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Podcast Summary: The Run-Through with Vogue - Episode: How Jane Birkin Became The Ultimate It Girl
Podcast Overview Title: The Run-Through with Vogue Hosts: Chloe Malle, Chioma Nnadi, Nicole Phelps Description: Each episode features discussions with Vogue editors, creatives, and cover stars, providing insights into the world of fashion and culture.
Episode Summary Episode Title: How Jane Birkin Became The Ultimate It Girl Guests: Marisa Meltzer, author of *It Girl: The Life and Legacy of Jane Birkin* Air Date: [Insert Date]
Key Themes and Discussions
- The Auction of Jane Birkin's Bag:
- The episode kicks off with the recent auction of Jane Birkin's original Hermès Birkin bag.
- Sam Sussman's Experience:
- Attended the auction in Paris, described the atmosphere as electric with reporters and bidders present.
- The bidding started at €1 million and ended with a final auction price of approximately €8.6 million.
- Highlights included interviews with attendees and the owner of the bag, who shared her emotional connection to it.
- Marisa Meltzer's Insights on Jane Birkin:
- Discussion on the origins of Birkin's iconic style and her effortless approach to fashion.
- Meltzer's book explores Birkin's life, her relationships, and her influence on style.
- Birkin's attitude towards fame and money highlighted as she was not particularly concerned with them, reflecting a bohemian lifestyle.
The Impact of Jane Birkin's Style
- Effortless French Girl Aesthetic:
- Birkin's style, characterized by comfort and simplicity, continues to inspire the concept of 'French girl style.'
- The mixture of vintage London street style and Parisian elegance defined her look.
- Celebrity Influence:
- Discussion about the notion of 'It Girls' and how Birkin embodies this archetype through her multifaceted creative life.
- Meltzer's perspective suggests that being an "It Girl" is often defined by public perception rather than self-proclamation.
Cultural References
- Love Island Phenomenon:
- Sam Sussman's commentary on the current season of Love Island shows the crossover appeal of reality TV into fashion and culture.
- Contemporary Cinema and Theater:
- Choma Nnadi shares her experiences watching *Evita*, led by Rachel Ziegler, and the cultural buzz in London.
Final Thoughts
- Birkin's Legacy:
- The episode concludes with reflections on Birkin's enduring influence, particularly within the context of social media and how younger generations continue to discover her legacy.
- Meltzer emphasizes that while social media can flatten the complexities of someone’s life, it also provides a platform for deeper narratives to emerge.
Key Takeaways
- The Power of Fashion:
- Fashion often intertwines with personal identity and legacy, as showcased by Birkin's life and style.
- Influence of Cultural Icons:
- Public figures like Jane Birkin can resonate across generations, shaping modern style and cultural discussions.
- Authenticity in Celebrity:
- The conversation highlights the importance of authenticity in a world obsessed with trends and superficiality.
Listening Recommendation For anyone interested in fashion history, contemporary culture, or the legacies of influential figures, this episode of *The Run-Through with Vogue* offers valuable insights and engaging discussions.
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Transcript
Automatic transcript. May contain errors.0:27This is The Run Through. I'm Chloe Mao. It was so fun talking to Marissa. She goes deep on her obsessions. And I think for this book, she definitely went deep. In fact, she was in Paris when we spoke, and she was just about to go to the auction of Jane's beloved Birkenberg. I was very excited about the timeliness of this Marissa interview because on Thursday, all eyes were on the original Birkin bag, the prototype, and Sam Sussman was in the room where it happened. Reporting live. Southermese, Paris. What was the scene like? I can't even begin to imagine who was there. Was it really crowded? Was there a lot of, I mean, tell us everything.
1:17It was totally, I'll admit it, I've never been to an auction before. so didn't know what to expect. Luckily, we had coordinated some press badges so I got to go behind the velvet rope. It was smaller than I thought but the bag was right there enclosed in a glass case. Wait, the auction was smaller or the bag was smaller? No, the bag was a great size. The auction was smaller than I thought but it was incredible. So they had a few, like three rows of seats. They had a lot of cameras set up. They had a lot of people, a lot of press was there. watching this auction take place, which I think it happened.
1:58And I think Chloe emailed you at the start and at the finish of it. And I think it was 10 minutes long. I think bidding started at 1 million euros. And it was incredible to see these people fighting. You know, it's truly, they're on the phone covering their mouths so no one can know what they're bargaining or whatever they're saying. But it was going back and forth by the end by two people who were representatives representatives. I've learned so much lingo, absentee bidders. They were both representatives. One was French and one woman was Japanese. And they were going back and forth. And when there were gasps in the room, there was cheering.
2:35Wow. Catherine B., who was selling the bag, was there with a big bouquet of flowers, just, you know, so many of us. Oh, my God. This is our version of sports. It totally was. And you were there with our news editor, Anna Cofola, who is based in London and was so activated by this opportunity that she hopped on the Eurostar for the day. No way. I didn't even know that. That's so hilarious. It was so hot that day. We were sweating it out and we were in the trenches together just grabbing people to interview them. And you guys interviewed the owner of the bag, right? We did. What was, set the scene of what she was like.
3:12She sounded like quite a character. She was and I mean, it's really incredible. She had gone this bag for a much lower price than than what it ended up being auctioned for. Yeah, it was more like six figures, right, she paid, I think. Exactly. She was so happy. She said Hermes is her icon. Hermes is everything to her. Oh, my gosh. So she is just a big fan of the brand. And it was time to let it go and give it a new home. Well, can you drumroll please tell us how much it sold for?
3:44I can. It sold. The Hammer Price, another new lingo. Oh, the Hammer Price. What was the hammer price? 7 million euros. And then all in all, I think it was 8.6 with fees, a million euros, and that means$10.1 million for a U.S. listener. Wow. That is wild. So beating a record, and I don't want to get this wrong, but I believe the most expensive handbag to ever go for auction was only at around$500 ,000. So this really, people who we interviewed, we spoke to a lot of kind of people of resale companies who probably would be mad that I'm calling it that. Rehome, I think is the word. Rehome. No, get up.
4:25But they were thinking the bag was going to go for$2 million. No. Wow. $5 million more than that. Also, the street style there looked really something. There were a lot of Hermes bags in attendance. Check out Vogue magazine's TikTok to see what it really felt like in the room. Also, I saw one great image of someone with a copy of the galley of Marissa's book, which isn't out until October, in their Hermes Bergen. Wow. Stop it. Really on the nose. Wow. I mean. I hope Marissa saw that because that is amazing. Do we know anything about the person who bought the bag? So no. I mean, again, on our TikTok, there's been a lot of comments speculating, but they all say different names.
5:08It's a private Japanese collector. They sent the head of Sotheby's in Japan to bid for them. So you know they were serious. Kim Kardashian in her stories had posted all these texts she had gotten, multiple texts being like, we know it's you, but it wasn't her. It's amazing. What I learned from this experience is it wasn't about the Jane. It was more about the Birkin. It was, there weren't a lot of fans of them. Oh my God, such a good way to sum it up. There weren't a lot of fans of Jane Birkin, but there were a lot of fans of Hermes. Yeah, valuance. How have we not had you on the pod before, Sam?
5:47I've been asking. You're always on the ground. My entire life. You're always there. Also, you know what is kismet? We get Sam's front row in the room where it happened to report from the Birkin sale, plus Sam's take on the Love Island finale. Oh, my God. I thought you'd never ask. I was like, looking at my watch, I realized how much time we have left. Speaking of TikTok. When do you have time? It's so funny because Love Island is obviously a British export, something that has been here for years. I never got into it. And I've never seen so much frenzy from the U.S. because I know when it's broken through when my boyfriend asked me about it, he was like, what is Love Island?
6:26And I was like, okay. Okay, this is a thing now, the Adam test. I think the NBA finals were happening when Love Island was happening in the amount of memes I saw about boyfriends being like, we're going to watch Love Island, actually. We're not going to watch the NBA Finals. So it totally has broken through. There's a mania. I think season six was amazing, had amazing characters. Season seven was a hurricane. It was a Hurricane Huda. It was a Hurricane Hannah. It was a hurricane. There was so, it was ups and downs. And yeah, how do I have the time? I don't want to admit this on the air, but in Europe, I was staying up till 2 and 3 a.m.
7:07when the episodes aired, streaming it from TikTok because you have to have a VPN. They don't have Peacock in Europe. Oh, wow. Just so I could keep up with the group chats. Oh, wow. Stop it. You can't keep up. Stop it. How do you do it? I saw an amazing TikTok that was like when people are like, how do you have a life? It's like you rise to the – you don't have a life. If you rise to the occasion, only a certain few can keep up with one hour every night. One hour for an entire two months. No sleep, Sussman. Oh, my God. She's the anti-Dakota Johnson. Exactly. Why did this season break through? Because it's not the first season of Love Island in the U.S.
7:44It's like the sixth season. Why is everyone talking about it now? What's so special about this one? The people, it broke all the rules. It broke the mold. Season seven. There was so many twists and turns. And I think it was so America was kind of recoupling people that didn't have connections. They were voting off people that did have strong connections. The cast was also doing that. So everyone was like, what is this Love Island? It's not Exploration Island. All the rules were being broken. But the group, there were some really standout characters. And so, again, cover your ears if you didn't watch the finale.
8:22But Amaya Papaya, America's favorite one. She's New York City's own. Amaya and Brian. Googling immediately. And when you Google, she's hopefully will get a record deal because she has some amazing songs that I'll let you discover. I feel like now I've missed the moment, but I also feel like I want to tap in. And Jose did a really funny piece on, like, the look of love island. And it's this very sort of alchemical combination of fast fashion, old fashion, sexy, but powerful. I mean, it really sort of is tapping into conveying a certain look with their clothing. Wow. That was a great read because they're all there to find love.
9:11So, no, but it was so great to read it. And, you know, what they're dressing for is very specific and also very accessible, I want to say. I was always looking it up. We were spotting some Frankie's bikinis on there. There's Sheen. There's Boohoo dolls. I mean, it was very affordable. And these women and men have captivated all of America. Maybe not their hearts, but their eyes. We're watching. so I thought it was a very interesting take on the fashion and loved reading it it was wild the characters, they shocked you but Amaya truly one thing I have to say she always practiced being herself and she was like if I'm not accepted she found someone who accepted her as herself so I think that's a good message when you google her by the way your screen explodes with papayas Yes.
10:05Stop. Yes. And then a quote pops up by her just that keeps running over and over that says, I never said I was perfect. I never said I didn't have any flaws. And there's a little papaya at the end. Is that actually a sexy voice? Yeah, that was sexy. Let me tell you how it sounds. I never said I was perfect. I never said I was perfect. Oh, it's a song. It's a song. But I like how you did it. So I'll keep going. Just watch it. I like, clearly I'm out of the loop. Like, I didn't know this was a song. Like literally the lyric pops up. The whole screen was exploding with papayas. I was very confused.
10:39Choma, what have you been up to in London? I mean, the weather here is so glorious. We're having the best summer ever. I think it's like the hottest summer on record. And maybe we had the driest spring on record. So everybody's in a really good mood. I actually went to see Evita, which is the hottest ticket in town. And Rachel Ziegler stars as Evita. I mean, she is so fantastic. And one of the things that really made me want to go see it was that on my walk home every night, I walk past the theater and what she does as part of the performance is she goes onto the balcony and I couldn't understand why all of these people were standing outside the theater long after the theater had started.
11:16But they all wait for this performance and she goes out onto the balcony and like thousands of people outside of the theater listen to her sing. And it was, I was just wondering how they would pull that off with the, you know, without making, giving the people inside the theater FOMO, but actually it worked really well. What you see is this huge screen of her singing and all of the people outside, and it's just this incredible moment of theater. I mean, Jamie Lloyd, who is the director, is like a complete star, and hopefully they take this to Broadway so that you guys can enjoy it, because I think it's going to continue to have this buzz around it all summer.
11:54I love that. I mean, and we know, Evita, for the people. For the people, so timely. Yeah. Makes that work. Yeah. I also went to see this film called Hot Milk. Oh, people are talking about that. What is it? It's the same director as that movie Ida. And I remember I basically every time I want to see a movie that I've maybe never heard of, I ask my old boss, Sally Singer. I just text her and I'm like, should I go and see this movie? Because she watches every single movie. The Sally Test. Yes, the Sally Test. She's like my cultural barometer on so many things, but specifically movies. And she was like, oh, I've heard really good things about it.
12:32You should go see it. And Vicky Cripps is in it. I was like, okay, great. So I went to see it. And Emma Mackey is the lead. And she actually reminds me a bit of one of our old colleagues, Alessandra Cordina. She's breathtakingly beautiful. And she has this very intense relationship with her mother. And I won't give too much away because my friend who I went to see it with, we were both just talking about our mommy issues for the entire time after this film. I don't want to give too much away. because basically her mother suffers from this condition and you're sort of left wondering if this condition is inside her head and she's had this massive trauma from her childhood.
13:09And anyway, it is so great. And it all plays out in Spain, on the coast of Spain, and partially in Greece. So it's a good summer movie to get you in the mood. And Emma and Vicky have this kind of very intense romance. So it's very sexy. Oh, my God. And the supporting cast is like my three beloved Brits, Fiona Shaw, Patsy Farron, and Jesse Buckley all in one. Yeah, it's a really fab film. So I highly recommend, highly recommend. But I still have to see F1. Yes. And there's another film that Sally recommended that I haven't seen. Sorry Baby. Have you guys seen Sorry Baby? Yes. We're interviewing Ava Victor, the writer-director star, today for the pod.
13:54That's exciting. Now I have my summer movie list. I know. I got all those out. What have you guys been watching? What's going on over there? We know what Sam's been watching. No, but also, just you speaking about what's going on, I was in London. I got to see Lana Del Rey. I got to see Anna Carter. Oh, my God. Didn't you go with Liam? Yeah, with Liam. So the music was just overflowing over in London. Yeah, there's been a big, I mean, between Glastonbury and the Lana and Sabrina Carpenter, I mean, you got the best of it. I truly blessed. Sam, how was your trip to Couture? We didn't get to hear, we talked about Couture last week, but let's hear the suspense highlights.
14:31What were your highlights? Yeah, I mean, I got to see Choma at Celine, which was Michael Ryder's debut. So it was gorgeous. He had this massive silk foulard above the show space. And it was pooling with the rain, but it was quite, everything was still quite beautiful. They had these amazing Celine umbrellas that everyone was trying to bring home with them. We were trying to figure out how we were going to steal our umbrella, not going to lie. But it was an amazing, back to the close, it was an amazing debut from him. And obviously we wanted to wear everything. We got to meet his mother, which was amazing.
15:05She reads Vogue Runway every single day. Wow. We love that for Mrs. Ryder. Exactly. And then I have to say the end, so that was the beginning. Then the ending, Margella, was amazing. And that's one show that everyone was just obsessed by. They loved the soundtrack. They loved the clothes. It was so beautiful. It ended in a rainbow pit of balloons, but the clothing was really breathtaking. I'm very into the rainbow pit of balloons. Very. There should be more of that. Very, exactly. Bring Artie and Alice. I know. Get them in. Family fun. But he also had— Yeah, who did the Margiela soundtrack? It was someone really famous.
15:42Billy Corgan, right? Yeah, Billy Corgan. Which was amazing. Yes. Everyone was freaking out. Well, Samantha and I are off to Wyoming tomorrow for a future Vogue shoot. Yeah. Ooh, exciting. I'm going to make Chloe go to the Million Dollar Cowboy Bar. Yeah, Sam sent me a link yesterday to the Million Dollar Cowboy Bar in Jackson Hole. There's our Wednesday night. Oh, my God. It must be so beautiful there. I've never been. I've never been. Yeah, that landscape. All right. We have to wrap up. Thank you, ladies. So honored. It was so lovely to have you. Best. We love having our resident Love Island expert.
16:19And this was so much fun. We will be back with Choma's conversation with Maritza Meltzer after a short break.
16:50for the biggest prize in Hollywood. There's a hundred wrestlers in the room, but only one can be Oscar nominated. Whether you're a movie lover or an industry buff, Little Gold Men from Vanity Fair has everything you need to know about this year's Oscar race. Follow and listen to Little Gold Men wherever you get your podcasts.
17:20Where are you right now? I'm in Paris for the Birkin auction. Oh, wow. I just got here yesterday. And then today I went to the public viewing and then tomorrow is the auction itself. What did you see at the public viewing that caught your eye or surprised you? Well, it's how the people were dressed at the public viewing. Oh, tell me everything. There was like a 60-year-old man in head-to-toe Schiaparelli. Stop it. Like giant ear cuff, gold, like sort of chin length, like giant collar top. Like those, I don't know if they're scaparelli or maybe Balenciaga, those crazy long pointed like shoes that are almost like clown shoes.
18:08and he is from Poland and he is a collector, a couture collector. He wants to maybe bid and he was with like his friend who was wearing kind of like if Lynn wore Chanel, Baby Linny goes Chanel. And then... Baby Linny being Lynn Jaeger. Yes, yes. Iconic fashion writer. I'm not even friends with her. I don't know why I feel like she's Baby Linny to me as well. Isn't that her Instagram handle? It is, it is, it is. I think we get to call her Baby Lenny. And then there was like a Belgian guy who was wearing like full Ralph Lauren. Like the Ralph, the bear sweater and khakis. And had like hair that he looked like a minor royal family member.
18:58Okay. There's a lot. So there's just a lot. And then now I'm just so excited to see who shows up to the auction. I mean, one thing that struck me about the book was how uninterested or how truly bohemian Jane's attitude was towards money, that she seemed very unfazed by the fact that this bag had sort of produced this iconic frenzy. And she wasn't so, you know, it's become such a signifier of. Yeah, I think that was part of her charm because she just kind of like tra la la fell into everything. Right. So, of course, her relationship with the bag was just like, I sat next to Jean-Louis Dumas and he made me a bag and now it's the most popular bag in the world.
19:46And I cover mine with like UNICEF and free Tibet stickers. And, you know, and I think the relationship to money is similarly, you know, she grew up fairly high class, I guess. I mean, you're British, so you're probably a better interpreter than I am. But, you know, she grew up. upper middle class with a with bohemian with some sort of bohemian i mean her her mother was an actress and yeah yeah her father was military yeah and um so yeah i mean i think that it was that kind of like thinking about money was not something she ever really had to do but i also think she didn't have a ton of it and i don't think she spent a lot of it or cared that much She didn't seem to live a particularly lavish life.
20:35No, no. So Jane Birkin donated this bag to an auction for AIDS charity in 1994. Okay, that's the origin of it. In 2000, it went up for auction again. And this woman, Catherine Beunier, bought it and has had it basically, she's a collector. She has like a tiny little shop that sells collectible Hermes and Chanel accessories in Paris. And she's had it basically insured and in storage for 25 years. Wow. So she's selling it. We don't know how much she bought it for, but rumor is like$100 ,000-ish or something like that. And I mean, by the time this podcast comes out, everyone will know how much it sells for.
21:19But at least a million, if not way, way over. Wow. Yeah. Wow. I mean, I, I, cause also it's going to be what is rare these days, which is an in-person auction during Couture Week in Paris. So I think people could also just get carried away. Exactly. Cause all the right people are there to buy all the kind of people who might want something rare and beautiful and yeah, one of a kind, which is exactly what Couture is. Yeah, exactly. Do you think there's a version of the Birkin today? I mean, do you think we'll ever have a bag on this level that has this much kind of? Yeah, I think we will. I mean, I think that bags are so sort of, you know, they're made with a lot of intention these days to become an it bag or to go viral.
22:10And that's fine because fashion is a business. but I think what is cool about some of the sort of it bags of the past like the Birkin is that it had kind of a slow rollout and it took a long time to take off because it came out in like the mid 80s and didn't really become a pop culture thing until like the late 90s early 2000s and so I think it could be something like that like a minor bag like a lot of the kind of lesser Hermes bags are being rediscovered. Like everyone wants a plume, including me now. But also, you know, we're having such a crazy time of designer turnaround, as we all know. So, you know, there's all this potential for like Mathieu Blasie to like, you know, what is his next big Chanel bag?
23:00What is Jonathan Anderson going to do for Dior? You know, Bottega Veneta could have a crazy, you know, big bag. So I just think there's like, there's a lot of potential and people understand what a big business accessories is. I just love it when it's something kind of pulled from the archive and tweaks and kind of takes off in a more organic way, like the way that the Dior saddlebags kind of came back where it was like people were watching Sex and the City and they were loving that era and you could still get them kind of cheap on the secondhand market and it kind of went from like downtown younger girls and then they started making them again.
23:45Yeah, it's so true. It's so funny you said that because I actually wore one of the saddlebags from Galliano era recently and I love it. Does it have a print or what is it? It has the gold, green and red, gold and green colors. So it's that, I guess. The Rasta saddlebag. The Rasta saddlebag. I don't know whether that's PC to say, but it's the Rasta saddlebag. Well, the Jamaican inspired. The Jamaican inspired. Yeah. So I love that collection. As someone from Northern California, red, gold and green will always just be. Yeah. Rasta. Yes, exactly. It is. Red, gold and green is. So I have that. And I also have a patchwork.
24:30like one of the motorcycle Balenciaga bags I really like. Oh, those are good. Yeah. I am not, I love bags, but I'm kind of - Are you a bag person? A bag minimalist. Okay. I have a few and I wear them all the time, but I don't collect them and hoard them. I have like a couple Chanel bags, a couple Chanel evening bags. I have like a 1950s Kelly bag. Oh, nice. That I've had refurbished a thousand times. And I have like a giant Hermes oversized plume. Wow. Or not plume, picotin. Nice. And now I would love like a small black Birkin. I think that would be fun. I'd love a plume. But I don't, you know, I live in New York.
25:15And so it's like London where like your bag is kind of like having a car or something like that. Like I just want a bag that I don't have to be too fussy about. I mean, are you the kind of person who would personalize it in the same way that Jane did? Kind of love that she had like nail clippers and trinkets. Oh, and the one that they're auctioning, it still has the nail clippers on it. No, just because I'm not, I don't like jangle. You know, like I don't want to, I'm not, I'm never going to buy a Lububu. I'm not like, I don't have a custom phone case. mine is just like black rubber and I don't know it's not my mode of expression I appreciate it for other people but no I would I just want like sleek and fine I would I endeavor to be the kind of woman especially as I get older that puts like a sticker on my Birkin bag I mean I love speaking of Chloe I love how Chloe's mom has her Birkin bags and she's like doing paintings I know No, she's mentioned in the book.
26:22Yeah, in passing. And I imagine Chloe has one, if not the few. And like that would be, that to me is like, if someone wants to paint something on a Birkin for me, I would be deeply touched and I would love that. Also terrified if it went wrong. I actually think that would be cool. Like my favorite art in New York right now are these weird paintings in my gynecologist's office. there's just like all of these sort of like art nouveau meets mermaid women that are just like hanging out in pink and blue rooms I think it's so pretty and soothing and there's she has like eight of them um I really enjoyed reading your book it girl which is all about Jane Birkin I I want to ask what what inspired you to write this book well it was it's kind of a synthesis of all my nerdy interests.
27:21I went to a college that was like hippie enough that it didn't have majors, but it would have been French. And I spent my last year at university in Paris and I had taken French since I'd been a teenager. So I spoke it and I made some effort to maintain it in my life and read it. And I subscribed to French Vogue and all of that to try to, you know, have one skill from my education that I may maintain. Like, it's definitely not math or science. And so there's that, you know, I've always been into fashion. I fell in love with Serge Gainsbourg and Jane Birkin's music when I was, I think, through boyfriends when I was, like, in college.
28:05And then I love telling the stories of women's lives. And I had this, I knew who she was and knew her life story, but not so much. And I knew that there was a lot to sort of get in there. Like, I think anyone for whom their name is more famous than who they are and who's more sort of known as like a muse or something, you always know there's going to be a lot under the surface. And I think I was right. So that was what inspired it. And what was the process of researching this book? How long did it take? Where did you start? I started in Paris where I am now. I know it was like really it was kind of a dream.
Read the full transcript
28:49I took my dog and put all of my life in New York in storage and moved to Paris for a couple months and interviewed as many people as I could. But then also I was in the archives for French Vogue and also every other magazine and TV and commercials and films and reading every book that I could. And also doing things like going to the Alaya archives, the private ones, because he was a big fashion collector just to see if there was any clothes that she wore that I could see up close. and I went to the old house that she lived in with Sir Gainsbourg. Oh, is this the one that had the black walls? Yeah, yeah, the black walls and the black carpet.
29:38Yeah, the black mink fur. The fur bed, yeah. It truly looks like a house. Like, you can't believe that they had toddlers living in that house. It really looks like nothing but ill repute in a fun way, but it looks like somewhere where it's just an after party every night. Wow. Can anyone visit the house or how do you get out? Yeah, except the tickets. It's really cool because they only allow in like two people every half an hour. And you do headphones when Charlotte Gainsbourg narrates it, either in French or English. It's very intimate, but it's really hard to get tickets because they go on sale like every three months and immediately sell it.
30:19So I had to pull some strings, but I was able to get them. But technically anyone can. and you just like have to be very on top of it. Wow. What were some of the most surprising interviews or research that you unearthed that kind of changed your view or were pivotal to some of the sort of chapters in the book? I mean, I went through a phase where every celebrity that I was interviewing for various other purposes in my life as a journalist, I would just ask them what their relationship to Jane Birkin was or if they had ever met her. And I remember interviewing Dakota Johnson and she was like, she's why I have bangs.
31:00Oh my gosh, I can totally see it. And then also I didn't even think of it really at the time, but Dakota Johnson in a bigger splash plays the Jane Birkin role in La Piscine because it's kind of a remake. But I was like, oh, yeah, same perfect bangs. I think yeah reading about like reading her diaries and which is also really special because there's so many times when you're writing about someone who's passed away or even that you who's still alive but you don't really know what they think about things like you can cobble together a picture of their lives but we had these diaries that she's that started when she was a literal child, like 10, 11 years old.
31:47So you had these like personal thoughts and real time reflections that were kind of warts and all, like some of them are unflattering. She talks about how jealous she is or how much she's in love with someone or chronicles having an affair. So that part was great. And then you also kind of see what she cared about, you know, like her creative life and her career and her kids and what, you know, she didn't talk that much about fashion. She never talked about the Birkin bag, which didn't mean that she didn't care about it. It's just like, there's no entry where she's like, guess who I met on an Air France flight, the head of Hermes and he's making me a bag.
32:28Like that's what I, that would be the headline in my diary, but not hers. I mean, I guess it's sort of the definition of effortless, right? This effortless cheek. it. No, no. And I, which is so sad because like, I would love to not try hard about anything. I try, I try so, so hard. And I want to think, I mean, here I am in Paris where everyone looks like effortless, even in really hot weather in the summer. I'm from New York. We try, you know?
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33:31I mean, the title of the book is It Girl, And I'm curious to hear from you what you think defines an It Girl and what do you think made Jane kind of the archetypal It Girl? And I think almost the It Girl to end all It Girls, really. For sure. I think it girl, it's like what you said, it's effortless. I think the key thing with an it girl is it cannot be something that you crown, like someone else has to crown you or call you an it girl. Got it. Got it. You cannot yourself call yourself an it girl. So I think that dictates it a little bit. I think the truest it girls cannot be defined by one profession or reason for their fame.
34:17The best kind is like a Jane Birkin where if you were explaining her to someone, you'd say, oh, she acts and she sings, but she's also really fashionable and she has these famous love life. And it's same with like an Edie Sedgwick or Alexa Chung or something like that, where they have these lives where they're creative and multifaceted, you know, but also, you know, Chloe Sevigny, wonderful it girl. I think they have to be representative of a moment, but also have this kind of eternal. I don't know. What do you think? And who are your favorites? I mean, we sort of semi, you know, we co-own Jane.
35:01Yeah, for sure. Yeah. And I think about Alexa and Sienna Miller. And I think they're able to capture the zeitgeist in a way. Obviously, they're multi-hyphenate. They're not known for just one thing. Representative of a moment. Representative of a moment. You can kind of see them as something. Innate sense of style. Usually hot partners also. Oh, for sure. They often do high-low really well. Yeah, they do high-low really well. They mix designer with vintage or, you know, in Jane Birkin's case, like the infamous basket bags. It's like something you found at a little flea market or on vacation that becomes this indelible thing.
35:43It's so funny because Jane Birkin picked up her—I didn't know where she picked up her basket bag. I learned it from your book. And she picked it up at a market where my mother used to go food shopping every week. Oh, really? Barrick Street Market. Yeah, it's very close to where I grew up in Soho in London. Oh, I didn't know you grew up in Soho. Wow. I grew up 10 minutes from Soho, but I didn't grow far from Soho. And that's where my mother and father would get fresh fruit and vegetables. So it was so funny to be like, oh, my God, Barrick Street Market. That's where she got her very famous Portuguese basket.
36:22Yeah, it's fun. I know London, but not as well as I know Paris. So for me, and also doing a lot of the research in Paris, I would be like, wait, that apartment that she lived in was a five minute walk away. And of course, I stalked every place that she lived in and not in a creepy way. I wasn't knocking on anyone's doors. I would just walk by it and try to be like, I wonder if this was her sushi place across the street and went, of course, to her grave and, you know, places like Brasserie Lip that she frequented to eat that are still around. But that's, yeah, that I also love writing about people where they have a past, but it's not so far away that everything you're writing about is gone.
37:07Like it's, it's special to be, to know where the market is, where she bought, you know, her bag or like a theater where she performed, you know, like her first concert was at the Bataclan in Paris, where I saw Primal Scream when I was in, you know, university. And so I have a history with that place too. And yeah, it's, there's something really special about that. I love that too. It's almost like you can sort of trace her, you can follow her footsteps a little bit. Yeah. It was quite interesting reading about how her look came together because it seems that she wasn't someone who considered herself to be beautiful and she sort of created this semi-androgynous look for herself at quite a young age.
37:51What do you think it is about her look? Obviously, you know, you can't open an Instagram page about French girl style or any style really without encountering Jane Birkin. What do you think it is about her look and style that just has transcended time and continues to be something that people obsess over and imitate. I think the way that she was British but spent most of her life in Paris also informs that look because there's a little bit of the like vintage and the street style of London and that kind of Soho Carnaby Street of the 60s swinging London that she was a part of. But then there is that espadrilles and, you know, the Birkin bag and the kind of put togetherness that the French do so well, soigné.
38:45So it was this hodgepodge. I think she always looked comfortable, which is, I think, part of the key of it. Like, she's not really known for wearing, you never see her in like stilettos. And, you know, she was definitely comfortable with a lot of skin on display. So you saw her with a lot of like macrame and sheer and no bra. And also that look translates really well because we've been in such a lace and sheer and the Chloe Renaissance that's happening right now. So it translates well, but I think that ease and comfort of like, she wasn't a big makeup person. The hair was cute with the bangs, but it didn't look like she took anytime really styling it.
39:32She wore, I always think there's this video of her, I think at the Elisee Palace or somewhere like that for a state dinner. And it's 1992 and Princess Diana is there in a big old gown looking unhappy. I think it's right before she got divorced. And then Jane Birkin shows up and she's wearing probably YSL because they were good friends, tuxedo just with a shirt and just you know looking so comfortable so casual so in her old own skin and to me that's it is like even when she was dressed up even when she's in a gown and then she kind of quit wearing gowns and you know would wear like a men's suit or a tuxedo you know even in when she's at a state dinner she just looks like fully herself and I love that and I think that there's especially in a time when people are so interested in every micro trend that happens and you know being an influencer and looking for a certain way and you know these TikTok things about how to find your personal style like I think part of the key is not overthinking it she just didn't seem to and I love that and I wish there was more of that yeah I mean do you think because I obviously the term it girl I think a lot of it girls probably hate the term it girl i'm sure like i would love if someone call me a girl it's never happening i'm way too old but also yeah like it's one of those things like being called maybe like a hipster of a you know that word's a bit out of fashion or you know something like that or amuse like it gets labeled on you and you probably hate it or at least have like a very you know tortured relationship with it but and it seemed like she kind of had somewhat of a tortured relationship with the idea of being a muse or or did she embrace it from from the book what it seemed that she she wanted to come out from the shadow of Serge because obviously yeah I think it's both yeah you know yeah she she had this relationship with Serge Gainsbourg and they made famous music together.
41:46But that was also when she was pretty young, you know, starting when she was in her early 20s. And then they stayed working together after they broke up and into her adulthood and until he died in the early 90s. And so, and then even after he died, she still toured with his music. So there was this kind of like dichotomy and or like push and pull of her wanting to like celebrate her history and she really loved him and the music he wrote but then she got criticism because she was kind of seen as like this nostalgia act like she hadn't even though she made other music there was this feeling that she was kind of like trapped in her own history but I think she really loved it so there was that but then she does she did want to sort of pursue her own acting potential and but it's not this book which is also why it's interesting to me it's not this life story of like she found herself and then she won like a bafta or an oscar or whatever and like conquered hollywood or creative like she didn't she didn't have that life like she's still a little bit obscure in America and I think not that much more famous in the UK no you know she's still famous as this kind of like mood board staple but people don't necessarily know a lot about why or how or who she was yeah I I personally didn't know so much I mean I knew I knew all the kind of basic things about her relationship with Serge, the fact that she had, you know, three amazing children and who are also talented in their own ways.
43:29In fact, the blended family aspect of it, the fact that I didn't know it actually until I read the book, what a Serge and her had such a complex but also rich relationship. Like he seemed kind of beautiful, right? Like she leaves him and has an affair and then gets pregnant you know fairly soon after and he just signs up calls himself like papa de like i wasn't expecting that part that was a bit of a plot twist for me but it's kind of beautiful this idea like i'm the kind of person that i break up with someone and it's not necessarily bad blood but for me to get over someone i can't have them in my life it's really hard for me no and i love that she was able to also he was a rough guy he was problematic he was kind of embarrassing sometimes he was an alcoholic and could be boorish and she still had this like real love for him and yeah co-parented with him and in a way that would be really hard for me yeah i mean i think obviously the myth around her and her story beyond her style beyond that is what endures and what why people keep coming back to this idea and she basically was the blueprint for French girl style, which we talk about.
44:42We still talk about ad nauseum. And I think, I mean, it was, it's funny to think, what do you think the impact of social media has had on this message? Because there are, you know, we talk a lot about it flattening, flattening history. What do you think social media's impact has had on, on this phenomenon? I think on Jane Birkin, it's huge. I don't think this book would be as sort of anticipated if I wrote it 10 years before or something because she is so omnipresent even two years after her death. and in some ways more important because she keeps being discovered by new generations. You know, she's a little bit older than my own parents, but very close in age.
45:33And, you know, they barely know who she is. I know who she is more than they did because I am seeing her everywhere on social media. And it does flatten who she is, but that's where I think, you know, fill in the blanks. Like, I hope that people will see photos of her. And then there's this chance to tell you about this fascinating woman who knew every famous person of the era and is very indicative, but whose life is wild and very unique, but also has these like touch points that anyone can relate to of like being torn between relationships or, you know, blended families or, you know, having kids who have real problems and, you know, dealing with drugs or your own like health scares and sicknesses and also what it's like to age in the public eye and choose in this age where we all know what a deep plane facelift is and who may or may not have had one, some public and some not.
46:43She didn't do really any of that. I think she got like a sprinkle of Botox every once in a while and that's it you know she aged like a you know a person does without intervention and that's also pretty wild and managed to make it look insanely effortless still yeah yeah well that part was I think pretty effortless like she would joke like should I get my eyes done but it was like I don't know she's not gonna do it that's too much work and effort. And, you know, she joked in British Vogue, you know, years ago that she was aging in a Patti Smith kind of way. Best kind of way to age. I mean, it's interesting what you said, because I definitely came away from this book thinking, wow, here's a woman who really, we use this word so much, authentic, authentic, authentic, but she just, she lived her life in a way that was truly authentic.
47:38and I think didn't live a life without regrets, you know, it's just really inspiring to read her story and how she dealt with all these big monumental things in her life and things that weren't always happy, things that were sometimes sad and difficult, and she sort of made her way through without looking back. Like anyone has to, you know? And so I think that there is, I like that there's that sort of tension in the book between a life that's cinematic, that's a life that most people will never have, and also these things that everyone deals with, you know, your parents aging and stuff like that.
48:23And so I think that that makes the book kind of fun, where there's universal elements and then there's total fantasy elements. But I'm glad that you had that experience. I did too, writing it. Yeah. Yeah. And I mean, I'm curious. I know you're back in Paris. What is it like looking around? What do you do you see? How do you define French girl style now? I mean, do you think there are still similar markers? Do you think that this idea that's for sure? Because I sometimes wonder is like, is this for real? Like, is this French girl style thing like legit? Yes and no. I mean, I think that one thing we have to remember is that like Jane Birkin, like Josephine Baker, like Marie Antoinette, some of the most sort of iconic French girl style sort of people, Jean Seberg, are immigrants to France.
49:22And they are, you know, Marie Antoinette was from Austria. You know, Jane Birkin was from London. Gene Seberg was from America. Josephine Baker was American as well. And so they're bringing, you know, these sort of outside elements to kind of help codify French style. But, you know, I was just on the bus in Paris earlier today and everyone on the bus kind of commuting in Paris. There's this kind of, you know, pulled togetherness, this kind of like, I feel like people here shop in kind of thinking about an outfit and a look in a way that Americans definitely do not. And so, you know, there is this kind of cohesion here.
50:12And people are, you know, they're wearing sandals, but they're wearing like a high-heeled sandal. And then, you know, they're wearing, there's just less of a sloppiness than in America, which I love about America. I love how kind of like pulled together looks and sloppy and kind of, also you get the kind of like brand whore aspect in America, which I love too. Like people are just, you know, excited to wear their things. But in Paris, it's like, it's a little bit quieter. It's a little bit, you know, even amongst people that are young, it's like a little bit more adult. But I do think that like the French girl style that you see online is an absolute joke.
50:52Like people are not, you know, they act like every woman is wearing like a striped shirt and like, you know, that's not it. That's, it seems like it's from people that have never set foot in Paris. But there is a thing of French girl style. Yeah. For sure. No, I totally agree. I mean, speaking of, I do think her daughters kind of have carried that. Absolutely. Talk to us a bit, a little bit about how they've kind of created their own. Because, you know, it must be hard when your mother's also like the it girl of all it girls. Can you imagine the pressure? Yeah, I know. Yeah, I mean, I have a complicated enough relationship with my mother who is not famous in any way.
51:37So she had three daughters spaced apart in age with three different men. So one, Kate Berry, died in like 2013. And then she had Charlotte Gainsbourg with Serge Gainsbourg in the early 70s. And then she had Lou Doyon with the French director Jacques Doyon in the early 80s. And so Lou and Charlotte are both pretty famous in their own right, you know, internationally. I would say Charlotte is, you know, famous around the world and is kind of like she's the keeper of the temple of Serge Gainsbourg, even though he had, I think, four kids. She's kind of the most famous and the one that sort of seems to have taken on this kind of like she has the house and turned it into a museum along with the help of Saint Laurent and narrates the tour and made a documentary about her mother.
52:39that has some of the last footage of her alive. And then Lou Doyon is, you know, a singer, and, you know, her music and sort of image, she's, like, fairly well-known as a model and has done a lot of work. And then her first daughter, Kate, before she died, was a pretty well-known photographer and shot for, like, Vanity Fair and, you know, different French brands and a lot of different famous people, like Isabelle Huppert. And so they all kind of got into these creative fields, which, you know, you see that where that kind of like, you know, family, you know, genes must be really creative because it's generations now.
53:23But that's also such a, it's so stressful. I can't imagine having, following one of my parents and I, you know, I am completely different. Yeah, I've always been very different from my own parents. And so it's hard for me to imagine, you know, I'm not a criminal defense lawyer, but my father is. And I can't imagine someone recognizing me for that or something like that. yeah no it is quite impressive that they've been able to kind of they hold their own quite nicely and they seem quite they have and I think they because they're in their 50s and 40s they came of age as kind of it girls on their own but before this kind of nepo baby discourse that we're having that I think is a bit boring I think we've all gotten tired of just like calling people out you know it's like yeah you got me Like, my mom is Sofia Coppola.
54:21I'm not hiding it, you know. I think they were able to avoid some of that, which is nice. And also grew up mostly in Paris, where I think there's less of that. Like, it seems like more of a tradition to go into, you know, follow your parents into, like, acting or music and modeling. And also, it's a country where actors, like, record albums all the time, or have, like, one man or woman shows or model. And it's way more freeform the way that Jane Birkin was and Serge Gansborg, too. True, true. Well, Marissa, it has been an absolute pleasure having you back on the show. The pleasure is all mine.
55:00And good luck with the rest of your book tour. And that's exciting. Thank you. I hope to see you in person soon. And that's it for the show. We will see you guys soon.
55:22The Run-Thru is produced by Chelsea Daniel, Alex DePalma, and Stephanie Cariucci. It's engineered by Pran Bandy and James Yost. It is mixed by Mike Kuchman. Chris Bannon is Condé Nast's head of global audio.
55:41From PRX.
From the publisher
The fashion equivalent of the Super Bowl—or maybe the recent FIFA Club World Cup final?—may just have been the auction of Jane Birkin’s original Hermès Birkin bag last Thursday. On the pod this week to discuss all things Birkin, the origins of French girl style, and how looking effortless often takes real effort is writer and friend of the pod Marisa Meltzer, whose new book, It Girl: The Life and Legacy of Jane Birkin, is out in October.
But first, earlier in the episode, Sam Sussman, Vogue’s global director of social, drops in to share what it was like to attend the Birkin bag auction in person—and explain (unrelatedly) why she couldn’t stop watching this season of Love Island. (Hint: we love Amaya Papaya!)
The Run-Through with Vogue is your go-to podcast where fashion meets culture. Hosted by Chloe Malle, Head of Editorial Content, Vogue U.S.; Chioma Nnadi, Head of British Vogue; and Nicole Phelps, Director of Vogue Runway, each episode features the latest fashion news and exclusive designer and celebrity interviews.
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