In short
BBC World Service interview with Mercury Prize–winning singer-songwriter Arlo Parks about her new album Ambiguous Desire, taking time away from touring, and writing music meant to feel timeless.
Guest backgrounds
Arlo Parks (real name Anae Mourinho), 25, half-Nigerian, quarter-Chadian, quarter-French; debuted in 2021; performed at Glastonbury twice; supported Harry Styles and Billie Eilish; has written for Beyoncé; lives in LA but spends time in London, Paris, and New York.
Key claims
She paused to “reclaim normality,” be an audience again, and write more intuitively; she aims to make music that “lasts” rather than chasing stadium-scale popularity; repetition in songs mirrors cyclical thoughts and fixation.
Notable examples
“Blue Disco” draws on Low, Cocteau Twins, and shoegaze tones; “Get Go” centers on crying on the dance floor; “Night Swimming” uses lyrical repetition to capture being caught in the moment; “Heaven” reflects accepting fleeting joy.
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Chapters
Tap a time to open that second in VOExploring Life and Music in LA
4:05 to 6:06
Arlo Parks shares her experiences of living in LA and its impact on her music.
The Importance of Audience Experience
6:06 to 6:52
Arlo discusses the significance of being part of an audience and enjoying music.
“I'm sure somebody else has made this parallel, but you were doing that at the exact same time as Harry Styles was doing the same thing.”
Creative Process and Musical Influences
6:52 to 7:46
Arlo explains her songwriting process and the influences behind her music.
“how do you navigate a path where you're absorbing that music but adapting it to your aesthetic and your world in your songwriting?”
Nightlife Stories and Emotional Connections
7:46 to 10:40
Exploring the themes of nightlife and emotional experiences in Arlo's lyrics.
“That's right I love the lyrics to that song because I feel like I've been at that house party with you.”
Repetition in Song Lyrics
10:40 to 12:30
Arlo shares her thoughts on the use of repetition in her music and its significance.
“I feel like everyone's, as you say, everyone's guard is down.”
Arlo Parks' Growth and Confidence
13:14 to 14:00
Discussing the changes in Arlo's confidence and artistry after her break.
“Save big money on everything you need at Menards.”
The Journey Back: Arlo Parks' Return to Music
14:00 to 14:40
Arlo Parks discusses her personal growth and confidence after taking time off from music.
“And she was clearly relieved at the chance to take a break from that and have a regular human conversation.”
Timeless Music: The Desire for Lasting Impact
14:40 to 16:43
Arlo shares her thoughts on creating timeless music rather than pursuing commercial success.
The Influence of Architecture and Storytelling
16:43 to 18:13
Arlo discusses her interest in architecture and how it influences her creative process.
Exploring New Sounds and Writing
18:13 to 20:09
Arlo opens up about her recent explorations in music and writing lyrics.
“And then there's a point probably around Rave where everything just becomes a bit hedonistic and pop music takes its cue from that.”
Show all 13 chapters
Lyricism and Vulnerability in Music
20:09 to 22:17
They delve into the themes of vulnerability in Arlo's lyrics and their emotional impact.
Connecting Through Music: The Power of Shared Experiences
22:17 to 24:00
Arlo reflects on the importance of shared experiences in music and healing.
Excitement for the Upcoming Album Tour
24:00 to 25:17
Arlo expresses her excitement about sharing her new album with audiences on tour.
“Thank you for listening to The Interview.”
Transcript
Automatic transcript. May contain errors.0:00Mark Savage:This BBC podcast is supported by ads outside the UK.
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1:42Mark Savage:Hello, I'm Mark Savage, the BBC's music correspondent, and this is the interview from the BBC World Service. The best conversations coming out of the BBC. People shaping our world from all over the world. If you're not a little bit afraid, then you're not paying attention.
2:01Arlo Parks:We have never seen a people so united. Do not make that boat crossing. Do not make that journey. Being born in America, feeling American. Having people treat me like I'm not.
2:11Mark Savage:We're more popular than populism. For this interview, I met the Mercury Prize winning singer-songwriter Arlo Parks in East London. Born on the other side of the city, the half-Nigerian, quarter-Chadian and quarter-French artist, whose real name is Anae Mourinho, has enjoyed great success in her music career since her debut album was released in 2021. Having broken onto the music scene two years prior, Parks has performed twice at the Glastonbury Music Festival in England, supported the likes of Harry Styles and Billie Eilish on tour, and even written for Beyonce. say. It's been something of a whirlwind journey for the 25-year-old who's returned with a new album after taking some time out of the spotlight in order to reclaim some normality in her life.
2:58Arlo Parks:I knew that I wanted to take a little bit of time to pause and just really live. My life has always been really nomadic so even though I've been in LA for four years I still spend a lot of time in London and in Paris and in New York so it feels like you know I'm still getting different versions of life all the time I've definitely been in a like an exploratory phase again I've been going to a lot of like record shops as I've been traveling and kind of collecting collecting records that I haven't really heard of you know I'm a music fan above everything and because I was spending so much time on the road I had less time to go to shows go to DJ sets like be lost in the crowd and experience that sense of like anonymity and being carried away by, you know, other people's enjoyment and experiences of the music.
3:48Arlo Parks:So it was nice to kind of be, yeah, like nestled in the middle of things rather than being on stage, you know, performing. And that just put me in a more kind of free and confident time in my life. So, yeah, it was really formative.
4:04Mark Savage:Welcome to The Interview from the BBC World Service with Arlo Parks. You live in LA now, right? so how has that affected like family relationships your day-to-day life what's what's the change been like because I imagine LA is very different to Hammersmith right yeah it is very different I mean
4:22Arlo Parks:you know what my life has always been really nomadic so even though I've been in LA for four years I still spend a lot of time in London and in Paris and in New York so it feels like you know I'm still getting different versions of life all the time even though I'm based there but I really enjoy the pace of life I really enjoy nature and the ocean and sun I like having space to write and like you know even like the large open roads and being in the car and journeying that in those late night drives inspired a lot of like some of the production choices on the record and I built up such a nice community out there I think of people who like I some for some in some way I always managed to find like the outsiders and like the weird kids in the music industry you know like we all band together we find each other somehow and I found that little like isn't everybody
5:18Mark Savage:in the music industry technically an outsider like you don't get into it if you're the cool kid
5:22Arlo Parks:because you don't have anything to write about it that is true that's true touche mark I love that
5:29Mark Savage:um tell me a bit about that time off at the end of the last tour and got back into real life I
5:36Arlo Parks:guess after quite a whirlwind five years yeah exactly so you know I knew that I wanted to take a little bit of time to pause and just really live and I ended up spending a lot more time in like nocturnal spaces and club spaces and connecting more with like my sense of movement and kind of getting out of my head and more into my body and that gave me a more kind of intuitive production process and also just put me in a more kind of free and confident um time in my life so So yeah, it was really formative.
6:06Mark Savage:I'm sure somebody else has made this parallel, but you were doing that at the exact same time as Harry Styles was doing the same thing. And he said in one of his interviews, I thought this was really interesting, that he needed to step away from being on the stage side of enjoying music and feel what it was like to be part of the audience again. Is that something you went through?
6:26Arlo Parks:Definitely, yeah. And I think, you know, I'm a music fan above everything. And because I was spending so much time on the road, I had less time to go to shows, be lost in the crowd and experience that sense of anonymity and being carried away by other people's enjoyment and experiences of the music. So it was nice to kind of be nestled in the middle of things rather than being on stage performing.
6:51Mark Savage:And when you take all of that back to the studio, how do you navigate a path where you're absorbing that music but adapting it to your aesthetic and your world in your songwriting?
7:04Arlo Parks:I mean I think my music has always kind of been a collage and I think I kind of take what intrigues me from different genres and different lyrics or moods kind of bring out different parts of that taste if that makes sense so on a song like Blue Disco for example I was listening to a lot of like Low and Cocteau Twins and Shoegaze music and I was like ah I love those tones the kind of fuzzy chorus-y guitar tone and I'd always loved that but then I wrote these lyrics that felt kind of nostalgic and specific and I was like okay I need to apply that little sliver of what I love to this song so I think the story very much informs like what sonic palette I bring to the music.
7:47Mark Savage:That's right I love the lyrics to that song because I feel like I've been at that house party with you. I love that. Are you the person do you host house parties
7:57Arlo Parks:or do you are you yeah i am i'm the host because i love to cook and i love to dj so sometimes i'll just like put my decks on my living room table and just do a little set for my friends i love it that's really cool what do you cook uh honestly a bit of everything i do a really nice roast chicken uh i love doing like a spread of like tacos for everyone and salads and just going to the
8:19Mark Savage:farmer's market and making things up that's very cool are you so you're good enough confident enough that you can just like open a cupboard and freestyle that's yeah yeah yeah no it took
8:30Arlo Parks:me a while but I was like I want to get good at this that was part of my my journey I think
8:34Mark Savage:clubbing and cooking clubbing and cooking because when you're coming down you need to eat you need to eat it's true you need to eat yes what's your what's your best chef's hangover cure oh that's
8:45Arlo Parks:a good question I feel like a proper like English breakfast that will like get me that will get me right in the morning.
8:52Mark Savage:What's your standpoint on Black Pudding?
8:55Arlo Parks:Oh it's gonna be a no from me.
8:57Mark Savage:It's a no from me as well but people are very funny about it some people wouldn't eat a cook breakfast like one.
9:02Arlo Parks:I know I can't I just can't.
9:04Mark Savage:Just knowing what's in it.
9:05Arlo Parks:I know exactly just knowing just knowing.
9:09Mark Savage:That kind of specificity what I love about the album is that it is about exploring nightlife you've got all aspects of life in there meeting someone who's just broken up with their boyfriend that kind of classic crying in the toilets thing and helping them through that and that feels really real what were the stories that influenced you lyric wise
9:32Arlo Parks:when you were writing yeah there were lots of different stories I think as you say like on get go one of the songs was yeah about kind of like crying on the dance floor and that space being a place for kind of healing and like crying in public and everyone kind of trying to release or move through things um and there was a friend of mine who was doing just that and I you know had just broken up with her boyfriend and I was like let's just go dancing let's just like be flooded with loud music and you can cry and we can just release this um and then you know the story of like me falling in love with my now partner and like experiencing that sense of falling in love deeply with someone as you're falling in love with the these club spaces and feeling a sense of belonging with this person and in a community.
10:18Arlo Parks:So it was very much bringing like these little vignettes to life that I'd really lived.
10:24Mark Savage:That's what's amazing, isn't it? Because I think if you go to a concert or a theatre event or a gallery, you don't get that connection with people that you do at a club. And maybe that's just because of the length of time you're there and maybe people's barriers are down.
10:39Arlo Parks:Definitely. I feel like everyone's, as you say, everyone's guard is down. And I think everyone's kind of equally vulnerable in a way. Like there's something, you know, it feels quite like democratized almost. Like we're all kind of on this dance floor, on the same level, experiencing the same music in this space. And there's something about those spaces that feels magic in that way. All those little snippets of conversation and like fleeting, really intense connections sometimes.
11:06Mark Savage:And there was something I noticed on a couple of times on Beams and Night Swimming is that the lyrics repeat more than they do on your previous records. And I wondered if that was just encapsulating that feeling of being caught in the moment. I think you literally say that on Night Swimming, don't you?
11:24Arlo Parks:yeah it is about being caught in the moment and I think a lot of those two particular songs as well I wanted the repetition to kind of almost mirror like these cyclical thoughts that kind of like either it's like a spiral or like a fixation or when you get kind of locked on to one specific feeling or you're trying to almost freeze the moment by reminding yourself of how it felt again and again and again so I wanted to use repetition as like a tool in that way um and you've got to
11:53Mark Savage:like in the past play your songs in front of these huge crowds with Billy and Harry and people like that do you have ambitions to bring this music to that scale can you see it being played in the
12:04Arlo Parks:stadium wow I mean I think I would it's interesting because my instinct is to say yes that I would love to do that but I think maybe it would be in the similar context of like somebody in the same way that Harry is like bringing smaller artists and allowing them to showcase music that might be a little bit more kind of niche or weirder on this massive scale. I would love to do something like that again.
12:34Mark Savage:You're listening to The Interview from the BBC World Service.
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13:47Mark Savage:I met the singer-songwriter Arlo Parks at her record company offices in East London. She'd spent the whole morning signing copies of her latest album, Ambiguous Desire, with these big, looping black ink marks. And she was clearly relieved at the chance to take a break from that and have a regular human conversation. Now, we've chatted several times over the years, ever since she broke out with big emotional songs like Black Dog and Eugene at the start of the 2020s. And one thing you notice is that she's one of those musicians whose speaking voice is almost exactly the same as the one you hear on record.
14:23Mark Savage:It's gentle and soulful and conversational. But I did notice a little change. Arlo is more confident, more assured. A sign that taking time off between her second and third albums has allowed her to grow not just as an artist, but as a human being. OK, let's return to my conversation with Arlo Parks. having taken that time off uh which obviously sounds like it was crucial like in so many ways did you have any fears about coming back were you worried that people you know people do
14:55Arlo Parks:think am I going to be forgotten about I mean there is always that feeling you know especially I think in a period of time where there's a lot of kind of generation like generating content and being prolific and being kind of consistently there and putting yourself out there all the time is kind of the you know sphere that we live in in a way but I also was thinking a lot about you know artists that I really looked up to even in recent years making these records that then became timeless and generational because you can feel the time that the music has had to percolate and I was like I want that I don't necessarily want it to be the most giant album of all time and you know be selling out stadiums I want something that lasts and that feels timeless and thoughtful so when I had that in my mind as the goal it made me feel able to trust the process and trust the choice I had made to take more time yeah and I think there's something um
15:54Mark Savage:quite wise about choosing that path because I think aiming for I mean your first album won the mercury prize if you're aiming for that every time that's a dead end right yeah i mean it's just
16:07Arlo Parks:impossible i think and my favorite artists even thinking about like radiohead or bjork like there's the fan favorites there's the ones that are more you know commercially well received and there's the critics favorite and then there's the one like 30 years later everyone's like it was a masterpiece so i think i'm kind of content to have the ebbs and flows and you know popularity or whatever it might be because I know I want to make albums forever yeah that's very cool and I like
16:35Mark Savage:I like that you went away and thought about it and like I read one interview where you said you'd literally done research like went and read books and I think I'm very studious just at heart and
16:49Arlo Parks:you know I was reading a lot of books about architecture and even about cinematography and the way that certain films and certain scripts came together just studying storytelling in spaces and people and that's just where I feel most at home like just buried in my books and just being meticulous I just like working that way were you always a good student yeah always was
17:11Mark Savage:it's true it's true I was always like very did you keep your old school essays my god I feel like my mum probably has them somewhere well you see I thought that and she threw them out so be
17:22Arlo Parks:careful be careful that's funny I need to ask her maybe they are in the bin who knows have you got
17:29Mark Savage:any ideas of what your next kind of obsession is going to be in terms of I mean I guess architecture is endless really isn't it once you start thinking about it yeah I don't know what
17:41Arlo Parks:it's going to be I mean I was reading this Roland Barthes article that he wrote like in the late 70s about this this um club in uh Paris called Le Palais or something like that and he was just saying that he didn't really have interest in spaces without people in them and I think that's kind of how I feel about architecture it's like I'm interested in spaces that bring people together and that build communities and I'm also interested in kind of non-normative or more like transient spaces you know like where like Manchester Warehouse Project vibe things that like appear and disappear and change so something in that world yeah it's cool and I do think
18:20Mark Savage:it's something that pop music in particular used to have like if you look at the 80s and bands like OMD and the Human League, that they are all studying, like, sometimes academic texts and turning that into music. And then there's a point probably around Rave where everything just becomes a bit hedonistic and pop music takes its cue from that. But I love that you're doing this. And even the BTS album, which came out today, like, that's all rooted into... Yeah, it's actually really good. But, like, it's rooted in... They did a lot of deep diving back into Korean folk culture. and I mean it's not particularly apparent in the music but you can kind of hear that they're trying to connect the dots between in the opening song in particular it samples the first known recording of Korean voices which was made in America in 1896.
19:13Arlo Parks:That's amazing. I love that. I love an artist like that group of artists like probably the biggest one of the biggest on the planet paying homage to something like that is really exciting. And even, you know, with the Harry Styles record and everything, I think people are becoming like, bring the studies back. Yeah. Bring the like nerdiness and the detail oriented people back to the front of pop music.
19:38Mark Savage:That's true. What else is exciting you musically?
19:42Arlo Parks:In terms of like other artists that I'm loving. Yeah.
19:45Mark Savage:Or other sounds or?
19:46Arlo Parks:Other sounds. Well, I've been, I've definitely been in a like an exploratory phase again. I've been going to a lot of like record shops as I've been traveling and kind of collecting collecting records that I haven't really heard of and also just going back to writing to be honest I've been listening to a lot of ambient music and just writing again.
20:07Mark Savage:Writing lyrics or writing?
20:08Arlo Parks:Just write it starts with just writing like it's either like stream of consciousnesses or short essays or things that might be scenes in a film like it can just it can be anything
20:18Mark Savage:but I'm just in my collector mode again which I love that's very cool is there a lyric on this album that you're particularly proud of oh probably the lyric on heaven whereas like when I catch a
20:32Arlo Parks:glimpse of heaven I know I can't take it with me and maybe knowing that is closure and that's that sense of you know when I feel am I most joyful my most euphoric and I feel like I've seen heaven for a moment then there is this thing that happens straight after i'm like i wish i could feel that way for longer or i wish i could feel that way forever or this moment's gonna end and i think almost accepting that these things are fleeting and that that's beautiful in itself is a kind of closure and it's something that took me a long time to figure out and be able to embody yeah that is beautiful i'm glad you chose something positive because the one that sticks out to me every time i
21:09Mark Savage:since the album is, my oldest pain became something you resent, which, God, I recognise that feeling, but that's devastating.
21:18Arlo Parks:Yeah, definitely. And I mean, that whole song in itself is, you know, a reflection on the idea that when you are with somebody, you are at your most vulnerable and you're most hurt and, you know, the parts of you that are the ones that you feel most ashamed of or the ugliest parts of you that we all have are kind of on display in these vulnerable moments and then to have that not be held gently or to be made to feel bad about that is like the most crushing heartbreak you know but it was important for me to take that feeling and turn it into something that I could then share and that you know we could all sing together at shows and like find our own little version of healing
21:57Mark Savage:like in the community yeah I don't know it's a cliche but knowing that somebody else has been through it generally genuinely helps people it really helps yeah it really helps have you got a song that's done that for you oh that's a good question i think hmm there are so many i'm trying
22:17Arlo Parks:to pinpoint one i mean i'm thinking of um i'm thinking of the song twilight by elliot smith and like that I think it's weirdly that first line that really captures maybe it's the way that I see the world maybe it's how I feel but like I haven't laughed this hard in a long time I better stop now before I start crying and like that sense of the way that just being a highly sensitive person and the way that you know emotions kind of weave and intermesh and I think there's something about his spirit though that I have always felt so connected to it's like such desperately sad music but like there's something really uplifting to me about it somehow yeah I think a lot of people feel that
23:04Mark Savage:connection with your music as well though I mean I know people talked about Black Dog a lot when that came out and how that spoke to something they felt but even you know the happier songs I feel express something universal and particularly on this record and that's a real that's that's hard to do that's to tap into the collective psyche it is difficult because and you never
23:30Arlo Parks:really know if it is going to connect in that way because i think for me and you can't write it no you can't no you really can't and i think that the songs that do connect the most universally are the ones that feel quite specific and about like one lived moment or experience that people are able to like put themselves into or have experienced a version of it but it's rarely just about like sometimes we feel happy sometimes we feel sad you know it's like not kind of universal in that way what uh are you looking forward to the most with the album tour coming up a whole year of excitement around this music i think just like seeing the many lives that the album is going to take like these stories have been mine for so long and my favorite part is just sharing it and seeing how it how it is in the world you know i weirdly can't believe that like only me and like a small pocket of people even heard it so i think hearing people sing the words back at shows um being able to like take on other creative projects as i go along djing more bringing people together
24:39Mark Savage:just seeing how the album lives out there this is a superb album i listened to it twice on the way here because I came from your old haunting ground in West London. It's been on on the stereo all week. It sounds great on headphones. It sounds great on speakers. It sounds great in the car. You must be really pleased.
24:56Arlo Parks:I feel really excited, you know, and I think just being able to have the time, you know, it's been almost like three years of labour and just to really dial in the production and make sure that every song kind of has its place and feels essential to me and also in the context of the record. I'm just super excited.
25:16Mark Savage:Thank you for listening to The Interview. You'll find more in-depth conversations on The Interview wherever you get your BBC podcasts, including episodes with Artemis II astronaut Jeremy Hansen, the artist Tracey Emin and director Chloe Zhao. Until the next time, goodbye for now.
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26:29Mark Savage:Owens Corning shingles offer ultimate protection and impressive curb appeal. Choose from 26 colors of Owens Corning Duration shingles and transform your home today. Shop our selection of roofing products on Menards.com. Plus, check out our weekly flyer and find plenty of great deals happening now. Save big money at Menards.
From the publisher
“I don't necessarily want it to be the most giant album of all time and be selling out stadiums. I want something that lasts and that feels timeless and thoughtful.”
Mark Savage speaks to Mercury Prize-winning singer-songwriter Arlo Parks about her life and music career.
Born in London, the half Nigerian, quarter Chadian and quarter French artist, real name Anaïs Marinho, has enjoyed great success in her music career since her debut album was released in 2021.
Having broken onto the music scene two years prior, Parks has performed twice at the Glastonbury music festival in England, supported the likes of Harry Styles and Billie Eilish on tour, and even written for Beyoncé.
It’s been something of a whirlwind journey for the 25-year-old, who has returned with a new album after taking some time out of the spotlight in order to reclaim some normality in her life. The Interview brings you conversations with people shaping our world, from all over the world. The best interviews from the BBC, including episodes with director Guillermo del Toro, author Azar Nafisi and actor Arden Cho. You can listen on the BBC World Service on Mondays, Wednesdays and Fridays at 0800 GMT. Or you can listen to The Interview as a podcast, out three times a week on BBC Sounds or wherever you get your podcasts.
Presenter: Mark Savage Producer: Ben Cooper Editor: Damon Rose
Get in touch with us on email TheInterview@bbc.co.uk and use the hashtag #TheInterviewBBC on social media.
(Image: Arlo Parks Credit: Todd Owyoung/NBC via Getty Images)
