe, and especially in Asia, that hunger. Right. And it was tough because people would come out and say, you can do this. You have to do this. Right. Because you're representing a whole race of people. But it's not up to me.
51:25I mean, people still, like, just the other day they said, you knew you were going to win, right? I'm like, no. You didn't, even after winning all the other stuff? Because I only literally won SAG. Right. But I didn't, it wasn't a lot of others. I thought you won. I won Golden Globes. Yeah, Golden Globes. But then we were separated. You know when Golden Globes is like drama and musical and comedy? Oh, of course, right. Then you don't feel, you feel a lot more, oh, there's room to play with. You know, you keep your fingers crossed. Right. But I think it was BAFTA that smacked us all in the head when, you know, nothing.
52:03It was just, I think we only won for editing. Oh. Yeah. So we all came like, oh, no, my God. Oh, my gosh. But I think my proudest moment was SAG. That, it was a complete surprise. I know I cussed and swore and did everything. It was perfect. It was perfect. It was amazing. And to think like, you know, to be the first one in that way is so moving and so powerful. It was. I think it changed the lives of so many youngsters who really felt we can do this, you know. Yes, and this is why representation is so important. When we fought so long and hard for it, so it was. I mean, I think at that point when I was sitting there and thinking, oh, no, if I don't win, how am I going to go home?
52:58I don't know how to walk into that room anymore. I remember seeing, like, was it videos of your mom and everyone at home? Like, I saw it on the news. Oh, my God, because my sister-in-law, you know, bless her. Because, you know, it was like my mom couldn't travel all that way here. And also I knew how difficult it would be. I wouldn't be able to look after her. And so then she organized. At first she said, oh, no, we'll have like 40 friends of her friends. And then the next thing I knew was like, what? You have how many hundred? What? There? And so can you imagine the time difference? What time was it there?
53:35They had to go at 6.30 in the morning. But they were so sporting. They dressed up. They were walking the red carpet. They were doing all that. And then at some point, as the night went up, and of course, ours have to be the second to last, right? Of course. And you're sitting there going, I remember at that point, just before that, I was thinking to myself, oh, Jamie had this thing. She would give us each a little gold ball. It started with the golden globes. And she said, okay, here, have this. And we're going like, what? She said, at least you will have the golden globe to go home with. So that became sort of our good luck charm.
54:18Right. You're passing it back and forth. Yes, and so she would give it all one. And at that point, my purse had dropped, my ball rolled out. Oh, no. Oh, no, you're right. And I was going like, where is my ball? It's not funny. At that point, and then I was thinking, oh, my God, if I lose, my mother is sitting there with like 400 people. I wouldn't know what to do. I seriously wouldn't know what to do. And then, of course, at this point, Jamie reaches across, because she's sitting. John was here, I was here, Jamie, and then Key. And both of them have their Oscars on the floor next to them. Right.
54:52And then she reached across and goes, and then Key went, I was like, what the hell does that mean? He's like, don't worry. Even if you lose, we still love you. I'm like, wow. Thank you, guys. I feel great. Oh, my God. And so do you remember what it felt like when they said your name? Who gave it to you? I can't remember who gave it. Halle Berry. Oh, Halle Berry. Yes. Amazing. Wow. Jessica, Halle, and myself. That's so great. And I have this amazing picture of us. Arm and arm, we walked off the stage holding each other, and it was just like the perfect combination. Amazing. You know when the names are called out?
55:29You're sitting there going, like, oh, God. Oh, that's so crazy. Yes. It's so crazy. I had like a total out of body experience. I thought I can't even be in this body right now. It's just too intense. It really is, right? Yeah. At that point. And all I remembered was Jean jumped up and was there. You know, everybody was hugging me. And you're like, then the thing is like, I have stage fright. What am I going to say? What am I going to say? What am I going to say? And Jamie was like, go on stage, go on stage. And the worst thing that happens is that you know how they have that teleprompter at the back?
56:02Yeah. And within a few seconds, he said, please wrap it up. Wrap it up. And it kept flashing faster. You're like, I'm the first fucking Asian woman to win Best X-Men. I'm staying up here. I'm really going to kick your ass, okay? If you do that one more time. I know martial arts. Take that down. I'm going to just leap across the heads and... Oh, my God. No, no, no. It was fun. And where is it? Where do you keep it? At the moment, it's traveled back to... It's in Geneva with Jean. Because we took it to Malaysia to be with my mom. It had a world tour. It has been. He's well-traveled. He's been all over the place.
56:41Yeah, so it's good. Now, Jean is like his baby. When you're traveling, he can sleep with your Oscar. He literally carries him around. He's so cute. That's so sweet. That's so proud and loving. Yeah, he's very, very proud. And how does it feel now, like that it's been almost a year? You know, sometimes it feels, it's still overwhelming. Yeah, yeah. It still is. I still haven't come to a point where I don't know what's happened. Sometimes you don't know what's happening and you go, oh, my God, it's a year. Because now very soon we're talking about the next Oscars. Yeah, yeah. Are you going to go and present?
57:20Oh, yeah. Yeah. That's great. Definitely. Can't wait to do that. Now I can sit back. when I watched them do the actors on actors. I know. It's like I had to go through all. No, but when you were there, I think first time doing it, it was scary. Yeah, yeah, yeah. It's crazy. Because you've not been down that path before. You don't really understand what's going on. But I had a great publicist in Liz, and the people from A24 were fantastic. So they really rallied around us. That's great. Because, you know, it was like, it's almost like a campaign. It's like a political campaign, right? It's unbelievable.
58:02And you go, what? You have to do this when? How? Is that all the things leading up to that? Yeah. And not to overdo this or overdo that and do enough and be, and you're so scared that you're going to say the wrong thing. And so it was like. It's intense. But so beautiful, so well-deserved, and it was so exciting to see. No, it was. It was overwhelming. It still is. I think there are moments, and the best part is like you see and you feel the joy, you know, when they come up to you and they congratulate you. You can see how really, really happy they are for you, and that's really nice. And I'm sad you didn't have the same experience when, you know, because like right now I feel that it's like it was so important that I did.
58:55And in a way they felt like you did this for us. Yeah. So, you know, we're here for you. That's amazing. So, yeah, it is amazing. That's amazing. And what, just as our last question, what are you looking forward to in 2024? Oh, more new things to play with. Lots of acting. Yeah. I love what I do. I think you have to. This has to be a passion. If it's just a job, I don't think you'd enjoy it because the hours are crazy. Crazy. It's emotional. And I'm not a very good people person. I don't like crowd. I don't either. I like to be at home. Me too. So it is work on the other side when you have to go up.
59:40Energetically, yeah. Yeah. For sure. Yeah. Especially if you're more of an introverted person like I am. Right. So you know how it is an effort. Yeah, it is. You know, to go out there and I'm worse than small talk. Yeah. I don't want to go to the 40s. I don't know what to say. Well, I hope that it brings season two of The Brother's Son. Me too. Because there are so many. Because when we were talking about season one, we would, you know, because I love to work with backstories of the characters. It's like, how do they become the way they are right now? And then, you know, what happens to them, how they change and how they are forced to change or not.
1:00:23And this character, the two sons and the mother, and even the dad, right? That dynamic, the whole situation. Well, I hope we were trying to make Brad take us all to Taiwan. Yeah, that would be really good. That would be really fun. I'm going if you guys are going. We have to go. That's the best reason for doing season two. Exactly. That we all travel together. And dim sum every Sunday. Oh, that's Taiwanese food. It's really good. Michelle, thank you so much for being on the pod. Thank you. It's been so much fun. It's been amazing. You're so inspirational. Oh, thank you. Really. Truly, you really are.
1:01:02Thank you. And it's been an honor. Thank you so much for coming. Thank you for this privilege.
1:01:10Thanks for listening to my conversation with Michelle Yeoh. The Brother's Son is now on Netflix and it's a must watch. Thanks for tuning in. This has been a presentation of Cadence 13 Studios. I hope you'll listen, follow, rate, and review all of our episodes, which are available for free on Apple Podcasts, Spotify, Odyssey, or wherever you get your podcasts.
From the publisher
GP is joined today by actress Michelle Yeoh. They talked about Yeoh's beginnings as a ballet dancer in England, which unexpectedly led to her career in acting, and how she landed her first commercial with Jackie Chan. They talked about responsibility in family and why Yeoh decided early on in her career to step away from acting to prioritize her first marriage and how she feels about that decision now. Other highlights: how the pair felt winning their respective Oscar awards at very different stages in their lives, maintaining friendships with exes, what it was like for Yeoh to work with GP’s husband on The Brothers Sun, and what they order at dim sum.
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