Vogue Editors' Favorite Culture Moments of 2025 | PLUS Dario Vitale Exits Versace

5 Dec 2025 · 54 min

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The Run-Through with Vogue: Episode Summary

Episode Title

Vogue Editors' Favorite Culture Moments of 2025 | PLUS Dario Vitale Exits Versace

Podcast Description

Each episode features conversations with Vogue editors and creatives about current topics in fashion and culture. This episode dives into 2025's favorite culture moments and discusses the latest news in fashion, including Dario Vitale's exit from Versace.

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Episode Highlights

Introduction

  • Hosts: Chloe Malle, Taylor Antrim, Marley Marius
  • Discuss the year-end lists and the significance of 2025's cultural moments.

Year-End Culture Moments

  • Cultural Picks: Editors shared their favorite moments from 2025 across various mediums:
  • Film:
  • *Sentimental Value* (starring Renata Reinsve)
  • *Marty Supreme*
  • *K-Pop Demon Hunters*
  • Music:
  • Rosalia's album *Lux*
  • Erika DeCassier's *Lifetime*
  • Pink Panther's *Fancy That*
  • Television:
  • *Adolescence* - a gripping Netflix series tackling gendered violence.
  • *Mirror in the Light* - a sequel to *Wolf Hall* received praise.
  • Theater:
  • Revival of *Floyd Collins* and *Ragtime* at Lincoln Center.

Fashion News

  • Dario Vitale Exits Versace: Discussion of Dario's rapid exit from Versace after being appointed as the first non-family member to lead the brand.
  • Chanel's Subway Show: Review of Matthieu Blazy's Chanel show in an abandoned subway station, highlighting the mix of iconic guests and the overall theatrical experience.

Awards Season Updates

  • Upcoming events: Gotham Awards and British Fashion Awards.
  • Notable wins: Anakiai, Jonathan Anderson, Sarah Burton, and others.

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Key Discussions and Themes

Cultural Significance

  • Reflect on how 2025 was a year filled with significant cultural moments, from groundbreaking films and television to notable fashion events.
  • The nostalgia surrounding shows and films, revealing how past and present influences intertwine in today’s cultural landscape.

Industry Dynamics

  • The rapid changes in the fashion industry, with leaders like Dario Vitale leaving brands unexpectedly.
  • The editors discussed the implications of such events on brand identity and the industry at large.

Personal Reflections

  • Each editor shared personal insights on what these cultural moments meant to them, emphasizing the emotional connection they have with the art and entertainment of the year.

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Conclusion

  • The episode wrapped up with insights into upcoming films and shows to look forward to in 2026, hinting at a dynamic year ahead in both the fashion and entertainment industries.
  • Closing remarks highlighted the collaborative nature of culture and fashion, with editors expressing excitement for future trends and narratives.

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Takeaways

  • Cultural Impact: 2025 delivered significant cultural narratives that resonated with audiences.
  • Fashion Evolution: Emergence of new leadership and creative directions within fashion houses.
  • Community Connection: The importance of conversations around media and cultural experiences among editors and audiences alike.

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This episode of The Run-Through encapsulated the vibrant tapestry of 2025's cultural landscape while offering insights into the fashion industry's current dynamics and future directions.

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Transcript

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0:00Getting the girls trip out of the group chat just feels right. The Fort Myers area delivers the memories, bonding, and let's-do-this-every-year energy. Start planning at visitfortmyers.com.

0:17This is The Run-Through. I'm Chloe Mel, and I have my beloved colleagues, Taylor Antrim, a deputy editor at Vogue. Hello. I wasn't done yet. And Marlee Marius, features editor at Vogue, here in the studio with me. Hi, guys. Hi. Hi. It's that time of year where we do our year-end lists. And today on the pod, we love a list, we are sharing our picks for our favorite culture moments of 2025. The year is so long. Thinking about this, it's crazy that Pope Leo was this year. That's where you start? Pope Leo? That sounds like the distant past to you? That's funny. Yeah, no, that's true. No, I agree. And also, like, the Louvre heist, already that feels old.

0:56Okay, well, that was very recent. That was recent, Marley. Yeah, it wasn't, like, October? It's December already. Things are flying. We're flying. Yes. But before we get into that, this has been a big week. A lot of events happening. A lot of moving and shaking. A week like this is why the year feels so long. Because it's packed. So true. So true. Tell everyone where you were yesterday. I was in Paris for the last three days, which Taylor's extremely bitter about, even though I was there for work. I just thought you could have gotten back more quickly. It felt long because we felt her absence.

1:28That's why. Thank you, Marley. He's really for the round. But if I got in at 4 p.m., Taylor felt that it should have been a direct-to-office commute. I mean, Anna flew in from London, went to the Chanel show, which we're going to talk about, and then got to the office for meetings at 4.30. I recall you being like, why did she do that? Yes, yes. I'm spending it more positively for our listenership because we were all like, my goodness, that's quite a lot. A long day. A long day. A long day. Yeah, for all of us. Well, I went to Paris with some members of our commercial team for some important meetings.

2:06And it was honestly any Europeans today around the holidays is just a delight. We love a crisp chill with a shimmering white holiday light. Marley's face right now. So the Paris report is positive. I had a souffle. I had frappes. You were responding to like every text message in French when I thought was funny. Thank you so much. There's a lot of that. Thank you. Yeah, you've got the French keyboard loaded alongside the French keyboard. Yeah, totally. That's so cool. I think we're all there in so many ways. So it was amazing. Big news yesterday. We were in our daily stand-up meeting and Laya Garcia-Furtado gasped and then Nicole Phelps ran out of the room and we found out that Dario Vitale was exiting Versace.

2:57This comes quick on the heels of the Prada Group's acquisition of Versace for$1.25 billion. Lucy McGuire wrote in our Vogue Business article that Vitaly was hired in March right before the Prada Group sale was announced. So replacing, he was replacing Donatella as the first non-family member to helm the brand. And there really was a lot of excitement and goodwill around his first show. So this has been a gasp moment for a lot of us who found it really rejuvenating and exciting for the brand. But on we go. Change is the constant this year, huh? Yeah. No, but it was a pretty big fun of me for saying that.

3:40I mean, it is sort of exciting to be in a room where editors like dash out of the room to cover breaking news. I know, that was fun. It was really great. It was really great. And I liked how grumpy Nicole was about it. She was like. totally totally she's like Laya come with me and you're like back to some more visual ideas around paper doll making but yes so that was big Versace news but I have to say the real I don't know isn't there some thing that tracks like media impressions like the media impression winner of the week was Metro Blase's Chanel show in the abandoned subway station on Kenmar Street I really he is he's really establishing himself as unparalleled at combining showmanship with savoir faire.

4:31He's just. I mean, the people that were there were great. It seemed like such a good mix of iconic New Yorkers from Scorsese to Sofia Coppola and Romy Mars to Christine Baranski. I mean, it was really who you wanted to be there. Our intrepid global director of social media, Samantha Sussman, gathered reactions after the show from Kristen Stewart and friend of the pod, Rose Byrne, among others.

5:06We are on an abandoned subway cart in the subway downtown on the Bowery. It's extraordinary. Just having finished seeing the Chanel show. I got my mind blown just now. And so it's, I need a little bit of processing time to put this into words, but like, if this show and the kind of energy behind it and how the variation in selves that were present, just the, how dynamic the representation was. And I don't mean that like, oh, there's an androgyny and an ease to the close. Energetically, it felt like a loud and it felt loud and it didn't feel careful. And it felt like, I don't know, maybe that Matthew loves women.

5:47I just have felt like full of love. And I was like, I mean, it was I'm I'm I'm so blown away. The show itself was just a delight and put on beautifully. And then at the after party, they had New York pretzels and interlocking C shapes. And The Invitation was a little subway car necklace with a Chanel newspaper. I mean, they really do the soup to New York nuts programming. And I think that was like the ultimate playbook on how to dominate the media sphere. And Lauren Sherman actually wrote, I thought, smartly about how it really touches every step of the pyramid in terms of luxury from the couture client to the Gen Zer who sees it on Instagram and then is inspired to buy the lipstick because they painted the pillars of the subway station the exact Chanel red.

6:45I mean, they were really no stone is left unturned. Yeah. No. And it was even seeing, I mean, you know, I don't know, fashion show clips on Instagram. I don't know if they always translate and they're not always that sort of inspiring or immersive, but it was such a sense of theater with that show. Like, that was dominating my feed and it really seemed like such an exciting and cool thing to be present for. And again, such an amazing group of people. I mean, it's not the first time someone has used a subway station. Like, Tom Ford showed his show in that abandoned subway station in that exact location.

7:17It wasn't the runway, the cars for that show. Yes, which is cool. Yeah, I was wondering about the rodent situation. We talked about that in the office and no one really had an answer. Chanel Magic. Chanel Magic down there. Well, Chloe Shama said her comment in the office this morning was that she wanted Chanel to be hired by the city of New York to clean up the entire subway system. Because her experience commuting to work was very different from what she was seeing at the Chanel subway show. I also have to point out that Anna was so proud of herself for having spent the afternoon in the subways is what she told me.

7:49I was like, okay. And it was pouring down rain outside and Virginia Smith came in and proudly showed off how the bottoms of her sort of very chic trousers were like soaked. Oh, wow. That's like in Pride and Prejudice where they disdain Eliza Bennett for coming in with six inches deep of mud on her skirt. Virginia is so similar to a life about it. That was the scene here in Vogue HQ. Two months from now, Blase will show his next collection for the house, Haute Couture, back in Paris. But on Monday, the day before Chanel, were the British Fashion Awards with Anakiai receiving the Model of the Year Award at Royal Albert Hall.

8:29And Jonathan Anderson won Designer of the Year. Sarah Burton won British Women's Wear Designer of the Year. She had quite a chic gaggle of stars with her. Grace Wales Bonner won Men's Wear Designer of the Year. The Vanguard Award was for Dilara, who we all love. I loved seeing what our colleagues Choma and Vogue Italia's Francesca Ragazzi were wearing and their cute little getting ready together moment. And yeah, that same night in New York were the Gotham Awards. Beginning of award season. It's true. kicks off. And I do think that fashion-wise, Rihanna and A$AP, Rihanna and Balenciaga, A$AP and Chanel was a big moment.

9:16And there were a lot of Chanel moments. Jesse Buckley, Tiana Taylor, Kristen Stewart. Tiana Taylor has looked so fab. The most charismatic person, the chicest person. It's crazy. It's unreal. We stan Tiana. We really do. Okay, that is it for headlines. The run-through will be right back with our favorite culture moments of the year.

9:52You come to the New Yorker Radio Hour for conversations that go deeper with people you really want to hear from, whether it's Bruce Springsteen or Questlove or Olivia Rodrigo, Liz Cheney, or the godfather of artificial intelligence, Jeffrey Hinton, or some of my extraordinarily well-informed colleagues at The New Yorker. So join us every week on The New Yorker Radio Hour, wherever you listen to podcasts.

10:21And we're back. One of my favorite things that we do in this episode every year is hearing from other Vogue editors about their top moments to include in our conversation. Let's start with films. Hi, I'm Radhika Seth, the film and culture editor at British Vogue. And my absolute favorite film of 2025 was Sentimental Value. It's the Joaquim Trier family drama starring Renata Rheinsver from The Worst Person in the World, which is a film that I also love so much. And also Stellan Skarsgård and Elle Fanning. And it's just so beautiful. And I think I've seen it twice now. And I've just Bored Like a Baby both times.

11:04And I know it's a film I'll see many more times in the coming years. I'd also love to give a shout out to two other films that I loved this year. One is The Voice of Hind Rajab, which is a story set in Gaza telling the true story of a little girl who was caught under fire in Gaza City. It's really powerful and everyone should see it in the cinema. And also another film, which is K-pop Demon Hunters, which I am totally obsessed with. And if you somehow still haven't seen it on Netflix, you need to correct that right now. Chloe and I actually talked to Renata Reinsva about Central Valley. It was really a lovely conversation.

11:47Really ran the gamut. And yeah, that's certainly a movie that I think we hope will be in the Oscar conversation this year. I think it certainly will. I mean, it really is my favorite movie of the year, I think. I know I asked a friend this morning because I was sort of crowdsourcing for people to remind me of culture moments from earlier in the year. And a friend was like, Sorry Baby was my favorite movie, but I know that it will be replaced by sentimental value. And I do feel like there's a very similar Venn diagram overlap for those two. And I feel the same way about the two of them. I know.

12:18And also like, Sorry Baby feels like it came out such a long time ago. Such a long time ago. Which is a shame. Because, I mean, it was like a summer movie, but that's the kind of thing that it's small enough that it could be overlooked. Although we've seen Ava Victor around, which is good. Like, they were at the Gotham Awards looking very chic. So, like, hopefully we see more of them, but we'll see. Ava and her Loewe moment is really working for me. Yeah, I agree. Her Loewe era. I think it was a good year for movies. There's been some writing about how, like, it's been a tough year for the box office and, like, a lot of things were overlooked.

12:51And that's always true. And there's definitely some smaller movies, like you mentioned Sorry Baby. You know, like Train Dreams is out on Netflix right now, a really beautiful movie that I'm not sure anyone is really seeing. And so starry. I'm sorry? Train Dreams is quite starry. Joel Edgerton, I mean, he's the man. He's so good. And Cary Condon. Yeah, totally. Anyway, seek out that movie. And like smaller movies like Lurker from the summer I really liked. You know, like there were some strong movies this year. But I think the big ones are really quite – are coming clear. You know, we mentioned one battle after another.

13:23There's sentimental value. One that I think is actually going to be really big is coming out on Christmas Day. Christmas Day is stacked. Oh, yeah. Isn't that always the case? Yeah. Yeah, this year seems like— But I guess it's often like Star Wars, and this year is like good movies. Well, this— Zay, one could argue that the Star Wars option this year, the really like crowd-pleasing, you know, movie, is the one that I want to stand for right now, which is Song Song Blue. I've mentioned it on this podcast before. I did not know that's what you're doing. I'm a Taylor Swift fan. Taylor Swift song, Blue.

13:55It's moving. Marley's face right now. You haven't seen it. You haven't seen it, so. We're seeing it together tomorrow at 9 a.m. Don't I know it'll be my second viewing. Wow. Have fun, guys. Yeah. I really enjoy that. It is Hugh Jackman and Kate Hudson, and Hugh Jackman plays a true story about a Neil Diamond impersonator in the 90s, and it's just, it's directed by Craig Brewer, who's the director who did Hustle and Flow. And I think Craig Brewer is a secret weapon and like a really good director. And I think he's the reason this movie works so well. All right, Marley, I haven't seen Hamnet yet, but I want to know, is it, someone wrote a review that was like, Hamnet is just grief porn.

14:36And I want to know if - That's a take. Yeah. You agree with that? Or Nicole Phelps is like, I've never heard her so rhapsodic about a film. She was moved so deeply about it. Yeah, Raul Martinez told me that he was sobbing so hard that people were asking him if he was okay after it. I know. I mean, it's very intense. I was moved by it in a positive way. I was like, these performances are amazing. Paul Meskel's amazing in it. Jesse Buckley's amazing in it. The young actor who plays, who's in that film, is extraordinary, and I have lots of questions about him. But it is intense. I could imagine the emotionality of it rubbing people the wrong way, for sure.

15:18But it's also quite beautifully shot. So I and I was I liked our story about the costumes. It's yes. I mean, they were so detailed. Also, the production design was like so meticulous. Like there was a lot of there was obviously a lot of thought and a lot of heart that went into making this like really intense, really dramatic movie. But I do hope that a lot of people see it because it's worth it. It's going to be interesting to me because Hamnet, which is directed by Chloe Zhao, you know, is this kind of like, you know, it's certainly one of the best movies of the year. I don't think there's any debate about that, calling it grief porn or whatever, you know, is a take.

15:54But I think that it's sort of unanimous that this is one of the best movies of the year. However, there are these other two, like, very entertaining movies, One Battle After Another and Marty Supreme, which I finally got to see and is, like, so fun and moves so quickly. And I really think it's going to be interesting to see if people go with the movies that are kind of like a fun hang like those or the movie that is like really great art in a way, which is maybe the Hamnet argument. Yeah. Where everything is so meticulously done. The performances are so great. There's like – there's hardly a criticism that you could throw at it.

16:29I thought the first hour was a little slow, apparently. Yes. But the second hour is so overwhelming and so well done that you walk out of that movie just thinking that you've had an experience. Yes. And the closing set piece, yeah, it really does feel like you're experiencing something quite special and quite unusual and very, like, theatrical. Yeah, you kind of have to see it. Yeah, I agree. Can we talk about The Testament of Anne Lee? This is also a Christmas movie. I know. Also, in England, 100 years later. Totally. Sorry, what? Hammond is mid-1600s, and this is mid-1700s. Oh, you're right.

17:04We've moved forward in time. to the 18th century and the Shaker movement, right? Yes. And I feel like that movie's an interesting mix of being sort of like period drama, but also like weird and funky. You know what I mean? Anne Lee. Yeah. I loved Anne Lee. Yeah. I did too. I mean, the experience I had going to The Testament of Anne Lee, which is directed by Mona Fastfold, who's the partner of Brady Corbet, who was... Which we're not just mentioning that because she's a woman and a partner of someone more famous. Not at all. They're collaborators. They collaborated on The Brutalist, and they collaborated on this film.

17:41But apparently they alternate who directs each year because they have a young daughter, and I find that very inspiring. I think these two movies are really interesting to watch side by side. Of the two, I actually preferred— That's a long day. I know, it's a very long day. Of the two, I preferred The Testament of Anne Lee. I would say that the first hour of this movie is like, it was a reminder to me of why I like going to movies and sitting in a movie theater and letting something sort of wash over me. Because it's so creative. It moves in so many interesting ways. The use of song and dance and movement and acting and story.

18:15I just was like totally intoxicated by this movie. I think it's good all the way through. I would say the first hour is unbeatable. and it stands it stars Amanda Seyfried and I just thought to myself I have never seen an actor transform like this like I knew that she was a good actress there was the Elizabeth Holmes there was the Elizabeth Holmes show that she was in that she got a lot of you know great plaudits for but this performance is really something else and so Testament of Anne Lee I think is going to be I hope it gets nominated for a Golden Globe because I think it is really one of the best movies of the year I agree I also want to say that the opening titles of that movie are really cool Do you remember them?

18:51Super cool. They're like really graphic. It's like interesting typography going on. I mean, I know that's actually something that The Brutalist also had, but just like really interesting things. Yes, I loved the way they were using sort of like text. Shakery intro text and cutouts. Okay, I mentioned Marty Supreme, but I do think this is the other Christmas movie that is just going to dominate. And, you know, Timothy is unstoppable at this point. That performance is so full throttle. Yeah. It's incredible. It's really appealing. It's really endearing. Because I feel like that's a character that could be extremely annoying in a lot of ways.

19:25And I feel like he sells what the stakes are. He, like, sells that personality. It's work. And he's just extremely watchable. Yeah, he is. This is the Josh Safdie movie, of course, and it's got a million people in it. Gwen Paltrow's in this movie. Tyler, the creator, is in this movie. He's so good in his role. Odessa, we love Odessa. Fran Drescher has like it. Sandra Bernhardt. It's like a reminder of what a movie star does, which is that he's just so watchable. Like you don't really get tired of watching him. I admit I got a little fatigued with the movie. It's really long. It's long. It is? It's like almost three hours.

19:59And it has the beats of a sports movie, which is what you want. There's like a ping pong element to it. I don't want three hours of sports. No, but I mean a rousing sports movie. There's like a final battle, ping pong battle, which is kind of great. But that all made it feel maybe slightly more on the shallower side to me. But I think one of the really sort of fascinating storylines around award season is whether it's going to go, the best actor award is likely to go to Leo for One Battle or Timothy for Arcephrine. And I think that's a big matchup and I can't actually say which way it's going to go.

20:35But both those guys are so watchable and so fun in two respective very entertaining movies. I do think for awards season, and I feel like not, Begonia feels like a long time ago, but I do feel like they're just extremely career-defining performances by certain actresses, Jesse Buckley, Amanda Seyfried, Emma Stone. And it'll be very interesting to see how that pans out because I think all three are really. And Jennifer Lawrence. Yeah, I'd like to speak up for Die My Love. That movie is cool. I love that movie. Yeah, I mean, I did not see it, but it's been amazing to see her on the scene being charismatic, just kind of being back in the mix in a way that we haven't seen her in a second.

21:17Yeah, I'll be pulling for her. I think Jesse Buckley is going to win everything, but I think that Jennifer Lawrence is worthy of all the recognition for that movie. A proper movie star. We love her. Proper movie star, yeah. I also would like to speak up for the masses and the youth. Oh, God. Cannot wait to see what this is going, please. K-pop demon hunters. Oh. Big moment in my household. Taylor loves K-pop. And you know what's amazing? Yeah. It really has, it's like, has a fan in everyone. Oh, Jesus. It's incredible. I was on the A train last week, and there was an older businessman reading the Financial Times, but I was next to him, and I could hear him playing Golden.

22:04It was crazy. Yeah. It is for all of us. It is for Alice Albert at three years old and this Financial Times reading man. I was going to say, Vogue editor has babies once. Falls in love with animated movie. Has babies once. No, I actually really respect this movie, too. I think this movie is good. It is. It's very engaging. We're very pro that in my household. All right. On to next best TV of the year. hi i'm daisy jones acting news and features editor at british vogue and i think the best tv show of the year was by far adolescence which came out on netflix back in march i'm sure i'm not the only person to say that that was her favorite tv show of the year i feel like it really hit a nerve globally um and got everyone talking there was a time when i feel like no conversation was complete without someone asking if they'd seen adolescence and what do they think about adolescence um and yeah it was it's been a long time since I've been so gripped by a tv show I feel like I I sat and watched it in one sitting even though it took about four or five hours um and didn't look away I didn't look at my phone which is always a good indicator that something's like really really engaging um but if you haven't seen it adolescence is broadly about a 13 year old boy called Jamie who's arrested for the murder of his classmate Katie and it follows the investigation it's four episodes but it's actually much more about gendered violence the radicalization of young men and what happens when online misogyny spills out into real life which it does and it will continue to do so unless something's done about it I feel like it's a subject that's very pertinent for the times we're living in and adolescents explored these themes in really in a really sort of nuanced and intelligent way I thought which is a real feat to pull off I I think.

23:59Adolescence was not for moi. You tried it. No. But I just know it's not for moi. Oh, okay. Did you watch Adolescence? No. I mean, Adolescence is like one of those experiences you have to have if you follow TV this year. I don't speak for yourself. It was a little tough for me, too, but I was kind of caught up in it with everyone else. Yeah. You know. It generated a lot of important discourse, meaningful discourse. All the attention that it got seemed really well-deserved and really powerful. It's extremely well done and well acted. Yeah. Yeah. Like that actor Owen Cooper seems like a star. And I feel like he'll be around a long time.

24:34We're going to see more of Owen. But can I stand up for the show that I thought was the best of the year and came out a million years ago, which was in March of 2025? But that was the Wolf Hall sequel, Mirror in the Light, which I thought was so good. And Damien Lewis and Mark Rylance going toe to toe as Thomas Cromwell and Henry VIII is just TV magic. So great. And so I actually didn't think it was a super, super strong year for TV. I did think it was a good year for movies. But for TV, I found myself kind of like watching things and being like, okay, this is all right, but not amazing. And when I thought back to what I really enjoyed, start to finish, it was Wolf Hall.

25:11That show, so great. And Damien Lewis, his delivery of lines, like I remember him in Homeland and he could play like a terrorist mole. but he can also like deliver lines with such precision the way like well-trained Shakespearean actors can. And I just, I never tired of watching him. It's basically a psychopath as Henry VIII. Like he's great. So check out Mirror in the Light. I will say that totally extremely different, but one of my, I can be quite bad about keeping up with TV, but one series that I was so enthralled by was the four seasons. It was Tina Fey and - Oh, and Coleman. Yes, Coleman was in it.

25:52Friends of the Pod. Tina Fey was in it. Will Forte, Carrie Kenney Silver. It was a big cast, and it was a remake of a movie directed by Alvin Alda in, I think, the 80s. Say more. We have reached Marley Corr on the pod. I'm like, it's a great comedy about people in their 40s and 50s reconnecting, talking about health, talking about divorce, talking about friendship. It was so funny. The cast was so charming. One actress in it, Erica Henningsen, was also in, oh, God, Just in Time on Broadway. She had a big spring with Jonathan Groff, another friend of the pod. So that was one of my favorite sort of comedies, but also with dramatic moments.

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26:37Like we love sort of an adult comedy. That's what I'd call it on Netflix. Still there. Check it out. The other one I felt like everyone was watching and discussing whether or not they liked it was too much. And how did you feel out, Taylor? Too much was not for me. I think it was too much for you. It was too much and not enough for me, but I think that... Yeah, I respected it. I thought it was fun. I think it spoke to a moment the same way that I Love L.A. did. It was like really encapsulating a certain segment of... This was the year of the Zillennial in many ways, which I identify with. You heard it here first.

27:13Marius. As a cusper myself, I was feeling so seen by both. I mean, honestly, I really did love too much. And Will Sharp in it, like, dreamy, dreamy, dreamy. Dreamy, dreamy, dreamy. Dreamy, dreamy, dreamy, sad boy energy. Just incredible things happening over there. Yep. So that was huge. And we love Meg Stalter, a star, so charismatic, so fun. And just, again, Lena Dunham, love forever. Most important voice of a generation, forever. I mean, can we also just say that we are all looking forward to January 2026 and the return of Industry. Oh, my God. Which is season four is coming. Urgently. And it is, I've seen the first two episodes and they are mega, mega.

27:56I've seen the first three. Give me more. Give me more. Oh, no, I want to see the first three. You maybe need to see the previous seasons? I did, I did. You meanie.

28:09Speaking of things with followings, Showgirl. Life of a Showgirl. Oh. I just, it was a big deal. A Taylor release is a big deal. And I do feel like it became showgirl culture. For sure. I learned that my mom is a Taylor Swift fan, didn't I? Oh, what, they're going to say a showgirl. No. She did want to be a dancer, but that's a different story. She did want to be a dancer on Broadway. But yeah, she was like, oh, I love this album. I was like, oh, okay. The more you know. Ruth surprises us at every turn. She really, really, oh my God, she's going to love this. She's going to love this. I can't wait to hear more of what Ruth Marius has been listening to this year.

28:43But first, let's hear from our colleagues with the best taste in music. I'm Chelsea. I'm a producer on the run through with Vogue. This year, I could not stop listening to Erika DeCassier's new album. It's like very trip-hop inspired. I feel like I'm a huge Estero fan, so it was like totally up my alley. The name of the album is Lifetime. It's gorgeous. I recommend that everyone listen to it. I also had so much fun listening to Pink Panther's new album. It's called Fancy That, and then the remix album Fancy Some More is honestly even better. I love the remix with Blade. It's really fun. Hi, I'm Liam Hess, Vogue's senior lifestyle editor, and my culture highlight of 2025 would definitely have to be Rosalia's album Lux, which came out in November.

29:34this kind of operatic epic about spirituality and romance. And I remember just sitting on my first listen with my headphones on and being totally blown away by it. And I've had it on repeat ever since. I know it's been heaped with plenty of praise, but I just really do think it's an extraordinary and totally singular album. And also just a huge risk melding those classical elements with pop and dance music. It could have been so cheesy. It could have gone so wrong, but her taste level is just impeccable, and she completely pulled it off. And I also just think it's so cool that someone who is really at the height of her success with this enormous global following is still willing to do something that really defies everyone's expectations.

30:22And it still broke Spotify Records, I think. I just hope that it encourages more musicians at her level to really swing for the fences in the same way. I'm glad we heard from Liam who really does have the best taste in music on the staff I agree and does a lot of great interviews with musicians I've never heard of in my entire life speaking of which my favorite album of the year is one that Liam did an interview with and that would be Machine Gun Kelly? no that was you that was old Taylor I'm not I'm not against Machine Gun Kelly at all quite the contrary big fan but it's Jane Remover who is this sort of electronic artist they are I think like 21 years old and has this new record called Revenge Seekers that is so noisy and chaotic and great.

31:07And I loved it. And Liam was all over it for the site. So I was happy about that. What, Marlee, was your Spotify wrapped age? Tell the listeners. Oh, yeah. How do I find that? Taylor is driving me too deaf about this. Okay. You open Spotify and you click on Wrapped. So you actually have to download Spotify first, though, Chloe? I think I have. But I also, yours is going to be messed up because you are listening to kids' music. That's so true. Actually, yours is going to be interesting because it's going to be mixed with Fats Waller and like the Moana soundtrack, so I can't wait to find out. Oh, gosh.

31:39Okay. Okay, sound off, please. Wait. You probably, you are probably over 100 on Spotify age. I'm obsessed. Oh, my God. Well, yeah, my listening age was 79. Amazing. To give you a sense. I'm iconic. It obviously means that, like, the stuff I had on repeat was, like, not stuff that came out this year. I was listening to a lot of Bach. I was listening to a lot of Johnny Mafflet. I was, as ever, listening to a lot of Barbra Streisand. But anyway, the new things I did like this year. Actually, this is another—this is an artist that was turned on to me by a colleague, our colleague Anna Cofola. She had mentioned the artist Nourish by Time that I didn't know of at all.

32:21But he released an album called The Passionate Ones this year. And it's this kind of like alt R &B that was just extremely cool and I was really compelled by. So that kind of, that was introduced to my rotation this year, which was kind of an exciting thing. I was also really into Lorde's album Virgin, which was blocked at the Grammys, which I thought was lame. Didn't receive a Grammy nomination is what I mean. But I was really into a lot of the visuals of that album. Something was like very kind of earthy and corporeal about it. Her sound was kind of funky. Like, I was really into that album in a way that I kind of haven't been with new releases that often.

33:02And also, Steve Lacey, who admittedly I only discovered on, like, TikTok, I want to say, like, two or three years ago when one of his songs, Bad Habit, became, like, an inescapable and actually really annoying thing. But he released his first song in, like, three years because he has an album, I guess, coming out in 2026 called Nice Shoes. Which is like a bit sort of silly and a bit vulgar, but also like very cool. It's like sonically really interesting. He's just like a very kind of like cool sort of West Coast young artist. And yeah, so that was exciting. That was breaking up my, you know, Luther Vandross this year.

33:40Bring your age down ever so slightly on Spotify. That's why I was 79, not 80. I'm definitely the oldest person here, but my Spotify age is 20. Yeah, that's... Probably because I'm going through a midlife crisis. Yeah, you should examine that. And because I couldn't stop listening to probably my favorite artist, this guy named Glaive, who is 20 years old. Glaive? Glaive, yes. And he—you're excused from this part of the conversation. Yeah, I'm just reclining emails. He's 20 years old. And he is like a hyper-pop artist, electronic composer, sort of like—his new record's called Y 'all, and it's so good.

34:13I slightly liked his album last year, maybe a little bit better even, but I've really been enjoying Glaive. and he has brought my Spotify age down to where it is. Wait, William likes Glaive? William is so obsessed with Glaive. We just got his school pictures. He's in fifth grade. And his school pictures, he's wearing a Glaive T-shirt. Oh, cool. Which no one would know because all it is is a graphic of a Christian cross and then a dog pooping. Oh, Taylor. So that's what is his fifth grade. He'll be immortalized as a fifth grader wearing that T-shirt. It's amazing. It's amazing. We haven't talked about Lily Allen, though, because I feel like that album is one that everyone is listening to.

34:52That was a moment that I did not see coming. I'll say that. Yeah. I was sort of like, yeah, Lily Allen, big, like, you know, 20 years ago kind of thing. But suddenly this album is, like, all people want to talk about. Oh, my God. And also she's, like, showing up at, like, events on red carpets looking amazing, giving, like, really honest, really charismatic interviews, kind of talking. yeah really sort of I don't know really openly about going through a really difficult time in her marriage turning that into art not really being like I need to make this for me if people connect with it cool but that's kind of not what it's for and it connected with so many people I think she's quite taken aback by the way this album has been received it's like breathtakingly candid right and it's about her the breakup of her marriage the actor David Harbour and like their much publicized house in Brooklyn Heights that was in AD and like There's just so much to grab onto from this album.

35:47So that one is really dominating conversation. Yeah. The Run-Through will be back in a moment.

36:04Hi, I'm Rebecca Ford, Senior Awards Correspondent at Vanity Fair and co-host of Little Gold Men. Oscar season is upon us. Little Gold Men takes you behind the scenes of the race for the biggest prize in Hollywood. There's a hundred wrestlers in the room, but only one can be Oscar nominated. Whether you're a movie lover or an industry buff, Little Gold Men from Vanity Fair has everything you need to know about this year's Oscar race. Follow and listen to Little Gold Men wherever you get your podcasts.

36:40And we're back. Do we have Books Corner now? Yes. Chloe? Books Corner. My name is Chloe Shama. I'm a senior features editor. My favorite book of the year, it's impossible to pick one, but I'm going to cheat a little and pick an old book, sort of, which is The Uncollected Stories of Mavis Gallant, which did come out this year. It came out in January, so very early in the year. And Mavis Gallant was this amazing Canadian short story writer from the middle part of the 20th century and extremely underappreciated. And this book is just like a stellar collection of some of her incredible, most amazing work.

37:17Hi, I'm Corey Seymour, a senior editor here at Vogue. And I would love to tell you all about the wonderful poetry I read this year, which was probably a lot and more than anything else. But it didn't come out this year. It came out earlier. And as the sort of semi-official Oasis editor of Vogue, I will say that it is John Robb's Oasis biography called Live Forever. Like everything about Oasis is called Live Forever. The rise, the fall and the resurrection of Oasis. Given this was the summer of Oasis, the reuniting, the tour. John is a musician who was part of a punk band in the 70s called Membranes.

37:57he was with the band during a lot of their formative experiences and he writes about the band from the inside and also places them in this amazing context of their time and their culture both in manchester in the uk and tells what i think is like an otherworldly operatic story of a bunch of sort of hooligans from manchester who came to dominate uh pop culture and put out some of the most memorable music of the 20th century. The book blew my mind. I'd recommend it for anybody who likes music. And obviously, if you're into Oasis, it's an absolute must. I have to say, speaking of the years long, it is crazy that just this year was the, like, Mocker Made Good memoir spate of, like, Barry Diller, Graydon Carter, Keith McNally.

38:50I mean, those are, I don't know if Mocker really makes sense for all of those, but throw that around. We'll fact check that. I read all three of those books and was very, very invested in all of them. I particularly loved Richard E. Grant reading Keith McNally's for the audiobook. And actually, I listened to that while going to Milan for 48 hours for the Lauren Sanchez bridal shoot. So, you know what? Memories interlinked. Talk about a long year. Oh, my. The summer of Lauren Sanchez, really. Oh, my gosh. Yeah, that feels like ages ago. But yes, we all lived through that. I also loved Heart the Lover by Lily King.

39:29And I really enjoyed my Grim Bums book about Condé Nast, Empire of the Elite. I read that one too. I'm so glad that Chloe Shama, who is really one of the most avid readers on staff, mentioned the Mavis Gallant collection because I read that entire thing and really delighted in it. Another book that Shama turned me on to is the novel Isola by Allegra Goodman. And it's so good, you guys. It's a 16th century. It's based on the real-life story of a 16th century French woman who is marooned on an island and basically has to—near Canada and has to sort of fight for her life. And it's a literary novel, but it reads like a thriller, a page-turner.

40:11I've given it to a bunch of people, and they have loved it. So I really recommend that. And it's, Allegra Goodman can kind of do anything, I think. And there was the final novel from a thriller writer that's really important to me. Martin Cruz Smith, who died this year, has written this series of novels, mostly set in the Soviet Union and then present-day Russia, starring the Russian investigator Arkady Renko. and the final novel of this series was published this year, Hotel Ukraine and shortly after its publication the news broke of Martin Cruz Smith's death and I loved Hotel Ukraine, I loved the whole series.

40:52One of the interesting things is that the author, Martin Cruz Smith, suffered from Parkinson's disease and he made this really fascinating decision to weave that into the writing about this detective who as he ages and investigates one case after another in Russia, develops Parkinson's disease and that really sort of adds this like emotional layer to the to the storytelling so if you like if you like crime novels or detective novels check out the work of martin crew smith and you start with gorky park which is the first one and so good and also read taylor's story about martin crew smith that he wrote for the site because it's lovely yes please do please do marley marius yeah the broadway baby baby there we go among us well i was trying to think of a b Oh, yeah.

41:36Yes. Well, I mean, I will say there were a lot of things. I did see a good number of things this year. There are certainly things I missed, but I will kind of call out a few of my favorite theater experiences this year. Two happen to be Lincoln Center Theater Productions. I don't think that's a coincidence. I think I love seeing shows in that space. It's just really beautiful. It's always really sort of striking, the sort of production design of those shows. but anyway, the two that I want to call it are one, the revival of Floyd Collins. Actually, maybe this is the first Broadway production of Floyd Collins, which is based on the real-life story of a minor who became trapped underground like 100 years ago.

42:19It became a whole media sensation. Really an unlikely sort of premise for a musical, but Adam Gettle writes like the most beautiful music. I'm so obsessed with his work between this and Light in the Piazza. And yeah, there was just a quite sort of thrilling production of that on Broadway this year, starring Jeremy Jordan and also the indie musical artist Lizzie McAlpine making her Broadway debut. And her voice is so incredible. It sounded so incredible doing that music. So kind of a lot of yodeling in that score. So like, that was cool. I was like, to my mom, I was like, I don't know, like, that was necessarily for you, but it was for me.

42:57So that was a huge, that was a production that I don't know that enough people saw, but that was on. Another kind of more crowd-pleasing one was Old Friends. This was pretty much a Sondheim musical review starring Brindette Peters and Lea Salonga. That was for the true heads, and honestly, I was living. It was a lot of, it was kind of a lot of greatest hits from Sondheim's rapporteur, really, getting to hear some of like our best performers do that material was really fun. Also, Langen Center Theater, this is still on Ragtime. Oh, I want to see Ragtime. I want to see Ragtime and Weir. Oh, two ends of the theatrical spectrum.

43:40This girl can do it all well. Get you a girl who can see both. Really crazy things happening. Ragtime sounds incredible. Cast is amazing. I mean, Joshua Henry, one of the greatest voices on Broadway. He's paired with Nichelle Lewis, who is in the recent revival of The Wiz. And I interviewed her in Pittsburgh like a year and a half ago when she was preparing to do that production. And she's like so sweet and has such a beautiful voice. Lots of other people in that cast. Brennan Yaronowitz, Casey Levy. It's like quite striking. The opening number is insane. It'll give you chills. Yeah. And another thing I saw this year that was, like, quite small, it was in this part of New York City Center that I'd never been in before.

44:30It's this tiny, essentially black box theater, kind of underground below, like, the huge theater where everyone sees, you know, lots of things all year. It was called We Had a World, written by Joshua Harmon. It's kind of a memory play. Oh, I love Joanna Gleason. That was what I was doing. My childhood neighbor. Literally, I interviewed Joanna Gleason about this show, and I was like, I know Chloe. She was like, wow, love Chloe. I've known Chloe since she was like 11. I was like, oh my God, tell me more. But yeah, that was just a sort of sweet, small show. It was very New York. It was very much about like growing up in New York, learning about art, having a relationship, about the playwright relationship with his mom and his grandmother.

45:10And it was just a, yeah, sort of special little piece of theater in quite a crowded year. So those were just a couple. All right. Right. Now, I want to talk about people we've lost this year because I do think that is a cultural part of our cultural conversation. The universe of a man, Tom Stoppard, which I really feel is a big, a huge gap in the theater and literary world. Really, I feel like Leopold's dad was just last year. Totally. Was it? It was recently. for sure. But yes, I was very sad about Tom Stoppard. Obviously, Diane Keaton was also a big, a big loss. Brian Wilson, big Beach Boys fan.

46:01Oh, gosh, yeah. David Lynch. I mean, these were all this year. It's crazy. D 'Angelo. Robert Redford was this year too. Robert Redford. Crazy. Really big ones for Marley Marius. Oh, my God. Yeah. All my childhood heroes. I know. One fell swoop. Crazy. I also want to talk about, like, I feel like it was also the year of Schadenfreude. Oh, okay. Like. Say more. Yeah, say more. Like, I feel like we were obsessed with the Louvre heist. Of, like, how could this happen? How could this go wrong? Totally. And also the Coldplay kiss cam. Oh, God. Do you remember how collectively obsessed we were by that?

46:38Yeah, yeah, yeah. I mean, even Liz Annuziegate, we don't have to say more, but, like, we are, as a culture, really focused on people going through it. Yeah. People going through it. And this 2025 was really the year of that. Big focus on it. I would also like to say that the Frick reopening was a big deal for me and Marley, who went to the press preview together in her Frick baseball hat. Night of the year. For you too. Pope Leo was a big deal. We've already done that, actually. No, we started with that. We didn't really get into it. And you know what's amazing about Pope Leo? I feel like we were all so fascinated by it because of Conclave.

47:18It was a real life-imdates art. And if you liked Conclave and Pope Leo, you should see La Grazia, which is coming out, which came out on Friday. Paolo Sorrentino's new movie about a president of Italy, not the pope at all, but there is the pope in there. I have not seen it. Back to you, Chloe. Also, like other cultural things, like Le Boo Boo's, a big cultural moment. And also Dubai Chocolate. People are so mean about it now, but I love it. Chloe, no. No, it's a scourge on the culture to buy chocolate. It's by every register, and it's like only$29 for this. Wait, I also just don't understand it.

47:50Like, what is that? Is pistachio gloop in chocolate? It's not good. Gloop? I think it's because it's an existing crunch. I'm allergic to pistachios. Oh, yeah, that's a problem. There you go. No to buy chocolate for Marley. One last question. Yeah. If you had to say one thing you were looking forward to, TV, film, etc. for 2026, Marley Marius, what would it be? Well, we have already discussed industry, and that is at the top of the year. but that is on my mind for sure. You want to know mine? Please. Please. Chloe, what are you looking forward to? The live-action He-Man movie. Okay. Arthur, Albert, and I are so excited about this.

48:29It's the guy from the Anne Hathaway movie. Guy from the... I mean, no one has ever participated in Motherhood more robustly than Chloe Moll. How is he, Tobia 2, by the way? So good. Yeah, there was some kind of breaking news happening, and you were like, sorry, guys, I'm going to be totally unreachable. I'm walking into Zootopia 2 in IMAX, I think you said. Yes, it was. It was thrilling. I was coming out. Yeah, it was crazy. And then I was still trying to reply about Tom Stoppard, and Graham was like, put your phone down. I got to go to Toronto this year, and so I saw some movies that will certainly be coming out in 2026.

49:06And the one that I was so into and I think the folks around here around the table also like is called Wasteman. And it's a sort of prison drama, which does not sound like something that Chloe Maul would like or Marley Marius. But it is starring David Johnson and Tom Blythe, who I think are like – We do like them. Get me Zootopia any day. Those two guys, British actors both, are I think just going to start dominating the sort of male actor-y conversation. Oh, Tom Blythe is also going to be the people we meet on vacation, the adaptation of Emily Henry. So he's going to have a big year in 2020. I'm also excited for the new Murder, She Wrote.

49:43Oh, wait, who's in that? Jamie Lee Curtis? Oh. It's just hot on the heels of Kathy Bates Matlock. Okay.

49:54Here are more of our Vogue editor's favorite culture moments of the year.

50:01I'm Laya Garcia-Furtado, Senior Fashion News Editor at Vogue Runway. And my favorite cultural moment of the year has to be the introduction of a Smashing Pumpkins smoothie at Erewhon. I have not been to Los Angeles to try this smoothie. I do not live there. But I am a, I mean, as a Smashing Pumpkins lover, I can't think of anything that says the world is a vampire more than a$20 golf smoothie introduced by Billy Corgan to the world. And I just love that. I love that this is what 2025 brought for me. I'm Hannah Jackson. I'm a fashion writer. And this year I have been utterly obsessed with Jeremy Allen White's Farmer's Market flower hauls.

50:45And it's inspired this whole other group of celebrities to go to the same farmer's market in Los Angeles and do their own version of what he's doing. So every single week you'll see all of these celebrities like, you know, Jodi Turner-Smith and Macaulay Culkin and Rami Malek yesterday even with arms full of flowers. It's like I can't even imagine how much money that costs. But I'm totally obsessed. It's also my hometown, my childhood farmer's market. So to see that every week on Getty Images has just been an absolute trip. Yeah, there's only one Jeremy Allen White and you can't recreate his magic.

51:27Ciao, I'm Francesca Ragazzi, head of editorial content at Vogue Italia. My favourite moment in culture this year was Yannick Sinner's victory at Wimbledon on July 13. It really helped reshaping a new wave of Italian sports. It really showed something that was considered impossible. It was the first Italian winning at Wimbledon. It shows the triumph of the youth, dedication, hard work, being the best at your job. And after this, everybody in Italy, every single person started playing tennis. And, you know, the best, the sport we were always known for was football. So it reshuffled this. and I think it's such a fresh new image of how you can be a champion, just the best.

52:36And honestly, I thought it was also a great, great beauty moment because we all love our red hat. And, you know, for the imaginary of our country, that was incredible. Hi, this is Christian Allaire, senior fashion writer at Vogue. And my favorite pop culture moment of the year was when Rihanna announced her third pregnancy at the Met Gala. She is the queen of the Met, so naturally she would do it there. She wore this amazing Marc Jacobs black skirt suit with a corset, once again reinterpreting maternity style in her way, and I just thought it was such a fabulous and theatrical way to announce her pregnancy.

53:15Who else would do that than Rihanna? My name is Margo Ambuba. I'm the senior beauty and wellness editor. And my favorite like pop culture bonanza of the year was when darling Sarah Pidgeon first stepped out as Carolyn Beside Kennedy. Actually, she didn't even step out. The first thing we saw was a preview image and it was the very flat interpretation of blonde hair. And so I was able to email, text, send messages through his online website, get a hold of Brad Johns, who was Carolyn Besat Kennedy's colorist when she was the ultimate girl. And he told me about how to actually achieve the look, which is called chunking.

54:02It is a very, very of that time and place style of big chunky highlights. but I had so much fun hearing all of these stories. I did not reveal them all. So more coming soon from Brad. He is so fun. And I also sort of been like, do I want 90s style chunky highlights now? So coming soon.

54:32That's it for The Run Through. See you next week.

54:37The Run-Thru is produced by Chelsea Daniel, Alex DePalma, and Stephanie Kariuki. It's engineered by Pran Bandy and James Yost. It is mixed by Mike Kutchman. Chris Bannon is Conde Nast's head of global audio.

55:02From PRX. Thank you.

From the publisher

As 2025 comes to a close, our editors had the difficult task of selecting their picks for the best moments of the year in culture. We invited Taylor Antrim, Deputy Editor at Vogue, and Marley Marius, Features Editor at Vogue, to run through the year’s best film, television, music, theater, books and plenty of miscellaneous pop culture gems. We also tapped the rest of our Vogue editorial team to share their top culture moments of the year. Big favorites include Sentimental Value (starring The Run-Through alum Renata Reinsve), Marty Supreme, K-Pop Demon Hunters, Rosalia’s new album Lux, and so much more!

Plus, we get into all the news of the week, including Dario Vitale’s exit from Versace less than a year after he was hired in March 2025, and just two days after Prada Group’s acquisition of the brand for $1.25 billion. Also top of mind are Matthieu Blazy’s Chanel Metiers d’art show right here in New York City, the Gotham Awards, and the British Fashion Awards. 

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