In short
The fall of Minamoto warlord Kiso and the rise of Minamoto commander Minamoto no Yoshitsune, culminating in the decisive naval battle at Dan-no-ura (1185). The episode also explores how samurai myth-making shaped later legends, especially the female warrior Tomoe Gozen.
Guests (hosts)
Tom Holland and Dominic Sandbrook (podcast hosts discussing the history and legends).
Key claims
- Kiso’s power collapses as he loses Kyoto’s political “kingmaker” (Cloistered Emperor Go-Shirakawa) to Yoshitsune.
- Tomoe Gozen is described as an elite fighter in the Heike tale, surviving Kiso’s retreat and killing a famed strong captain before vanishing.
- The Heike’s cinematic details (dramatic suicides, battle cries) may be embellished, but the overall outline of Kiso’s defeat is treated as historically grounded.
- Yoshitsune’s victories (Ichinotani, Yashima, Dan-no-ura) are authenticated in contemporary sources, though legend amplifies them.
- After Dan-no-ura, Yoritomo turns on Yoshitsune; Yoshitsune is eventually cornered and killed (with later survival myths).
Notable examples
- Tomoe killing the strong samurai captain by forcing his head to her pommel, then fleeing.
- Kiso dying after his horse gets stuck in mud and an arrow hits his helmet; his head is taken by Ishida no Jiro Tamehisa.
- Kumagai Nawaazane beheading the aristocratic youth Atsumori, then becoming a monk.
- Emperor Antoku and the regalia sinking at Dan-no-ura; mass suicide of Taira followers; “Taira crabs” legend.
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Chapters
Tap a time to open that second in VOIntroduction to Tomoe Gozen
0:26 to 1:04
Discover the legendary samurai Tomoe Gozen and her fierce warrior prowess.
“With her lovely white skin and long hair, Tomoe had enchanting looks.”
Context of the Samurai Civil War
1:04 to 2:36
Understand the backdrop of the samurai civil war and key players involved.
“So that's one of the most celebrated descriptions of a samurai ever written.”
The Struggle for Kyoto
2:36 to 5:24
Learn about the power dynamics as Kiso and Yoshitsune vie for control of Kyoto.
“And it was Yoshitsune, even more dashing, even more daring, even more charismatic than the great Lord Kiso, who had reached Kyoto first in the late winter of 1184.”
Kiso's Downfall
5:24 to 7:32
Explore the dramatic events leading to Kiso's downfall and its implications.
“Minamoto, but that effectively just means that he's a samurai warlord.”
Tomoe's Defiance and Valor
7:32 to 10:46
Watch as Tomoe stands by Kiso in his final moments, showcasing her bravery.
“Only last year he had left Shinano, his great stronghold, leading an army of 50 ,000.”
The Tragic End of Kiso
10:46 to 13:52
Delve into the poignant conclusion of Kiso's life amidst the chaos of battle.
“who is famed for his strength, we're told.”
The Cinematic Death of Kiso
14:00 to 15:01
Explore the embellished narratives surrounding Kiso's death and its impact on samurai culture.
“I mean, I think clearly the implosion of Kiso's power base, that's accurate.”
The Enigma of Lady Tomoe
15:01 to 18:03
Delve into the mysterious life and fate of Lady Tomoe, a legendary female warrior.
Women in Samurai Culture
18:03 to 21:28
Learn about the roles and recognition of female warriors in samurai society.
“And so the range of stories that are told about her fate have led some scholars very disappointingly to suggest that she was completely fictional.”
The Legend of Minamoto no Yoshitsune
21:28 to 23:13
Discover how Yoshitsune straddles the line between historical figure and legend.
“And it's true of all the great figures in the samurai civil war.”
Show all 25 chapters
Yoshitsune's Naval Challenges
23:13 to 23:47
Understand the strategic difficulties Yoshitsune faces against the naval power of the Taira.
“And so in the second half, his career will take two courses.”
Yoshitsune's Bold Strategy
25:20 to 28:02
Examine Yoshitsune's tactical brilliance as he confronts the Taira's defenses.
“So we have been talking about Yoshitsune, who is the youngest brother of Yoritomo, the head of the Minamoto clan.”
Yoshitsune's Descent and the Challenge of the Cliff
28:02 to 28:50
Learn how Yoshitsune descends a steep cliff, defying expectations and showcasing samurai skill.
The Battle of Ichinotani: A Turning Point
28:50 to 30:27
Explore the dramatic events of the Battle of Ichinotani and the surprise tactics employed by the Minamoto.
Kumagai and the Tragic Encounter
30:27 to 34:06
Delve into the story of Kumagai’s tragic encounter in battle and its implications for samurai culture.
“And we're told he beheld a youth in his 16th or 17th year, his face lightly powdered, his teeth blackened about the same age as his own son.”
Cultural Shifts in Samurai Society
34:06 to 36:11
Understand the cultural shifts occurring within samurai society as they move from courtly to warrior culture.
“And Kumagai is so distraught at what he's done and at the way that he's brought death to this brilliant young man, that he ends up becoming a monk.”
Yoshitsune's Naval Strategy
36:11 to 39:49
Learn about Yoshitsune's transformation into a naval commander and his strategic advantages.
“And one year after this great victory at Ichinotani, Yoshitsune launches his first amphibious expedition, and he does it by sea, in the teeth of an absolute gale, to Shikoku, this island to the south of Honshu.”
The Climactic Battle at Dan-no-ura
39:49 to 42:00
Discover the details of the climactic battle at Dan-no-ura and the fate of the emperor.
“you know, ships and sailors have gone over to Yoshitsune.”
Tragic End of the Taira Clan
42:00 to 45:00
Discover the haunting fate of the Taira clan during a decisive naval battle.
“So in a way, he's the kind of the Bruce Ismay of the samurai, the guy.”
Yoshitsune's Rise and Fall
45:00 to 48:20
Learn about Yoshitsune's pivotal role and subsequent downfall in samurai history.
“And from this moment on, the only way is down.”
The Legend of Yoshitsune
48:20 to 51:40
Explore the legendary tales surrounding Yoshitsune and his impact on samurai folklore.
“Benke leans on his great naginata, his halberd, and none of the enemy samurai dare to approach him.”
Yoritomo's Ruthless Rule
51:40 to 56:06
Understand Yoritomo's consolidation of power following the samurai civil war.
“There's a great joke coming up, everybody.”
Establishing Samurai Rule in Japan
56:06 to 59:08
Explore how Yoritomo established samurai as the ruling elite in Japan.
“And Yoritomo effectively delivers this message in Kyoto, and then he heads back to Kamakura, and he leaves the ancient capital behind.”
The Resilience of Samurai Governance
59:09 to 1:01:20
Learn about the enduring governance structure created by Yoritomo and the challenges ahead.
“I mean, he is the guy who really establishes samurai rule, and it will endure for century after century after century.”
The Mongol Attack on Japan
1:01:21 to 1:01:41
Anticipate the dramatic story of the Mongol invasion of Japan.
“unbelievable gonna do it probably later in the year the story of the mongol attack on japan The kamikaze, did it really happen?”
Transcript
Automatic transcript. May contain errors.0:00Tom Holland:Morning decisions. How about a creamy mocha frappuccino drink? Or sweet vanilla? Smooth caramel maybe?
0:07Dominic Sandbrook:Or white chocolate mocha? Whichever you choose, delicious coffee awaits. Find Starbucks frappuccino drinks wherever you buy your groceries.
0:26Dominic Sandbrook:With her lovely white skin and long hair, Tomoe had enchanting looks. An archer of rare strength, a powerful warrior, and on foot or on horseback a swordsman to face any demon or god. She was a fighter to stand alone against a thousand. She could ride the wildest horse down the steepest slope. In battle, Kiso clad her in the finest armour, equipped her with a great sword and a mighty bow, and charged her with the attack on the opposing commander. She won such repeated glory that none could stand beside her. So that's one of the most celebrated descriptions of a samurai ever written. It comes from the tale of the Heike, which introduces the character of Tomoe Gozen, Lady Tomoe, the archetype of a female warrior.
1:20Dominic Sandbrook:So Tom Holland, who is Tomoe and what is she doing in battle with Lord Kiso, who is the mighty warlord whose exploits dominated the last episode of this tremendous epic series about the great civil war
1:37Tom Holland:of the samurai i think before we come to tomo we should uh just remind listeners of where we are in the sweeping epic that is the samurai civil war um so kiso lord kiso mentioned in the passage that you read he belongs to the minamoto who are one of the two great clans in 12th century japan and in the previous episode we heard how he annihilated two armies that have been sent against him by the Taira, who are the great dynastic rivals of the Minamoto. Kiso advanced on Kyoto, the imperial capital. He expelled the Taira and he took it over himself. But in doing this, he provoked the jealousy of his cousin, the scheming and ruthless and politically visionary head of the Minamoto clan, Yoritomo, the warlord of a port very near what today is Tokyo called Kamakura and Yoritomo very cross that Kiso his cousin is threatening to upstage him had sent his two younger half-brothers to lead a two-pronged attack on Kyoto and their mission was effectively to destroy Kiso and to bring Kyoto under the control of Yoritomo and the elder of these two half-brothers a guy called Nori Yori had advanced on Kyoto from the east and the younger half-brother the very dashing Yoshitsune had advanced from the south.
3:06Tom Holland:And it was Yoshitsune, even more dashing, even more daring, even more charismatic than the great Lord Kiso, who had reached Kyoto first in the late winter of 1184. And we ended our last episode by hearing how his priority when he arrived in Kyoto was to seize control of a key figure in the war. And this was the cloistered emperor go shirikawa which means he had been emperor he had abdicated he was now officially a monk but effectively he is the head of the imperial family and he's a great schemer he's not he doesn't command armies himself and so he's always trying to kind of play the various samurai warlords against one another and he'd been able to do this because although the state is now clearly under the thumb of the samurai dynasties, the first the Taira and then the Minamoto, the notion of a samurai ruling the empire is still a massive novelty.
4:08Tom Holland:And so all these various warlords who are marching into Kyoto, trying to seize control of it, trying to proclaim their supremacy over the rule of Japan, they still need the legitimacy that the backing of Go Shirakawa, this cloistered emperor can provide and so this was why kiso while he had been in command of kyoto had been keeping go shirikawa effectively under house arrest and it's why yoshitsune by capturing him alive by seizing him from kiso's control can feel that a key objective has been obtained you know this was his great mission he he had to seize kyoto but he also had to seize
4:51Dominic Sandbrook:go shirakawa so that's um yoshitsune but what about yoshitsune's older brother yoritomo who is effectively the kind of the head isn't he of the minamoto clan yeah and who is still in his his
5:06Tom Holland:um capital in uh of kamakura which is adjacent to what today is the great bay on which tokyo
5:13Dominic Sandbrook:is built right so he's been there all this time just waiting for the results basically waiting for news.
5:19Tom Holland:He has no official constitutional position within the state. He is the head of the Minamoto, but that effectively just means that he's a samurai warlord. What he can now do, now that Go Shirakawa is in his younger brother's hands, is that he can lean on Go Shirakawa to kind of dress him in the robes of constitutional propriety, to give him an official status within the fabric of the empire. And Yoritomo's growing dominance of Japan can then be presented to the court, to the Japanese people more generally, as something that is much less unsettling than it might otherwise appear. Effectively, his supremacy can be presented as something that has both the blessing and the approval of the imperial palace.
6:05Tom Holland:And so that was why it was so important for Yoshitsune to get control of the cloistered emperor now there's
6:12Dominic Sandbrook:another contender of course for supremacy and that is this guy Kiso who dominated so much of the last episode so he's now lost control of the cloistered emperor Goshirokawa and his plan had been that he would seize him and then he'd go off and he'd he's effectively some sort of war at the kingmaker figure where he was going to end up allied to his old enemies the Tyra now what does he do because he doesn't have control of the cloistered emperor anymore so what's his plan
6:39Tom Holland:yeah so the cloistered emperor was going to be his kind of bargaining chip yes of course but that's gone so instead of fighting his way out of koto and heading westwards to where the taira are he heads eastwards and the reason that he's doing that is that in the east he has sent his beloved foster brother a guy called ime kanahira to hold back the advance of the minamoto forces under Nori Yori, who is the elder brother of Yoshitsune. Kiso's forces are outnumbered. The situation is desperate. And as Kiso rides from Kyoto, heading towards this bridge that Imao Kinnahira had been defending, he finds that enemy forces are everywhere.
7:23Tom Holland:And so the warband that is riding with him sustain more and more casualties as they head east. And in the tale of the Heike, the writer reflects on the scale of Kiso's downfall. Only last year he had left Shinano, his great stronghold, leading an army of 50 ,000. Now passing the brook at Shinomiya, he had only six riders with him.
7:46Dominic Sandbrook:But one of those riders is the person with whom we began the episode, Tomoe, the female samurai. Yes. So that's a tremendous boon for Kiso. So who is she?
7:56Tom Holland:She's quite a mysterious figure. She's very famous, but she's also very enigmatic, and perhaps the two are connected. So according to the tale of the Heike, she was one of two beauties, quote-unquote, brought by Kiso from Shinano, his mountainous stronghold, to Kyoto. And one of these women was called Yamabuki, and she was unwell at the point when Kiso had to abandon Kyoto, and so she had stayed in the capital. But Tomoe is fighting fit, literally so, and she rides with Kiso and she proves herself on this kind of terrible journey that they're all taking a much more proficient a much tougher samurai than most of her male companions so again to quote the tale of the Heike this is why when so many had already been cut down in their flight Tomoe remained among the last seven so that's Kiso and his six companions so eastwards they ride and they're riding towards lake biwa which is this enormous lake east of kyoto and there's a kind of river at the bottom of it and that's where the bridge that ime kenohira had been defending against the advance of noriori and his minamoto army but five hours after leaving kyoto they're approaching the shores of lake biwa and kiso sees a band of 50 horsemen riding towards him and the this this band is led by ime his foster brother who has retreated from the bridge kind of overwhelmed by the sheer weight of enemy numbers and has been hoping to rendezvous with Kiso.
9:26Tom Holland:And Kiso orders Ime to unfurl his banner, the great fluttering banner of Lord Kiso, and the sight of it raised up rallies his scattered supporters and some 300 samurai, all of them loyal to Kiso, end up gathered beneath it. But the problem is, is that the sight of this banner, as well as attracting Kiso's samurai, also attracts the enemy. and they are coming in their thousands and kiso leads a doomed charge against them and he and some 50 men managed to break through but then they find that there's another enemy warband waiting ahead of them and again to quote the tale of the heike they broke through that too and further on through 500 through 150 then 100 each time at a cost until kiso had only four left and one of these four companions was Ime and another was Tomoe.
10:17Tom Holland:So she is still going strong. And Kiso, I'm afraid very ungallantly, orders her to go. He says, it must not be said that at the end, I had a woman with me.
10:29Dominic Sandbrook:So he doesn't order her to go for her own safety. It's for his reputation. His honour.
10:34Tom Holland:He doesn't want to be said that he died in the presence of a woman, but she refuses to go. She says, no, I'm standing by you. And then abruptly, they run into an enemy warband now of some 30 men. And this is led by a samurai who is famed for his strength, we're told. And Tomoe recognizes that this is the end game. And so she charges this samurai captain, the guy who's famed for his strength. And we're told she caught him in an iron grip, forced his head down to her pommel, kept it pinned there, twisted it round, cut it off and tossed it away. And then she abandoned her arms and armor and fled toward the east.
11:12Tom Holland:And we talked, I think, in our second episode about how this headhunting, that it's a kind of process of butchery. It's not a neat slicing. It's a hacking and a carving. And you really get the sense of that.
11:23Dominic Sandbrook:And what of Kiso? So surely, you know, this is the end game for him, isn't it? And Ime, his brother, knows it. Yeah.
11:32Tom Holland:So Ime points to a nearby clump of trees. And these are the pinewood of Awazu. And Ime says to his foster brother, go in among those pines and take your life. so in other words commit seppuku and kiso is reluctant because he wants to die by his foster brother's side he says i fled all the way here to die with you i want us to die together not apart and saying this he he rides up beside ime on his horse and he says come on let's have a charge let's die in glory but ime is absolutely insistent uh says you know i don't want you dying like this i want you to have the dignity of uh of your suicide and so finally kiso kind of says okay fine and he sets off at full gallop for this pine wood in the distance but the light was failing and thin ice spread across the surrounding paddies and Kiso's horse plunges up to its waist in mud and it's immovable no stirrup no whip could move it and Kiso looks back he's very worried for Emma and as he does so his helmet tilts back it kind of rocks back off his forehead and at once an enemy archer's arrow embeds itself there splat straight into his forehead the wound was mortal kiso slumped forward onto his horse's neck and two servants of the samurai who had shot him this is a samurai called Ishida no Jiro Tamihisa they cut off kiso's head and they present it to their master and Ishida is triumphant and he draws out his sword from his belt sticks it on the tip lifts it up high and he cries out in triumph lord kiso famed throughout japan has fallen to ishida no jiro tamehisa so again this boasting about ancestry which is such a feature of of samurai braggadacho anime he sees what's happened and he gives up the fight and we're told he took the point of his sword in his mouth, hurled himself headlong from his horse and died transfixed.
13:34Tom Holland:So not exactly a seppuku, but I mean, a spectacular suicide nevertheless. And so it came to pass, we're told, that no battle took place at Awazu.
13:46Dominic Sandbrook:And this story, I mean, this is attested. There's no reason to doubt that this happened. I think the outline of it. Yeah, because this feels like the stuff of poetry, doesn't it? It feels like the stuff that might have been embroidered over time. For sure.
14:00Tom Holland:I mean, I think clearly the implosion of Kiso's power base, that's accurate. And I think the pathos of his kind of, you know, this lonely end by the pine trees. I think the place of his death was commemorated. It's kind of very famous. I mean, are all the details accurate? As you say, almost certainly not. because by this point poets are celebrating samurai in quite a traditional way and they love to amplify the glamour but they also love to amplify the jeopardy and so you get this incredibly cinematic account of kiso's death you know the the ice on the paddy fields the mud the way he dies the pine trees um you get this incredible battle cry of triumph from the guy who's killed him the insistence on yelling out his name you get eme's melodramatic suicide maybe this happened or maybe it should have happened but either way it it means that this episode again is one of those kind of paradigmatic moments that will reverberate through the centuries every samurai knows this story and i think that this reflects the way in which the samurai themselves as we said it right in the first episode you know they are always actively and deliberately encouraging myth-making and the rise and fall of someone like lord kiso you know it did dramatize for them how precarious life was you know the famous lines with which the the tale of the heki um opening we we had that beginning of episode two the bold and brave perish in the end they are as dust before the wind this is the great buddhist teaching all things must pass and also um the calling out of names on the battlefields maybe it didn't happen during the course of fighting as it did in this account but afterwards i think that's absolutely plausible i mean it you know the delight that ashida feels at killing someone as famous as kiso is entirely understandable because right the way through samari history the more glorious the better born the nobler the more famous the person you kill the greater the glory that it brings to you and it's very clear in all the accounts that kind of rank and file warriors samurai with no great lineage or reputation if they kill someone who's famous you know it immediately elevates them it immediately amplifies their fame and you know again the kind of the death of ime this this horrible kind of detail of him putting the sword in in the back of his throat and then kind of driving himself forward um did it happen it should have done if it didn't because a dramatic suicide is a good suicide and a good suicide is
16:43Dominic Sandbrook:a memorable suicide and just a quick question how do you think this compares with the kind of knightly culture of europe in the middle ages i think quite similar but more exaggerated version in some ways an even greater interest in lineage and fame and in or or just the equivalent i mean
17:00Tom Holland:they're not exactly they don't exactly map onto one another but i think there are kind of aspects of knightly culture as there are in samurai culture that are celebrated by poets and which then influence the way that knights behave and that behavior then in turn influences poets so it's a kind of you know it's uh the knightly culture and the poetic culture are kind of fueling one another and it's that which brings us to lady tom away who is a properly mysterious figure who she just suddenly appears and then just suddenly vanishes you know she chops off the head of this guy and she's gone and we never hear about her again it's not surprising that this this starring role so unexpected so unusual so so kind of fleeting it absolutely encourages subsequent attempts to fill in the gaps so in the wake of the tale of the heike people are are fascinated by her they do want to know more uh they want to know you know who had she been to kiso had she been his servant his concubine his wife how how seasoned was she in combat and so a tradition develops that she had actually commanded the division of kiso's army at the kurakara pass that had been stationed in hell valley so all those um tyra soldiers who had jumped off the precipice and fallen into the valley and been cut up by the minamoto soldier stationed there that she had been in command of
18:21Dominic Sandbrook:them but there's no evidence at the time that she was i mean this is a an elaboration after the
18:26Tom Holland:event no i mean i suppose it's not completely impossible because if it was completely impossible people wouldn't have said that it had been possible but i i think it's probably unlikely um and then of course there's this great mystery about what did happen to her after she galloped off into the sunset and again various stories are kind of told to try and fill that gap so some say that she continued her career as a warrior that she had a kind of glorious record others say that she was captured by one of Yoritomo's right-hand men and made into effectively a sex slave, and others that she ended up as a nun.
18:59Tom Holland:And so the range of stories that are told about her fate have led some scholars very disappointingly to suggest that she was completely fictional. But I'm happy to say, having on the basis of my fairly cursory research into this, that the consensus does seem a lot more positive than that that most um scholars of of of this period think that she was a real person who was kind of amplified into legend well can we talk a
19:26Dominic Sandbrook:bit about women more broadly so women girls from samurai families are taught how to ride a horse sit in the saddle use a bow and so on and there are female warriors aren't there on a musha they're
19:39Tom Holland:called yeah they're completely recognized figures in japanese culture and most of them probably didn't carry swords as Tomoe did but they were habituated to the use of the the naginata which is that kind of halberd like thing that was used in the battle on the Yuji bridge the guy kind of batting away the the arrows of his enemy but this was often described in Japanese literature as the kind of the weapon par excellence that was used by female warriors I guess because it was kind of maybe lighter than a sword. And there is an intriguing detail from archaeology, admittedly from centuries after Tomoe lived.
20:16Tom Holland:So there was, in 2022, there was excavation of a site of a battle that had been fought in 1580. And that covered the remains of 105 individual warriors who had perished in this fight. And of those 105, 35 had been women. So I think the evidence for there having been female samurai is much stronger than say the evidence for the having been female vikings which is you know people very much want to believe in i think the evidence for female samurai is much stronger so i think that you know the fact that tomo undoubtedly does become a figure of myth um she she becomes a star of kind of no theater and kabuki and all this kind of thing i mean she's kind of very well-known figure right into the present in japan but it doesn't mean that she was always and exclusively a figure of myth and uh it's a point really really well made in the the catalogue of the british museum samurai show by rosina buckland the curator there who and she wrote it is important to realize that myth making was present from the very beginning and that it cannot be separated from historical fact image underpinned reality because the samurai as we've said are always conscious of themselves as someone who is potentially going to be the star of a myth.
21:28Tom Holland:And it's true of all the great figures in the samurai civil war. So Kiyomori, Kiso, Tomoe. But actually, the guy of whom it is most true is the samurai who will come to rank simultaneously as the greatest general of the age, a figure who is clearly a man of history, a man who is shaping events, who is winning wars, who is altering the very course of Japanese history but who also ends up as the kind of a cross between robin hood and king arthur and this is minamoto no yoshitsune and we met him in the previous episode he is the younger half-brother of yoritomo he's the guy who'd won the battle of uji and he was the guy who had captured kyoto and more specifically goshiro kawa the the cloistered emperor that's right but he's he's already in the
22:25Dominic Sandbrook:series occupied a place in between history and legend hasn't he because he also was sent off to monastery and he was raised not knowing who his father was listeners may recall that he was taught swordsmanship by a sort of a demon or something who lived underneath a mountain and then he fought that bloke benke the sort of warrior monk who was built like joe marler the rugby player on a bridge and then recruited him remember benke wanted to defeat a hundred people or something a thousand A thousand. And then he got a 999 because this bloke was his thousandth. And then Benke became his samurai. So he is a really good example of how these characters occupy this strange kind of liminal world between verifiable historical fact and the stuff of kind of poetry and legend and folktale and all of this kind of thing.
23:12Tom Holland:Yeah. And so in the second half, his career will take two courses. So the first course, we will see how he is entrusted by his brother Yoritomo with the command of the Minamoto war effort and how he takes to the seas against the Taira, who are the great naval power. but we will also be seeing how once he has brought the samurai civil war to a close he ends up being banished from his brother's presence and he withdraws effectively into the dimension of legend so he is going to become a great figure in japanese history and he is going to become the robin hood of japan exciting so come back after the break and we'll find out how minamoto no yuchitsune becomes robin hood spring black friday is on at the home depot save on
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24:41Tom Holland:It is an honor to share.
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25:20Dominic Sandbrook:Welcome back to The Rest is History. So we have been talking about Yoshitsune, who is the youngest brother of Yoritomo, the head of the Minamoto clan. He's had a tremendous episode so far. His great rival Kiso has been eliminated from the Samurai Game of Thrones. And now Yoshitsune is off to fight their sworn enemies in the west of Japan, the Taira. Now, the difference here is the Taira are very formidable on sea as well as on land.
25:51Tom Holland:so tom how's he going to cope with that it's going to be difficult because the minamoto are not a naval power they don't really have ships um and that means that the tire are going to be very very difficult to bring to a decisive defeat because they control the inland sea and these are the waters which border western honshu and immediately to its south um these two other islands so uh shikoko which lies directly parallel to western honshu so if you think of it as maybe mapping onto England it's like an enormous Isle of Wight kind of running parallel to the south coast and then Cushu which is like we said it's like kind of Cornwall and Devon if it was an island kind of stuck on the southwest and the straits that separate Cushu and Honshu are so narrow that today they are spanned by a bridge so this essentially you know these are the shipping lanes the ports, the islands that the Taira have fled to.
26:47Tom Holland:And because they know that the Minamoto have no naval capacity, if they base themselves on these islands, they're effectively inaccessible. So they are in Shikoku, they are on Kushu, but also on a place called Yashima, which is a volcanic island immediately off the coast of northeastern Shikoku. And they assume Minamoto have no ships, we we are safe if we stay here now having said that they do also have a base on the coast of mainland honshu about three days ride from kyoto and this is a place called ichinotani and they don't want to abandon honshu completely i mean that's why and they have based themselves in ichinotani because they think it is impregnable it's kind of nestled between beneath very very steep cliffs which everyone assumes are impossible to descend and the beaches that lie to the east and west of their base are guarded by very high walls so they feel you know completely secure
27:43Dominic Sandbrook:there all right tom i have the sense that you wouldn't tell me that about the high cliffs and the impregnable situation unless in fact this place was was not impregnable and somebody was about to take it i mean that's the nature whenever someone describes an impregnable citadel on a on a history podcast you know that it's going to fall about two pages of notes later particularly
28:01Tom Holland:if you've got an absolute legend like yoshitsune on the on the scene because being told that a cliff can't be descended is exactly the kind of challenge that he loves and so um you know he's informed oh there's no way that any horseman can can ride down these cliffs and he asks the local who's told him this um you know well can deer get down this cliff face and he's told yeah the deer they can get through why then your shits and exclaimed it sounds like a veritable riding ground if deer can get through so can horses and so he sends two riderless horses down the side of the cliff and he watches them go down and they manage to make their way and once these two horses have got to the bottom yushitsune turns around to the samurai he says let's go and down they go and it's very like um the end of uh two towers the peter jackson film where gandalf leads the riders row and down an improbably steep hill yeah yeah it's a brilliant scene and also of course it's very tom away because we're told in that passage that you read and she could ride the wildest horse down the steepest slope so it's obviously a kind of measure of samurai skill and bravado and so the tale of the heike says down he went that's your shitsune everyone followed stifling whoops and shouts to the horses the drop was so steep they shut their eyes the feet seemed
29:22Dominic Sandbrook:all but superhuman something for gods or demons not men but i mean the tyra as soon as they took refuge in a stronghold that they were told was impregnable they should have known this was coming they should have read the tales of japanese history and whatnot but maybe they didn't realize they were in an epic poem that was their mistake no maybe they didn't anyway they're taken by surprise by this aren't they and huge numbers of them are cut down immediately itch in a tani is
29:44Tom Holland:put to the torch and um the whole war would probably have been settled there and then had the Tyra not had their ship lined up ready to go so like the Greeks on the plains of Troy and then there's a great battle on the beach but most of the Tyra are able to escape onto their boats and sail away and among those who managed to get onto a boat is the five-year-old emperor Antoku and with him crucially this imperial regalia that you have to have if you're going to crown or you know institute a new emperor and as long as antoku keeps that with him then um the the minamoto can't
30:20Dominic Sandbrook:put a new emperor on the throne so that's kind of a result for the tyra can we just focus in on a particular episode from this uh battle because obviously this battle greatly celebrated in kind of japanese poetry and legend and stuff and the tale of the heike talks about some of the rather like the iliad or something it focuses in on individuals heroes who perform tremendous feats in this battle and those feats then become an inspiration for generations of samurai in the decades and centuries afterwards so the most famous one is this guy kumagai nawazane and what happens to kumagai nawazane and what makes him so celebrated he's a low-born samurai and therefore
31:01Tom Holland:he's desperate to kind of boost his standing and his reputation and so he does this classic samurai thing of wanting to be the first into battle and so rather than join yoshitsune in this kind of you know descent on their horses down the cliff he has gone in for some kind of father-son bonding by taking his son a guy called naoi along for a completely lunatic full frontal assault on you know one of the flanking walls um that is protecting the beach and it's you know it's this kind of classic samurai thing he wants to be the first into the battle and he does get over the wall his son is invalided out kumagai is very upset about this he's kind of brooding on it and as the tyra are making their escape he joins that the minamoto and he rides down to the beach to carry on the fight and he sees a tyra warrior who is swimming out to one of the ships and and this warrior we're told wears delicately tinted green armor a helmet with spreading horns a sword with gold fittings and on his back arrows fletched with mottled feathers and kumagai calls out to him and says hey stop running away don't be a coward come back and fight and the tyra warrior hears this he stops swimming and he turns around and he you know wades back up through the through the shallows and they start fighting and kumagai is much too strong much too powerful much too experienced for this much slighter warrior and kumagai wrestles the tyra down onto the ground and he tears off his adversary's helmet.
32:33Tom Holland:And we're told he beheld a youth in his 16th or 17th year, his face lightly powdered, his teeth blackened about the same age as his own son. And to powder your face and to blacken your teeth is a marker of aristocratic status in the imperial court. And this is a kind of very, very handsome, almost pretty youth. And Akwemagai demands to know the name of this young man and the young man refuses. I am a worthy opponent, he says. Take my head and ask around. But Kumagai stares down at him and he's thinking of his own son who is, you know, dangerously injured. And he hesitates and he thinks, I should spare this boy.
33:15Tom Holland:He has all his life ahead of him. You know, I challenged him to battle and I shouldn't have done because he wasn't ready to compete with me. But as he's thinking this, he sees a great crowd of samurai moving down towards them and the boy he sees this as well and he's afraid that he's going to be dishonored before them if kumagai doesn't take his head and so he says to kumagai come on get a move on you know decapitate me alas kumagai murmured in bitter grief the warrior's calling is harder than any had i not been born to a warlike house never would i have known such sorrow and so he draws his sword and he beheads the youth and then he finds that this young boy had a flute which like blackened teeth and powdered skin is kind of emblematic of aristocratic grace and sophistication and learning and he has this flute in a bag at his waist so it's clear that this young man is a man of tremendous breeding and subsequently kumagai learns that he was a young man called atzomori the son of an exceedingly high-ranking Tyra Lord, and that this flute had been a personal gift to him from the cloistered Emperor Toba, who died way back in episode two.
34:31Tom Holland:And Kumagai is so distraught at what he's done and at the way that he's brought death to this brilliant young man, that he ends up becoming a monk. He chucks in the samurai business completely. And we're also told that when Kumagai, you know, he's on the beach of Ichinatani, he's holding the head of this young man who he's decapitated, and he goes to present the head to Yoshitsune. The sight of it, we are told, drew tears from everyone. So all the samurai share in this feeling of grief. What are they grieving? The fact that he's aristocratic or the fact that he's young? I think both. I think they feel grief for the kind of the old aristocratic order that the samurai are starting to eclipse but i think they are also starting to kind of fashion for themselves a new culture which derives from the courtly culture but is something something novel and very rich very vivid in emotion and the reason that this episode reverberates so profoundly is that it's almost like a passing of the torch a passing of the torch from the courtly culture to the samurai culture and what you're seeing here are samurai who are starting to celebrate their own stories their own notions of nobility their own heroes and of course of all these heroes the greatest was as he remains to this day yoshitsune himself this is the moment where we see samurai culture starting to emerge in the form that still exists to this day that we're familiar with to this day
36:11Dominic Sandbrook:right now yoshitsune has always you know because he's a minamoto he's been fighting on land he's been fighting his way across honshu but of course the issue now is that the taira have fled by sea haven't they so he's going to have to become a naval hero as well as a land one if he's going
36:28Tom Holland:to carry the fight to them yes so he's essentially he's a you know he's a napoleon very young and dashing, herring around all over the place, who transforms himself into a Nelson. And one year after this great victory at Ichinotani, Yoshitsune launches his first amphibious expedition, and he does it by sea, in the teeth of an absolute gale, to Shikoku, this island to the south of Honshu. And then having landed, unobserved by the Taira, he leads his cavalry overland by night, so as to maximize the surprise to the Tyra base on this volcanic island of Yashima, which we mentioned. And Yoshitsune and his men are able to attack this base because, as they had been informed by a local, at low tide, you can ride out to the island and not even wet your horse's belly.
37:18Tom Holland:So it's kind of very affordable. And the Tyra, again, the Minamoto pull this trick, which Kiso had also been keen on, of raising up kind of phantom banners to make it seem like there's a much larger force than there actually is the minamotos see these banners and they panic and they they all pile into their ships again and the ships pull out to sea and they essentially abandon their base and it's a victory for yoshitsune you know he's captured their base he's forced them off shikoku but because the taera have been able to withdraw and because they again they take the the the emperor and toku with them and the imperial regalia, it's still indecisive.
37:56Tom Holland:You know, they had the first battle, indecisive, the second battle, third time lucky.
38:00Dominic Sandbrook:I mean, in a poem, it's always the third battle as the winner, isn't it?
38:04Tom Holland:But the thing is, I mean, it is, but this is also historical fact. We know that this isn't just kind of completely made up. These battles are authenticated in sources from the time. So, and I think this is another reason why Shitsune is such a potent figure, is that he leads his life as though he's already a hero in a kind of epic poem and people clearly feel that at the time so third time lucky it's one month later 25th of april 1185 and yashitsune meets the entire tyra battle fleet in what is going to prove the climactic clash of the samurai civil war and the setting now is the waters that border the very westernmost point of honshu so these are the narrow straits that today are crossed by bridge that separate honshu from the
38:57Dominic Sandbrook:neighboring island of kushu so at yashima so a month before yoshitsune had been a little bit hesitant about facing that irsc hadn't he because you know they're the experts on sea he's a relative novice but now he's absolutely gonna go for it and what has changed new ships new tactics what's the difference yeah i think i mean it's a bit like the romans attacking the
39:21Tom Holland:carthaginians in the first punic war you know they're not proficient sailors but um yoshitsune is confident now that he has enough ships to um to at least rival the number that the the tyra have at the minamoto shipyards have been working flat out because of course um yoshitsune has seized them from the Taira by conquering most of Western Honshu. It's evident, I think, by this point to most people that the Minamoto are going to win. And so there have been a lot of defections, you know, ships and sailors have gone over to Yoshitsune. And also by cornering the Taira in these very narrow straits, he senses a real opportunity.
40:02Tom Holland:This is his chance finally to win a decisive battle because beyond these straits there is nothing but open sea you know all the way to uh to korea so the taira essentially have nowhere to go if they lose they have to stand and fight and all of these are factors that lead yoshitsune to think this is the moment but above all of course you know we compared him to nelson he has those those qualities he has boldness he has vision he has drive he has a kind of sense for the moment and the battle begins um kind of towards midday it's the late morning and by the late afternoon yoshitsune has effectively won the tara fleet um have been caught by this massive riptide and they're starting to drift helplessly backwards towards um a rocky beach on the shore of honshu called danora and this time there's no escape for the the little boy emperor antiku he's had a he's had a tough time that that boy you know he's just he's just spent his whole life kind of jumping onto ships and being ferrored away but this time there is nowhere for him to go and so um he's with his grandmother who is the widow of kiamori the the great tyra lord who died of horrible temperature and antiku's grandmother folds the little boy in her arms and then she speaks probably the most famous last words in the entire history of the samurai um incredibly celebrated in japan and she tells the boy down there beneath the waves another capital so another kyoto awaits us and then she jumps with him into
41:40Dominic Sandbrook:the sea and they sink good line it's a really good line i mean i respect it yeah a really good line
41:47Tom Holland:and the ceremonial sword you know which you need to inaugurate a new emperor that also it is said vanishes into the depths although opinions differ um there are there are those in japan who say that it was recovered um but i think the consensus generally is that that goes forever it's lost it's still down there in the straits fortunately the mirror and the jewel do survive and uh you know they're still in existence to this day uh and there is a sword which some say you know i think probably fake but don't come at me if you're japanese so they've gone and all across the Tyra battle fleet the samurai are thinking this is it we're all over and they see the emperor and his grandmother jump into the waves and so they start to follow and most of them pick up anchors or they put on a kind of extra layer of armor to ensure that they will sink and never before in the history of the samurai had there been such a mass suicide how many people thousands and thousands sinking down into the depths um there are survivors so ken raimony in who is the the mother of antiku the daughter of kia mori she weighed down her robes and she threw herself into the sea but there was a minamoto sailor saw her and reached down with a grappling hook caught her by the hair hauled her in um so she survived and monomori who is her brother and the highest ranking of all the tyra so the eldest surviving son of kia mori he also was captured because he had hesitated to jump.
43:18Tom Holland:So in a way, he's the kind of the Bruce Ismay of the samurai, the guy. Oh, yeah.
43:23Dominic Sandbrook:He's the coward. Is he lambasted for the rest of his life like Bruce Ismay was?
43:27Tom Holland:Yes, he is, as we will see. Oh, no. And the survival of Munamori, it kind of only emphasizes the sheer annihilation of everyone else in the Taira clan. Again, there are these incredibly famous lines from the tale of the Heki. Red flags and badges littered the sea like autumn leaves stripped by the wind and scattered on the Tatsuta River. Once white, the waves on the shore broke pink. Boats drifted, empty and abandoned, the will only of wind and tide, aimlessly rocking a desolate scene. Almost the strangest story told is that the spirits of the dead Tyra, all the ones who had killed themselves by jumping into the sea, migrated into the crabs that scuttle along the beach of dananura and can still be seen there to this day and dominic you're pulling a face no yeah just just the face of a crab actually should you or anyone be skeptical then have a look at the shells of these crabs the haikagane they call the taina crabs and on these shells you will clearly see the faces of drowned samurai no i totally
44:36Dominic Sandbrook:believe this i don't i'm not skeptical at all so um you were comparing this to uh the naval battle i don't know between like rome and carthage but i mean rome and carthage had nothing on this the the young emperor with his grandmother going down to their capital beneath the waves the the sword that's disappeared and never found the samurai crabs i mean this is good stuff yeah
44:58Tom Holland:it's an incredibly haunting eerie battle as well as being you know completely decisive in this great war this great samurai civil war and i think that this is also a crucial aspect of what makes yoshitsune the most famous of all the samurai because the battle crowns what has been the greatest succession of victories um in the history of the samurai you know these three great naval battles and before that he'd captured kyoto and he'd forced the bridge at uji all of these great victories but also yoshitsune himself is folded into the aura of tragedy because it is for him a pinnacle of greatness.
45:36Tom Holland:And from this moment on, the only way is down. The future is not good
45:41Dominic Sandbrook:for this great victor in the war. So I'm wondering if part of this is to do with the dynamic that is always slightly fateful in history, which is he's the younger brother and his elder brother is the person really for whom he's fighting. And is his elder brother properly grateful and gracious in victory? He is so not.
46:00Tom Holland:He's so ungrateful because Yoritomo, I think, is not a man who is in any way swayed by emotion or sentiment and he recognizes that yoshitsune now is the only person who could conceivably rival him as the master of japan yoshitsune has this reputation he has the loyalty of all these men um yoritomo hasn't fought um you know a battle in this war and so yoritomo can recognize that if he is going to be completely secure he has to get rid of his younger brother and this perspective is solidified for him by the fact that in kyoto the wily go shirikawa is already trying to foster divisions between them by kind of absolutely lavishing yoshitsune with honors which is almost calculated to infuriate yoritomo and yoritomo is you know he is not in a mood to show clemency to anyone and particularly not to the the taira either So Munamori, the Bruce Ismay of the Tyra, he is executed and his head is exhibited in Kyoto Marketplace.
47:09Tom Holland:I mean, if you're a fan of severed heads, Kyoto Marketplace has definitely been the place to be for the past few years. All his children are either drowned or buried alive. And poor Ken Raimon-in, so the mother of the drowned emperor, the boy emperor, she is she is spared but she's sent to a particularly poverty stricken nunnery where she lives the rest of her life so that's the tyra gone but how is yoritomo going to deal with yoshitsune um well first of all he refuses to see uh the victorious general yoritomo you know he's not having him um anywhere near kamakura um then he strips him of all his lands and then he attempts to have him assassinated and although the assassination attempt fails it's very very clear to Yoshitsune who it was had sponsored it and so by the end of November and this is the same year that he'd won um you know his great victory over the Taira uh at at Danonura Yoshitsune gets the message and he slips away from from Kyoto and he vanishes effectively into the dimensions of legend because from this point on he is basically Robin Hood he is an law he's always escaping villainous lawmen who are trying to hunt him down um and of course he you know he has a little john in the form of this colossal warrior monk benke he is basically friar
48:30Dominic Sandbrook:tuck and little john combined into one character yes and he ends up so robin hood lurking around in the north of england and he is lurking around in the north of japan he is and as with robin
48:40Tom Holland:hood there are all these stories that are told about him very again incredibly famous in japan almost none of which i think are true but what is true is the fact that by 1189 yoshitsune is cornered in the very far north of honshu so basically as as far north as it's possible to go and he's tracked down by a vast force of local samurai to an abandoned fort which stands behind a lonely river and there's clearly no escape from it and so yoshitsune himself retires into the fort where he commits seppulchre he slits open his stomach and outside while he's he's dying in this way his tiny band of retainers are trying to hold off this kind of vast army that has gathered at its gates but they inevitably are picked off one by one and finally the story goes only benke this colossal warrior monk is left and he pauses the besieging force of samurai is so intimidated by him that they withdraw.
49:41Tom Holland:Benke leans on his great naginata, his halberd, and none of the enemy samurai dare to approach him. He's such a figure of kind of brooding and terrifying menace. And all is still for several minutes. And then a gust of wind blows, and very, very slowly, Benke keels over. And the samurai come forward to inspect him, and they realize that he's been dead for a while and only held up by all the arrows that have struck him through and are feathering him. That's a good story. It's very Wild West, isn't it? It's exactly the kind of thing that you could imagine, you know, a shootout in a saloon or someone.
50:20Dominic Sandbrook:He's been shot and then very slowly he topples over and, you know, a tumbleweed goes past his dead body or whatever. However, I have a terrible feeling you're going to debunk this story and say that it didn't happen. I like to think it happened
50:31Tom Holland:and we know for sure that Yushitsune I mean, he is cornered, he is killed, and he is decapitated. And his head is sent from this fort in the far north of Honshu to his loving elder brother in Kamakura, Yoritomo. And it's preserved in sweet sake, we're told. And Yoritomo inspects it and disposes of it. And that seems to be the end of Yoshitsune. but as with Robin Hood you know there are stories that he survived and lived to old age similar stories are told of Yashitsune and one of the most extraordinary stories which develops much later is that he had escaped to China and then made his way to Mongolia where he became
51:17Dominic Sandbrook:Genghis Khan Wow I mean there are accounts of Genghis Khan as a boy and as a young man so that would seem to conflict with them but who knows stranger things have happened well have they i mean they probably haven't but i'm probably not you know these stories don't
51:32Tom Holland:have to be true to be influential and the stories that are told of your shitsune in particular over the course of the centuries you know they have a massive influence on the figure of the samurai as myth and by extension i think therefore on the figure of the the cowboy in westerns and on luke skywalker in star wars i mean we've said that and so i think you you know you could imagine that if your Shitsune were to meet Luke Skywalker,
51:59Dominic Sandbrook:let's say that happens. There's a great joke coming up, everybody. Don't miss this great joke from Tom. Tom is going to make a Star Wars joke, and this is very exciting. Go ahead, go ahead.
52:09Tom Holland:What would your Shitsune say if he met Luke? He would say, I am your great, great, great, great, great, great, great, great grandfather, Luke.
52:18Dominic Sandbrook:Oh, what a great joke that is. Keep back of the net. George Lucas on the phone to you straight away. why doesn't he feature that in one of his films? What a brilliant bit of sci-fi banter.
52:30Tom Holland:Thank you. Thank you very much. And also, I hope you know that I've been saying video game throughout this series as well.
52:36Dominic Sandbrook:That stunned me. That absolutely stunned me at the beginning of episode one. I was looking forward to laughing at you about the phrase computer game. And to my horror, you'd put video game. You had acknowledged that history had happened after the 1990 or something. And that astounded me.
52:51Tom Holland:We've been doing this podcast for years and years now. and I like to think that I have learned from you. A bit like Yoshitsune at the feet of the great demon in the mountain.
52:59Dominic Sandbrook:Here's my real question. How did you know about the game Ghost of Tsushima? Is that in the British Museum exhibition or something?
53:05Tom Holland:Because I knew that samurai were a massive theme of video games. There's lots about that in the British Museum catalogue.
53:12Dominic Sandbrook:I've got to be honest, of all the things we've done, we've done like 700 episodes, regular episodes. We've, of course, done episodes for our Rest is History Club members and you can hear those episodes by signing up at therestishistory.com. but in all those hundreds and hundreds of episodes nothing has blown my mind more than you starting with ghost of sushima thank you i mean that amazed me my mission is done yeah i mean
53:33Tom Holland:this is part of what makes the samurai so fascinating is that they are part of the fabric of of video games right i mean i kind of you know in japan they're colossal but they're also part of kind of western video games and that's what makes them so fascinating and exceptional okay let's get
53:50Dominic Sandbrook:back to the history of the samurai because the age of the samurai has now well and truly dawned i mean they are the masters of japan now right because they're not just figures of fantasy they
53:59Tom Holland:are you know they are now going to be the rulers of japan basically for 700 years yeah of course
54:04Dominic Sandbrook:so yoritomo is the master of japan right now i mean you describe him in your notes as restless ruthless and deeply unappealing i mean is he that unappealing he's just one i mean i don't find that
54:14Tom Holland:unappealing i like to think that um i wouldn't for instance hound my my own brother to his death I feel that that's very poor and I'd like to think that you wouldn't either I think that it's very unfraternal I don't think he's an attractive figure but okay he's a deeply deeply impressive figure and he is now effectively the master of Japan and if you want to become master of Japan then he's obviously a tremendous role model yeah there's absolutely that and he makes clear his status as the new master of Japan on the 7th of November 1190 so that's five years after his younger brother had won this great battle at Dananura and he travels to Kyoto and this is his first visit to the capital as an adult and his stay there is very brief and the fact that he doesn't stay in Kyoto reflects the fact that in the opinion of Yoritomo Kamikura this town very close to you know what is now Tokyo is effectively the new capital of Japan not officially but effectively and he doesn't want to be away from it for very long nevertheless Kyoto is still you know it's the ancestral capital it's the place where the emperor lives so it does matter and so this is why he has gone there his respect for the monarchy is authentic you know he's not a Cromwell to that extent he's not going to abolish it he's not going to replace it that would be a bridge too far but having said that even though he respects the institution that the emperor embodies he doesn't respect the most significant player in the imperial family and this remains the very crafty the very inconstant the very shifty go shirakawa and actually yoritomo sees um go shirakawa as he calls him a tengu a demon someone who is not quite human and so he's going there basically to put go shirakawa in his box as well you know kyoto the whole of japan it needs the smack of firm government and that being so there can be no place for kind of scheming elderly cloistered emperors messing things up you know there can be no place for corrupt imperial favorites cloistered emperors any of these kind of people they're all gone you're not going to put up with them the only class of person who could be trusted to provide good governance is yoritomo's own class the samurai class and so this is where the notion of the samurai as the ruling elite in japan is starting to bed down very firmly.
56:43Tom Holland:And Yoritomo effectively delivers this message in Kyoto, and then he heads back to Kamakura, and he leaves the ancient capital behind. And it's a kind of a tremendous insult to Kyoto, but, you know, everyone there has to suck it up. Remind me, who is the emperor at this point? Who is the actual emperor? Well, it's this little boy Gotoba, who finally, you know, they've got the regalia back, and so he's been crowned as emperor, but he's still kind of or something at this point so not really a player yoritomo does not press to be given a kind of an official title at this point um he waits for go shirikawa to die and go shirikawa finally dies in spring of 1192 and so gotoba this little boy is now um you know he no longer has his uh his grandfather kind of operating behind the scenes and so he's much easier for yoritomo to influence And so Yoritomo leans on the little boy Gotoba, the emperor, very heavily.
57:38Tom Holland:And on the 21st of August, 1192, Yoritomo is formally appointed shogun. And of course, this is a title that means general, but, you know, general goes and fights barbarians, all that kind of thing. But it clearly now has a much deeper and richer resonance. You might compare it to Cromwell's title of Lord Protector, or you might compare it to the title of imperator, the name of imperator that Augustus is given. And I think that there is a kind of parallel there because just as Augustus establishes an autocracy disguised in the kind of the robes of the Republic, Yoritomo is establishing a military autocracy kind of veiled in the robes of the old imperial state.
58:22Tom Holland:The emperor is still on the throne, but he's now completely neutralized and the regime that yoritomo establishes is very clearly a new beginning for japan and it is called by people a bakufu which is literally a government run from the headquarters of a general the kind of the tent that a general has on maneuvers this is what japan has now become and so kyoto endures as the home of of ritual of tradition of the imperial family but kamakura is now the kind of indisputed center of government and again another parallel from roman history kioto is rome kamakura is constantinople yeah because the shogunate
59:02Dominic Sandbrook:is where it's all at now so the shogunate dispenses influence patronage power and so on and that endures so you mentioned augustus i mean the thing about augustus is that the the structure he creates endures after his death which people didn't necessarily expect and but that's also the case with yoritomo as well isn't it because basically what he's built is resilient enough that it doesn't depend on his personal cunning and charisma and whatnot
59:27Tom Holland:yeah so he died in 1199 um 15 years after the end of the civil war he fell from his horse but everything that he constructed basically remains in place so kamakura um stays as the the center of government the the country is uh essentially united under the rule of the shogunate across uh honshu across uh kushu across shikuku uh across uh sashima it is the samurai who are the local bigwigs they are they they hold the reins of power and they're all really kind of beds down and i think even more than tokugawa yesu the the guy who establishes the shogunate and it's kind of very um stratified form in the early 17th century yoritomo is the greatest political figure in samurai history.
1:00:16Tom Holland:I mean, he is the guy who really establishes samurai rule, and it will endure for century after century after century. And I think that this is becoming clear to the people in Japan in the decades following his death.
1:00:28Dominic Sandbrook:Yes, because a great test lies ahead for Japan, doesn't it? And this takes us back to the very beginning of this series and to your own experience of video games. So what are we, maybe seven decades after the death of So the system he has built is pretty resilient. But the great test is coming because we get to the year 1274 and the scene with which we began. The island of Tsushima, the samurai who stand guard over the island looking out at the northern horizon and they see something absolutely mind-blowing. they see the arrival of this fleet more enormous and more terrifying than anything they could have believed possible it is of course the fleet of the mongols so how will the samurai fare tom are you going to do that story right now or are you going to make us wait you're going to make us wait
1:01:21Tom Holland:unbelievable gonna do it probably later in the year the story of the mongol attack on japan The kamikaze, did it really happen? Tremendous drama. One of the great narratives of Asian history.
1:01:34Dominic Sandbrook:Great story. And of course, members of our Restless History Club will be able to hear all that story in one go when you finally get around to doing it. So that's something to look forward to. Now, what have we got coming up? We have coming up next week a complete and utter change of mood and pace as we return to 1970s Britain. so we'll be back with fan favorites harold wilson and james callaghan for the rise of margaret thatcher so britain's first ever referendum the decision to remain in the european community we'll see how that worked out uh britain going bankrupt and having to get a bailout from the international monetary fund and all kinds of amusingly seedy and shabby 70s antics so members of the rest is history club will be able to get all of that series on monday that's exciting so you get the whole thing.
1:02:26Dominic Sandbrook:And if you want to get the whole thing on Monday, all four episodes, you just have to sign up at therestishistory.com. You also get the fantastic new newsletter with all sorts of information about samurai and the 70s and all sorts. And you get a host of, I think the technical term is unbelievable benefits, isn't it, Tom? Yeah, unbelievable additional benefits, I think. Additional benefits, additional benefits on top of the benefits you're already getting. That was an epic journey, Tom. So, adagathe gozaimasu to you, Tom, and adagathe gozaimasu, everybody. and we will see you next week for the 70s bye-bye bye-bye
From the publisher
Who was the greatest female Samurai warrior of all time? What would unfold in the next phase of the terrible civil war between the Minamoto and the Taira dynasties? And, how did the Samurai finally become the masters of Japan?
Join Tom and Dominic as they reach the climactic conclusion of their journey into the rise of the Samurai.
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