Comedy, Horror, and NYC Real Estate: The Feature Film | Sally Struthers & Allan Piper

23 May 2023 · 53 min

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Podcast Episode Notes: The James Altucher Show - Comedy, Horror, and NYC Real Estate: The Feature Film | Sally Struthers & Allan Piper

Episode Overview In this episode of *The James Altucher Show*, James interviews iconic actress Sally Struthers and director Allan Piper about their new horror film, *eVil Sublet*, which recently won Best Feature at the Coney Island Film Festival. The conversation covers the film's unique production circumstances during the pandemic, Struthers’ legendary career, and insights into the horror genre.

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Key Themes and Discussions

  1. Film Production During the Pandemic
  2. *eVil Sublet* was filmed in Allan Piper's apartment and a storage unit during the height of COVID-19.
  3. The film reflects the lengths New Yorkers will go to find affordable housing amidst the pandemic's challenges.
  4. Allan Piper highlighted the communal spirit of New Yorkers during the pandemic, exemplified by local businesses donating to hospitals.
  1. Sally Struthers’ Career Insights
  2. Struthers reflected on her early career, including her time on *All in the Family*, and the challenges she faced.
  3. Discussed her deep admiration for Norman Lear and how his decision-making influenced the longevity of *All in the Family*.
  4. The emotional impact of being taken off the air after the show ended, leading to a period of depression, which she overcame by focusing on her family.
  1. The Horror Comedy Genre
  2. The film combines horror and comedy, seeking to relate to the audience through personal and relatable stories, which is key to evoking fear.
  3. Allan Piper discussed what makes a good horror movie: shock and humor, particularly in the context of relatable struggles like the housing crisis in New York City.
  4. The challenges of scaring audiences desensitized to horror were explored, emphasizing the need for originality and humor.
  1. Character and Story Development
  2. Struthers plays a character living in a storage unit, showcasing the extremes people go through in NYC for affordable housing.
  3. Allan shared the inspiration for the film’s story, including real-life experiences and paranormal elements from his apartment.
  1. Political Insight and Campaign Experience
  2. Allan Piper also shared insights from his experiences on presidential campaigns, particularly the 2016 Hillary Clinton campaign and factors that influenced its outcome.
  3. Discussed the implications of the Electoral College and the growing movement for a National Popular Vote Interstate Compact.

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Key Takeaways

  • Resilience in the Arts: The episode chronicles the resilience of artists and filmmakers during challenging times, as seen in the production of *eVil Sublet*.
  • Cultural Commentary: The discussion connects the film's narrative to broader societal issues, like affordability and the housing crisis in New York City.
  • Collaboration and Friendship: The strong bond between Struthers and Piper showcases the collaborative nature of filmmaking and the importance of supportive relationships in creative endeavors.

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Conclusion This episode of *The James Altucher Show* provides a rich tapestry of insights into the intersection of horror, comedy, and real-life challenges faced by residents of New York City. Sally Struthers and Allan Piper's stories reflect a blend of personal and professional experiences that resonate deeply with listeners, combining artistry with social commentary.

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Resources

  • Watch *eVil Sublet*: Check social media and the film’s website for distribution updates.
  • Further Reading: Explore more about the National Popular Vote Interstate Compact and electoral reform discussions.

For more information on the podcast and upcoming episodes, visit [The James Altucher Show](https://jamesaltucher.com/podcast).

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Transcript

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0:00Look, as a manager of people, as an employer, an entrepreneur, and as an entrepreneur, and as an investor, and as an investor, I can tell you the most important is the quality of people. you hire. The best part is that great candidates are already on LinkedIn. Employees hired through LinkedIn are 30 % more likely to stick around for at least a year compared to those hired through the leading competitor. And I will tell you that the great thing about LinkedIn is that you're not just looking at random people. You're able to see the people who your friends and trusted peers and colleagues who they trust and who they've hired in the past and who they recommend.

0:42And hiring doesn't have to be complicated. Realistically, when you have a business to run, you don't want to spend hours on hiring. You want to hire the right person as quickly as possible. That's why LinkedIn Jobs AI Assistant suggests immediately 25 great big candidates daily so you can invite them to apply and keep things moving. Hire right the first time. Post your job for free at linkedin.com slash altature. then promote it to use LinkedIn Jobs' new AI assistant, making it easier and faster to find the top candidates. That's LinkedIn.com slash Altachirk. Post your job for free. Terms and conditions apply.

1:26Sally Struthers, the actress who played Gloria in All in the Family, All in the Family, if you don't know, was one of the most iconic TV shows of all time. it ran for nine seasons and then it had spin-off after spin-off after spin-off the jeffersons mod gloria archie bunker's place and on and on was done by norman lear who's 100 years old but on this podcast today we have sally struthers who played gloria in all in the family and gloria in the tv show gloria and we also have alan piper who wrote and directed the horror film evil sublet soon to be in theaters and homes everywhere. Just won Best Feature Film at the Coney Island Film Festival, Evil Sublet.

2:10And Alan Piper also was involved in various presidential elections. So I asked him some questions about that. Like he was on the rapid response team for Hillary Clinton. I asked him, what did Hillary do wrong in 2016? And Sally Struthers had some interesting things to say about Norman Lear and her career and what the most depressing point in her career was and how she came back from it. It was very beautiful. So here's Sally Struthers and Alan Piper about their new film, Evil Sublet.

2:41This isn't your average business podcast, and he's not your average host. This is the James Altucher Show.

2:57Thank you guys for coming on the podcast. Sally, it's an honor. I've been a huge fan since I've been a kid. I saw probably every episode of All in the Family. Alan, I've been researching you as part of the research for Evil Sublet and this podcast. How are you two doing? Oh, it's a great day here in New York. We miss you in New York. Well, I do miss New York, actually. My daughters live there. My family lives there. New York City is a very special place. You have daughters? I have two daughters, yeah. They're both living in Brooklyn. Where in Brooklyn and how old are they? 20 and 24. And they kind of live in, I don't know, one of the new Williamsburg-ish hip areas.

3:41They're trying to be hip, but they love it. They love New York City and they love working there. And I lived there for 30 years. So, you know, I miss it. And I miss them when I'm not around them. I'm sure. Congratulations, by the way, Evil Sublet winning Best Feature Film at the Coney Island Film Festival. How did that feel? Oh, that felt wonderful. It was very important to us that we screen at the Coney Island Film Festival. This movie is a very New Yorkie film, and that's something that I'm very proud of. I think even though New York is such an important media capital, New York is really not well represented in media.

4:20Most films and TV shows that are set in New York are actually filmed somewhere else. and I wanted to make a movie that really captured New York. And we did it at a time that was obviously one of the most painful times in New York's history because we were all set to shoot the whole movie in March and April of 2020. Sally had, we had her ticket booked to come out for her scenes. And of course we had to put everything on hold. And at a time when some people were giving up on New York, I really got to see New Yorkers pulling together. And I particularly saw that in Coney Island. We were invited to film in Dino's Wonder Wheel Park before things got shut down.

5:08And in 2020, Dino's Wonder Wheel Park was going to be celebrating the 100th anniversary of the Wonder Wheel. And of course, it was shut down for the whole season. And instead of using their 3D printer to make the celebratory items that they were going to make. They made face shields that they distributed to the hospitals in the area. Coney Island was one of the neighborhoods that was hardest hit, both in terms of the death toll and financially. And Dino's Wonder Wheel Amusement Park and the various businesses in Coney Island and Coney Island, USA, really played an active role in supporting the community.

5:48So we had the opportunity to show at a festival that they was saying that they would, you know, that they'd be able to get much more press for us. But they said, but you have to, you can't show anywhere else first. And there was no way we were not going to show this movie in the beautiful mythical playground that is Coney Island. And so I'm just absolutely thrilled that we premiered the movie there and that it won best feature. So when did you shoot it if you couldn't shoot it in 2020? So we came up with some creative solutions. The movie stars my wife, Jennifer Lee Houston. She's amazing. She's amazing.

6:27She's amazing. She's amazing. She should be on this podcast, not me. I have a teeny tiny cameo in this darling film. But Alan's wife, Jennifer Lee Houston, carries the whole film on her back brilliantly. She's everything and then some. Go ahead. I'm sorry, Alan. Well, we figured out some ways to shoot with just her in our actually haunted apartment during quarantine and SAG said, well, you know, that's okay. You're locked up in there anyway, so that's fine. And then we filmed the rest of the movie in 2021 under SAG's COVID safety protocols. And I'm very proud that there were no, we ran a very careful set and there were no infections on the set.

7:11And I was, that's one of the reminders of what's great about having a good union is that SAG provided excellent details about steps that we could take to ensure that everyone was safe. And so I was glad to be able to do that. And how did you two meet? Alan and his wife, Jen, and I, it's your dear friends. They had a party. You were there. Who was that? Pat Dwyer and Stephen Mosier, who play some of the leading roles in this movie, had a party and Sally was there and we became friends and then had the amazingly good fortune of being able to coax her into playing a key role in this film. I worked with a wonderful actress, Leslie Alexander, in a musical called Nice Work If You Can Get It about, I don't know, six years ago in Ogunquit, Maine.

8:03And we've remained friends ever since. And I was visiting New York and I was sleeping on her fold-out sofa in her living room. And she said, why don't you come to a party with me tonight? And she told me about the two guys whose place it was. And I don't even know how she knows them. But she said, it's not going to be crowded, but there's going to be some really interesting people there. My good friends, Alan Piper and his wife, Jen Houston, will be there. And I think you'll really like them. We became, from that night forward, close, tight, wonderful friends. Jen and Alan are both so multi-talented in so many arenas that they just blow my mind.

8:40because I only do one thing and that's perform and I can't do anything else. I don't even know how to type. Jen runs a baking company and, well, she does a myriad of things. Alan will tell you all she does. And Alan is on television reporting the news as well as writing, filming, directing, and editing a movie. I mean, there's nothing Alan can't do. And it comes from a very creative mother who lives in Boston, who is an incredible portrait artist. and I don't know. There's just art all around. I'm just tagging along for the ride. And the movie is about, it's called Evil Sublet. It's about basically a sublet.

9:21It was even apparently advertised as evil and the main character feels like, oh, that must stand for East Village. And there's all sorts of horrible and horrific things that happen in this apartment. What makes, because I have no idea, what makes a good horror story slash movie? Like, how do you scare people who are kind of immune to being scared? They've seen everything. They've seen every horror movie. Well, I think for me, what always makes a horror movie work is the personal, relatable aspect. Ours is a horror comedy. There are gross, shocking moments that people who are looking for that will enjoy, but there is also a lot of laughs.

10:05but I think a lot of people, we have an affordable housing crisis in America, especially in New York. I think a lot of people can relate to the idea that people are willing to put up with a lot of strange things in order to get an affordable apartment. And certainly in New York, that is the case. Yeah, so this apartment's, correct me if I'm wrong, the apartment in the movie is a three-bedroom apartment for$2 ,000 a month, which in New York City, just in case nobody realizes this outside of New York, that's impossible. You will, I don't think you would ever see that right now in New York City, a three bedroom apartment for 2000 a month.

10:45So as one of the characters says, when they're being shown through the apartment, what's wrong with it? Because it's too good to be true. And our actual apartment, which I wish, I wish it actually were that cheap, but it is, it is still, we, we get this apartment for, for, I think a lot less than a lot of New Yorkers would expect to. And part of it is because weird things really do happen here. I tend to, you know, I try to be a scientifically minded person, so I don't say, oh, it's ghosts. But I will say very strange things happen here. My wife has felt a cold hand grab her in the night. She's heard voices shouting at her.

11:25And then you ran away really quickly, so she didn't see it was you. It was not me. And we've had some of the strange things that have happened. We actually managed to catch on camera and edit into the movie. Like what? So a lot of the things that happen in the movie are recreations of things that really happen here. So there's a moment when an object fell off a shelf on its own, which happens a lot. And there are all sorts of reasons why that could happen. Maybe a subway is passing underneath. I don't know. But so we did this scene where my wife's character comes in. she finds an object she finds a picture frame that has fallen off a shelf it is shattered on the ground and it's just lying there and it wasn't until i was actually editing the scene that i saw that while she wasn't looking at it it and we placed it there it hadn't actually fallen we placed it on the floor just nice and solidly on the floor and it just started moving for no reason that I can particularly explain.

12:28So that was one instance of something. I didn't even know we captured that until I was editing the scene. Again, I'm not a paranormal expert. I'm not going to say it was a ghost moving it, but I will say I have no idea why it was moving. How old is this building that you and Jen live in? It was built in 1851. Wow. There's bound to be paranormal activity. Can you imagine all the people that probably passed away in there, had terrible fights? Maybe somebody was even murdered. Yeah. I mean, that's pretty old, even for New York City. Like, where do you live? In the East Village. In the East Village?

13:06Actually, in the E-Ville. Yes, the East Village. Like, what was around in the East Village in 1850? Because, like, Tribeca was the area where a lot of people lived in the early 1800s, and they worked in sort of the Wall Street area, but Tribeca was where they lived. and then places like the Upper West Side were considered almost like suburbs. Yeah, this neighborhood has gone through so many iterations over time. It was a German neighborhood at one point. It's often taken on an ethnic immigrant identity and at different points in history, that's different identities, whether it's a German neighborhood, an Irish neighborhood, a Jewish neighborhood.

13:48It is still large parts of this neighborhood are Ukrainian families live here, but it is increasingly becoming it's it's increasingly shifting and it always shifts. And that's the nature of New York. I mean, Sally, you're very familiar with New York. All in the family, the show you're in for an infinite number of years, it seems, was was shot in Astoria or at least. No, no, just the outside of the house was shut for the opening credits. We made All in the Family at the CBS studios in Los Angeles. Okay, but the house that Archie Bunker and you live in is set in Astoria. Yes, apparently. In Queens, in New York.

14:30I've never seen it, but I've certainly seen that opening credit thousands of times. Yeah. You know, I'm a West Coast gal. I was born and raised in Portland, Oregon, and then came down to California to go to college and have been here since. But in the last 30 years, I've barely been here. I'm a homeowner, but I call it my vacation home because I only see it about seven, eight weeks a year. I'm always on the road, not traveling, but I mean, away from home, living out of a suitcase, doing a play or a musical. And every once in a while, a tour. But when I'm in New York and I ask somebody where something is, they laugh at me because they think I'm being funny.

15:08They think I'm a New Yorker. They think I either made all in the family there or that I live there. And neither is true. And so I really don't know where things are in New York City and the surrounding areas that I'm always lost. And people don't seem to understand that. Well, I guess because, I mean, they shouldn't understand that because we buy into the mythology of television and movies that we're watching these things because we relate so much and we feel in our brains like these are really occurring. Like I'm really watching this family argue about racial issues and social issues. And with this, you know, Carol O 'Connor, who plays Archie Bunker, has such this New York accent.

15:52And, you know, it feels very real. You know, I grew up on All in the Family and all the spinoffs, you know, the Jeffersons and so on. And Archie Bunker's plays Gloria. You play Gloria. Maud. Good Time. Was Good Times a spinoff of All in the Family? No, but Norman Lear was grinding these out right and left all at the same time. And so I'm just curious, like, I feel like there aren't shows anymore like Good Times and All in the Family. Like Good Times really felt the grittiness, you know, that part of New York City and that family. And you just don't, everything feels so fake now compared to shows like that.

16:33I don't know, James. You know, just like fashion, humor and filmmaking and everything morphs. For a couple of years, men wear wider ties and their lapels are wider on their suits or they're narrower. and their shirt styles are different. And then, you know, seven years later, that's all out and a new look is in. And the same with women's hemlines. They're above your knee, they're at your knee, they're below your knee, they're mini, they're maxi. Entertainment morphs too. And you never know, you know, what's coming down the pike. But All in the Family took quite a while to get on the air. It was made first two years in a row a pilot by ABC.

17:16And each year they were too nervous to put it on the air and just shelved that pilot, you know, in a back closet. And then they would take it out and dust it off and say, no, we can't put this on. And it was the new president of CBS that finally eventually put it on the air. So by the time that happened, Rob Reiner and I were the third set of kids. There had been two Mikes and two Glorias before us. Oh, really? And I heard you were nervous, maybe is the wrong word, but I heard you thought maybe Penny Marshall was going to be cast as Gloria. Well, she was one of the four girls, I'll say girls, young women, that it was narrowed down to third time around.

17:53Rob Reiner had already been cast as Mike Stivick, Archie's son-in-law, and Carol O 'Connor and Jean Stapleton came part and parcel with the project. They were there from day one. So it was always Carol and Jean playing Archie and Edith. So when I went in to meet Norman Lear, and then he narrowed that group, I don't know how many young women he saw, 100, 200, and it was narrowed down to four to do the final audition. One of the four was Penny Marshall. And I knew Rob and I knew Penny. And I thought sitting in the outer office, well, the final audition is to go into that room over there and do improvisations with Rob Reiner in front of all these CBS executives and Norman Lear and his partner, Bud Yorkin.

18:36And Rob's obviously going to do better with Penny, either intentionally or unintentionally because they live together and he's going to marry her. and they have that rhythm going and that knowledge of each other, finishing each other's sentences. I don't stand a chance. So since I don't stand a chance, there's no reason they get nervous. So I'll just go in there and do what they asked me to do and leave. Well, I'm not getting this. And you know the end of that story. No, well, actually I don't because what happened in the audition? Well, I guess it went fine and I got a phone call that I got it and we were making them and we had eight in the can before it ever went on the air.

19:13and aired in January of 71, in those following weeks, it quickly rose to number one on television. And we were all in shock and awe and feeling our oats and trying to get adjusted to being on such a popular show. And I went on a break on camera blocking day over to Norman Lear, who was standing at the sidelines watching down on the soundstage. And I said, Norman, remember a couple of months back when when you were still auditioning and there were four of us left to buy for the part of Gloria and I said I was I really the funniest one that I get more laughs in that room than the other three gals and he said no I just I sat down with the writers and we decided if the show has goes on the air and stays on the air and has any longevity what are we going to get more storylines out of and great moments, having Gloria be her mama's girl or having her be a daddy's girl.

20:12And we decided since Archie Bunker was so controversial and there would be people who didn't appreciate his bigotry and his uneducated views, we had to soften him up. And the best way to soften him up would have his daughter be his soft spot. So we hired you because just like Gerald O 'Connor, you have blue eyes and a fat face. He didn't say that. He said that. Oh, he did. I swear on any Bible that's in my house. He did say that to me. He said that about my face to my face. And I just faded away into the background, licking my wounds. And, you know, Norman Lear is such an inspiration for the whole medium of television.

20:52Like he basically created the whole 70s of television, him and maybe a handful of others. But what do you learn from him in terms of telling a story? Like what was what was what was his secret of churning this out? You know what, James, I'd rather talk about anything else, mostly evil sublet, because I'm not a fan of Norman Lear's and we can end that subject right there. Can you say why you're not a fan? I've got a lot of reasons.

21:32Look, as a manager of people, as an employer, as an entrepreneur, and as even an investor in startups, I can tell you the most important thing for your business is the quality of the people you hire. The best part is that great candidates are already on LinkedIn. Employees hired through LinkedIn are 30 % more likely to stick around for at least a year compared to those hired through the leading competitor. And I will tell you that the great thing about LinkedIn is that you're not just looking at random people. You're able to see the people who your friends and trusted peers and colleagues, who they trust and who they've hired in the past and who they recommend.

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23:47Life and Annuity, Phoenix, Arizona.

23:52What was it like for you filming a horror film? I mean, I heard that you get scared in horror films, so did you get scared while filming this? I did not get scared at all because I was with people that I love, and my scenes were not scary except for the very last scene I'm in, which is about less than a minute long, and that's kind of how the film ends. But the other two scenes, my character is living in a storage unit. And they're not scary scenes. They're mostly exposition. And then the second big scene in the storage unit is a big reveal about my character and why these people are living in an evil sublet.

24:34And it was fast and furious because when you're on a limited budget, there's no time to do 17 takes and refine the moments. You've got to trust your actors. and Alan was directing and we were in a storage unit way, way out of the city somewhere and going as fast as we could to get these two scenes done. And there wasn't anything scary happening in the scenes. And Alan sent the film to my nephew to show to me and I watched it on my phone. I've never watched anything on my phone. I am not good with buttons. My nephew was just here a few minutes ago and got me set up on this Zoom telephone call because I don't know how to do anything.

25:22I don't type. I don't wear clothes with buttons. Buttons throw me off. So I thought, how am I going to watch this? It's so small and I'm so spoiled with a big TV screen and going to a movie house and seeing everything so large. And I was entranced. I was intrigued. I couldn't put my phone down. And when it was over, I was thrilled that I got to be in this movie because when you are a septuagenarian and you look back at your career and you say, is there anything I could have done better? Is there anything I haven't done that I would really like to do? Being in a horror film like Jamie Lee Curtis was on my list.

26:04I will just say, well, first of all, the scariest moment for me on this whole project was when I had sent the video to Sally, because I have such admiration, such deep admiration for Sally. And my goal was to try to make a movie that would be worthy of her involvement. And honestly, the fact that she likes it matters more to me than anything else that has happened with this movie or that will happen. Well, Alan, was it hard directing Sally? I mean, she's this icon of TV history. Well, and I'll tell you, that is something else. I was. I was hard to work with Alan. You can tell him. You were not.

26:50It is. Now, I've I've had the good fortune of of working with some some very high profile people. I worked on President Obama's campaign video team on his reelection campaign. I worked on the Hillary Clinton campaign and I was the senior politics producer for Now This for four years, which led me to interview interview everyone who was everyone. everyone actually except the incumbent who was running for president in, in 2020. So I have, I've, I don't get starstruck so much around important people, but this was the first time I was directing someone like Sally in a scripted scene that I had written.

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27:33I think everyone on set, it was the first day back after having put the whole film on hold for over a year because of COVID-19. And I think all of us were nervous just to be in a room with other people again and to have that first day be with an absolute icon of the American screen. I think a lot of us felt very intimidated going into that day. Sally was just such a joy to work with and put everyone at so much ease immediately that I think in some ways the positive attitude that Sally engendered on that first day of returning to shooting post-quarantine really set the mood for the entire rest of shooting the movie.

28:27And I think it really did carry over into keeping a positive and happy set throughout the whole process. Well, you talk about me like you and Jennifer Lee Houston, your wife, are ogres. And that I came in like little Miss Mary Sunshine with a straw hat and gloves and made everybody sing Getting to Know You. No, you set the mood on the set. You're highly intelligent, so you kind of scare me. and you know a lot about a lot, which makes me feel small, but you don't pontificate like my dead ex-husband. And I like saying my dead ex-husband. Is that evil? That is a little evil, but we'll forgive you.

29:11You're just a joy and a pleasure and you're enthusiastic like a 14-year-old boy. And then let's talk about your wife. She is hilarious and she is sarcastic and I love really intelligent sarcasm. And she is a high energy gal. I try to keep up with her when I'm around her, but I'm old enough to be her mother. So it's not easy. So you guys set the tone on the set. I just walked in and I think my one contribution to speaking of the set, which was a storage unit in a storage facility, was that I did say to you, Alan, because I'm a very literal human being. I said, if I live in here, I think that we need a bucket and a roll of toilet paper in the background to show that I really live in here.

30:00Because right now there's a chair and there's a lamp and there's some boxes. But you've got to, you know, human beings go to the bathroom. Sure enough, that's bucket and toilet paper is in the scene, too. And the shot of it got a big laugh in Coney Island. You know, that's a really good point. Like, Alan, why didn't you think that where is this person who lives in a storage unit going to go to the bathroom? Well, I'm glad that Sally thought of it. Yeah. I always wondered, like in Star Trek, where everybody went to the bathroom, because it didn't seem like anybody needed to go to the bathroom in the 23rd century.

30:34Yeah, and it doesn't seem like those outfits lend themselves to getting in and out of for that purpose. I think they're all catheterized. Maybe. Yeah, I always wondered about that. But, you know, Alan, were you a fan of the horror genre before you wrote this? Yes, yes, very much. And I feel like we're at a moment of increasing love for horror. And I think that often happens historically at moments of great social turmoil, that when we are processing real life horror that is often too hard to face, having a facsimile of horror, I think, makes it easier to deal with. very much watching horror movies became my comfort place during 2020.

31:20And I think that's probably true for a lot of other people. What else you should know about Alan and I found out. So a couple of years ago, I searched around and was able for his birthday to find a couple of things for him that luckily he didn't have because he collects things from Coney Island from way, way back. And they've got wonderful things all over their apartment in New York that are Coney Island. And so obviously that doesn't surprise me that when he wrote this film, Coney Island was part of the setting of the film. I could think of only one other movie that is known for being set in Coney Island, which is the Woody Allen movie.

31:57I'm forgetting now. Wonder Wheel. Yeah, Wonder Wheel. Okay. Yeah. And what's the one where, is that the one where the roller coaster like is going through his house when he's growing up? Oh, Annie Hall. Annie Hall. Yes, and I believe that was the original Thunderbolt, which isn't there anymore. But there are a lot of great Coney Island movies, and so I'm just honored to add our film to the list of Coney Island movies. James Allen turned his camera toward the crowd that was there for the Coney Island Film Festival right after this group in this room had all watched the film. And he had them all, you know, yell and say hi to me, which meant an awful lot.

32:45But there was a person there that made an interesting comment to him, which Alan shared with me. And Alan shared with me the fellow's name. And of course, Alan being an expert on all things Coney Island, knew who this guy was, was thrilled he was there. And I had to look him up on my phone, which took me an hour and a half because I don't do buttons. His name is what, Alan? Zamora the Torture King. So I love film festivals and the world has great film festivals. I really do think the Coney Island Film Festival is the coolest festival in the world because it's the only one where you can see these great movies and then walk outside and ride a ride or see a sideshow performer.

33:29So one of the movies at the Coney Island Film Festival, The opening night movie was a documentary about the Jim Rose circus in which Zamora the Torture King was a performer. And Zamora the Torture King was present at the festival on the opening night as part of the opening night festivities. He took a sharp metal wire and drove it into his mouth and out through the bottom of his chin. Because really, in the tradition of Houdini, he is a mind over physical matter genius. Anyway, I didn't realize he was in the audience for Evil Sublet. But afterwards, he said that it was very, very strange in a good way.

34:09And coming from that performer, that was a comment that really warmed my heart. How do you do that? How do you put a blade through your mouth and out your chin? Is there an area where there's less flesh and less nerves? You know, you would have to talk to him about the process of doing it. And that would be a great episode to have him. This is what I want to know, Alan. I want to know, did he walk up to you and you immediately knew who he was by looking at him? Or he said to you, you know, hello, Alan, I'm Zamora, the torture king. Well, I knew who he was. I knew who he was because he's famous.

34:52And I also knew who he was. if I had not already known who he was, I had seen the documentary the night before. So I did know who he was. But yes, I was very happy to hear what he had to say.

35:21and so alan i'm just curious you worked on the obama campaign you worked on several campaigns i was reading that in 2016 you were in hillary clinton's rapid response team this is i know this is not about evil sublet, but I'm just curious from your perspective, what do you think went wrong? Like in the summer of 2016, Hillary Clinton was winning. She had a very visual imagery. Like, do you want Trump's hands on the red button? And then what went wrong after that, do you think? All right. Well, everyone has a theory and I'll tell you that in a race, in a presidential race that comes down to just under 80 ,000 votes, everyone's theory is correct because that is such a small number of votes that anything, any one difference, if you want to say, you know, if you want to say, oh, it was the Comey letter.

36:11Yes, absolutely. That was enough to swing 80 ,000 votes. Was it sexism? Absolutely. Sexism played a role. That's enough to swing 80 ,000 votes. You know, was it not enough time spent in a given swing state? You could second guess a million things. I think any one person who worked on that campaign, I made videos that were seen by millions of people. If the videos I made were seen by millions and the vote came down to 80 ,000, is there something I could have done better that could have been the difference for 80 ,000 votes? This gets to actually a problem that there's increasing interest in, which is trying to reform the electoral college.

36:48We are having ever more close elections decided by a narrower margin where the actual election isn't very close. Hillary Clinton won the popular vote by more than 3 million votes. The margin of victory, thanks to the Electoral College for Joe Biden, was also very narrow. It was, I believe, an even narrower margin of victory, and yet it was an even wider margin of victory in terms of the popular vote. So the problem is that the way the Electoral College creates a system now where 80 % of the country, our votes don't matter as much as a handful of voters in swing states. I realize I've taken us a little bit off topic.

37:32No, no, I took us off topic. Well, so there's a growing movement for, it would be very difficult to abolish the electoral college because that requires a constitutional amendment, but there is a growing movement for what is called the National Popular Vote Interstate Compact. And that is an agreement between states that would award that state's electoral votes. If enough states sign on to the compact, they would all agree to submit all of their electoral votes to the winner of the national popular vote. Already, there are a lot of states that have already signed on. If enough states signed on to reach 270 votes, we would never again have a president take office without winning the popular vote, as has already happened twice this century.

38:19we would no longer have a situation where, you know, if you're if you're a Republican in New York, your vote doesn't matter so much. If you're a Democrat in Alabama, your vote doesn't matter so much. Anyway, I've taken us down a wonky path. Sally has a comment. Yes, I have a question, Alan. What is this pact called? Say it again that people are signing on to states. The National Popular Vote Interstate Compact. What is the minimum number of states that have to sign on for it to be something that becomes an actual enacted piece of legislation in this country? It would require a few more states.

38:58It would require enough states so that their combined vote total would be more than 270 electoral votes. And where are they right now? It's a little under that. And I can point you to, if you want to find out more about this, Inequality Media and Robert Reich, with whom I work, have just put out a video on the topic. And so people who want to learn more about the National Popular Vote Interstate Compact can check it out there. But Alan, let's say I lived in Wyoming and Wyoming was part of this. Wouldn't I feel that, oh, my vote now really is meaningless? You know, some people are making that argument, but as it stands now...

39:39Doesn't it make, if this comes into being, doesn't it make everybody's individual vote more meaningful because it will be the popular vote that elects. Okay, that's a point. That is what I would argue. That's what a lot of people who support this argue. Virtually all states have a winner-take-all system with their electoral votes. So if you're in a state and you cast your vote for the loser of your state, your vote is effectively thrown out. Your vote doesn't go into the pool because all of the electors, even if it's just by a narrow margin. As it stands now, as it stands now, as the Electoral College.

40:17But if this will act, your individual votes will count. Yes. And it is, I mean, at the moment, at the moment, the only presidents this century who have won without winning the popular vote were Republicans. So at the moment, at the moment, one could say, oh, well, this favors Democrats over Republicans. this favors democracy it uh the the loser the person the person who did ideally in a democracy the person who wins should be the person who got the most votes uh there may be more people identifying as democrats now there may be more people identifying as republicans in the future we should taking party out of it we should if we believe in democracy we should want the winner of the most votes to be the one who's elected.

41:04And after that election, can I ask, were you really depressed?

41:16I've been on winning presidential campaigns and I've been on losing presidential campaigns. It feels better to win, but I wasn't depressed for myself so much. It's painful to put in a lot of work for something and have it not pay off. But, you know, I'm in a place of privilege. I'm a college-educated white man. I was not depressed for myself. I was depressed because the things that came to pass were the things that we'd predicted. We predicted that the president would weaponize immigration policy in a way that would tear families apart. And that is exactly what happened. we predicted that the president would appoint judges who would strip away reproductive freedoms.

42:03And that is what has happened. And again, that's not something that is going to affect my body. So I am not depressed for myself. I am depressed for the state of rights in our country. And we also predicted that at a moment of great national crisis, that president would not be able to rise to the occasion. And the sad truth is, no matter who was president, COVID would have had a devastating impact on the country. But we specifically had a president who concealed the dangers that were being made aware, that he was being made aware of by his own security team, who hampered the ability of public health officials to get the word out about those dangers, undermined calls for wearing of masks and social distancing.

42:54And there have been studies that show that a large percentage of the deaths that occurred in 2020 could have been averted had there been a strategic response as opposed to an impulsive, ego-centered response to the crisis. So that's the thing that's depressing to me, not that the work that I did didn't pay off. James? Yes, Sally Struthers. I always wanted to say that. Oh, I'm glad you did. Because a lot of people come up to me and say, aren't you Sally Field? Anyway, now do you see, after hearing Alan speak, why if you had to measure the stress in the room, the first moments that I started shooting my small part in his film, I was frightened and nervous because Alan is so aware of everything that's going on and so well-spoken and such a high IQ that I just feel like, where's Waldo?

44:03I was just thinking that while he was talking, like, oh, this guy really not only knows a lot, but the way you said it, Alan, was compassionate without being overbearing. It was good. Well, I've had the good fortune to be in the room with people who are smarter than I am at some key moments in history. And so I'm just sharing what I've gleaned. But Sally, I'm very sorry if at any moment you felt intimidated because I have just such deep admiration for your talent. And James, I want to say that, you know, I don't want to reveal the twists that are involved with Sally's character, but her performance and the surprises that she brings to her performance, there were moments where I had to bite my hand to not laugh and spoil the take.

44:58And then there were other moments where I was tearing up because of the poignance that she brought to the role. Well, just the fact - Sally is a national treasure and everyone should want to work with her. And I'm just incredibly lucky that she was a part of our project. Just the fact, Sally, that you play someone who lives in a storage locker, that's enough to get me to see the movie. Because I often thought when I first was in New York City and it is so, all anybody talks about in New York City, particularly young people is, how am I going to live here? Where am I going to live? What do you know of an apartment?

45:32Can I find an apartment? It's impossible to find apartment. Is there a roommate? Is the area good? Like my kids are going through this. They lived in the East village. Now they're both living in Brooklyn. It is hard. I lived in, I lived in the Chelsea hotel when I first got to New York. And I, but before that, I actually, I lived in Astoria a little bit and it is hard. And there's so much to deal with this. New York city is a hard place to live with, particularly when you're, when you're young. I just wanted to say, about Alan talking more than once in this interview so kindly and adoringly of me that who's missing on camera and who's missing being spoken about more is his wife, Jennifer Lee Houston, who is quite a phenomenal woman and she deserves to be interviewed more than me.

46:23She's in almost every shot of this film and she does a bang-up job And this film was shot, you know, so quickly because of budget restraints. And she just didn't fail her husband or any of us. And I wish she was here. Alan, can you speak adoringly about your wife, the way you speak about me, but even more so? Let me ask, because in the trailer, by the way, she's hilarious. Like, just her timing, everything. But how did you and Jennifer meet? You know, we just, it's not a great story. We met at a friend's party. You meet everyone at parties. Yes. Apparently, I meet everyone who's important in my life at parties.

47:08We met at a party, and it was basically love at first sight. And I was a real jerk to my oldest friend that night because I was at the party. my oldest friend was at the party, someone I've been friends with since third grade. I sat down at the dinner table. It was a dinner party. I sat down at dinner next to my wife, my future wife, Jen, and my oldest friend was sitting at the end of the table to my left. And I was just so taken with this woman. I just turned my back on my friend, literally turned my back on my friend and i just uh i just talked to uh to jen all night and i guess my friend uh talked to no one uh that night yeah but your friend knew you know the rules are the rules you you you give your boy uh a chance there to not talk to you if he's got something going on so that's the rules i think he's forgiven me because his wife uh is uh is one of the four producers on the film his wife, Beth Ann Mestromarino.

48:14And he actually, my friend Mike Wojtko was involved in one of the more difficult scenes. So I think he's forgiven me for that. I think since I married the woman that I was talking to that night. But what Sally is saying is true. Jennifer is extraordinary. And she does every range of emotion in this movie. She is, her character is put through kind of literal hell. And she is funny. She is poignant. She is driven to tears. She is driven to screams. And she's so strong. Yes. And she's a musical performer. She sings multiple songs in the movie. Wow. So it is, she had in her own right made a name for herself as a viral performer performing, well, I guess everything comes back to politics.

49:10She did political song parodies during the Trump presidency that got many millions of views. And that's what a lot of viewers know her best as. Where did she do them? Like on YouTube or TikTok? Yeah, on Facebook and Twitter. Yes. So if you look for things like crime after crime or a pathological liar, you'll find many tens of billions of views videos that she's done. She is an extraordinary performer. So what's next? Now that you have won an award, you're probably going to be at other film festivals. What's next? Do you release this independently? Do you try to sell it to a Netflix? Does a studio pick it up?

49:54What happens next to a movie like this? We're going to be playing at a number of festivals. The next one will be the Grossman Fantastic Film Festival in Slovenia next month. Slovenia! Slovenia, yes. Maribor, the only city I know of in Slovenia? No, no. And I'm not sure how to pronounce the name of the city where it is, so I'm not going to butcher it. So that is the next festival on our agenda. We're going to play at a number of festivals. and then we will soon be able to make an announcement about a distribution deal. And the goal is for the film to ultimately be widely available for people to see and people who follow us, people who follow Evil Sublet on social media or go to evilsublet.com will be able to find out when they can see it.

50:48James, you have to ask Alan to tell you about how he got extra funding for the film. I saw there was kind of like almost like a Patreon-like page, but tell me, Alan, how did you get the final funding for the film? We got a fair share of the budget from the offer that anyone who donated over$20 could have their face turned into a ghost in the movie. Oh, that's great. That's brilliant. This face, that's an obvious face. But in the movie, we might have like in the shadows a face that you don't notice right away. So we have over 200 hidden ghostly faces in the movie. I'm happy we did this for several reasons.

51:31There's the logistical reason that it helped us pay for making the movie, but also I like that the people who contributed to the movie are literally a part of it, but also it's pretty darn creepy. When it was premiering at the Coney Island Film Festival last week, there was one moment where I'm sitting near someone and I know that there's been this face in the background the whole time. It's in the middle of the scene and then somebody goes, and then they just noticed that a face was there the whole time. And there's something very disturbing about a face having been there that you didn't notice right away.

52:10Wow. Well, I can't wait to see it. When do you think I'll be... I tried to get a link because we were doing this podcast. I tried to get a link to it, but you guys said, no, not available. When can I see this movie? Well, you're in Atlanta. Hopefully we'll be coming to a festival in your neck of the woods soon. And then hopefully before too long, we'll be able to make announcements about when and where people can see it, either in theaters or on streaming services. I can't wait. And it's Evil Sublet, Alan Piper, Sally Struthers. You've been winning awards. It's been getting buzz. I really look forward to it.

52:47It sounds like I saw, I love the trailer. I love the concept having been involved and looking for apartments many, many times for decades in New York City. Sally, I would like to ask one more question just on your career. And this is an odd question, but you've had such a storied and again, iconic career. And this is gonna sound like a weird question, but at what point do you think you were the most depressed in your career? And how did you deal with that? Well, I've got to admit that when I was finished filming All in the Family, I did eight seasons, as did Rob Reiner. Our contracts were up. We both chose not to renew.

53:26And then I, in real life, gave birth to my daughter. And she was three years old when CBS decided to go ahead and put a Gloria sitcom on and place it on the same night and the next half hour after Archie Bunker's Place, which Carol Carol O 'Connor was doing when when Jean Stapleton had finished her contract and didn't renew. And there was just Carol O 'Connor willing to play Archie a little more. And so they moved him from that empty house to the bar and made him the owner of the bar called Archie Bunker's Place. So they position Archie Bunker's Place in the first half hour. And then following that on CBS was Gloria.

54:11And Gloria was doing very well. but the executives I call them the suits you know a bunch of business people who get to make artistic decisions but they graduated from college with business degrees they're not artistic people they're numbers crunchers and so Carol didn't want to play Archie anymore he'd been doing it for 10 or 11 years he was done so they literally threw the baby out with bath water They said, well, we don't care to keep Gloria on the air since we don't have Archie Bunker's place to lead in. We won't put it on all by itself to see if it still holds its audience. We're just going to take Sally off too.

54:51And I have to admit that I was terribly depressed about not being given a chance to see if I could fly on my own without the lead in of Archie Bunker's place. That was a bitter pill to swallow. But as you can see, I'm still here. I'm still working. I never stopped working. How did you bounce back emotionally from that? Well, I had a daughter at home, a little tiny girl, and I'd just been through a divorce. My husband and I divorced when she was not even one. So that occupied all my time and gave me great joy. I mean, life does always give you the yin with the yang. You just have to wake up and realize it.

55:31So that might have been depressing career-wise, but I had wanted to be a mother terribly. and there was my beautiful baby girl and that brought me great joy. You know, you have two girls. Yeah, well, thank you for that answer. And thank you, Alan, for coming on the podcast and Sally for coming on the podcast and Evil Sublet. I've never really been a big fan of the horror genre, but I absolutely cannot wait to see this given how you guys have been describing it, given what I've read and what I've already seen. I cannot wait to see this Evil Sublet. I hope you get on Amazon or Netflix at least because that's mostly what I watch.

56:07I watch Apple Plus also and HBO Max, all the other streaming services, actually. So please get somewhere or be in the movie theaters anywhere because I want to see this now and send it to my daughters too. Thank you so much. Thank you for having us. And thank you for those words. Thank you, James. Thank you, guys. Thank you. Oh, my gosh, Gloria.

56:35Thank you.

From the publisher

What a treat today's interview is. The legendary actress Sally Struthers and director Allan Piper talk with James about their new horror film eVil Sublet one week after its Best Feature debut win at the Coney Island Film Festival. Our guests discuss the rogue production techniques, filmed on location in Allan & his wife/star Jennifer Leigh Houston's apartment and a storage unit during the height of the pandemic, and the lengths New Yorkers will do to score a deal on an affordable rental. We also hear the backstory of Sally's first decade of television stardom on All in the Family and Gloria & Allan's lengthy background as a director working on presidential campaigns over the last 20 years.This conversation goes all over the place, and you'll love every minute of it.------------What to write and publish a book in 30 days? Go to JamesAltucherShow.com/writing to join James' writing intensive!What do YOU think of the show? Head to JamesAltucherShow.com/listeners and fill out a short survey that will help us better tailor the podcast to our audience!Are you interested in getting direct answers from James about your question on a podcast? Go to JamesAltucherShow.com/AskAltucher and send in your questions to be answered on the air!------------Visit Notepd.com to read our idea lists & sign up to create your own!My new book Skip the Line is out! Make sure you get a copy wherever books are sold!Join the You Should Run for President 2.0 Facebook Group, where we discuss why you should run for President.I write about all my podcasts! Check out the full post and learn what I learned at jamesaltucher.com/podcast.------------Thank you so much for listening! If you like this episode, please rate, review, and subscribe  to "The James Altucher Show" wherever you get your podcasts: Apple PodcastsStitcheriHeart RadioSpotifyFollow me on Social Media:YouTubeTwitterFacebook
------------What do YOU think of the show? Head to JamesAltucherShow.com/listeners and fill out a short survey that will help us better tailor the podcast to our audience!Are you interested in getting direct answers from James about your question on a podcast? Go to JamesAltucherShow.com/AskAltucher and send in your questions to be answered on the air!------------Visit Notepd.com to read our idea lists & sign up to create your own!My new book, Skip the Line, is out! Make sure you get a copy wherever books are sold!Join the You Should Run for President 2.0 Facebook Group, where we discuss why you should run for President.I write about all my podcasts! Check out the full post and learn what I learned at jamesaltuchershow.com------------Thank you so much for listening! If you like this episode, please rate, review, and subscribe to "The James Altucher Show" wherever you get your podcasts: Apple PodcastsiHeart RadioSpotifyFollow me on social media:YouTubeTwitterFacebookLinkedIn

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