In short
Podcast Notes: The Run-Through with Vogue
Episode Title
What Vogue Is Looking for in the Next ‘It’ Model
Hosts
- Chloe Malle, Head of Editorial Content, Vogue U.S.
- Chioma Nnadi, Head of British Vogue
- Nicole Phelps, Director of Vogue Runway
Episode Overview
In this episode, Vogue's global talent casting director, Ignacio “Iggy” Murillo, and fashion news editor, José Criales Unzueta, discuss the qualities that define the next “It” model as Vogue launches its worldwide search. They delve into the evolution of the modeling industry, size diversity on runways, and iconic modeling moments.
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Key Discussions
- What Makes a Modern-Day Supermodel?
- Personality Over Looks: Iggy emphasizes that personality is a crucial factor in finding the next supermodel. Vogue is looking for models that bring character and charisma, beyond just physical attributes.
- Global Model Search: The episode announces Vogue’s global model search, which aims to discover and encourage new generations of models.
- The Evolution of the Modeling Industry
- Influence of Personality: There is a shift in the industry towards valuing personality and uniqueness in models, facilitated by social media.
- Historic vs. Modern Models: The discussion contrasts the traditional supermodel era with the current landscape, noting the rise of models who command attention online.
- Size Diversity and Challenges
- Size Representation: The hosts and guests discuss the challenges around size diversity on runways, highlighting that while there has been progress, there is still a long way to go.
- Industry Excuses: Criticism of the industry's excuses for a lack of diversity, including resource limitations and sample sizes.
- Iconic Modeling Moments
- Historical References: The hosts reminisce about memorable moments in fashion history, such as Gisele Bündchen’s famous broken-heel walk at Givenchy and Shalom Harlow’s spray-painted dress at Alexander McQueen.
- Influence of Social Media: How platforms like TikTok have transformed how models are discovered and recognized, moving away from traditional scouting.
- The Vogue Opencasting Initiative
- Application Process: The new casting initiative allows models to apply via the Vogue app, showcasing their walks and personalities through videos and interviews.
- Importance of Charisma: For this year's search, the committee will focus on selecting one standout model, emphasizing the significance of personality and presence over mere physical attributes.
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Key Takeaways
- Character Matters: The current modeling landscape is increasingly valuing personality and individualism, marking a shift from purely aesthetic evaluations.
- Industry Progress: While there are advancements in inclusivity, the fashion industry still grapples with size diversity challenges and often resorts to tokenism.
- Role of Social Media: Platforms play a vital role in shaping modern supermodels, allowing them to build their brands and personalities beyond the runway.
- Vogue's Commitment: Through initiatives like the Opencasting, Vogue aims to redefine modeling by prioritizing authentic representation and showcasing diverse talents.
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Conclusion
This episode of *The Run-Through with Vogue* highlights the ongoing evolution in the modeling industry, focusing on the personal stories and unique traits of models that resonate in today’s fashion landscape. The push for increased diversity and authenticity within the industry remains a central theme as Vogue seeks to discover the next generation of supermodels.
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Transcript
Automatic transcript. May contain errors.0:28This is The Run Through. I'm Chloe Mao. Iggy Murillo, who is Vogue's global talent casting director, and Jose Criales-Sensueta, regular on the pod and fashion news editor, are on the committee who will be selecting the winner. And so they'll be on to talk about the search process, what makes a good model, and generally the state of modeling today. I'm very excited. We had a lot of submissions, and they will keep coming. You know what else we had a lot of submissions for, Choma? Doug. The Doug cover contest. I cannot wait to see the winner. I mean, I feel like you might be the chief judge on this committee.
1:08Am I right? No, no. We have a robust judging committee, but also so for those who are not aware, we opened up a group chat on the app where people could submit pictures of their dogs and the winning dog will be a cover Doug when Doug launches on August 18th. We expected, I would say, a few hundred or maybe a thousand submissions. We got 52 ,000 submissions. That's a lot of submissions at once. It was a lot of submissions. It was much more than expected. We also don't know how to go through all of them. So we've had to ask everyone on staff to take 1 ,000 that they go through. Everyone's just like scrolling through pictures of dogs.
1:46Oh, my God. But it's extremely exciting. And we can't wait for our cover dog. When we whittle down our 52 ,000 to a couple of hundred, there is a select judging committee that includes also Ignacio Murillo, because these are dog models, Raul Martinez. And we're also involving the president of the Westminster Dog Show. Oh, my God. Who is going to weigh in on the best in dog. Fun fact, looking at cute animals is actually good for your nervous system. So. I believe that. So you're going to be very regulated after this dog search. I mean, there have been some very fun. There was one, a greyhound who was smoking Vogue cigarettes in the picture.
2:31So that won't really fly. But there's also a great Dane wearing pearls and sunglasses. Oh, my God. Sort of looking like Giambatista Valley. Oh, my goodness. I love that people are styling their dog covers in advance of the dog cover. That's right. well Chloe tell me everything about your fabulous week off in France I had such a good vacation it was you've got a lovely tan you look you look Chloe so much thank you very much Chloe Chloe um the one week a year when that will be the case uh I feel like it was the first year that my children who are three and five were actually like little humans who could negotiate with and have rational conversations about what needed to happened and moving through an airport and it wasn't like just traveling with two sort of feral creatures.
3:22So that was very nice. I don't know how far back your memories go, but Artie's going to start remembering these holidays from now on, right? Because it's like that's what we said. It's like, I definitely feel like this is a memory that has been set, which is exciting. So we had a lovely time, ate a lot of cheese, a lot of ice cream. and um what did you read i need to know the reading list because i know you're so you're so good with that well i mean i have to say traveling with children reading is not something that really happens i don't know how you do it with children period i can barely read and i have no kids i mean i read 40 pages of a wonderful john updike book couples that i'm going to keep trying to read but yeah it was not there was not a lot of reading happening chama i want to know about your very glamorous looking weekend where you were playing Jenga.
4:15You looked healthy and happy. We'd love to see it. Who won your Jenga game? It was a tie. So basically, my boyfriend and I went to the new Soho farmhouse in Ibiza, which is very chic. And I'd actually only been to Ibiza for a shoot for a shoot with Rihanna actually a cover shoot and I remember waiting around patiently to do an interview that happened in Paris actually so it was one of those trips and it was off season it was like in February so it wasn't like the Ibiza that we know and love which is like you know peak summer Ibiza and it was really fun um we walked around the the club zone where just to see what what the actual like club clubbing vibe was and it was like not for me like i think we want we wanted to see black coffee who's legendary dj who allegedly gets like 400k a night to perform wow isn't that crazy but that's crazy doesn't go on until 3am which you know is not we're not compatible with my aura ring score so we did not do that but we had a really fab time and it was kind of like a taste of summer because it was just like a couple of nights but you know when one lives in Europe one can do short trips to Ibiza so it was quite fun and now I just want to get a gigantic Jenga tower in my home or somewhere because it was really fun No you don't It was really fun, I don't know I know but then you have to clean it up Okay, well I don't know It's always tumbling It's more fun when it's not in your house.
5:55I get it. I'm just going to put that there. I get it. Choma, are you sad about In Just Like That being canceled? I'm so distraught. Radhika Seth, who wrote a great piece about it on the British Folk team, a wonderful culture editor, she and I were just commiserating about this because I don't really, I haven't watched any show. To me, I get it. I know it's not Sex and the City, but that was the one show I watched religiously, you know, of all the shows that existed. I think it's like that and Succession and White Lotus, the kind of series that I've never skipped. I've never skipped an episode.
6:33I've watched them like deeply. So now that with it ending, it just feels like I'm so invested in their lives. I'm not caught up, but I sort of jumped in late when she's with the charming British biographer. and I love that she wore the Vivian Westwood dress that was bought at the Vivian Westwood auction. And so it was actually from her, Vivian Westwood's archive. It felt like such an Ur-Carrie moment. Oh my God. And I felt like that was sort of old school Carrie Bradshaw coming back. It's like this sort of princess, it gives sort of Cinderella because it's this distressed hem, silk skirt and beautiful sort of Cinderella blue silk top.
7:21And it just felt, took me back to original SATC days. If you had to pick one designer on Carrie that you love the most, which one would it be? It might be Vivian Westwood. I know. I think for me it's that and Galliano-Irridor, like that. The newspaper dress. Yeah, but I do think Westwood has been a kind of thread throughout, and it just looks so good on her. It looks so good on her. So, yeah, we're just going to have to see what replaces this giant hole in my life. Hunting wives. Okay, is that what I'm going to be doing? Everyone's watching Hunting Wives. I've not yet watched it, but Emma wrote a great piece about the deceptive Southern sweetheart style of the hunting wives because they are much more cutthroat than they appear.
8:10But it's like sounds like a lot of drama happening in Texas. It's women who love to hunt. They're also it seems like it's vaguely trad wifey. But there's deceit and murder and all kinds of seven deadly sins involved. It's giving me Texan big little lies with rifles. Yeah, I'm more of a city girl. So I like an urban drama. But, you know, we can maybe I'm ready to go to the to rural Texas and explore this. But maybe this is a good white, good voyeurism for me. We'll have to see. Yeah. Well, this morning I went to a screening of Highest to Lowest, which is Spike Lee's newest film. I mean, we talked a bit about it with ASAP, didn't we?
9:00We talked to ASAP about this. Denzel Washington's in it. I don't want to give too much away because I think if you're into it, Basically, it centers on the life of a music mogul, a big, kind of a big New York music mogul. Who knows who it's based on, but it's probably an amalgamation of a lot of different industry, like hip hop industry figures. I don't want to give away too much. Denzel Washington plays this character and there's a kidnapping involved. And A$AP Rocky is part of this like plot. And it's ultimately the main character for me was New York. Like I literally shed a tear watching it because the Puerto Rican Day parade scene.
9:42I felt very nostalgic for New York and Brooklyn. And there's lots of the skyline. There's lots. Dumbo. One World Trade makes an appearance. Like it was for me, that was like one of the without giving too much away. That was one of the kind of like tender moments for me. And just watching Jeffrey Wright perform in any film. He's just the king. He is the king, him and Denzel. And then there's a very great scene with Denzel and A$AP Rocky, which is very tense and very suspenseful. But yeah, I can't wait for you to see it. Oh, I'm excited. So I did spy a story on the Vogue.com website by our beloved Margot Ambuba, a beauty editor.
10:31I have seen this viral trend on my Instagram everywhere. It's the Skims face wrap. And I've been dying to know someone who's actually tried it. I mean, tell me everything. um basically when this big drop announcement happened last week this even pierced through my low screen time french wilderness no it didn't oh i'm so sorry this was the thing that pierced through oh yeah well specifically anthony hopkins wearing one i didn't see that he i mean he wasn't wearing one of the actual ones but people were saying that they look like hannibal lecter masks. And so Anthony Hopkins joined the joke, which what an absolute dream.
11:17And more, I don't know what he was wearing, but it was an approximation of one. Basically, Margot was desperate to get her hands on one. They were completely sold out. Even Skim's PR was like, we don't have any. So Sergio went to Kim's team directly and they sent one of Kim's personal supply overnight. As worn by? Well, great question. Margot took it out of the box and it does it. It's not you have to sort of build it together. It looks like it's almost like Lego instructions. It comes. It's not like one seamless piece. No, it's almost X shaped. And you have to figure out where the Velcro goes and put it around your face.
12:01But yes, Margot wore it for several days. I thought she looked very glamorous when she tried it on in the office with her sort of cat eye shade. She looked amazing. The picture was, I mean, the holding image was like, pow. She did speak to a few dermatologists, and she said that she felt tighter and plumper. But some people that she spoke to said that you have to be careful that it's not, you're not sort of just getting microbes and bacteria around your face because it is sort of, if it's dirty, you're just rubbing that against your skin. Speaking of new things, I did see a picture of Kate Moss headed to the beach with a Birkin.
12:40And I wondered. Swoon. Right. I mean, isn't that sort of like carrying on? I mean, given this big Birkin sale, I wonder if it was like maybe she saw that and thought, I need to dig out like one of my like well-worn Birkins and just in the spirit of Jane Birkin, bring it to the beach. Because to be honest, like, it's exactly what Jane Birkin would have done. Don't you think? I kind of love it. Like, don't treat your bag as precious. Totally. I think that's the absolute spirit of the woman and the namesake. I love an unprecious bag. I love when you see sort of fancy older women in an airport with, like, completely destroyed, like, Vuitton trunks.
13:26Sick. What a delight. Use your stuff. Like, you know. Yes. It's very much the spirit of like, I have beautiful china and it has chips on it because I use it every day. Yeah. I think it is making me think which which which airbag that I do own can I bring to the beach? I don't think I have anything that's big enough to hold stuff. Well, that's the thing. I do want a big beach bag. And to me, a Birkin's not quite there. I need a large towel. Yeah. Yeah. But yeah, maybe it's like one of those like LV carryalls or something. Okay, okay. First confession, I didn't, I'm so ashamed to know that I'd never seen what a placenta looked like until I saw Calvin Harris's Instagram about his wife's birthing story.
14:12And it really, like, made me think, huh, like, I didn't know what a placenta looked like. At this, at my big age, I didn't know what a placenta looked like. Anyway. I actually don't really know what a placenta looks like either. But you have had kids. What do you mean you don't know what a placenta looked like? Great question. I'm Googling placenta. So I started this whole conversation and we had Claire Cohen, who's a contributing writer, write this very great piece about why she thought it was quite, she thought it was a good thing that, you know, we were seeing this. And I've had lots of friends who've used their placenta, made their placenta into pills because it's so rich with nutrients and hormones.
14:50And it's something that you can use and freeze. and so many of my friends have done this, but I've never seen the actual contraption that does the making of pills, but he broke it all down. It was quite fascinating. Wow. And his man has 11 million followers. A lot of people were like, you should have put a trigger warning. I think it's not a trigger warning, it's something natural. And I think we should normalize this. But I felt quite like, wow, I don't know what a placenta looks like. And now I know. And as someone who has their umbilical cord buried under a tree in Nigeria, I felt like I should know this.
15:21Wow, Choma, what a flex. Yeah, this is what we do in our culture. I love that. It's like your tree for life. I think it's a lemon or orange tree, but you have one as soon as you're born. So my umbilical cord, not my placenta, but my umbilical cord was shipped or taken or hand-carried to Nigeria probably. That's not allowed, but that was what happened. And then it was planted with a tree on top. And so my brothers have it. Yeah, isn't it nice? And your brothers have their own trees? They have their own trees. We're not in competition, but they have their own trees. I think mine is probably the best tree, but like, don't tell them that.
15:59But we're not in competition. We're not in competition. We all equally have beautiful trees. No competition here, no. Yeah, it's funny. I do have a lot of friends who have made pills out of their placenta or like frozen their placenta. I had one friend who sent her assistant back to the hospital to pick up her placenta, which felt like it was probably beyond. You can't do that. You have to personally pick up your own placenta, guys. Just saying. No, exactly. That's a personal affair. Do you regret not having your placenta in your freezer? No, I actually don't. I feel just fine about that. I do have some regrets in my life, but the presence of my placenta, I'd much rather have a quart, a pint of Van Leeuwen ice cream.
16:47That's very on brand for you. Yeah.
16:54Okay, that's it for headlines this week. We'll be back with Iggy and Jose.
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17:47Please welcome to the stage and to the run-through, Iggy Murillo. Well, Ignacio Murillo, whatever you prefer, Diva. Vogue's global talent casting director. Did I get that right? Yes. Period. Hi. Hey, girl, what's up? You know, just working. So what's kind of your day-to-day? Like, what does that look like? I usually see you fighting for your life on the phone. Yeah, so it's a lot of phone calls, a lot of emails, trying to get options on the girls, making sure they're available for our shoots, for our events, for all things Vogue. So how did you start doing this? Specifically for magazines, too.
18:21Like, what's kind of that career path like? Well, I started, like, over 10 years ago at Bazaar. I got an internship there, and then luckily I became, like, the assistant to the editor-in-chief. Okay. So I kind of got to learn about this job that I did not know that kind of existed. But I've always kind of, like, loved models. Okay. So I just kind of was, like, the medium person between the casting director of the time and the editor-in-chief. And she kind of noticed that I like more of the same taste that she liked. Okay. So I kind of got lucky that I was just giving the job without even knowing how to do it.
18:55Well, you didn't get lucky, you worked. Yeah, but it's like... No, I just like to reform it. Well, it's like, yeah. So it was basically that. My first call was like with Joan Smalls agent. I didn't even know, like, I didn't know what I was doing. So my first call was I was trying to get Joan Smalls to do this story. Like, I had no idea what a first option was, what second option was. What is a first option? Well, a first option is that means that the model is available for, like, your job. Like, you're the first job that is in your calendar. Okay. And then a second option means if a job is in front of yours.
19:22So when you have a second option, you're just praying and hoping that the other option doesn't get confirmed. But yeah, it's just I kind of got, I work for my luck and started doing models there. And then three years ago, I got also lucky and I got this job. Yeah. Well, we started almost at the same time, which is cute. I remember. I was like, oh my God, we got two Latinas. That's exactly, I think it was like a few months after. Yeah, it was like right around the same time because it was like I started early 2022. You started late 2022, maybe? Yes, I think. Right? I'm not good at math, but yeah.
19:53Period. You're good at models, though. Yes. So let's go back to that. I mean, I want to go back to sort of when you were much younger and you started sort of, you found this obsession with models. Like, how did you come across models and started loving them? Like, was it magazines? Was it TV? Like, what was kind of that experience? It was magazines. Because I came to this country when I was like 10 years old. So kind of like the way that I use magazines was kind of like to learn the language. And then also like I come from like not the most wealthy background. So it was kind of like the I use magazine to take me to Paris.
20:28Yeah, I just like to take me to all these places. So I've always I love like Vogue, GQ, Bazaar, like all of those magazines. So it's kind of like when I first started to take notice of the girls. And then obviously like during my childhood, Victoria's Secret was like the biggest thing. So it's like, I love watching the show. And yeah, that's what kind of started me loving models. But again, I did not know that this was a job that I could pursue. I mean, it's so interesting because I love that you say that you love models. Because something I've noticed about seeing you work is that you care about models.
21:00It's not just you like someone because they look good, because they photograph well, because they walk well. But you have a relationship with models as well. I also love seeing that models love you. what's it like for you to develop relationships not just with people in the industry but with the models themselves right like hey like he's calling i don't know i just think it's like it's important just to kind of treat them like people and um having that relationship with them like it helps a lot when like they don't want to do this project that you know or like it just helps you kind of get them on board right and then also build the trust that they can trust us that the pictures will be like the best pictures ever or like the videos and the interviews like all of it it's just like that you're looking out for them yeah exactly just gaining the trust from them yeah absolutely so not to ask you to pick favorites but pick favorites like historically been one of your favorite models or like a model you've always looked at as kind of like the epitome of modeling perhaps uh there's one that i want her to come back is jasmine warry i'm probably mispronouncing her last name a queen an original catwalk yeah like the walk is like larger than life so i'll Just like hope that she comes back.
22:08Well, there was, I mean, I don't even know if I should be saying this, but those are the best stories. But there was like a couple, maybe like a year ago, she was supposed to come back for a huge brand, right? Yeah. That was the story. No, it's like, yeah. So, and then it didn't happen. And then it didn't happen. I was devastated. Because I heard through like the gays in the industry that it might have happened. And it didn't. No, it's like, yeah. It's like, you know, for our listeners, Yasmin is like one of the true OG supermodels. But if you sort of contextualize her at the same time as like Alina Evangelista, Chrissy Turlington, Asinda Crawford, and Naomi Campbell, she was one of the models that was like a model's model, right?
22:44Like she was a catwalk queen, like unlike a lot of models who sort of stepped away from the runway and pursued other opportunities on camera or like commercials, et cetera. She was truly like a runway diva, right? That was like, yeah. I mean, just the walk. Just the walk. Like one of the best walks. But of course, it's also I'm obsessed with my ultimate ultimate is Kate Moss. Also, I feel like Kate, we're on the same age. And I feel like Kate is such a big part of our coming into fashion and fashion as pop culture. Because, you know, I do, I remember when there was a lot of controversy around her and her going out and all these things.
23:21And like, I remember vividly when McQueen wore that t-shirt that was like, we love Kate or we always love Kate or something. It was, I feel like it was like, hey, we love you or we love Kate. He was kind of like standing behind her and being like, no, like you are a supermodel. We love you. Like it's fine. Life is life, you know? And I just remember, but like speaking of Kate, I think this is a good tag actually. So she was famously discovered at JFK airport. She was very young. I think she was like 14. And, you know, Naomi Campbell was discovered window shopping, I think, in London. It was like, there's a lot of these kind of really iconic discovery stories, but something that has happened in the age of social media is that a lot of models are now discovered online.
24:03You know, Alex Consania was discovered, I think through like her TikTok presence probably. And Paloma Sesser famously was discovered by Pat McGrath, the makeup artist, the makeup queen. Why do you think there's been sort of a pivot in the industry in general for the discovery of models to be on these online platforms as opposed to like an in-person scouting? Well, I think it's just like times have changed And then also with like COVID and all that, it's easier, I guess, to find them. Like everyone is online. So it's just like easier, I guess, to just like find them. But also there's more that they're looking now for like personalities and all of that aspect.
24:39And like you can get to, you can get a whole sense of like who a person is through like their socials and all of that. I mean, that is super interesting, right? Because now we sort of operate based on the standard of a lot of these models that we've mentioned, right? We see them as these larger-than-life figures, and we know that it takes more than just a good photograph, than just a good walk. We know that it involves just being good on camera, being funny, charming, all these things. And to your point, we sort of get a well-rounded image of someone online. But speaking of discovering someone and discovering someone on our phones, we are here also to talk about Vogue Opencasting, which we're doing for the second time ever.
25:20We made the announcement earlier this week on the 4th. What can you tell us about Vogue Opencasting, since it's a project that you're majorly leading? It's basically a model search to discover and encourage and showcase new generations of models. Right. So we did it for the first time in 2023. Yeah. And that was really cool. We had both just started this job, and I remember, you know, famously, Vogue has done model searches in the past, but this was kind of like the first one, I think, that was fully like online in the context of, you know, American Vogue and Global Vogue's all working together, right?
25:55Yeah, it was very global because we ended up also picking like eight finalists, which was very global, like from Japan, from South Africa, from the US, Morocco, London, France, like it was all over. That's so major. So like this year we're formatting this a little differently. So now models can apply on the Vogue app. So they go, like we've sort of worked on developing been this beautiful system where you where models can submit their applications and to your point where we're talking about social and their personalities they show us their walk they show us um you know they answer a couple questions they do like an interview i mean i remember i was reading grace coddington's memoir um a couple years back and i didn't know this but like she won a vogue model in competition and that's how she sort of before she was like one of the most prolific sittings editors and creative directors at vogue she was a vogue model yeah just kind of iconic So tell me, what are you looking for in this year's finalists?
26:52Because this is also what's different. The first time around, we selected eight finalists. This year, we're standing behind one model, which is crazy because it is a large pool of applicants that we're narrowing down to just this one lucky would-be supermodel. Yeah. So what are you looking for? Hopefully we find her. The simple answer is just personality. like you can have the looks and the height and the measurements and all of that stuff but it's just it's who you are like it's just like the biggest factor right so it's just like simple as the personality right and it's interesting right because to your point about height measurements that are all of that has changed as well right like there's no one specific set of measurements there's not one specific kind of height requirement there's not one specific size like that is almost like secondary what you really want is charisma uniqueness of and talent exactly yeah exactly yeah that's so you're describing it better than i am well we've been working on this together for a minute i'm i'm curious about you know kind of like and we we've just talked about this as well because we've been prepping for this and working on other projects but like who are some of the kind of like latest models to break out that you're really excited about.
28:09You know, I think there is kind of like a new class of supers in the making that is really exciting. And I obviously have my own favorites, but I'm curious who you have your eyes set on. I mean, I think she already reached that level, but like a Mona, it's like, to me, it's like that. Alex is like rising, like there's no tomorrow. Like it's insane of how popular like she's gotten. It is really wild. No, it's like her and I have the same birthday. Oh, well, it's like Jose Consani now. It's really just two supermodels. Exactly. But yeah, I mean, she's just like so extraordinary. There's also like Lolly Bahia, who has a crazier TikTok following without having a TikTok.
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28:48Like she just goes viral on TikTok for notes. It is really funny. Like she stays on my For You page. And I'm like, girl, she's not even posting. Exactly. She was supposed to launch her TikTok. So I'm waiting for the launch. Lolly, if you are listening, this is your opportunity to launch her TikTok. Yeah. There's also, like, I love her so much, Awar Odiang. Just what a beauty. So kind, so professional. The walk is amazing. But yeah, some of those are, like, my current favorites. Your current favorites? Yeah. So what, you know, you sort of mentioned a walk, a personality, but what do you make, like, a modern supermodel, right?
29:28Like, we, again, we sort of operate in the idea of the supermodel of the 80s and 90s, but times have changed. Like the game is not the game that we used to play back then, right? So what does it look like now to become a supermodel? Like what do you think is important? I mean, I think it's, again, just goes back to the personality. Like not that acting silly and stuff like that on social media helps, but like it's just all about, I guess, just like who you are. Right. Because like Lolly to me, it's like someone, for example, like shy and very tamboish, but like there's a huge... But then you put her in the wrong way.
30:02Yeah, and then there's like all this like huge fascination of like wanting to like, I think like now there's a lot of people that want to know who they are and get behind them. But like, yeah, I don't know how to pinpoint a specific trait that they need to have because it's like all of those that like skyrocket, it's like they're all so different. I mean, it is very true. I think it's interesting because, you know, you think of someone like Alex Consani. And Alex was such a big, she had such a big social media presence before she became kind of like this it model that you see. but it also like she's been working for a couple years like it's like yeah yeah so it's been like and then it took it took a minute but like yeah it's like you can't really like pinpoint it's also i guess when you meet them too it's like sometimes you kind of like no like i met for example like two years ago angelina kendall she came to see us at the office and in like 10 seconds i knew but then she was 17 and we have a a great role that we're not allowed to use anyone under 18 so we had to wait like a year for that so we just kept like counting the days but it's like sometimes you just like meet them and in like two three minutes you know this is it you know that that's yeah but it's like i don't know how to explain it which is kind of fab in a sense right because it's the same thing you know some there's so much discourse around a quote-unquote movie star online whenever someone like whenever a movie comes out everyone's like oh that's a star but i think it is interesting because like what makes a movie star like there is an ineffable quality of like there's a charisma there's like something that attracts you to them and it's the same thing like i so much of my job is to sit at runway shows and there's there's some models that you really could not stop looking at like i don't know like i remember the first time i met a knock for instance a knock yeah i was like wow like you're not just a great model you're just like really funny you know what i mean like yeah and that to me just kind of contextualized everything like i could see how people kind of gravitate around a knock and then when i met her and i realized i was like fully a part of this orbit i was like oh wow like this is real like this is a thing right like this sort of like it factor does exist that's like yeah but there's also some of them too that like they just show up to set and you don't expect it but the second that they you start shooting it's like a complete different person right like just the way that they move and they get like so engaged and yeah it's just crazy but like yeah i don't know exactly Yeah, it's like how to pinpoint it.
32:22Right. Hi, I'm Rebecca Ford, senior awards correspondent at Vanity Fair and co-host of Little Gold Men. Oscar season is upon us. Little Gold Men takes you behind the scenes of the race for the biggest prize in Hollywood. There's a hundred wrestlers in the room, but only one can be Oscar nominated. Whether you're a movie lover or an industry buff, Little Gold Men from Vanity Fair has everything you need to know about this year's Oscar race. Follow and listen to Little Gold Men wherever you get your podcasts.
32:59Well, something that is also really exciting about open casting this year is our panel of judges. So you and I are both in the selection committee, but we also have Simon Jacquemus, a designer, who we all love. And he loves models. And he loves models, exactly. So the reason I wanted to bring him up is because I think also historically there's been a lot of designers who have helped make supermodels. You know, I think there's like, January Versace is a really good example. Like there's this one iconic moment from fall 1991, I think, that, you know, Linda, Cindy, Naomi, and Christy are like walking down the runway to George Michael's Freedom.
33:35They had just done the music video. And that's a moment that you're like, wow, like these are those girls, right? And I think Jacquemus in so many ways, like a lot of his runways are kind of like an it girl convention. Exactly. But I also think it's like what's so great about him. It's like how creatively like he picks like the location. Like there's like a whole experience out of his like shows that I think it also helps with it. Right. It's true. Like there is more so like it's not just a good runway. It's not just clothes. It's really like there is a full experience that makes people want to pay attention.
34:10and I do remember like last like his most recent show that was at Versailles like all of these models that you're mentioning walked like Mona Loli Angelina Alex and I remember I was like damn I was like wow all of it and I was like taking videos for our social team because I knew that the girls were going to live for it but even then the show before that in January also had like iconic model like Christy Turlington walked that show Leah Kovett like I think there's also you know people kind of understand that he has this love for models. So it's really exciting that he's part of the selection committee.
34:42We're very excited. Yeah, it's going to be fab. Who else is part of the selection committee again? Virginia Smith, our global fashion director. Yes. Anna. Anna, of course. Wintour, in case you were wondering, which you shouldn't be. And then Osana, who is an agent from Woman Paris that we work very closely with. And Claire Thompson from Vogue France. I love that. When I say supermodel, what's the image that comes to your mind? Is there like a moment than a show. Like, there's a lot of iconic runway moments, for instance. But, like, what comes to your mind when I say the word supermodel? So many things.
35:18But I mean, like, yeah, you mentioned that Freedom video. Then, like, the Bella at Capernaum comes up to mind. The Shalom at McQueen comes to mind. Giselle's heel breaking at Givenchy and then her walking. Her walking with the invisible heel. Yeah, it's like, that comes to mind. Walking around, Giselle walking around the protesters. Yeah, which I was Googling recently, and I didn't realize that that also changed her perspective. She became more like an activist after that. Because recently, I think when that happened, she signed to a fur company to be the face. And then she stopped after that and took more of control of her image.
35:57Because she was mortified. But those are some of the moments that come to me. I'm sure there's so many. I mean, there's so many. To me, I mean, I love that you mentioned Giselle's heel breaking, because I also remember there's this one famous photo of Naomi after falling at a Vivian Westwood show. But to me, the biggest gag is when she stands up, puts the shoe back on, and just keeps walking. And it's just so fab. You know what I mean? To me, those moments where you're like, oh, that's a supermodel. Every time also you get an American Vogue cover, you're a supermodel. That's a real model maker, the supermodel maker.
36:35Do you think these sort of like moments, obviously, you know, like Giselle's moment, like her heel breaking is an accident, but she, you know, is a real pro. But do you think a lot of these moments are like planned in a way? Like, you know, I mean, for instance, if you think something like Shalom and, you know, the robots sort of painting her dress on McQueen or like Bella and the spray on dress on Capernaum, they're obviously planned. But like they're kind of brand stunts that end up making or cementing supermodels. So like, what do you think is kind of what makes these really big moments special?
37:07Like, why are we so hypnotized by them? Because I think, I mean, before those moments, they were never done. They were not done before. Like when, before that robot moment, it's like, I don't recall ever a robot spray painting a dress live at it. And then you have like a master of movement of like Shalom, just like embodying that whole moment and embracing it. because she did an interview with us where she talked about like she, it was kind of like winging it, like in the moment. And then also with like Bella, it's like, it was in a way kind of like a spray paint again, but like this time was like humans with this new fabric technology.
37:43And then also just having like the presence of someone that like Bella. That really commands the attention of their room. Yeah. So I think it's like you can plan them to an extent, but it's also just, I don't think anyone is like, oh, this is going to be like a moment that people are going to remember for the next like 30 years. It's like they're at least hoping for it to go viral in like a month or two. With Shalom, there's also this one iconic moment. We also actually asked her about this, but like Totaldum, you know, it's like her and Amber Valletta are walking this Totaldum show. Amber is first and then Shalom walks right behind her and like cuts her very playfully.
38:18And it's viral in every single possible context on social media, which I think is so funny when they're like friends, right? Which I think is just like, yeah, it's just being playful yeah it's just being cute slammer but also like back then it's like they had they were allowed to have in a way their personalities and kind of more freedom of expressing themselves on the runway now it's like everyone kind of has a more similar walk and brands don't really embrace that and like before it's like Tara Banks had her own signature walk like every single model had a signature walk that's true and there's very like kind of few nowadays that like you can tell like you know people have signature walks who do you think has a really good signature walk today oh i mean most recently it's like she she was getting like um bullied on on social media but like libby bennett at versace it's like she was just like feeling herself it's like that show is naturally like that was fun yeah like um sexy and empowerment and all that stuff so she was just like she went for it yeah and i love that like because the other ones you know it's like doing the same thing yeah um but a war also um I love Wars, Odiang's Walk.
39:27She was my favorite at the last Victoria's Secret show and just simply because of that big smile that she gave. But yeah, some of those are currently, I guess, in my mind. I mean, it is really interesting that you bring up kind of models then versus now because I think this is also where social media becomes a really special place and an important place for them to showcase their personality, right? Because back then you had the runway and it was this opportunity to be playful, to be whatever you needed to be or whatever you want it to be in that moment. But now, because, you know, I think this transition happened in the late 2000s into the 2010s, kind of runway walks have been a little bit more homogenized.
40:06They have social to play, right? Like Alex can be, can have this beautiful walk that kind of sort of looks similar in every show because it's also her signature, but then she can pull up her TikTok and that's where you really see her, the other side of her shine, which I think is really cool, right? So I also want to bring up kind of what else have you, what else do you think are shifts that have happened in modeling since, you know, original supermodel years to now? What else do you think has changed? Obviously, we can talk about inclusivity. We can talk about kind of like size diversity and a lot of the great initiatives that have changed the industry and that we're sort of still battling with right now.
40:45But I'm curious, what else do you think has changed in the context of modeling? There's so much. I mean, it's just like, yeah, it's like we went from the period of like all this super big celebrity models on the cover of every single magazine every single month to then like the early 2000s. Like no one, not that no one cared about models, but like on purpose, they were booking models that look exactly the same as the other one. And then now it's like we're kind of getting back to that same era of like people want to know about like Kendall and Bella and Lolly and Alex and like all those girls.
41:17and like yeah it's more inclusive i would say there's still a lot of work right um but i mean it's just like i don't know specific what other things have right i mean it is interesting i think something that i would bring up um is ai but i i really hope that like that just doesn't go anywhere it's like yeah because it's like i don't know it's like you need people you need people you want people. And I mean, we're talking about personality. We're talking about the warmth of someone on camera. We're talking about someone's smile, about someone's walk. Those things are ineffable human qualities. No, exactly.
41:55I just don't think like, like sure for like an image, but like, I also just, I don't see how that. I mean, it's also really interesting because, you know, the magazine went viral and I know, you know, this on TikTok because, you know, people are like, oh my God, Vogue is using AI models. When in reality it was, it was, it was an ad that was printed in the magazine. It was nothing produced by Vogue, but it does bring up a very important conversation which is could ai ever replace the real thing and i don't think it's a very simple answer and the answer is no because it's like also like another thing that the girls bring it's like you want to buy things that they're wearing you know it's like it's like you need that aspect of i don't know like more of a real like you need real yeah you i mean it's also why like the model off-duty look is also like a thing right because you don't only want to see them on the wrong way you see them as this like as something aspirational no it's like yeah it's like i want to buy what they're what they're selling like i paloma wore was wearing like my favorite balenciaga collection collection by nicolagua scare the other day like she posted i think she's on vacation and i was like i want to like i want to be her yeah exactly but to me that is a supermodel to me it's that it's that quality of like aspirationality within fashion within beauty, within a look, but also just kind of like, I also know Paloma.
43:13She's warm. She's nice. She's nice to everyone. She's so kind. She has her priorities in place. You know what I mean? It's like you want to be like these people. And again, they need to be people. Yeah. It's like you can't replace. Yeah. Yeah. I mean, it's also why I think to look back to open casting is why we do this, right? Like we, and I, you know, you and I have been working on this for a couple of months and we finally got to this moment of launching it, which felt really good for both of us. but we're also doing it because we believe in models because we want models to like continue to thrive because there is room in the industry for for more supers for more it girls for more for more no yeah i think something i think that's really interesting that's that's been happening in culture at large i mean we are in the age of a zempick right we're sort of in the age of thinness which i mean it's it's really just fascinating as a thick girl myself um but period that's my girl exactly but i do think again as someone who goes to shows basically for a living i have witnessed and i have noticed also the industry sort of swinging back into casting less um curvier models like a lot of the models are like thinner and thinner what is your take on what we're seeing on the industry i mean i think you kind of answered about the whole like rise of osinpik i mean i can't really pinpoint why i don't know if it's like a sometimes i hear the excuse that it's um resources but i'm like the houses are pretty big like they're big corporations it's like i i can't take like its resources as an excuse but like yeah i can't really specifically pinpoint but yeah it keeps i feel like every season it just keeps going down and down and then it's not only that but it's like they use like the token one or the token two And it's like, yeah.
45:02I mean, to sort of expand Iggy's point, when we're talking about resources, I've heard this as well. You know, Vogue Business, my colleagues on Vogue Business work on a size inclusivity index every season where they kind of track model castings, right? And they tell you sort of like plus size, midsize, average size, sample size, right? But I think to this point, a lot of brands tend to be like, oh, no, we only have resources to sample in one size. So all models need to be one size. And I'm like, well, that feels like a half, it's not even half truth. It's just really, it mostly feels like an excuse.
45:39And like, I've worked at a brand before. I've worked at brands. I've worked in fashion. I worked producing samples. I was sewing on the floor. You can change a sample. You can fit a sample. You know what I mean? Yeah. And then another ridiculous excuse that I've heard is that they didn't fit the shoe. So it's like, you're going to kill the whole entire look based on, Like, I don't know. It's like, fix the shoe. Find another shoe. I mean, it's also really interesting because to your point, something that we've noticed as well is that now it's like the same one or two models that are slightly curvier or that are, you know, fuller sizes that walk.
46:14But to me, my frustration is that they somehow always end up in the same look. I'm like, why is she in a knit black dress? It's always a knit black dress. And like, I don't know, not to like defend them or give them grace. like i don't know it's also maybe because of how fast the industry is of like how they have to um fastly produce like one show to the other uh right they don't have enough time because like usually for shows when you're casting shows it's like two three days before right the show so it's like three days out you don't have enough time i guess i mean that's also true like to change you're not making an entire new look and like you know yeah but i just wish at least they would use that as a priority to be like, let's think weeks in advance of like, we want to have like Paloma, for example, like make sure that we have a look for her.
47:00Right. Or request the measurements in advance, like once, you know, it's like, so it's... Or sample something in a larger size because you know you're going to want to cast Paloma or Jill or Devin or anyone really. Like it doesn't have to be just one of the three. Yeah. Well, that's like the excuses, but yeah, I don't know exactly. I mean, I also think it's really cool that like, I don't know, like Alex Consani. And like Alex is a trans woman and like I've never sort of seen it be a topic of conversation with designers, at least not like visibly, which I think is fab. Like I love that she's walking Chanel.
47:32I love that she's walking Schiapparelli Couture. I love that she's walking all of these brands. Like, I don't know, Connor Ives, like all of these brands, like from small to big. And it's just like, she's just Alex. You know what I mean? Which is what I think is kind of an ideal situation. You're not casting the girl because of what she means. but because of who she is and the fact that she's just a really good model which is the idea.
47:59Hey, thank you so much for joining The Run-Through. You're welcome. Exactly, that's my girl. Thank you so much and thank you for listening.
48:08And that is it for the show this week. We will see you guys soon.
48:15The Run-Through is produced by Chelsea Daniel, Alex DePalma, and Stephanie Cariucci. It's engineered by Pran Bandy and James Yost. It is mixed by Mike Kutchman. Chris Bannon is Conde Nast's head of global audio.
From the publisher
What makes a modern-day supermodel? According to Ignacio “Iggy” Murillo, Vogue’s global talent casting director, it’s all about personality. As Vogue launches its worldwide search for the next top model, two members of the esteemed selection committee, Iggy and José Criales Unzueta—Vogue’s fashion and news editor—stop by The Run-Through to share what they’re looking for… and why the internet is the best place to find it.
They also dive into how the modeling industry has evolved in recent years and why size diversity is so rare on runways these days. Plus, the duo break down some of fashion’s most iconic modeling moments—from Gisele Bündchen’s broken-heel strut (Givenchy, spring 2000) to Shalom Harlow’s unforgettable spray-painted dress (Alexander McQueen, spring 1999).
But first, Chloe and Chioma talk about the end of And Just Like That…, the impact of the Sex and the City franchise on their lives, the new show that has everyone in the office buzzing (Netflix’s The Hunting Wives, of course), and…whether or not it’s appropriate to bring your Birkin bag to the beach. (Short answer: yes!)
The Run-Through with Vogue is your go-to podcast where fashion meets culture. Hosted by Chloe Malle, Head of Editorial Content, Vogue U.S.; Chioma Nnadi, Head of British Vogue; and Nicole Phelps, Director of Vogue Runway, each episode features the latest fashion news and exclusive designer and celebrity interviews.
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