In short
Anok Yai discusses rebirth after a serious health crisis, returning to modeling with new boundaries, and preparing for couture fashion week; the hosts also trade fashion-week/travel chatter and speculate about Taylor Swift’s rumored Madison Square Garden wedding and Wimbledon style.
Guests
Anok Yai, a South Sudanese-American supermodel and June Vogue cover star; longtime collaborator Rafael Peverotti (photographer) and stylists/hair artists are referenced. Interviewer/host: Chioma (Chloe Mel and Chioma Nnadi are mentioned as hosts of The Run-Through with Vogue).
Key claims
Yai frames her comeback as “rebirth,” saying she learned life is fragile after being near death (pneumonia/sepsis/necrosis, months of recovery). She credits Raf’s support and says her mindset shifted to valuing every moment. She set firmer boundaries after nearly passing out on a Chanel runway return. She also describes backstage racism/trauma around hair straightening and how she pushed for afros/cornrows.
Notable examples
Her couture fitting story (Alexander McQueen rose dress); parents on set in Paris; Raf’s “thin layer” rebirth metaphor; Chanel comeback show; early career hair damage leading to braids/afro/cornrow advocacy; dream acting role as a vampire/witch/villain.
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Chapters
Tap a time to open that second in VOPost-Trip Reflections
0:00 to 1:13
Hosts discuss their recent trips, highlighting personal experiences.
“And then someone was like saying that Spider-Man was there.”
Emotional Moments in Fashion
3:00 to 6:24
Discussion about Anok's emotional year and her growth in the fashion industry.
“And so I hope that she is a couture stalwart.”
Weddings, Rumors, and Speculation
6:24 to 10:32
Hosts speculate about celebrity weddings and discuss rumors surrounding them.
“And then the drumstick itself is a chocolate covered pretzel.”
Fashion Events and Wimbledon
10:32 to 13:20
Discussion about upcoming fashion events and Wimbledon preparations.
“And apparently everyone's individual, the rumors that everyone's individual invite has been watermarked.”
Introduction to Fashion Insights
14:00 to 14:16
Explore how fashion influences self-perception and visibility.
“I ask questions, quite simple things that revolve around how we reveal or hide things through what we wear, how we do or don't draw attention to ourselves.”
Anok's Early Days in Fashion
14:34 to 15:45
Anok shares her early experiences in modeling and fashion.
“Hi I remember the first time we met, do you?”
Preparing for Couture Fashion Week
15:45 to 17:44
Anok discusses her preparation routines for fashion shows.
“So we're recording this ahead of Couture Fashion Week.”
Family Dynamics During Photoshoots
17:44 to 24:42
Anok shares the experience of having her parents on set.
Reflections on Mortality and Rebirth
24:42 to 27:48
Anok opens up about her health struggles and their impact.
“They found solid ground where they can sing softly and solid ground is a healthy body and a peaceful mind.”
The Journey of Healing
27:48 to 28:00
Anok discusses her emotional recovery after a life-threatening experience.
Show all 22 chapters
Facing Mortality and Finding New Meaning
28:00 to 29:36
Anok Yai shares her experience with a near-death situation and how it changed her perspective on life.
The Impact of Personal Struggles
29:36 to 31:06
Discussion about the vulnerability captured in Anok's modeling and the personal struggles she faced.
“And I think that's how the concept of that came.”
Health Challenges and Recovery Journey
31:06 to 34:34
Anok describes her challenging health journey post-surgery and the physical and emotional recovery that followed.
“And then, of course, I would call my surgeon, and then he would help me on what to do.”
Returning to Modeling After Recovery
34:34 to 36:42
Anok discusses her return to modeling, setting boundaries, and addressing fears after her health crisis.
“But my friends and my family, like they really like held me through it.”
Support from the Fashion Community
36:42 to 39:24
Anok reflects on the support she received from friends, family, and colleagues in the fashion industry during her recovery.
“I was like, what if, what if I pass out in the middle of the runway?”
Support from the Fashion Community
40:00 to 40:56
Anok reflects on the support she received from friends, family, and colleagues in the fashion industry during her recovery.
“The run through will be back with Anokyai.”
Support from the Fashion Community
40:59 to 41:13
Anok reflects on the support she received from friends, family, and colleagues in the fashion industry during her recovery.
“Send us your questions, pictures, and any thoughts to bakeclub at bonappetit.com.”
Anok's Relationship with Jawara
41:13 to 42:00
Anok shares her close relationship with hairstylist Jawara and how he positively influences her career.
“I also want to talk a bit about your relationship with Jawara because I think he's someone who's obviously super close to your heart.”
Navigating Hair Challenges in Modeling
42:00 to 45:56
Learn about the struggles Anok Yai faced with hair care in the modeling industry.
“So I go on YouTube and we start looking up videos on how to straighten black hair.”
The Importance of Representation
45:56 to 48:22
Discover how Anok Yai advocated for better representation of Black hairstyles in fashion.
“And then when I first started doing that, I got a lot of pushback.”
Speaking Out on Humanitarian Issues
48:22 to 51:02
Hear about Anok Yai's experience speaking at the British Fashion Awards about Sudan.
“I wanted to, because usually when I go, when I do anything, like speaking out, it's usually from my Instagram and stuff.”
Pursuing Acting Dreams
51:02 to 52:55
Explore Anok Yai's aspirations in acting and her dedication to the craft.
“and I'm thrilled to hear a little bird tell me that you're taking acting classes.”
Transcript
Automatic transcript. May contain errors.0:00Chioma, your trip looked amazing. Oh my God, it was. You were a Pelicano? It was so needed. Like Dua and Callum? I know, I miss them by a hair. And then someone was like saying that Spider-Man was there. And I was like, wait, did I miss Tom Holland? Is he here? Like, what's going on? And was he? No, I don't think so. I didn't see him. A different Spider-Man? The real Spider-Man? Fake news. The real Spider-Man potentially, but not that I saw. but just so nice to be horizontal and swim in the ocean. And the view's fantastic. The food's fantastic. And it feels like a bit of a step back in time to an idea of a different hotel.
0:37You feel like you're in the 70s. It really feels like old school Italian glamour. Oh, my God. 100%. It's so that. And I love all the Lisa Corti linens and cushion covers. It totally inspired me. That's like all of the tablecloths I use now. Oh, my God. everything you pick up the the cutlery the plates you just photograph everything yeah even the pillows i was like literally like trying to order the italian pillows because it's the most luxurious sleep experience i've had in a long time and i swiftly switched up all of my i'm so happy for you yeah this is the run through i'm chloe mel and i'm chomanadi and on today's episode i'm bringing you this wonderful conversation with Anok Yoi who I interviewed a while ago in 2020 when she was just starting out and she really had something back then Chloe like she just you know when you interview someone and you know they're going to be a star interesting yeah yeah yeah I felt that way when I interviewed Taylor Swift in 2011 oh my god girl you I didn't realize you interviewed Taylor Swift oh my god talk about a wedding that's coming up but more of that later are you yeah yeah keep going Like I interrupted.
1:49It's so true. You just kind of get that feeling. And anyway, I got that feeling when I interviewed her. She's like one of 16 models I had to interview. So she was pretty like she just stood out and she was at the beginning of her career. And it's been so wonderful to see her grow into the supermodel that she is. Like she loves fashion. She's just so committed to making fantastic images and turning a look on the red carpet. And this year has been a particularly emotional one for her since she had that awful health situation. I won't give away too much, but she kind of talks about that in the interview.
2:26And it was quite emotional. And the shoot was quite emotional because her mom and dad were on set. And I think everything that's happened to her in the last year kind of came, was compounded. and working with someone that she was so close with, with like Raph Pavarotti, who's worked with her since the beginning of her career. And there are some amazing images that she shot with Grace Coddington, actually, at the beginning of her career that Raph and her did together. Oh, I have to pull that up. I bet that was a great shoot. Yeah, they're fab. They're really good. So it's a really fun interview.
2:58It's quite a moving interview. And she touches on what's coming next. So buckle up. I'm so excited. And I love seeing her walk. And so I hope that she is a couture stalwart. Well, I have a suspicion, a hunch that she may be walking a few important shows next week. So well, there's only a few. Oh, my God. Don't you love that about couture? That is like literally the slowest schedule ever. It's a completely different vibe. It's the best. It's the best. What are you packing? Because it's going to be 45 degrees, girly. Get ready. I know. I mean, I wish it was 45 degrees Fahrenheit, but you mean Celsius.
3:35I mean, sorry, I mean Celsius. 100 degrees. 100 degrees. Well, it's also 100 degrees here. So you're used to it. It's going from one to the other. But I mean, I always find dressing for summer so much easier than dressing in the winter because it's just less things to think about and coordinate. And so I don't mind just wearing a dress. Well, the sweat situation. But the sweat is not great. It is making me think about like, is this silk going to hold up well? Is this going to be a flop, floppy silk situation? No, no. There's a lot of things to consider. I thought Julian's men's show was so beautiful.
4:11I thought all the men's shows felt like such a bigger cultural moment. I think that men's week is gaining such steam. I love to see it. And it's actually like a much chiller experience as an attendee. I haven't been in a while, but I love going to the men's shows because everyone's much more laid back. and the vibe is just a little bit less tense. Sometimes these shows can be a little bit tense, as we know. Yes, I think that's true. And I loved hearing our recap on the run-through earlier this week. So everyone should listen to Nicole and Max and Luke. So weren't you recently out of town too? Yes, I had a similar little mini break.
4:55My family rented a house, a beach house in South Carolina. We tried to do a sort of southern vacation because it's closer to where my in-laws live in Virginia. And we went to South Carolina and we're on one of the islands off of Charleston. And it was so much fun and so beautiful. We went on this incredible eco tour on a boat where we went to a sort of deserted island and found the most amazing conch shells and crabs. And we saw dolphins there were jumping around like squirrels. whirls. It was Arthur and I were swimming with a dolphin, although I did get corrected by the eco tour guide. He said, swimming with the dolphin, that's a felony.
5:36I was like, no, no, we didn't touch it. We just it was just in front of us. He was like, you can't interact with the dolphins. I was like, we didn't. I promise. But the water was so warm. And Charleston has such excellent food. We ate at this restaurant, Vern's, which was one of the best meals I've had in several years. It was delicious. What did you eat? What was on the menu? There was this amazing like hand cut tagliatelle with mushroom and truffle breadcrumbs and sort of a raw egg yolk in the center. So it's kind of tasted like a cachet pepe, but was really fantastic. There was this pole bean dish that was unusually delicious.
6:12Everything just felt like a party in your mouth. Wow. OK. OK, Charleston, maybe I need to go and take a detour to Charleston on my next trip to New York. and there's uh the most amazing ice cream i've ever had which is this trompe l 'oeil fried chicken ice cream which is stop stop trompe l 'oeil fried chicken ice cream like we've had a lot of you took me there with the mint flavor now we're going trompe l 'oeil i know this is now an ice cream pod this is taking me places i wasn't expecting to go it comes in a bucket like a bucket of fried chicken and you take out these drumsticks and they look exactly like a fried chicken drumstick, but it's actually cornflakes surrounding it.
6:58And then inside is vanilla ice cream. And then the drumstick itself is a chocolate covered pretzel. And it is just a spectacular combination of textures and tastes. And I cannot recommend it highly enough. Oh, I actually love the sound of that. It was really good. Worth your breaking your sugar streak. Oh, God, I broke my sugar streak. Oh, did you? Don't worry. Oh, I had a tiramisu that changed my life. Oh, good. I mean, if you're at the Pelicano. I mean, I was just like, we're in the Roman countryside. I was like, just eat it, God. Eat it. We also, Alice and I got a sticker book at the airport, which was Taylor and Travis are getting married.
7:41Oh, stop it. They already have merch. There's already pre-children's merch. and that brings us to the wedding of the weekend, which is really... I mean, maybe the wedding of the decade. I don't know. Choma, there's so many crazy rumors and TikToks going around of like pictures. So what's she going to wear? Well, apparently she's like had six dresses custom made, but some of them are red herrings and we don't know what they're going to be. She's not going to decide until the last minute. All these different small brands have been giving, you know, dozens of dresses called in in mysterious ways.
8:15There have been videos of all these trucks unloading at Madison Square Garden and signs on it that says like Garden Scene 1 and Castle 2. And they're like building different parts of the set, apparently. So wait, she's getting married at Madison Square Garden? I'm so glad I get to be the one to share this news with you. Oh, my God. I would love to unpack this because I am curious as to why. First of all, isn't it a place where she has worked in the past? Wouldn't you be triggered? Isn't it like getting married in the office for her? I don't know. Has she played Madison Square Garden? Yes, she definitely has.
8:54I mean, look, I think that if you want to get married in New York City, it's a very big wedding. Apparently, it's between 500 to 1 ,000 people, which I think is absolutely insane. Wow. I know that some of the people that we've been going after on the guest list for Wimbledon are going there. Interesting. So it's if you're having a wedding of that scale and you want it to be New York City, the I mean, I remember hearing about this during the U.N. General Assembly, like there's very few hotels and venues that are security and privacy approved for that kind of thing. Madison Square Garden is one of them.
9:27I am confused, though, because there's been videos of them like setting up a Met gala style red carpet for the steps going into Madison Square Garden. And so part of me is like if you're doing MSG, have people come in through the garage so they don't get seen. But this way you might as well do it at the Plaza or the Waldorf because they're going to have to walk in anyway. I don't know. Unexpectedly, Graham Albert is like very pro this. He thinks he's like, you've been to so many fancy weddings. Think about how they just transform. I love it when Graham's take makes it so far. We love Graham! But it's true.
10:03He's like, there's so many weddings that are just enormous, like empty venues that are transformed into their own magical creations through tents. Like what if it's, you're not even going to know you're in Madison Square Garden. And I'm like, but you are. You're going to walk through those steps. You're going to know. You're going to think, am I at a Knicks game? Nope. I'm at a wedding that's apparently castle themed. It's very hard to unpack. Whoa. I mean, listen, I'm hoping for it. So let's just see, shall we? Let's just see. And apparently everyone's individual, the rumors that everyone's individual invite has been watermarked.
10:38So if anyone shares an invite, you know which guest shared it. Oh, my goodness. Well, I mean, it's going to be spectacular. It's going to be the wedding of the decade. I can't wait to see what she wears. You know, I'm sure there'll be several outfit changes. Hopefully she doesn't have to perform our own wedding. But hey, let's see what happens. Well, and then there was a rumor that the Princess of Wales was coming to the U.S. for Fourth of July. But I don't know that that's happening. So we really we had a princess and castle themed wedding. Yeah. Yeah. I don't know if she'd make it for both. And we may, to be honest, listeners, we may never know.
11:18What goes in Madison Square Garden may stay in Madison Square Garden. Choma, segue to Wimbledon. Have you gone yet? Has it been fabulous? I haven't gone yet. I'm still, we're still wrapping up for our event on Saturday. So it's okay. The guest list is looking up. I won't give it all away, but the guest list is shaping up to be fabulous. Anna and Adam Badawi are both co-hosting with Mari Clark and I, who's the new head of editorial content of British GQ. And he's so fun. Oh, fun. and Wimbledon's just always such a it's just like such a big moment here in the UK and the way people get dressed for it is quite different to the US Open and having been to the French Open now too I still think that like we kind of rule when it comes to the style stakes are a bit higher now and I'm also glad to see that the players have gotten that memo because I think Naomi Osaka's look the one that she yeah that was amazing yeah it was gorgeous I love that she nodded to her her Japanese heritage.
12:20And it was just, you know, I love how she embraces the fashion side of what she does with such gusto. But it's been wonderful to have like Serena back on call and at Wimbledon this week. So fun. Yeah. How was Mark Jacobs? I know that was earlier this week. That was Monday night. Mark is amazing. He's the only person I feel like who can get away with calling a show for 7.30 and at 7.34 the show is over. Oh my God, really? It was crazy. But it was great. It was like inspired by Bob Fosse. It was very jazz forward, sort of bright tights and sheer. Models look great. It was also he just relaunched Mark Beauty.
13:02And so people were very excited about that. But I like when he shows off calendar because I think it's a fun, it feels different. And everyone is always happy to sort of be having a little run-in reunion. It looked really fab from afar. Fab from afar. Fab from afar. Is that a name of a newsletter?
13:27The run through will be back with Anokyo. Bye, Choma. Bye. See you later.
13:44Hi, this is Bella Freud. Each week on Fashion Neurosis, I interview highly creative people in the world of fashion, film, art, sport, literature, and music. The format of the show is that my guest lies on the couch and I sit in a chair like an analyst. I know. I ask questions, quite simple things that revolve around how we reveal or hide things through what we wear, how we do or don't draw attention to ourselves. Find Fashion Neurosis on YouTube or wherever you get your podcasts.
14:31Anok, Gilma Hey, sister Hi
14:40I remember the first time we met, do you? Do you remember when I interviewed you for that cover story for American Vogue back in 2020? I think, was it the denim? Yeah. Do you remember? I remember being, like, terrified. And I was like, what is she going to ask me? Is it going to be, like, really hard questions? And then when we started doing it, I was like, oh, she's really nice. Okay. You were such a star back then, even. You could tell. You were so engaged by modeling. You loved fashion. And you had this spark that was, like, so quality even back then. Thank you so much. Yeah, it's been so wonderful to see you go from strength to strength in the last seven years.
15:23I was just reflecting back on that interview and I was looking at the issue, the June issue, which Anok is the cover star for. And it's absolutely one of my favorite covers. It's absolutely beautiful. And I was just thinking back on that moment. And it's just so nice to see someone grow and come into their own. And I think you've really done that. So we're recording this ahead of Couture Fashion Week. I always have to ask models what makes Couture different because I know how it's different for us as editors. But I think walking those shows is also a special experience and fitting for those shows is a special experience.
16:03Can you tell us how you prepare and what it's like? The preparation for Fashion Week and Couture is kind of the same for me. like I like to I like to prep by like working out making sure my body and my mind is ready um doing like grounding um grounding work journaling a lot and then like I'm just like preparing my body to like be on the go go go go go 24 7 and then um like during a normal fashion week it's it's a full month of just like non-stop fit fit show fit show another thing another thing another fitting and it's like multiple fittings in one day and multiple shows in one day and um it goes like that and um for couture it's maybe one show a day or one fitting a day and the fittings last they can last up to like two three hours and um i remember the first what was the first couture that i did was it the valentino one in 2019 it was one of the early ones but that might have been the first one what was the first one that's kind of sticks out of your mind yeah i remember distinctly uh i it was for alexander mcqueen and i was in this rose dress and um they made the bustier and then like the rose is coming up and then coming from around me and i remember that the fitting lasted uh the fitting lasted quite a while because the thing is the couture pieces they're so intricate and the attention to detail is like nothing that i've ever seen before and then i remember like when we were doing the fitting and um the tares would come and and work their magic and then i would look at the dress and i'm just like i can't believe a human being made this and i just think about all the hours that they put in because like realistically like the hours that are put into the fitting versus the hours that's put into making the garments is like vastly different and yeah i'm just really excited for to do couture this season because i haven't done i haven't done couture in a while yeah i mean i i always love the couture shows and it'll be great to see you it's always a joy to see you on the runway your walk is incredible thank you so you were our june cover star it was truly stunning i think it was a really special story thank you so much it's a shoot that happened in paris also the site of the shows um the photographs were shot by rafael pefferotti who is a longtime collaborator of yours styled by kate phelan and hair of course by joara another longtime collaborator of yours what was it like to be on set with your mom and dad because that was an element that i think i really loved um and I think it's something that added a new dimension to the way that we see you because we've seen you take on every amazing fashion character possible in your career but that felt different yeah and the change is like very noticeably different because usually when I go on onto sets I go in as a knocky eye and i am i try to keep it as professional as possible and i am just like dead focused on like how do we how to do this hair the best how to do the makeup the best how do i do figure out this pose and then i'm just like focused 100 on like creating like amazing images and i was while we were shooting british vogue but the second my parents walked in i just flipped into acting like a little girl and I was just running around being like oh let's try this mom oh my god and I was just like a tornado running around the room and then um and then my dad was like in the corner drinking tea like making sure that I was behaving and it was like really weird like when you're like you know like when you're when you're around your friends you're different person when you're at work you're different person then when you're with your parents like you turn into a little kid and then honestly too I went to Manchester a few days ago and I went to go visit my mom and then my mom goes you need to be home by 8 30.
20:27I'm like what and then my friends are just like and then um it's nine o 'clock and then it's 10 o 'clock and then it's and then it's 11 and then my mom starts texting me where are you what's going on where are you and I'm like mom can I stay out till midnight please and then um one 1 a.m comes by and then she goes I'm going to bed tired of waiting for you see you tomorrow and I'm just like I'm gonna get torn up tomorrow and then the next day I I like gathered all of my friends to come into to come to my mom's house with me to protect me from her but yeah she don't play like it doesn't Like, no matter how old I am, my mom still, I'm still her little girl.
21:15And then I remember, like, when I was, like, arguing with her about the curfew, I was like, when I was in middle school, the curfew is later than it is now. I'm in my 20s. Why are you telling me to go home at 8.30? When I was on set with her, it was just really exciting. And then it was their first time in Paris. and they were just like, I could see like the pride in their eyes and they were so shocked about like what goes on behind the scenes of a photo shoot. And then I remember like when I started shooting, doing the shots with my mom, the first shot, she was like nervous, but she was like getting into it.
21:56By the second shot, she's like, Anak, turn your head like this, pose like this. Wow. I said, sister, you got a little bit too much dip in your chip.
22:07and she was like no stop posting like that don't like that and i'm just like girl this is my domain i know what i'm doing trust me but yeah it was so much fun so your dad i think he looks so dapper in his suit was that his own suit i think that was okay so it was originally me and my mom and then my dad he always every time we i invite him anywhere to any events or anything with me he always comes in a suit if i could invite him to the pool that's like my dad it's like my dad it's the african bad thing don't you think my dad only wears suits even on the plane now he wears a suit yeah he wore a suit on the plane of course he goes i'm i wouldn't be surprised if he takes uh showers and suits and yeah so my dad pulled up in his suit and then he was just sitting in the corner um watching me and my mom and then rafael turns around and he's just like fab you want to get in the shot so then he throws him in the track classic raf
23:09and then my dad was like doing the african thing like no no no but i knew he wanted to get in it of course yeah but then once he got in it like uh yeah i was i was really excited was fly yeah he was aura farming like crazy like like being cool like standing like uh people were like saying that he was standing around like my security guard. So, so sweet. I mean, tell me about your relationship with Raph, because I can read out some of the things that he sent to me after the shoot, and it really touched me, and I want you to hear what he said about you. This cover to me is about rebirth. As you know, Nott went through a very delicate health moment.
23:50It was a very hard time for her. And glory to the gods, after a few months, she came back with a very strong energy for life. It was beautiful to see her and very emotional to me. Life is fragile, just like the layer that covers planet Earth. It's a thin, transparent layer that sustains life. When she arrived to shoot, there was a different awareness in her body. Something had transformed there. She's more in tune with her body, with her strength, with her sensitivity. I did not want to create an obvious image of overcoming I did not want to dramatize her pain I wanted to celebrate her return to life the breath of life celebrate her and everything she gives to us as an artist the birds on our head represent that movement, breathing, imagination, freedom they are signs of life returning to the body to the mind, to the spirit and the fact that they are resting in balance shows that there is serenity after the storm the sun has returned to shine They found solid ground where they can sing softly and solid ground is a healthy body and a peaceful mind.
24:48There is something very beautiful when someone goes through such a delicate experience and comes back more connected to themselves, more present, more alive. This image speaks about that, about fragility transforming into strength, about the body beginning to pulse again, about life starting anew again. To me, this is an image of rebirth. Oh. Right? It's powerful. It makes me like, I literally choked up.
25:17Yeah, Raph is, he's really special to me.
25:27When we first started working, it was the beginning of both of our careers. And I remember whenever we were on set, it was just like us playing around and doing whatever we could to have fun. And then I remember we would bounce off each other and have these crazy moments. And I remember there was this one shoot where he was like, get on my back, get on my back, get on my back. So basically we were shooting. It was me, Grace Coddington, and Raf. And while we were shooting, I was like, Like, we should have the, one of the makeup artists was Anna. She was doing my makeup. And then Raph was, like, jokingly, like, taking photos of her, taking photos of her doing my makeup.
26:17And then I was like, we should put them in the, put everyone in the shoot. So then we did that. And then it was, like, a photo of me and Grace holding hands. And then a photo of her doing makeup. And then a photo of Eugene doing my hair. And we just have this relationship where we protect our artistry and we protect ourselves and we protect each other as human beings. And we're humans first. And whenever we are on photo shoots together, he'll do prayers with everyone on set. and then um I just remember like I I grew up with him basically like in the fashion in terms of fashion space not literally but in terms of fashion like we grew up together and like he's seen me like start out my career and then start now and he's really really good at like reading my energy and then like and he's really good at helping me tap into myself spiritually and I remember um when i first came in he was like uh you're different he's like you're the light is back because i remember when after the um after the surgery and like being so close to death i i like fell into like a depression for a bit
27:38and uh sorry it's okay take your time like you've been through a lot in the last year and a half
27:48yeah i like fell into like a depression and the while i was in the hospital because i like realized like how fragile how fragile like my mortality was and i even i remember like like i was like being a kid like being a teenager like you never think like anything like bad can really happen like to to you and um you almost feel like invincible and then so when I was like that close to death and then um like being in the hospital for for that long and then like going through like all the pain and then losing all the weight um because I remember I I lost I think 12 pounds in the hospital gosh and then I remember my mom just staring at me well everyone in the room was staring at me um like on the ninth day and I was like really frail but I didn't notice but I just remember like everyone in the room just being like is she gonna make it out of this and um once I like fully recovered I it took a while for me to like find an understanding of like or the why and then I realized that um God saved me for a reason and I hold life so precious now and I keep every moment with me and I like approach life with like with new colors like like like Raf said and um every little thing that like that I experience I like it's it's 10 times more precious and like I'm I'm like I won't say I'm glad but like I I am I respect what I was put through and I look at life would hold new eyes.
29:39And Raph saw that immediately. And I think that's how the concept of that came. Chow, I thought this was going to be a funny interview. Sorry, sorry. I don't know. I just saw that there's this beautiful innocence about you. There is like a childlike playfulness about you, which I loved in that. And like it is like a rebirth, like you're coming back to life and you're seeing the world differently. And I love that Raf captured that about you. And I think it's that quality about the photos that I think has resonated with people around the world. I saw so many reactions to those images. And you're such a fantastic model.
30:24And there isn't a story that you've done that isn't great. But this felt more personal, more vulnerable. yeah um and um and my colleague Fumi Feta who interviewed you her story reading it I know she's so fabulous she and she holds people you know she's when I have a when I ever have any kind of issue I go to her and she just kind of holds me she holds space for me and and it was such a gut punch reading the story because we knew a little bit about what was going on with you you know I'd seen the Instagram posts I knew that was that you were going for a really difficult time but reading the details hearing your voice was quite was quite powerful and I hadn't known quite how much you were going through yeah it was it was a lot because I remember when it happened because I went into the surgery right after I had won the the model of the year award I I think I went to surgery like the next week or something and I was planning the the surgery was the way it me and the surgeon planned it to go was I do the surgery and then I was supposed to be able to go home after like a day or two and then the recovery was supposed to be two weeks so I go home after two days and then I do the recovery and that was what I posted but then what happened after that was when like it all like kind of like went to shit almost because I remember when I was recovering for the two weeks that was going by, I just remember my chest just getting tighter and tighter and tighter and tighter as the days went by.
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32:04And then, of course, I would call my surgeon, and then he would help me on what to do. And then I remember there was one day where I sneezed, and it felt like lightning went through my chest. And then for, like, a few days, I was too scared to sneeze or cough or move because I didn't want that feeling to return. And then I noticed that my fever kept—I had a fever, and it was getting higher and higher and higher. And then I remember, like, my bed would be drenched in sweat when I would wake up. And then I told my surgeon, and he was like, you need to go to the hospital right now. And then I was just like, okay.
32:54And then so I get to the hospital, and we do tests, and then they find out that, like, there's a lot of fluid in my left chest cavity. And they try to drain it, but the fluid is so thick that they can't take it out. So then my surgeon said, you have to go to surgery tonight. so he goes in and then once he goes in he finds out that I had pneumonia sepsis lung infection and then um and necrosis and that was and then once I came out of the the surgery I remember opening my eyes and then my surgery was looking at me like this and I'm just like what he's like we almost lost you and then I just remember like um the numbers the white blood cell count, the number just wasn't going down and it was taking so long.
33:47So then they ended up putting like six IVs and then pumping me like fluids and antibiotics. And then after the days kept going by, the doctors were just like, what is going on? Why aren't her numbers going down? And then thankfully, after the 10 days, they found out what the infection was and then I was able to get sent home. but it was like a span of like maybe six months because I was down from December and then I came back to to March and I remember the recovery of like trying to learn how to walk again and it took me maybe like a month to be able to like walk standing up straight but yeah it was It was a long, long recovery.
34:34But my friends and my family, like they really like held me through it. I don't know what I would have done had they not been there to support me. I mean I can't imagine how an experience like this changes you it must change you in ways that are so profound that you'll be processing for a long time I'm curious because obviously modeling is extremely demanding it takes you all over the world your body is like you said your body is you have to prepare physically because you're traveling so much and the hours are long. How do you go back to a career that is so demanding? How does it color the way you go into that world again?
35:24Is it easy to set boundaries now that you've had an experience like this? How do you go into it? What's the mindset? So while I was in the hospital, I wasn't really thinking about my career at all. And then there was like one day where when I was like feeling frail, I remember thinking like, oh, I could pass away right now and there's nothing I can do about it. And then I remember like thinking like, what would happen when, if people find out that I'm dead? And then I remember like people like thinking like, oh, the world will like, well, not the world, like people will mourn. and then I was like after a certain period of time um sun's gonna rise again people are still gonna go to work and like no one's gonna no I'm just gonna like drift away then no one's gonna think about me like life is gonna life is gonna go on and then that that was like the moment where like it like really like my mind shifted and once I uh started uh slowly like getting back into modeling um my my agents when it came to setting boundaries they were like if we see a knock even blink weird we're taking her we're taking upset and um it it's helped me set boundaries a lot a lot more now because now like I used to always push myself and I used to be such a people people pleaser and I would like push myself to the point of like passing out and I was just like I just let's just get the job done i'll take care of myself after but now like obviously my health was so fragile at the moment that like i have to set boundaries or else i'll go back in the hospital again and yeah my first job back was a chanel show with matthew and i remember um when i was flying to Paris to do it.
37:18I remember just like being so scared. I was like, what if, what if I pass out in the middle of the runway? Because obviously like at the Grand Palais, the runway is huge there. And I was like, what if I don't make it, make it through the runway? And I remember when I went to go see Matthew, he like, just like pulled me into a hug and he just held me for so long and then um the the chanel team they were really they were really great when it came to like making sure that i was taken care of making sure i had fluids and food and and everything anything that i needed to to be able to feel healthy and when we were talking when he was talking about my look he's like i want you to be chanel number five because he knows i love the chanel perfumes so uh he's like you're gonna be chanel number five and and then you showed me the dress and then I explained to him um that I was what I was worried about and then he says I'm not he's like I don't care what you do just be yourself and then like this is your moment this is your comeback and then he's like if you want to walk slow walk slow if you want to overtake someone overtake someone just just do what you need and then um I did the show and then I remember during finale my lungs are like I was like oh my gosh it's happening and then um the distance between me and the girl kept getting longer and longer and longer and longer and then um I was just like let me see if I can just make it look like I'm doing it on purpose and then I get back and then um I went to Matthew I was like I'm so sorry I did my best but the space got too much I couldn't do it he said oh my god that was amazing it's like you did it on purpose i said oh okay he's like you should be celebrating right now but yeah matthew is he's like one of my favorite designers he's so sweet and he he approaches fashion and he approaches uh the relationship with the models was from such a human point of view and like he um he's so spiritual like like like he's one of like the first uh designers that i met where like the the models will like we'll like write notes to him and he'll write back i don't know he's just like he's like your best friend i love that about him he seems every person we talk to you about who's close with machia says the same thing he has seems like he's he just has a big heart and he's a real person and um and it shows in the way that he he designs and and the way that he casts his shows it just feels like it's all very very real and very human The run through will be back with Anokyai.
40:28and we love to talk about all the hows and whys and what didn't works that come with it. Every month we publish a recipe on bonappetit.com that introduces a baking concept we think you should know. Then you'll go bake, send us any questions you have and we'll get together here on the podcast to talk about the recipe. And this month we are making whole lemon bars. Imagine lemon bars, but with just kind of the lemoness dialed up to kind of like a reckless decibel level. Head to BA.com and come and bake along with us. Send us your questions, pictures, and any thoughts to bakeclub at bonappetit.com.
41:03Or find us on the Substack. Join us the first Tuesday of every month as we debrief about our latest bake. Find BA Bake Club wherever you get your podcasts. Happy baking.
41:24I also want to talk a bit about your relationship with Jawara because I think he's someone who's obviously super close to your heart. Yeah, please, please tell me how you got close. I love Jawara. I think, I can't remember the first show that I met him at. I think it was Alexander Wang. and then um i was like so used to to going on to sets and then i would pack like a makeup bag and then a hair bag and i would like literally go to any set with like all my products just in case uh they couldn't do it and then i remember like uh when i first went to draw a set i obviously that was my first time meeting him and i wasn't familiar with him and then um i sat down and then he saw the bag he said you can put that away and i was just like yes
42:16and from there on we've been like this ever since like we he is the most genuine loving teddy bear and he's so sweet and he's hilarious i always tell him like if he wasn't a hairdresser he could be a comedian he's so funny and he approaches his work with such attention to detail with such care and he approaches his models like i said i feel like human is the word for this he approaches us with like such care and he uh wants us to take care of our hair health first before we even focus on the look um he's like are your edges okay do you need hair oil do you need hair head massage you need whatever you need i got it and um he has really changed the industry so much whenever uh models of color go onto sets and we see uh jawara's name on the casting sheet we're just like oh thank god and you just you're just able to have a sigh of relief when you see jawara on a set i thought it was really important that you spoke quite candidly about your experiences backstage because i think that experience with jawara doesn't necessarily match up to the experiences that you had early on in your career which actually sound quite traumatizing when i first like entered i think it was like the first few months of modeling and then i went onto a set and then uh i still had like long hair at the time like no i had like a huge afro at the time and then so the the hairstyles ago we need to we need to straighten your hair and then um so the designer the hairdresser looks at me he goes do you know how straight in your hair and And I'm like, I've never straightened my hair before.
43:58I'm like, no. And I'm like, do you? And he goes, no. And I'm just like, okay. So I go on YouTube and we start looking up videos on how to straighten black hair. And then me and him are sitting there like, it's the blind leading the blind. And we're sitting here just like, he's like, do I put conditioner? I'm like, bro, I don't know. I don't straighten my hair. And we ended up doing it. But then I just remember being like this. I was like, I thought these were like the best hair. I thought like iFashion was supposed to have like the best artists in the world. I was like, why doesn't he know how straight in my hair?
44:31But that was like my first experience where I was just like, oh, so this is weird. I'm like, is this how every set is going to be? Yeah, I think that was like my first aha moment of just like, all right, we got to do something. and then after a while of like getting my hair destroyed on sets and then seeing the black girls like next world like we're in tears at this like at some points because um our hair is falling out and then I remember there was um one time where they were straining my hair no they're trying to blow dry they're trying to do something and then my hair was falling out in clumps and then um And I remember, like, looking in the mirror and just, like, seeing, like, strands, like, coming down.
45:19And I'm like, is that my hair? And I turn around, and then the hairdresser, like, kicks the hair out of the way before I can, like, see it. And then she's like, no, you're fine. And I'm just like, okay. But I'm like, I'm pretty sure my hair is falling out. And then when I came home from, I think, from six months, six to eight months of modeling, I went home to see my grandma. And then my grandmother just broke down in tears. She's like, what happened to your hair? And then that was when I decided that I had to enter fashion weeks with an afro or cornrows. And then when I first started doing that, I got a lot of pushback.
45:59And my agent was just like, Anak, either you have to do this with every single designer or you can't do it at all. and I was like okay let's do it and then I was really nervous about like how it would affect my career my career being over and being blacklisted and then um I was able to like I had my back my back against the wall for so long and then I was just going back and forth and going back and forth and then it got to a point where like the designers like slowly started accepting it and then it got to a point where um they would put up signs be like don't touch a knock's hair good and then the the miles would come to me being like how did you do that i want to get braids too and i would like just i would like to tell your agent to tell the team i'll tell them like this is what you're gonna do step by step by step and they'd be too scared to do it and then i was just like just i literally would take their hands and then i would go to the hairdresser i'm like she would like this and then we would like try to find a way to figure out how we can we can all like find a happy medium and then get down this runway with everyone being happy and then everyone feeling hurt and then um after a while there was a moment where almost half the designers were doing braids and then I ended up having my hair braided I think four times so three four times a week and then that made it worse because of the constant manipulation and then so I was like I don't know it's like a game that you like have to play but it's like like putting together like a chess like a puzzle because not every every designer wants different hair looks and then sometimes if you if you have braids for this show another show they're like oh we want this style braids and another show they want an afro another show they don't let you wear a wig and it's like it's like you I'm still trying to navigate that but once I like saw models of color being able to to go down the runway shows with afros and cornrows, I was really happy about that.
48:03Yeah, I mean, it's so powerful that you're able to do that and lead the charge for other models. You took that risk so that other women could feel that, you know, safety and sense of security because it's awful. It's awful to be subjected to that, to have your hair fall out. It's like that shouldn't happen, you know. I mean I I was at the British Fashion Awards uh this past December and I have to say your speech was the absolute highlight for me it's a long ceremony and I was absolutely moved by what you said and particularly what you said about the humanitarian crisis in Sudan because I know it couldn't have been easy and that's where your family's from um it couldn't have been easy to find the courage to speak up and say something because I think it felt like a really important moment and people listened people listen you know um because it's it's not something that is on the agenda on the global agenda anymore it's like people aren't thinking about this anymore you know so I mean what was that like for you um the work of spreading awareness is not easy but you made the decision to do it in that moment.
49:21I wanted to, because usually when I go, when I do anything, like speaking out, it's usually from my Instagram and stuff. And then I knew this was such a huge, powerful moment and I didn't feel comfortable being a South Sudanese woman and then going on this huge stage where everyone is listening and I don't say anything. And when I, when my parents were watching, I just remember being terrified of saying the wrong thing. And then I was terrified of people's reactions to bringing politics into spaces like that because sometimes it was just like, oh my God, why can't we just like keep it on a high note?
50:14and when I said it I kept remembering I was like just say it say it say it and I was like I was nervous that they were either gonna play the music when I started saying it or just shut my mic off completely and when I was able to say my piece by that point I was my body was vibrating and I'm like shaking the mic and once I turned around to get off the stage I think I blacked out I don't remember what happened when I got off the stage. You were pitch perfect. It was an absolutely, you spoke from the heart. It was really heartfelt. You could feel it. The energy in the room shifted. Like you absolutely killed it.
50:58It was just the right thing, you know? On a different note, I mean, I've talked about your star power and I'm thrilled to hear a little bird tell me that you're taking acting classes. I'd love to hear a bit more about that. And potentially, what would be your dream role? Ooh, I really, really want to play a vampire. That is my dream. I'm obsessed. You saw my Queen of the Damned. Oh, my God, your outfit at the Met? Halloween. Oh, and Halloween, too. My Queen of the Damned Halloween costume. And, oh, yes, the Met. That's another story, too. I'm filled with story, sister. um so so yeah with acting I remember I always wanted to be an actor but it was one of those dreams where you just say it but you don't actually think it's gonna happen and I think it was like before COVID when I made the decision I was like I'm going to do everything I can to to be an actress but I wanted to approach acting in a way where I did the work I studied the crafts I earned my stripes I didn't just want to use the fact that I was a model to to get an acting an acting job so I've been taking acting classes for on and off for the last five years and And now I'm doing auditions.
52:31When I get done, I'm doing auditions. But yeah, my dream role is to be a vampire or a witch or a villain. I want to be a villain or a vampire. Something like dark and sexy energy. Horror is so big now. Like horror is such a big moment. I mean, I see a bright future for you. I cannot wait for your next chapter. I'm so so thrilled that we got to talk because I've been really wanting to to speak to you personally and I definitely wanted to share that message from Raf because it really it made me thank you so much for telling me that honestly yeah of course and you're absolutely a star I'm just excited to see what you do next so thank you so much for joining us thank you so you've been a dream interview of mine yeah so I'm happy that we got to do this love you love you too This was so much fun.
53:25Thank you so much. I appreciate it so much. It was amazing. That's it for The Run-Through. See you next week.
53:42The Run-Through with Vogue is produced by Chelsea Daniel, Alex DePalma, and Alex Jumburns with help from Emily Elias. The show is engineered by Bran Bandi and mixed by Mike Kuchman. Bye.
54:00This week on Critics at Large, we're talking about Steven Spielberg and his blockbusters, Jaws. Jurassic Park. Of course, E.T. They're all classics for a reason. Does his latest, Disclosure Day, come close to those heights? There's a lot riding for the movie business on this question, and then for the culture sense of itself is large. Are movies still important? Are people going to the cinema still a thing? Are the youth like we were? All of those questions, those big cultural questions are coming up through Disclosure Day. Join me, Vincent Cunningham, and my co-hosts on Critics at Large. New episodes every Thursday, wherever you get your podcasts.
54:44From PRX.
From the publisher
“You know when you interview someone and you know they're gonna be a star?” Chioma asks Chloe on today’s episode of the podcast. For Chioma, that moment came in the winter of 2020 when she first interviewed Anok Yai for the April Global Runway cover. Back then Yai was just at the beginning of her career, and now six years later, in celebration of her June British Vogue cover story, Chioma chatted with her again, this time for the podcast.
With couture just around the corner, Yai is working out and journaling but the couture schedule is much more laid back. She’s grateful for the more open schedule as well as for the intricate pieces she gets to model. Recalling an Alexander McQueen show which she considers one of the most distinct she tells Chioma that upon looking at the dress she remarked “I can’t believe a human being made this.”
The British Vogue profile, written by British Vogue’s Beauty and Wellness Director Funmi Fetto, explores a recent difficult chapter in Yai’s life in which she became seriously ill. Yai becomes emotional, talking to Chioma about that challenging period. “While I was in the hospital, I wasn't really thinking about my career at all. And then there was one day when I was feeling frail. I remember thinking, "Oh, I could pass away right now, and there's nothing I can do about it."”
“It took a while for me to find an understanding of why,” she says. But it has also given her a new lease on life and a perspective for how precious and fragile life is, ‘I respect what I was put through.I look at life with whole new eyes.” Recovery was a slow road but she credits her friends and family for supporting her through that period.
They also talk about the shoot itself and being on set with two of her closest collaborators, photographer Rafael Pavarotti and hair stylist Jawara, as well as both of her parents—a family affair!
Also on today’s episode, Chloe and Chioma share about their recent mini vacations to Il Pellicano, Italy and Charleston, South Carolina respectively and look ahead to this weekend which might contain the wedding of the century: Taylor Swift and Travis Kelce at Madison Square Garden.

