Why Hannah Einbinder Hides Her Emmy And Loves Magicians

22 Jul 2026 · 44 min · 25 chapters

Ask about this episode

Ask anything about it. ChatGPT or Claude reads this page and answers with the times it was said.

Connect VO and ask about every podcast you hear, including the moments you saved. Add to ChatGPT · Add to Claude

In short

Hannah Einbinder discusses her biggest year, her upcoming film Teenage Sex and Death at Camp Miasma (directed by Jane Schoenbrunn), and how she approaches comedy-horror, fame, and personal themes like dissociation during sex and liberation from shame. She also talks LA/NY identity, travel routines, fashion, and why she hides her Emmy.

Guest backgrounds

Hannah Einbinder is an actor and comedian. She’s known for stand-up and for playing Ava Daniels on Hacks. She’s worked with directors including Jane Schoenbrunn (who she says explores transness allegorically in TV Glow and Miasma).

Key claims

She identifies as “an Angelino,” not “an American.” She hides her Emmy because she doesn’t want it to feel like “look at me.” She says the film’s core is dissociation during sex and shame, and that performances can replace real presence.

Notable examples

Cannes stress/dressing; Reiki session that helped her “scream”; scariest movie Silent Hill; horror favorites like What We Do in the Shadows and Housebound; cheerleading shaped her “coach star athlete” mindset; she loves magicians and mentions Penn & Teller.

Written by AI. May contain mistakes. Listen to the episode to check what was said.

Chapters

Tap a time to open that second in VO

Hannah's Connection to Los Angeles

0:44 to 2:59

Hannah discusses her deep ties to Los Angeles and her family's history.

“Do you fully, like, identify as Los Angelino?”

Premiere Outfit and Touring

2:59 to 3:53

Hannah reveals her plans for the premiere outfit and her upcoming tour schedule.

“I want to know what you're wearing for the premiere and if you're going to meth address and wear something bloody.”

Travel Tips and Health Routine

3:53 to 5:01

Hannah shares her travel experiences and health tips while on tour.

“Just been kind of touring, Jane and I, across the nation and world, I guess.”

Exploring Horror Genre Links

5:01 to 8:06

The conversation shifts to the horror genre and its connections to comedy.

“And I feel like I'm playing with fire because, you know, I've been on the pills like everybody else since I was like fucking 16 or whatever.”

Character Development and Personal Themes

8:06 to 10:58

Hannah discusses her role in the film and the personal themes explored with the director.

“Jane did like sketch comedy and you see the like back, back, back in the day.”

Experiences at Cannes and Summer Camp

10:58 to 13:14

Hannah shares her experience at the Cannes Film Festival and her childhood summer camp.

“many of us like really have not taken the time to examine how true that is and how universal it is and how there should be an alternative and there is an alternative.”

Experiences at Cannes and Summer Camp

15:07 to 16:14

Hannah shares her experience at the Cannes Film Festival and her childhood summer camp.

“And we're the hosts of Little Gold Men, Vanity Fair's podcast for film, TV, and awards lovers.”

Experiences at Cannes and Summer Camp

16:17 to 16:28

Hannah shares her experience at the Cannes Film Festival and her childhood summer camp.

“Send us your questions, pictures, and any thoughts to BakeClub at BonAppetit.com.”

Discussion on Hacks

16:28 to 16:42

Exploration of the romantic and comedic elements in the show Hacks.

“I was also very intrigued that this was more of a romantic, erotic film than we'd seen from Hacks, for sure.”

Magicians and Comedy

16:42 to 19:10

Discussion about the intersection of magic and comedy in entertainment.

“The magician sex worker is one of my favorite storylines.”
Show all 25 chapters

Healing Practices and Reiki

19:10 to 21:41

Conversation about personal healing practices and experiences with Reiki.

“Anyway, so she sent me to the woman who she studied under.”

Lessons from Jean Smart

21:41 to 23:04

Insights learned from working with actress Jean Smart and her influence.

“I think we just like have different levels of perhaps like self-awareness.”

Navigating Fame and Self-Perception

23:04 to 25:29

Reflection on the challenges of fame and changes in self-perception.

“to suddenly being at the Emmys and having people identify you as Ava Daniels.”

Returning to Cheerleading

25:29 to 28:00

Discussion about the nostalgia and identity tied to past experiences in cheerleading.

“But I was like changing my shoes on the subway the other day.”

The Dream of Cheerleading

28:00 to 29:40

Explore the emotional journey of returning to cheerleading and its impact on identity.

“Oh my God, can you and Jean go to K-pop Academy?”

Cheerleading's Unique Culture

29:40 to 31:00

Dive into the specific dynamics and culture within cheerleading teams.

“It was like a lot of like evangelical Christian girls.”

Personal Standards and Cheerleading

31:00 to 32:00

Discuss how cheerleading influences personal standards and teamwork mentality.

“I understand that that's a version of cheering for sure.”

Fashion and Cheerleading Influence

32:00 to 32:55

Reflect on the connections between cheerleading and personal fashion choices.

“Yeah, no, I was very, I mean, this could be, like, gay or fashion, but I was very into the skirts.”

Fashion and Cheerleading Influence

33:32 to 34:19

Reflect on the connections between cheerleading and personal fashion choices.

“Listen to Little Gold Men every Thursday, wherever you get your podcasts.”

Fashion Show Experiences

35:19 to 37:30

Hannah shares memorable experiences attending fashion shows around the world.

“What's the most fun location of a show you've ever gone to?”

Cultural Diet and Current Interests

37:30 to 39:50

Discuss current reading and viewing habits, including unique film and literature.

“sister's fiance and Ellie's and her brother's best friend from growing up have a group chat called Chicky Dumpling, wherein we send very cute things.”

Humor and Memes in Daily Life

39:50 to 42:00

Explore the role of humor and memes in personal relationships and life.

“What's the last reel or meme Jean sent you?”

Discussing Movies and Show Dynamics

42:00 to 43:21

Listeners will hear about recent movie experiences and the dynamic between hosts.

“Of course, who lives in like the Hollywood Hills.”

Discussing Movies and Show Dynamics

43:34 to 44:31

Listeners will hear about recent movie experiences and the dynamic between hosts.

“Chelsea Daniel, Alex De Palma, and Alex John Burns.”

Discussing Movies and Show Dynamics

44:35 to 44:48

Listeners will hear about recent movie experiences and the dynamic between hosts.

“Join us the first Tuesday of every month as we debrief about our latest bake.”
Hear the part that matters, and keep it.Open this episode in VO. Double tap your headphones to save a moment as you listen.
Get VO free

Transcript

Automatic transcript. May contain errors.

0:06This is The Run Through. I'm Chloe Mal. And today I am so excited to be sharing my conversation with actor and comedian Hannah Einbinder. Hannah is having her biggest year yet. I got the chance to speak to her ahead of the premiere of Teenage Sex and Death at Camp Miasma, which I've been really workshopping, saying in order, which is the third film from director Jane Schoenbrunn, in which Hannah plays Chris, a young queer director who is working on a revival of a slasher horror franchise. Opposite Hannah is none other than our beloved friend of the pod, Jillian Anderson. Very excited for everyone to hear our conversation.

0:44And Hannah Einbinder. Do you fully, like, identify as Los Angelino? There's no ambiguity. Oh, none at all. Yeah. I don't identify as an American. I identify as an Angelino. Like, I pledge allegiance to the United States of Los Angeles. like just to be clear it's like I'm not with that whole thing I'm like LA yeah is the rest of your family like that my my mom is a second generation LA I'm third interesting so my my my dad is from Philly but he grew up Philly California because my dad's mom came out as a lesbian when he was six months old in 1962 and she moved out to Cali so he was Philly Cali.

1:28Okay. But the reason I'm an Eagles sports fan is because of the Philly aspect. So he could connect with his father through Philadelphia sports. And then that became a connection point for us and so on and so forth. But yes, LA is my shit. Wow. Where do you live now? What neighborhood? I can't really disclose. No, I'm kidding. I live on the east side. Okay. That also has been a real... I got ops. We can't say specifically where. That's been a big difference for me is like I feel like all of my friends growing up now fully live on the east side. Their entire world is on the east side. And so to me, it does slightly feel like I visited different L.A.

2:05when I go now. I love L.A. from the tip to the tail. All right. Yeah. I'm all about it. I'm very happy to visit. Yep. And then very happy to leave. And that's how I feel about New York. And I say that with respect. You know what I mean? What neighborhood do you like to stay in when you're in New York? You know what? Can I say something? None at all. Are you ready for this? Red Hook. Wow. Yeah. You don't see that coming a lot. Red Hook is really cool. It is really cool. Red Hook is really cool. It's a bit hard to get to, obviously. It is, but I think that's kept it feeling separate. Well, that's why I like it as an Angelino, because it's just not that crazy chaotic.

2:42It's just a frequency thing, energetically-wise. Yeah. Like, I just, I'm low and slow. You know what I mean? I want to hear about what you're going to wear to the premiere of... By the way, all the producers want to kill me because I cannot get the name of this movie right. You got this. You got this. Teenage Sex and Death at Camp Miasma. But I keep freaking words. I keep saying it's sex and miasma. There's a lot happening. I want to know what you're wearing for the premiere and if you're going to meth address and wear something bloody. So that's really – thank you for asking. I don't – I haven't nailed down the look exactly quite yet.

3:19But I am going to get a manicure by this incredible artist, Instagram Claws by Joy. And Joy does like these really intricate artistic manicures. And I think my nails will be some sort of blooded metal, like some crazy alternative like thing as a nod to the film. So that's that I think I'm definitely I have my she lives in New York here. So I'm going to go see her. Oh, my God. Are you here until the premiere? I am not. I'm going to be here and then we're going to go to Portland. Oh. Just been kind of touring, Jane and I, across the nation and world, I guess. Okay. And then LA. Wow. And then back here?

4:01Mm-hmm. Wow. Yeah. What does a tour like that entail travel-wise for you? Like, do you have things that, like, what's on Hannah's rider for a nice travel experience? Water in glass, pretty much. But I mean, if you're traveling a lot like that, like crisscrossing the country, are you doing certain things like health-wise? Are you wearing compression socks? Like what is getting you through that? Damn. I'm realizing I should be doing that in this conversation, but that's good because there's still time and I can make a correction. No, I actually have a little lavender essential oil. Okay. That's important for me.

4:36Okay. Have a heating pad. Okay. You know, a little soothing thing. I got the, you know, I got aches and pains. I do a little like eye patch. I got my Tower 28. You know what I'm saying? That's like a hypochlorous acid spray. It's just to kind of like hydrate and, you know, to take away the dirt from any of the various encounters with the dirt. The dirt. The dirt. Capital T-D. The dirt. And I feel like I'm playing with fire because, you know, I've been on the pills like everybody else since I was like fucking 16 or whatever. And I'm just like, I've been smoking and like it's just you're not supposed to do that.

5:12You shouldn't do that. There's too many things we shouldn't be doing. Oh, God. But then it's like you got a plastic fucking microplastic credit cards worth of plastic in your brain. I know. I know. I saw that. I wonder how they know. But I do trust the greater. Yeah. Sort of the medical. Yeah. Yes. Me to the Internet. I want to know what your horror diet was before taking on this project. Yeah. Like, or are you a horror slasher girly? you know what I would say is that slasher was the only blind spot I had in the sub-genre like the slasher sub-genre was the only blind spot that I had I really like kind of like the John Carpenter, Stephen King stuff like those adaptations are cool to me I like comedy horror so amazing you know what we do in the shadows the original movie and there's this movie Housebound I love like the supernatural stuff and then like the Saw stuff Like I do like a good variety of horror.

6:15What's the scariest, the most scared you've ever been in a movie? Oh, gotta be Silent Hill. Oh, I don't even know what that is. Silent Hill is from 2006. I saw it when I was a kid and honestly, like I revisited it just recently. It was, I think, the first horror movie that I saw and the scariest because it's based on a video game and it's a really beautiful adaptation. Oof, not for me. Yeah. pass oh my god i thought it was pitching on friday so good and i was like so stressed the whole time oh my god what's yeah that's it's just a lot of yeah cyclops is getting stabbed and i felt bad for the cyclops you don't really oh oh that's cute a cyclops empathy and then all the yeah it's just a lot of a lot of killing you're not into the you don't want to you don't like that.

7:05No, I was watching a Scooby-Doo last night with my kids and that was, it was, I was like screaming at these monsters. I was like, this is too much for me. Oh my God. Okay. Shaggy got shocked by a monster came out of nowhere. I was like squealing. How are, do your kids mind it? My son is obsessed with horror. He's sick. So he's seen nothing, but he just knows it's an exciting thing he wants to be part of and shan't be with me no is all I have okay um that's sweet so yes I was really um watching this with my sweater over my head oh shit yeah I mean I get that feeling too but I think I mean like I see a huge link between comedy and horror I think that it kind of creates like the same thing in the body like this like that's interesting build up of tension with this like big release and so like I feel like I kind of connect to that obviously like Like one can enjoy one without the other for sure.

8:00But I just see like I think that's why you see so many like comedians go in that direction. Like you look at a Jordan Peele and you're like that to me makes so much sense. Jane has a comedy background. Really? Yeah. Jane did like sketch comedy and you see the like back, back, back in the day. And like that, I mean to me the movie is like comedic horror. Totally. It's more comedic of a comedy than it is a horror film in my opinion. I don't really spend time trying to like say what it is. It's like kind of beyond like genre. It is hard to describe it as a genre because I feel like some things I read described it as slasher horror and other described it as a horror comedy.

8:39And you can sort of make the argument for either. Were you familiar with Jane Schoenburn's, the director's work before this? Yeah, yeah. I had seen TV Glow in the theater, and then when I found out that I was meeting with Jane, I revisited it and the first feature, World's Fair, and, like, very quickly I understood, like, oh, these stories are, like, especially TV Glow and Miasma are, like, very deeply personal allegories for their experience in transness, transition, and just, like, emotionally and in a general sense. Well, you play Chris, who I feel like is a stand-in in some ways for Jane in this, if we take an autofiction approach to it.

9:25And I feel like in some of the early screenings, Jane really owned that and said that that was very inspired by their experience. Did you feel like you looked to Jane for working on that as you were taking her on or not really? Yeah, I definitely tried to absorb some of Jane's like mannerisms and frankly, like more so than just like the way that the character presents and their affects and the physicality and the wardrobe and all of these things that felt like they needed to be kind of like similar to Jane, but also like a third thing. more than any of that like I think yeah there are various like emotional themes explored in the film that are true to their experience and I honestly found through our conversations true to mine you know we just had such extensive conversations while we were on set and beforehand about like very intimate things that you know you kind of don't talk about maybe interesting like what But, you know, like sort of generally what the film explores is like the feeling of dissociation during sex relative to sex, like kind of just coming into your body, leaving your mind and just like the block that certain people have.

10:40And like the journey of the film in many ways is like about like the liberation from shame. and so just having discussions about like what that meant to us in our personal lives and Jane was very you know vulnerable with me and I in turn was also vulnerable with them and now kind of like the way I'm talking about it is being like yeah like I definitely feel like you know many of us like really have not taken the time to examine how true that is and how universal it is and how there should be an alternative and there is an alternative. Especially, I think, when, and this is, you know, it doesn't matter, you know, what your gender is.

11:20I think, like, there's definitely, though, like, these performances that men and women are expected to play, you know, during sex. And so, yeah, sometimes that performance overtakes, like, real presence and you're not really, like, a part of it. And it's just this rote, you know, sort of thing. But yeah, so we just had a lot of conversations that I had to kind of go like, wow, okay, a lot of this is true for me and I'm going to kind of work through it alongside the character, you know. What was the experience of being at Cannes like? Was that your first time going to Cannes? Yes. Very stressful dressing-wise.

11:56Holy shit. A lot of rules, a lot of big moments. Yeah. I loved your Celine look. Oh, thank you. Also, another mock turtleneck, the Aliyah look, had like a... Yeah. Yeah. Okay. How did you approach what you were going to wear for Cannes? Well, I mean, I think that what Jamie and I were talking about was... Jamie Mizrahi. Yes. And I think she was like, I think you're so exposed in the film in this way. And so it's like nice to create this juxtaposition of something like more refined just to create like this more well-rounded, like balanced image. And I think that that's like really interesting. And also like we just wanted something that more than anything felt really classic.

12:37Yeah. Did you go to camp as a kid? Because I also liked this as a sort of creepy camp film. Yeah. I went to Ramah for like a two-week session, which is a Jewish summer camp. And then I went to this camp in New Milford, Connecticut called Buck's Rock. Oh, my God. I know it well. Okay. Wait, how? That's so fun. We have a house near New Milford. And so I'm up there a lot, but also Damon Furstenberg's granddaughter now runs it. Oh, wow. So, yes, I hear a lot about Bucks Rock, and I feel like I might want to send my kids there at some point. Bucks Rock rocks hard. It was so random, and I was so scared to go, but it felt kind of co-op-y in a way.

13:28And there was, like, you could work on the animal farm. There was, like, a clowning class. There was dance. There was like all the sports you could want to, you know, ever want to do metal shop glass blowing like theater. It was so like wide ranging and there was something for everyone. I really enjoyed it. It's really cool. Yeah.

13:52The Run Through will be back with more from Hannah Einbinder.

14:07I'm Vincent Cunningham. I'm Nomi Fry. I'm Alex Schwartz, and we host Critics at Large from The New Yorker. Each week, we pick a starting point. The new novel you can't stop thinking about, the movie everybody's seeing this weekend, and we kind of go galaxy brain with it. Right. We take the ideas at the center of these things and trace them across history, across mediums, all to get to the bottom of why this particular text is important right now in politics and culture and also in your everyday life. We go highbrow. We go lowbrow. We go everything in between. Food culture to meme culture. Charlie XCX to Toni Morrison.

14:43K-pop to the Kennedys. From horror movies to heated rivalry. From the Oscars to the Met Gala. The Golden Bachelor to Wuthering Heights. Great Expectations to Desperate Housewives. That's what we're talking about over here. We're having fun. It's Critics at Large from The New Yorker. Every Thursday, wherever you get your podcasts.

15:06Hi, I'm Rebecca Ford. And I'm John Ross. And we're the hosts of Little Gold Men, Vanity Fair's podcast for film, TV, and awards lovers. And just because the Oscars are done, for now, doesn't mean we are. Join us every week for coverage of the biggest stories in Hollywood, interviews with today's brightest stars, and so much more. Listen to Little Gold Men every Thursday, wherever you get your podcasts.

15:34I'm Jazzy Sefciak. And I'm Shilpa Oskokovic. And we're senior test kitchen editors at Bon Appetit and the hosts of the Bon Appetit Bake Club podcast. Bake Club is Bon Appetit's community of confident, curious bakers. We love to bake. Some might even call the two of us obsessive. And we love to talk about all the hows and whys and what didn't work that come with it. Every month, we publish a recipe on bonappetit.com that introduces a baking concept we think you should know. Then you'll go bake, send us any questions you have. And we'll get together here on the podcast to talk about the recipe. And this month we're making tiny tomato galettes.

16:09They are these adorable, maybe four-bite little galettes. So cute. Head to BA.com and come and bake along with us. Send us your questions, pictures, and any thoughts to BakeClub at BonAppetit.com. Or find us on the Substack. Join us the first Tuesday of every month as we debrief about our latest bake. Find BA Bake Club wherever you get your podcasts. Happy baking.

16:40I was also very intrigued that this was more of a romantic, erotic film than we'd seen from Hacks, for sure. Well, the sex in Hacks is funny. It's so funny. It's always funny, which is great. The magician sex worker is one of my favorite storylines. I talk about that all the time. Thank you. We love it. That shit is so funny. Because my son also wants to be a magician. I'm like, this is embarrassing. You're like, please, horror. Please. Oh, actually, here's more blood, honey. Give me the cards. Walk back away from the wand. Yeah. We stumbled upon an adult magician just, like, in the street, like, doing tricks.

17:19And I was like, we got to go. Hurting him away like it's a demon. Oh, my God. I want to say shout out to a couple of musicians. Musicians, totally. Penn and Teller. They're on the road. No. Magicians. Sorry. I'm joking. I was like, this is a hard pivot. Imagine. Okay, sorry. One second. I want to say shout out to a couple of musicians. Paul McCartney. What is up out there? Woo! Ringo Starr. Peace and love. No. Everyone at Taylor Swift's wedding. Yes. Guest list. No. Yeah. Penn and Teller. No, I'm into magic. I fuck with them. At a high level. Thank you. No, exactly. By the way, it's like improv comedy.

17:59It's like, you better be amazing, doll. Totally. Because you're really upsetting me if you're not. You know what I'm saying? Yes. It's stand-up comedy. Yes. These are stand-up improv magic. Like, this is like a, yes, I'm putting magicians in with stand-up comedians. Sorry, guys. Who are magicians in their own right? Yeah, totally. Totally. Yeah, I would just say you got to be on the highest, highest, highest level or you're making me sad. You're making me scared. I think that's fair. Or scared. Yep, you're frightening me. Okay. Oh, my gosh. And I just read about your Reiki session. Oh, shit. That allowed you to scream.

18:34Oh. And I'm like, do I need to do Reiki? Yeah, yeah. Really? You actually need to go to the specific person that I want to, yeah. Wow. Yeah, yeah. What other weird healing things are you up to? Honestly, that, I don't even know if I'm, I think that would be it. Okay. Like, honestly, I wouldn't say I'm, like, really, like, deep into that. I just like my friend, Emma, she has like she's eight hours away from her Reiki certification. And she. I'd love to hear that for Emma. Come on, Em. Let's get there, doll. No, I'm kidding. No, no, no. She can fully do it. She did it on her girlfriend the other night.

19:06And she was like, it works. Like she doesn't need those eight hours. You know what I'm saying? Okay. Anyway, so she sent me to the woman who she studied under. And it was transformative. It was unbelievable. Someone actually invited me. What do you call a Reiki practitioner? A Reiki-ist? A healer. Okay, just a healer. I would say. Not Reiki-ist. Yeah. Well, now I'm inspired. Yeah, I really, I have to say, like, I think when I get angry, like, or in the past, like, when I've been angry, like, I just, like, get very serious and low and I wouldn't, like, let it out. You know what I mean? Like, that was just, like, a block for me.

19:43Or when I get angry, I would just cry. I would get sad. It would just turn right into sadness. Interesting. I wasn't exercising like volume, which is a really cathartic thing to feel move through the body. Yeah. Yeah. I feel like my colleagues and family would say I don't have a volume problem. Okay. Nevertheless. No Reiki for you. Okay. We're good. We're good over here. I'm sort of jealous and awe that two of your first co-stars are Jean Smart and Jillian Anderson. Yeah. It's my last life for sure. Truly. Yeah. What would you say is one lesson you've learned from each of them? Okay, well, you know, the thing that, like, sticks out for me with Jean is, like, yeah, she's obviously, like, the best actress.

20:26She's the funniest woman alive. She's, like, incredibly talented. But the thing that I learned from her, and I think we share this, but, like, it really cemented that this is the only way to be and, like, this is, like, how you, like, lead, is that she's so warm. and she embraces everybody. And like, she's literally like, has like one of the grips like in her arms. Like she's just like stroking. Like she's so loving, so maternal. She cares about bringing everybody together and the vibe on set. She just like, she sets the tone. She does. So Jean, like I've learned everything from her. We had her on the podcast and I asked her if she had learned about Gen Z culture from you and she felt more culturally current.

21:18And she said, I'm definitely more woke, thanks to Miss Einbinder. I know. I do what I can. I try. Do people confuse you a lot or conflate you with Ava? Yeah. I think there's a ton of similarities between us. Okay. For sure. I mean, I think the ways in which we're different, like I think on paper, we have a ton of similarities. I think we just like have different levels of perhaps like self-awareness. I also think Ava's kind of like a bulldozer. Like she has like this kind of like intensity at times. Like I feel like I'm a little more, yeah, just like low, slow, laid back. Like, although I have definitely imbued her with that affect for sure.

22:07I think frankly, like she's become, we've become more similar. Like I think we started in a place where I was like, oh gosh, like, she learned the value of hard work. I think like coming into that role, I had been like grinding as a standup comedian on the road. Like, you know what I mean? Like, I just was like so relentless in my work ethic. And I think Ava was just like a gifted person who like, you know, she just like, yeah, got a job really quick. And so I think there is like kind of this level of like just humility that has like kind of grown in her over the course of, you know, her relationship with Debra.

22:43And so I think we've become more similar, but I think, like, it was less true initially, perhaps. What was the biggest change for you? Because I feel like you were really doing, as you say, sort of relentless stand-up comedy. You were pushing, doing sort of the work that everyone was doing when they're a working stand-up comedian. What has been the biggest shift to suddenly being at the Emmys and having people identify you as Ava Daniels. Like, has that fame switch changed the way that you feel like you have to navigate the world? I would say, so this is something I've been thinking about a lot lately because I'm doing a lot of press right now.

23:22And so I feel like the most visible that I ever have been. I have been thinking about like being a kind of like a music festival kid. I was like early Coachella fucking like before it was like two weekends, before it was like fucking the H &M tent or whatever. You know what I mean? It was like chill and like an art installation. Heavy festivals. Independent. Really cool. And like I just. What was the first year you went to Coachella? I want to say 2008. Wow. Yeah. How old were you? I was in eighth grade. Oh my God. Yeah. Who'd you go with? My mom. My mom like loves electronic music. So she was like, I found this cool festival.

23:58She's so cool. She was like, I found this cool festival. Like it's like pretty new. But like, you know, there's like an EDM tent. Oh my God. So just the two of you went? It was me, my mom and my brother Spike. Oh my gosh. Yeah. And so like I was with her. But you know, like I would then go on like in high school, like my girlfriends and I would go. And I just like remember this feeling of like loving those spaces because I felt completely invisible. Even like just back then, I just identified that feeling of being like, we're running in the night and we're just like linking arms and like running through the crowd.

24:32And it's like, so it's just like free, you know? I think the thing that I have found difficult is feeling a self-consciousness and perhaps like a bit of paranoia that I'm being watched. It's not offending me. People are so warm, so warm. I have the great fortune of having like people who identify me mostly being like lovely women, you know. I'm very fortunate that the people who come up to me are so sweet and I'm happy to say what's up, always. It's just for me internally, it has created a paranoia and a kind of like what's going down a little bit. I've just always really loved being invisible.

25:15And as a stand-up comedian, I just want to be a watcher and absorb and not have to think of myself. The shift from being observer to observed is tricky. Yeah. Yeah. It's just different. It's like not totally, yeah, human. Like or something. I don't know. But it's all good. I know. Obviously, in a very different way. But I was like changing my shoes on the subway the other day. And this like FIT student was like, are you Chloe? I'm such a fan. I was like, this is mortifying. I'm like truly putting on flip flops. And this poor girl, I've ruined any impression she had. No, you made it real. On the one train.

25:52Get them dogs out on the one. Get them on out. Is there anything you've decided or sort of given yourself new rules of, I'm not going to share this with people. I'm going to keep this to myself or I am purposely going to share these things. Like, are there, I feel like I've been encouraged to undergo some media training because of things like that. What's the plan for what you're giving and what you're keeping? Great question. Figuring that out as we speak, literally on the fly at all times. No, I'm like, it's so I'm like happy to break the fourth wall in this moment. Right. Because like, it's so weird.

Read the full transcript

26:30Like, I will sit across from anyone, no matter who the fuck they are, and be completely honest. I'm like, I am an open book. And I'm realizing it's like, but are you an open book for all of planet Earth in perpetuity? You know what I mean? It's like, yeah, it's so bizarre to be like, I actually don't feel like I'm holding back anything in our conversation. But like, also, it's like, it's not. us here. You know what I mean? And so that is like genuinely something that is hard for me to wrap my head around because I don't know how to like, it's weird. It's strange. You're like, I'm, I'm connecting with you and talking to you.

27:06And like literally in this case thus far, I feel like it's like totally 100 million percent real. However, like, yeah, I do have to make those decisions of like, oh wait, am I like, I also have to be like careful with language and like really precise because I don't want to, you know, you got to be careful. So, yeah, I don't know. Maybe because I'm a stand-up comedian, I'm just used to, like, presenting my views and my opinions and, like, my perspective. So it makes it easier. But, yeah, I don't know. I'm kind of figuring that out. I think it's also hard to be asked to figure that out in real time.

27:40And I think that, unfortunately, is often the way it goes because that's happening in real time. It's not something you're anticipating and can be planning ahead unless you like go to the K-pop Academy. Oh my God. If they sent me there, hilarious. That's really funny. I'd watch that show. That's really literally hilarious actually. Oh my God, can you and Jean go to K-pop Academy? Oh my God, that's genuinely so funny. What are they? Oh my God. They teach them what not to say and what to say. I would take it too serious. I'm like the choreo, come on guys. It's a five and six. Can we start it off?

28:19Like, I would be so psycho. I've always had this dream of returning to the mat as a cheerleader and being like. Oh, yes. I want to talk about this. Okay. What would you returning to the mat look like? A lot of tears. It would be like so, I would be, because, you know, it's like I took cheerleading so seriously. It was my, like, it was my identity. And like when I stopped cheering, I was literally like, who am I? Like. What years are you cheering? I just find this astounding. I know. Like growing up in Westwood, going to Coachella. No, it's so crazy. And yet. This is the power of film. I saw Bring It On and I said, well, bring it on.

28:55That's all. My life, bring it on. My life is different. Wow. My life is different starting right now. That is my life. There was one gym in Marina Del Rey, a co-ed gym. It wasn't at Beverly Hills High. No. Well, yes, eventually, which was like towards the end of my career, LOL. It was like, it was a competitive team, Angel City Athletics. And then I moved to an all-girls competitive gym in Pasadena called Victory Cheer Company. You kind of have to go to like the areas where there's not a lot of stuff, which is kind of true for cheer all over the country. It's kind of like, okay, we have football and cheer because there's not a ton of stuff around.

29:33Do you know what I mean? And so I was, yeah, on this like all-girls competitive team a lot. It was like so crazy and specific and like kind of bizarre. It was like a lot of like evangelical Christian girls. and me, of course. And it was so intense and really, really rewarding. And it instilled like everything that I... And you had the most difficult position, which like everyone relies, like you can ruin it for everyone. Of course. It was in the center of everything, like flying. Yeah. You're the one who goes up at the top. Yeah. Wow. Yeah. Yeah. Do you think that that affected your personality?

30:09100 million percent. I have such a high personal standard. I am like, I cannot let down the team. Like with Paul, Jen, and Lucia, with Jane, like when I have a director, I'm like, this is my coach. Like I will be the perfect girl. I will succeed. I will deliver. I will be prepared. Like I have this like coach star athlete thing. Did you watch the like Dallas Cow cheerleaders show? And what was the other one? Cheer. Yes. So Dallas Cowboys cheerleaders, to me, those are dancers. No worries. I just wouldn't use that word. No offense. All good. They're incredible athletes. I love what they do. Very fair.

30:46To me, just in my definition, I'm not really using the word cheerleader. No problem. All good. I respect that. And I appreciate that. It's totally fine. Fact check. It's all good. To me, cheer involves tumbling and stunting. But to me, cheer is not something that I associate with being about a male sports team at all. I understand that that's a version of cheering for sure. I understand that that is something that goes down to me. cheerleading is a completely independent thing about the girls, about the guys who are, you know, performing the two-minute and 47-second routine on the mat. Like, that is what it is.

31:24I don't see it as, like, relative to other—to, like, a male operation or entity. I find this fascinating. I, too, love to bring it on. What was—I mean, do you ever wear any cheer-inspired fashion? Oh, my God. Interesting. I don't know. What's your first fashion memory? Is it connected to cheer? Oh, for certain. I, for certain. For certain. Oh, for certain. Oh, for certain. And spread that, guys. Go ahead and run with that. We can all start saying it, and then I won't be the only one. Okay. Yeah, no, I was very, I mean, this could be, like, gay or fashion, but I was very into the skirts. It's like, was I being gay or was I being into the fashion?

32:10We don't know. Probably both. We may never know. No problem. At my elementary school, there was no cheer team. So I wrote a letter to the principal and I was like, we need a cheer team. And this is what I think the uniforms would look like. And I did like little drawings of the uniform. You did fashion drawings of the cheer outfits? Yes. Wow. Yes. Green and white, pleat skirt, V, like sort of mimicking the bring it on. The Toros uniform has like this. Yes, has the V. The V. So I wanted to kind of pay homage to that in my design. Great for Kiki's abs. Yeah. Yeah. Oh, my God. A hundred percent. And then, yeah, but we were green and black and white.

32:45And so it was it was it was a little bit of a rip of the Toro's uniform, but just with our color scheme. But yeah, I think it turned out pretty good. So we ended up getting T-shirts, but no worries. It's all good. Yeah.

32:58The Run-Thru will be back with more from Hannah Einbinder.

33:12Hi, I'm Rebecca Ford. And I'm John Ross. And we're the hosts of Little Gold Men, Vanity Fair's podcast for film, TV, and awards lovers. And just because the Oscars are done, for now, doesn't mean we are. Join us every week for coverage of the biggest stories in Hollywood, interviews with today's brightest stars, and so much more. Listen to Little Gold Men every Thursday, wherever you get your podcasts.

34:02bonappetit.com that introduces a baking concept we think you should know. Then you'll go bake, send us any questions you have, and we'll get together here on the podcast to talk about the recipe. And this month we're making tiny tomato galettes. They are these adorable, maybe four-bite little galettes. So cute. Head to ba.com and come and bake along with us. Send us your questions, pictures, and any thoughts to bakeclub at bonappetit.com or find us on the Substack. Join us the first Tuesday of every month as we debrief about our latest bake. Find BA Bake Club wherever you get your podcasts. Happy baking!

34:40The Wired Newsroom is known for award-winning reporting on how technology shapes our world. On Wired's Uncanny Valley, we take that curiosity even further. Each week, journalists from Wired break down the biggest stories in tech while speaking directly with the people building, challenging, and reshaping the future. Is the AI boom sustainable? How do you protect your privacy in an age of constant surveillance. Uncanny Valley tackles the questions driving today's tech debates and lighting up your group chats. Listen to new episodes every Thursday, wherever you get your podcasts.

35:18What was your first fashion show? Vuitton. Okay. Yes. What's the most fun location of a show you've ever gone to? Oh, I would say the LV Cruz show on Isola Bella, the beautiful island in Italy. It was so cool. And actually, the show was meant to be outside, but it rained. Oh, I remember. And they moved it inside. And I just thought it was, I saw the video of the models walking the outside path and it was stunning. But I just thought the inside of the building was so beautiful. And I also thought it was like this beautiful display of like quick, innovative, you know. I know whenever I see that, I think about the production team.

36:06Yes. But they killed it. Yeah, no, I know. And it was so good. And, like, yeah, Nicola has, like, taken me to so many amazing places. It's so awesome. It's like being on the Vuitton, like, airline. It's crazy. Like, trajectory. It's so crazy. I mean, a lot of the brands that travel with shows, it becomes, in a way, like travel agencies. because they are taking you on tours of the world in this crazy way. I mean, I've been, yeah, I mean, Paris is obviously divine, and I'm always— Oh, yeah, what's your version of Ava and Debra's trip to Paris? Who, I mean, you don't have to do this, this is suicide, but who, what best friend are you going on a trip with, and where are you going?

36:49And we don't have to kill ourselves? And you don't die. Okay, amazing, amazing. My best friend Ellie, who's my best friend from college, we've been threatening to go to Japan for so long, but we haven't made it happen. It's just such a, it's an undertaking. She works. We need Vuitton Cruise to get to Tokyo. Let's go. But yeah, yeah. She and I really want to go to Japan. She's like my best friend. And she was the one who introduced me to Miyazaki. And like, we just have such like a strong feeling about basically cute cultures, of course. Huge. in Japan, cute culture, and Ellie and her twin brother and myself and Ellie's sister and Ellie's sister's fiance and Ellie's and her brother's best friend from growing up have a group chat called Chicky Dumpling, wherein we send very cute things.

37:43And so what's the last thing you guys sent in Chicky Dumpling? The last thing we sent would have to be Jay, Ellie's twin brother, has a cat that has, it's like the, it's the squishy, the Scottish Fold. Yeah, I love Scottish Fold. And just kind of that cat doing anything is really impressive to us. I always worry about their nasal passages, but yeah. Of course, sort of the pug of cats. Yes, it's totally. We pray for them. We do, but yeah. I want to know where your Emmy is. You won your first Emmy, what, nine months ago? Sure, yeah. More than that? Yeah. Where does it live? Okay, so I'm not trying to be like, it's not out you know whatever but like it's not out because my grandfather fought the nazis in world war ii and he received a purple heart and he was a decorated uh war hero and so when he passed we found all of his medals in a manila envelope in his bottom drawer and so i kind of figure if like that guy's not putting his stuff out oh my god you're hiding it i mean Because his Purple Heart was in a manila folder, your Emmy is in a closet.

38:56I just think it's like a little bit like, I don't know. I feel like it's a little like, look at me. Like, isn't it a little? No fair. Kind of. I just feel like I thought he was so swag for doing that. Like, I was like, you're so swag. You're just like, it's not about that. You know what I mean? Can I be real with you? my real award is the friends I made along the way. You can't put them on the show. No, it's true. You can't put that in a manila envelope. You got to be, I'm winning an award every time I'm texting Jean. She's sending me a meme. You know what I mean? What memes is Jean sending? Oh, my God.

39:32She's absolutely out of control. She is out of control. I wake up to minimum four. Minimum four. Yep, Instagram. She's sending me reels. She's addicted to reels. She's addicted. Full-blown. So is my mom. It's so funny. Full-blown addicted to reels. Wow. Yes. What's the last reel or meme Jean sent you? You know what we were revisiting the other day? She sent me one that was, you know the potato masher? The tool? Yes. The meme is me. I'm just going to open this drawer. And then it's a picture of that. And it says, the fuck you will. Because you can never open the drawer when it's in there. And she loves that freaking thing.

40:15The fuck you will. It's unreal. She's unreal. I want to know what your cultural diet is right now. What are you reading? What are you watching? Have you seen The Odyssey? Okay. I'm reading a lot of nonfiction always. Right now, I'm trying to return to fiction desperately. So I've picked up a book called Mating. Okay. But there is, I think right now, like the stuff that I'm watching is like, I've been seeing a lot of stuff at the Lemley in Glendale. Okay. So like a lot of like art house. There's this film that I saw called Bushra. Okay. I don't know Bushra. Okay. It's like really far out. I don't know how it's, it's an animated sapphic furry universe.

41:08Furry? Furry. Okay. Furry. Universe featuring like a main character who is a French Moroccan lesbian wolf. And the conversation style is very casual. It's not like, it doesn't feel scripted at all. But there are all of these elements that are very distinct. Like it's really cool and it's actually funny and quite sweet. It feels like kind of sentimental value a little bit. There's like a family story at the center of it. I just saw that recently. It kind of blew my freaking socks off to be honest with you. What book did you bring with you on this trip? What book did I bring with you? I'm reading Angela Davis, Freedom is a Constant Struggle.

41:52Then I have, yeah, Mating. There's also this book that I picked up that I'm almost through with. It's about the protagonist is a non-binary mountain lion, not dissimilar to PS 22, if you're familiar. Oh, I'm very familiar. Of course, as an LA head. As an Angeleno. Of course, who lives in like the Hollywood Hills. Wait, I just read about this. It sounds fab. It was reviewed, I think, the New York Times Book Review this weekend. And I was like, what a wackadoo. Yes. That's pretty cool. Yeah, I'm just like seeing movies. I've seen all the movies that are out. Odyssey? Besides that. I've seen like, you know, Jackass Forever, freaking Backrooms, Obsession, The Invite.

42:40I love The Invite. I love so much. It's so fabulous. Like, holy S-H-I-T hilarious shit right there. So sweet and amazing. It was really fun and not awkward seeing that with Anna. Oh my god, really? I love your guys' dynamics. We're just Deborah and Ava. Oh my God. Oh my God. That's so real. Well, Deborah and Ava, that's a great, there's nothing to media train. Oh, oh, you have an intimate love and understanding for one another. You bond over your shared art form. Want to prevent assisted suicide? You're like, don't do it. Don't do it. Yes. That's it for the run through. See you on Thursday.

43:33The Run-Thru is produced by Stephanie Kariuki, Chelsea Daniel, Alex De Palma, and Alex John Burns. It's engineered by Pran Bandy. It is mixed by Mike Kutchman.

43:51I'm Jazzy Sevchak. And I'm Shilpa Oskokovic. And we're Senior Test Kitchen Editors at Bon Appetit and the host of the Bon Appetit Bake Club podcast. Bake Club is Bon Appetit's community of confident, curious bakers. We love to bake. Some might even call the two of us obsessive. And we love to talk about all the hows and whys and what didn't works that come with it. Every month, we publish a recipe on bonappetit.com that introduces a baking concept we think you should know. Then you'll go bake, send us any questions you have. And we'll get together here on the podcast to talk about the recipe. And this month, we're making tiny tomato galettes They are these adorable, maybe four-byte little galettes.

44:30So cute. Head to BA.com and come and bake along with us. Send us your questions, pictures, and any thoughts to bakeclub at bonappetit.com or find us on the sub stack. Join us the first Tuesday of every month as we debrief about our latest bake. Find BA Bake Club wherever you get your podcasts. Happy baking!

44:52The Wired Newsroom is known for award-winning reporting on how technology shapes our world. On Wired's Uncanny Valley, we take that curiosity even further. Each week, journalists from Wired break down the biggest stories in tech while speaking directly with the people building, challenging, and reshaping the future. Is the AI boom sustainable? How do you protect your privacy in an age of constant surveillance? Uncanny Valley tackles the questions driving today's tech debates and lighting up your group chats. Listen to new episodes every Thursday, wherever you get your podcasts.

45:27Hi, I'm Rebecca Ford. And I'm John Ross. And we're the hosts of Little Gold Men, Vanity Fair's podcast for film, TV, and awards lovers. And just because the Oscars are done, for now, doesn't mean we are. Join us every week for coverage of the biggest stories in Hollywood, interviews with today's brightest stars, and so much more. Listen to Little Gold Men every Thursday, wherever you get your podcasts.

From the publisher

As a third generation Angelino, Hannah Einbinder reps her city hard. “I pledge allegiance to the United States of Los Angeles,” she declared proudly to Chloe on the latest episode of The Run-Through podcast, “I love LA from the tip to the tail.”

Right now, Einbinder is making the rounds on one of her biggest press tours to date ahead of the premiere of Jane Schoenbrun’s third tongue twister of a film, Teenage Sex and Death at Camp Miasma. Einbinder stars as Kris, a young queer director, who is working on a revival of a slasher horror franchise. Prior to working on the project, slashers were a bit of a blindspot for Einbinder, though she was well-versed in the great horror genre and cited Silent Hill as the scariest movie she’s seen. 

“I see a huge link between comedy and horror,” Einbinder observed, noting that this film is as funny as it is scary, “I think that it kind of creates the same thing in the body, like this buildup of tension with this big release. I think that's why you see so many, like, comedians go in that direction. Like, you look at Jordan Peele and that, to me, makes so much sense.” 

Along those lines, Einbinder pointed out that Schoenbrun actually has a comedy background and did sketch comedy at UCB many moons ago. The two of them became quite close working on the film, which like Schoenbrun’s prior film, I Saw The TV Glow, is a work of autofiction and an allegory for queerness and transition. This film required them to explore topics of dissociation relative to sex. “I feel like many of us have not taken the time to examine how universal it is.” 

Einbinder hasn’t yet settled on her look for the premiere, but she is already considering how she is going to accessorize. She intends to visit a New York City based nail artist who uses the moniker claws by joy to get a bloody, slasher style manicure. 

As a major Hacks fan, Chloe also brought up her favorite duo: Ava Daniels and Deborah Vance. While the show has reached its conclusion, she and Jean Smart are in regular contact and sharing memes. “She’s absolutely out of control,” Einbinder said of Smart’s meme sharing tendencies.  

Einbinder won her first Emmy for the series back in the fall and when asked where she displays it, she sheepishly revealed that she keeps it tucked away. She explained that her grandfather was a decorated war hero and when he passed, the family found all of his medals in a manila envelope in a drawer. “And so I kinda figure if, like, if that guy's not putting his stuff out,” she said trailing off, “I thought he was so swag for doing that.”

The Run-Through with Vogue is your go-to podcast where fashion meets culture. Hosted by Chloe Malle, Head of Editorial Content, Vogue U.S.; Chioma Nnadi, Head of British Vogue; and Nicole Phelps, Director of Vogue Runway, each episode features the latest fashion news and exclusive designer and celebrity interviews.
Learn more about your ad choices. Visit podcastchoices.com/adchoices

More from The Run-Through with Vogue

All 236 episodes
Why Hannah Einbinder Hides Her Emmy And Loves MagiciansThe Run-Through with Vogue · 44 min
Listen in VO