In short
Claire Rosencrantz and her father/producer Ragnar Rosinkranz discuss their long-running collaboration, the making of Claire’s viral breakthrough “Backyard Boy,” the aftermath and misconceptions of going viral, and Claire’s severe health scare during a tour that led to a life-and-death recovery and a comeback.
Guest backgrounds
Claire is a songwriter/lyricist and multi-instrumentalist who grew up playing ballet; she started writing seriously around age 15. Ragnar is classically trained (first-year violinist), with deep Icelandic music roots (opera/major theater leadership in Iceland) and a career in scoring and commercial music before investing in Claire.
Key claims
Their “dad vs producer” roles stay mostly separate in the studio. “Backyard Boy” was finished after she initially thought it was “trash” for not being completed in one sitting; she didn’t expect it to blow up. Viral success wasn’t scary in real time—she only understood its scale later.
Notable examples
A deodorant commercial where Claire (age 12) wrote something simple in five minutes; a Lollapalooza performance; a military-base gig with only three attendees; and Claire’s hemoglobin ~3 with ulcer-related internal bleeding, passing out in a hotel and on a bus, followed by returning to writing with Eddie Benjamin.
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Chapters
Tap a time to open that second in VOMeet the Guests: Claire and Ragnar
0:03 to 0:30
Introduction of Claire Rosencrantz and her father Ragnar, discussing their backgrounds.
“So you were scrolling on Marketplace and there it was, the bike you'd been searching for.”
Meet the Guests: Claire and Ragnar
0:45 to 2:14
Introduction of Claire Rosencrantz and her father Ragnar, discussing their backgrounds.
“Like when I was really little, if I was writing a song, if I didn't finish it in one sitting, it was trash.”
The Influence of Family on Music
2:14 to 4:28
Discussion on how family influences artistic expression and songwriting.
“Welcome to Unfamous, the podcast where we talk about the unfamous, untold stories of the art of collaboration.”
The Journey to Songwriting
4:28 to 6:40
Conversation about Claire's songwriting journey from childhood to collaboration with her dad.
“And, yeah, she's an incredibly, and of course she's my daughter, so you're not going to believe it, but it's true what I'm saying right now.”
The Role of Emotion in Music
6:40 to 8:10
Discussion about the emotional processes involved in songwriting and performance.
“Well, you were working on lots of like TV, television, scoring.”
Collaborative Moments in the Studio
8:10 to 9:38
Exploration of collaborative experiences and songwriting prompts between Claire and Ragnar.
“I remember being in my room and being like, God, if I can't do music, I'll cut off my arms, whatever it means.”
The Path to Viral Success
9:38 to 13:00
Discussion about Claire's viral song 'Backyard Boy' and its impact.
“It ended up happening in that particular commercial.”
Behind the Scenes of a Song
13:00 to 14:00
Insight into the recording process and memories associated with Claire's songwriting.
“even if that's no longer true it makes me feel better it's like a safety net let's pretend it's Yeah, because I mean, recently I've been like, the most important thing for me is to be as honest as possible.”
The Origin of Backyard Boy
14:00 to 16:45
Learn about the creative process behind the viral song 'Backyard Boy'.
“And I ever, like when I was really little, if I was writing a song, if I didn't finish it in one sitting, it was trash.”
Navigating Artistic Pressure
16:45 to 19:10
Explore the balance between artistic integrity and commercial success in music.
“the rest of my life and I can like see where I'm gonna be.”
Show all 34 chapters
Reflections on Viral Success
19:10 to 20:30
Discuss the misconceptions of sudden fame and the emotional impact of going viral.
“I just want to make what I like and hopefully what I like will end up having a moment and if it doesn't at least I still like it.”
The Reality of Young Fame
20:30 to 23:17
Understand the perspective of a young artist experiencing rapid success and its effects.
“And then you're like, oh, I was fucking 60.”
Early Gigs and Learning Experiences
23:17 to 28:00
Hear about the challenges and lessons learned from early performances in music.
“of divas, just like women singing their fucking faces off.”
Performing for a Small Audience
28:00 to 29:31
Artists share their experiences performing for small crowds and the lessons learned.
“And like, and we like, we're like, the person walks us to like our stage.”
The Power of Podcast Growth
29:31 to 30:10
Discussion on podcast algorithms and encouraging listener engagement for growth.
“So the thing about the algorithm, Lil Miss algorithm is that she doesn't want to let people know about our podcast unless she thinks that people love it.”
Challenges of Opening Acts
30:10 to 31:17
Exploring the difficulties of being an opening act and connecting with audiences.
“And I would say like, I mean, and again, this is like in the grand scheme of things, really not horrible, but like opening for certain audiences, like opening for an artist.”
Navigating Large Audiences
31:17 to 32:48
Reflecting on the experience of performing in front of large and sometimes indifferent crowds.
“I look at the artists on the stage, even though I've like been in that position, but you look at them and they're not really real.”
Crowd Engagement Techniques
32:48 to 33:59
Strategies used by performers to engage disinterested crowds during shows.
“It's like, and I think I'm like, oh, like whatever.”
A Humorous Military Performance Story
33:59 to 37:51
Sharing a funny and awkward experience at a military event while performing.
“I also have a performing at a military situation story.”
Influential Music Moments
37:51 to 39:20
Discussion on pivotal music experiences that inspired their careers.
“Okay, so another one of our favorite questions we ask everybody is, what is the song or performance or YouTube video or whatever that like, I say like ruined you in the sense of like, oh fuck, I have to make music now.”
Fan Reactions to New Music
39:20 to 42:00
Insights into unexpected fan reactions to recent songs and live performances.
“I mean, this is maybe just like expected, but I genuinely think listening to you play music around the house.”
Unexpected Reactions to Music
42:00 to 43:12
Exploration of how live performances evoke strong emotions.
“I remember playing when, for instance, Seth heard Just a Man.”
Health Crisis on Tour
43:12 to 44:32
Discussion about a severe health scare during a tour that led to hospitalization.
“But I had to recover for a really long time.”
The Hospital Experience
44:32 to 46:30
A detailed narrative about the hospital stay and the challenges faced.
“Um, but yeah, that's like some of the logistics, but basically I, it just completely depleted my body.”
Struggles with Recovery
46:30 to 48:50
Reflecting on the difficulties of recovery and the impact on daily life.
“And I would like, they'd wheel me to the bathroom cause they were pumping me with fluids and I'd pass out in the bathroom.”
Identity and Music After Illness
48:50 to 51:05
Discussion on how illness affected identity and the return to music.
“And so, but yeah, so they bring me to the, you know, bench in the French front lounge.”
Collaborating Through Vulnerability
51:05 to 54:38
The emotional experience of collaborating with others in music post-recovery.
“And that really did bring me to a place that was dysfunctional.”
Gag or Drag Game Segment
54:38 to 56:00
Fun segment where guests share their opinions on various topics.
“And you can also answer meh if you don't really care.”
The Value of Small Talk
56:00 to 56:49
Discover the significance of small talk in building connections.
“and it's just so, I think it's so much, we all know.”
Reflections on Youth
56:50 to 58:25
Explore the complexities of youth and the pressure to enjoy it.
“do you want to go and have coffee with this artist before you write?”
Understanding Through Songwriting
58:26 to 59:26
Learn how songwriting can provide insights into personal lives.
“Okay, gag or drag, learning about, this is clearly for you, a gag or drag learning about your child's dating life through songwriting?”
Generational Slang and Understanding
59:27 to 1:01:05
Discuss the humor and challenges of generational slang.
“and some of my band songs, I talked about some crazy shit.”
The Art of Collaboration
1:01:06 to 1:01:58
Gain insights on how to effectively collaborate with close relationships.
“about the past and like you know the situations that I've been in and so and you can't just like always bring that up with somebody so if somebody wants to bring that up with me that's like that It can be fun.”
Navigating Personal and Professional Boundaries
1:01:59 to 1:04:58
Discuss boundaries in personal relationships during creative collaborations.
“And obviously not everyone's going to write songs with their parents, but they, you know, might be with a sibling, a best friend, a partner.”
Transcript
Automatic transcript. May contain errors.0:00This episode is brought to you by Facebook. So you were scrolling on Marketplace and there it was, the bike you'd been searching for. You sent a message and it turned out the seller was super chatty, kind of funny, and an avid cyclist. The next thing you know, you're in a cycling crew. Well, a community cycling group. The thing about Facebook, you might find more than what you're looking for. From a browse to a bike ride, this summer, find more on Facebook.
0:30Justin Tranter:This summer, say I do. I am marrying a stranger. Like never before. Am I crazy? It's a whole new Married at First Sight on Peacock. Thank God I woke up in love. With new experts. My name is Dr. Lisa. My name is Paul Brunson. More couples. This could be the start of a very successful marriage. And more surprises. Or maybe not. Everything is just not enough. You're a little bit crazy. I don't know what's going to happen. I want my fairy tale ending. Married at First Sight, now streaming. New episodes Thursdays only on Peacock. Like when I was really little, if I was writing a song, if I didn't finish it in one sitting, it was trash.
1:04And I didn't finish Backyard Boy in one sitting. And I remember that was my least favorite song. Really? I almost took it off because I was like, it's so boring. When we're in the studio, she's a force and she knows exactly what she wants. I don't really mess with it too much. Yeah, because I'm pissed. You've always, I think, just been good at, you know, keeping dad and producer separate in that space. and have understood that I need to, like, be free in whatever I need to say. I took, like, a three-year break, I guess. I got, like, severely, like, deathly sick, and I was, like, it was a matter of literally life and death because I was, like, learning myself for the first time again, it felt like.
1:45I felt like I was really just, like, really starting over. Yeah, I was at a very raw, I was, like, at the studs. That's great, though. So, yeah, that's what I'm trying to get back to. I love it. Or not the sickness. but the honesty.
1:59Justin Tranter:Not the passing out, but everything else. Yeah, not the passing out. Yeah. Yeah.
2:06Justin Tranter:Welcome to Unfamous, and we're just putting a button in it. We're going to talk about pig rescue at some point in this podcast. Welcome to Unfamous, the podcast where we talk about the unfamous, untold stories of the art of collaboration. I am Justin Tranter, And instead of the awkward part of podcasts where I talk about you in front of you, we use this moment for you two to introduce each other to the world because it's about the art of collaboration. So you get to introduce your collaborator. Both of you get to introduce your collaborator to everybody watching. Okay. So this is my dad. And my dad, my producer, my bassist, my manager, my basically everything.
2:54His name is Ragnar because he's from Iceland. Sick. So he has a lot of... Well, also your dad. He's incredibly talented. Mother was an opera singer. Dad was the, what, owner of the first opera house in Iceland? The director of the nationals. The director of the national theater. Wow. So has lots of roots in music. And when my grandma was touring for her opera in Europe, she took him and his sister all around the world. And he was classically trained and was a first year violinist. And that played a huge role in my life because he would just play his violin on a looper in our living room just ever since I was a little, little lad.
3:44and so yeah I think I just grew up listening to him and I couldn't help but want to make my own music because he also had a studio in our house and so I would just fall asleep to me and my sisters I have three little sisters three little sisters I'm the youngest of four boys really I'm the oldest so we're on opposite ends there you go I love it ladies gentlemen everyone between Ragnar
4:17Anyway. My turn? My turn. Your turn. All right, so this is Claire Rosencrantz. Woo-hoo! And we met, gosh, we met 22 years ago. 22 years ago, straight from my mother. And, yeah, she's an incredibly, and of course she's my daughter, so you're not going to believe it, but it's true what I'm saying right now. She's an incredible songwriter. And she has been since, honestly, like since you were three years old. I used to see her plonking at the piano, like at three years old, spilling every emotion, every feeling out possible. Everything. And just like fully everything there, all there. And so anyway, she's an incredible songwriter.
5:03Lyricist, like she has this incredible way of twisting and moving lyrics like this. and she's also a multi-instrumentalist even though she doesn't like to admit it, but she is. And she also grew up playing ballet. Playing ballet. Dancing ballet. I'm pretty much. Doing the ballet. Doing the ballet thing. Yeah. And so I think, I feel like a lot of that came into her music, her art. So she's a very well-rounded artist and I'm proud to call her my daughter.
5:38Justin Tranter:Thank you. Ladies and gentlemen, everyone in between, Claire Rosencrest. Thank you. Yeah. How does it start from being around the house, inspired by your dad, to you then writing just, by the way, I really relate to that, of just like her putting every emotion in very young. I have a vivid memory of me, like probably around 15 at the piano in my house, getting way too emotional trying to write a song and not like upset with the song, but like emotional in the art. And my dad walking over and being like, hey, just, are you okay? And I was like, oh yeah, this is, I'm just making, I literally was like making it up.
6:23Justin Tranter:Like it was not like anything I was actually going through. I just thought it'd be way more interesting to act like I was. So very much relate to that. But my dad is not a musician. So my first question is, how does it go from like, okay, you're a musician, dad, this is awesome. And then all of a sudden you're picking it up to like, hey, let's make music together. How does that start? Well, you were working on lots of like TV, television, scoring. And I was always naturally writing all the time. And so he would just have moments where he would need like, I don't know, you'd just have like some kind of prompt for whatever you're creating.
7:08And a lot of the time you knew that. I personally believe that my first and foremost gift in music is the writing process. And so that's just kind of what's come most naturally. And so you would just be like, Claire, can you write a song about this thing and this thing and this thing?
7:25Justin Tranter:Yeah, literally. And it was just really fun. How old were you when that started? Specifically, because that's so cool. I didn't know that part of the story that it was like, oh, hey, let's try to write for this movie or TV show I'm working on. Probably like, I mean, I remember at eight, she was like, when she was eight, she had an iPad. She had an iPad full of like just endless songs. And then something happened. You got like one of your little sisters did the thing, you know, where you permanently get locked out. Oh, yeah. And we could not figure out how to get it loose. I was like, oh, no. this is my future this is my future 8 years old honestly it probably did start around like 8 years old though of us doing that and it was just so fun for me I mean I was so serious about it I was probably young totally relate first for me it was theater and then I started writing songs around 15 but whether it was theater or writing songs I was like 12 years old terrible and like well I I'm gonna win a Tony tomorrow Not when I'm 25.
8:30Justin Tranter:No, no, no. At 12, where's my tone? I remember being in my room and being like, God, if I can't do music, I'll cut off my arms, whatever it means. It was like life or death for me. And it was ballet or music. And I ended up choosing music. And I'm so happy that I did. Okay, remind me to talk about that later. Because I always loved when people jump. Yeah, yeah. I went way too early. No, not at all. You didn't go to 12. I already forgot the question. I remember she would like, fuck that question. 80 days takes over all the time. To be honest, it wasn't one of Morgan's questions. I just started with it to add context.
9:05Justin Tranter:So it probably wasn't that good of a question because it wasn't hers. We'll figure it out. But I remember like when she was 12, I was like working on a commercial. I think it was like deodorant. Of course. And I was like, you know, I was like, Claire, I need something really simple. I remember standing in the door of this dude. I'm like, I'm talking to this 12-year-old, like we're collaborators. She's a professional. I'm like, okay, we need something really simple, really straightforward about making deodorant fun. And she's like, okay, Dad, give me five minutes. And she leaves the room, comes back five minutes later.
9:40I'm like, holy crap, this is insane. And so we used it. Did it end up happening? It ended up happening in that particular commercial. Shut up. What is the commercial we have to find this? Honestly, I wish I could remember. It was so many years ago.
9:55Justin Tranter:Also, a 12-year-old writing a song for a deodorant commercial when you probably don't even wear deodorant yet. I did it. Play, honey, play the part. Play the part. Yeah, that's what I mean. That's what a good songwriter does. They, like, cloak themselves in everything that's not real. Exactly. So when you guys are working together, how do you... I'm super close with my parents. Like, very, very close. They moved out to L.A. in COVID. Like we are best friends. From where? From Chicago. And, you know, through me being a songwriter since I was 15, they learn a lot about my life via song. But it's like when the song is done and it's out and blah, blah, blah.
10:36Justin Tranter:How do you, when you're in the studio and like a producer's role is to really, to guide the artist, be the sounding board for the artist endlessly. How do you, in your mind, separate? Like I need to give her advice as a producer versus a dad. um it's honestly oh my god zoom in on that face it's honestly pretty easy because i i those two worlds don't really cross a whole lot you know when we're in the studio she's um she's a force and she knows exactly what she wants i don't really mess with it too much yeah because i'm pissed yeah because she's pissed if i'm like don't yeah like no um and so yeah i don't really cross that line too much.
11:19I keep those two worlds pretty separate. Yeah. And I think it's key. How does it work for you? I think it's important probably to keep it separate. I mean, I'm, as of late, have been just writing music by myself. And then we have another collaborator, Oliver, who's from Sweden, who it's awesome because dad was raised in Sweden. So they have their little language that they just. Oh, alien language.
11:46Justin Tranter:Two of my favorite co-writers, Matt, Matt and Robin are Swedish. And when they start talking amongst themselves, I'm like, someone text me when this is over.
11:57Justin Tranter:Get away from me. Smirk is a word of words. Yeah, I mean, so they, like, I basically write the music. I come into the studio. And, I mean, you've always, I think, just been good at, you know, keeping dad and producer separate in that space and have understood that I need to, like, be free in whatever I need to say. And it's kind of a perk because, at least from my understanding, for the most part, like, he doesn't really hear the lyrics. When he hears the song, he's just, like, production. I'm sure maybe you actually do know your lyrics and maybe you're like, I don't. That's very Scandinavian, though.
12:39Justin Tranter:It is. it is it's very much music first for sure yeah yeah interesting yeah yeah because your brain I feel like you're just oh my gosh I have this part and this part and this drum part and this bass line and this lick and like da da da da like I mean and then it's not till honestly I feel like until the song is out or done that he's like oh like you said that for the first time which and even if that's no longer true it makes me feel better it's like a safety net let's pretend it's Yeah, because I mean, recently I've been like, the most important thing for me is to be as honest as possible. And that's something that's so hard to do with just yourself.
13:16And then especially a parent, especially at this stage in life, like you're discovering young adulthood.
13:22Justin Tranter:Yeah. Really figuring. Is there a lyric that you can remember where you're like, okay, I have to go sing this in front of my dad. This is going to be wild. No, but I feel like possibly coming up. I've written some songs where I'm like, I mean, I don't know. We'll see. Maybe Oliver can cut the vocal on that one. Yes, exactly. Oliver, please come back from Sweden. We need you.
13:50Justin Tranter:With Backyard Boy being your first viral moment, did you guys know when you were recording that, did you have a feeling of like, okay, this feels like something's no? No. I was 16 years old when I wrote it. And I ever, like when I was really little, if I was writing a song, if I didn't finish it in one sitting, it was trash. And I didn't finish Backyard Boy in one sitting. And so, and I remember being in my childhood bedroom. Dad is always working on a project in our house. Like there's always a hole in the wall. And there was actually literally a hole in the wall in my bedroom. I made that hole.
14:29Yeah, he made the hole in the wall. And I don't know. What were you trying to achieve? Just moving water around, you know, into interesting places. Wire? No, I was like doing a crazy, like, yeah, like I was attaching plumbing on the other side. Right. Because you will not hire anyone to do. I love it. It's fascinating. Yeah, it's fascinating. Really? I love it. Yeah.
14:51Justin Tranter:He's a Gemini. He's a Gemini. Oh, you're a Gemini. What's your birthday? June 5th. Gotcha. I'm June 16th. Ooh, nice. I have no interest in how the plumbing works in my house. I would wish there was no plumbing. Plumbing is just a terror and a nightmare. And the main reason I don't want to live in a house anymore. It's plumbing. Because plumbing is just annoying. There's an endless fear that plumbing will break. Right. So you have a hole in your wall because your dad loves plumbing. Yeah, and I'm sitting on the ground and I'm like writing back here, boy. And I think I wrote half of it. And then I didn't finish it.
15:30And so, again, I'm usually like, yeah, that's trash. And then the next day, I remember sitting down in our living room and I was like, like, I should maybe go back and finish that song. I don't know why. I literally just, I don't know. My gut has really led me through everything. I think it was just my gut. Like, you need to finish this song. But at the time I was like, oh, but I just gave it a shot. And then I finished it. It's the easiest song in the world. It's two chords.
15:55Justin Tranter:Some of the best songs of all time are two chords. Yeah. Honey, Stevie Nicks. almost every single song that's that really that she wrote in Fleetwood Mac and and a lot the bulk of them are two chords I need to the two chord queen yeah yeah well she makes it not feel like it's two chords I mean when you're a witch yeah it's a journey it's yeah it's we we would never when when you're writing such poetic witchcraft yes some maybe the two chords was too much just once one chord maybe yeah yeah so yeah it's a I mean really really easy song and then I remember we I went to the studio with you and this is like you know now we've collaborated on music with other people and I've invited other people into our process but at this point it was obviously just you and me and I had you know I always knew I was like I'm doing this for the the rest of my life and I can like see where I'm gonna be.
16:50But yeah, when we made the song, I didn't expect it to happen as fast as it did. And I remember that was my least favorite song.
17:00Justin Tranter:Really? Well, this is very common with artists. I almost took it off. Cause I was like, it's so boring. It's really, really, that's really common with artists that a lot of times, like I can think of 20 examples right now that that happened. But that makes me really nervous now because I'm like, what if like what if I'm getting too complex in my songwriting process now where I miss these like simple viral moments which it's like it's not the whole point it is nice obviously and but like I get nervous that my instinct is just to do these like crazier more musical like things and then And maybe I'm missing these viral moments.
17:45I don't know.
17:45Justin Tranter:Well, how do you balance that? How do you, as an artist, and when I say artists, I don't mean like in our business where we say, oh, the singer's the artist and the producer's the this and the blah, blah. I mean, just as a creative person, how do you balance that challenge of like, I would like things that reach the masses, but I also want to push myself musically. Yeah. I mean, I was like, I'm just gonna sell my soul and make one song that I absolutely hate. That's just like the most basic pop song. and then I can write whatever I want. Yeah. Like, no, but I, no. No, I would never do that. I would never do that.
18:21Justin Tranter:But please make sure you're listening to this song on the album. Yeah, no, I mean, I remember after Backyard Boy, every label person, every, you know, more corporate side of - Music. Yeah, music people person. They were always like, so like, after Backyard Boy, like, how are you gonna write music? Are you like nervous to like, you know, I don't know. Are you like nervous you're not ever gonna be able to make anything as good or whatever. And I remember - Like, well, now I am. Now that you say it. Yeah, no, but I was like, I just genuinely was like, this is, I thought the song was really mid. So I was just excited to make more music.
18:58It's never scared me. But there's times like now, obviously like, I don't know, like, I don't know how I really feel about it. I just want to make what I like and hopefully what I like will end up having a moment and if it doesn't at least I still like it.
19:19Justin Tranter:What's the biggest with such a big viral moment, what's the biggest misconception about that time? Oh, I just didn't even know it was happening to me. Explain that. I didn't know. I think now looking back at it, I didn't realize how much I had at my fingertips in that moment. I think that is such a real thing that never stops happening by the way. Yeah. Which is kind of, I mean, I think that's a good thing because you're just being yourself and you're in the moment and you're present and yeah, that's a good thing. But looking back at it, like I truly didn't realize how like much opportunity and like, like influence I had, like even at festivals, I was just thinking about like, there was like, I went to Lollapalooza for my first time and performed and it was the most massive crowd ever and i think like you know who knows who was on after me but but that's not the point but that's not the point and but i just think like i like my influence from that song and that time in my life was a lot greater than i knew and i only see that in hindsight now yeah i mean i was also 16 years old and i was it was covid and so also like nothing was real like right i didn't have there was no way to feel it in the real world yeah everything was behind a screen so i was just like oh like i remember seeing all like my followers on tiktok and likes and like on instagram and getting so many notifications and that was a crazy feeling because of course i was like waiting for the day that would happen well and when you're that young you always feel like, oh my God, I've been waiting forever.
21:03Justin Tranter:Yes. And then you're like, oh, I was fucking 60. Yeah. Oh my God. How does it feel for you as a collaborator on the song, but then also as a dad of like, oh, fuck, my 16-year-old child kind of overnight? Yeah. I mean, honestly, it wasn't even planned. It was like, I think how Backyard Boys started, I was in your bedroom. You're sitting on the floor. I think I was actually painting the wall that I just made a hole in, right? I'm going like this. I'm like, Claire, how about you should write a song? Because here's the thing. Everything that she was writing was really deep and intricate and emotional and beautiful and powerful.
21:47I'm like, wow, she's so deep. I'm like, let's do a really lighthearted thing. I'm like, Claire, why don't we just do like a song that's like really simple, like.
21:57And she's like, okay. and uh and the next thing you know she I think you started writing it right there on the floor and then and then of course I don't know what happened next because you do your thing on your own a lot of time and um but for me the way it happened was completely unplanned we were literally just having fun yeah and um I just knew I had to I was kind of at a point scare you though uh no that's a good question there you go get in there yeah yeah okay um well the cameras are here dad tell the truth tell the truth okay so it didn't scare me it was just it was just a lot happening at once like literally every record label was was calling uh we were having zooms with the tops of all of those and um so it's just a lot happening and at the same time she wins this vh1 music award yeah man vh1 yeah what is that mtv sorry mtv um vh1 was like the easy listening
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22:56Justin Tranter:version of MTV when those channels used to play music. I should remember this. Also, you should watch, we have to educate the children here, watch VH1 Divas Live. Okay. VH1 Divas Live. Like VH1 Divas Live, like 1, 2, and 3, gonna blow your mind. Is this a movie? No, it was like concert. They would do like these live concerts of divas, just like women singing their fucking faces off. It was legendary. and then they started having like some more singer songwriter people on it as it got bigger but like to start it's just like yeah singer singers yeah it was vh1 was it was awesome yeah no it honestly wasn't scary you know i'd kind of got at a point in my career where i was like i'm bored of scoring because i went from film to tv series and then a big break i'd start a restaurant and then i was like i'm i gotta get back to music and so i started making commercial music for commercials and i and And I got really bored of that.
23:54And I was like, Claire's really talented. And I need to invest a little time in her. She said a year. Yeah, I said, I'm going to give a year to Claire and see what happens. And then so that happened. A couple weeks in. That's crazy. It was honestly just a big whirlwind. It was like. You prepared. You had the vision for it too. Sure, to some degree. But at the same time, it was a lot of new stuff. I had never walked the red carpet at MTV before. and it was all very strange, you know?
24:25Justin Tranter:So how does it feel for you at 16 walking a red carpet? Born for this. Love it. Yeah. Love it. That's literally it. I mean, I just knew. I like, so honestly, I feel like most things didn't really surprise me, I guess. Well, didn't surprise me, but - But also you're so young, you don't know any different. Yeah. And I also, again, like didn't, I still didn't understand what it was. like I was just like oh yeah I'm doing this and then I look at it I'm like oh that was actually a really big opportunity Claire like you didn't think about that or like you didn't like I don't know well but everything's relative and you had nothing to compare it to no yeah yeah yeah I don't know what a strange I just think I like genuinely knew in my heart I was like I'm gonna do this for the rest of my life so when certain things started happening I was like oh cool but yeah finally catch up yeah finally well yeah and I always have been like I'm so behind like I didn't blow up at like 10.
25:22It's just like, like literally distraught in my room at night. Just like, I can't believe it.
25:28Justin Tranter:But you know what is so crazy is that I had those feelings in the fucking suburbs of Chicago with no, it's way, you know, I'm 46, so there's no chance of going viral. That's not even a word. The word viral means something way worse than what it does now. Getting dark again. That's a very different conversation. Turn around, turn around. Yeah, being a 14-year-old homosexual in 1994, the word viral is not great. Keep that in. So, but I had those same feeling. I just think when you are a really, it's not even about being an artistic person. It's about artistic plus deeply driven. I had those same feelings at 14, even though that was never going to happen for me.
26:19Justin Tranter:Yeah. Because it's like you couldn't put something online and have people like it. It didn't exist. You have to like move to New York. Hustle. Build a fan base, blah, blah, blah. Yeah. But I'd love to hear that like it's all the same. Yeah. Like even though like I was having those same dreams and the same like how am I not already famous? Even though there was no chance of that happening for me. I love that. But you had that. And there is a chance that in your era viral is a good word. Yes. I guess you can go viral for the wrong reasons, but that's a whole other conversation. I feel like it's not even that bad anymore though.
26:56Yeah, if you go viral bad, it still helps. All press is good press.
27:01Justin Tranter:Thinking about an early gig, an early job for a commercial or something that like, because a lot of people come to our podcast trying to learn about the art of collaboration, trying to learn about whatever fields we're interviewing, lots of music, of course, but we've talked to other people. Of those early gigs that are like, you can't believe how bad you did or how bad it was, but, like, you've got through it. Okay, so, like, one of the very first live shows we did because I was playing until this. With me? Yeah, I was playing with, I was on the road with her in the beginning. And so I was playing bass, and we flew out to, we got this gig to play at, like, the, like, some military installation in Denver, Colorado, right?
27:43Obviously. Obviously. There's so many weird things that, Like so many weird opportunities that come with music these days. Yeah. Where it's like, yeah. So we fly our way to this military base. We drive this thing. We go through these crazy checkpoints. We get there and they're having like this, what they're calling a festival for like the military people. And like, and we like, we're like, the person walks us to like our stage. And literally the stage was like, like this big. and it was like the speakers were like this big and the field was like, picture like the movie Dune, but like all grass.
28:22Okay. Okay. It was like a massive, massive field of grass and like this festival had like us as like the musical act and then like you could barely see like five miles out that way. It was like the churro stand. You like had to take a subway to get to it. And then like when we actually performed, it was like three people there. Yeah, and you're having to like put your whole heart and soul. into a performance. Love it. Love it. It's just like, those are the moments where you're really tested. Oh no,
28:51Justin Tranter:if you haven't played a show for three people, you are not an artist. I don't, I don't, I can't believe you. If you haven't done one gig for three people, you don't deserve to keep going. Yeah, yeah. You gotta get through that. No, I've had, I've definitely had a couple of those because it's more of those random, those kind of like random gigs and you're just like really having to lay down your pride and all the other things and I don't know. But honestly, like those situations, like the fact that I'm even getting the opportunity to like have somebody fly me to the military base to perform for them.
29:22I'm like, that's not so bad.
29:24Justin Tranter:Well, but then that's how you survive it though. Cause you have to in the moment go. Yes. But also someone paid for me to come here. Yeah. Fuck it. Hello, my little unfamous friends. So the thing about the algorithm, Lil Miss algorithm is that she doesn't want to let people know about our podcast unless she thinks that people love it. So if you follow this podcast, what do the old school YouTubers say? Like, subscribe, and follow. If you do that for me, then you will help the unfamous message of the beauty of the art of collaboration reach more people. So please do me just a cute little favor and follow this podcast and share it and to do all those fun things.
30:09Bye. Yeah. And I would say like, I mean, and again, this is like in the grand scheme of things, really not horrible, but like opening for certain audiences, like opening for an artist.
30:21Justin Tranter:Opening can be really hard. And like, yeah. I did it a lot. I was in a band before I wrote for other people. Yes. Opening can be a blessing and also really hard. Yes. Because they're not there for you. No. And I, yeah, I've done, I did two opening for two arena tours, like in the last year, basically. And it's like such a cool, amazing experience. And I'm so beyond lucky, obviously. And it's like still an amazing experience for me, but it is like, you see people's faces, you see like, some people are on their phones, some people are just straight face. Some people are like, yeah. And like, at, you know, one of the tours, like it was a completely different, like age demographic than mine.
31:07And so like, they're like, hella disinterested in like this little, like, you know, and you just kind of, I think also they, like, I think about when I go to one of those arena shows, I look at the artists on the stage, even though I've like been in that position, but you look at them and they're not really real. And it's like, I mean, it's hard to understand that they feel any way or any type of way about the audience. And like, I don't know, being up there, there's definitely times in like specific shows where there was just like so many people where I was like, oh, like you just got to like look at them and move on.
31:45And I would just like in those moments look for the person that was really excited to be there and realize that like I was making their whole night. And then I'd be like, well, in the same way that this person is completely disinterested, this person is. And so like, I think, um, you just kind of have to focus on the positive.
32:02Justin Tranter:Yeah. And you, it's like, it's a really, I mean, obviously an amazing opportunity. And I learned so much, like, even if it wasn't in the way that I was expecting, like just learning how to navigate, navigate and be sensitive to such a big audience that isn't mine and learning how to just like, you know, persevere and like find like what people will receive and what they won't. Um, it was, yeah. I mean, I, I still look back at it and I'm like, wow, that was amazing. But there was moments where, I mean, then like internally and like afterwards or like, you know, you're on the road away from all your friends and family for like two months and you're just kind of like processing all of these, like, it's not normal to walk out in front of like 15 to 20 ,000 people and have all of them judge you.
32:48It's weird. It's like, and I think I'm like, oh, like whatever. But then there's moments where all that kind of like comes crashing down a little bit and you're like, Oh my gosh, like I'm a human being. Oh no, there's so many people are judging me.
32:59Justin Tranter:It's there's, there's no way to not have those thoughts. There's no way to not, no matter how positive you stay, there's no way to not. I mean, I would always crowd too. It could be like 50 people. And I would just, I would, I would always just be like, all right, fuck it. Lowest common denominator. I'm just going to get them to pay attention to me by, I would make them do a chant of the headliner's name. So like when we opened for Gaga, I'd be like, I say lady, you say Gaga. Lady Gaga. Or open for Kesha, Kesha, Kesha. I was like, because then I'll at least get their attention for that. And then if I play a really great song right after, then maybe some of them will pay attention to me.
33:42Justin Tranter:Yeah. Oh, that's really smart of you. Thank you. And then it was like, but then, you know, Of course, then you still lose, like, no matter how great I was going to be, you still lose 90 % of the crowd after you just made them chant the headliner's name. But at least I got them on my side for, like, a second. I also have a performing at a military situation story. We, my band played in, this is iconic. This is iconic. Oh, I'm excited. So we played a radio, like, an alternative radio show in Bakersfield, which is a huge, I learned, I had no clue, is a huge military town. and so there was all these like military people um who spoke in between the acts oh and i'm like in the backstage area and in my band i was like in full makeup fishnets six inch heels so like not a military vibe as i'm like standing there with like yes uh military people and and i get so uncomfortable and it's really hard to make me uncomfortable.
34:46Justin Tranter:Like I really haven't been uncomfortable since the nineties, you know, but this moment was so, I was like, these people are, they hated me. Right. I could just tell they hated me and it's not me overthinking. They did. And I'm like, I got to relate. Cause this is a really small area. I got to relate. So I just,
35:11Justin Tranter:enough eyeshadow to kill a small child. in broad daylight, right? It's like 2.30 July. It was the 4th of July weekend, right? This is America's weekend. And I'm like, hi, gay. And so I'm like, all right, I've got to relate. I've got to relate. I've got to relate. My brother's in the military. Lying. I'm lying. I'm lying. And I did not think, I did not expect there to be follow-up questions. That's so good. No, what did they ask you? It's like, oh, where is he stationed? Is that how you say it? I don't know, like, where is he stationed? And I was like, actually, I can never answer that question.
35:53You're like, here, he's stationed here. Your heart's just breaking. There you go. Actually, what did you say? No, I know where this is going. This is fine.
36:04Justin Tranter:Oh, no. Actually, we don't speak. Oh, my God.
36:15Oh my gosh.
36:16Justin Tranter:I'm like, we don't speak. That's so good. And they're like, oh. I'm like, yeah, he's like a really bad person.
36:28What are they saying? Then like, are people just watching you? And my band members who are like family at this point.
36:37Justin Tranter:We've been in the band for like, this is like the last year of the band. This probably ended the band. my band members know I'm lying of course they're all just like what the fuck is going on and then I just turn around and walk away that needs to be a scene oh that's so good oh my god I haven't thought about that in a minute yeah you care you like have to black that out of your band It was all we talked about for like three weeks. We're like, what were you doing? When did you perform? We performed. We had already performed. So I'm also like sweating, right? I'm like sweating buckets through my makeup.
37:29Justin Tranter:Lying. I think they knew I was just lying. I was just like, it was in. Oh, we haven't spoken. Well, it's just true. I wasn't speaking to one of my brothers. So you had that one in your pocket. I had it, but then like. Yeah. That's so good. Wow, that's a really good story. Thank you very much. Thank you for letting me take up your pocket. No, this is what it's about. It's yours. Okay, so another one of our favorite questions we ask everybody is, what is the song or performance or YouTube video or whatever that like, I say like ruined you in the sense of like, oh fuck, I have to make music now. Like this, I heard this song or I heard this interview with this artist or I saw my mom in this opera and I had to be like, oh shit, I'm doing this now.
38:23Right. Dad, do you have one? I guess I... You're still crying. I don't know if it's... I don't know if it's like, if it's the one, but one album that really spoke to me was, what was the name of it? That George Michael one that had a lot of jazz in it. The one later, right?
38:43Justin Tranter:Yeah, later. It's not the big one. That one just messed me up. Faith. You gotta have faith. You gotta have faith. That one ruined me. That's the one. I actually went into the mall and they had those little booths at the time. Yep. Where you can like - Preview it, listen to it. You can listen to it, but you can also record your own vocal on top of it. Oh, that thing. No way. Yes. Yeah, it was so cool. So I went and did that. I was like, you gotta have faith, faith, faith, faith, gotta have faith, faith. So I was like, I was so into it. And that kind of ruined me. That song kind of ruined me for sure.
39:16Justin Tranter:Yeah. Yeah. I mean, that's a perfect song. Yeah, perfect. That's a very legitimate answer. Nice, nice. Do you have one, Hillary? I got my one that up. I mean, this is maybe just like expected, but I genuinely think listening to you play music around the house. I mean, like how can you not when the house is just constantly, I mean, you're so passionate when you play. You're going to cry. I know. You're going to make me cry. I'm going to cry for you. Oh, my God. I know, first Justin's story, now me. Tears of laughter and now tears of joy. Of joy, yeah. No, but seriously, I mean, you're so passionate, like with everything that you do, everything that you touch and, you know, violin was, you're very expressive when you're playing the violin and you would just be in our living room, just, you know, in this like spiritual experience.
40:14and um music is very very spiritual for me like I mean it's yeah I feel like every time I'm making music I just am like connecting with everything that is higher and inside of me and I just have felt so much much of that um from your playing and um yeah and then also obviously in the studio and even in the car we're like on our way and we're just like listening to music and uh listening to a couple of things that oliver sent to us and then he like played me a voice memo and yesterday you were like i don't know on a walker what were you doing i was just walking and i was like oh that's a cool beat yeah and he just like has a measuring tape and he's using that as his percussion with his feet and all these things and he's like yeah exactly and then he's like playing it in the car and he's like totally into it he's like listen like but like so passionate so i like can't help but feed off of that.
41:13I love that. Yeah.
41:14Justin Tranter:That's amazing. Thank you. Yeah, I think, I mean, I think that that's like, you being a musician is a different level, but I think so many of us, like if, like my dad is so deeply passionate about music, even though he can't make it, that there's no way that doesn't impact you deeply. No, absolutely. Yeah, and it's like, there's like songs that our family loves as our whole family, besides the one brother who we don't speak to. So it's like, might as well call it back. You have to put that story in. That story's going so good. We're not cutting it. You have to. We're clipping it too. We'll repeat it.
41:49Justin Tranter:We'll do it twice in the show. With your new album being out for a couple months, is there a song on it that you guys didn't expect the fans to react to in a way that they did? I remember playing when, for instance, Seth heard Just a Man. He cried. So, like, I wasn't expecting that from, like, this guy's a man's man. He's, like, cowboy. Bro-in. He's very, he's a little macho man. Superman. But, yeah, he totally wept, and I was like, wow. I broke him. That's amazing. That's cool. Cool. Yeah. I don't, oh, gosh, I don't even know. Maybe, maybe, maybe Bleeding Violet Live. I feel like a lot of people really liked that one live I don't know I might have to come back with you I can't even think about my songs it is always fun to see like how like live songs songs land better or worse than you expected and you're like oh yeah honestly I think this last tour cause I took like a three year break I guess I got like severely like deathly sick and I was like it was a matter of literally life and death and I'm sorry.
43:08Yeah, I mean, I'm okay. And I'm honestly better for it. But I had to recover for a really long time. And so I kind of, I feel like that's where a lot of my momentum, I kind of like had a lot of stuff happening. And then I had to stop. My body was just completely giving up on me. Fuck. And so.
43:27Justin Tranter:Do you mind if I ask what it was? Honestly, still don't even know exactly what it was. But I was on tour. I was touring a ton. and I think I just wasn't eating enough, sleeping enough, not taking care of my body. And I don't know, like, if I, like, again, if, like, I don't think it was because I was vegetarian or anything, but I know that my hemoglobin was super low. So anything under a red blood cell level count of seven is super dangerous. And I was at a three, which is, like, really bad. And she was performing at that level, too. I was like, how did this happen? Yeah. Wow. Like an under seven, so dangerous.
44:07So I was at three. I had like an ulcer, so I was internally bleeding. So losing more blood, which that has a lot to do with your hemoglobin, your iron, right? I don't want to say anything to like, I don't want to be like, yeah, this is how this works. Because like, yeah. And they're like, oh. Doctor's advice. Or people are like, no, that's not right. Anyways.
44:25Justin Tranter:We're not trying to give medical advice on this podcast. Yeah, that's what I'm trying to say. Like many comedians do. This songwriter does not endorse medical advice. No. disclaimer, no one here is a doctor. Anyways. Um, but yeah, that's like some of the logistics, but basically I, it just completely depleted my body. And I was on my second to last show of one of my tours. And I, I remember the day before that doing a show and feeling like on stage, like super lightheaded, but like a couple of people in the crowd had passed out. So I was like maybe it's just like you know too hot in here and um but then the next day I was at a hotel on an off day and I was with my tm and uh or I guess assistant at the time because I had a different tm and uh I remember feeling like every time I got up to go to the bathroom I couldn't even make it to the bathroom and I was like whoa like I'm gonna pass out and so I just would go back and sit on the bed.
45:25And that kind of cycle repeated and it was freaking me out, but I was like, maybe I'm just really overworked, overly exhausted. Let me just sleep on it. And so I slept on it. And the next day I got up, same thing. And so me and Noah, we went out into like, we were on our way to the elevator, like five feet from my hotel room and I needed to sit down. I was like, whoa. And she took a photo of me. We were laughing because we were like, this is so like, what's
45:52Justin Tranter:happening and i had like the darkest circles under my eyes though like i was like we were like what's going on this is like hilarious and my i just had like the darkest like purple like under my eyes and so my tm and my sound guy at the time they come up pick me up into the elevator and then we get down in the lobby and i pass out i wake up some foreign doctor like that happened to be in the lobby is like like checking my eyes and then i pass out again and i wake up and there's vomit all over me and paramedics everywhere and they're like are you okay and i'm like girl you would not be here if i was okay like i'm covered in vomit i'm covered in vomit what do you think does this look okay you're here fashion sweetie fashion slay yeah it's for my alternative album yeah i was really lacking some experiences um so anyways then uh end up doing the whole ambulance thing which is kind of like a bucket list moment you know that thing i mean normally it comes right at the end of your bucket list sweetie this is this is special and um anyways ended up being at the hospital all day for like seven hours but i was kind of really sick of i was sick of being there.
47:08I wanted to be home so bad. And I would like, they'd wheel me to the bathroom cause they were pumping me with fluids and I'd pass out in the bathroom. I had to hit a button before I'd go down. They would be like, come in, brought me back.
47:21Justin Tranter:And like, thank God they had a buzzer in there. Oh my God. I'm having way too much fun with this really dark story, but it's your fault. You're making it funny. It's not my fault. No, it is. I think it's good and to help you to laugh at it now. Because I really, I went through it and I experienced it. It's not like I didn't acknowledge it. So I think... Your performance art piece of hitting the button really is. Yes. Yes, exactly. Very dramatic. Anyhow, so at a certain point though, I was like, I'm sick of being here. I was like, I'm fine. Like, I'm fine. I can go back home. And so we were like, she's fine.
47:58Like, get her out of here. And I like, and I, at that point, I think they had pumped me with enough fluids where like, I could walk, and I walked out. I'm like listening to myself. Please don't stop. Keep going.
48:11Justin Tranter:I'm going to stop laughing so I can enjoy this later. Please. So anyways, I ended up walking out. We get on the bus and we're driving back. We're watching Hot Rod in the front lounge and I have to go to the restroom and I am like, you know, it's a bus and you're driving and it's a six hour drive and I end up losing my balance and my head, like I literally remember being like, head hits one wall, head hits the other wall, head hits the door and I like fell out. And then dad was there and a couple other people, obviously in the front lounge and they like picked me up. My videographer, he got a video of this.
48:51It's so gnarly. Yeah, he's filming the whole time. He filmed. Amazing, amazing. He's actually an amazing videographer. He knows how to the moment. He never misses a moment. Yeah. And so, but yeah, so they bring me to the, you know, bench in the French front lounge. And that's the moment where like I ended up having a breakdown because I was like, whoa. Something's wrong. Yeah. I was like, something's wrong. And because like I really couldn't stand without passing out. And so, and that would happen every time I went to the bathroom on that drive. And so my Noah would come in with me and I would, you know, sit on the toilet, pass out on her.
49:27She'd drag me out and whatever, every single time. and it just progressively got worse to the point where, like, I would just, I'd lift my head and I'd pass out and, like, couldn't hold anything, couldn't, like, couldn't walk for, like, a month. And, you know, it was just, it was, I mean, I was completely kind of unconscious for a lot of it. Like, I don't remember a lot. And I ended up writing a song about it, and it was funny. I was talking to my best friend the other night about it. She was dealing with some stuff, and it genuinely reminded me of what I wrote. And I have the bridge is, I don't remember, how could I ever forget?
50:08I want to feel better, but something about being sick is easy, twisted, comfortable, but I don't remember. And I like, it was just about being like -
50:16Justin Tranter:Wow, that's awesome. Yeah, and I was just like, I really like can't remember, but it's like, how could you ever forget? You were so sick. And like something about like being like sick and if you have like chronic illness or even like if you've experienced anything toxic in your life, like a relationship, there's something that's so comfortable and like comforting about it. And like you find such like identity in it. And yeah, but I was like, but I don't remember it. Like, I don't even remember that feeling anymore. But like, it's just, it's complicated and chaotic. But anyway, so I really don't remember a lot of it.
50:48Some doctors were like, she's going to die unless you do this thing. And then my parents were like, sometimes uncomfortable by some of the procedures that they wanted to take. And so we would like search. it was just a journey and obviously I ended up getting better but again was like genuinely on a level of or at a place of life and death and so it was gnarly I've never I mean I remember like at one point like I could I could never go to the bathroom by myself and my parents had to take me to the bathroom and it's so painful like I can't remember how it felt but I remember as soon as they'd get like pick me up I'd just go and be zombie zombie in the toilet they'd drive me back to bed like and I'd be you know and so um and then I remember like I remember begging my mom like I was like please just like try taking a shower by myself like just things like such like little things normal things in life yeah and I really like and I think a lot of you know my sickness truthfully like I wasn't taking care of myself and I think it was something that was really playing out in my subconscious that brought me to this place but I didn't realize how much like Like I was not, I wasn't taking care of myself because I didn't care as much as I, I mean, like I thought I did and whatever, but like there were a lot of things that I think I didn't like about myself.
52:06And that really did bring me to a place that was dysfunctional. And so when I was in that place, like seeing photos of me healthy and realizing like, oh, like I, you know, like I'd have to call my mom or my dad every day to like get me out of bed. I was like, I can't believe, like, I just couldn't believe it. It just brought me to tears that, like, I couldn't do things that you don't think twice about in the morning, you know?
52:33Justin Tranter:How did it feel to get back to making music after all of that? Oh, my gosh. I mean, amazing. I had so, like, I wrote a song with one of my friends. And do you know Eddie Benjamin? Of course, yeah. Yeah. so after like when I was really recovering I like he was kind of the first person I feel like I really started making music with again yeah and he invited me up to his house in a canyon in Malibu and we just like would write on his acoustic guitar cool and he's so talented so talented so So talented. And yeah, he just like made, he gave me so much space and just like listened so well and really like was just so sensitive to me that it ended up bringing out like very, the like, very honest parts of me that were very vulnerable.
53:30And I remember in one of our, like we ended up going to the studio one day and we were working on a song and he was just doing whatever he does. Like he's also like a witch himself. And I remember just like crying in that session because I was so undone by like the vulnerability that was being brought into the music and that I was sharing and that, you know, he was like bringing out in me. And so I don't know. I think it was I think it was also confusing, though, because I was like learning myself for the first time again. And it felt like I felt like I was really just like starting over, really starting over.
54:13Justin Tranter:And so also, too, in today's world as a musician, it's like there's such this constant need to feed the beast of putting more music out, more content, more music, more content. And when the health has to come first, you know, that must that there's no way that's not in your mind of like, oh, fuck, I've got to get healthy. But also like I'm not feeding the beast. Yes. Yeah. yeah no I I like also don't remember a ton from that time but I was definitely I don't know I look at those songs though and I'm like yeah I was at a very raw I was like at the studs that's great though so yeah that's what I'm trying to get back to or not the sickness but the honesty not the passing out but everything else yeah not the passing out okay we play a little game to end every episode called gag or drag Gag means you love it.
55:07Justin Tranter:Drag means you hate it. Okay, okay. Okay? Yeah. And you can also answer meh if you don't really care. Okay, okay, okay. Okay. So gag you love it, drag you hate it. Okay. Gag or drag having to explain TikTok to your parents? Well. I don't even think my mom knows what TikTok is. Oh, yeah. There's no way. I can't answer that one. Yeah. I don't. Meh, honestly. Yeah. Because you just already kind of know that world. Gotcha. Like a little bit. Fair, yeah. Gag or drag, calling your parent by their first name in work settings. In work settings? Ooh. Do you call him dad in work? I only call him dad. Love it.
55:46Yeah.
55:47Justin Tranter:I think that's so much healthier. I can't say who it is yet, but I'm working on this really cool, sort of Broadway-adjacent thing. Sick. And the person's son is a really successful businessman in his own right, but also helps with his dad's stuff. And he only calls him dad. and it's just so, I think it's so much, we all know. Yeah. So just fucking be real. That's cool. I love it. It just is the truth. Okay, love it. Okay, gag or drag small talk? Oh. Drag. Drag. Oh my God, drag. See, I love, I feel like you and I would have great small talk. I love small talk with someone I can banter with. Yes.
56:28Justin Tranter:Banter fun. And we've gotten way deeper than small talk in this episode. Yeah. I feel like you and I, we started the pigs. you and I could have a fake conversation for 20 minutes and have a blast. So for me, yeah. Small talk is a map because if the person is entertaining, I can go forever. Okay. That's a, that's a good point. That's what like, I always say to like people like in, we'll be like, Oh, do you want to go and have coffee with this artist before you write? And I'm like, no, because I can fucking have a blast with the wall. I need to know if we can write a song together. Yeah. Like I, I would assume you and I would write a great song together because we're We have a blast, but we don't know yet.
57:07Justin Tranter:Because we probably have a blast with this cup of water. Exactly. Okay, gag or drag being told. Oh, this is a good one, Morgan. Morgan writes these, by the way. Gag or drag being told, enjoy being young. A drag. Yeah. Yeah. Yeah. I don't even know why. It's just like. Fuck you. Yeah. Yeah, what if being young sucks? Yeah. Yeah. Or it makes me like nerd. All of a sudden I'm thinking about it. I'm like, I have to like savor. Like, I don't know. Yeah. You done? Doesn't apply to me. Meh. Yeah. But when you were young. Oh, okay. Gosh. I would definitely say drag. It's a big drag. Yeah. For me, it was such a drag because I took myself so seriously when I was young, which is hysterical because I take myself the opposite of seriously now.
58:04Justin Tranter:But I took myself, I was so driven. Like you are, I'd be like, you don't understand how intense it is in here. Yes, wisdom. And I was lucky. Like it wasn't mental health. I was very lucky, very blessed. And there was no mental health. It was just, I was so serious. I was like, this is not. No, it's literally the same. This is not fun. 100 % the same. This is not fun. I'm trying to be famous tomorrow. Okay, gag or drag, learning about, this is clearly for you, a gag or drag learning about your child's dating life through songwriting? Oh, gosh. Do you feel like you have very well? I mean, honestly, it's kind of a gag because I already kind of know everything.
58:45And you just get more details. Yeah, exactly. I kind of like knowing what's going on through the songs.
58:51Justin Tranter:It's like reading the diary without actually reading the diary. Yeah, exactly. You didn't have to do all the work in the shadows. Yeah, it's like a proved diary. Yeah, yeah. Yeah, probably like enough too. Like it's probably the perfect amount. Yeah. Maybe. Yeah, definitely. Yeah. And also thinking about it too, we talked about a little bit before of like the, my parents learned everything, not everything, and they learned a lot about my personal life once my songs were out in the world. In some ways, they probably would prefer to have like a little heads up. Right. Like what are other people going to hear about my child's life?
59:25Yeah, the same time as we do. Yeah.
59:28Justin Tranter:and some of my band songs, I talked about some crazy shit. Dude, I need to get into that. Oh, gag or drag. This applies to both of you. Gag or drag older generations using Gen Z slang. Oh, drag. Oh, drag. Dad, you do. I do know. You so do. I don't go, what's that one? No cap? What's that one? No, that's so old, too. I know it's old, but I never said it. I never said it. For the record. For the record. The first time I heard no cap, this is the accidental theme of the episode, is my brother I don't talk to. He was yelling at me via text, and he said something about cap or no cap. No cap. By the way, he's older than me.
1:00:19Thank you.
1:00:20Justin Tranter:And I was like, what the fuck? Is he wasted? Which he was. but like is this a real thing and read it to one of my friends and they're like oh what because I write with so many young people I normally hear all of that stuff before people my age do somehow I miss that one and so I had to like have a friend like 10 years younger than me that's so funny though like him being this is how your brother's being shady he's calling you a liar him being like pissed though like see everyone let me be like no cap yeah like I don't know that kills me gag or drag people asking who a song is about
1:00:55um I think gag yeah or is it maybe man like it's meh kind of because it depends it depends on who's asking me about who it's about like I don't know but it's usually a fun story like I like talking about the past and like you know the situations that I've been in and so and you can't just like always bring that up with somebody so if somebody wants to bring that up with me that's like that It can be fun.
1:01:22Justin Tranter:Well, yeah. And probably if it was a moment that was, it was a good enough story to write a song about it. Right. So it's probably going to be a good conversation starter. Yeah. Yeah. How about you? Oh, gosh. I gag. I like talking about it. Yeah. I like all about mom. Yeah, exactly. Probably. And then to wrap up, we always ask the same question, which is advice on the art of collaboration. But I want to make it more specific for you guys. what would be your advice about collaborating with someone who you are close with personally before you become close as collaborators? And obviously not everyone's going to write songs with their parents, but they, you know, might be with a sibling, a best friend, a partner.
1:02:06Justin Tranter:What advice would you give about navigating the collaboration process with someone who you are close with before collaborating starts? Yeah. I mean, I think for our relationship specifically, like, I think it just is important to like, let all, all judgment leave the room. Like all, you know, just like giving that person space to express whatever they need to express. Because like in a father daughter relationship, you know, I could talk about something and he could be like, you know, have an opinion on it, of course, because it's like his kid. But, you know, like music, if the purpose for me is being as honest as possible and like, you know, just needing to express myself or work through something like that, that's like a very, it has to be a very, very safe place.
1:03:05And so judgment and opinion and all those things, I think for our relationship need to leave the room. Yeah. Because then I will never be able to like, I will never be able to say anything.
1:03:20Justin Tranter:No, you can't write a truthful lyric if you're worried that like - That's not gonna hit anyone. And it's not gonna hit me. It's like, yeah. Cause I mean, I feel like I'm a very hyper aware person too. And I can easily, you know, I can start thinking like, what's their, how are they perceiving me? And how's this person perceiving me? What do they think about that? and like oh I actually think that they would probably not agree with that so let me like cater it to like this thing a little like yeah and I just like then like just cancel everything yeah the art's out the door yeah yeah so just like giving space and let all judgment leave the room and like let just let the music speak because it will yeah yeah I'm definitely a little bit of a purist when it comes to art I feel like whatever comes out needs to come out yep and um I don't like to mess with that i i like for instance like i don't really mess with her lyrics like she said like sometimes at the very end of a whole thing i might be like how about that word and she's like nope but i'm definitely a little bit of a um purist with that i think whatever is inside needs to come out i have no judgment i'm just i'm yeah i love trying to make it sound good i kind of feel like it's this is like a therapy session because i feel like we've never we've never talked about like i need you to right not have any we're learning we're learning we're seen that a lot with people because it's which is why you know the format of this podcast was all Morgan's idea of me talking to two collaborators at one time and it was such a brilliant idea that she had because then we're learning that like not only can you guys tell stories you maybe wouldn't want to tell without your collaborator there but then also like you guys are like having conversations that you've never had before yeah it's very cool it's all Morgan I'm just here to fucking tell embarrassing stories about my brother apparently on that note.
1:05:06Justin Tranter:You're a terrible brother. Justin Oprah Tranter giving therapy sessions to collaborate. This was so, so fun. So fun. I had a really annoying morning and you guys turned it around. This was a blast. Thank you. That makes me so happy. Thank you. Thank you for having us. Thank you. Thank you. Hello, hello, everyone's favorite part of every podcast where we say please follow and subscribe to this podcast wherever you listen so you don't miss future conversations. And also, pretty please take a cute little second to rate the show. It's one of the biggest ways you can support us. See you next Wednesday.
From the publisher
Claire Rosinkranz and Ragnar Rosinkranz join Justin Tranter for a funny, intimate, and deeply honest conversation about making music as father and daughter.
They look back on the musical home that shaped Claire, the unexpected rise of “Backyard Boy,” and what it felt like to have a viral breakout at 16 before fully understanding the scale of it.
But this episode is not just about one song. Claire also opens up about the pressure that followed, performing for audiences that are not always hers, returning to music after a serious health crisis, and chasing the raw honesty behind her latest songs.
For artists, collaborators, and anyone building something creative, this conversation offers a rare look at trust in the studio and why the safest collaborations can bring out the most honest art.
Unfamous is hosted by Justin Tranter
Created by Justin Tranter & Morgan T. Stuart
Produced by Justin Tranter & Morgan T. Stuart
Written & Researched by Morgan T. Stuart
Director: Morgan T. Stuart
Co-Director + Cinematographer: Olivia McCrary
Audio Engineer: Mike Sabri
Camera Assistant: Kolbi Samantha
Special thanks to Mark Beavan, Jimmy Knehans, Bobbie Gale and Nina Savio.
Learn more about your ad choices. Visit megaphone.fm/adchoices




