Bhavitha Mandava Is British Vogue’s March Cover Star | PLUS First Thoughts From Dior

4 Mar 2026 · 50 min · 23 chapters

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In short

The Run-Through with Vogue: Episode Summary

Episode Title

Bhavitha Mandava Is British Vogue’s March Cover Star | PLUS First Thoughts From Dior

Podcast Overview The Run-Through with Vogue is hosted by Chloe Malle (Head of Editorial Content, Vogue U.S.) and Chioma Nnadi (Head of British Vogue), providing insights into the fashion world through conversations with Vogue editors, creatives, and cover stars.

Episode Highlights

Bhavitha Mandava

British Vogue’s March Cover Star

  • Background: Bhavitha Mandava made history as the first Indian model to open a Chanel show during the Métiers d'Art 2025-2026 fashion show, held in a New York City subway station.
  • Preparation for the Role: Approaching her role as the Chanel Bride, Mandava researched extensively about couture, viewing the audience as friends and family, and treating the runway like a wedding aisle.
  • Personal Journey:
  • She was scouted while waiting for a friend after being rejected from an interview, leading her to consider modeling as a way to pay off student debt.
  • Despite initial skepticism, she embraced modeling, gaining over 500,000 social media followers and receiving significant media attention.
  • Her parents are immensely proud, with her father collecting articles about her achievements.

Dior Show Impressions

  • Live Reporting: Chloe and Arden Fanning Andrews shared their thoughts live from the Dior show, highlighting:
  • Setting: The show took place in a greenhouse at Tuileries, creating a unique and sweaty environment, with Arden suggesting "sweat is in."
  • Notable Elements:
  • Accessories included unique "lily pad shoes."
  • The show featured a diverse range of models and themes, with notable appearances from celebrities like Pharrell Williams and Jennifer Lawrence.
  • The makeup, led by Peter Phillips, featured a relaxed, slightly messy but stylish aesthetic.

Key Themes and Discussions

  • Fashion and Representation: Bhavitha's journey emphasizes the significance of representation in fashion and the personal nature of being recognized for one's talents beyond cultural or racial identities.
  • Couture's Evolution: Mandava discussed couture's relevance today, highlighting its role in preserving artistry rather than merely focusing on commercial sales.
  • The Impact of Social Media: The episode reflects on the overwhelming nature of social media and how it affects models' experiences, including the necessity for self-care amidst public scrutiny.

Key Takeaways

  • Personal Growth: Bhavitha's transition from academia to modeling showcases resilience and adaptability in pursuing dreams.
  • Fashion as Art: The discussions frame fashion not just as a commercial endeavor but as a complex interplay of art, culture, and personal expression.
  • Community and Support: The episode underscores the familial and societal support that plays a crucial role in personal journeys, especially in the creative industries.

Conclusion The episode encapsulates a confluence of personal storytelling and high fashion, illustrating how individual narratives intersect with broader cultural conversations in the fashion world. From Bhavitha Mandava's groundbreaking achievements to the vibrant atmosphere at the Dior show, listeners gain insight into the dynamic landscape of fashion today.

--- Produced by: Chelsea Daniel, Alex DePalma, and Catherine Millsop. Engineered by: Pran Bandy and Luke Mosley. Listen to more episodes of The Run-Through with Vogue for the latest in fashion and culture!

Written by AI. May contain mistakes. Listen to the episode to check what was said.

Chapters

Tap a time to open that second in VO

Arriving at Dior Show

0:45 to 3:25

Experience the excitement of arriving at the Dior show in Paris.

“Yeah, but I know there were very specific instructions about where to enter.”

Dior Show Highlights

3:25 to 6:40

Discover the standout features and themes of the Dior show.

“So everyone was, you know, I'm not a big gardener.”

Fashion Details and Trends

6:40 to 9:30

Dive into specific fashion details and trends observed during the show.

“Like my friend Ricky texted me in the middle, wow.”

eBay Authenticity Guarantee

9:30 to 9:53

Explore how eBay helps find authentic sneakers and collectibles.

“I have a Zoom, room Zoom for a few hours.”

Interview with Bhavitha Mandava

10:32 to 14:05

Listen to Bhavitha Mandava discuss her experience with the Vogue cover.

“And here is Choma's fantastic conversation with cover star model Bavitha Mandava.”

Celebrating the Vogue Cover

14:05 to 17:00

Discover the emotional reactions from Bhavitha's family regarding her Vogue cover.

“It's funny because we were going to call your parents on set, but I think you were worried that your mom was going to tell everybody that you were on the cover of British Vogue.”

Navigating Social Media Attention

17:00 to 20:08

Bhavitha discusses her experiences with social media and the pressures of fame.

“Because I think we were talking in the interview a little bit about how you sort of have to find time to take a break from it too, because it can get overwhelming.”

Bhavitha's Unique Modeling Journey

20:08 to 22:18

Listen to Bhavitha's unexpected journey into modeling and her initial reluctance.

“Because at that time, tech companies had a hiring freeze and they wouldn't hire.”

Balancing Education and Modeling

22:18 to 25:45

Learn how Bhavitha managed her education and modeling career simultaneously.

“Like you'd been approached several times before.”

First Impressions in Fashion

25:45 to 27:53

Bhavitha shares her initial experiences and knowledge of the fashion world.

“It was only when Chanel approached after like two months of graduating that I, yeah, I got a Chanel contract and then I started working at Chanel.”
Show all 23 chapters

Getting Scouted and Walking in Heels

28:00 to 28:55

Learn about the surprising journey of getting scouted in a subway.

Opening the Show: A Personal Journey

28:55 to 30:23

Discover the emotional significance of opening a fashion show.

“Yeah, it's really surreal that he remembered after a year that I got scouted in a subway.”

Researching Fashion and Personal Style

30:23 to 31:50

Explore how research and experiences shape one's style in fashion.

Crafting the Chanel Bride Walk

31:50 to 33:56

Learn about the preparation and mindset needed for a couture walk.

“We did not want me to stomp on the runway because it's a brighter look.”

The Essence of Couture and Personal Fittings

33:56 to 35:58

Understand the details that make couture fashion unique and personal.

“I mean, you looked very delighted and it was such a beautiful show to witness.”

The Emotional Impact of Couture

35:58 to 37:58

Discuss the emotional journey of working with young couturiers.

Fashion Memories and Early Awareness

37:58 to 40:01

Reflect on personal history and early experiences with fashion.

“How does that moment with couture compare with your own sort of personal fashion memory?”

Navigating the Casting World

40:01 to 42:05

Gain insight into the casting process and its challenges for models.

“What is it, what is like, for the people who don't know what it's like to go to a casting, what's the process?”

Reflections on Career Choices and Flexibility

42:05 to 43:34

Explore the challenges of transitioning from corporate to a creative career.

“with a brand that he wanted to know me as a person.”

The Impact of Viral Moments

43:34 to 45:24

Discuss the personal impact of social media and viral content on self-esteem.

Fashion's Personal Connection

45:24 to 47:20

Discover the emotional connection between models and the fashion audience.

Healing Through Fashion and Creativity

47:20 to 49:18

Learn how working in fashion can be therapeutic and transformative.

“Because I haven't been in Paris since the Couture show.”

Crafting Personal Gifts for the Fashion Team

49:18 to 50:26

Hear about a creative project involving personalized gifts for the fashion team.

“but I guess I'm going to review it now so I've been working with a studio back home in Mumbai to make keychain of a rat that's dressed in my the first the look I opened it's gonna So they work with artisans.”
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Transcript

Automatic transcript. May contain errors.

0:00Bhavitha Mandava:Hi, I'm Arden Fanning-Andrews, Vogue's beauty editor at large. My husband and I talk a lot of eBay strategy together because it is something that we have bonded over since the beginning of our relationship. We've known each other for 20 years and we've been using eBay for even longer than that, both of us. He's very proud of his five-star review, which I have the same. We're pretty popular. We have a really good reputation on eBay.

0:26Bhavitha Mandava:Okay. Hi Chloe, no more than 15 minutes. I'm part to your left. Put it in front of the number 27, which is the front of the camera.

0:35Chioma Nnadi:Oh, darn it. Kevin?

0:45Bhavitha Mandava:Kevin, so nice to meet you. I'm Chloe.

0:46Chioma Nnadi:Oh, nice to meet you too.

0:47Bhavitha Mandava:I'm Chelsea. Nice to meet you.

0:49Chioma Nnadi:Nice to meet you too.

0:49Bhavitha Mandava:Chelsea, nice to meet you too. Okay, so... Yeah, but I know there were very specific instructions about where to enter. Yeah, the grid on air. Okay. It's basically the main entrance. I mean, if you're dealing with the French, it's definitely going to be complicated. It's true. So true. It's going to be pas possible. Remember to kiss. Keep it simple stupid, you know?

1:15Chelsea.

1:16Bhavitha Mandava:We are driving past the Place de la Concorde and the obelisk is gleaming because it's such a beautiful spring day, sunny in Paris. And we are going into the, the Dior show is always in the Tuileries and they always build a huge sort of white box in the middle of the Tuileries gardens. But this season, I have a suspicion because of the invites referencing the chairs that there will be more of a connection between exterior and interior. And I'm very curious to see what that will be. Dior is always sort of the first big show of Paris, even though there's a few cool shows before. Dior has a very deep bench of celeb ambassadors, and that always makes it a very starry show and starry, read, chaotic arrival scene.

2:08Bhavitha Mandava:But I'm excited to see, you know, Greta Lee for the Dior Couture Show in January wore a fresh-off-the-runway men's look. So I love seeing how people are using all of Jonathan's collections sort of interchangeably. but Greta Lee, Mikey Madison, Jennifer Lawrence, Anya Taylor-Joy, he really has an interesting roster of women. Okay, off we go. Chelsea, can you open your door? Yeah, sure. It's okay, can you just... Yeah, yeah. All right, Kevin. Thank you, Kevin. I'll take it through. All right.

2:56Bhavitha Mandava:Okay, so I'm going to wait outside the show and try to meet up with Chloe and hopefully our amazing beauty editor and friend, Arden Fanning Andrews, right after the show ends.

3:24Bhavitha Mandava:Yay! Found you. Let's try and find Kevin. Oh, there you are. Perfect. Hi Kevin, how are you? Oh, I see Arden. Fiberglass. Oh, so we can gather. Yeah. Sorry, can we stop for one sec? Yeah. You see her? Arden! Yay! So everyone was, you know, I'm not a big gardener. I hope to be one day, but I do understand now the power of what a greenhouse does in the winter. It really, we were all baking under the sun in the glass. Arden Fanning, do you agree with that? Correct. You could see the flutter of invitations being used as fans and the reflections everywhere. It was one of the sweatiest Dior shows ever, but sweat is in.

4:09Bhavitha Mandava:Glossy Skin is in. Oh, sweat is in. You heard it here first with Arden Fanning. Enjoy the glow. You know, enjoy the glow. Don't be afraid. Don't be ashamed. I do want to know what the lily pads and lilies were made out of. It looked like some kind of fiberglass. But then what was so beautiful about the show, which was so varied and had so many different themes and ideas, but also had accessories that were lily pads and lilies, including on the shoes, earrings, on the bags. It felt like such a nice motif to see coming throughout. I loved the lily pad shoes. They were my favorite accessories I've seen in a while and just so cute and special.

4:52Bhavitha Mandava:And it was something that Peter Phillips had talked about backstage that he was excited about and why some of the beauty was so pared down. So Peter Phillips is the creative director of Makeup for Dior and the makeup artist who has been with the house for years and creates the makeup formulations and also the makeup looks on the runway. And Jonathan Anderson has been very involved in the direction of the makeup since he's taken over at the helm of the house. And for this one, he was inspired by a kind of Charlotte Gainsbourg type of French meets London girl. And so you could kind of see that in, like, it was just a little bit of, like, smudgy liner that was supposed to look slept in and cool.

5:37Bhavitha Mandava:and then Guida Palau did these low ponytails with lots of little fuzzy pieces. They're actually wiglets on the ear so that it looks... I'm sorry, wiglets? Little wiglets. I've never heard this word before. Arden, that is a ridiculous word. Maybe extensions is another way of putting it, but just kind of tiny pieces of hair that they added to models so that they would push it forward and give it just a little bit more of a messy... The more you know, Wigglet. Well, the set was spectacular. People were really struggling with the heat, but it was, in my opinion, completely worth it. They had an incredible front row.

6:16Bhavitha Mandava:A big ooh-ah moment for a lot of people was Dre Hemingway, who plays Daryl Hannah in the Love Story show. And Paul Kelly, who plays JFK Jr., were both there. They were very excited to greet each other. and then you know it's always fun to see designers who come to other designers shows Pharrell Williams was sitting next to Anna also Paul Kelly was dancing to the beat and I could see him in the reflection because they had put plexiglass in on in the set there's plexiglass in front of us and so you really could see the people around you while you were looking at the clothes and Paul was dancing to the beat But it did, it felt like one of those kind of shows.

7:03Bhavitha Mandava:Like my friend Ricky texted me in the middle, wow. And that, and I left with Laura Ingham, who's our global fashion director. And she just was agape. Favorite look? I really liked the denim that had sort of this glittering bunting. You was. Classic art and fanning favorite. I embellished in them. I liked the sort of tutu layers of sparkling skirts that would then just be topped with sort of like a bar jacket. A lot of standing collars that we saw. There was some fun pepluming volume on jackets that I loved. I loved that a lot of the lace felt kind of haphazardly pinned together, but in just sort of the perfect way.

7:50Bhavitha Mandava:It was very, it felt elegant, but also kind of like the Little Mermaid when she emerges and wraps herself with a sail. great reference because that was even there was like a pretty white lace um dress that could almost be for a really cool bride but on the side you could just see a hint of her lacy white underwear um so the uh the party girl bride and then a lot of silk covered buttons and like delicate little rose on jackets um that I feel like we'll see a lot of now too um just to really bring home to everyone how warm it was. People found like a little exit ramp that they could stand half outside and um Nora Milch, the fashion director at W, who's seven months pregnant, was like there until the very last minute.

8:37Bhavitha Mandava:I was taking pictures of the lily pad shoes and at one point my phone said please wait until the phone cools down. So that is a real... That's Texas heat. There was a new soundtrack. It's usually been Michelle Gobert for years and years. And I was really into the electronic music that was playing and took a look at the card that they smartly put on everyone's seat with the credit. And it looked like this season it was Frederic Sanchez and did a great job. Like we said, had everyone bopping a little bit. No, it was fun. And Benjamin Bruno is a longtime collaborator with Jonathan and he styled the show and it just had such an sort of elegant insouciance.

9:19Bhavitha Mandava:And also the casting was great. Ashley Broca always does the casting. And it was, I think, Sunday Rose, Nicole Kidman's daughter, one of her first big shows. She looked adorable. I have a Zoom, room Zoom for a few hours. And then I'm going to Saint Laurent at 8. All right. Thank you so much, Kevin. You're welcome. Thanks for the ride, Kevin. Thank you.

9:52Bhavitha Mandava:Whenever I'm looking for things with eBay Authenticity Guarantee, it often ends up being sneakers. I'm not necessarily a sneakerhead, but there are specific sneakers that I may have fallen in love with and have been discontinued. And it's really nice to find them on eBay. And so it'll be just like a pair of platform Converse loafers. It will be a pair of Vans white slippers with a very specific low toe. And so it's great with eBay to just be like, this is a real thing. It's in the size that you want. It's in the style that you want. And it's real.

10:28Bhavitha Mandava:Okay, guys, I'm back in my hotel room getting ready for the Saint Laurent show. And here is Choma's fantastic conversation with cover star model Bavitha Mandava.

10:43Bhavitha Mandava:tell me what what's it been like have you been getting lots of great um feedback oh my god

10:49Chioma Nnadi:since yesterday i was just i was overwhelmed with such positive comments um the cover came out and there are so many things that were happening so it's been such a so surreal i don't even know how to express. I'm so grateful for you. Thank you so much for...

11:10Bhavitha Mandava:Oh my goodness, you're so welcome. It was an absolute joy to talk to you and to see you at work. It was incredible. It was such a great day. And I just hope you're keeping a diary because like your life has been, I mean, the last to think about how your life has transformed in the last six months and what all the amazing experiences that you've had it's quite incredible and I think what I really loved about talking to you was you're able to really articulate what this experience has been like and I think you have a really amazing head on your shoulders um and because it's quite a lot it's it's quite a lot to handle I think having something this life-changing happen and and sort of processing everything that's happening to you all at once right for sure I mean uh I spoke to Matthew last

12:08Chioma Nnadi:night because I was just like did you oh I mean he um I was so like overwhelmed with all the positive feedback um that I got from the Vogue cover um and I had an interview up until like I don't know quite late um and because Mathieu lives in Paris um it was already the creative

12:32Bhavitha Mandava:director of Chanel just so everyone knows which Mathieu we're talking about Mathieu Blasi um

12:37Chioma Nnadi:because he lives in Paris it was already midnight and he chose to like stay up so that we could talk and we spoke for like an hour and a half just talking about how crazy of a journey it's been and we were just talking about how um he always like believed in me and how the moment I came in it wasn't because I was brown or Indian or you know it wasn't about that it was because I was he just liked the person that I was and what I brought to the room and that that I felt was very very personal and um I don't know it made me emotional because I feel like a lot of discourse that I've been in lately has always been surrounded um by the fact that I'm brown or Indian um so for somebody to be like we love you beyond the skin tone or like your ethnicity or your nationality is so nice for you know we love you for the person you are that's been so um yeah heartwarming when i heard that yeah it's so nice that you you guys have formed this

13:56Bhavitha Mandava:this friendship we talk often about designer and muse and i think um hearing you talk about how you um how this this friendship and working relationship has evolved with mature is is is really special. It's funny because we were going to call your parents on set, but I think you were worried that your mom was going to tell everybody that you were on the cover of British Vogue. I'd love to know what her reaction was when she saw it because her reaction to you opening the show was just so moving. What was her reaction when you... I can't wait for her to open a physical copy of this magazine because she's going to be so...

14:37Bhavitha Mandava:She's going to be so thrilled. You guys have to frame it. Oh, for sure.

14:40Chioma Nnadi:for sure they're going to definitely frame it my dad already is collecting every newspaper like he's clipping all the newspaper um articles about me like the new york times i don't even know how he got new york times like they don't they don't shift to india but he's got like all the newspapers until now and yeah wook's going to be the first one that they'll get so so exciting and my mom um actually sent me a voice voice note that i can play um yes let's hear your mom's

15:09Bhavitha Mandava:voice note because your mom has the best your mom honestly like your mom's enthusiasm is very

15:15Chioma Nnadi:infectious she she honestly loves this industry she's always wanted to do something like this but never had the courage to so she's like living vicariously through me and she's always so thrilled about everything that i do in this yeah so supportive okay so it's in telgu but i'm gonna translate once it's done.

16:05Bhavitha Mandava:happy one dana nana oh please translate i can hear i can hear the joy in her voice yeah she was just

16:13Chioma Nnadi:telling um that i should always be happy and you know that i make her proud and there's something called um dish tea which essentially means nazar in hindi i don't know how to translate it in um English but I guess it's like evil eye and he's like oh take some salt and like it's just a ritual that you do in India yeah she's just like take care of yourself we're very proud of you

16:47Bhavitha Mandava:oh what a lovely yeah it'll be so nice I can't wait for her to actually see the physical issue she's gonna lose it

16:55Chioma Nnadi:she's gonna lose it yeah

17:00Bhavitha Mandava:How do you deal with social media now? Because I think we were talking in the interview a little bit about how you sort of have to find time to take a break from it too, because it can get overwhelming. How have your habits changed? How do you kind of handle this level of attention?

17:19Chioma Nnadi:yeah i mean it's been so sudden um i have a video that just popped up on my phone recently of me hitting 5k on instagram and i was like celebrating it um by buying your wired headphones um and now I like hit 500k in like less than six months I think it's just been so insane um most of the response has been positive but then I constantly get get dragged into discourses um one of them being because i'm an immigrant and the you know the landscape right now in america is not very friendly towards immigrants and i i had to pretty much like block the words on my instagram and the comments like ICE and visa and illegal um yeah so that's I know um and a few other things were I mean even with the British folk um I'm sure you've seen like within like less than 24 hours I didn't even claim that I'm the first Indian you know and then I guess like the article said that I was the first Indian to appear on British Vogue on a solo cover.

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18:50But they took it, which technically is right,

18:54Chioma Nnadi:but because people took it... I know.

18:59Bhavitha Mandava:It's interesting to see how people run with information, you know, like that. Because now they have pictures of me

19:06Chioma Nnadi:and pictures of other actors that have been on British Vogue. And, like, clearly the article said model. and there was like one another model but she happened to be one of the four covers but it's just like it's so technical that also like I didn't like claim anything so today morning within like less than 24 hours like looking at that I was just like whoa yeah

19:34Bhavitha Mandava:I know I do think it highlights the fact that just how important representation is and how important these moments are to people and how it can trigger so so many emotions you know um i've had wonderful responses from friends i feel like the point of all this was not to be like oh

19:55Chioma Nnadi:who's the first but it was the point the point was to keep the representation going and we all are in a way like first in our own way you know especially in a moment like this when we have

20:08Bhavitha Mandava:when when those values are under attack more than ever right and I really I I I totally agree with you I think that's that's such a good uh such a good point um I want to to go back to your amazing origin story I think it's um it's something that feels very special and unique and I think it's part of the reason that people were very excited um about you because it's not every day that we have these these these discovery stories i mean i think back it just harkens back to the era when we when models were discovered on the street or walking through an airport like kate moss or um working at mcdonald's like your um you're like your personal fave yasmin gary she what she was working at McDonald's and you were basically waiting for the subway right take us back to what was happening that day and what you were um and and and how it everything how it

21:10Chioma Nnadi:changed everything so I was on my way to grab biryani with a friend um after I got rejected from an interview and I was waiting for him at Atlantic Avenue that's when my now mother agent scouted me and he came up to me and he was like you're a model I was like no do you want to be one I don't know why I was like so for me like growing up in India academia was like academia was it you know so it was all about like getting good grades getting that nine-to-five job like doing that nine-to-five job like so for me modeling was just like huh I I'm not interested And then we kept talking and because I had like a rejection for my interview and like life wasn't going the way that I planned for it to go.

22:02Chioma Nnadi:Because at that time, tech companies had a hiring freeze and they wouldn't hire. So he was like, you can pay your student debt. So that's when I was like, OK.

22:13Bhavitha Mandava:And you were like, ding, ding, ding, ding, ding. Let's go. Let's go. Because it wasn't the first time you were scouted, correct? Like you'd been approached several times before.

22:25Chioma Nnadi:Yeah, I was approached back home in India. But I guess like the way that my now mother agent approached me felt a lot more professional. Before, like they would just be like, oh, give us your number. I was just a little weirded out. But my mother agent, like he gave me his email and he was like, think about it. And the previous scouting agents that were trying to scout me were so like, oh, you can quit this school and you can just do this crazy thing. I was like, but I don't want to quit school. I actually enjoy studying. Yeah, I only started enjoying studying when I went into architecture. I truly felt like, oh, wow, this is the calling.

23:14Chioma Nnadi:This is my calling. I loved architecture. studying in university because I got to pick what I was interested in um so yeah I was like super hyped about studying at NYU and so like the way he approached me like the way he told that you can pay a few student debt you can continue education this can be like something that you do in the site for now until you graduate if you want to you can do it full-time but if you don't want to we totally understand so I really like that approach yeah you went on to graduate with a

23:45Bhavitha Mandava:master's degree which is fantastic um it's really hard because i yeah how did you manage to to to juggle both the modeling side and traveling and with your books because and having a job on campus

24:01Chioma Nnadi:or did you stop working on campus i was working on campus because that was the only place i had friends um i just don't want to quit it um also modeling is net 90 and my on-campus was every like bi-weekly pay so it made sense for me to keep doing on campus because i had to like pay my groceries and pay my rent and all those things um and with modeling i although i did Bottega and doing a Bottega show is the most privileged a model can have because at that time I mean even now right like Bottega is such a prestigious company and so if you do like a Bottega show or like a top three shows there are other brands that will like start approaching you and there's so many jobs that come your way so essentially like you don't really earn money by walking a show you earn money by doing other things that come after the show uh that's when i had to like decide between what jobs to take and what jobs i cannot take because like they were like it was insane money but it was it was on the day of my exam so no way so you had to turn down a big job like a big job that would have helped me pay my student debt um or like you know at the time like I was not financially um doing well so like I would like skip meals that that's how bad it was so for me to like turn down this job it was like really like sad but I had to do it because I told myself that I'm gonna finish this degree because I was always like going back um every time somebody advised me oh just like take a year break and like get back to it like just milk modeling out I just felt like it just wouldn't make any sense for me to just quit it I'm almost halfway through it I like it I started doing something else to fund it like it just did not make sense for me to purely leave it just because I can make a lot of money I just I was hoping that when I'm done with it this still stays but that's unfortunately not the reality mostly When I did graduate, I did not have many jobs.

26:20Chioma Nnadi:It was only when Chanel approached after like two months of graduating that I, yeah, I got a Chanel contract and then I started working at Chanel.

26:41Bhavitha Mandava:Sometimes people ask me which search terms I use whenever I'm on eBay. So I search a lot of deadstock. That's a term that I throw in there a lot. Deadstock means that no one's ever worn it before, but it is like an archival piece or it's a vintage piece. And so that's a great thing to find on eBay. There's a ton of deadstock vintage. And it's just kind of like comforting to know that like you're the first person taking this like piece on its maiden voyage, even if it's 50 years old. eBay offers this departure from the everyday that ends up feeling totally you.

27:21Bhavitha Mandava:I want to go back to when you first met Mathieu because I remember you hadn't heard of Bottega at the time right what was your knowledge of of fashion at that point in your life what did were you someone who paid attention to what was going on on the runways?

27:37Chioma Nnadi:not at all i i did not know most brands like and people would be like what how how can you not know but i do not know what alaya was but now now that i'm in this industry i'm like how did i not know alaya like alaya is like the coolest brand you know well i knew like brands like chanel dior Gucci like those brands um they did advertise back home as well I just went in not knowing anything about um the brand at all just walked in um and Machi was like tell me about yourself and that's the first time I told him that I'm gonna be honest I just got scouted um um and i've barely walked in heels um so bear with me and then i started walking i don't think

28:30Bhavitha Mandava:it was a good walk but because it was your second time walking in heels right you practiced before new york um yeah how did that walk go i don't think it was good

28:44Chioma Nnadi:but but he just like got up of got up and he gave me a hug and he was like welcome to the family i I was like, are you sure I can't even walk straight? Are you sure? Yeah, it's really surreal that he remembered after a year that I got scouted in a subway. And when the show was in the subway, he was like, bingo, you're opening the show. And even the outfit was an outfit that I would wear normally. And when I got scouted, I was wearing a jumper and jeans. So it was so personal. And honestly, he did not have to do any of this, you know.

29:31Bhavitha Mandava:It was so interesting because he did say when for this piece that I wrote for British Vogue, he said that it was a version of what you wore and he wanted it to be about you, which I thought was so generous because designers, So generous. Designers, they're all about their vision. Obviously, that's what they're thinking about. But it was very, it felt like such a full circle moment for you personally to be opening a show in a subway where you were discovered in a look that was basically a very rarefied version, a very schnellified version of what you'd worn when you were discovered.

30:08Chioma Nnadi:Exactly. And for him to do that for, I mean, I was, let's be honest, I'm a nobody, right? there is no need for him to tell my story but he chose to do it and it just felt so personal for me like i don't view him as a designer i view him as a storyteller more than a designer um like the way he puts up puts the show he like the music the casting to in the couture show like almost all the models had their names embroidered their initials embroidered into the outfit so it's so beautiful it's like it's been like a guardian angel i love how um because you

30:55Bhavitha Mandava:found out i think when we when we spoke you were heading towards a fitting for couture but you really didn't know that you were going to be the bride and what what i found in our conversations is that you really you do your research you are you know you you didn't leave your sort of you kept your student hat on you've researched about fashion I feel like now maybe two years ago you didn't know about Bottega but now I think you're would you call yourself a bit of a fashion nerd you did so much research about couture tell me about what you've learned about fashion researching it and I know that going to Soho now is a bit of a ritual just to see how people are dressed and like how it's changed the way you think about fashion and your own

31:41Chioma Nnadi:personal style yeah i've written so many theses and research papers until now so i really i after i was told that i i'm going to be the chanel bride i went to the library in paris and started browsing books about couture um the techniques and whatnot like the history and what it has evolved now into um i looked up on the internet um why even couture is relevant you know because um right now couture is essentially to like preserve the artisans and art before it used to be about selling but right now couture is definitely about preserving the craft um and only very few brands do that like Chanel is one of them um it's more about keeping up the imagery and so that it like trickles down to cosmetics and perfumes that's how they make money mostly but Chanel Chanel spends so much money um protecting these artisans um even this show that I opened in New York the Metzhiyadad show um it it was built on the fact that they um bought the dying um the companies that were dying because people weren't supporting them they just bought the companies and they make a show out of it so it's like so deeply um it's like love for the craft um and when When I was researching about Chanel Bride, I did not want to, I think Mathieu and I had this conversation when I was doing my fittings.

33:31Chioma Nnadi:We did not want me to stomp on the runway because it's a brighter look. It should not be the same as my walk in the subway. Because subway was supposed to be a rush hour, you know. It had to be like stomp, stomp. like you had to get to places but this was like me walking in a bridal wear so I think a little bit of research I watched almost all the videos of Chanel Brides wow there must be a lot of Chanel Brides to watch there were a lot they were they were pretty good compilations so that really helped me I um um I came up um with a story in my head um I was like okay I'm gonna view the audience around me as if they're my friends and family I'm gonna view the runway as if I'm walking down the aisle and you know just I also watch like videos of actual brides walking down the aisle so you know it's just like they're shy they really did your research yeah I don't know if I did the justice for how much research I did but I did do the research um yeah as you know the intention was to bring this kind of nervousness you're kind of shy you're kind of nervous you're kind of excited um to spend your life with the love of your life essentially um so yeah i said i was just looking around to the audience and i was like smiling and just grateful that they're here on my special day um i just had like a whole storyline going on my head

35:13Bhavitha Mandava:I love that. I mean, you looked very delighted and it was such a beautiful show to witness. I think obviously it was one of the highlights of the week and the energy of the show was just so buoyant and beautiful.

35:31Chioma Nnadi:I feel like the whole show really questioned the idea of couture in Public Eye, because I think a lot of people viewed couture as almost like a spectacle, like a costume, like these big gowns. But the show was quite a contrast. It was more about details. It was more about simplicity, elegance and delicacy.

35:58Bhavitha Mandava:delicacy how does a how did it feel like to wear that the clothes because obviously they looked incredibly like they you looked incredibly comfortable in them I think if you could describe what you were wearing and what it felt like to wear those clothes and what a fitting a couture fitting is like is it different to any other other show I do think it's it's a little bit more

36:20Chioma Nnadi:involved correct oh for sure um yeah i did go to chanel a few days before the show um had a few fittings um and i was just talking to one of the couturier over there and they were telling me that um a lot of the out the most of the outfit was made in mother of pearl um and then because mother of pearl is quite heavy so they had to like substitute here and there with paper that they particularly painted to look like that to give the elution and then there were like other materials like four other materials that they were working with um to make the outfit light because you're just using mother of pearl very heavy it's not you know tell me what the outfit was there were separates yeah they both were separate and it had like a embellishment on the back that was also made by hand um i think you probably saw the other jewelry that was made by hand as well it was not it was not metal it was all by thread and um what do you call it beads um so yeah one of that was behind one of the was on my back and then I had feather on my bun um I also saw that there was a 20 year old couturier contrast to like quite older couturier and he was so excited like I was so glad that you know I was giving him opportunity to like learn um was it his first was it his first show I have a picture of I don't know if I have a picture but I have a I think I have a video or a picture of him crying because it was his first show his first job he's 20 years old and um yeah he's just it was so emotional um yeah it's i mean this is how you preserve art right by teaching um the youth um exactly it was very nice seeing that they they had him over there and he was so involved and And he would just like get his sewing kit and like he would sew on the spot.

38:32Chioma Nnadi:It was so nice to watch.

38:35Bhavitha Mandava:How awesome. How does that moment with couture compare with your own sort of personal fashion memory? What do you remember from your childhood as being kind of the first moment when you became aware of fashion?

38:53Chioma Nnadi:um i don't think i ever was like super fashionable as a person but the first time i felt super cool uh in the way i dressed was i think i had like an emo phase where i had like side bangs almost covering one of my eye and almost like a dog choker you know the one with spikes um yeah yeah all black outfit with like kajal i was like so cool i'm so fashionable i remember look at this i'm like what was i doing um yeah uh even now i think i dress quite i just wear whatever is clean

39:31Bhavitha Mandava:honestly i i remember i talked to anita bitten who was the casting director who introduced you to Mathieu. And she said that the way that you showed up to your first castings, you came in the looks that you would wear to school often, right? So tell me a bit about what you learned about what is appropriate to wear to a casting, what that world is like. What is it, what is like, for the people who don't know what it's like to go to a casting, what's the process?

40:08Chioma Nnadi:um yeah i mean she was actually right like i was just wearing like free nyu t-shirts that i would get um and and then i think in like four castings and i looked around and i was like i'm looking like an odd one out everybody was in like mini skirts and like black pretty much like a black outfit that they wear um so i bought a mini skirt and a black tank top and i did a few castings like that and i just i was just like this is not me so i just went back to wearing whatever i was wearing um yeah castings are like quite interesting they um you called in like you have agencies that picture picture uh pictures and names to casting directors and they'll like call you um I was like quite intimidated I'm not gonna lie yeah I mean it must be so intimidating

41:06Bhavitha Mandava:to walk into a room and and know that you have to a walk in heels yeah and be just kind of pitch yourself and be really um comfortable and they're absolutely gorgeous like everybody is like

41:18Chioma Nnadi:insanely good looking I was like what the heck what the hell is going on here um and most of the like castings um except the one that i've done with machu and a few other creative directors um they don't really like ask you anything they're just like okay walk okay thank you and that's it and it's like you know you're gonna ask a name i guess i already had it in the on the paper but like i don't have any chance to be a personality hired here what the hell like i'm being put in a disadvantage here um yeah so like super intimidating you wait for hours hours and hours and you're just you just walk for like i don't know 10 seconds and they're like thank you for coming and just like shit yeah machu was i think the first casting that i went to um with a brand that he wanted to know me as a person.

42:21Chioma Nnadi:Very, very different castings from the castings that I was before.

42:28Bhavitha Mandava:I mean, I know that you were studying, you studied architecture, you did your undergrad in architecture, and then your master's in product design and tech. If you weren't a model now, what would you be headed towards doing? because you've graduated.

42:45Chioma Nnadi:I think flexibility is such a privilege and if I can keep having that, I would pick that. But yeah, I don't know what the future holds. I do think it would be really hard to go back to corporate after doing something like this. I feel like right now, my life's a dream. um but before what happened to me um if that did not happen I was still like leaning towards getting a corporate job um because it's just like I think it's just ingrained in my brain that it's a safer route or it's you know it's a constant pay but I realized in the right now nothing is constant it you know back when our parents were um working they would stick with a company for their whole lifetime but now there's so many layoffs that happen so many hiding freezes getting a job as a new grad has been almost impossible um a lot of people want to work but there's not enough jobs um so yeah there's like no safe path anymore so might as well just pick the craziest go with it yeah just go with it um when you're young you know and you don't have that much responsibilities yeah i mean what do your roommates from college and friends

44:22Bhavitha Mandava:thing because i know that you you still live with your your roommates from college yeah they're just

44:27Chioma Nnadi:like how did you go from being so nervous to give a presentation because i would get fever when i had to give a presentation um like i would be so nervous and then they're just like how did you go from that to like opening shows they're just so confused they're like what's going on

44:52Bhavitha Mandava:I mean, I will say one of the it was interesting hearing you talk about how that show and opening and that video that went viral of your mother and her reaction to the show, how it opened this whole discourse and the sort of positive messages that you were getting from people that you didn't know. tell me a little bit about about the reaction at that moment because obviously now there's a second wave of that but that initial first wave i think was obviously went around the world so quickly

45:24Chioma Nnadi:yeah yeah yeah i mean it was very interesting because not a lot of people like the general public does not watch runways um so now because the story was so um so personal and interesting and like quite magical it was really cool to watch that to see like people who never indulged in fashion all of a sudden watch this show that was in the subway and I was like a lot of moms wrote me emails being like my daughter gets bullied in elementary school and they were just like we we showed her your um photos and your videos and um in a way to like make that girl be confident in her in herself i thought it was like so so hard it's so heart warming it's i guess like going back to the super model era you know all their wins felt so personal to us like Kate Moss like her win was so personal or um like pretty much anybody Yasmeen Gauri I mean we all of us were rooting for these people you know even the general public we were interested in what they were doing I mean they were influencers even before

46:51Bhavitha Mandava:influencers even existed you know yeah no I mean I know what you mean I do think that there's that they had person we wanted to get to know them and I think people want to get to know who you are and because you're you know your your personality and that depth and that personal connection that they had that was sparked by that video and it's real like you you know you you bring yourself to your work you bring yourself to this job and you you've brought yourself to social media so I think it's open this this discussion which is so great and it's open this dialogue with you which I think is so encouraging um but yeah I before we go and and thank you so much it's been so good to check in with you again because it was a magical day shooting with you and um it really lifted my spirits personally and it has been such a joy to see others being lifted by this um I know you're walking in the Chanel show um what can you tell us now what do What can you tell us about that now?

47:55Chioma Nnadi:I actually don't know. Because I haven't been in Paris since the Couture show. So I actually don't know what the collection looks like. But I asked Matthew last night if I can keep doing fittings with him. Because I think I was mentioning to someone at Vogue recently that me working as a fitting model at chanel has healed me in like so many ways um because i when i was studying architecture and i graduated and started working as an architect um i was in a very toxic workplace environment and i that made me hate the whole discipline itself so for me to like be at chanel and like watching these people will genuinely be happy to be there.

48:48Chioma Nnadi:They're not dreading that they have to do this job. They're so excited. It's been such a contrast and it's like healed me. So I was asking him if I could, yeah, no. So I was just asking if I could do fittings again. So I'll probably know before my actual fitting day, like what the collection looks like if I get to do fittings with them. so yeah I've been making like can I show you something? I've been making a gift for them I actually made you one as well but I guess I'm going to review it now so I've been working with a studio back home in Mumbai to make keychain of a rat that's dressed in my the first the look I opened it's gonna So they work with artisans.

49:44Chioma Nnadi:Oh, my God.

49:45Bhavitha Mandava:How cute. I want one. I'm going to get you one. It's adorable. Please, I need one. How adorable.

49:52Chioma Nnadi:Yeah, it has a functioning bag and it's so cute. Oh, my gosh. I love it. I know. It has like my earrings dangling. Yeah, making that for the whole team. So when I go for a wedding, I'm going to get it to them. Oh, that's so cute.

50:06Bhavitha Mandava:Oh, my God. That's adorable. I love that. I love that. Well, I hope it goes so well. I'll be cheering you on from the sidelines. I'm looking forward to seeing you in London for our talk. It'll be so great to see you. And thank you so much.

50:21Chioma Nnadi:Thank you so much. It was lovely meeting you and doing the Vogue cover with you. Oh, my God. Yeah, that was a ride. But it's been so fun. Thank you so much.

50:36Bhavitha Mandava:That's it for the show today. The Run-Through with Vogue is produced by Chelsea Daniel, Alex DePalma, and Catherine Millsop. This episode is engineered by Pran Bandy and Luke Mosley and mixed by Pran Bandy.

50:55Bhavitha Mandava:My first job in New York City was as a trend forecaster. I do trend forecasting still, and eBay is a part of that because I'll search for things that I'm seeing around, and it will end up directing me in places that I could have never anticipated. And one of the trends that I'm seeing these days is crafting things that are made by hand. And so playing with clothes and accessories to create something kind of distinctive for your wardrobe is a great way of doing it. And getting supplies off of eBay is my favorite thing for it. I'll get like maybe a pair of slippers that I'm wearing right now and then cut them in a specific way and then they're totally my own.

51:32Bhavitha Mandava:And I feel like it's a great resource to create your own trends because then you can both feel like you're bringing something back to life. You're already like pulling it out of the eBay archives. And then you're also adjusting it so that it really expresses your own style, which is something that, you know, people really want right now whenever they are feeling like so algorithmic about the style that's being pushed to them. That doesn't have to be perfect. Things can have rough edges and that sometimes makes them feel more special. From PRX.

From the publisher

When Bhavitha Mandava got word that she was cast as the Chanel Bride for Matthieu Blazy’s highly anticipated Spring 2026 couture show, she approached the role the same way she tackled her research papers at NYU. She headed straight to a Paris library to pore over books on couture and watched every Chanel bride video she could find. “Then I came up with a story in my head. I was like, okay, I'm going to view the audience around me as if they're my friends and family, and I'm going to view the runway as if I'm walking down the aisle.” She told Chioma Nnadi on The Run-Through following her British Vogue cover.

Mandava also made history as the first Indian model to open a Chanel show for the Métiers d'Art 2025 2026 fashion show, staged in a New York City subway station. In a full-circle moment, she wore an outfit reminiscent of what she had on the day she was first scouted.

“I was on my way to grab biryani with a friend after getting rejected from an interview,” she recalled. “I was waiting for him at Atlantic Avenue when my now ‘mother agent’ came up to me and asked, ‘Are you a model?’ I said, ‘No.’ And he said, ‘Do you want to be one?’”

Initially skeptical, Mandava was ultimately persuaded by the prospect of paying off her school debts. Just a few months later, she had fully launched her modeling career and amassed more than 500,000 followers. “My dad is collecting every newspaper,” she said. “He’s clipping all the articles about me like The New York Times. I don’t even know how he got it. They don’t ship to India.”

Earlier in the episode, our fashion week coverage continues with Chloe and Arden Fanning Andrews, Vogue’s beauty editor-at-large. Reporting live straight from the car after Jonathan Anderson’s sophomore collection for Dior, they share their first impressions. Highlights from the show are: the epic lilypad shoes, Love Story’s Paul Anthony Kelly dancing to the runway music, and the “wiglets” (you must listen to find out what that is!). Reflecting on the greenhouse setting, Arden made one bold prediction: “Sweat is in”. You heard it here first, folks!

The Run-Through with Vogue is your go-to podcast where fashion meets culture. Hosted by Chloe Malle, Head of Editorial Content, Vogue U.S.; Chioma Nnadi, Head of British Vogue; and Nicole Phelps, Director of Vogue Runway, each episode features the latest fashion news and exclusive designer and celebrity interviews.

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