Inside the BBC: What really went on

10 Nov 2025 · 35 min

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Podcast Notes: The News Agents - Episode: Inside the BBC: What Really Went On

Episode Overview In this episode of The News Agents, Emily Maitlis, Jon Sopel, and Lewis Goodall analyze the recent resignations at the BBC, specifically the Director General and the Head of News. They explore the implications of these events, discussions about alleged bias, and the interplay with political figures like Donald Trump.

Key Topics

  1. Recent Resignations at the BBC
  2. Key Figures:
  3. Tim Davie, Director General of the BBC
  4. Deborah Turness, Head of BBC News
  5. Both resigned following a controversy related to the editing of Donald Trump's speech from January 6th.
  6. Trump claimed credit for their resignations, alleging that they were caught "doctoring" his speech.
  1. Claims of a “Right-Wing Coup”
  2. Political Dynamics:
  3. Discussion around the notion of a "coup" within the BBC, highlighted by the collaboration between Trump and Boris Johnson against the BBC leadership.
  4. Allegations that the board of the BBC is becoming politicized, influencing editorial decisions.
  1. Editing Controversy
  2. A Panorama segment was criticized for editing Trump's speech in a way that misrepresented his statements.
  3. The BBC ultimately acknowledged the editing mistake, leading to a delayed apology that stirred further controversy.
  1. Internal Conflicts at the BBC
  2. Tension between news executives and board members.
  3. Allegations that certain members of the board, such as Robbie Gibb, were pushing an agenda that compromised BBC impartiality.
  4. Mention of a leaked dossier by external advisor Michael Prescott, which criticized the BBC's coverage, particularly regarding Trump.
  1. The Role of the Media
  2. The podcast discusses how commercial competitors of the BBC, particularly newspapers, might benefit from undermining the BBC’s credibility.
  3. The debate about bias in BBC reporting, where some argue it is influenced by left-leaning views while others point to a right-wing bias.

Key Arguments

  1. Impartiality vs. Institutional Bias
  2. Discussion about whether the BBC is institutionally biased, with varied opinions on how these allegations are politicized by external players.
  3. The hosts argue that the BBC’s reputation as a trusted news source is under threat, not only by its internal issues but also by external political influences.
  1. The Impact of Political Pressure
  2. The conversation highlights the pressures faced by BBC journalists and how these can lead to self-censorship.
  3. The hosts emphasize the need for the BBC to maintain independence from political fluctuations and external pressures.
  1. Consequences of the BBC's Mistakes
  2. Emphasis on the importance of accountability for the BBC and the need for quick responses to mistakes to maintain public trust.
  3. Reflection on how past hesitations to apologize have escalated current tensions and controversies.

Closing Thoughts

  • The episode concludes with a warning about the existential threats facing the BBC, questioning its future in light of ongoing political pressures and the changing media landscape.
  • The discussions underscore the ongoing battle for narrative control between governmental influences and media independence.

Key Takeaways

  • The resignations at the BBC serve as a critical moment highlighting internal conflicts and external pressures.
  • The importance of maintaining journalistic integrity and transparency in reporting to safeguard the BBC's credibility.
  • The ongoing debate about bias and the role of political influence within media organizations remains a pressing issue.

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These notes encapsulate the core discussions and thematic elements from the podcast episode, providing insights into the complex dynamics surrounding the BBC's recent leadership changes.

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Transcript

Automatic transcript. May contain errors.

0:02Jon Sopel:This is a Global Player original podcast.

0:05Emily Maitlis:I would like to say it has been the privilege of my career to serve as the CEO of BBC News and to work with our brilliant team of journalists. I stepped down over the weekend because the buck stops with me. But I'd like to make one thing very clear. BBC News is not institutionally biased. that's why it's the world's most trusted news provider. Why did you fail to deal with the mistakes that were made? And see my teams. Thank you so much. Make no mistake, there are shots being fired there by Deborah Tanness, the outgoing head of BBC News. Is she suggesting that forces within the BBC itself were trying to undermine the editorial impartiality of the job she and journalists were trying to do.

0:55Jon Sopel:We've seen the departure of her and the Director-General. The headline is, it was all down to Donald Trump and the editing of a panorama clip. But there is much, much more that is dark and murky about what has gone on. Welcome to The News Agents.

1:17Lewis Goodall:The News Agents.

1:19Emily Maitlis:It's John. It's Emily.

1:20Lewis Goodall:And it's Lewis. Yes. And we are in the extraordinary position this Monday afternoon of a president of the United States claiming credit for the resignation of the boss, the director general of the BBC, and the head of news of the BBC, a foreign power, a foreign head of government, basically saying he got them sacked or forced their resignation. This is what Donald Trump put on Truth Social last night following the resignations of Tim Davey, the Director General of the BBC for some five years, and Deborah Ternes, the Head of News. The top people the President said in the BBC, including Tim Davey, the boss, are all quitting, fired, because they were caught, quote, doctoring my very good, perfect speech of January 6th.

2:08Lewis Goodall:Thank you to The Telegraph for exposing these corrupt journalists. These are very dishonest people who try to step on the scales of a presidential election. And indeed, it is not just, of course, Donald Trump, in a sense, claiming credit for this. It is this curious, bizarre, potentially quite sinister alliance between the president, Boris Johnson, the former prime minister who called for Tim Davy to go, and the Daily Telegraph itself. It is a head spinning set of developments.

2:36Jon Sopel:Why don't we just listen to what it was that Donald Trump said on January the 6th? This is unedited. We're going to walk down to the Capitol. And we're going to cheer on our brave senators and men and women. And this is how Panorama presented it. We're going to walk down to the Capitol and I'll be there with you. And we fight. We fight like hell. The Telegraph story broke a week ago and it has taken literally until now, this moment, for the BBC to respond. And finally, Samir Shah, the chairman of the BBC, his letter has been published to the Media Select Committee, which said the conclusion of our deliberation is that we accept that the way the speech was edited did give the impression of a direct call for violent action.

3:33Jon Sopel:the BBC would like to apologise for that error of judgement. And that's been sent to the Select Committee Chair Caroline Dynage. And you wonder, given that two bits of Trump speech from January the 6th weren't contiguous but were nearly an hour apart, were put together and this was exposed on Monday night, why has it taken the BBC a week to say, oops, we got that wrong? And bizarrely, the impression, as you say, Lewis, created that Donald Trump is responsible for the downfall of the director general of the BBC. actually as i think we'll unpack in this episode it's more complicated than that and speaks to dysfunction at the heart of the bbc between two different sections who were at war with each other with news not wanting to give ground and the board of the bbc saying there is something systematically wrong with impartiality at the bbc and those two butted heads and it's resulted in this explosion which has left the BBC leaderless and arguably rudderless right now.

4:51Emily Maitlis:Yeah, this story broke in The Telegraph on Monday night last week. We were together and we understand now that the following morning, Deborah Turness, who was the head of news at the BBC, was very keen to address this head on. She attended a board meeting. She wanted to go ahead with an apology to explain the edit in the panorama. And I was told that she was prevented from doing that. She was blocked by parts of the board, including, I understand, the chair. And he had made clear when I said, what reason, I don't understand what reason she was given. He made clear there was a letter going to the DCMS.

5:38Emily Maitlis:And the point I was told was that she had been very keen on transparency. She has championed that and it didn't happen. She wanted to address this back on Tuesday and that didn't happen. What I would do is try and put this particular error, mistake, whatever you want to call it, in a bit of perspective, because the panorama went out last on November the 2nd of 2024. In other words, three days before the US presidential election. It had been played three times, I think. The press office at the time had a handful of complaints, none of them about the edit. And if you ask the BBC, they'll say, look, you know, we put our hands up.

6:15Emily Maitlis:It was a mistake. It's very, very easy just to put in something that shows one part of the speech comes early and the next part of the speech comes later by putting a wipe or a flash or a time code. It is a mistake. But I think to then come back and say this materially misled viewers is a massive overstatement because by the time that clip was played, set to music as part of a montage, the speech was nearly four years old. Trump made that speech on January the 6th of 2021. Most people would have heard it. Most people would have made their minds up about it by November of 2024. And indeed, Trump's own election denialism had already been a major part of the impeachment process against him, backed by seven Republicans of his own party.

7:02Emily Maitlis:And there was testimony from many people at the time who said it was his words that encouraged us to go down. So I am not saying... But that's why it's so stupid. It was not necessary to conflate those two clips together. OK, my point is that when Michael Prescott, who is the external advisor who had been advising the BBC on impartiality, wrote his dossier, which we now know was leaked to the Daily Telegraph, and in it he said, the programme materially misled viewers, I think you have to step back. I think you have to really step back. And actually, I've read that dossier in full now, and it is not very obvious that he is an independent, impartial advisor.

7:44Jon Sopel:OK, let me just push back slightly on one or two of those things because, you know, for four years I covered Trump's first term as the BBC's North America editor and we had an absolute motto. Our guiding light was be very careful and then be very bold. So when you've got firm judgments to make, make them, but do them on the most solid of foundations. You do not edit two different clips together. that now why didn't the bbc apologize last week for it and that's the fascinating bit of politics that's gone on here i also i mean it's amazing how many people are in the bbc want to get their version of events across and you and i have both had numerous conversations there is a benign explanation that samir shah the chairman felt his first duty was to write to the dcms chair if that's true what a miscalculation it was obvious that trump was going to seize on it and caroline levitt the white house spokesperson would leap on it and sure enough they have the more sinister explanation and this is i think gets to the heart of where the bbc is now is that this was a battle between those on the board and we can start talking about who those people are who wanted more than just an apology a whoopsie daisy that was a bad edit but who wanted a sort of surrender document they wanted to say we've made a mistake here and we do have a problem with impartiality in the BBC structurally and that is something that BBC news bosses absolutely flatly reject including Deborah Tanness this morning when she was walking into the building for perhaps her last time.

9:21Jon Sopel:Yeah and we

9:21Lewis Goodall:should talk about some of the sort of internal criminology of what's been going on on the board because it is relevant but just on that right because this does go to the heart of it this idea of sort of institutional bias against Trump in this case. Although, as Emily says, that memo is actually far more, that dossier is actually sort of far more wide ranging. I feel like I've been living in a parallel universe for the last 24 hours. The hysteria over this story, whipped up by commercial organisations, newspapers, MAGA, the rest of it, the sort of hard right online ecosystem that we talk about all the time.

9:58Lewis Goodall:All that have an agenda is something to behold. That edit in question, John, you're right. It was a mistake. It was clearly misjudged. But the idea that it is somehow a symbol of an institutional bias against Trump or unfair to Trump is an example of institutional bias against Trump is absurd. Yes, it was unfair to Trump because it suggests that in that moment he said something he did not. But how much does that matter? You know, can anyone credibly claim, right, that the overall subject of that documentary was not based in truth and facts? One, Trump lied about the outcome of the 2020 election.

10:37Lewis Goodall:He continues to lie about it to this day. And Trump did incite the mob on January the 6th. In the testimony of all of the people who were arrested and sent to prison because of that, many of them said the only reason they did, what they did was because of what Trump said, right? Yet if you listen to all of this, the conclusion that you would come to is that the sin of that day is a 10 second bloody edit on a BBC programme. We have the tragicomic absurdity of a former British Prime Minister willing to admonish his national broadcaster and demand the resignation of the Director General in the name of Donald Trump's reputation for truth-telling.

11:22Lewis Goodall:And you know what? It goes beyond that because to me, this is a parable of why populists win. Because basically, they get away with it because no one expects anything from them. No one expects them to be truthful. Everyone expects them to lie. And yet we expect everything. And we expect almost no mistakes or problems from the people and places and institutions who actually give a damn. And that is why we're in this problem.

11:49Jon Sopel:But then you get to what's going on within the BBC itself. And bear with us if we just try and explain a bit of the cast of characters that were involved. I've talked about how there was a battle between the news executives and the non-execs who sit on the board. And there's this committee, a subcommittee, on which is a guy called Robbie Gibb. Sir Robbie Gibb, actually. Robbie Gibb at various times has been my boss, has worked, Emily's worked with, Lewis has worked with. He was a news person. He was head of political programmes at Westminster. He then goes across to be Theresa May's spin doctor.

12:30Jon Sopel:And so he's working for the Conservative Party. and he is knighted for his services, political services, and Boris Johnson appoints him to the board of the BBC. So you have a poacher turned gamekeeper turned poacher. And Robbie has an agenda. He's very effective. He's very organised. He is meticulous. And on this committee, he argues that what we need is a researcher for the committee. And he appoints this guy from Newsnight called David Grossman. and David as far as I know and anyone else knows there was no board there was no interview process he was appointed directly he was a mate of Robbie's and he did a lot of the research work where he would be asked to investigate complaints about BBC coverage but the complaints he was always asked to investigate were of left-wing bias never right-wing bias of being anti-Israel but never anti-Palestinian cause, of being anti-Trump but never of being pro-Trump.

13:40Jon Sopel:And so the senior executives in news would go to these meetings and would feel that the board itself had become so politicised by Robbie Gibb that they had nowhere to go but to defend themselves. And ultimately, I think Deborah Tanness's resignation is not about the failure of that edit. is because she would not accept their edict, their viewpoint, that the BBC board had become politicised and she wanted nothing to do with the politicisation of BBC News.

14:14Emily Maitlis:Yeah, I mean, the oldest journalistic question in the world is, who profits, which is not a bad place, I think, to start trying to analyse what is going on here. there has definitely been pressure felt in the BBC newsrooms by the presence of Robbie Gibb on the board in terms of the kind of news that they were able to tell, the kind of stories they were able to prioritise. And when Michael Prescott was pulled in as this external editor, it just so happened that he shared many of the world viewpoints of both Robbie Gibb and, we now understand, David Grossman. Now, maybe that was a coincidence. Robbie Gibb was on the panel that elected him, that brought him in to do his job as the independent advisor.

14:59Emily Maitlis:But if you go through this dossier that he has written, it is really quite extraordinary the stuff that he has singled out. He has a problem with the BBC using the phrase reproductive rights to talk about abortion in the US. He goes to the group History Reclaimed for his history, an independent group of scholars. Those are historians who push back on the research into British imperialism and slavery. He talks about an overemphasis on Trump's eating the pets of Springfield, Ohio. Why was the BBC getting itself tangled up about this? And he picks up a couple. I'm just going to read you a couple of things which are really quite extraordinary.

15:43Emily Maitlis:He says there was an overall tendency back to the panorama to frame issues in a way that was similar to the Harris campaign. less fact-checking of questionable statements. Words used by the Harris campaign were also echoed in some BBC coverage, such as referring to Trump supporters as election deniers. The phrase baseless was also used to describe some of Trump's contested claims, but never in association with questionable claims made by his opponents. In other words, he doesn't even like the use of describing Trump as an election denier or those who supported him as election deniers. So where is he coming from?

16:20Emily Maitlis:We are treating this man like he's an arbiter of neutral reporting. He isn't. It is completely fine to have that viewpoint. It is completely fine to put that viewpoint into the mix and say, oh, should we be looking at that? Should we be pulling in that direction? Should we be looking over here? But actually, the fact that he's written a dossier from his own perspective, from his own very singular perspective of what is right and what is wrong, Taking it to the BBC board, the BBC head of news, the BBC management, who've gone, yeah, some of that we're already doing, actually. We've already addressed the problems you talk about in BBC Arabic.

16:57Emily Maitlis:Some of the stuff we've already put into...

16:59Jon Sopel:A BBC boss has told me that 95 % of the complaints that Prescott raises have been dealt with publicly. So the BBC...

17:06Emily Maitlis:Well, some of it was already in the annual report. Yeah. So this idea that you have somebody who comes in as an arbiter of neutral reporting with his own worldview, which just happens to represent the worldview of very powerful figures on that board, like Robbie Gibb, who don't forget, used to work for Theresa May. He was a spin doctor in Downing Street. He was part of a consortium that bought the Jewish Chronicle. We still don't know who the owners of the Jewish Chronicle are, but it is reported that Robbie Gibb was behind the consortium that bought it. And yet Robbie Gibb is called the impartiality czar of the BBC.

17:40Emily Maitlis:He's meant to be a sort of ballast to whatever is the left wing pull. Now, that doesn't make sense. How can somebody with so much political baggage, with so much commercial and political baggage, he also was one of the original founders of GB News, call themselves an impartiality czar? It absolutely makes a mockery of the whole idea.

18:01Lewis Goodall:The thing about this is that I heard Charles Moore, the former editor of The Telegraph, on the Today program this morning, and he made a comment which I think only somebody who had never worked at the BBC in recent years could make, which was that all the BBC's bias, all of the pressure internally, only comes from one direction. It only comes from the kind of liberal left. I think we all know, having worked there, that that is not the case. When I worked there, I felt completely the opposite, in the sense that partly because Robbie Gibb was there and because I had been told that he was sort of observing what I was doing and so on, I felt that there was a very, very strong awareness, a constant pressure to be checking potential liberal left biases, and very, very few coming from the other direction.

18:48Lewis Goodall:And let's be frank, let's be honest. Is anyone at New Broadcasting House sat there thinking, oh, I really worry what Zach Polanski is going to say about this. I'm really worried what the Green Party is going to say about this. I'm really worried even about what the Labour Party is going to say about this. No, because all of the political pressure comes from one direction. And in fairness, that is kind of, you know, that is up to them. Those political forces have the right to do that. What they do not have the right to do, or what some people do not have the right to do, is express that pressure from within in an improper way.

19:20Lewis Goodall:It is all very well having pressure from the outside, but having people from within like Robbie Gibb or like David Grossman doing what they do in the name, as you say, Emily, of impartiality is Kafkaesque. And just in terms of kind of this idea of kind of all complaints coming from one direction, from Gibb and Grossman, that completely accords, I have to say, with my own experience. I've talked on the show before about the problems I had with Robbie Gibb. I mean, I've never really said before, but it is true that I had problems which were truly bizarre with David Grossman. At one point when I was at Newsnight, never spoke to me about it, but decided to go to BBC bosses and had basically drawn up a dossier of things going through my back catalogue, going through the archives, trying to find anything, everything that he could critique me with, attack me with, and so on.

20:09Lewis Goodall:this was a very very unpleasant process it ended up basically being referred up to something called the editorial complaints unit they said this was highly highly unusual that you normally arbitrate

20:19Jon Sopel:with complaints from the outside not from within look i at the weekend on saturday i was with this guy senior in the bbc very calm who says to me you've got to understand there is a coup taking place right now in the bbc an attempted coup and i put it on our group chat saying i've just been I've been with this guy who said there's an attempted coup, which I thought was, you know, completely over the top. And last night we saw the resignation of the director general and the head of BBC News. There was a coup going on. And what you've just described about David Grossman is shocking and not shocking simultaneously.

20:54Jon Sopel:Frankly, if I was going to be appointed a new director general or the new head of news, I would say, OK, if there is going to be a reset, it has to happen without Robbie Gibb in position, where a board has become politicised and it has to happen without these forces that have led the BBC to tearing itself to shreds over the past week.

21:16Emily Maitlis:And why are we talking about it being a coup? Is that completely overblown? We're going to analyse what we've been told after the break.

21:27Jon Sopel:News you can trust and the conversations that matter.

21:31Emily Maitlis:With award-winning journalists at the heart of the stories from the UK and around the world. Breaking news here in Edinburgh. I'm Simon Marks.

21:38Jon Sopel:My American Week is next.

Read the full transcript

21:39Emily Maitlis:Reporting from the heart of Cardiff.

21:41Jon Sopel:Discover how today's story affects your life.

21:44Emily Maitlis:Listen on our free Global Player app or the new LBC app.

21:48Jon Sopel:LBC, leading Britain's conversation.

21:56Jon Sopel:The News Agents.

21:57Emily Maitlis:So we've just been using that phrase, the coup, and I have to say, to step back from it, This is not a word that I had used until I think five, possibly six people messaged me saying this is going on. One person was different and they said it's a stitch up. In other words, this is, one person said, the culmination of a plan that has been going on for years. Now, if you step back and you say, OK, is this just about helping the BBC be a better version of itself? Doesn't everyone want that? Yes, of course, everyone wants that. The trouble is, everyone is trying to get the BBC to be a better version of itself by looking in completely different directions.

22:40Emily Maitlis:In other words, Nigel Farage was talking last night after resignation, saying this is the last chance for the BBC. It's got to stop being so woke and metropolitan. That's where it's going wrong. Ed Davey from Lib Dems comes on immediately afterwards and says the problem with the BBC is it keeps platforming people like Nigel Farage and reform. And why can't you call Trump out as a liar and an election denier? This is ridiculous. Why is the BBC being so craven that it's now apologising to Trump? I mean, Trump is the master of fake news. You don't need to have lived very long to have got your sense of how many times we are lied to by the president of the US.

23:15Emily Maitlis:And yet those two opposing views almost meet at the horseshoe of saying something must be done. Now, I'm going to go back to this whole phrase, cui bono, because one of the things that I don't think has been talked about enough is how much of a threat the BBC is to commercial opponents, particularly the website. The BBC does everything. It does everything with public money. It is the most read, the most sort of enjoyed website pretty much in the world, right? And it operates 24 hours a day. It operates from Australia and America and Asia and all over the place. And the papers, frankly, cannot compete.

23:54Emily Maitlis:that's the website that the mail would like to have the website the times would like to have the telegraph would like to have and so they could attack the bbc by saying look this is anti-competition anti-trust you're too dominant you're using public money to come onto our turf i think they'd have a very good case for saying that but if you do that then you just alert the public basically to the fact that they're getting all this stuff they're getting all the free stuff they want on the website. And so the way it has been reshaped, the way it's been reworded is you're being cheated by the BBC. They've got an ideological position and you are not getting the whole truth and the BBC is lying to you.

24:31Emily Maitlis:And actually, if the papers, as one, because the papers tend to all criticise the BBC, but they don't criticise each other. If the papers, as one, carry on telling the British public that they're being lied to, they can't trust the BBC, the BBC is bent, the BBC is ideologically to the left, then people start believing it. This is a culmination, essentially, of the papers feeling very frustrated that they cannot compete commercially with the mammoth, the megalith that is the BBC.

24:58Jon Sopel:Yeah, and look, there's an understandable reason for that, in that the BBC gets a guaranteed income of, you know, three and a half billion pounds a year. Three and a half billion. That is a lot of money that the BBC can have, and it can have, you know, foreign bureaus around the world in places that you think no newspaper who could possibly contemplate having. The BBC has a huge staff, as I know from my time in Washington. So, yeah, the BBC is huge. And I think that sometimes the BBC gets accountability wrong. We talked about the coup that took place. Some of the complaints made by Robbie Gibb and these other people we've spoken about probably have some validity.

25:38Jon Sopel:I mean, you know, on the issue of trans, I think the BBC bought into a way of thinking that was promoted by Stonewall was captured, wouldn't allow other viewpoints to be expressed. And I think the BBC got that wrong. But I think the BBC is very bad at putting its hand up quickly to mistakes. And I think that if it did that more readily, more quickly... So, for example, there was the Gaza documentary where the son of a Hamas minister was doing a commentary on the daily life. And the BBC have pulled that documentary. They've apologised for it. They've agreed that something egregiously wrong happened.

26:19Jon Sopel:Has a head rolled for it? Well, not yet. I mean, someone is being kind of put out to pasture, slowly a death by a thousand cuts, but no one. And so you're going to get this build up where you think, bloody hell, the BBC won't take responsibility for things it gets wrong. And it's reached this absurd crescendo, this tragedy comedy, as Lewis described it, where you end up with the head of news and the director general being forced out for the sins that have been committed, but not faced up to in the past. And one other thing you say about the newspapers, the Daily Mail, the Daily Telegraph have always been anti-BBC, the Times.

26:55Jon Sopel:They've all got their own commercial interests. And the BBC spends far too much time thinking, how can we please the Daily Mail? You know what, guys? You're never going to please the Daily Mail.

27:06Emily Maitlis:They're your competitors.

27:07Jon Sopel:They're your competitors. They are hostile to you. And just BBC, have the self-confidence to do your journalism with rigour, with impartiality, with firmness. And don't bend to this criticism.

27:20Emily Maitlis:OK, I think sometimes, sometimes the BBC actually has to show more spine. Yes, put your hand up when you've got things wrong, but also back your journalists when they're getting things right. You talk about the trans issue and whether there was capture. I think there was a bit of ideological capture, not just in the BBC, but actually in many institutions in public life in Britain. But I remember working at Newsnight with Esme Wren and Hannah Barnes and Deb Cohen, and we were looking at the question of the Tavistock. This was the only gender identity development services for the under 16. And we questioned why it wasn't data led, why it seemed to be so arbitrary with the kind of recommendations and advice and even blockers that they were handing out to young people.

28:02Emily Maitlis:And the work we did actually led to the closure of the Tavistock about three years ago. And I think there is a gap that opens up when the BBC just self-flagellates, when it just goes around with its hair shirt and it's like, oh, we're shit. Oh, we fucked up. Oh, we made this mistake. Oh, we've done it again. Actually, walk tall, support your journalists, back them and the work they're doing. Most of the stuff is brilliant. It's incredible. And frankly, when Michael Prescott wrote his kind of ideological to-do list, I think it went to senior members of the news team. And some of them said, you know what, actually, we've got this.

28:40Emily Maitlis:You know, the Panorama edit was annoying. It was silly. But they knew about that back in May. They didn't think it was a big problem then. So just choose your position and back it. If you don't think it's a big problem, back it. If you think that there's an issue, then apologise. You could hold up to it. Exactly.

28:56Jon Sopel:But on the transition, look, the example you gave about the Tavistock, which is this kind of centre in North London, where they were, you know, there was this gender identification service. And, you know, they were giving puberty blockers and all the rest to people who want to transition. And it was an absolute scandal that was exposed. But Newsnight did this amazing journalism and exposed it. And we were terrified. But no one else in the BBC went near it. It was like it was radioactive and you mustn't touch this box in the Newsnight office where they have done this work. And I think that that speaks ill of the corporation, that there is brilliant journalism and I don't want to touch it.

29:35Jon Sopel:Don't want to touch it because that's not kind of it doesn't you know, it's an inconvenient truth. And I think that the BBC has got lessons to learn from this. I mean, God knows who'd want to be director general now. God knows who'd want to be the director of news right now, because it's you know, there is a lot of toxicity. And the willingness of people that, Emily, you and I both know well, to be on the phone to us and give their side of it all speaks to an organisation that is tearing itself to pieces.

30:03Emily Maitlis:Look, I think this is an existential moment for the BBC. And you don't have to be a sort of rocket scientist to work out why. When you hear Nigel Farage saying, I'm not against the BBC, but we need a slimmed down version. And he works for GB News. So there is a world in which obviously he'd much prefer GB News to be the number one go to channel. Caroline Levitt, Trump's press secretary, was like, yay, go GB News. Don't watch the BBC. Go GB News. There is a world in which if Nigel Farage gains political momentum, if he's in a position of forming the next government, then what actually happens to the BBC?

30:38Emily Maitlis:What happens to the licence fee? Is there a licence fee? Is it a reduced service? Is it like PBS in the US, which kind of, you know, rattles along showing one war documentary a month and then is sort of put out to pasture? What does it actually mean for the continued existence of the BBC? And if you take the commercial interests from the papers, you take the ideological interests of many of those on the right. And it's true. You know, why don't we talk about all the complaints that people on the left have? Because fundamentally, more people on the left still broadly believe in a public sector broadcaster than on the right.

31:15Emily Maitlis:And so you have all these competing pressures, which may mean that the BBC in its current incarnation isn't very long for this world.

31:22Jon Sopel:Look, the BBC is a really important global brand. And that doesn't mean it's just because it's famous, it's good. it's famous because it delivers news of a really high quality overwhelmingly i've reported you know in my 35 plus years at the bbc from around the world and you just say those three letters bbc and it does open doors for you invariably there are people who would love to undermine its importance i think this is absolutely agree with you emily this is an existential moment for the corporation but it is important you've got to wish it success it needs to sort itself out and it needs to root out this cancer within the organization where it's eating away at the morale and you know i can't imagine what it's like for the people doing my old job in washington today knowing they are absolutely in donald trump's crosshairs and being traduced i mean the worst that Donald Trump ever called me was a beauty.

32:25Jon Sopel:I'll have that. Now he is absolutely dancing on the BBC's grave right now.

32:31Emily Maitlis:Yeah, I mean, just to end where we started, you now have the spectacle of the Telegraph thanking Donald Trump for picking up their work and celebrating their journalism. In what world is Donald Trump an arbiter of impartial, evidence-based reality? It is ridiculous. But right now you have the newspapers gleefully celebrating the fact that Donald Trump has given them a big fat tick.

33:04Jon Sopel:We'll be back after the break.

33:16Jon Sopel:The News Agents. we've just rushed back into the studio to bring you the latest breaking news from the bbc

33:23Emily Maitlis:and that is the legal action that trump has now threatened in a letter to the bbc so it just gets

33:32Jon Sopel:more bizarre by the moment donald trump not enough that he's claiming victory for having led to the downfall of the director general and the chief executive of bbc news now wants to sue the organisation. I mean, we don't know. We haven't seen the legal letter, so we don't know whether it's in millions, tens of millions, hundreds of billions, in the billions. Because Donald Trump is quite litigious. And he has been successful in suing CBS.

33:59Emily Maitlis:I mean, just to go through it, in the years since he's retaken power, he has sued ABC. And ABC has settled. And ABC's settled. He's tried to sue the Wall Street Journal. Haven't settled. Haven't settled, but still going through the courts. He's sued CBS. They've settled. He has sued New York Times.

34:20Jon Sopel:They haven't settled.

34:21Emily Maitlis:They haven't settled. So basically, he's worked his way through the sort of major players in the US. And the BBC is now within his sights. And I guess the question for us really, as licence fee payers at this point, is how do we feel about our 180 quid going into Donald Trump's coffers, if that's what's going to happen next?

34:44Jon Sopel:Because it could well happen next. We'll see you tomorrow. Bye-bye.

34:48Emily Maitlis:Bye for now.

34:50Jon Sopel:This has been a Global Player original production.

From the publisher

Over the last 48 hours, The News Agents have spoken to more than 30 people - insiders at the BBC - to try and work out the facts of what actually happened inside the corporation, and when. Both the Director General and the CEO of News resigned over the weekend, so why are some talking about a “right wing coup“? Why did the apology take so long to arrive? And why is Trump now threatening the state broadcaster with legal action?

The News Agents is brought to you by HSBC UK - https://www.hsbc.co.uk/

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