#598 - Joaquin Phoenix

18 Jul 2025 · 1 h 31 min

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Podcast Summary: This Past Weekend w/ Theo Von - Episode #598 with Joaquin Phoenix

Overview In this episode of *This Past Weekend*, host Theo Von sits down with actor Joaquin Phoenix at the Hotel Chelsea in NYC. The discussion covers a range of topics including Phoenix's latest film *Eddington*, the impact of his father's influence on his acting, and his commitment to human rights issues.

Key Points

Introduction to Joaquin Phoenix

  • Theo describes Joaquin as a legendary actor known for roles in films like *Joker*, *Walk the Line*, and *The Master*.
  • *Eddington*, Phoenix's current film, is discussed as a significant work reflecting on the chaos of 2020.

The Influence of 2020

  • Phoenix explains how the events of 2020 inspired the themes of *Eddington*, integrating elements such as COVID mandates and social justice movements.
  • He emphasizes the role of societal chaos in shaping the narrative of the film.

Character Development in *Eddington*

  • Phoenix portrays Sheriff Joe Cross, a character that challenges typical conservative archetypes.
  • He reflects on the process of embodying the character, balancing personal experiences with the script.
  • He mentions the collaborative relationship with director Ari Aster and how their discussions shaped the film.

Acting Philosophy

  • Joaquin discusses the fluidity of acting, noting how sometimes actors must prioritize being present in the moment rather than following a predetermined arc.
  • He shares insights on the humility that comes from realizing that performance quality often depends on editing and direction rather than individual talent.

Personal Reflections

  • Phoenix touches on the emotional challenges of portraying complex characters who elicit mixed feelings from the audience.
  • He acknowledges the importance of personal experiences and how they inform his roles, particularly drawing from the influence of his father.

Social Responsibility and Human Rights

  • A significant portion of the conversation revolves around Phoenix's advocacy for human rights.
  • He expresses concern over issues such as the treatment of marginalized communities and the ongoing conflicts affecting civilians globally.
  • The discussion highlights the need for empathy and awareness in addressing humanitarian crises.

Nostalgia and Humor

  • The conversation features lighter moments, with both Theo and Joaquin sharing anecdotes about their fathers and childhood experiences.
  • They touch on themes of family, loss, and legacy, underscoring the human connections that resonate within their stories.

Closing Thoughts

  • Theo expresses gratitude towards Joaquin for sharing his insights and highlights Joaquin's unique ability to make audiences feel deeply through his performances.
  • The episode concludes with a reflection on the complexities of life, acting, and the pursuit of understanding oneself and others.

Key Takeaways

  • Art as Reflection: *Eddington* serves as a mirror to societal challenges, exploring the intersection of personal and collective experiences.
  • Humanity in Performance: Joaquin Phoenix's approach to acting emphasizes authenticity and connection, often drawing from personal narratives.
  • Advocacy Through Art: The discussion reinforces the role of artists as advocates, using their platforms to address critical social issues and promote awareness.
  • The Importance of Dialogue: Open conversations about personal experiences and societal challenges are crucial for fostering understanding and empathy.

Additional Information

  • Eddington is currently in theaters, directed by Ari Aster.
  • Fans can find Theo Von's upcoming tour dates and merchandise on his official website.

Listen to the full episode for more insights and engaging dialogue between Theo Von and Joaquin Phoenix.

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Transcript

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0:00Today's guest is a legendary actor, one of the greats, they'll say, I'll say it, people are saying it. he's had so many hit so many amazing roles in the Joker walk the line the master signs Eddington is his new film which I got to take a peek at before we got together we caught up at the Hotel Chelsea in New York City today's guest is Mr. Joaquin Phoenix

0:48Yeah, do you have any, you okay with we start, Joaquin? I am. Why are you looking at the ground? What's going on? I don't know. I just feel like I'm a little bit nervous. Oh, because it seems like, it seems like the assassin, like before he's about to fuck people up, he's just like staring, like getting in the zone. It's like, let's do this. So I was like, okay, yeah. I mean, start. Sure, man. Start. Okay. I think I'm waiting for like the coaches in my head to show up and be like, you can do this. You know? Wait a minute. You can do this. You can definitely do this. Thank you. I'm questionable.

1:20Okay. But coach is like, he's questionable. We're not sure. He's going to play. Hey, that's not Jimmy Chitwood, okay? We got to sit that guy on the bench, you know? I don't know who that is. Oh. It was the guy from Hoosiers, remember? Who comes in and makes the show? I don't remember. dang thank you for telling me you don't remember instead of pretending like you do that so i keep talking about it you're welcome yeah it's gonna happen a lot there's a lot i probably don't know well we're gonna find out uh thank you for your time man no thank you i appreciate it i really appreciate it um and thank you for all your beautiful work over the years it's been nice to witness and consume as just a regular person in the world oh man thank you you're very sincere it's very nice and refreshing and also slightly uncomfortable.

2:10Yeah, sorry. No. I know you're married, so I'll keep it just as sincere. You know, we won't get physically sincere because that can be, it's outlawed in some territories. But no, thank you for your time, man. And yeah, thank you for all the cool work and helping us think and stuff like that just as viewers, you know. Yeah, it's funny how sometimes like life or God or whatever uses like a person as like an instrument, you know. And yeah, you just have such a great way of like, yeah, just being able to do something that we can't, so many people can't do, but then it helps us, the rest of us reflect on how we do things and live.

2:46So does it make any sense even? It's very nice. I mean, I don't know. All I'm hearing is, all I want to say is like, no, everyone can do it. I don't have anything special. I don't do anything special. Well, you're a lucky guy then. You've been fortunate. I've been very fortunate. I've worked with great, great people. What did you do this summer? Did anything fun? I feel like I was getting serious for a second. No, no, no. It was? No, I wasn't getting serious. What did I do? When does the summer start? I guess the summer starts in, I would say, mid, I would say June 1st. June. Okay. No, nothing fun.

3:25I just have this movie coming out. So we started, you know, I think somewhere like the 10th or something like that started press. Okay. so I did some press in LA and then flew to London so that's it nothing terribly exciting we're not like those kind of people we're not like go vacation people that's not your life? no I think when you picture you always picture them in a little bit of a Rapunzel castle or like somebody's having shrimp that kind of thing I think that's a romanticizing of the people. I mean, maybe I should. Yeah. I mean, maybe that's what's missing. But no, it's not. I mean, I have, but it's not a regular thing.

4:17It's definitely not like, oh, here's summertime. Let's do that summer experience. Got it. But yeah, I have that fantasy sometimes. Sometimes I see myself in slow motion jumping off a pier into a lake and shit, but I haven't done it yet. Oh, okay, okay. So if you're not even living out the fantasies you're supposed to be doing, then what the hell am I freaking sitting over here parading them around? I don't know. What are you doing? What do you do with your summer? That's a great question. What's your question? Thanks. Thanks, dude. Oh, this is a real pickleball game here. I like it. No, no. No, no, it's good.

4:54I just didn't want credit for something. It wasn't my question, so I just felt like I had to acknowledge that. No, well said. Yeah, that's a great question. I think, yeah, I didn't do that much. I just kind of like worked, I guess. Oh, I did get to see my niece graduated from high school. So that was pretty cool. Just to watch somebody go through that moment where they're kind of like, you know, where the training wheels kind of come off of life a little bit, you know. So I thought that was pretty neat. and I watched Eddington the other day. Oh, yeah. Yeah. Really cool. Cool. I never graduated.

5:35You didn't graduate high school? No. To be honest, I'm not sure I even made it to high school. Right. Okay. That's fair. Oh, damn. That explains things so much better than I think watching you. You're like, oh, this guy didn't even went to high school. Right. Yeah. I want you to have all the information. I got my open book, and I just want you to really understand what you're dealing with here. Okay. As we move forward, okay. Well, let's talk about Eddington first because it was awesome, man. It was just like one of the neat things that I thought, and this is just me being kind of judgmental just so we can frame this for the conversation is, you want some water?

6:14I was thinking about it. I was deciding in my head, I was going, how thirsty are you? How much plastic do you want? What are we going to do here? Yeah. That's what you saw. So I was like, I looked at the bottle. I said, it looks good. I need the water. But it's got a lot of plastic in there. Yeah. And I was trying to decide. No, no. That just feels like, then I just feel like I'm. No, I think you should. Let's get in it. Look, I agree. I think everybody's about to try to stop drinking out of plastic. Right. But this is special water. Oh, it's Artesian? Artesian? That's nice. It's nice. Yeah. Yeah, it's nice.

6:56Oh, that came down on a Sherpa's back or something. That was definitely. So now that counteracts the plastic, I think. Yeah, I think everybody's worried about microplastics and everything. Recent studies have revealed that glass bottles now contain significantly more microplastics than plastic bottles. Thank you so much. I did not know that I was going to get an education here. Thank you. So crazy. I like it. Speaking of so crazy, man, let's talk about Eddington, dude. It was so intense. the stakes kept rising like because you have like this, it's kind of like a time capsule moment. This is what I felt like to me.

7:33It felt like this time capsule moment from very recently where you have the COVID mandates, you have the BLM movement going on. You have a change in the overlords of media. So now like information is coming out of everywhere, right? So there's a lot of like new, but also errant information in the world. you have all of these things happening at the same time then you have this sheriff joe cross who's kind of like an authority figure right you know that's who you look to when there's something going on but also at the same time everyone's challenging authority so it's just and then he starts to lose authority over himself so there's like there's so much going on my question i'm going to get to it too when there's so much going on like that as an actor are you thinking like in each scene are you thinking i have to embody all of these like little tributaries or at once or do you take that like scene by scene or moment by moment what's that like because i mean it got so intentious as a viewer you're like i don't even know if i can watch this much less trying to be the guy who's spreading the jam.

8:51I think it probably, I think it changes. I think there are days where you're probably hyper aware of the arc and you're kind of like following this trail that you're creating. And there's other days where that gets in the way and you just go like, shut the fuck up and just like listen to what this other person say right in front of you and just react to that. Like we're not in our own lives. We're not always aware of like our arc, right? So I think it's like you're just trying to balance it out. And sometimes you can be so in the moment that you do, you forget that it's like you just came. You know, we're shooting the scene in six weeks, but you just have come from whatever.

9:37It's, you know, intense emotional situation and now you're coming to this scene. you gotta we have to carry that over so I think that it um it changes us like something that is just like uh alive and moving and changing and of course you have like a partner which is the director and in this case the writer director Ari Aster um who just like knows the script obviously the inside and out and the characters. And we had been working, going through the script, you know, for a year prior to shooting, um, or we'd get together, um, who were actually in, in New York primarily and just read through the scripts, um, and talk about things.

10:21So you're kind of going through and you're developing, you're developing the character and you're following this kind of plan that you have sometimes in your head, some things you've discussed some things you're just spontaneously coming up with. And, and then you just, then you just hope for the best. You just go at some point you go, well, cause here's the thing. This is the crazy thing about it. You'll like, you'll have this fucking plan that you're like fucking clever. I figured this shit out. It goes from this scene. Then I go do that and that scene and I'm doing that and that scene. you have this brilliant fucking plan and you're like i'm kind of like a genius yeah and then in editing they'll like pull two of those scenes out like take them out or like put them somewhere else and then it's like it's much better and you're like i'm not a genius i don't fucking know anything like if this shit works it's because the fucking director uh is making this work yeah You know, so like that's the, it's like something very humbling about that process, right?

11:30And you have to do the work. You have to do the work as if every moment is part of this character's life. And then there's moments that aren't even in the script and on screen that you're trying to, I don't know, think about and feel and kind of like take on as your experience. but you don't really know what's going to end up in the movie um so yeah it's it's um it's a i mean it's a pretty cool experience it's it's kind of like life yeah like you plan all this shit and plan your day and your life and your year and and then shit happens it changes things get moved around and sometimes their characters they just get like you're taken out yeah and sometimes you have a plan like you're going to show up to like a something and you're everything's going to be perfect you're going to have flowers for the this and you're going to have the best thing to say and then next thing you know you're running late or you get there your plane gets delayed and now you show up and you're the you're you're getting there as everybody's leaving and you're the last person and you brought the 30th thing of flowers and everything's different yeah yeah exactly yeah oh yeah can you tell at your with your level of experience can you tell when you stuck the landing on a scene like can you like is there a moment when that thing cuts and you just like can be like that was pretty good like I serviced it well I've had that feeling before and um it always turned out to be terrible and I was wrong like anytime my experience is that anytime I'm like fuck yeah okay got it it's terrible um and the times where i'm like i don't i don't know i don't know if i even landed i'm not sure what's i'm not sure what happened that's usually when things when i like look back at it and i go like oh i think that was good um that's just my experience i don't know what other actors are like but yeah i guess maybe because i yeah i don't know i don't know if the things that I like, um, are like, um, capturing something that's like, feels like intangible, um, and hard to define.

13:47And like, when you kind of like nail it, I don't really like that kind of, um, acting or maybe I'm not good at it. Like I, you know, yeah. Maybe there's a sense of bravado that comes with that. that's not as true to life, you know? Because it's very rare in life, maybe you just feel like you kind of nail it, probably. Maybe. I mean, I don't know. I guess there are some people that walk around the world like nailed it. I know. Freaking Hulk Hogan. Who else? Who else? Who else is somebody that really freaking nailed it? Oh, Nicolas Cage in Family Man. Have you seen that movie? Uh-uh. God, we got to sit together on a plane one time.

14:37You know what was interesting about, and thanks for talking about this with me, man, because it's just cool to get to like, it's rare you get to look at a piece of art and you get to talk to the paint, you know? The interesting thing about Joe Cross, the character that you played, is that there were moments I'm like, am I cheering for this guy? I just felt, I was like, how do I feel? because he's who you're kind of going through the film with, through Eddington with. I'm like, do I feel for him? Do I feel against him? The whole time I just knew I just felt. He made me feel, right? Are you thinking about that as you're going through it, like how you're trying to make us feel or that's not something that an actor is doing?

15:23So something that Ari and I talked about, something that was very important to me from the beginning, was that Joe challenges the audience's preconceived idea of what a conservative small-town sheriff is. And I didn't know how or what that really meant, what that really looked like. and I think at some point I just wanted to care about him. I just wanted to take politics or philosophy or anything like that out of the picture and just go, what's the man? I think that we found that through his relationship with his wife Because I think that's really where he's like most, like his power or authority is like threatened or non-existent.

16:33And so that, it becomes like the catalyst for his kind of desire for more authority and power. It's one of the things, as you said, there's several things kind of happening. but then once you start working i think maybe you're thinking about that less it's less becomes about it's almost like you that you start the process almost like an audience member yourself because you're kind of outside this thing looking in you're reading the script and he's kind of like it feels like it's like this this character over there you know i mean and you're trying to get to it or bring it to you or whatever that process is.

17:15I don't fucking know. And so you're, you're starting like, like that. And you're kind of going like, oh, how do I feel standing back here when this guy does this? And like, if he, if he said that line in this way, how does that make me, how would that make me feel? And then like somehow throughout this like process, you hopefully start coming together and kind of merging to some point where it's not me standing outside of the character saying, not in like some bullshit, like I'm the character way, but just like, you're just hopefully experiencing something versus like telling an audience what they should feel.

17:59Right. And I think ultimately the director is probably most responsible, is totally responsible for telling the audience how they should feel right so i think it's part of me is like to just to take on the the experience and be honest in that that moment um so you have to really trust that director then huh oh yeah fuck yeah fuck or he's outside i think he does not want to be mentioned in here he's trying to edit from outside he just bleeped his own name out. That's fascinating. Totally. Wow. But that just shows you how locked in he is to being on the ones and twos. A lot of times with acting, the actors get blamed for when things go bad, right?

18:41I feel like as a viewer, you're like, oh shit, you know? Like Rodney Dangerfield sucked in that, you know, or whatever. But it's really the director. The director doesn't take as much heat i don't feel like um well so the actor is the one that you're looking at so like if you're like hating a movie and you're just looking at somebody's face you're just gonna blame them right but conversely like if you're also like this rules this is the best time they get the credit right so like actors oftentimes i think more often than not the actors are getting credit and the director's like i fucking made all of this work yeah you're fucking grateful shits it must be like very frustrating like a parent almost with a child you're like this totally thing looks handsome because exactly i chased that lady down the street yeah and he's just wandering around here with his good looks fucking hiding important shit in the backyard yeah because we bought him a shovel for his birthday right like exactly Yeah, and I mean, you're talking about you're having multiple takes to choose from, right?

19:53Yeah. And so the director's going through and ultimately with the editor selecting this take, sometimes they're pulling the audio from another take they're putting in there. Just like what lens is used and how it's lit and the angle and whether you cut to a wide shot or you're close, like all of those things, it just happens. Like even for me, I just watch a movie also. I'm not aware of the whole time. Yeah, it's a good point. It's not like you're a wizard watching it or something. I'm definitely not a wizard watching it. Yeah. But it's, so I imagine it's very frustrating, you know, for them. And I think anyone that's in the business knows this, right?

20:36So when the movie doesn't work, even if the general public is like, you know, fucking so-and-so sucks. Yeah. The director probably knows that they really mean them. So they carry that. I think it's probably, I imagine it's the hardest job. Being a director? I mean, for making movies. Yeah, the hardest job. You haven't directed. No. Did you ever think about it sometimes? Are there moments where you're almost there? I don't know that I like to delegate. and I'm really indecisive. Oh, yeah. So, and it's like particularly under pressure and it feels like there's a lot, you know, you're constantly under pressure, I think, as a director, right?

21:31So, but I don't know. I think what's appealing about it, the idea is um the collaboration with all of like the heads of the different departments um is it after you you know you're you're collaborating with costume and hair and makeup and and like props and stuff and then of course the director but like the director is just like everybody and that's that sounds that sounds nice and appealing i don't know it might be a pain Like oftentimes, you know, they're like, I'll call you back, but I have to choose which forks we're using for the dinner scene. Right. You're like, which fucking forks? Yeah.

22:16Like, there's five forks to choose from. I got to choose which one we're using. Yeah. That kind of sucks. Oh, yeah. And it sucks if you're watching a movie and you see a fork that fucking is out of place too. You're like, these people. This is in the Titanic. you blame the actor oh this is the actor's face and you're just like i fucking hate this oh you're like dunkirk sucks you see the silverware in that thing that's how you feel sometimes um you know what was interesting it interested to me and and if some of these questions are novice about acting and directing uh thank you for entertaining them um one thing that was interesting to me about joe cross about the your character well for one he was so imperfect right and yeah when you saw him at night and he was like feeling like those feelings with when he come home from his day and he finally got to deal with what he really wanted to deal with which was love right um that just felt like so human to me um and he was his villain and his hero right he was he was the creator of his possibility and his um and his pain at the same time and it was just so like, ah, it was, fuck, it was just a lot to watch sometimes.

23:34Does that just feel like regular life? Like, like, could you relate to him as a human? Does that make any sense? Yes. Yeah, it does. First of all, I'm happy to talk about whatever. I also don't, I just realized like I was just talking about movies and directing. I don't fucking know anything. I have no idea what a director does so i just like i don't want you to go like oh now i understand what what director is like because i guarantee directors are like this guy doesn't know shit right um so i just want to clear that up yeah yeah dude wow he's uh yeah he's got some ideas i'll tell you that i'll tell you that about him well you didn't walk in here like you definitely like had brought the weather with you you know you certainly came in here like a victim of the storm or just like a regular guy who just gotten you know you can't yeah anyway go on sir no no no let me let me educate you here theo let me teach you about filmmaking all right folks something special is about to happen over in the big easy you know what i'm talking about ufc 318 is coming to new Orleans, and it is absolutely stacked.

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26:26This show is sponsored by Liquid IV. Yep. Man, one of my favorite summer memories, I think. I was boating with a butt. I don't know if we were boating or if we floated away on something. Me and my buddy got stuck out in the sun. and gosh when we got back to shore dude i just i drank everything i drank every i was drinking out of dang hoses faucets i would drink out of somebody's mouth if they left it open for 30 seconds because i wanted to stay hydrated but things are different now that's right these days no matter how hot my summer or a moment of my summer gets i can stay hydrated with liquid iv they've got so many great flavors over there even sugar-free ones those are the ones that i use the sugar-free options include white peach lemon lime rainbow sherbet and more just one stick and 16 ounces of water hydrates better than water alone squeeze the most out of your summer with liquid iv tear pour live more go to liquidiv.com and get 20 off your first order with code theo at checkout.

27:39That's 20 % off your first order with code T-H-E-O at liquidiv.com. I'm sorry. I don't remember what we were talking about. He was the cause of his own possibility and his own pain constantly. It made me think so much about life, but it was so real to see him that way. Could you relate to that in your own life? Yeah, of course. Yeah. Just normal, huh? Yeah. I mean, yeah, I think all the characters in this, I felt when I read the script, I was like, oh, I kind of like, I recognize myself in all of these characters actually. And sometimes it's like, you know, it's an embarrassing admission. And then, you know, there's just things, particularly that time.

28:31And I think in some ways, yeah, maybe we're always responsible for how we respond to what happens in the world, right? So we're not like so much of like just what happens in life you don't have any control over. But how we respond to that we have control over. And I know I constantly fail in my response or at least don't respond in the best way in the moment. Right. I respond like emotionally. And so I definitely, I definitely identified with that. And that's that's Joe. I mean, he kind of like just keeps making mistakes. And he's so desperate to like have some control. Like just like, he just wants, he's just like, you know that feeling when you're like, I just need things to just stop for a fucking second so I can breathe.

29:46and then like your desire to like make things stop, just make things ramp up more and more. And then you just like trip and you fall down the stairs. It's just like, it's like that. Yeah, that escalation. Oh, I kept imagining the whole time. I'm like, oh my God, this guy is fucking just like, has put too much cheese on his burger, dude. This guy is just, and then I kept imagining the whole time he has to take a pee and he can't even get to that. He's just dealing with like activists and people throwing things through wind. And then he gets home and he sleeps in his glasses. Like he literally gets up and just has to like bow.

30:21And he's like, suddenly it's all in focus again. And his brain has barely had time to rest. And I'm like, God, somebody fucking just put a sniper, shoot a Xanax into this dude or something. Somebody fucking give him a damn Percocet suppository or something. This guy needs some relief, you know? Yeah. And then it also was like, God, especially during that time, like a lot of mania came along with a lot of those different like things that were happening in the world. Right. And there's still a lot of mania remnants from that. And I was like, God, everybody needed some relief. You know, it feels like that as a society, sometimes we need some relief sometimes, but we have everything we need.

31:00It feels like, so it's kind of a weird juxtaposition to be in. Yeah. So what's the plan? Yeah. What is the plan? I don't know. I don't know. It just feels like we're just doing the opposite of a hug right now that's that's right that's right and um did you feel when you watch that movie like you got to the like you were like this will be a reminder this will like help influence people in a better way this could be like a seed of like where we've been and where we can grow from or did i don't know i mean i i don't know i i don't know like movies are surprising those things that connect with people and um actually influence culture.

31:41And sometimes they don't just, I don't really know what it is. That's crazy to ask you. You know, no, no, no. I think it's a fair question. I think in some ways, I think all I can do is think about like myself versus like the effect that it has on me. And, you know, in some ways there was, there was like, I felt like I had permission to laugh at myself, like a way to kind of evaluate some of that mania, as you say. We were like fucking crazy. The summer of 2020, it was crazy. Crazy. And people were, I love that you said it's the opposite of a hug, and it really was. Everyone was so kind of fractured and fragmented and just all isolated in our own worlds, like quite literally physically isolated.

32:31and then everyone was just so online and kind of fed their own an algorithm fucking thing yes that just further kind of propelled them into their own lanes like even people in the same houses and their own place and and there was just like this um i remember everything felt so aggressive like even there were like there were like signs that were supposed to be like we trust science and we love all people but even that felt like confrontational right it was like it felt like no matter what anyone said everyone was like this is my position and my position is fucking right and you can go fuck yourself like you know it's just like people went fucking nuts we not people not we did Yeah, all of us.

33:30It doesn't seem like you're calling anybody out. It feels like we're all inclusive. I agree. It's amazing what a time. It was like the most recent time capsule that was the most insane. Like usually they're like, we found a can of ham from 1930, you know, and we're going to invite everybody over and the girls will sing and then we'll open it, you know. But this was like, Jesus Christ, we just found the most insane time capsule and the mud is still wet. Yeah. Yeah. Yeah. But then it's like, it was a reminder, have we even recovered from all of that? Like what happens to the human being as we go through all that?

34:03And then you have all this pent up anger and confusion and everything. I think we wanted to forget or like pretending to forget. Because, yeah, it was, it was ugly. And it was ugly, but it's also really, it was also really painful. And I think a lot of people were like fucking scared. But then also the character of the mother, I didn't even think about that, of Joe Cross's mother. Mother-in-law. Mother-in-law. Oh, that was his mother-in-law. Of the mother-in-law, because then you're like, did it just change everything now for you to know that it's not his mother? No, it made it a little bit more crazier.

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34:49I'm like, so you're telling me he teamed up with her mom and now they're the one. It's just like, but then that is something a lot of people have in their life. Like, oh, well, I talked to my girlfriend's mom and now we're team, or the, you know, oh shit, man. That guy was screwed, dude. Yes. Joe Cross was fucking screwed. Yeah, but he screwed himself. Yeah, he was the holder of his possibility and his pain at the same time. You know, it was pretty crazy. um yeah what was meeting Ari Aster like I watched some interviews with him he seems like a charming guy um yes I met one of his partners Lars Knudsen yeah yeah dude I had some video calls with him a few years ago I just really I was looking up but why we were just talking about something maybe thinking about an idea I had an idea about a um a movie and David Spade and I just wrote a movie and made a movie we paid for ourselves that we made right so it's fucking very unique it's done it's done we're editing it now and are you in it i'm in it i'm like this his sidekick he's like the main guy let me see you know all about making movies and then you were just playing dumb asking me questions setting me up setting me up to be like well let me tell you from the o not at all dude here's here how here's how it's done no no we fucking we have no idea what we have dude we may have a damn visual diorama that a couple of kids put together for their kindergarten class you know i was playing a busboy you know not commodus you know so i think it's definitely this is way different i think it's a different this is a is that the right way to say it commodus i don't fucking know anyway no i didn't know anything i mean i'm just learning little things but i i mean i get to talk to somebody who's been you know who has had a plethora of experience so you talked to lars lars is great lars is great producing partner of ari yeah i just realized that yesterday when i was looking it up i was like oh wow i'd speaking with this guy before but uh when i when i met ari uh we didn't we didn't meet it was we we spoke on the phone.

37:06And it was the summer of 2020 is when we first spoke. And he had this film that he wanted to make called Bo's Afraid that he wanted to talk to me about. And so I just, I spoke with him on the phone. And I mean, the first time that I met him, this is so crazy.

37:33This to shoot that movie um and uh it's so wild because it just was like normal we just accepted it but that's very strange right to not meet the director for like the actor and the director not to like be in a room together until they're two weeks off from shooting it seems risque yeah it seems risque to me to do something like that it's like you could interview your cellmate or whatever but you're like now i'll just wing it in there you know like you could You have a little small Q &A with your celly. So was there something that inspired you or led you to think? Because I think what's interesting also in the career of an actor is you start to realize, well, I only have so many times that I get to do this and times that I can afford to be away from family and friends and just take on such energy in my life.

38:24And so I'm sure it starts to become a little bit more poignant, like the choices that you do make. so what was there something about him or his processes that made you think this is the right choice or how do you land on a choice like that um you never know if it's the right choice or you're just going i mean honestly i just liked him he started talking and the way that he talked about the film and the way that he talked about the character i knew that it was personal and And I could tell that it meant so much to him, that he loved making movies, and it meant so much to him, and that he, like, I think I just got a sense that he was tireless.

39:12And, like, you know, the director, like, really has to be obsessed, right? Because they do have to do so much. which fork am I fucking choosing, right? Do you want them to actually care about that shit or else you're going to be watching the thing, Dunkirk, and you're pissed off? They have plastic silverware in fucking 1812. And I'm sure that wasn't the right year for Dunkirk either, so we're all bad. No, no, that sounds good.

39:49um so so i think that that's that that's maybe what you know right away i was like okay well this you know he he loves making movies and i i know that just from talking to him on the phone um and he's funny i mean i think that's the biggest thing sometimes you're just like do i want to hang out with this fucking dude i'm sure that's right um and it's like because you go through a whole range of emotions to make a movie. I mean, yeah, it's a movie and you're safe, but in the moment, your body doesn't know that it's not real. You know what I mean? It's just some shit that you're doing, right? And so it can, you know, things can get like, there can be a lot of emotion or a lot of energy and yeah, having somebody that you really like feels important.

40:46um and they paid me so much money oh god no they didn't give me some of it give me a little um dude side quest really quick so my friend josh used to live like i think somewhere like an e kind of like over by east la and um i've known who you were like a decent amount of my life because most of the world knows you knows your name but he said that you lived in his area And I was like, well, what if I opened up a shoe store called, uh, these boots are made for Joaquin. Right. I was like, just to get to meet you, that would be the goal. The only goal of the whole store was to get to meet you. And, uh, anyway, that was just like something funny that we thought of one day.

41:24But if you saw that store, say if you'd driven by a couple of times, like, do you think you ever would have stopped in there? Absolutely. Yeah. And I would have just like clean the place out for sure. Where was this? You just come in with a pistol. So you're like, they're all mine. Oh, that's not what I meant by clean the place out. I was going to do it legally. Oh, support the business? Yeah. Thank you, dude. Yeah. Does clean the place out mean like I'm here to fuck shit up? I think the, yeah, yeah, yeah. I think that terms have changed every time. Oh, I didn't mean it that way. I apologize. See, these are the mistakes you can make.

42:01But thanks for saying you would have stopped by, dude. That's awesome. Yeah, no, it's a great, how could I not? It's a great store. maybe you should still put it together i'll tell you this one day if i make enough money and i can open up a small place that i could afford to do it on the side as a thank you to you for coming on the podcast and talking with me i'll open up a small one near you and i won't i'll surprise you i feel like something like that would be pretty special um when it comes to acting um has your approach to has your approach to acting changed over the years like as you notice your own evolution with it and if you get tired of talking about acting we can talk about something else uh has my approach i don't um maybe and maybe not i don't know i don't i don't i don't i don't i don't think so um you know you're definitely more self-aware it's just like you are yeah it's just it's just like the nature of of doing something you know that's like visible and you're out there for whatever 30 fucking plus years or whatever um maybe more than maybe 42 but are you wow that's a long time but self-aware in the sense where you're like um you know you all your like, like, do you start to know all the, like the, the palette you have as an actor or does that continue to evolve or does some of it get lessened because you're getting older and you can't, you know what I'm saying?

43:41You couldn't do the same thing. Maybe you could as a, as a 27 year old actor or 21 or 18 year old, like, does that palette grow or does it dissipate kind of? I don't know, maybe both things. And maybe sometimes it's maybe it just gets refined. Maybe just, you know, it's similar. It's just like a richer color or less rich. I don't know what, you know, I don't know what it is. Maybe that's what happens. Hopefully you have a director that also is familiar with your work and can like challenge you if you're not challenging yourself. But I think like, you know, it's like, I don't know, but I imagine, you know, when you're, you know, it's like a 20-year-old basketball player is coming out and, you know, he's just fucking just going for it, trying to make a name, right?

44:42He's just doing the thing. And at some point he becomes, you know, he's suddenly like one of the guys on the team. it's a different kind of pressure of like taking that shot right because it's like when you're young it's like oh it's scary because it's like oh if i fucking miss i don't maybe i don't get another opportunity but then when you're older and established it's like if i miss there's gonna be a lot of press about right and people are gonna be like yeah pay way too much money to fucking miss that shot yeah that dude should not be missing at this point like get the fuck out Like, dude, he wasn't even wearing sneakers.

45:19Like, what kind of guy do we have here? So this is, you know what I mean? So I think, like, that's what I mean by, like, being self-aware. Like, at some point, you feel pressure in a different way. Like, I think it's always, no matter what, it's always, like, you always feel the pressure. But, yeah, I think when you're 20 years old, it's just different. And, you know, nobody's really looking at you. You don't feel pressure when you walk on set. Right, so that kind of goes away, but there's a different pressure of like it's really that these overalls are hanging off my shoulders here. Yeah, I don't understand that.

45:58Yeah, I don't either, actually. To be honest with you, I was trying to be like the weight of the world on the shoulders. I was thinking of something that goes on shoulders, and then overalls came out, and I'm like, fuck, dude. No, no, it was good. You should stick with it. No, it doesn't sound good. A screenplay. I just felt stupid. I was like, oh, this is a really cool saying. I don't know it. Are there moments when you're acting where, because there's little moments whenever I do stand-up where I feel like people that are like relatives or something, there'll be a moment where I feel like my brother or my sister.

46:31Like there's sometimes where I turn a certain way and it almost feels like my mom. Do you ever feel like you channel like certain parts of you, like people come out of you in certain moments? I think I notice it more as I get older too. Does it make any sense to you? Sure. Like you ever turn towards your kids and say something and you're like, oh, I am, that was just my dad. Like that wasn't even me doing that. Yeah. I mean, I definitely in my life have a lot of my dad in me. Really? Were you surprised that you got so much of it? I was. And I think I was like the last to know. But it was like, yeah, like that, like that.

47:10And then like it's something I was like, they're saying like dad like those are not good qualities and so like sleeping in his car dad like right and so i then became aware of it but no i think i think my dad actually um i was aware from fairly young that um i i think he's probably the greatest uh influence or I was influenced by his life in my work. Um, I don't know if this is making sense. Um, I think I modeled so many characters that I've played after him. Um, he's, he's dead. He's been dead for a while, so I can talk shit about him. Yeah. So he can't disagree with you. Yeah. I was like, what are you going to say?

48:06Um, and if he is going to do, I just like, cause I was like, I don't, Don't say your dad died. It's fucked up. Make a joke about it. And then go, that's even worse. No, we weren't sure if he died until you said it. I'll be honest with you. Don't look it up because he might not be dead. We don't. He has a clicking, clacking over there. You channel him right now and just turn into him. That would be crazy. Yeah. Wow, that's kind of interesting. Yeah, I think, you know what? Sometimes I think I'm like my mom and I never thought I would be. And I was always even like rebellious against my mother. And then I'm like, you got to be.

48:38Sometimes I look in the mirror, I'm like, you got to be fucking kidding me, you know? But then at the same time, it's like, that was probably in my life, that was the connection that I wanted the most anyway. So it's interesting that that's what God gave me or that's how it, you know, that like, oh, it's like, this is kind of what I always wanted the most. And it's oddly, that's part of the most of what I am, you know? Yeah. Just interesting how sometimes things like that work out. Was your dad a funny guy? He's very funny. I mean he was he was a ham oh he was yeah like he loved doing skits for us kids really?

49:19that's cool of him yeah he was very yeah he was and what would he do like death of a salesman or death of I don't know what he did for a job death of like a employee somewhere or No, he would just have fun moments. One of his favorites, which always made us laugh, was something called The Fly Skit, where he just was literally, he just was a guy reading a paper on a bench, and a fly starts buzzing around, and he, like, waves it away. Then he tries to, like, hit it with the newspaper. You know, he, like, rolls it up. I'm like, it's it. And finally he goes in his bag and he takes out some bug spray and he goes to spray it just as it lands on his nose and he sprays himself in the face.

50:10And then like gets all fucked up from the bug spray and falls over. And like when you're like six years old, that's the most genius thing you've ever seen. Especially because we didn't have like TV and shit when I was young. So that was like high level entertainment. Oh, yeah. Your dad was the damn history channel when you were a kid. back in the day you know what i'm saying or they were that's so funny to think about i never thought of my parents were like the channels that we had like because we had some channels but it wasn't like that you know it wasn't like it every moment was accessed so really people were looked at as a lot more entertainment like let me go poke this bear and see what i can get them to do a little bit you know oh that's cool dude my dad um oh it's so funny dude my dad was very old when i was born He was like, he was born in 1910 or whatever.

51:01And so he was like, everything was very like, you know, and my brother and I would go to, he ran a, the World's Fair was in New Orleans when I was growing up. And he ran a, I don't know if he ran, but somehow they let him have the keys to go in there in the morning. And he, it was like a souvenir shop for the World's Fair or postcards, stuff like that in the French Quarter. and he'd always pay this guy, this guy who was a clown, right? He'd be like, go get the kids a couple of wieners or franks, you know, hot dogs. So we'd like, I just remember like one of my early memories is just being with my brother and this clown that my dad had given a couple of shekels to running us down the street to get us a couple of fucking hot dogs.

51:45And I was like, oh, it's going to be a fucking interesting road. So how old were you when he moved on? When he moved on, I was 16. and it was weird because I was like embarrassed of my dad because he was older so I didn't want to introduce him to people. I always had like this weird relationship but then I think as a kid it was fascinating to watch this older guy that that you love so much but you're also trying to keep hidden, you know? So how when you were 16, I do I'm going to fail at math. I'm trying to figure out if that's how my son is going to think of me. Because I was 45 when he was born.

52:29You'll still be fine. Huh? I think you're going to be okay. It's going to be, do not get a cane early, though. If you get a cane early, he'll know. If you get, I thought about this. I was just thinking about yesterday because I got to knock somebody up in the next two years because I need a family. But if you get a cane early, he's going to know. Right. So that's, so I basically, when I had my first son, I was your age. and it is something that I think about constantly. Like, because I just want to be able to be a fun dad and not be this. So did your dad die suddenly? Can I ask you? Is that right if I ask you?

53:09Yeah, it's okay, man. Yeah, he got cancer and I didn't even know about cancer that much and he died pretty quick. It was pretty sad because suddenly he got like, yeah, it was just kind of sad. I mean, it's all sad, But then it was, you know, I don't know. Well, of course it was sad. What am I thinking? We're fucking, you know, everybody was like getting the champagne out. But he was ridiculous. But my dad couldn't see. He would drive. He would take us somewhere. But he couldn't see the lights or anything. So he'd be like, what did it tell? Is it red or green? And suddenly we'd get it wrong and he'd fucking just drive out.

53:41It was all baffling. That sounds kind of cool. Yeah. I think he would have dug it. I've got to say it's kind of good. He would have dug it, dude. Wow. You would have dug it. did your dad have cancer or no? Yeah, he did. He did? He did, yeah. And here's something else that's fucked up. Okay. My sister's lost his ashes. No. Yeah. Yeah. Every couple months, somebody will send out a text to the thread and be like, has anybody found dad's ashes?

54:13And it's because all you could do is fucking laugh because it's horrible. Yeah, but it's almost like... It's just horrible. It's almost really like his last performance. I mean, that's such a fucking thing. Totally. It's a great bit. It's a fucking... You're right. It's his best moment. Dad's ass anybody found. I love that text too, you know? Just randomly every once in a while because it'll occur to one of us. I'll be like, yeah, which... Where the fuck are dad's asses? You send that out. and still don't know. Here's the thing. I mean, I'm blaming my sisters. Yeah. Might have been me. That's true.

54:56I don't know. The thing is, is that it's one of those real, like, you know, sometimes you have a vague memory of like, I know we were in here. Yeah. No idea. No idea. Like, yeah, do you ever walk in the kitchen? You're like, it's kind of like that thing. Like, what was I in here to get? You know, where did I put those, you know? Yeah. Oh, man. Thanks for sharing that. But that's funny. I'm glad we even got to laugh about your dad today and my dad. That's cool. I think spirits, I think when you laugh about somebody from your life or something like that, I think they feel that on the other side.

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57:54That's it. Shopify.com slash Theo. Take your side hustle and see what you can do. Have you ever met someone and you were like, I could play that person? Like, is that, because that would be like, kind of like, I feel like if I were an actor, that would be like my power. Like, you would corner somebody in a room of a fucking party and be like, I could play you in a heartbeat. Huh. You know? Does that happen with the good actors? I don't know. You have to ask good actors. I think that I, that's what this is called this past weekend. Yeah. How'd you come up with that? Because I just started on a Monday.

58:39To be honest. I didn't really. That's good. We didn't have a real drawing board there, Mr. Phoenix. I'm trying to think. I don't know that there's ever been anyone where I was like, oh, I have to play that. I've been inspired by like I've stolen shit from like friends and people that I've met. Oh, yeah. But I've never, I don't think that I've ever like, I'm going to play who? Exactly. Oh, yeah, you get to choose. You're the one who can do it. Yeah. But that's the interesting thing, yeah. I just wonder if you had that ability. Does that start to get into some people? But then maybe that's like some ego in there too.

59:28You play the broken so well, man. You really just have a, I mean, you are just like a harp that is missing some strings, you know? But it's really beautiful to watch a lot of times. Why do you think that, do you get attracted to those roles? It seems like you must in some ways. um yeah and sorry to just kind of like pigeonhole you and your abilities i know you have a lot of abilities um uh i definitely i don't know why i guess um okay so uh my dad was uh he was uh He was a complicated dude. And he, there was like a lot of like, I want to say dichotomy, but I don't even really, I'm not entirely sure if that's the right thing.

1:00:28But it is like. Conflict or something? Yeah. And he was really, he was complex or something like very like sensitive and sweet and thoughtful about him. And he grew up in a pretty tough situation and was in juvie, very young, and had this very splintered family background. They're pretty affected. Yeah, it's what you'd call a shit kicker. But he also was like a fucking hippie. and was like, you know, was, you know, vegan. And like, so I think like I was really, I think he was like so fascinating to me growing up because I think I saw those things and then that existed inside the same person. Yeah, let's get fucked up and get a salad on.

1:01:33Exactly. I mean, that's a crazy thing to even think. you know and i'm sorry to say that just a little bit like no it's it's great it was it was great and it was perfect and i needed that moment um so i i think like that was really again i think maybe i was i'm not you know i don't know what i think i was attracted to those roles maybe as a way of whatever you know connection or just yeah just like familiarity just curiosity you know what i mean like i feel like he was kind of like the most interesting person to me and i probably wanted to like try and understand him more or something i don't know maybe or maybe not i i don't really know um but so i think maybe that's that's part of it and then like yeah i just i i I love one of those people that whatever limited exposure I had to film or television when I was young, I loved like fucking drama.

1:02:42Like I, I loved conflict. I mean, I did. I loved when shit was like, you know, this seems very bad. Whatever's about to happen. He's very bad. Oh no, you are a fucked up person. I was fucked up. How could you have done that? I think that that was interesting to me. And I think I also wanted to like try to, I think I always was like curious. I think I didn't believe that there was like, like good people and bad people. So like, I was like interested, like, okay, well, this is somebody that's made these like mistakes or bad decisions. How could that, how could that happen? Like, what are those, what led to that?

1:03:22I think it's just like a curiosity about that maybe. yeah um and then some of it honestly straight up some of it also is like it's not like i walk in and it's like the full fucking salad bar and i can choose whatever there's like a full thing and then they come in they're like you have you can actually just from here to there you can have those four options you go but what about there you go no no you don't that's not for you so part of it is like get in where you fit in right part of it is like i had a face that just oftentimes looked criminal from like very, from a very young age. I noticed that like when I went into the store with my friends, I was the one that was followed around by security.

1:04:03They like, were like, and I didn't understand why, but at some point I think I kind of realized I was like, oh, okay. So I'm going to, I'm getting these, these parts and like, yeah, I'm the guy in the master. Yeah. Yeah. Yeah. I mean, you know, or, you know, playing Skeletor in the He-Man commercial, not He-Man. Oh, that's what you're saying. You're like, oh, this is kind of interesting. Yeah. I mean, so part of it is like, that's just also the reality, right? And there's things where you're like, oh, but I can do that. I want to do that. And they're like, no, you can't. And in some ways, maybe they're right.

1:04:39There's also like a point where you're like, okay, how do I, how do I achieve that thing that I'm chasing there in this, in this thing? Like maybe that's the better route for me. Like maybe that's the more honest thing. And like, I'm chasing an idea that I think that somebody maybe has of me as an actor and I want to dispel that. No, what do you, who, that's not what's important. um but maybe it's valuable to like chase that quality but through this this character's experience um that's fascinating dude like the joker yeah like i could totally see exactly what you're talking about like and i'm thinking a lot of times in life we have this we're chasing an idea of ourselves or a projection that we thought someone else had of us or even just the um um the archetype i can't even freaking remember that word dude from freaking science or whatever the archetype of what we think something is you know like the high school quarterback or the prom queen yeah and for our whole life we're like instead of being like well why don't i just fucking put on this comfortable shoe that fits or why don't i try to be the quarterback but he's in the fucking school play and he doesn't have a football right yeah and he's a fucking lives in a dungeon or whatever and he has a hunchback.

1:06:04Yeah, because it's probably good to like challenge yourself and challenge expectations, right? To not just go like, oh, I guess I'm just that and I'll just be that, right? Like there was, I think I did have an ambition, but really my ambition was about like an experience. I felt like I don't want my experience to be limited. Like that's not fair. that I don't want to just play this role in this way. Like, I want, my appetite was bigger than that. Like, it was bigger than I think what I was told. I remember, like, I remember when I was young, I remember doing this movie and one of the other actors was talking to the director and he was like, wouldn't it be cool if, you know, Joaquin did, you know, this kind of movie, you know, kind of like so-and-so.

1:07:00and he mentioned this other actor that was like my peer who was like, like the actor. Right. And the director was like, yeah, but I mean, Marquinhos no so-and-so. Yeah. And, and he was like, and, and the other actor was like, dude, that's so fucked up. The director was like, oh no, no, I just, I mean that in the best way. Like you're a character actor. He's no Fred Armisen. Yeah. Character actor, yeah, it's like, it's like kind of code for like, you can't really, like you're never going to really get there, but you'll work and um and that fucking pissed me off but here's the thing but it pissed me off because i was like no i i have more like that's not um there's more that will come out that will come out of me and i just um but i think i ultimately appreciate it because it made me go like well how do i find that way like how do i find more and and yeah i'm not going to be able to get in this door and like yeah i shouldn't play the quarterback like it doesn't make sense like if i walked out then you're going like well this team unless it's like yeah the defense is going to be on the field a lot yeah if this guy's a fucking quarterback what's going to be unless is like some 80s school comedy like kids comedy where like they're a disaster yeah you know maybe that maybe that version of it yeah or unless they like siphon in a unique quarterback from another realm kind of right and his thing is by the way let's not give away too much because maybe this is something we should we should work on but no i i think there was something else you said in there and I forgot what it was a second ago, but it was really profound about, or it was as profound as people can be in a fucking motel somewhere.

1:08:56It's a hotel. You're right, actually. Well, just because in case they're listening. No, you're right. You're right. Actually, I don't want them being upset. This is a very famous hotel where a lot of fucking important people have overdosed. Right, exactly. A lot of people die here. And that is true. We're at the Chelsea Hotel, and it is very unique and fun. And this is a great place to be whenever you're in New York City, I think. You're tricking me now, dude. No, no, no. You set me up, dude. I didn't set you up at all. No. I, for real, had paranoia. And I was like, I don't want to be the person who's talking shit about them.

1:09:35But Motel Chelsea also. It kind of sounds dope, to be honest. Motel Chelsea? Yeah. It sounds better than Hotel Chelsea. Oh, it sounds like somebody my dad met. You know what I'm saying? That's a problem too, dude. Sorry. So anyways. No, it's all fun. But I think you said exactly what you wanted to say there. And I think it's interesting. Yeah. Because I think it pertains just even outside of acting is how can we do more? How or like, how can I find a way to apply myself to this thing? How do I adjust like what is a new way to do something? if I want to get to my goal and if it's even going to be possible, is there another route, right?

1:10:19Like rerouting when your app says that, it's kind of like that, which I think is something that people do when they are, when they really have a goal that they want to try and attain, you know, I just think it's interesting. Yeah. It's like, of course, right. Resistance, right. It's like resistance is important. And, you know, I was just reading about dinosaurs, my kid. And you're like, oh, shit. Motherfuckers were like, hold on. There's a very large dinosaur. It's got big teeth. It's nasty. It's mean. What do I do? I'm a fucking vegetarian dinosaur. What do I do? And just evolution is like, oh, you start growing spikes out of your back or fucking horns and shit.

1:11:05And it's just like it's a reaction to the environment. those motherfuckers it took millions of years to like react to change and to evolve and so sometimes when you're like oh yeah the director was mean to me like yeah well it's fucking nothing comparative comparatively right so it's just yeah i think kind of meeting the challenge in some way is like trying to get to a place of appreciating the resistance yeah um and reacting to the I don't know what I'm saying about dinosaurs. No, because most of the life is, but I think it's fascinating to think how badass a fucking vegan or vegetarian a fucking brontosaurus was.

1:11:46Brontosaurus is big. That was the solution. It just got, like, bigger. Who is the biggest vegetarian dinosaur? Let's give them a little bit of shine here. You know? And I'm sure Josh Brolin will get to play them in a movie. But we won't. This is the brontosaurus dip dip. Oh, the dreadnought us. Look at that limousine. I have not read about him. How long have you been a vegan for? Vegetarian, vegan? Vegan since I was three and a half years old. That's what's been a whole part of your life. Yeah. Wow. Yeah. You know what I do like sometimes? Radishes. Yeah, I just had some. You know what I just made yesterday?

1:12:34I made radishes and jalapenos together. Fantastic. Lemon, salt. I like having some salt and water. I like fasting recently. I've been doing it a lot. Have you? Really? What did you do? Just nothing. Just water? Yeah, just water and a little bit of salt. Put some salt in your hand. But you even look forward to the salt. I would even go to the gym. Oh, wait. You went to the gym? I would go to the gym. I'd get home. Like, when I get home, I'm having my fucking pinch of salt. How long do you fast for? 73 hours is the longest that I did so far, but I'll just do a day. Like I did like 36 hours the other day.

1:13:08I feel like I'm doing like a day a week now, 24. Yeah, it's great. It's good for you. But are you sure you should work out while you're doing it? No, I'm not sure. Maybe look into that. I don't know. But I remember doing that, and then I didn't feel good. And maybe it was that. I want to ask you one more question before you leave, because I feel like we've had a nice conversation, so I don't want to push the bounds of it. Oh, push it. It's okay. You can do whatever you want, man. It's fine. Do you feel like, do you, did you like being a son? Is that a weird question? Is that I like being a son?

1:13:44Because I never thought about it. I just thought about it. Like as we're sitting here thinking about that, we were both, you know, we have that in common. A lot of people have in common. Yeah. I got three siblings, one boy and two girls. One boy and two girls. Yeah. Well, I was the second son.

1:14:03and my brother was like quite a force and was definitely like, I don't know, was like mythical or Shakespearean or maybe it was because he died or something, but he was like the first son and he was incredible and he was such a force within our family. He was kind of like the guiding light in some ways. um he's one that acted first and we used to sing on the streets and he played guitar and kind of like oversaw he was like a lead singer he was the lead singer and he was the guitarist and kind of oversaw everybody and he and he was such a uh like a a strong but gentle force within the family so i think in some ways if i'm honest a lot of my life like growing up i kind of was like you know like right what am i yeah look at it like you're like and not not a way of like oh this sucks just kind of like no yeah like cool like feel secure yeah it's just handled that's like care of yeah everything's fucking handled at last yeah for sure i got three sisters and um and they're also like amazing and and strong in the best way and like you know forces like each of them just brilliant um and and i probably yeah for like yeah i don't know that i um you know i just i didn't i never i never felt any weight or pressure about like being you know son or anything like that you know um maybe it falls on the first child a lot i never thought about that i'm i'm sure um i don't know if it fell on him or if he just like took it you know i mean sometimes sometimes it's just like undeniable you know what i mean like like i'm look at the two of us i'm the son sometimes you know he's working freelance over here okay like it's kind of the truth right um and there was no like i never you know we also there was like a four-year age difference between us so i never i never felt those things like you know in movies there's like the brothers are like competing and like angry oh yeah like shakespearean brothers

1:16:29that was funny you didn't intend that to be funny yeah i did not intend that to be funny yeah step it still was our brothers oh thank you yeah i'm trying to think of other brothers anyways um this is good jackson five maybe this is a good that's good um but that's interesting yeah i don't know i was just thinking about being a son because i never really even thought about it myself that much but yeah if you have that brother you kind of have that get out of jail free brother you know you're like oh this this guy's got that dude he's a fucking lead singer i'll be back here you know yeah are you or what i'm the second bro yeah i'm the second son my brother was kind of like went AWOL so I was like oh shit I gotta fucking pick up I gotta like I gotta do some recycling here you know right he's great now but he was just like kind of like rogue you know he was like more of like a like troublemaker just like lost that's what I mean he was like a lost right like a lost guy but now he's great and now he's like my hero he's like you know it's cool to like be able to still be like in like that everything changes over time um what's the age difference two years but yeah he's like a brave i what do i admire about him he has a lot of empathy and he's good for like being patient with me um yeah it's like he has time for me right and that was something that i think growing up in our place it was just like i never i didn't even know it was possible you know but yeah he like he makes time for me He makes time for me.

1:17:55Yeah, that's cool. And I think that that's pretty special. That's good. You know, one thing that you guys talked about in Eddington was, like, whose land it is, right? That was, like, a little bit of a theme. It was kind of a sub-theme, I felt like, with the Native American, and you guys were, like, the county or the township abutted up against Native lands. where do you feel like it's kind of so weird where we are in the world right now because i feel like people are still warring over lands you know you think that's and like there's ice raids like people are getting taken off of lands and like you know i don't know i just feel like sometimes i thought we'd be further along in this i don't really know westerns but i think that that's like a common thing in westerns at least that's the that's the feeling i have when i think about Westerns, it might not be, but just like the idea of like, this is my land and I'm the protector of this land and I will fight for this land.

1:18:50And so I think that is something that comes up in Eddington. And I think that both kind of, both figures, both the Sheriff Joe Cross and the mayor, Ted played by Pedro Pascal, both believe that they're like fighting for the land, fighting for this town and that their idea for this land is the right one. I was really moved by something that you said when you talked about the war on Gaza. And I think that's really courageous to speak about it. And you spoke about it in such an honest way that I just thought was like really beautiful. And it's crazy because like what's going on is absolutely so fucking horrible.

1:19:50There's no justification for fucking children starving to death in a conflict. Like it's that simple, right? You don't have to understand geopolitics or anything like that just to get that. I know there are conflicts all over the world constantly, um but that's something that is uh i'm just it's it's shocking like how um maybe we're afraid to to talk about it um and oftentimes you're made to feel like you're stupid because you don't understand geopolitics and kind of like well i don't have to understand geopolitics like you have to understand like human rights yeah basic healing it feels like to me you You know, for me, I don't know.

1:20:36I don't care about, I don't know if I care about, I mean, but it's hard to say I live on a land that's kind of been taken from other people. But here I am saying like about geopolitics and I understand that. But then at what point do you not say something, you know, like, yeah. And we're in a time and just like in Eddington kind of like, and I'm not comparing like any of these two things, but people are watching things on their phones and you can see for the first time some of this like travesty in real time and it just fucking hurts man it's like and then you're like am i crazy for not saying anything but then here we are on a land where you know people are living in allotments now native american allotments and that sort of you know um yeah and that's that's a great deal of pressure and and just honestly just you saying that makes me fucking feel like you know under pressure so like okay yeah what you know what am i what am i talking about but i think sometimes not acknowledging it is is wrong um obviously i don't have the fucking solution but war always fucking sucks right that conflict sucks but what's happening it just is crazy to me crazy to me just like just the food distribution that's happening now oh yeah they're locking they're like hiding it from people or that they're tricking people or that they're they have to go so far to get it it seems and why is it like why is it not the the organizations that are typically overseeing that and have you know half a century of experience or decades of experience in the different ngos and they're not the ones that are overseeing the food distribution it's a it's a new um organization the gaza humanitarian foundation.

1:22:19Um, and, and so that is, um, yeah, it's just really troubling and, and heartbreaking. So it just feels like, how do we not acknowledge that? And, you know, in some way. And so, and I think that you did and I, um, I just like, I don't know, like when you did that, if you were like, if that made you nervous doing it or. Yeah. I think I felt scared. Yeah. Well, I was, it was, I think that it was it was courageous and it was meaningful and I think it matters and and um so you know I'm I'm straight up I'm really here today because I was I was so moved by what by what you said and just like the courage to do that yeah I was wondering why you came to be honest um to be very honest in some ways or not not in some ways but but thank you man I can't even believe that you saw that and uh yeah not thank you but like yeah I think that shit just like I don't know.

1:23:15It's just like it's crazy to think like I'm laying in bed at night and I'm warm and I'm okay. And to think that there's like some kid who's never going to put these pieces together, you know. And even the kids who have to be alive are the people who still have to be alive. What life do they have, you know. Like what life, like, I don't know. It makes me like, I don't know. And then you start to feel ashamed of your own existence in some ways. Yeah. I don't know. Yeah. You almost feel ashamed to be alive in some ways in a little bit of a way. Does it make any sense, do you think? Yeah, I understand the feeling.

1:23:49Yeah, it's a feeling. I totally understand that feeling. But thank you, man. Thank you for, well, yeah, not thank you, but yeah, I don't know. It's interesting, you know. But I think it's important today that you do say something like you say, you know, and not to think that this isn't affecting people, you know. I think, yeah, that we're human beings. we absorb what's going on, you know, and we watch the actors that are out there in the world and it affects us. It affects children. What are kids doing or seeing those things on TikTok? What happens to their brains and stuff, you know? Yeah. So, but no, I'm grateful to be able to be in a place today and in a country where we can still say something, you know, and it's not mandated by some other power and who knows if that's coming soon or what's happening.

1:24:39So. Do you have some inside information? I have nothing. Okay, I promise. I thought you were looking at me like you knew some shit. No. Okay. Well, that's good. Is there a... You know, I was thinking the other day, I missed Philip Seymour Hoffman. I missed him. I miss his acting. Is there somebody that you miss?

1:25:08like they're acting or like a Philip Seymour Hoffman I'm trying to think Michael Landon I miss he did Little House on the Prairie yeah of course and then what was the Heaven Highway to Heaven with Victor French because I think that was one that I tried out for several times you're lying no I'm sure I'm sure God yeah it's definitely it's definitely in my memory but that was one of the shows when i was a kid that was that was popular yeah dude wow he yeah he was something special he was a really special so he was this what's happening oh in between what's this thing here says 1984 and then r.i.p what is well apparently he took the highway to heaven he was in the hov He's laying in that picture.

1:26:00You know, that's all we can do. Oh, shit. Anyway. Hey, listen, you're going back out on the road, right? Yeah. Is it fun or is it grueling? It was fun. I think I'm ready to stop doing this hour material. It's changed a lot. It's probably 60 % different than when I started. So it's evolved a lot and adjusted. but I'll be happy to get it done when I feel like we've gone to all the places that we can and you want everybody to have a chance to see it if they want but I'll be happy to have a chance for my brain to settle down and not always have to feel like I have to go do this thing every other week or every couple of weeks which is a blessing but still it's just this thing on the calendar it's almost like you're always having to take a vacation and so I'll be happy when that's done so I can see what else do I want to think about and do like you know uh we like i work with this group called valor that does like sex and love addiction intimacy disorder stuff like that so i want to like just have just have a little bit more time to do stuff that's not just focused on myself maybe i guess i don't know so it's it sounds um i i imagine it would be nerve-wracking i can't imagine having to do that really yeah yeah like getting up like getting up yeah like standing it's like just standing makes that makes me fucking nervous and then but then you walk around you have a microphone and you say shit and it's you could do it man dude i'll tell you now this is i think this is the only way to end this is just these these boots are made for joaquin okay so i think we have to Perfect.

1:27:46Dude, thank you so much. Thank you. Thank you for spending time with me today. Thank you for thinking with me today. And I just appreciate it. It was nice of you. And yeah, you just do a great job of being able to create things that the rest of us can't to make us feel. And so that's a gift that you have. And I feel lucky that you have it. And so thank you for just bearing that gift. Oh, man. Thank you. That's... Well, thank you. Thank you. It's just too. I know. I just get embarrassed. I just want to go. I want to dissect everything you're saying. That's nice about me. Tell you why you're wrong.

1:28:27Yeah. But I won't do that. And look, let's just thank Motel Chelsea here. Thanks for having us. Epic. Yeah. Sweet here. And cheers to our dads, man. They're out there. Cheers to those guys. We don't. My dad, we don't know where he is still. So that's. We're not sure. Okay. somewhere. TBD, guys. Yeah. You know, good luck. I hope you find your way. Now I'm just floating on the breeze and I feel I'm falling like these leaves. I must be cornerstone. Oh, but when I reach that ground, I'll share this peace of mind. I found I can feel it in my bones, But it's gonna take

From the publisher

Joaquin Phoenix is an actor known for his many popular roles in films like “Joker”, “Walk the Line”, “the Master” and more. His latest movie “Eddington”, from director Ari Aster, is in theaters now.

Joaquin joins Theo at the Hotel Chelsea in NYC to talk about how the chaos of 2020 inspired his new movie, the influence his dad had on his characters over the years, and why he feels so compelled to speak up on human rights issues.

See “Eddington” in theaters https://www.youtube.com/watch?v=oL6jZqExlIk 

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#598 - Joaquin PhoenixThis Past Weekend w/ Theo Von · 1 h 31 min
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