The Fantastic Four: First Steps director Matt Shakman has The Treat

22 Nov 2025 · 5 min

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In short

Podcast Episode Notes: The Treatment - "The Fantastic Four: First Steps" with Matt Shakman

Podcast Overview Title: The Treatment Description: A podcast exploring vital conversations about creative inspiration with influential creators in entertainment, fashion, sports, and arts.

Episode Details Episode Title: The Fantastic Four: First Steps director Matt Shakman has The Treat Episode Description: Matt Shakman discusses his latest hit, Marvel’s *The Fantastic Four: First Steps*, and reflects on his early inspiration drawn from the noir classic, *The Third Man* (1949).

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Key Concepts and Insights

Matt Shakman's Journey

  • Background: Transitioned from acting to directing; notable for his work on *The Fantastic Four: First Steps*.
  • Early Inspiration: *The Third Man*, directed by Carol Reed, played a pivotal role in shaping Shakman's artistic vision.

The Third Man

  • Overview: A 1949 film noir featuring Joseph Cotton and Orson Welles, recognized for its unique storytelling and post-war setting.
  • Impact on Shakman:
  • Aesthetic Appeal: Shakman was captivated by the film's cinematography and narrative structure.
  • Character Development: Praised the film's well-drawn characters and the blend of espionage with relatable human moments.

Notable Scenes and Themes

  • Ferris Wheel Scene: Represents a broader perspective on life and morality; the metaphor of "dots" symbolizes how people perceive value and loss.
  • Dialogue Analysis: Engaging exchanges between characters demonstrate depth and relatability, a hallmark of effective storytelling.

Connection to Fantastic Four

  • Homage to Corman's Fantastic Four: Shakman acknowledges the influence of Roger Corman's unreleased *Fantastic Four* film, drawing parallels to his own work.
  • Personal Anecdote: Alex Hyde White, part of Corman's cast, connects Shakman’s cinematic roots to *The Third Man* through shared history.

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Key Takeaways

  • Importance of Influences: Shakman emphasizes how classic films like *The Third Man* inform modern storytelling techniques and character dynamics.
  • Narrative Complexity: Successful films intertwine intricate narratives with well-developed characters, allowing for both drama and relatability.
  • Cinematic Homage: Acknowledging predecessors in the film industry enriches creative projects and fosters a sense of community among filmmakers.

Conclusion This episode of *The Treatment* serves as an insightful exploration of how a director's early inspirations can shape their approach to modern filmmaking, highlighting the enduring impact of classic cinema on contemporary narratives.

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Production Credits

  • Producer: Rebecca Mooney
  • Mixer: Katie Gilchrist
  • Host: Elvis Mitchell
  • Platform: KCRW

For more details, visit [KCRW's The Treat](https://www.kcrw.com).

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Transcript

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0:00Matt Shackman has lived many lives, first as an actor, then as a director whose filmography includes such hits as the Fantastic Four First Steps. I'm Elvis Mitchell. It's The Treat. And Shackman treats us to an early step in his life, a film noir that's a kind of origin story for three incredible talents, a novelist, a director, and an actor.

0:29I'm Matt Shackman, and this is The Treat.

0:36the movie that was most inspiring to me is the third man carol reed's movie orson welles joseph cotton i found it as a kid i must have been 12 i was a orson welles fanatic and so like everyone when I started with Citizen Kane, but then I found Third Man and became obsessed with the photography, the location, shooting, the way that the narrative was designed. It was so surprising, the idea that Rosenwells doesn't come on to the picture until sort of halfway through the movie. Everything about it felt incredibly bold, but what I loved so much was that each of the characters were so well drawn. Will you help me?

1:21I wish I could. But you know, I'm an Austrian. I have to be careful with the police. I'm afraid I can't help you. Except with advice, of course. The members of Harry Lime's group of friends like the Baron and Mr. Popescu and all of these characters that came in and they had such vivid scenes, so beautifully written, so well acted. And I thought, well, this is how you do it, right? You have to make a big narrative that works and is surprising and has all the best espionage elements that you would expect from Graham Greene. And then it would also have these almost theater-like, play-like moments between characters as they were very real and relatable and distinctive.

2:08And the performances are all great. Now, I'll tell you what, Mr. Martins, on Wednesday night at our institute, we're having a little lecture on the contemporary novel. Thought perhaps you'd like to speak. Oh, they wouldn't know me. Oh, nonsense. Your novels are very popular here, aren't they, Sergeant? Very popular, sir. Very popular. Are you staying long? And I think one thing that's kind of fun about it, because I just did Fantastic Four, and we paid homage to the Corman Four, the original Corman movie, Fantastic Four, that he made that was never released, starred Alex Hyde White. And he came up to me when we were filming with him, and he said, oh, I hear your favorite movie is The Third Man.

2:42Well, my dad was in it. And he ran the literary society, or he was in charge of, you know, the literary cultural events for the army and he recruits holly martin joseph cotton to come in and and give a speech about the modern novel of which he is completely ill-equipped to do because he writes westerns look down there would you really feel any pity if one of those dots stopped moving forever if i offered you 20 000 pounds for every dot that stopped would you really old man tell me to keep my money or would you calculate how many dots you could afford to spare free of income tax It's interesting, right, because the famous Ferris wheel scene, they get up top and they look down on the world perspective, right?

3:24They have that kind of proscenium view. How many of those little ants can disappear, Holly? So I love that movie, and I think it's had a big impact on the kinds of movies I want to make and how to go about making good ones.

3:47The Zither Strains of director Carol Reed's international noir, The Third Man. The Treat from Matt Shackman, director of The Fantastic Four, First Steps. Fantastic treats abound at the archive. KCRW.com slash The Treat. The Treat is produced by Rebecca Mooney and mixed by Katie Gilchrist. I'm Elvis Mitchell. It's The Treat.

4:17Thank you.

From the publisher

 Director Matt Shakman helmed one of the summer’s biggest hits — Marvel’s The Fantastic Four: First Steps. But his earliest film inspiration was the 1949 Carol Reed noir The Third Man, starring Joseph Cotton and Orson Welles. Shakman cites the film’s post-war setting, storytelling, and great performances as having had a lasting impact on him. Plus, he reveals a surprising connection between the classic film and Fantastic Four.

 

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