Melania, Anna Delvey, Hawk Tuah Girl: The Many Faces of Chloe Fineman | Plus Hedi Slimane Leaves Celine

3 Oct 2024 · 41 min

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Podcast Notes: The Run-Through with Vogue - Episode: Melania, Anna Delvey, Hawk Tuah Girl: The Many Faces of Chloe Fineman | Plus Hedi Slimane Leaves Celine

Episode Overview In this episode, hosts Chloe Malle and guests Hannah Jackson and Margaux Anbouba invite SNL cast member Chloe Fineman to discuss her recent work and character impressions, alongside a major fashion transition at Celine with Hedi Slimane's departure.

Hosts

  • Chloe Malle: Head of Editorial Content, Vogue U.S.
  • Hannah Jackson: Fashion Writer at Vogue
  • Margaux Anbouba: Senior Fashion and Beauty Editor at Vogue

Key Topics Discussed

  1. Chloe Fineman's Insights
  2. Character Impressions: Fineman shares her favorite moments from SNL's season premiere, including her impressions of:
  3. Anna Delvey
  4. Jojo Siwa
  5. Timothée Chalamet
  6. Her new character, "Hawk to a Girl"
  7. Comedy and Cosmetic Procedures: Discussed the impact of Botox on a comedian's performance, highlighting the balance between mobility and appearance.
  1. Hedi Slimane's Departure from Celine
  2. Reshuffling in Fashion: Slimane leaves Celine after seven years, with Michael Ryder announced as his successor almost immediately.
  3. Background of Michael Ryder: Previously at Ralph Lauren and an intern under Phoebe Philo at Celine, indicating a mix of commercial acumen and high fashion sensibility.
  4. Speculation on Chanel: Slimane's exit sparks rumors about potential successor candidates for Chanel, including names like Simon Port Giacomoose and Daniel Roseberry.
  1. Fashion Trends and Runway Highlights
  2. Paris Fashion Week: Discussions on various shows and trends:
  3. Caperni's Disney-themed show: Incorporating spectacle like models being sprayed with a dress in real time.
  4. Transformation at Dolce & Gabbana: Models styled as 90s Madonna.
  5. Emerging Beauty Trends: Incorporation of lip jewelry at Valentino and memorable hair styles from Guido Palau.
  6. Casting News: High-profile names like Willem Dafoe and Nicole Kidman’s daughter in various shows.
  1. Fineman's Experience on SNL
  2. SNL's Season Premiere: Fineman reflects on the chaotic energy of preparing for the show and working with guest host Jean Smart.
  3. Character Development: The meticulous attention to detail in her costumes and character designs, including the challenges of embodying different personas.
  1. Personal Reflections
  2. Fashion Choices: Fineman's stylistic decisions and her experiences at various fashion shows, discussing trends from the latest season.
  3. Comedy's Evolution: Insights on how her comedic style has developed over the years, emphasizing the joy in performance.

Key Takeaways

  • Fluidity in Fashion: The fashion industry is seeing a shift towards more vibrant and sexy aesthetics, moving away from the quiet luxury trend.
  • Collaboration in Comedy: The importance of teamwork and camaraderie in the SNL cast, highlighting the shared experiences of success and failure.
  • Cultural Commentary: Fineman's insights into the absurdities of modern celebrity culture and the comedic potential in real-world scenarios.

Conclusion The episode blends a lively discussion of fashion news alongside an engaging exploration of comedy and performance through Chloe Fineman's unique perspective. The transition at Celine and the buzz around SNL serve as a backdrop to deeper conversations about creativity in both fashion and comedy.

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Produced by

  • Chelsea Daniel
  • Alex De Palma
  • Joanna Solitaroff

Engineered by

  • Jake Loomis
  • James Yost

Mixed by

  • Mike Kutchman

Executive Producer

  • Stephanie Kariuki

Head of Global Audio

  • Chris Bannon

Listen to The Run-Through with Vogue for more insightful discussions on fashion and culture!

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Transcript

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0:00Getting the girls trip out of the group chat just feels right. The Fort Myers area delivers the memories, bonding, and let's-do-this-every-year energy. Start planning at visitfortmyers.com.

0:17This is The Run-Through. I'm Chloe Mal, and our beloved Choma is currently traveling to New York City. Extremely exciting, but that means we have two wonderful ladies here in her stead, Hannah and Margo. Can you ladies please introduce yourself? Hi, I'm Hannah Jackson. I'm a fashion writer here at Vogue. My name's Margo Ambuba. I'm the senior beauty and wellness writer. Nope, editor. Oh, I got confused. She does it all, folks. Today on the show, oh my gosh, Hannah and I had so much fun with Chloe Fineman, the fabulous SNL cast member and master impressionist. I was doing my full-throated cackle when she was describing the nuances of getting the hawk to a girl just right.

1:01But we also talked to her about what it means to get Botox as a comedian. Spoiler alert, there was an issue. And talked all about the season premiere of SNL. I feel like we got some good tea on sort of backstage with Jean Smart and David Carvey. The jelly roll of it all. The jelly roll of it all. That was very exciting. But before we get into the interviews, there is big fashion news this morning. We're recording on Wednesday afternoon. And just this morning, I woke up to a flurry of alerts. Another fashion house reshuffling. Oh, yes. So Hedy Slimane is out at Saleen after seven years, I believe, as creative director.

1:41And they have already announced who is taking his place mere hours later, Michael Ryder, who was previously at Ralph Lauren. I feel like people have been talking about Michael Ryder going to Saleen for a few months. I really defer to the Vogue Runway team as my fashion authorities, and it was interesting just chatting with Jose about Michael Ryder because not only did he come from Ralph Lauren, who, as we all know, Ralph Lauren has really understood the importance of good commercial product but also myth-making around the label and its customer. But also before Ralph Lauren, Michael Ryder worked under Phoebe Philo at Celine.

2:19So it is this sort of perfect mixture of commercial and old Celine and the importance of perpetuating and further creating the myth around a fashion house and its codes. I'm very excited to see what he'll do at Celine. I texted a group chat that Margot and I are in the news this morning. And at 7.30 a.m. I got a phone call from Margot before I had a chance to take out my night guard, mind you. I had been up for an hour and a half living with this news alone. She was stewing. Stewing with it. I had no one to talk to. I was waiting for someone to text me about it. Thank God. I feel blessed that it wasn't me.

2:55It usually is you. Oh, I'm aware. So we've been talking a lot at Vogue about, like, the NBA draft-style fantasy football-esque situation with creative directors and different fashion houses. There is a lot of speculation. There's a lot of movement. Obviously, the biggest parlor game during Fashion Month was who is going to take over Chanel. One name who has been coming up repeatedly since Virginie VR stepped down is Hedy Slimane. So when he stepped down this morning from Celine, all the sort of scuttlebutt gossipers started saying, well, he must be going to Chanel. I don't think it's that straightforward.

3:34I think there's a lot of people in the running for Chanel, and I don't know that we're going to know that any moment soon. Obviously, some of the people on that fantasy football draft card are Simon Port-Giacomoose, Peter Muller. When Peter Muller interviewed on the run-through with Nicole Phelps, he said that this summer he was reading Coco Chanel's biography. Oh. What does that auger? There's just – people have gone wide with this speculation. Could it be Nadege Venet from Hermes? Could it be Daniel Roseberry from Schiaparelli, Tom Brown? So the world is Chanel's oyster, TBH. And who knows? Could be Hedy.

4:12Could not be Hedy. I just really hope it's someone that cares about beauty. All right. All right. I care about – Chanel has a fantastic beauty line. Chanel beauty is going nowhere. Don't worry. Yes. I know. That's true. But, yes, the sort of excitement of Hedy stepping down. Also, the collection he just did just showed for Celine was very – some would say Chanel-coated. It was very ladylike. But as our intrepid fashion editor Jose Criales Unzueta pointed out, Hedy always sort of leans into these sort of femme bourgeoisie codes for Celine. So it wasn't that out of the ordinary for him. Ladies, what are your thoughts?

4:49You know, I think it kind of comes at an interesting time to see like Alessandro taking the reins of Valentino and doing his first runway. And you're seeing how he kind of brings his DNA to any house. Like that's what's really exciting to me. But it is really fun to see how designers will bring themselves to the job. Ladies, last night was the end of Paris Fashion Week. It was at a very magical place. What did everyone think about the most magical place on earth? I'm like famously a Disneyland hater. That tracks. Yeah. It really fits into my vibe. Caperni is a fashion brand, French fashion brand, but they make sexy sort of evening clothing that's cool and very much like a cool girl's label.

5:38And they're known for their swipe bag also, I feel like. It is this bag that is like a— Yes, very big oval. Well, it went very viral a few seasons ago because they had like a glass version. But Caperni is really good at kind of creating these moments that are so exciting to talk about. I think what really helped put them on the map was when they sprayed a dress on Bella Hadid in real time and then she walked down the runway in it. So, you know, it's not surprising to see them do a big spectacle of a show like Disneyland Paris. Yeah, they don't always do Disney stuff. Oh, it's very fun. Kylie was a big moment.

6:16I like, I think, leaning into the princess, walking into Cinderella's castle dressed as Cinderella. Just maybe a little too on the nose, maybe just right. Do you feel like she was dressed as Cinderella? She was wearing all black. I felt like it was more of like a kind of like— Maleficent. And she also like had the gorgeous fireworks behind her while she was walking. It was just such a cinematic moment. I do encourage everyone. I listened to Nicole Phelps and Virginia Smith talking about their highlights from Fashion Month and specifically Paris Fashion Week. And I felt like I was there with them at the Paris Vogue offices and learned so much.

6:53What were your favorite shows? Marco, was there a favorite beauty moment on the runway? I was at Milan Fashion Week. That's true. This was my first time there. It was so fun. I loved it. I went backstage at the Dolce & Gabbana show where everyone was turned into a Madonna from the 90s. And I have to say it was so fun because we very rarely see models. Sorry, you say a Madonna, but you mean Madonna, the pops are not the holy Madonna. Yes, sorry. The Madonna. Okay. I suppose. The material girl. Yes, the material girl. And we very rarely see people, models transformed into like a uniform beauty look.

7:35Now everyone, like at Prada, was all about individuality. I feel like that's what we're seeing a lot of. So it was very fun to sort of see a large transformation and to see all of the models with these blonde wigs on that were perfectly curled. And there was, you know, all of these wig forms with all of the wigs on them before, before they had been placed. Also, something that we do not have at the U.S. backstage that I feel like we need, and it's very Italian, is they have espresso bars at every single backstage. Oh, that's fun. We do need that. I also loved, I felt like I saw a lot of gelled hair in interesting ways.

8:10Like Jill Sander did gelled hair. A bunch of shows had sort of, it felt like almost like wet set moments. Guido Palo is sort of the most popular backstage hairdresser who's setting a lot of the trends. but he's known for these incredible sculptural looks. His talent is beyond words. And he takes all of these photos himself that are quite beautiful because he really like will pick a very arresting model and shoot her from the side. And he did this beautiful updo that he had shaped the hair into like a shell. It looked almost like a conch shell at Schiaparelli. And I thought that that was really stunning.

8:50Hmm. I also want to know about the lip jewelry at Valentino, Margo. What was that? Oh, yeah. I mean, there was all sort of face jewelry at Valentino. I think that that goes back to Alessandro's sort of code that we saw that when he was at Gucci 2. He had whether or not models had piercings that he leans into because a lot of models have their noses pierced, things like that, or beyond he's creating them. I think that these, from what I understand, are going to be accessories that are for sale. And I think it was like adding a little edge. Mm-hmm. What were some fun, unexpected casting moments and front row moments from Milan and Paris?

9:31I mean, Mew Mew just always has some crazy casting moments. We've seen Emma Corrin on the runway before. We've seen Mia Goth. Willem Dafoe has been on the runway before, but he came back. Has he? I think so. Yes, he walked in the Prada Villains show. Okay, yeah. So he's done Prada, but he helped close out Mew Mew and Nicole Kidman's daughter, Sunday Rose Kidman Urban, opened the show. She is 16. So this was her big debut moment. Who else was in that show? Little Sims was in the show. Hilary Swank. It was just Alexa Chung, who also walked Tory Burch. It was just like a never-ending parade, frankly.

10:08I liked all of the Cardi B appearances that we were seeing. She showed up to Mugler with the beauty look, which was these really interesting things. The beauty look from the show? Yes. Huh, that's cool. Yeah, done by the hairstylist. That's fun.

10:50In his About Fucking Time tank top and powder blue resort suit with the chain detail on the side. I was like, yeah, About Fucking Time indeed. You know, we did some fun sort of scene reports on front rows places. And I think that there was a big sort of internet boyfriend energy at Loewe. Always. There were some kooky knits on different heartthrobs. Josh O 'Connor. We love Daniel Craig. And Loewe campaign. Yes. And who else? The It Girls, you know, Greta Lee and Ioetta Beery were there, and then they wore looks off the runway to the Business of Fashion event that night. Oh, my God, I know. So there were some real Luwethi flexes.

11:30Io looked so good. Yeah. She can do no wrong in my eyes.

11:37The Run-Thru will be back after this break.

11:51Hi, I'm Rebecca Ford, senior awards correspondent at Vanity Fair and co-host of Little Gold Men. Oscar season is upon us. Little Gold Men takes you behind the scenes of the race for the biggest prize in Hollywood. There's a hundred wrestlers in the room, but only one can be Oscar nominated. Whether you're a movie lover or an industry buff, Little Gold Men from Vanity Fair has everything you need to know about this year's Oscar race. Follow and listen to Little Gold Men wherever you get your podcasts.

12:33And we're back. Now, we had a chance to speak to Chloe Fineman. She is an actress and a comedian best known for her work on SNL. Some of her most beloved impressions are Anna Delvey, Jojo Siwa, Timothee Chalamet, and most recently a spectacular Hawk to a Girl for the season premiere of the show. And she's also starring in the newest Francis Ford Coppola movie, Megalopolis, alongside Grace VanderWaal, Adam Driver, Aubrey Plaza. So it was fun to hear about her expansion into feature film. Chloe came to visit us at the Vogue offices. Yes, she looked so cute in her espresso-colored Kalmyer suit and has been looking really great at all the shows this past month.

13:19So we were excited to talk to her about her fashion as well.

13:29Chloe, we are so excited to have you on the podcast. I'm thrilled to be here. Congratulations on the season premiere. Hannah and I are big SNL fans. I have to say I fell asleep because I have two toddlers when I was trying to watch in real time. So I had to catch up the next morning like a crazy person. But for the young people who watch it in real time, actually, I wonder how many people watch SNL in real time these days. I know. I started my sixth year. And throughout the years, it's always like, good luck or like, I love that sketch. And I think by year six, I got one text. So I think like, I don't know.

14:02But the people in my life, there's one person who's watching it. Yeah, it's interesting because I do feel like people definitely watch it and talk about it, but it's a lot Sunday morning. We say it's a show people watch on YouTube on Wednesdays. Is that like the cast motto? A couple of us have said that. But I think this one, like coming back, it was very exciting. And, you know, there's a lot of summer stuff to have to address. Mudang. Yeah. That's the first thing I saw. I opened TikTok and see Mudang. getting sprayed with a hose. And I was like, I got to tune in right now. Brilliant. Absolutely brilliant.

14:40This was your beginning of your sixth season? Yeah. What feels different this year? Anything fundamentally? Fundamentally, no. I'm like, it's still the same panic on Monday, like coked out. Not that there is coked, but you're just like, there's like no sleep, so much work, 24-hour Friday until like the longest Saturday. All of us, we do these opening dance things and these purple sparkly dress, me, Eggo, Heidi, and Kenan. And the four of us were like, he was like, we never left. How long is hiatus? Five months? Four months? October to May. Oh, so, okay. It's a full, like, seven months. Yeah, I'm like, we have, like, a private school schedule.

15:24We really do. It's true. Yeah, we totally do. But no, it's such a show steeped in tradition that, like, truly nothing feels different. Do you have any first premiere, season premiere rituals? I think a lot of us try and avoid candy and then immediately— There's candy by a desk. It's like every day is trick-or-treating. I think the ritual is just like, how long can I avoid not eating candy? And then we're all just— There's a whole candy table. We have a whole candy table. That's dangerous. Oh, no, it's amazing. That'd be so dangerous here. Yeah, there is. There was like ice cream right before the show starts because I think my body is like, oh, my God, it's like 1130.

16:04And now we have to like do this whole show. So you really run on sugar. You're starting at 1130. Sorry. What time do you wake up? What's your sleep situation on Saturday? Gosh, this Friday was nuts because we had I wasn't in the cold open, but I think people left work at like 1 a.m., 2 a.m. Friday. and then we did this Spirit of Halloween video. So I was picked up. My day Friday was like 7 a.m. till midnight and then kind of got up at like 9. Because you want to like learn everything as best you can. And is what is even in the show or what gets cut. Like there's not, you don't really want to memorize, but Jean Smart kind of looked at me and she's like, you don't memorize it?

16:45And I was like, no. And she was like, why not? And I was like, you know what, you're right, Jean Smart. And she really made me be like, oh yeah, I probably should like really put like 100 % more effort into this thing. So I got up really early. But the day is like, you know, leave the house at 1130 in the morning and then come home at 430 in the morning. Oh, my God. So as you mentioned, Jean Smart hosted the 50th season premiere, which is so exciting. And we love Hax and Jean. What was it like working with her? She is such a dame. Did you know her before? I didn't. Oh, no, that's a lie. I did, briefly.

17:24I worked with her for one day on Babylon the morning after she won her Emmy. Oh, my God. Wow. And I was like, you probably don't remember me. And she's like, no, I don't. But she's phenomenal and really funny. She did a very unusual thing that I totally respected, which was she was feeling sick. And so we have a run through before dress rehearsal. and we had she had the mask on and the writers would say all of her lines and she was miming no wow i swear to god for like six hours and everyone was like you know freaking out but you know she comes from the theater and and that you know that's so normal to like be on vocal rest but i love the the meltdown that was happening and i was like just trust you know she is a genius and then not a word was spoken and then at dress rehearsal she has to sing and it was just like new york and we were like there she is and it was a flawless it was perfect it was perfect it was perfect a real like that's why i'm like she's truly dame jean smart to me well we also uh we were talking about how delighted we were at the prospect of jean smarts having to introduce jelly roll that's what we all of us were like you couldn't make this this is a parody of SNL like ladies and gentlemen jelly roll it's the best and Hannah and I were also loving the photo of the the cast call with the good night tiny head behind his entourage he had a real crew I know can you tell us about that moment uh just a bunch of tattooed sweet boys.

19:05My parents texted and they were like, are you wearing a tank top? Or like, we couldn't really tell behind Floating head of Chloe. Floating head like in Jelly Roll. A really sweet guy. At the after party, Post Malone was there and I was like, well, that makes sense. Post Malone, Jelly Roll, they're all you know, in the same world. If you have a face tattoo in music, you must be friends. You go to each other's SNL after parties. One of my good friends, her celebrity crushes Jelly Roll. It's a real thing. Yeah. Yeah. He's got that je ne sais quoi, dare I say. He really does have an it factor. And when, you know, his voice is so amazing.

19:42He's really nice. Wow. Well, you had a lot of great moments in the episode playing hot to a girl. Oh, thank you. I can only imagine that one went right into the drafts as soon as she came about. You know, contending with Bo and Yang's Charlie XCX, a real housewife of Santa Fe, which I now want as a full series. Can you give us some highlights from the evening? Gosh. I mean, it was all so great. There was a wide range. We even had like a House of Dragons sketch that was fun. But the Hawk to a Girl, I was like, I'm going to die over the Hawk to a Girl. Because I've never gotten so many notes about how to Hawk to and spit on that thing.

20:24And it was like, don't be so Southern. And then I kept, because I was like, Hawk to and spit on that thing. And they're like, no, hot two. And I was like in my dressing room sending videos to friends. And then it was like more joyous. No, no, she giggles. And I was like, it is one line in the show. One line in the show. I don't really get notes that much. But there was something about like how invested we were. We were all as a society invested in her. In Haley Well. And I like that got a laugh. And then anything else I said would like kind of be medium. And then I would be like and we kept changing the lines between like dress rehearsal and this.

20:58And I was like, I am spiraling over the Hawk to a Girl. Well, so I have a question. When you're off season and a moment like that happens, are you like, oh, fuck, I'm going to have to be Hawk to a Girl in three months? Like, do you see it coming? I did see that one. I did see that one. You're like, this is a me assignment. Yeah. And I felt like she had staying power because, like, usually in the summer I'm like, we got to get on it now. Like, there was the Australian hip hop break dancer. Or Ray Gunn. Ray Gunn. We were very captivated by Ray Gunn. I was in Syracuse and I was leaving. I was supposed to be packing up and then I like saw it, realized I was near like one of the last great malls of America.

21:37Drove, shot it, immediately posted it, went back to packing. Wow. Because that is how our brain have to work to be like, I got to hop on it, you know. Someone has to. But Hawk Tua could wait. Hawk Tua could wait. Hawk Tua was like. She was worth the wait. She was worth the wait. I hope. I feel like here, like trying to explain Hawk Tua in a stand-up meeting. So stressful. It's for like, okay, how do you do this in a way that's like professional, but this is not like a normal company. No, totally. A lot of HR flags with Hawk Tua. Yes, with Hawk Tua. Hawk Tua. Hawk Tua. I'm always impressed by how completist your characters are, looks-wise.

22:20Like, I feel like it's really, I don't know, I was going back and watching Anna Delvey last night, and it's really top to tail. Thank you. What, how involved were you in, like, costuming? I'm obsessed with Jodi Mancuso. Yes. The wig maestro. Yes, what a weather. What's, like, the process of getting into Hawk to a Girl? Well, that one, I didn't write Hawk to a Girl. She was sort of gifted upon me. It was actually pretty fabulous. So I go in for my fitting with Tom Broker, who is our costume genius. And he was like, oh, she, by the way, she has this Prada necklace. And I was like, oh, interesting.

23:03So then they were like measuring the exact length of her necklace with the cleavage. And then Tom was like, I texted my Prada guy. And it turns out this is mean. Or maybe it's not, but it's Vogue. I don't care. They're like, it's fake. So then they couldn't get the necklace from the Prada guy. So then they had to like 3D print this fake Prada thing. And then they were like, Prada guy can't know that it's a fake, but they've never made that necklace before. I hope you're keeping this necklace. Of course. But like every minute detail is taken into place. Like if it was me, I would just have like a chain necklace.

23:39But no, no, no. Wow. Measuring the distance necklace to sternum is really something. And then getting the right bra, it's like, is it lace? Is it this? Wow. Between Friday and Saturday, they're like running around town and changing stuff. And it's very involved. And the wigs are really involved. Like Jodi is amazing, especially if it's like a character. She'll often check in on like Thursday or Friday and be like, try this on. Like, let's see. Let's see. And that's the most exciting part. We have heard a lot of lore about the wig wall here. It's been a big topic of discussion lately. I feel. Can you tell us a bit about the wig wall?

24:17Hannah looks so confused. The wig room? Oh, excuse me. No, it's a hallway. Yeah, yeah. So I'm actually directly next door to the—I chose my dressing room to be near them. No, because they make me laugh all day long. To me, those gals are like the joy of the show. But basically, you go into this like magical little room. We have these things called wig bubbles. I don't know if they do it old school still because I think things have changed weirdly in the last six years. But they put a bunch of tape around your head and then turn it into this, like, you know, wig holder thing. And so basically there's like— So they, like, make a mold of your head.

24:56A mold of your head. So there's, like, six Chloe's and Bowen's and, like— Wow. And they look like these, like, taped wig molds. The cool part is she has these binders. so you like pull it out and they're all archived in a fashion of kind of like fashion. But like every wig that I wear, you can see on the bag who has worn it before. Incredible. And so it'll be like Bill Hader, Kristen. And like I do have like supposedly a similar shaped head to Kristen. But also Bill Hader and I've worn a lot of Bill Hader's wigs and that's always kind of a delight. You get like a phrenology expert in here to tell us what that means.

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25:36Yeah, or like Jean had this wig or they were like stroking this like beautiful strawberry blonde wig. And I was like, ooh, what is that? And they're like, that's your Nicole Kidman. And I was like, really? And then it gets like re-juzged. So different wigs can become different personas. Yes, yes, very much so. It's very transformative. Wow. Yeah. Okay. Yeah. What is your favorite character you've ever done? Like who's, I feel like are they, they must become like children when you come back to. The babies. Baby Melania. Yeah, I mean, when Melania happens, I'll be very excited about that. I think, like, of recent, I think the JoJo Siwa was really exciting.

26:14Oh, my God. Just because JoJo was somebody I'd pitched since the day I walked in that building. But there was something about, like, she's, like, 13 years old and the bows. And then when we were in COVID, I got to do, like, at-home stuff. And then, like, Target was the only store open in lockdown in Los Angeles. and there was like a wide Jojo Siwa collection. So then like somehow that made it into that. But then what was exciting about that was like how major the costume was and it was decided I was doing it Friday at like 11 o 'clock at night and then, you know, by 5 o 'clock run through the whole monster energy drink ice skater outfit was made.

26:58That's very impressive. Yeah. Will we be hearing Melania again from Chloe? Sure. Well, no, no. I mean on SNL. Oh, you know, I did take a meeting to be like, I've sat on this lady for like six years. She came out of hiding. Hopefully, hopefully. But yeah, I've definitely been like walking around work being like, I want to talk about my housebound. Yeah. Oh, God. I did have a weird thing, TMI. I went and got, like, a laser before we went back to work. And the lady who did it was like, I should put Botox, like, here. And I wasn't really in my chin, which I didn't know was a thing. And I was like, oh, I can still move.

27:46I, like, I don't really, you know, you've got to be careful with wanting to move your face. Oh, it's true. As a comedian, you can't really do any Botox in the forehead. So I'll kind of be like, well, that's, like, fine. and I went to practice Melania this week to pitch her and she overdid one side. Oh, no. So I'm like in the mirror like, you know, like trying to talk about the two. And I'm like, oh, my God, I look paralyzed on the lower part of my chin. Anyway, these are things I did not have in my bingo card. Yeah, you really can't get Botox in your forehead. No, you really can't. You're a...

28:24I've heard a story of a certain cast member who got it and had like a full sobbing meltdown in her dressing room. A sobbing meltdown where she couldn't move her forehead. Just like it was like the littlest amount of Botox. But really, yeah, it is like so a hindrance. Wow. Yeah. I feel like we were just talking about that with Marissa Bell on industry and how her forehead vein really pops out. And it's like forehead acting. You need to have your mobility. Yeah. I imagine for comedy it's a – I know. I know. I saw The Substance last night and I was like – Oh, my God. What did you think? Well, gals.

28:57Because I can't see it. It's just too much for me. Body horror is too much. Here is the first takeaway. I went to BAM to see it. I was like going to have a whole experience. Wow. There is the first big horror moment of the movie, and suddenly a bunch of commotion was happening in a theater, and a man fully passed out and had a seizure. No. It was that scary. Oh, my God. A man seizureed. So it is terrifying. Wow. Well, they should put that on the poster, I think. Yeah, yeah. Or at least like a warning. Totally, because it has all the things, like sound and light. The idea of doing the SNL premiere until God knows what hour on Saturday and then being like, ah, I'm going to relax on Sunday.

29:44I'm going to go see The Substance. Literally in the middle of the movie, I was like, what the fuck is wrong with you? Have you ever bombed someone? Bombed? Oh, all the time. 24-7. Harry Styles in front of Harry Styles. That was. Wow. Yeah, that ruled. Why? What happened? It's a bad impression and he didn't like it. How often do people not like it? I must imagine people, not many people have a good sense of humor about themselves. That is true. That is true. I think it's just like a quiet, like even Dua Lipa, they were like, you're going to do Dua Lipa? And I was like, I don't know. I don't sing.

30:22And then they're like, come on, Thursday, let's go. And then I was like, I'm too late. And by the end of the week, I could tell she was like, Chloe, hello. And I was like, sorry, sorry. I don't know. I don't know. I think it's like finding the joy of someone. And there has to be like a silliness. This is what I'm learning. And I learned this literally on Saturday watching Dana Carvey. I've been there for six, oh, now going on six years, and I'm like finally starting to learn things. But like Dana Carvey's Biden is so joyous. Or he found the thing that like he's having fun with it, and it's not about being as accurate.

31:02Whereas like my approach is like I'm playing this person in a biopic, and I'm going to be as accurate as humanly possible. Right now, in movies, in the opera, even in pop music, divinely inspired women are everywhere. This week on Critics at Large, we make our case. Saints are having a moment. Look, I can spout off any number of cliches, but they're all true. The world is moving faster and faster. Materialism is now reaching every single corner of the globe. It's very hard to say no and to say stop and to say I will do without. And I think that explains some of the modern cultural appeal. I'm Vincent Cunningham.

31:46Join me and my co-hosts on Critics at Large from The New Yorker. Find us every Thursday, wherever you get your podcasts.

31:55I'd love to talk a little bit about what drew you to comedy and if you feel the same way about it today as you did when you first started. I, yes. I mean, I do feel I kind of fell into it in a weird way. my first foray into women being funny is AbFab, which I feel like is very fun to get to talk about here. It is my favorite show of all time. I started watching it as a child because my mom loved it. And, like, I remember doing, like, a recreation of AbFab in high school, and then that was, like, a funny thing we did. But, yeah, Eddie and Patsy are just, like, my favorite girls. You know, it's like a quap.

32:39So like that was kind of like my first impression I would do, like impersonating them. And then, you know, I had really funny friends. So like my girlfriends growing up were very funny, wacky Berkeley girls. Are they still close friends? Yeah. Yeah, definitely. I know. It is nice. Two came to the show on Saturday. But I fully went biopic route and like was like a serious like theater student and went to NYU and like didn't have an ounce of humor. And then when I moved to L.A., I really, like, missed theater and saw a groundling show. And I was like, well, I guess that's, like, kind of performance.

33:19And I did that and then, like, kind of loved it and then kind of went from there. But I didn't get into comedy until I was 27 and got SNL when I was 30. So it's sort of like, I mean, look, like, that's so young. This is your whole life. Yeah. Yeah. Except for now, which you are in Megalopolis, which I feel like I keep saying wrong. I know. Everyone's like, Megalopolis. I feel like it's like the same side of mental gymnastics as when I would say like, I'm a jimajad. Yeah. Very similar. Yeah. Or like, I have a Shiba Inu and in New York everyone's like, is that a Shuba Hooba? It's an Ooba Nooba. And it's like all these like old New Yorkie like men and women like, oh, it's a Hooshu Hooshu.

34:01And Megalopolis is the exact same thing. It's a lot of L's. Yeah. Wait, was that your first like big movie Ken circuit situation? Yeah. Oh, yeah. Definitely. Was it similar to Hyde Saturday Night? Well, it was a little unhinged because I was like, may I please go to this? And then it was like, yes, but Jake Gyllenhaal's hosting. And you don't want to miss that show. It's the finale. And I was like, uh-huh. So I flew there like Thursday morning, like went to the thing, saw the movie, like went to the Chanel and then like from the party, ripped off my diamonds, went to the airport in Nice, which is closed at three in the morning.

34:53Like not one person, no one wants to speak any English. My French is like, okay. And then like booked it through Charles de Gaulle and then landed and they're like, okay, you're cast in this thing. Went straight to a pre-tape about Timu, which was really funny to be like in Celine and then having like them put on like rash makeup. And I was like, you know, I really am a high-low kind of gal. Seems humbling. Wait, what is Timu? Timu? Amazon. Amazon. It was about, it was a fast fashion parody. That was really fast fashion. Okay. Super funny, super great. But it was quite the whirlwind made it on time.

35:35Yeah. Well, we've loved seeing your outfits while you're promoting. Big press tour energy. Oh, yeah. Yeah, you know, I'm like, let's lean in. Yeah. Yeah. Might as well. Megalopolis press tour. It seems like you've leaned into this kind of like art deco 1920s vibe. but can you tell us a little bit about picking your looks? Yeah. Yael is my stylist. We are really good friends. We're sort of like sisters. And, yeah, I think it's stressful. I think we both care about fashion so much, but everything is sort of a performance, and it is something you kind of learn as you go. I think, like, comedy and fashion are sort of like, you know.

36:17Honestly. Agreed. It is like a hard one. They're like the two eels in Little Mermaid. I will say like for Cannes, the Celine people had to inspect before I left. Oh, my God. I love that. Yeah. So they were like, knock, knock, knock, knock. And then they like came in and were like, nonots, c 'est parfait. And like, yeah, Elle was like, you know. And so there is like that side to it. But they all are performances. And I really do look up to, like, other comedy people in my field who really, like, have, like, a free— Like, Io's— A blossoming. Yeah. Like, Io's totally Io, no matter what Io's wearing.

36:56And I've met Io at an open mic with—where I met Bowen. And Cole. Club coming, like, eight years ago. You know, so it's, like, really— Cola Scola. Yeah. Beloved run-through guest. Yeah. Friend of the pod. Also, you know, Tom Bratt—like, it's so wild. I mean, all of us were like wet dogs at these open mics. And now it's like, wow, look at you, you know. Now you've gone to the groomer. Yeah, but I feel like we're, there's a handful of us sort of like breaking through into the fashion world. And so it's like fun getting to see how. I love that for you guys. Yeah. We're all kind of navigating it. Have you been looking at the shows?

37:32Like what have you seen that you've liked from Paris? I love the comeback of Chloe is really exciting. to me as like of somebody a Sienna Miller worshipper the bohemian Chloe yeah and a Chloe that's true I know are we gonna get the bell? we really have to get the bell I know I was walking by it the other day and I was like I should we really should we were talking about there was feeling that only someone named Chloe should really be wearing I agree with that and there are a lot of us yeah there are I feel like we're maybe around the same age growing up I it was only a cat name oh my god I feel the same and then it became a poodle name and then humans.

38:10Yeah. I saw you a lot at Fashion Week, which I love. How do you decide what shows you're going to? What are you, from sort of a not in the fashion world perspective, what did you see as like, oh, these are the trends this season. This is what I want to wear from that. Yeah. Like, I'm in Calamire right now. I know, I love this. This is like a espresso brown. It is too hot for this outfit. I know, I was sweating. Cold in my apartment and then I stepped out and I was like, oh, it's summer today. Yeah. But it looks great. Winter yesterday. Thank you. But it was her first show, so I, like, was dying to go to that to see, like, her first runway.

38:46Her being Danielle. Danielle, yeah. Yeah. And all of us, like, oh, my God, this is amazing. So that I, no matter what, really was invested in going. And then, gosh, then there were, like, ones I hadn't gone to before. There was, like, a handful, like, Michael Kors. I know. You did a great little video diary for us, which we loved. Yeah. And I love Michael Kors, and so that was great to get to do that and sort of branch out. And I loved the rose satin little number you wore to Carolina Herrera because it matched the roses on the seat. That is true. That is true. And I did feel like that was my personality coming through in my very demure silky dress.

39:25But I felt like there was a lot of color this season. season. It was very, I mean, obviously it was like spring, summer, so, you know, rattan and like cut out eyelet, a lot of eyelet stuff. I found it pretty joyous. Yeah. Yeah. And I feel like kind of moving a little bit away of quiet luxury and severity, which was kind of fun. Things were sexier through and through. Even Carolina Herrera had like... I do think that things were sexier. Oh, 100%. Yeah. Yeah, hard to agree. Well, in a recent Instagram post, you came out as a capsule wardrobe truther, saying there is no such thing as a capsule wardrobe.

40:08The thing about a capsule collection is that you just need more shit. Too true. I know, yeah. Marie Kondo, be damned. Be damned. I know. Try as I might, I can't just have one pair of pants. No. I think I really just love stuff, and I love things, and I love fashion. And I love being friends with people in fashion because then you get their stuff. And there is no such thing as like, oh, I'm just going to have these pairs of jeans and this and that. Because trends change constantly. And, like, the capsule is never ending and it's just a made-up thing. And I follow these people who are like, you know, just like this shirt, this blazer.

40:49And I'm like, but fundamentally you have, like, new jeans on every video. Like, what are you talking about? I'm like, they're getting wider and wider and lower and lower, and then they get skinny. And they're getting higher. Yeah. I mean, I think it's like you kind of lean into what you like, but then there's always fun stuff to be had. Chloe, I just want to ask you before we let you go, who makes you laugh? I mean, Dana Carvey on Saturday was really making me laugh. on air and in every rehearsal, Dana, and you saw a glimpse of it in the actual live taping of, like, finding his face on camera was so crazy.

41:30I was just howling at that. I mean, everyone on the show really makes me laugh. It's sort of, and I think there's something, like, beautiful about, we all laugh as, like, everyone's doing great, like, bone eating water. I was like I didn't know this was gonna be like my favorite thing you've ever done he did great but also like bombing we all like really commiserate and laugh in terms of like the failing and like stuff not working on the show to me is just as funny as stuff really working haktua and on that note and on that note Chloe thank you so much we're very excited for the rest of the 50th anniversary Yes.

42:12And? And Megalopolis. And Megalopolis. Moussaka.

42:27All right. That's it for the show. See you next week. Bye. Bye.

42:36The Run-Through is produced by Chelsea Daniel, Alex De Palma, and Joanna Solitaroff. It's engineered by Jake Loomis and James Yost and mixed by Mike Kutchman. Stephanie Kariuki is our executive producer and Chris Bannon is Condé Nast's head of Global Audio.

43:02You come to the New Yorker Radio Hour for conversations that go deeper with people you really want to hear from. whether it's Bruce Springsteen or Questlove or Olivia Rodrigo, Liz Cheney, or the godfather of artificial intelligence, Jeffrey Hinton, or some of my extraordinarily well-informed colleagues at The New Yorker. So join us every week on The New Yorker Radio Hour, wherever you listen to podcasts.

From the publisher

SNL cast member Chloe Fineman joins The Run-Through this week to share her favorite moments from last weekend’s season premiere, and the secret to perfecting her characters. Plus, Senior Fashion and Beauty Editor Margaux Anbouba joins Chloe Malle and Hannah Jackson for a conversation about Hedi Slimane’s departure from Celine and what kinds of trends we can expect to see this fall. 

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