Decline porn explained, and why Clavicular is misunderstood

20 Feb 2026 · 32 min · 17 chapters

Ask about this episode

Ask anything about it. ChatGPT or Claude reads this page and answers with the times it was said.

Connect VO and ask about every podcast you hear, including the moments you saved. Add to ChatGPT · Add to Claude

In short

The episode explains “decline porn”: social media videos that distort cities (often liberal, diverse ones) to seem unsafe or in decay, using AI edits and selective real-world footage to provoke outrage and anti-immigrant sentiment. It cites a YouGov poll (61% of Britons see London as unsafe, up from 39% in 2014) and examples like YouTube “auditors” such as Kurt Kaz, including AI-altered thumbnails (e.g., adding a balaclava to a cyclist) and fake shopfront text. Channel 4 unmasked Kaz’s AI-video creator as a man sentenced for racially motivated attacks on Jewish people. The episode also profiles “Clavicular” (Brayden Peters), a New Jersey looksmaxing streamer tied to Kick and crypto gambling Stake, who claims to run a clipper network (950) and sells a $49/month “ascend” course.

Key claims

his fame is driven by rage-bait clipping/cross-pollination, and his content overlaps with misogyny and incel/“sexual marketplace” ideology, including explicit coercive advice.

Written by AI. May contain mistakes. Listen to the episode to check what was said.

Chapters

Tap a time to open that second in VO

Understanding Decline Porn

0:45 to 1:43

Discussion about the concept of decline porn in social media.

“And also how and why the things you're seeing on your phone are there.”

Real World Implications of Decline Porn

1:43 to 3:37

Exploration of how decline porn affects perceptions of cities like London.

“When I later saw what he was doing, I realized it was decline porn.”

Case Study: Kurt Kaz and YouTube Auditors

3:37 to 6:36

Analysis of Kurt Kaz's videos and the portrayal of cities he audits.

“decline porn is this new trend of YouTube auditors.”

The Role of AI in Decline Porn

6:36 to 9:30

Discussion on how AI is used to manipulate perceptions in decline porn.

“And then you go to the comments and you've got some people who think it's a joke.”

Wider Impacts of Decline Porn

9:30 to 14:02

Implications of decline porn on political rhetoric and societal perceptions.

“He basically just said, it's kind of not my problem.”

The Rise of Anti-Immigrant Rhetoric

14:02 to 14:48

Discussing how media narratives contribute to anti-immigrant sentiments.

“Similar claims about Paris, San Francisco.”

AI and Content Creation

14:48 to 15:40

Exploring the impact of AI on content generation and its implications.

“I think that one of the reasons that this is happening in the way that it is, is because the bar for entry when it comes to AI has just like completely changed.”

Introduction to Clavicula

15:40 to 17:05

Examining the rise of Clavicula and misconceptions surrounding his persona.

“whether it's content from this creator themselves or people talking about this creator, is Clavicula, which is very much up your street.”

Understanding Looks Maxing

17:05 to 18:49

Explaining the concept of looks maxing and its ties to incel culture.

“It's just, how do you improve your looks to achieve the highest sexual marketplace value?”

The Vocabulary of Looks Maxing

18:49 to 20:03

Delving into the specific language used within the looks maxing community.

“Yeah, it's kind of extreme body dysmorphia.”
Show all 17 chapters

Clavicula's Viral Strategy

20:03 to 21:48

Analyzing how Clavicula gained fame through controversial content.

“So to understand how he's become famous, you have to understand, first of all, what Kick is, the platform that he streams on, and second of all, what Clipping is.”

Monetization of Controversy

21:48 to 23:47

Discussing Clavicula's monetization tactics and how he generates income.

“Essentially getting really good at gaming the algorithms, which we know will promote stuff that triggers a reaction.”

The Impact of Clavicula's Course

23:47 to 26:35

Exploring the implications of Clavicula's course and its content.

“to be making at least 60k a month just from this course.”

Nihilism in Online Engagement

26:35 to 28:03

Examining the nihilistic trends in online content creation and engagement.

“But actually, fundamentally, this is about people's ability to seek out engagement and how they do that and how they can farm outrage and how they can get their posts to get as many eyeballs and clicks as they want.”

The Dynamics of Online Engagement and Cancel Culture

28:03 to 29:02

Explore the impact of online engagement and how it shapes accountability and fame.

“this new ideology that you can adopt, which is being basically extremely online and just wanting engagement, regardless of what you're sharing and the impact of that.”

Clavicula's Internet Presence and Political Shift

29:02 to 30:05

Discuss the peculiarities of Clavicula's appeal and potential political implications.

“And so when these figures begin to not just say, look at this crazy, weird thing I'm doing, follow me, but actually turn themselves into a political cause.”

Criticism and Content Creation Policies

30:05 to 30:39

Analyze the responses to criticism and content moderation policies on social media platforms.

“And TikTok, Instagram and X all do have policies about labelling AI generated and synthetic material and they don't allow racist abuse or manipulation through influence operations.”
Hear the part that matters, and keep it.Open this episode in VO. Double tap your headphones to save a moment as you listen.
Get VO free

Transcript

Automatic transcript. May contain errors.

0:00Okay, Matt, we have been chatting for ages about doing a podcast because I guess we investigate and analyze different bits of the social media world that kind of complement each other. Yeah, exactly. I mean, I've followed your work for a long time. You're the official, what's your job title? I'm the social media investigations correspondent, which basically means I look into the real world consequences of stuff like conspiracy theories and trolling and algorithms and all that kind of thing. So you really are the expert on this. No, and as are you, as are you. Well, I'm a freelance investigative reporter.

0:29I do cover a lot of the same stuff as you. I also cover the manosphere, crypto, internet culture, all the kind of dark corners of the internet. And the purpose of this podcast Top Comment is essentially for us to talk about, analyse, investigate what is popping up on your social media feed, which is basically how we're all experiencing the world right now. Exactly. And also how and why the things you're seeing on your phone are there. This week, episode one, we are going to be chatting about two stories. The first one is this thing, decline porn, which is essentially when people on social media are making cities look not actually as they are, often using things like AI.

1:06And the second thing we're going to talk about is clavicular, which I think the media is misunderstanding because they're not asking why and how did this person become famous so quickly and they're not following the money.

1:27So the first time I heard the phrase decline porn, you actually said that to me, but I hadn't realized I'd witnessed some decline porn being made. I saw this guy, Kurt Kaz, and he was a YouTuber filming a protest that I was covering. He had security around him. He was trying to rile up the crowd. When I later saw what he was doing, I realized it was decline porn. Yeah, and this, I mean, the word itself is so interesting, because decline, obviously, as in presenting a city, often metropolitan, quite liberal cities, as being in decline, that they're like in a bad way, maybe they're overrun with crime, or there's lots of immigration, or some other political point that's being made.

2:06And that's not to say, by the way, that cities don't have crime or problems with immigration, all of those things. But what we're talking about here is when people are distorting reality. And I guess that's kind of where like, the porn bit comes in. And the idea that you're kind of sharing this stuff in a way that feels quite sort of provocative and to get a kind of reaction or to make a political point. And it's appealing to something base inside you when you're watching it. So I read that YouGov did a poll that said that 61 % of Britons now see London as unsafe, which is up from 39 % in 2014.

2:35But just a third of Londoners agree with that. And the vast majority, 81%, say that their local area in London is safe. what's interesting is that crime has gone down but london has found itself kind of increasingly a target for this kind of content and i guess it's not just london as well like there's loads of us cities aren't there like places like san francisco or chicago or even new york where people will be posting content i guess in some cases showing real examples of homelessness or crime or people taking drugs but that perhaps omits the wider context and then there's something that's much more manipulated, perhaps as a way of describing it, where people are actually using AI or other technology to change the reality that's in front of us.

3:18Exactly. And so we have this perception, especially in the US and outside of London and other cities like this, that they're unsafe and that crime's really bad, which is completely, does not match with reality or the local residents of those cities' own perception of their city. So where is it coming from? And yes, it's coming from this decline in porn. One of the best examples of decline porn is this new trend of YouTube auditors. That guy, Kurt Kaz, I think fits this category. There go the police and the drug dealers are right there in London. The last time I was here was about 10 years ago.

3:52And it's changed to say the least. I looked at the video he made about London afterwards. And in the video, it's called Avoid This Place in London. He basically braves the streets of Croydon for this video. And there's a scene where a smiling black man cycles over to him. And in the thumbnail, he's put a balaclava with AI on that man's face. But then in the video, he's not wearing the balaclava. So he's making it seem odd. And he's changed the writing on all the shop fronts to be in Arabic. And I think the first clue about the intention behind this distortion of our perception about London is the fact that there's a racial undertone to it, right?

4:32the Arabic writing, the fact that he's put a balaclava on a black man, which reminds me also of the Kruhkern Gazette, which is a kind of AI parody account. And, you know, he has a famous video where you can see kind of Sadiq Khan, who's often a target of this decline. Because he's the mayor of London Muslim. Exactly. It's called Sadiq So Bleak.

4:57And he's used AI to kind of animate Sadiq Khan running past crumbling buildings with burning vehicles. And like his other videos, it kind of plays into this narrative about immigrants ruining the UK.

5:12Now, Channel 4 has unmasked this guy, who's previously been anonymous, as a man who was sentenced to five years in prison for racially motivated attacks on Jewish people. This is the guy who's making these hugely popular AI videos. What I've noticed about this kind of content is you've got a real mixture of different types of accounts that are creating it. You've got some YouTubers who are using their name and building a profile on that basis. Then you've got people who are using pseudonyms and are anonymous in some way. So they're getting the clicks and the views and the likes, but they're not kind of growing, I guess, a profile or a reputation, at least personally in quite the same way, which is really interesting.

5:52And I started to look into this specific genre of AI content about London that was being shared. these videos of people in Croydon, South London, young trackies. Is this like the Croydon AI water park video? Yeah, exactly. So water parks, zoos, water slides. And what was interesting, I mean, most of the people in the videos, they weren't white. They were often like masked up and you couldn't quite see them. They are what people would call road men. It's this kind of term that the creator, and we'll talk about them in a second, uses. And the videos themselves, some of them are obviously satirical.

6:24Like I saw, when I first saw them pop up on my feed, I thought, oh, this is kind of like funny. But then you start to notice this political undertone, or perhaps it's not even an undertone at all, just messaging, where you've got labels over the top saying, this is taxpayer funded. And then you go to the comments and you've got some people who think it's a joke. And then other people who are kind of saying, right, look, there's a problem with immigration. Wait, sorry, as in like the Croydon water park, which doesn't exist, could have been funded by our tax? Yeah, so it's like a water slide and you'll have people going down it and it's got a sticker on it and it says, taxpayer funded water slides in Croydon.

6:54Right. You've got some people who obviously know it's a joke and it's worth saying that. But there's this real murky area between sort of satire and then satire that can be misappropriated. And so I went down a bit of a rabbit hole on this one because one of the things we're going to be doing on this podcast is some original reporting, trying to find the people behind the accounts, trying to figure out why stuff's happening in the way it is. So I tracked down the account that has admitted to creating all of this content. They're called Radial B or D. They've had various accounts, some of which were taken down.

7:22And what was actually really interesting is the way that I found them was by just messaging loads of accounts that were showing these videos. And then loads of other creators were like, oh yeah, yeah, no, it's this account. This is the guy you need to speak to. And when I messaged him, I sort of thought, well, at the time I didn't know it was a him, but I thought, is this guy going to get back to me? Because often when people are generating this content, they don't always want to talk to you about it, particularly if they're using a pseudonym. And the only content on this TikTok profile was the Croydon AI stuff.

7:48Anyway, he agrees to speak to me. So I get him up on the phone. And essentially what he goes on to say is, look, I see this as sort of a form of almost like satirical art. But what was interesting is I challenged him on, but wait a second, it does look quite realistic. Even when they have the tiny AI generated label on them, you can see that people believe them. And this is what he had to say to me about why he makes them so convincing. No, the goal has always been to make it believable. If people saw it and they immediately knew it was fake, then they would just scroll that. That's unengaging, absurd content, isn't it?

8:21You know, the selling point of generative AI models is that they look real. And what's the goal of getting the views? I guess you could say it's an art form. And well, the views aren't a goal. The views are a measurement of how funny something is or engaged in something is. So he's claiming to you that this is art, but it fits into this narrative that non-white people are kind of ruining London and also that it potentially could be taxpayer funded and therefore the fault of the government. And he himself said he added that taxpayer funded label. Like he put that on. And when when I messaged him about his kind of political views, he said, well, basically, yeah, I am actually kind of engaged with politics, but I kind of think all politicians aren't very good and we should replace them with roadmen.

9:05That was that was his quote. But when I when I challenged him on that, on the way that his account, you know, there were either people responding to it who some of whom seem to actually believe it. Or there are people who were creating their own content inspired by him or downloading videos or reposting stuff on different platforms. And they were being very overtly political and essentially playing into this decline porn thing. E.g. London is a mess and here's why and believe this video. He basically just said, it's kind of not my problem. Like I made this stuff and ultimately my intention wasn't to divide people or to make them not like London or whatever.

9:42It's just an absurd idea I came up with. and this is what you said. Obviously, it's always been about incorporating stereotypes in it because that's just kind of a cornerstone of humour. So just originally it was, the first one I made was roadmen in Parliament. And I mean, when I was smaller, it was more the case. I could put stuff up and there would be like 50-year-olds and 60-year-olds in the comments raging and saying all this political stuff. But as it got bigger, people kind of knew the art style, I guess. So they just saw it as just humour. Where does this guy from? So you can hear that he's from the northwest of the UK.

10:24So he appears to be based in the UK. He wouldn't tell me who he was, his name, but he did say he was in his 20s. He also said he worked in, he described it as like gambling, kind of financial markets, that sort of stuff. I think what was particularly interesting is the way that he got into this was starting to use generative AI, but especially when it became more accessible. So he throws it back to October of last year when Sora, this generative AI tool, basically became a lot easier to use, more accessible, available. And he started to be able to make his own content. He has made other videos like this.

10:54So like Roadmen in Parliament, like a lot of his content is political. Yeah, exactly. And so he made that originally. Then he came up with all this water slide stuff. What's really struck me though is because I've been looking into the other accounts that have been sharing this content. And a lot of them are not from the UK at all. You know, people have told me they're in the States. There are accounts posting in Arabic. There are accounts that say they're in Brazil and other places like that. Even Radio BD said that they'd never been destroyed. And certainly these accounts have probably not been anywhere near South London.

11:22So why are there accounts all over the world reclipping and reposting AI content that makes it seem like South London is a kind of roadman water park hellhole? I think there's different reasons. I messaged loads of these accounts and quite a few did get back to me. One of the main reasons is engagement farming. Essentially that they see that these videos are getting a load of reaction. They trigger rage, you know, accusations of racism, what have you. And so they get the clicks and views. They get recommended by the algorithms. So quite a few of these pages either share AI generated content or meme content and basically say, I just wanted to get in on the trend.

11:56There are others that their intentions are slightly murkier. So a few accounts I've found are posing as almost like patriotic British news accounts. They're not a real outlet, but they're reposting this content under that guise. And I think one of the things that can be really hard with this stuff is you can kind of tell the accounts that are engagement farming that want views and likes. With the ones that are being politically divisive, that could just be personal ideology. That also could be more coordinated. It's often incredibly hard to prove that it's more coordinated. But ultimately, the impact of all of this, whether it began as a joke or it began seriously, is to kind of inflame tensions, distort perceptions of what somewhere is like and possibly to influence people's political opinions.

12:37And that point about the different accounts connecting with each other and sharing their stuff, that was something I actually put to Radio B because I kind of wanted to know who was behind his account. Was it just him? That's usually my caption. What, you've put taxpayer funded? Why did you put that on it? Yeah, we've put that on a few ones. It's just like an inside joke. Who's the we? The whole theme has been, well, I'd say we could it's a page, but no, it's just me. So, okay, it sounds like a bit of a slip of a tongue there because he did use the word we, and that kind of implies a little bit more coordination potentially is behind this.

13:13I think every single example of decline porn we've just done, whether it's YouTube auditors or the AI stuff, it always has either a racist, Islamophobic or anti-immigrant undertone. So whether these are some kind of coordinated movement, whether they're people engagement farming or a combination, the effect, I think, is always to increase the potency of anti-immigrant rhetoric. And it's worth saying that this is a lot bigger than London. I mean, this is a trend that's being applied across British cities, European cities, American cities. And I think why it matters is because it's completely legitimate for people to raise concerns about different cities and the places they live and everything else.

13:52But what is happening here is this distortion of our perception of reality. And it's difficult to overstate how much of an effect all of this is having on our politics all across the West. Similar claims about Paris, San Francisco. I mean, if you look at Minnesota, that whole ice crackdown arguably started from Nick Shirley, who's kind of a quasi YouTube auditor stroke investigative journalist, saying, look how ridden with Somalian crime this state is. And look what that arguably led to. This is a huge part of the rise of anti-immigrant rhetoric and racist rhetoric all across the West. Which is fed off by different political accounts, very high profile ones that will pick up and post this stuff.

14:33I mean, when we look at Elon Musk's posts on X, for example, he's someone who's often shared content that paints certain places as being in decline, not okay, particularly Europe, particularly the UK. when that is contrary to the evidence available to us. I think that one of the reasons that this is happening in the way that it is, is because the bar for entry when it comes to AI has just like completely changed. The ability of someone like, for example, Radial BD, who is able to sit at home wherever he is and generate this stuff. He said, you know, I can make 30 videos a day, basically, because now the technological advances when it comes to using something like Sora, it's just, it's like, great, I can make this stuff.

15:13It's really easy. It's enjoyable. I like making it. I find it funny. I get a reaction. And the technology is ever improving. I mean, I don't know if you've heard of Sea Dance, which is now. Sea Dance 2.0 has just come out. Yeah, which has just come out. And the videos are so realistic. So just the average person can make stuff really, really easily. And they can feed into the chaos, whether they intend to or not.

15:39Okay, Matt, something I've seen increasingly popping up on my feed, whether it's content from this creator themselves or people talking about this creator, is Clavicula, which is very much up your street. Not personally, but in terms of the stuff you investigate. And I want to know about Clavicula. So I think that the media and the public are kind of misunderstanding what's happening with Clavicula. Because he's been popping up on people's feeds, but then also he's been getting quite a lot of media coverage recently as well. Exactly. There's countless think pieces about Clavicula, creating the perception that all young men are interested in looks maxing which we'll explain in a second but in reality i think that this is essentially a marketing campaign and i'll get into why in a second but first a short bio of clavicular he his real name is brayden peters he's a 20 year old looks maxing streamer from new jersey um he's been active for a few years but he's completely blown up and become you know the man of the internet right now what's going on fellas Welcome back to the channel.

16:40Today, I've got a good one for you. So hopefully you guys, you know, pick something up off this video, because I think this is the future, truly. That's such a good phrase, the man of the internet. I feel like there's a person of the internet probably every week. Yeah, well, he's certainly the man of the manosphere. I mean, it was Andrew Tate. Now it is arguably him. And so his name itself relates to the bone, the clavicle, and that connects to this thing, what's it called look looks maxing yeah so basically the width of his clavicles i.e his collarbone is significant and that's why people call him clavicular and that's something looks maxers are obsessed with so looks maxing it comes out of the incel community involuntary celibates it's actually kind of sad if you go on the the forum where clavicular kind of started looksmax.org it's a very sad place it's full of boys often under the age of 15 who are they believe this kind of incel thing that we live in a sexual marketplace and that women are hypergamous, which means that they will only mate with someone who has better genetics than them or more money than them.

17:48And there's no kind of courtship. There's no love in this world. It's just, how do you improve your looks to achieve the highest sexual marketplace value? Because we We live in this biologically determined kind of Darwinian sexual marketplace. And so what Lux Maxxers do is they do all sorts of crazy things like bone smashing, which is where you smash the bones on your face to kind of increase your chiseled bone structure look through bruising. They take kind of gray market peptides and testosterone and steroids. They do frauding, which is basically like kind of lying. So that's like putting inserts in your shoes to make you look taller, etc, etc.

18:29Clavicular himself, he started taking testosterone, according to him, at the age of 14, as a result of which he's now, according to him, infertile. And so that just shows you how extreme the lengths he'll go to for luxmaxing. He also says that he took meth and Adderall to kind of hollow his cheeks out and reduce the fat in his body. It's more like really extreme. Yeah, it's kind of extreme body dysmorphia. The other thing about looks maxing is the vocabulary. So the way that most people kind of encountered Clavicular for the first time was this meme where he's standing next to a frat leader and it says Clavicular got brutally frame mogged by an ASU frat leader.

19:12getting frame mogged means like mog stands for it comes from alpha male of the group it's an acronym and to mog someone is to like present yourself as superior to them and frame mog means you have like a wider muscular frame than them so that kind of ridiculous lingo gets you into their heads a little bit it's like speaking an entire i mean i always think this like in like most of the kinds of subcultures that we investigate online there's like certain words you learn like crisis actor with conspiracy land say or whatever i feel like particularly in this kind of realm that's just like i've never heard of mog before yeah exactly but i think one of the reasons this has gone so viral is because people are kind of performatively and ironically participating in that discourse and using that vocabulary because it's even if they don't buy into even they don't buy into it because it's so funny and ridiculous and that then makes it go more viral and it kind of cascades and is that how overnight he just became such a thing it's part of it it's part of it because it felt like he kind of came out of nowhere like as someone who's not hanging out in the manosphere on a regular basis so whenever someone becomes that viral that quickly you should always question why and what's behind it it's very rarely organic and the rise of clavicular reminds me a lot of the rise of andrew tate so i've been looking into how he's become so famous so quickly and i think it's all part of what i call the kind of rage bait industrial complex.

20:36So to understand how he's become famous, you have to understand, first of all, what Kick is, the platform that he streams on, and second of all, what Clipping is. So Kick is basically a kind of controversial streaming platform where people live stream their entire lives. It's a competitor to Twitch, which is the biggest streaming platform. They've been called like the Wild West of streaming because they've been accused of not having the same kind of rules and regulations as to who they let stream. And Kik is connected to a crypto gambling company called Steak. And a lot of the streamers on Kik, including Clavicular, are not just streaming themselves doing like looks maxing stuff.

21:16They're also streaming themselves gambling on Steak. Okay. So that's an important part of it. The second part of it is clipping. Clipping is this kind of internet economy where a clipper gets paid per 1 ,000 clicks on a clip that they put on social media. And according to Clavicular, he has a whole army of clippers. He says he has 950 clippers. He also says that he's given a seven-figure per month budget from Kik for clippers. Okay. So when you encounter Clavicular, you're likely encountering him via a clip that has been posted by one of these paid clippers who are incentivized to get the most controversial, craziest things that he's done, write the stupidest, most outlandish caption and post that.

22:03Essentially getting really good at gaming the algorithms, which we know will promote stuff that triggers a reaction. So he's kind of following the tried and tested path now for far-right and manosphere influencers, which is say the most outlandish, taboo-breaking, controversial stuff on the internet, become famous, get reputed, then go on podcasts and appearances with other right-wing Manosphere influencers, which then creates a whole new ecosystem of footage that can be reclipped. This is called cross-pollination. And I guess you're implicitly endorsed as well by an influencer who the people who are listening to their podcast or following their content, they like them.

22:39So they think, oh, well, therefore, I might be interested in you. Exactly. Now, this kind of came to a T in this clout bomb moment where he was filmed. Clout bomb is a great word. He was filmed at a Miami nightclub with the misogynist influencer Andrew Tate, with the avowed white nationalist Nick Fuentes, and with Sneeko, another controversial Manosphere figure, and they were chanting Heil Hitler along to Ye's song, right? So they are saying the most obnoxious, often racist, often controversial stuff because it gets the most attention, which they can then translate into fame and money if they're clever about it.

23:18Yeah. And how exactly is Clavicula doing that? You've been looking into the way that he's monetizing his infamy or fame, however you want to describe it. Well, first of all, there's the relationship with him, Kik, and the crypto gambling website, Stake. So that's one source of income for him. Second of all, he's also selling a course similar to Andrew Tate, who also got famous through Clippers. He is selling a course for$49 a month. That is quite expensive. Yeah. I mean, making a lot of money, surely. I signed up to the course and based on the members, if they're all legitimate, I calculated to be making at least 60k a month just from this course.

23:55And it's a course that basically helps teach you to ascend, which is the lux maxing term for achieving your maximum sexual marketplace value through modifying your appearance. If you're tired of being invisible to women, tired of getting rejected and tired of watching other guys who won the genetic lottery take what's yours, then pay attention. Because what I'm about to show you will completely transform your face and physique in ways that you didn't even think were possible. Look, I'm not going to sugarcoat this. You have been lied to. They told you just be confident, just be yourself. Looks don't matter.

24:23But you and I both know that's complete. What I found out when I signed up for this course to check it out was first of all, he says makeup isn't feminine. It's tactical warfare for the face. So he teaches men how to do makeup. He's advising people before they go and interact with women and flirt with women, they should be taking viagra testosterone use something called a vacuum erection device they should be taking pregabalin gray market peptides which by the way he also sells now himself on his own website and ssris as well and that's all to make you like more confident in front of women it feels like being connected to incel culture but then also talking about sexuality are at odds with one another kind of because of the nature of what being an incel is so what's going on there so So you could describe him as post incel.

Read the full transcript

25:09So basically incels call themselves involuntarily celibate because they feel they will never, ever find a woman who's attracted to them because they inherently don't have those qualities. He's saying you can improve. Okay. So yes, you have low sexual marketplace value and you're a nobody and no woman's ever going to love you unless you buy my course. And then you can ascend in his terms. And then women will maybe actually like you. He says dating apps are a Darwinian theater and you are the director. So he also teaches you how to kind of manipulate your appearance on dating apps. He also says some very problematic stuff, which kind of crosses the line into potentially sexual coercion.

25:48He says you should inch closer to a woman until your erection is her problem. Kiss her. Do not ask. It's really explicit. It's not like, you know, sometimes with these kinds of influences, as you know, they'll make it a little bit more cryptic. This feels quite explicit and direct. Exactly. And also he posts messages of him speaking to a model on Instagram and where he says, and this is a quote, you're a mentally demented whore and you should rub my semen on your face. That's a screen grab of a conversation he appears to be having with a model on Instagram. So I think this raises serious questions for this kind of world we live in now where we award the biggest platforms to people and financially incentivize them to be as controversial, as misogynistic, as outrageous as possible.

26:35And in a way, it actually brings us back to the first story we were talking about, which obviously they're very, very different types of content in some ways and very different types of accounts and people we're talking about. But actually, fundamentally, this is about people's ability to seek out engagement and how they do that and how they can farm outrage and how they can get their posts to get as many eyeballs and clicks as they want. And it almost kind of becomes not ideological. And you get to this tricky place where you can't really work out what people believe anymore. Like when we first started talking about decline porn and I started investigating some of that AI content, I found it so revealing that actually when you then track down the original creator, they're kind of like, well, it's not really political.

27:18And then you're like, well, it kind of is a bit. And then they're like, no, no, it's not really. It's actually mainly about getting the reaction, getting the likes and views. Why this is worrying is because it represents a kind of new era of digital feedback loop nihilism, where maybe Clavicula might say that he is not racist and he is not political, which he has said. He's all about mogging, not politics. Right. That's what he says. but he represents a new kind of nihilism where it's not a problem for him to associate with white nationalists and you know misogynist influencers in order to get attention in order to make more money you know we say that cancel culture is a thing clearly it isn't yeah i guess there's two things here one is that people's ideological purpose has almost become to get engagement it's not actually about anything that's overtly political one so it's almost like this new ideology that you can adopt, which is being basically extremely online and just wanting engagement, regardless of what you're sharing and the impact of that.

28:17And then secondary to that is the element of a lack of, to your point about cancel culture, a lack of shame. It's like, there's no real accountability. In fact, often it's rewarded when you share this kinds of stuff. So of course, you're not going to turn around and, you know, shy away from speaking to me on the phone or shy away from posting the kinds of stuff you're describing, because actually, you benefit from doing that. It's interesting that we have spoken about a few accounts that use pseudonyms because they're clearly aware that in some circles in real life, what they're doing might not be quite so okay.

28:44But in the social media world, it feels like you can basically do what you want and then everything moves on. You get more famous if you show your face. And where I think a lot of the mainstream media and the think pieces about clavicular have kind of missed the point here is they've taken the popularity of clavicular to represent that young men are now interested in looks maxing looks maxing is still very niche right yeah what this actually is is if they are sharing his content they're sharing it almost because it's so ridiculous and niche that there's an element of the freak show to it and to that extent he could be compared to someone like bonnie blue or the liver king or another one of the algorithm's kind of favorite monstrosities in that people are sharing it because it's so ridiculous not because it represents some new movement amongst young men but because it's so ridiculous but where that then enters the mainstream and becomes political is I think that we are nearing the end of Clavicula's internet lifespan, unless he translates what he's doing into a political movement.

29:44That is what Andrew Tate did. And so when these figures begin to not just say, look at this crazy, weird thing I'm doing, follow me, but actually turn themselves into a political cause. Look, they're trying to cancel me. They're trying to silence me. I'm trying to teach you your looks, Max. they don't want you to know this that's when you then become an Andrew Tate or a Tucker Carlson or someone who actually has a long life online it's worth saying that we've asked Clavicula for a response at the time of recording we haven't got that yet but we will put it in the description if we do get it Kurt Kaz who we were talking about earlier described criticism of the thumbnail on his video as clickbait and said quote if you're going to do a hit piece on me do it properly he also re-shared a post saying quote what's the charge an edited YouTube thumbnail a succulent clickable image.

30:30And TikTok, Instagram and X all do have policies about labelling AI generated and synthetic material and they don't allow racist abuse or manipulation through influence operations.

30:44Okay, that is the end of the first episode. Are you feeling overly interneted? I do. I feel, yeah, I've spent too long looking into clavicular and I'm glad, I feel like I can now put that to rest. I feel like when I go to sleep, I'm now dreaming of people going down water slides and attending zoos in South London, which is maybe not the best. I've also completely ruined my algorithm, but as is always the way. We're rotting our brains so you don't have to, basically. Hopefully we've helped to explain why some of this wild stuff is appearing on your phone. Yeah, and on that point, if you've got stuff that is rotting your brain that you want us to investigate, or just your algorithm is a complete mess and you don't know where stuff is coming from and why, get in touch with us because we'd love to hear from you and we will try and look into it you can send us a whatsapp plus 44 330 123 9480 or you can email top comment at bbc.co.uk but for now bye

From the publisher

If your feed has been flooded with content about the 'dangers' of western cities like London or San Francisco, you're not alone - it's part of a growing phenomenon known as decline porn, and it's driving narratives of political neglect and uncontrolled immigration.

On this episode, Marianna examines a niche take on this trend - AI videos which falsely portray zoos and waterparks in Croydon. She tracks down the original creator of these posts, and explains why they might not be as innocent as they seem.

Also, Matt has been investigating Clavicular - the internet's man of the moment. After signing up to his 'looksmaxxing' course, we discuss the controversial relationships propping up his virality, and what the mainstream media is getting wrong about the streaming sensation. 

Top Comment is hosted by Marianna Spring and Matt Shea. The series producer is Laurie Kalus. The social producer is Sophie Millward. The technical producer was Gareth Jones. The editor is Justine Lang. The senior news editor is Sam Bonham. The commissioning producer is Nathan Jones. The commissioning editor is Rhian Roberts.

If you want to get in touch about something that's popped up on your feed, our email address is topcomment@bbc.co.uk or you can send us a WhatsApp on +44 330 123 9480.

More from Top Comment

All 45 episodes
Decline porn explained, and why Clavicular is misunderstoodTop Comment · 32 min
Listen in VO