In short
Tory Burch’s fashion career and business building, plus Vogue’s June cover star Anok Yai and fashion/editorial choices ahead of the Met Gala.
Guests (and backgrounds)
- Tory Burch: Founder of Tory Burch fashion brand; art-history Penn graduate; built brand from a 2004 Nolita store to a global company; runs the Tory Burch Foundation (women entrepreneurs in the US).
- Anok Yai: British Vogue cover model; discussed as returning to public speaking after revealing a serious heart condition earlier in the year.
- Nicole Phelps (host/interviewer), plus Radhika Seth (British Vogue film & culture editor) and Laura Ingham (Deputy Director, Global Fashion Network).
Key claims
- Burch designs from emotion and art connection; aims for “enduring” pieces meant to last 5–10 years.
- She links business and purpose: foundation started after building the company; women entrepreneurs show high loan repayment and resilience.
- During crises (e.g., COVID), transparency and honesty helped customers and employees.
Notable examples
- Met Gala prep: Burch dressed Pamela Anderson and Janik Sabrevo; she’s wearing vintage this year; discussed dressing talent via mood boards and iterative collaboration.
- Foundation breakfast: 400 attendees; entrepreneurs described as single moms with high loan repayment.
- Fashion examples: Tory Burch’s “deadhead” woven bags (leather, artisan-made in India) and fall inspiration from her father’s corduroys; Met flats for Anderson .Paak mentioned.
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Chapters
Tap a time to open that second in VOAnok Yai on the June Cover
0:45 to 1:59
Discussion about the June cover featuring Anok Yai, including details about the shoot and her emotional story.
“They talked about her career, her inspirations, the flats that she dressed Anderson Paak in for the Met, and also gave advice to aspiring fashion designers.”
Fashion Insights for Anok's Story
1:59 to 3:24
Insights on the fashion choices made for Anok Yai's cover shoot and their emotional significance.
“I have so many thoughts about it but Laura I know that you worked on pulling looks and we talked a lot about the shoot and why it had to be joyful.”
Anok Yai's Journey to Stardom
3:24 to 5:12
Reflections on Anok Yai's career development and her rise as a supermodel.
“I was going to say, like, give me your initial thoughts.”
Packing for Cannes
5:12 to 6:15
A light-hearted discussion on the challenges of packing for the Cannes Film Festival.
Anticipating Cannes Film Festival Highlights
6:15 to 7:49
Conversations about anticipated films and events at Cannes, including star appearances.
“So that will be like quite buzzy and fun, I think.”
Upcoming Films and Their Themes
7:49 to 10:01
Discussion of various upcoming films at Cannes and their themes, including a blend of genres.
“But this week I'm like, are they getting like famous cameos?”
Wedding Dress and Personal Style
10:01 to 11:18
A personal anecdote about wedding dress choices and the meaning behind them.
“I didn't have much last time, but there were lots of the pieces that are very, very, like, I think I got them because they're so packable.”
Red Carpet Looks and Trends
11:18 to 14:01
Discussion on red carpet fashion trends and notable appearances at recent events.
“But I've just been umming and ahhing about it for so long.”
Fashion Choices and Show Preparations
14:01 to 15:13
The hosts discuss their fashion choices for upcoming events and the challenges of coordinating outfits.
“I've got this really beautiful burnt orange dress Yes, it would look great on you, actually.”
Voice Note from the Dior Show
15:15 to 18:06
Chloe shares her experience at the Dior show in LA along with details about the venue and notable attendees.
“And so we'll get a lovely voice note from her.”
Show all 30 chapters
Upcoming Gucci Show and Event Highlights
18:08 to 21:48
Discussion about the upcoming Gucci show and other significant fashion events in New York.
“his first show in the States, I'm quite obsessed that he decided to go to LA for his first crew show.”
Interview Transition to Tory Burch
21:48 to 22:08
The hosts transition into an interview segment with designer Tory Burch.
“The run-through will be back in just a moment with Nicole's interview with designer Tori Butch.”
Tory Burch Discusses Met Gala and Design Philosophy
24:01 to 28:00
Tory Burch shares insights about her Met Gala experiences, her design philosophy, and the collaborative process with stars.
“And the reason I said that is because sometimes people come up to me and they're like, do you go into the office?”
Art Inspirations in Fashion
28:00 to 28:50
Learn about how art influences fashion collections.
“Every collection I've ever done references some kind of painting or color or just period of art.”
The Tory Burch Foundation
28:53 to 30:01
Discover the mission and impact of the Tory Burch Foundation.
“So this has been an extremely busy week for you.”
Success Stories of Women Entrepreneurs
30:06 to 31:20
Hear powerful stories of women overcoming challenges to succeed.
“And that's through mentoring, through community, and through access to capital.”
Lessons from Women Entrepreneurs
31:24 to 32:33
Explore the vital lessons learned from working with women in business.
“and grit is really, really at the heart of it.”
Entering the Fashion Industry
33:13 to 34:15
Understand the challenges faced when starting a career in fashion.
“You graduated from college, and as I understand it, you cold-called the designer Zoran.”
From Zoran to Harper's Bazaar
34:19 to 35:26
Follow the journey from an entry-level job to major fashion houses.
“He wanted me to cut my hair, wear no makeup, wear flats and wear his, you know, sort of uniform, which was like a pajama pant and a T-shirt.”
The Decision to Launch a Brand
35:27 to 36:59
Learn about the pivotal moment that led to launching Tory Burch's brand.
“You worked at Ralph Lauren, Vera Wang, and Lueve when Narcissa Rodriguez was designing.”
Opening the First Store
37:08 to 38:26
Experience the excitement and challenges of opening the first store.
“You had to do a round of investment with friends and family.”
Building a Company Culture
38:27 to 39:24
Discover the importance of creating a positive company culture.
“And throughout the day, we started to see that it became word of mouth and that people were telling people.”
Facing Challenges in Business
39:25 to 41:24
Hear about the challenges faced while growing a business.
“And so we created something called Buddy Values.”
Navigating Business Crises
41:25 to 42:09
Learn how to handle unexpected crises in business.
“You know, never would I ever complain because it was so extraordinary and still is.”
Navigating Business Challenges in Fashion
42:09 to 46:07
Learn how Tory Burch faced and overcame major business hurdles during economic downturns.
“Then you have 2008 with the macro environment of you have this growing business and 2008 happens and literally overnight business stops.”
The Shift in Leadership at Tory Burch
47:25 to 53:25
Explore the impact of Tory Burch's leadership change and her creative journey since.
“You were the CEO and creative director of your company for many years.”
The Influence of Claire McArdle
53:25 to 56:00
Understand the revolutionary impact of designer Claire McArdle on American fashion.
“It was fashion's return to the runway after many seasons of doing videos for fashion shows because of COVID.”
Exploring Fashion's Evolution and Personal Style
56:00 to 58:38
Learn about the connection between American sportswear, feminism, and personal fashion choices.
“I mean, it's interesting that American sportswear emerged at the same time that, you know, feminism did and women in the workplace that sort of goes hand in hand.”
Tory Burch’s Upcoming Projects and Inspirations
58:38 to 1:00:24
Discover Tory Burch's future projects, including a unique TV show for dogs and her personal motivations.
“and I'm curious, what have you been searching for and collecting lately?”
Advice for Aspiring Fashion Designers
1:00:24 to 1:02:10
Gain insights on how to navigate the fashion industry and the importance of self-confidence.
“And anything that I will make will go to Helping Dogs, if I make anything.”
Transcript
Automatic transcript. May contain errors.0:05This is a run through. I'm Chomanadi and today Chloe is away in LA for the Dior show at LACMA. She sent us a very fun voice note that we'll share later. But now I'm in the London studio with my colleagues Radhika Seth and Laura Ingham. Can you guys introduce yourselves to our wonderful listeners please? Yes. Hi, I'm Radhika, the film and culture editor of British Vogue. And hi, I'm Laura Ingham, the Deputy Director of the Global Fashion Network. Well, you guys are pretty much regulars, but I thought it would be good to reintroduce yourselves. On today's episode, our co-host Nicole Phelps is speaking to the fabulous Tori Birch for a live taping at the Vogue Cafe in New York ahead of the Met Gala.
0:48They talked about her career, her inspirations, the flats that she dressed Anderson Paak in for the Met, and also gave advice to aspiring fashion designers. So stick around to hear that fabulous conversation. But first, our June cover is out and it is of the beautiful Anokyoi. And I'm just so excited about it. Every time I look at it, I just think about how beautiful it is. It was styled by Kate Phelan and photographed by Raphael Pavarotti. And our dear Fumi Fetto, our beauty and wellness director, did the interview. And it's quite an emotional read. It's quite an emotional story. I really wanted her mother and father to be part of the shoot and so we were able to fly them over to Paris for this so it was a really special moment and I understand that there were several tears on set from Anak who really reveres her parents and there's a very sweet relationship between them and obviously she's had such an intense year she revealed earlier in the year that she'd been undergoing treatment for a very serious heart condition that she has and this is the first time that she's speaking since she revealed that diagnosis.
1:59I have so many thoughts about it but Laura I know that you worked on pulling looks and we talked a lot about the shoot and why it had to be joyful. Can you talk a bit about the fashion for this story? Yeah I mean it's so beautiful to see it in print. The first issues just came and hit Choma's desk so we're so excited to see it because it's so beautiful and all of those conversations we had about how you wanted it to feel so personal to her but also for the images to feel tender and intimate really interplay and I think play out in the story not to mention of course Fumi's really beautiful interview so when we're working on the fashion it's quite a lot when you're kind of trying to convey that through the fashion so we work really closely with Kate and And Raph, it's a real collaboration.
2:47We decided that we really wanted to showcase Anok in the new season, autumn, winter collection. So we started pulling from fresh from the runway. We really focused on shape, colour, connection, silhouette. They were kind of the key words that we were talking about. Of course, Raph loves texture, shine and vibrant colour. And you see that in the interplay and the images. I mean it's so beautiful to see how Raph's references that he sent us then play into the fashion and then the final images the picture of not with her mom her braiding her hair that one is one of my favorite images it's so emotional it really is it kind of really hits you doesn't it and um I think just seeing her father as well in his own clothes and I think you can really sharp suit he has yeah the best dress yes totally you can see where she gets her love of fashion So I think it's so nice to have that mix and that really makes it feel very authentic and very real as well as feeling very polished and really that kind of high fashion messaging at the same time.
3:52And it's so stunning. I'm just seeing it for the first time. I know. It's amazing. I was going to say, like, give me your initial thoughts. I just had like a weird flashback while you were talking because I interviewed Anuk like in 2018. Oh, wow. When I was at British Vogue and she like came in, it was like a go see. And I had a chat with her and we put it online. And that was like many, many, like almost 10 years ago, which is so crazy to see how much she's done in this time. And it just looks incredible. Yeah. Yeah, she's really coming to her own. I remember doing an interview around the same time with her.
4:23She was quite shy and she was still kind of learning the ropes. but her enthusiasm and she was just so happy to be in the room you know and it was for a cover story that we did with about 16 models it was like a global cover story and you could just tell that she she had a star quality and she wanted to also to be a voice like she's developed her personality she brings so much to she's become a supermodel you know I think we talk about supermodels and it the word gets thrown around a lot but she is that i'm so lucky to have been on a few sets with her and she never stops working she just gives absolutely everything to that image her dialogue with the team that she's working with is so i know i know i mean she was model of the year and what a crazy year she's had the highs and lows and it just shows you she was just holding all these different emotions at once like what a powerful what a powerful woman my best dressed at the met as well oh yeah oh my god no great yeah especially with those prosthetic tears i could i mean and the hair yeah it was incredible she looked amazing so good um but i wanted to ask you are you all packed for can are you ready i'm not actually i have to go do that after this are you kidding me how do you don't you have to like pack like red carpet cocktail looks i always get paranoid about that i'd have to be packing evening looks to me gives me the most anxiety everything else really i'm the same i'm the same yeah i'm packing for work and i know that there's many multiple nights because how many cocktail looks do you have to well i think i'm it's a few parties but generally i'll be mostly watching loads of stuff in like a very dark room so i think that's lucky but i actually don't have checked luggage this year so wow so you've got to do it with a can with a carry-on yeah this is a story there's a piece in this i'm about to say i'm ready for this so i think maybe like a couple of things that i can wear a few times okay is the safest for me but luckily it's not like so what's the what's the footwear do you do you adhere to all the rules do you do flats you do heels i have been turned away before breaking news i don't know this yeah yeah i mean i've worn yeah because i you know me I wear flats like I don't I don't really wear heels this is why I can would be an absolute disaster for me I wear kitten heels I guess okay and then that's fine but I remember like going to the red carpet and what kind of shoe what was the shoe I think it was like a flat Mary Jane but it was like I was told like I wasn't even told anything she just looked down at my feet and just sort of looked at me and I was like oh okay but luckily they allowed me to go into the screening just not walk the red carpet oh gosh maybe you were spared I hate walking the red carpet but yeah I think if they were like you have to leave which they could do it's not great but I just can't I mean there's so much running between screenings and things it's all very tight I just don't know if I can do it in heels even if it's tiny ones I don't know if I can do it and today you wrote this fab piece about what we might expect with White Lotus being filmed simultaneously I know so it's sort of like my wish list of like what hopefully will turn up in the show because also they'll be filming it while I'm there and I think I heard that Mike White the creator of White Lotus and some of his cast are also walking the red carpet in the second week at some point.
7:39So that will be like quite buzzy and fun, I think. But also I'm just so curious to see what are they going to film? Like what are they picking up? And they're filming for like six months. So it's lots of other stuff as well. But this week I'm like, are they getting like famous cameos? Yeah, this might be the week, right? I can't even imagine the production scale to film live like that at the festival. Having seen a little bit, we were just talking about, I know that we've talked a lot about the Devil Wears Prada. But having seen them film that in Milan during Fashion Week and to see what goes into that and then what ultimately makes the edit on this sort of scale at the festival would be fascinating.
8:15And so top few things that you're looking forward to at Cannes because I always wonder what you're going to be looking out for movie-wise. Yes, so my most anticipated is this film called Fjord and it's by the director Christian Mungui. He made four months, three weeks and two days if you saw that film that won the Palme d 'Or like many years ago. and it's got my queen Renata Rinesver in it. We love her. Yes, we do. So her back on the Canred carpet, always so good. And Sebastian Stan as well. And it's set, I believe, in Norway and it's a story about a Romanian family moving to Norway and kind of what they face when they're there.
8:54It sounds like pretty good potentially, so that will be fun to see. I think the starriest film this year is Paper Tiger with Scarlett Johansson and Adam Driver. set in like 80s New York it's like a family story with maybe some crime elements as well so that will be interesting to see what that's like also this film called Her Private Hell love the title do you guys like The Neon Demon what are your thoughts about The Neon Demon you know I don't watch horror so I'm tapping out of this question I'm a scaredy cat I can't sleep after that my imagination takes me same um also um this film called full fill which is a christian stewart comedy okay and it's about her and woody howison plays her dad and it was described by the director as like emily in paris in hell wow my gosh which sounds great so they like go to paris and like try to reconnect new destination for emily i know and it's like has those like food poisoning a lot of things go wrong apparently so really pumped for that one actually oh my god that sounds that sounds really fun so like lots of great stuff coming up and also the Avedon documentary we should mention as well because that from Ron Howard yeah lots of really really good stuff and I'm very excited how long are you there for um a week so just over a week okay yeah moving in hand luggage only it's a long time good luck I mean I don't know you're gonna have to have some yeah I think if you it's so funny I went to the Aliyah sample sale so I got some of that oh you did we haven't I've spoken about this.
10:29I know. I know. I didn't have much last time, but there were lots of the pieces that are very, very, like, I think I got them because they're so packable. Really? Yeah. I love a skirt over pants, and they had this in bright pink and a bright pink top, and it's something that I could literally throw in a suitcase. And they just had lots of packable evening wear, so I should have tipped you off to that. But next time. Yes, please. I was going to go, actually. Did you? But I couldn't in the end, because this is, I don't know if I've spoken to you about this, but I'm getting married in June and I'm wearing a liar.
11:04Oh, we didn't know that. Lovely segue. Yeah, yeah. Wow. So tell us about, can you tell us anything about it? You don't want to give too much away, obviously, but for the wedding. Yes. Did you buy it recently? Yes, really recently and I'm getting married in a month so it's been really last minute actually. But I've just been umming and ahhing about it for so long. You're going to have to write about it. Sorry, guys. Sorry. I've told you. Got married in a liar. The headline writes itself. Oh, my God. All I'll say is it's pink. Ah, beautiful. But because I'm Bengali and like a traditional color for a Bengali bride is pink.
11:34But I wouldn't wear like a sari. It didn't feel quite right. So I was like, how do I kind of meet it in the middle somewhere? So that's where I landed. But I got it before I went to the sale. So I was like, OK, I'm not going to buy more stuff. I'm so excited for you. That's amazing. I love. It's my favorite color, basically. You know how much half and I wear pink as well. Yes, I know. I think we're kindred pink spirits. anyway I'm going I've gone left as usual I've drifted I've drifted but I did want to talk a little bit about the few looks that we've seen on the red carpet so far I loved Meadow Walker in jeans in in New Celine which I loved and Michael Ryder is killing it and I thought she looked so fresh and so great to get Meadow Walker Paul Walker's daughter I'm not sure what she's in coming up but love to see her and then Joan Collins I think you were someone who called her out to me this morning in one of our meetings.
12:26I know well because we just we shot her well Vinicius shot her for her biopic and to see her on the carpet at 92. It's amazing. She's wearing heels. I think there's an age limit it's like driving you give up the heels high heels but I just love her commitment she looks incredible and she is in she's going to be playing the Duchess of Windsor with Isabella Rossellini. Can I just say Hayley Maitland, our lovely colleague's piece on Joan is one of the funniest things I've ever read in the magazine. It's so, so good. Please go and read it. I love Hayley. I don't want to give it all away. No, no, I'm not going to say anymore.
13:00Just knowing what's in her living. I think Hayley arrived and she was finishing up a Pilates session with her personal trainers. Yes. And she was like in a living room surrounded by pictures of herself. so I think it was quite an interesting scene. She was wearing trackies and a giant crucifix and I feel like I just thought that's it like you could end the piece like it was so so good it's so good it's so funny and the project sounds really fascinating. Well tomorrow I'm going to the palace for the annual Buckingham Palace garden party and the dress code is really strict I'm just hoping it doesn't rain because the weather has been...
13:42Spring has really not sprung here yet. Apparently, spring will show up next week. I've heard the same. We've had the showers. We've had hail today. I hope you don't get hail tomorrow. I know. I'm just like, is there a contingency plan? Where does the garden party happen at the Buckingham Palace? Does it go inside? Is it like a marquee or something? I don't know. I don't know. I'll report back. I'm wearing Erdem, I think. I've got this really beautiful burnt orange dress Yes, it would look great on you, actually. I would say I wanted to get a red cardigan because I know that you would have paired it with red because I always love your colour blocking, but I wasn't able to find one.
14:21So I'm going with grey, slate grey, a slate grey Tory Burch cardie that I have. I'm very committed to the cardie, but you have to, I'm not going with the hat, which is something that they do suggest. But it's not compulsory. Highly recommend it. It's not compulsory. It's not compulsory, right? I heard this as well. It's not compulsory, but you have to wear a suit, a trouser suit or a dress and there should be some sort of hat. But I think this year I'm not a hat person. Can't get with it. I've been a hat person. I've done the fedora. There was a time when you wouldn't see me without a fedora. Wow.
14:55Yeah, but that time is gone. So we're moving on from there. The perfect place to bring it back is back. I mean, maybe, wasn't there a season that Saint Laurent had like, I don't know. I can't, there's no hat that I can see myself. I don't know. Anyway, but we shall see. Speaking of fashion shows, our lovely Chloe is in LA right now at the Dior show. And so we'll get a lovely voice note from her. All right, we are in the car at LAX, me and Samantha Sussman, fresh off our flight from New York City. Our flight left at 8 a.m. Sam Sussman pulled off a daring feat. She left her apartment in lower Manhattan at 6.33 and made it onto the plane by 7.33.
15:38Shock and awe. I, of course, basically slept at the airport. Samantha, how are you feeling? Feeling great. We are take Chloe and Sam, take LA. I can't wait to add some color to this story. I'll give lots of Chloe updates. We had a packed flight with Dior goers like Grace Gummer, Sam Hine, and now we're off to the peninsula, which we are very happy about tonight there is a welcome dinner at chaplin recording studios which i was talking to um some elderly los angelinos i.e my mother and uncle about last night and they were saying that that was charlie chaplin's original recording studios and then it was where a &m records would record everything so i'm really excited and that jim henson did a lot of muppet work there, which is very exciting to me.
16:32So that's going to be a fun moment. And their Dior resort show is tomorrow evening at the new Geffen Galleries at LACMA, which is the same location that Vanity Fair had its Oscar party this March. They're offering tours after the show, so I'm excited. I know! I love a museum at night. Famously. Famously. Private tours.
17:03I always love her voice notes. But I also know that, Laura, you are going to be packing soon for New York. I am. For Gucci. Are you ready? I'm just so curious about the location. Me too. I know we're speculating. We were just on a call with our colleagues in New York and they were like, maybe we think it might be here. We can't say. Gucci won't. A very tight-lipped about it. So are Vita on their shows later next week as well. I'm going to take more than hand luggage though, Rad. I was going to say, how much are you packing? What are you packing? I share Choma's fear for evening events. We know that there's a dinner on the Friday night and then the Gucci show is at 9pm on Saturday.
17:46So basically you're wearing like cocktail. Yeah, so we need to be in something or other, super smart. And then we'll re-see everything on the Sunday and then we kind of switch over and then Vuitton's on the Wednesday early evening, I think. But still no clue as to where these shows are going to be. But I'm excited to hear from Chloe because Jonathan's show in LA, his first show in the States, I'm quite obsessed that he decided to go to LA for his first crew show. Oh, it's at LACMA though, which makes sense, which really tracks for Jonathan because he's so embedded in the art world and has such immaculate taste in art and knows many artists personally.
18:27So it makes so much sense he's doing it there. And it's also a fab location. Christian Dior took his 1947 show to the US. It was his first show there. And it was kind of met with protests like around fabrication and around his use of corsetry. So kind of like the twist, but Jonathan's also taking his first cruise show there as well. Wow. I didn't know that piece of fashion history. I know. And also the newspaper print. We were talking about this. Yeah, the newspaper print is well and truly back. Yeah. Jonathan posted a picture of the newspaper print bag on his socials. Yeah. Obviously, John first kind of commissioned or presented his newspaper print in, I think it was back in 2000s.
19:10And then Sarah Jessica Parker wore the dress. Yes, the infamous dress. And how much did that dress go for? I think it sold for upwards of... It was like, I saw something. I've seen different things. I think it was like around 70 ,000. so and then we saw Mathieu put some newspaper print dresses in his show in Berets so I can't wait to see the collection on Monday night we've had a busy week Monday night Louisa Laura and I went to see our colleague Louisa went to see into Alia starring Rosamund Pike and that was it was Incredible, incredible show. And yesterday evening was the opening of 1536. Is it called 1536?
19:55Yeah. A play that's produced by Margot Robbie. And I think it was one of the most star-studded crowd. Quentin Tarantino was there. Baz Luhrmann was there. Baz Luhrmann was there. So, and I think it's going to be turned into a TV show. So it's a real, really hot ticket in London, I would say. So there's lots going on here. Yeah, it's really fun. because when I interviewed Margot for our cover story, I said, what's a young writer or director that you love? And she said Ava Pickett. Yeah, Ava Pickett is the new girl, isn't she? Yeah. She's writing Baz Luhrmann's Joan of Arc film, I think. Yeah. And yeah, Margot was just raving about her.
20:31She said that it was like the best play she'd ever seen. So I was like, I need to go see this play. So one of my favorite shows of, I think it was 2025 that First Rivals came out. Was it 2024? 2024. We've been waiting two years for this. I am so pumped because it was it's such a cheeky and wonderful adaptation of a very beloved novel by Jilly Cooper, who wrote a fantastic piece for us about what it what it meant sort of now and then for her to see a novel that she wrote in the 80s about the Cotswolds and the culture they're brought to life. so I'm just excited to see it all come back because season one was just delicious like all the things that you want from a TV show kind of naughty, a bit of sexy time, a bit of I mean the 80s costumes the 80s costumes which were great I mean it's just so so good yeah and then I think season two is getting rave reviews in the premieres tonight yeah that's right and then I think the first few episodes come out on Friday Okay, so we have to wait till Friday.
21:35I can handle that. This is perfect timing. I'm downloading for my flight on Friday. I think you're perfect. Oh, you're going to love it. I like it. You're going to love it. Start with season one. I'm in. It's so good. That's it for the news of the week. The run-through will be back in just a moment with Nicole's interview with designer Tori Butch.
22:07Hi, I'm Rebecca Ford. And I'm John Ross. And we're the hosts of Little Gold Men, Vanity Fair's podcast for film, TV, and awards lovers. And just because the Oscars are done, for now, doesn't mean we are. Join us every week for coverage of the biggest stories in Hollywood, interviews with today's brightest stars, and so much more. Listen to Little Gold Men every Thursday, wherever you get your podcasts.
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23:20Tori Birch, welcome to The Run-Through, live from the Vogue Cafe in Soho. Thank you. Thank you so much, Nicole. We've known each other a long time. Yes, we have. So it's been so much fun working with you. I want to thank you all for being here at 9 a.m. on a Saturday. I was told by Vogue, our events team, that these tickets sold out in four minutes. Yes. Tori, you said on a recent podcast that I listened to that you haven't had lunch during the week in 20 years since you founded your brand. As busy as you are, I want to know what a typical Saturday morning at 9 a.m. is like for you. Well, I should say lunch out.
24:03I eat lunch. And the reason I said that is because sometimes people come up to me and they're like, do you go into the office? I'm like, yeah, I go into the office. And it's almost as if they think I didn't work. And so that's why I said I haven't had lunch in 21 years. A typical Saturday morning. Okay, I'm a dog lover. I'm obsessed with my dogs. I have three boys, and their friends are generally, like, spewn all over our apartment in some way. But, yeah, I wake up. I tend to wake up later on a Saturday. But first call my mom, of course, and then take the dogs for a walk. So it's a little more.
24:43I'm not really dressed in sparkly shoes. So, of course, this is not a regular Saturday. We are about 48 or so hours out from the Met Gala. And that is obviously top of mind for all of us at Vogue. We want to know about your first Met Gala. I used to go to the Met after the Met, after the dinner. It was all the, everyone, all the older people would go. And there was this dance party where it's like maybe 500 people would then pour into the Met. And it was so much fun. So that was my first experience at the Met. It was really about going to the after party. And I was probably in my 20s. And then I was looking at a picture.
25:29The earliest I found when I went to the dinner was probably in 2005. Do you remember what you were wearing? I was wearing a vintage Dior dress. Oh, wow. I was right when I started my company. So tell us a bit about your Met Gala prep this year. Last year, you dressed Pamela Anderson, the actress and cultural icon, as well as the actress and director Janik Sabravo. How do you approach dressing talent versus creating a collection? And what do you like about the collaborative process between a star and yourself? Yeah, I mean, it's so different because it is a collaboration. And that's kind of the amazing thing.
26:08I'm sort of looking at who they are and sort of what they've worn in the past also, because we want to do something different. You know, I think a lot about when I dress people, what emotion and how, and confidence and how they'll feel. And so we start there. I often ask them if they want to put together a small mood board, because I kind of want to get into their head. And so that is where the collaboration starts. We talk about fabrics or embroideries or colors. And so it's an iterative process. And without telling us what you yourself are wearing on Monday night, how do you decide what you're going to wear?
26:48It's a challenge, you know, because I'm so focused on the people we're dressing that I tend to leave me for last. So this year I'm wearing vintage. Okay, well, we will be watching closely. So this year's Met Gala theme is quite up your alley, I think, actually. It is about the connection between and the intersection between art and fashion. Tell us how art inspires your work. Well, I was an art history major. I went to Penn, so art I grew up with in sort of a different kind of way. My parents, I wouldn't say, they're collectors of all kinds of things, and it was never really about a price point.
27:25It was about things that they had a connection with. My grandfather had suits of armor. So I was like thinking about even that kind of fashion. My parents loved folk art. They loved pottery. So there was always like this eclectic sort of feel. But when it's kind of, it goes back to emotion too. When you think about when I design, it's how it makes you feel. When you look at a painting or sculpture, it's how it makes you feel. So when you walk through the Met, fashion carries through every part of the museum. So there's so much connectivity. Every collection I've ever done references some kind of painting or color or just period of art.
28:07Do you have a favorite piece of art that has fashion or clothing in it? You know, it's funny. We just finished working on our Paris apartment, and there's a contemporary artist, Romal Hutsami, who does, he takes garbage, and he's an African artist, and he makes these incredible African masks. And part of what he, so it's out of everything that he finds. And then I have this old master painting, and I sort of put them next to each other. And what I loved is there was a lace collar on one of his African masks that tied in with a lace collar on this portrait that was from the 17th century. So for me, it's kind of interesting to think about it that way.
28:53So this has been an extremely busy week for you. You don't just have the Met Gala prep on Thursday morning at the Pierre. You hosted a breakfast for the Tory Burch Foundation. Tell us about the work you do at the foundation. Yeah, so that was early, 745. We got 400 people. So that was, listen, I started my company because I wanted to start a foundation, as you mentioned. And in 2004, that was a very foreign idea. And people did not like it. And it was, I kept thinking that business and purpose have to go hand in hand. And if I didn't have the money to start a foundation back then. So I thought if I could build a successful business, I would have the money to start a foundation.
29:39I knew that it would entail women because I think women are the answer. I think if women were in charge right now, things would be very different. So I started the company in 2004, the foundation in 2009. So it was quite early in the sort of the life cycle of a company to start a foundation. And what we do is we support women entrepreneurs in the United States. And that's through mentoring, through community, and through access to capital. And so what I find is that it's as amazing for me and our team and all the mentors as it is for the entrepreneurs. And they're often single moms. They have incredible businesses.
30:27They're paying back their loans at a 98 % rate. So women are a great investment. They're gritty. They're tenacious. They're building businesses that last. And that's something that we're trying to do. When we can get their businesses to reach a million in revenue, we see a sustainable business. And then they're investing back into their communities. So they're, you know, it's a win for the bottom line too. Well, as a member of an editorial team, I am always so impressed with entrepreneur spirit because I, you know, I'm one of a group of people with whom I, you know, I could not do anything without.
31:06So people who have that kind of ambition to do something, to start something so impressive to me. And I have to say that I told you this earlier, at the breakfast, I found myself like on the verge of tears listening to these women's stories. You brought three women who have gone through your program up on stage and they talked about their experiences and grit is really, really at the heart of it. What have you learned, would you say, from working with this community of women? I mean, I've learned everything. I see resilience. That's one thing. I talk a lot about confidence. I think when I started, I didn't have a network of women or men to reach out to.
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31:50Let me also say we need men to be part of this discussion because we could be talking about women's issues to ourselves for the rest of time. And that's just not, that's not, we're not going to make the progress we need. But I see the ability to create change. And that's what I see in them. I see that I often had this sort of no is not an option mentality when I started. I see that in them. And I think that when we have a community, which we are creating for all of you, I mean, for me also, So you can be entrepreneurial in anything you do. You can work at Vogue and approach it in an entrepreneurial way.
32:33And that was my point also of honoring Anna Wintour because she didn't start a business, but she transformed an industry. And so I think there's so many things I've learned from them and still learning. And I guess it's resilience, never giving up, optimism, banning together. I love the idea of peer-to-peer and what we can do together, regardless of many of their businesses. They're experiencing the same challenges. So to have this community and be able to reach out to people and get advice is critical. So let's go back to your beginnings. You graduated from college, and as I understand it, you cold-called the designer Zoran.
33:22What was that first job in fashion like? Okay, does anyone know Zoran? Probably. And if not, you need to look him up because he was an amazing—he's still alive, but he was an amazing designer. He was from Yugoslavia. He looked like Rasputin. He would dress like super, super stylish women. and everyone from Jackie O to Lauren Hutton. And so, but he was the ultimate minimalist. He didn't believe in any kind of hardware. He just, it was all about drape and the quality of his fabrics were magnificent. And my mother wore his clothing. So I called him and he said something really funny on the phone.
34:03He said, yeah, you can have a job, but you have to be here on Monday. And I was like, well, I graduate on Thursday. And he's like, exactly. I had to figure out how to move to New York, find an apartment in three days. So I started my first walking in. I'll never forget it because, you know, I was dressed up. He's like, what are you wearing? He wanted me to cut my hair, wear no makeup, wear flats and wear his, you know, sort of uniform, which was like a pajama pant and a T-shirt. But his office was all white and he had blue sort of workout mats on the floor and then just these racks of beautiful clothing.
34:43And in the back was the atelier and the sewers. And so he was, I think the second day, he had one of his customers come in. He's like, okay, I'm going to hide in the bathroom and you have to tell them I'm not here. And I was like, okay, really? So I would have to do the sort of block and tackle. And like, I learned a lot about fashion. And that's where I met Candy Pratt's price. Ah, who I worked with at Style.com for many years. And she hired me from meeting me at Zoran to go work with her at Harper's Bazaar, but she forgot to tell me she wasn't going and ended up going to Vogue, so I showed up there.
35:21She wasn't there. All right, so let's get into your post-Zoran trajectory. You went on to Harper's Bazaar. You worked at Ralph Lauren, Vera Wang, and Lueve when Narcissa Rodriguez was designing. At what point did it become clear to you that you wanted to launch your own brand? Well, it was one of those decisions that a lot of women face. I had three babies under the age of four and three boys. And so I was working at Loewe, and I had to travel to Paris and Spain a lot. And I realized that I couldn't leave my kids and be a good mom. So I became a stay-at-home mom. I quit my job. And that was really tough because I loved working.
36:05And so I knew that I would want to work. And it was during that time, I had never designed, I had never been to business school. So I had this idea of reviving a brand called Jaxx that my mother used to wear. And it was this great brand of just incredible, just easy pieces that were impossible to find. And Rudy Gernreich was a designer. and it was, so I thought I worked for months. I was going to bring back this brand, call it Jaxx. I got in touch with the entrepreneur who had, who owned it. And within 20 seconds, I realized it was a hard no. And so I had to pivot and rethink. And so that's when it came to me thinking about starting a company.
36:52But it was, the idea was to design beautiful things that didn't cost a designer price point. Because at the time, there was Calvin Klein and, you know, Ralph Lauren, but then there was the gap. And there wasn't really sort of something that was in between. Was that your elevator pitch? You had to do a round of investment with friends and family. Is that how you sold it to them? I mean, I basically said I wanted, I thought we could design beautiful things that were covetable and had longevity, but wasn't a super luxury price point. And you went, I think, somewhat unusual route of opening a store right away.
37:36You sort of were a very early adopter of Elizabeth Street in Nolita. There was nothing there. I remember it well. It was in 2004. Take us back to the first day the store opened. So it was Fashion Week and it was February. And we opened the store without the doors. They didn't show up. And I'll never forget it because we thought we could have an all-day sort of event. And then I invited friends, press, out-of-town press, all the people I could think of. And it was amazing because Elizabeth Street, we went there because the rent was cheap. There was nothing there. And so there was Cafe Habana and that was it.
38:20And, you know, I think what happened was that we opened, not without the doors, at 10 a.m. And throughout the day, we started to see that it became word of mouth and that people were telling people. And it was like, it was so exciting because people were looking at everything. And it was this idea of a lifestyle concept, which was a bit different back then. It was a direct to consumer idea where we also launched with e-commerce. People told me no one would ever buy it online. So it was this day of people coming, and it was throughout from 10 until 6, and we almost sold through all of our inventory.
38:59So what did you do on day two? Day two, we had to scramble. And it was exciting, but we realized we had to figure it out. So you're building the brand. And what kind of company culture did you want to create for your team? And how did you identify the people that you wanted beside you? Yeah, I mean, I think one of my gifts is surrounding myself with incredible people. My father's name was Buddy. And so we created something called Buddy Values. And I was raised to treat a cab driver the same as the Queen of England, have I ever met the Queen of England, which I have not. But it was just that mentality.
39:40So it's about treating people beautifully. And that was the starting point. I think integrity, humor, being straightforward, honesty, these are all sort of things that we talk about with our culture. But we expect great work, but we want a great place to work. And that's something we work on all the time. And we do, culture can change in a minute. And so you can't just talk about culture. You have to really live it and breathe it. And I'd worked, as you said, at so many places. I'd seen so many cultures. So for me, it was a perfect opportunity to say, okay, I want a place where women and men can come.
40:21They can be moms. They can leave and take their kid to a lacrosse game or a doctor's appointment and not feel like they were going to be penalized for it. So we spend a lot of time on culture. Yeah. Fashion is not a sort of, at least back then, maybe things have changed. But it was not a place where, you know, you were leaving the office at 5 p.m. And, you know, I'll never forget the first person I hired. I said, and this became sort of a talking point. I'm like, I don't want to have a bitchy fashion environment. I'm straightforward. I say it how it is. I think people really appreciated that. It was tough.
40:58Fashion was very, very tough. Yes. Yes. Even tougher. I got into it in the late 90s. And it's a different atmosphere now for sure. So it's easy for all of us to look at you and understand you've gone from that one store on Nolita to it's 400 stores around the world now and think of it as, you know, success to success to success. But surely there have been challenges on the way. And I think it's always educational for people to hear about challenges and how you face them. You know, never would I ever complain because it was so extraordinary and still is. But every day is a new challenge. And going through, you know, at one point, a very public divorce.
41:44I'm a super private person. That was incredibly tough. I will say my ex-husband and I are great friends now. He told me it was a 10-year misunderstanding. So I took that and I said, great. But to go through a public divorce, to go through a public lawsuit of, you know, a company he started and we had to go through that, those are just like periphery things. Then you have 2008 with the macro environment of you have this growing business and 2008 happens and literally overnight business stops. So that was like a whole other thing. When you think about you have 5 ,000 employees all around the world, there's, you know, you can't, things happen.
42:27And your name, I never wanted it to be my name, but my name is on the door. So I care deeply about who represents me and to make sure that they are culturally acting in a way that we all believe in. So there are so many different things that can happen. I remember once where we, as I mentioned, launched with an e-commerce site. And I'm so happy we did because it's become a real pillar of our business. But at one point, our systems went down. It was during like November and Christmas. And so we had no visibility on things that were being delivered or shipped. I was very early adopter of Twitter and of Instagram.
43:10And so I thought my brother, Robert, helped me build the company, too. So he was there. And I was like, well, I think what people don't realize is that people need is just honesty. So we went on Twitter and we said, this is what's happening. and please bear with us. And so it was the best thing I've ever done because giving that transparency really helped. I think our customer wanted to support us and they really helped us get through a really rough patch. Right, so it's like meeting the humans behind the famous name. I always find it interesting with politicians. I'm like, just tell them what you did.
43:48Just be honest and people go a long way. So you're mentioning - Sorry, I'll get into politics. Your mentioning of 2008 reminded me of the pandemic and we're all working from home. And Anna either called me up or emailed me and said, Tori is working on a letter that she's sending to the administration. And this was, do you remember this? This was about the struggles that business owners were facing with the shutdowns. Nicole, what's amazing is our industry, when you think about it, should be considered like the food industry or the airline industry. It's 14 million jobs. So retail was being hammered.
44:34Like people, we had 400 stores. I didn't even know how we would make payroll. They were just shut overnight. And so then we have 5 ,000 employees that need health care. And so how are we going to do that? And so, you know, I was working with people like Kevin McCarthy and Steve Mnuchin to say, like, our industry needs support. We need, it's 14 million jobs. So it was such a rough time. I mean, people were being laid off, as I'm sure many of you know. And it was, that was a pretty dark time. I also had an employee that I worked with for 15 years or 12 years. And I was with her on Friday doing a fitting, and she was dead on Monday.
45:15And it was from COVID. And so I realized that how incredibly dangerous COVID was. So it was just, you know, I don't think we left a room, I don't know about you, but for seven days straight without, you know, then taking a break to try to figure out. We called it the war room because it was like, it was rough. Yeah. People like picked up hobbies during COVID, but I didn't. I was, you know, at my computer. I did bake banana bread though. Yes, we kept ourselves busy at Vogue. Yeah, you guys were super busy, but you were also, I mean, the one thing I love about Anna and Vogue is that they get into it and they help people.
45:57And when any crisis happens, you guys rise to the occasion to see what you can do to support the industry and beyond. We're going to take a quick break.
46:18I'm Jazzy Sefczak. And I'm Shilpa Oskokovic. And we're senior test kitchen editors at Bon Appetit and the hosts of the Bon Appetit Bake Club podcast. Bake Club is Bon Appetit's community of confident, curious bakers. We love to bake. Some might even call the two of us obsessive. And we love to talk about all the hows and whys and what didn't work that come with it. Every month, we publish a recipe on bonappetit.com that introduces a baking concept we think you should know. Then you'll go bake, send us any questions you have. And we'll get together here on the podcast to talk about the recipe. And this month we're making strawberry roll cake.
46:54It is the unofficial birthday cake of the Bon Appetit Test Kitchen. And it is the perfect way to welcome spring. Head to BA.com and come and bake along with us. Send us your questions, pictures, and any thoughts to Bake Club at BonAppetit.com. Or find us on the sub stack. Join us the first Tuesday of every month as we debrief about our latest bake. Find BA Bake Club wherever you get your podcasts. Happy baking.
47:25You were the CEO and creative director of your company for many years. And then you brought on Pierre-Yves Roussel, who happens to be your husband as CEO. I think it was 2019. What shifted when you made that change? I mean, I sort of connect it to the Taurasants, but. It is. Thank you. I, first of all, had to marry him to get him to be CEO. I said to our board, I'm like, this is not exactly a promotion for Pierre Yves leaving. He ran 15 brands at LVMH. And he is who cast Phoebe Philo at Celine and Jonathan Anderson at Loewe. And we met because he wanted to invest in our business. And we realized after some time that maybe that we were going to do a different kind of investment.
48:15So having him come on board changed everything for me. I realized that when I started the company, it was the creative process that I loved. And so I'm not saying I wasn't proud being the CEO, but everything I struggled through to do, he's an expert at. So for me to be able to hand over the operations to him was like a complete changing point for my life. I now do 100 % of the creative for the last seven years since he joined. And I think, you know, I thank you for noticing and seeing. It took some time. You know, I looked at every single product, and I'm still in the process of it, that we've ever put out in the world.
48:58And I wanted to make it better. And so it was really pivoting the company to saying, like, you know, I want elevation, but not necessarily, like, moving the price point. And so it was this real, like, exercise in quality and craft and fit and just stripping everything back. And so it was lucky that I had partners that allowed me to do this. But I shrunk our ready-to-wear business. I pulled things back. And now I'm so proud of the logo and where it is. It got away with me for a while. And it was just, you know, for me, I want to do everything, less of everything and everything with more integrity.
49:41Well, let's talk about the fall show. We saw that at, I guess, mid-February. And it was at the Breuer, that incredible building uptown and a beautiful room. And you said that one of the inspirations for the collection was your dad's old corduroys. And we talked backstage about this idea of what endures. So I want to hear more about that. What endures for you? And how do you make clothes that, you know, women will be wearing not just this fall, but, you know, five falls from now? Yeah. And for me, that's a goal. Of course, I want to be relevant from the zeitgeist standpoint and what's happening.
50:24But I start from a more classic idea of sort of how do you look at something that does endure? What is an idea? My dad was the chicest man. He should have been a designer. He designed all of his own clothing. So I have this like wealth of information with just his wardrobe. But he had these like corduroys that he made. And I just, you know, for me, it was something that is about a bit of like memory and nostalgia in a way, but it's kind of you want to do your own take on it. So I think it's a wonderful starting point. But I try to focus on pieces that you wouldn't, you would look at something and you wouldn't assign like a year or a decade to it or a trend necessarily.
51:08For me, I want pieces that will last. And so that's where I put a lot of my effort is actually looking at something and saying, I will want to wear this in five years or 10 years or give it to my daughter or my sister or whatever. Side note, it made me wonder, would there ever be a Tory Burch menswear? You know, I've thought a lot about that. But what I'm really excited about is men wear our clothing now and our accessories. Starting with my children. My boys are really funny because one of them has a lot of style. They all do. But one of them really is he'll wear our logo belt. He's just so funny the way he wears it.
51:45But we are making a pair of ballet flats for someone for the Met. I love that. A bag. Wow. How cool is that? So also we were backstage and you were talking about these raffia bags that you did for fall. And you said they reminded you of the, you called them deadhead bags in high school. And I got such a kick out of that, imagining Tory Burch as a deadhead. Oh, yeah. I have a lot to me that people, you know. Yes. So tell us about your high school style. Oh, yeah. So I was teased a lot. People used to call it Tory wear. And so I don't know. I would wear like, you know, a Grateful Dead t-shirt and an Hermes scarf.
52:26So it was kind of that kind of sums it up. But there are these woven bags. And I'm sure you've seen them. I remember there was, I think, I don't know if it was Jackie, there's a very famous picture of she or Audrey Hepburn wearing this like woven bag. And I've always been intrigued by them. I've always worn them. And we called them deadhead bags. And then I love working with women artisans. So we worked with an incredible woman in India to make these bags. But what we did is we put them on overdrive from just luxury standpoint. So they look like these beautiful woven straw bags, but they're actually leather.
53:03And they actually have just the most exceptional detailing. So when you feel them, you see everything. So sometimes what I love in a collection is where you look at something and then it sort of is. But then when you look closer, it becomes so much more interesting. So subtleties are what I love. I think of the show that you put on, I guess it would have been spring 2022. It was September 21. It was fashion's return to the runway after many seasons of doing videos for fashion shows because of COVID. And you did a great show on Mercer Street outside. I really think of that as a breakthrough moment for you.
53:47And you were riffing on the influence of Claire McArdle, the mother of American sportswear. And you even wore, speaking of vintage, you wore Claire McArdle to take your bow. What is it about Claire McArdle that so moved you then? And talk to us more about designer icons of yours, people who have inspired your own career. Well, Claire McArdle, do you all know Claire McArdle? Because I will tell you, if not, you need to look her up. She had a very short lifespan, really. She died when she was like, I think, 50. So she was only in the industry for probably 10 years. And what's amazing, she's the first one to put a zipper on a dress or a pocket.
54:32So her influence, she was influenced by menswear and the freedom that men had versus women. She took corsets off, but then reconstructed them. And what I find so amazing is that American fashion often doesn't get the credit it deserves. When you look at Claire McArdle, she maybe at the time it was a$40 dress that she designed. So she was very practical. But European luxury and couture was watching her and they were influenced by her. And so to me, that was what was so fascinating. I think freedom and being able to express individuality in the way that she did, taking fabrics that were unusual and then using them and helping women wear a sack dress.
55:20That was one of her biggest dresses. But I wanted, so I worked with her foundation in Delaware, and then there's one in Maryland. And just learning even more about the history of her and the influence she has had on everyone in fashion. I recently was at a Parsons class working with some of the students, and every one of them cited Claire McArdle around American fashion. But really, I would say she goes far beyond American fashion. I think we all now take for granted comfort and ease. But it is interesting to think back to the mid-century, you know, 75 years ago, and things like a zipper in a dress or a pocket in a dress.
56:05were total novelties. Women were really quite restricted. They were restricted. I mean, it's interesting that American sportswear emerged at the same time that, you know, feminism did and women in the workplace that sort of goes hand in hand. I mean, wearing a suit. I mean, even just, you know, it was very different. And she actually did a lot around the waist, but it was always making it super comfortable. It was getting rid of courses, but then creating still shape. Well, speaking of Claire McArdle and vintage, we often see you at the Vogue vintage. Well, we've only done two, but we've seen you at both of the Vogue vintage sales.
56:45It's so great. I highly recommend it for you guys next time. Yes, we will be doing another one next year. But tell us about your own closet. It's one of the closets that I would most like to see. What are your prized pieces? Oh, my gosh. Well, I did buy something. I'm not sure it's Anna Wintour's. I did get something there. No, I'm kidding. You know, I've kept a lot of things. So I have a pair of red tag Levi's from high school that I still wear today. And those are the best. As there was a period, I think they were designed, I think they started in the 50s maybe for that specific. So I look at things like that.
57:29I have a tunic that I bought at a flea market for$6, and that started our whole company, a polyester tunic. And for me, I look at things in a different way, about shape, about, yeah, I have a Terry Mugler dress. You know, I love vintage. And I think, I really think that's why I became a designer, because I started wearing my mom's clothes. I'd have to alter it. I started wearing vintage in high schools, and I had to alter everything. And so for me, I think it taught me a lot about fabric and fit and construction. Do you have the prom dress? Because we were doing research. Alex was doing research.
58:09And I think was your prom dress was at a St. LaRoll? I know. I really, I haven't been able to find it. But my mother got me. I remember there was a sale at like, I don't know if it was Neiman's or Saks. And it was this YSL sort of, and I kind of stood out when I think about it. but it was a mauve sequin sort of bodice with black tulle skirt, YSL. Poofy dress. Fabulous. Okay, it was early 90s or late 80s. Well, you have said that you're addicted to live auctioneers, and I'm curious, what have you been searching for and collecting lately? I know. Well, not to bring up the Met, but my Met dress is one thing.
58:49But I am addicted. I love pottery, and I love finding things on live auctioneers, especially because you can find things and it's not, sometimes you get things really inexpensively because people aren't following auctions. So you just put in what you're searching for and it's amazing. Are you on it? No, but I'm going to go on it this afternoon. So let's talk more about the Tory Burch brand. I want to know what is next. What are you working on for 2026 and late 2026 and beyond? Oh my gosh, so much. But I think in some ways I still feel like a new designer because I've never had the time I have to dedicate to the creative process.
59:33We're working on some dog accessories, which it will be fun. Working on a bit of a TV show for dogs, which is a work in progress. That's news. We love breaking news on the run through. It's not out yet, but it will. So it's something, I had a crazy experience, which you guys, I went to speak at your event the morning after I lost my dog for three days in New York City. And it was the most traumatizing thing that has ever, ever happened to me. And I ended up getting her back. And the next day I spoke at one of the Vogue events. So it's ever since I've sort of wanted to do something around dogs.
1:00:12And so now we signed. We're doing a TV show. So when it's ready, we'll let you know. Vogue wants the first scoop. And I will not be in it. I'll be behind the scenes, but I'm very excited. And anything that I will make will go to Helping Dogs, if I make anything. We always ask this question on the run-through when we have designers on, and it is, what do you tell young people who want to get into fashion? What do you advise them to do? Well, I always say something my parents said to me, that negativity is noise. And that has served me well. I think if you want to get into fashion, you should. I think you need to have your own point of view.
1:01:01And I think that's something that I've heard a lot from you and Anna and everyone, is that it's really important to think about how you, what, if you're going to do something, What does that mean? And how is it a personal take on how you feel? And I think that's super important. But also, it's hard. It's hard and incredible. So thicken your skin, that's what my parents told me. And when I started our company, there was a ton of negativity. There was, you know, it's a vanity project. Why would she do this? Why do you need to do this? Why are you doing this? You know, there's so many people that weigh in, and I think to tune it out is the best advice I can give.
1:01:45The one thing I've changed in the way we talk about women's empowerment with our foundation is that I was listening to Melinda Gates and Oprah actually have a conversation. And what they said really struck me is that women have the power, and I fully believe in that. So we're not bestowing power upon anyone. You all have it within you and young men because there's men here too. I think confidence and believing in yourself is critical. Well, Tori, thank you very much for doing this so early on a Saturday morning. I love that. Thank you all. Thank you.
1:02:26The Run Through with Vogue is produced by Chelsea Daniel, Alex DePalma and Alex John Burns with help from Emily Elias. This episode was engineered by Luke Mosley and Fran Bande and Brad Timofeev and mixed by Mike Kuchman. Michael Turriello was our production director and Tatiana Dominguez was our audio assistant. Bye.
1:03:04Hopefully it doesn't take itself too, too seriously. I'm David Remnick, and each week on the New Yorker Radio Hour, my colleagues and I try to make sense of what's happening in this chaotic world. I hope you'll join us for the New Yorker Radio Hour wherever you listen to podcasts. Thoughtful. Exquisite. Just, you know, real.
1:03:30From PRX.
From the publisher
In a lively Saturday morning conversation at the Vogue Café in SoHo, designer and founder Tory Burch sat down with Nicole Phelps for a live recording of The Run-Through.
Burch shared stories of her extraordinary rise from a single storefront on Elizabeth Street in Nolita to 400 stores worldwide. She spoke candidly about navigating a very public divorce, the 2008 financial crisis, and the devastating toll of the pandemic, including losing a longtime colleague to COVID.
Burch also spoke about the Tory Burch Foundation, which she launched in 2009 to support women entrepreneurs through mentorship, community, and access to capital – a mission she said was central to her reason for starting the company in the first place.
For young people hoping to break into fashion, she borrowed advice she got from her parents: "Negativity is noise."
Plus: Anok Yai is British Vogue’s cover star!
The Run-Through with Vogue is your go-to podcast where fashion meets culture. Hosted by Chloe Malle, Head of Editorial Content, Vogue U.S.; Chioma Nnadi, Head of British Vogue; and Nicole Phelps, Director of Vogue Runway, each episode features the latest fashion news and exclusive designer and celebrity interviews.
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