


Jérémy Ferrari discusses his “glow-up” and aging, linking appearance changes to long-term addictions and mental health, especially ADHD/TDAH, plus how he manages cravings through martial arts, strict “no” habits, and food control. He also talks about clothing choices (including linen pants), skin aging (gravity vs ride), and how he dislikes certain photos/angles during tours and filming.
Jérémy Ferrari is a French humorist, producer, actor, and director. He started martial arts young (judo at 6–7, later Kung Fu, karate, jiu-jitsu, and continues training 5–6x/week including boxing/MMA/grappling). He has spoken about alcohol dependence and other compulsive behaviors; he also describes tardy puberty and his relationship to sugar and other substances.
dependence is a recognized disease (OMS/WHO mentioned); cravings can be neurologically “re-activated,” so the strategy is stopping substances and maintaining refusal (“always say no”) aided by an environment that supports self-control. Sport is both coping and addiction-like.
first champagne at age 14; drinking escalating to 6–7 liters/day then needing 8–10 liters; a Thailand retreat (10–15 days) to confront food pleasure; a film sauna/hammam scene; and tour press photos where his mouth/“smile” looks “débile,” leading to frustration with journalists’ images.
Written by AI. May contain mistakes.
Discussion about Jérémy Ferrari's early career and public image.
“Est-ce que tu as conscience de ce glow-up ?”
Jérémy discusses his personal transformation and struggles with body image.
“And then after this phase there, it was with, I don't know, I thought it was cool to have the legs long.”
Jérémy opens up about his struggles with alcohol addiction.
“And then they had two times the club of sport.”
Exploration of how sports helped Jérémy cope with his addiction.
“And from that moment, all the days, all the hours where I didn't have to eat, I was re-re-tied.”
Discussion on the nature of addiction and emotional dependencies.
“deux ans, trois ans, dix ans, quinze ans, vingt ans, trente ans.”
Jérémy elaborates on fitness, body image, and societal expectations.
“You look at any sport of high level, for example, if you look at the arts martial arts, you look at the UFC, it's interesting because the UFC is in the torso.”
Jérémy shares insights on his struggles with food addiction.
“I'm going to say, you're going to do a mess.”
Learn about the speaker's journey with various addictions and dietary challenges.
“I'm a muscle fast because I grossize so I stock quickly.”
The conversation shifts to the quest for serenity and self-acceptance.
“One time by year, I'm doing 10-15 days, all alone, at the end of Thailand, where I'm in a room where I'm doing jean.”
The speaker discusses the nature of fear and the importance of truth in personal expression.
“I think if there's something to find out in my life, it's the sereenity.”
Exploration of aging, personal appearance, and societal perceptions.
“But you have also an obsession of truth and sincerity.”
The discussion evolves into personal style choices and their impact on self-identity.
“You're staying 3 hours on the level, so I can't think so much as I want on this supplement alimentary that I don't take that when I do sports, that's to say once a year.”
The hosts discuss personal style choices, including clothing and grooming, and how these choices reflect their identities.
“I see very well why you think it's that.”
The conversation shifts to experiences of adolescence, popularity, and personal growth during formative years.
“Je voulais en revenir sur ta puberté tardive.”
Explore the speaker's feelings of disappointment in early academic experiences and personal development.
“Jusqu 'à ce que je m 'intéresse aux garçons.”
Discussion on the impact of adolescence and romantic feelings on personal identity and behavior.
“Tu trouves que je joue un personnage de bête ?”
Insight into how personal characteristics influence comedy performance and public perception.
“Quelqu 'un qui joue le côté flottant, c 'est quelqu 'un qui a une certaine nonchalance, un certain...”
A light-hearted exchange about fashion, personal grooming, and experiences during the pandemic.
“My fall of an enfance, she's going to tell you these things where I've already said it in three seconds.”
Conversations about hair care routines, treatments, and personal anecdotes related to beauty.
“It's a carnage, because I have a casque, I have a lot of hair.”
Discussion about self-image, societal perceptions of beauty, and the impact of cosmetic procedures.
“I'm not sure that I'm talking about hydrafacial.”
The hosts share humorous anecdotes about body image and personal quirks.
“Well, I told you also that I would like to have the number of your...”
Discussion about the upcoming film 'Les Cadors' featuring Jérémy Ferrari.
“Well, I don't know how we're going to finish this podcast, but it's done.”

Get the gist, explore an idea or ask about something said.
On En apparence, what are the key points of this episode?
Automatic transcript. May contain errors.
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1:22Glass skin, mask, peau flasque, relâchement, cheveux blancs, acné, zone T, brillance, en apparence. Bonjour, c 'est Nora Amzaoui et vous écoutez En Apparence. L 'invité que je reçois aujourd 'hui est humoriste, producteur, acteur, réalisateur. Je l 'ai rencontré pour la première fois en 2012 environ dans les coulisses d 'Onde Demande Qu 'à en Rire. On ne se parlait pas beaucoup, mais il avait toujours un mot gentil, particulièrement pour me consoler des méchants. Après ma petite humiliation, Ben Guigui, je me souviens juste de lui qui me dit « c 'est pas bien ce qu 'ils ont fait » et du bien que ça m 'a fait à moi qu 'on les juge eux et pas moi.
1:52physically. On can clearly affirm that he is part of these people who had looked more old when they were young. I also know George Clooney in this category. In 2012, I would imagine with a small wallet in the hair and intercalaires. In 2026, he could post for the calendar of the the humorist. But thank you, this calendar doesn't exist. Bref, he is like the good wind. He is a boner with the time. But he is no longer. Hello, Jeremy. It's a great introduction. I would prefer you to get it to the sparker. That would have been touched. I have not had the time. But it has been touched. touché. Est-ce que tu as conscience de ce glow-up ?
2:24Je déteste cette expression. La dernière fois que j 'ai employé le mot glow-up, je me disais, putain, ça serait super parce que j 'ai cherché le titre de mon film pendant des mois. Et à un moment donné, je me dis, putain, glow-up, c 'est un super titre de film. Ça ne correspond pas du tout à l 'histoire de mon film. C 'est dommage. T 'aimais bien comment ça sonnait. Je trouve que glow-up, ça sonne. Écoute, moi, je suis passé par plusieurs phases. Déjà, j 'ai été poupon longtemps. Parce que les gens me disent toujours, quand tu as des marins de moins de carrière, tu étais plus gros. I was more mince than now I had a period of 1 ,5-2 years where I had a lot of weight but otherwise I was rather at this weight but if you look at my first time I'm like that, I'm super mince I think I was even more mince than now you're just a baby face I had a bit but you know, I had a puberté tard I think that I haven't even got a barb but there you're not I think that I can't abandon it I don't know where it is but I think I can abandon it.
3:19So it's been a little late. So there's this phase there. And then after this phase there, it was with, I don't know, I thought it was cool to have the legs long. You had an enormous face capillaire. And then I don't know, I had a cape, a vest on the cul. You had a face, a chapeau. I had a face, but after, it comes also from my education from where I grew up. You know, where I grew up, it was cool. It's a little bit of a boxer. But what kind of chapeau do you want? I don't know. I was going to New York. to see a pote. Clearly, I was looking for my shoes, from the shoes, I didn't know what to do.
3:55I didn't have a patience for choosing my clothes. So, I found a vest in the cul. Yeah, it's cool. And then, my friend told me, you know, you have a simple style, you need to have a little access to it for that it's cool. I said, yeah, but what, how much access? And then, I passed on a thing with a chapeau. And he said, maybe a chapeau. And then, I don't know, I thought we had a cup. So, I put a cup and he said, it was super good. And you had adopted the chapeau? But like a Kangol or... You ask me the mark of the chapeau. But you see, it was a kind of a chapeau, a beret or a chapeau. No, no, no, no, no, no, no, no, no.
4:25I don't know if it was a chapeau. You had a phase chapeau. So I had a chapeau vestment cul with the legs longs until then. After I removed everything. After, we had a big phase. After, I was in a phase where I was hurt. Because the sport has maintained out of the alcohol so long. Well, it's not a secret. I had a problem with alcohol. Yes, but I don't know how to do this conversation. I'm not in all the sense. I'm going to go through the conversation. But so, I'm asking you to do the sport. Is it only related to alcohol or is it already you were already? You've always been a sport. I've always been a martial arts.
4:59I started judo when I was 6 or 7 years old. My father was a senior of judo. And when I was ado, well, when I was young, not even ado, when I was 7, 8, 9 years old, he told me, you choose n 'importe quel sport, but you have to do a sport of combat. So I was raised with a kid who said, a kid, that he would be able to defend. In the meantime, where I lived, he had a reason. So he had to defend himself. And he had to do a sport. So okay. And then he told me about Kung Fu. I started by Kung Fu. And then they had two times the club of sport. It was a great teacher who said, I was going to open my club in the quartier a little bit.
5:39And then they had to break the club. So he said, I'm going to stop the guard. And then, I watched karate. It was more than I was going to do. And then I continued. My father told me, when you have 13-14 years, you'll have a marmer of doing judo. And then I'll force you to go. And it's exactly what happened. He was forced to go. And at 16-17 years, I've been able to go. And then I'm arrived at Paris. I'm going to do Jiu-Jitsu, which is a real passion. I came to complete the judo. And now, I'm going to continue to train 5-6 times a week. I do a boxing, a little MMA, a judo, a little jiu-jitsu, a little grappling, a little soul.
6:14The amours of art martial arts, I appreciate it. But your rapport to sport is lié to a need? Is it also related to your appearance and physical? Or is it just a fool of your mind? No, it's not at all related to that. The sport, it came to respond... Now that I have 40 years and I know my pathologies, I know what it comes to respond. It's a TDAH very, very strong at my, which responds to an hyperactivity very, very intense. You can have a problem of the tension without hyperactivity. You can have TDAH or TDAH. I have a TDAH which is very, very strong. So I'm in a permanent physical physical. So, I've always done sports.
6:59It's what made, I think, that I'm not going to be in alcohol more quickly. It's a very hard time, but I didn't get to drink a week-end, because I was training and I wanted to perform, because I had a spirit quite competitive, so I wanted to be strong in what I was doing. And I knew that I couldn't combine the two, but I was going to drink. I had to drink. I was very well, I was going to drink. I was in 2000, I was in family. I had to drink my first cup of champagne, I had to drink my first gargé champagne, and I felt it. Ah ouais, so at the end of 2000, t 'as quel age ? 14 ans. Ouais, c 'est ça.
7:27I felt a fire in my head. And from that moment, all the days, all the hours where I didn't have to eat, I was re-re-tied. And today? Today it's different, because the disease of the dependence and emotions, it's like that we call it. It's a disease that is recognized by the OMS. I'm going to remind you that, because it's good to hear it. For those who don't know, it's not good. For those who don't know, it's good.
7:53It's a disease that we don't know. We don't know. We don't know. We don't know. what we know is that your zone of recompense is regulated, that if I do vulgarize you you are going to eat, I'm going to eat this anecdote because it's not an anecdote but I'm going to eat this example you are going to eat for the first time in your life of papaya your brain will say, we love the papaya and then it's all, when you go to the supermarket you'll say take a papaya, we love it, my brain will take a papaya it becomes a papaya, it sees a papaya in a supermarket it says, achete a papaya, achete a papaya, it's got to eat a papaya in stock, man, man, man, man, man, it's really a dérèglement, it's a neurologic, so So we can't get rid of this part of the brain.
8:27What we can do is put in the way. And once it's in the way, this part, it's got to work on what's there around you just for you don't get rid of the product. Grosso modo, physiologically you put your brain in the way. You arrête the substance. That's the first thing. And then, for never reactivate this zone, you need to make sure you always say no. And to be able to say no, because it's a disease of dependence and emotions, and that you feel the things a little complicated, a little more. fortes. Après, toutes les maladies, toutes les pathologies psychologiques ou psychiatriques, de toute façon, elles t 'amènent à ressentir des choses différemment ou de manière trop forte selon les pathologies.
9:03Il faut qu 'en gros ton environnement soit suffisamment agréable pour que tu aies toujours la force de dire non pendant un an, deux ans, trois ans, dix ans, quinze ans, vingt ans, trente ans. Et est-ce que le rapport au sport, il y a une dépendance aussi à ça ? Totalement. De toute façon, je suis dépendant. Je serai toujours dépendant. Mais c 'est quand les gens disent « est-ce que tu as un tempérament addictif ? » En fait, ce n 'est pas un tempérament, c 'est une maladie ou pas une maladie ? Oui, alors après, non, je pense que tu peux avoir un tempérament addictif, c 'est -à-dire que tu peux avoir tendance à abuser un peu de certaines choses.
9:26Mais ça, ce n 'est pas une maladie, c 'est un trait de personnalité qui peut être plutôt marrant, mignon, ou c 'est juste, bon, il faut que je fasse un peu attention, j 'ai tendance à abuser. Mais moi, je n 'ai pas tendance à abuser. Moi, je meurs en me droguant ou n 'importe quelle chose qui peut me procurer du plaisir. Je peux mourir en le faisant parce que je ne sais pas m 'arrêter. Et je n 'ai pas de satisfaire, je ne suis jamais repu, en fait. Et en plus, moi, je fais partie de ce qu 'on appelle les hauts dépendants, It's to say that at the end of my consumption, I was at 6-7 liters per day.
9:52I would have to drink 8-9-10 liters. The people think that it's not possible. I'm sure it's possible. But you were physically different, non ? I mean, physically, you had a... Non. Because I'm going to tell you something which will be a good promo for your film, which is released the... 11 mars. 11 mars. I haven't seen the film anymore. I've seen the band-annonce. Well, I can say there's a scene. You're sitting in a sauna. Oui, because I'm in a hammam, oui. it's worth the cost of watching it. It's very beautiful. You're there, and I thought, why do they not play more? In the meantime, it would be insupportable.
10:26You don't have to post photos of you, you're not on your account. It's not an interest. So I don't see how you can play it. But I was wondering, it's curious. Is it... I have the impression that, what I'm fascinated, it's that you have a body of Greek. I haven't seen it all. So it's true, at the moment, it's effonding. It's true, he has a bus of the Greek and in the middle of the shit but it's funny because at the end of that you have not a thing you have a cult you have a cult you have a appearance it's really a thing I have the impression that is yes physique and lié to a mental but it's not that it's not that I'll tell you it's not that I'm not that I'm not that I'm not that I'm not that I'm not that I'm not that I'm not that so after the people who do sport and who do the musculation will very well understand what I mean there's a part of genetics it's to say when you do you look at the art UFC or any art martial arts.
11:23I don't know what you're talking about. I don't know what you're talking about. But, but... But, but... But, but... But, but... But, but... But, but... But, but... But, but... You look at any sport of high level, for example, if you look at the arts martial arts, you look at the UFC, it's interesting because the UFC is in the torso. So, it's regal. What, the UFC? The UFC, it's the MMA. It's the MMA, but it's the one of the federations, for not to say the most famous fédération in the world. If you look at the UFC, if you look at the MMA, it's a very, very hard sport. It's people who train at a high level, they train 2-3 times per day.
11:59You have some very muscle, and some people who are less in appearance. It's to say, you don't know what to do, you have some muscles, we'll say, extérieurs, a little muscles of protection, those that we see, then you have the muscles profonds. The muscles profonds, they can be more or less than the people, but it doesn't look at all. But you go to the arts martiaux, you have a very muscular and then there are no muscles. It doesn't mean that they have less force, it doesn't mean that they have less training. It's a genetic. So if you want, when I do my sport, I don't want to look muscle. I do the strength muscle muscle, like everyone, because I have a need for my sport.
12:28I need to be muscular for being able to protect my body. But I never looked for muscle. I don't want to do the musculation, I don't want to go fitness. So what I want to say is that there is a part of genetics. I have the chance, it's that in doing my sport, I'm developing this way. there. So there was no research of this body. I had a because I had a chance. But when you see the image in your film, it's still more comfortable to have this body. Of course, it's cool. But after you arrive at aimer your body, when you have. Yes, I'm not... I'm not... I'm not a bad person. But you know, I'm obsessed with you.
13:01So I always see the mistakes. I don't see the mistakes. I always see the mistakes. And then, I'm 40 years now, so I'm thinking, well, it's necessary to conserve my body. Well, obviously, there where I'm going to be a little bit of a contredire, it's that when I saw that I'm going to be muscled like that, now I have to keep it in mind. So it's going to be a mess. But I don't know, it's going to be a mess. I'm going to say, you're going to do a mess. And in fact, it's going to be a mess. Because I'm going to say, but no, I'm not going to do a mess. I'm going to do a mess. But when I'm doing a high dose, I'm going to train 1h30 to 2h per day.
13:29So there's always a reinforcement of the body. I'm going to do a session with weight every two weeks, a good session with weight, because it's a little bit. but... With the food which goes with? Of course, the food is very important, but it's not to grossize. Because, obviously, if I'm a muscle a lot, it's because I'm a grossified. It's the same. All the people who do sport know, you have people who have very fast, so they're very thin. They're very thin. They're very thin. These people have a lot more difficulty to get muscle. I'm a muscle fast because I grossize so I stock quickly. But for example, for not grossing, for not grossing for health or because you don't want to grossing?
14:11It goes with the balance of general. It's to say that the food is also a problem for me. I'm also addicted to sugar. I'm addicted to everything. So, the food is a pleasure. So, I've got to control my food as I've got to control the rest. In fact, if you want, at the beginning, I've first stopped the alcohol. The most important. Then I've stopped the medication because I had a little bit of a medical. Then I stopped the coffee because I was drinking a drink. Then I stopped the cigarette. Then I stopped the sugar the day. Because I had a lot of sugar. When you say sugar, it's the sugar transformed into the sugar?
14:47Yes, I had a lot of sugar. I had a lot of dinner, I had a midi, I had a lot of dinner. I had a lot of, a lot of, a lot of, a lot of. So, I had a lot of stress. I was holding a lot of sports. but at the same time, I had tendance to take more of the muscle. So I was a little... I was already on the... I was already on the 73, 74, I was already on the 77, 78, 79. So it's 5-6 kilos more of mass. So it started to make a little... And I was not good in this core. And so at a moment, I was thinking, what is the best solution for me? Because it's the same, there's no good advice. There's a lot of nutrition.
15:21But it's also how to feel, you feel good. Well, after I was thinking, the first thing that I have to do is to do, because I started to go to Thailand to make kind of retreat. You know, we talked about just before the episode. One time by year, I'm doing 10-15 days, all alone, at the end of Thailand, where I'm in a room where I'm doing jean. I'm doing jean, I'm doing meditation, I'm doing a box Thai, and all that. And it's very hard for me, because the food is a real pleasure. So when you take care of the food, my head... Then I'm doing everything, I'm doing everything. So all of a sudden, I'm doing all alone with myself, in having a food.
15:53But I'm doing it exprès, it's for a little bit. a little bit, so generally for a week it's horrible, I'm having a crisis of the arms, I'm super bad. But it's also to be able to confront it, because it's easy. But you already confront it a lot, I think. Yes, but no, I'm going to be able to work, work, work, work, work, work, work, work, work, work. I'm going to work and work, work, work, work, work, work. I'm going to sleep, I'm going to sleep, I'm going to sleep, I'm going to sleep. But what, I'm going to sleep in a box of shoes? No, but say that there's not a lot of sereenity, that's a thing that I haven't found yet.
16:23I've found a balance, but I haven't found a serenity. So the sereenity, it's the one I found out at a moment. I would like to find out. I have 40 years now. You think it's something to find out? I think it's something to find out. I think if there's something to find out in my life, it's the sereenity. What exactly is the sereenity? It's a good thing. It's a good thing. To not be in control and to say what will happen, will happen? Exactly.
16:50For example, I don't want to gratter the day from the beginning of this episode. because it makes aMrH�를. But as I'm saying that I'm speaking of drogues from the beginning, because all in me frotting the nose. I know it's been because you say it's going to be drogues. But it's not what I go about. But I do not. But when I answer, I always make that. I've alwaysvitled. And I know that people will tell you something. In terms of saying that. Other people will tell you what more people Salomo said. Does that say my berries is fine? For example. The ranking is to say I don't do drugs, no matter what people say.
17:13It's not that. It's not even that. It's not that. It's not going toём thinking anymore. It's not a writing. it doesn't even know that it's not your mind. Yes, but I would not do this job. I don't know. I think you can make this job too, and at a moment in your life, you can find a serenity in your life. Or a degree of serenity. Maybe that's a serenity makes your choices in your job. Maybe if you were more serein, maybe I would work less. Maybe I would say I have less need. At the end of that, you ask me to do it, I'm going to do it, I'm going to comment it's going to, and at the end of that, you're not free to do it, you're not a carter of what people think of what you're saying to your project.
17:46In fact, it's not that I have nothing to care, it's that I'm lucid on my pathologies, and I think that I'm also lucid on what is... How to say... I'm lucid on the value of things. I know that sometimes I give value to things that they don't have anything. And it's still a control. It's that I'm force to not act in fonction of my fears or my fears. For example, my first show, the Luya Bordel, on the religion, hyper provocateur and all. It's thanks to this show that I explode that I will talk about myself, and then I pass from not money to money, and then my life changes, and then I can help my parents, and I pay my parents, and I always have a dream of...
18:26I'm saying, you never know, I can't do that, and I always have a dream of me paying and I go to Spain, and I'm going to be a nice house in Spain, and then in this house in Spain, I was supposed to write about two pieces in Verroutes, and then my second house, and then I wake up and I'm going to wake up, I know that I'm going to wake up, but I want to relire what I'm going to say, because I have a little thing in my head, I have an impression that You're not because it's not because it's not because you're a little afraid of what you're telling me. And then I'm realizing that I'm trying to censure, in fact.
18:51Because I'm thinking, is it worth the cost of writing this? Because there I have this. All this, I've got this. And this risk, maybe it's going to be worth it. And so, I'm forced to say what I was saying. And I'm forced to say, in the end of the show, to say to people that I had failed to censure myself, because I was afraid of losing what I was going on. So, I'm very afraid of fear, in fact. The fear is something that is inherent to my personality, inherent to me, and I fight it daily. But you have also an obsession of truth and sincerity. All the time. You talked about the judo of your father.
19:26You started talking about a puberty tardive. I also had a puberty tardive. I don't know what it is, but a puberty tardive for a young man. It's for that you're young. You're young? Yeah. You're young? Yeah. It's a good thing. I don't know what it is. I don't know what this is. I don't know what this is. No, it's not what we say. No, it's not what we say. We don't know what we say. It's not a sense. It's a sense. There's no study there. But by the way, it's like I'm not a young person. It's not a fishing for people. Well, I'm not a young person. Because before, when I said my age, I said, no, stop and all.
19:55And now, I'm saying, yes, it's a logical thing. Because in fact, I'm 47. So, you, you're less. Yes, but it's more because the others have grown. You believe? Well, your example, it's someone who has grown. Because I'm 47, whereas you see . It's natural. It's for comfort. It's supermand doge?" Oh fini! It's too dressable! It's fine. There you go. In fact you can't frequent so much 47-plus sekarang. I Rashidian, a lot of people together with you. Oh yeah?
20:23Because it's sexy then. But I Najfaced too much I scarred違y as for fun. So, I couldn't have routine. That's my �zelf Goshet Watch I searched. I have a bad thing. I have a bad thing. I have a bad thing because I'm tired. Yes, because you think. You're well? Well, in this moment, I'm very bad. That's why I have this head and I'm very tired. It's because I'm very tired. I'm on the end of my film. I'm beginning the projotest. So it's a terrorized film. In my case, it's four years of work. So it's a baby. I don't have an infant. But it's a thing where you get in the pool. Because you saw on Insta, they know they're all alone.
21:00And then you're kind of... I hope he's not going to sleep all alone So here I don't know But otherwise, I'm not going to sleep But I'm not going to sleep And you said that I have this head, what is your head that you don't like? I'm a little friper I have a little black The little red That I'm a little more I feel like I'm not I'm not very frail today So you look at the morning and you say I don't even know what you're looking at? Of course, I'm looking at In fact, you know, it's the one or the other So I'm going to be the autodestruction the most total with your hair just like that. I'm going to go on, I'm going to go on, to the opposite.
21:37So now I have the supplements alimentary, hygiene of life, I'm hyper regal. What's your favorite supplements? I think we'll make a battle of supplements. In fact, the morning, I don't eat it. I do two repas per week, and in this moment, I'm not doing practically more than one. But you take your supplements alimentary to eat? I've done it once, I've done it once. Yeah, I don't know. Ah, really? You have really the person who has the person who has the same complains. Ah, really? I have really got it. The first thing that I was going to do was it was the first complains alimentary. All of that, it started because of them.
22:13It started because of the Nobiole. I think it was really the first complains alimentary of everyone at 16 years to prepare the sun. And really, I'm seeing you. I'm sure that yes. Absolutely. Carotene, the thing that is supposed to be... Yes, I know, but at 16 years, I was not at the carotene. Ah ouais, bon, moi j 'étais déjà et je me mets vraiment un truc où ça me brûle l 'osophage et je le vomis direct et il ressort tout plein. Tout plein de quoi ? Bah tout, enfin, tout plein de quoi ? Il a pris quoi ? Tout plein de billes, non pas du tout, tout du même morceau quoi, ce qui est normal, il n 'avait pas le temps de se dissoudre.
22:42Intact ? Intact ? Intact. Parce que là, t 'as dit tout plein. Ouais, non, c 'était intact. Intact. C 'était intact. Ma question n 'était pas sur les compléments alimentaires, même si je suis sûre que tu prends de la... I'm sure, I'm sure... You're staying 3 hours on the level, so I can't think so much as I want on this supplement alimentary that I don't take that when I do sports, that's to say once a year. L-Carnitine. Yes. In fact, I have a complex multivitamin. So in gros, I have a sachet the morning. There are all the supplements that you need for your alimentation and all the supplements that you need, the base, a little base of everything for the sport.
23:23When I don't eat the midi, I take the protein just for not to lose weight in muscle muscle. And it's all. And if I eat the midi, I don't eat the protein. But now, I'm really at the instinct. If I'm very hungry, I eat a meal. And if I don't eat, I'm always a protein. If I don't eat, I just eat a protein. Do you have any supplements for your skin? No, I have a crème. I have a chance to have a company who tells me that it's going to take this cream. But I'm a child, it's going to be a little bit of a pot. But by the way, I'm a soldier. If you do this, this, this, I won't be a one. And is it you say, it's which already?
23:58No, it's not with this voice. It's not with this voice. It's not with this voice. On a suivi Jeremy Ferrari in his quotidien. It's not with this. It's a weird, in the quotidien, it's really different. But sometimes you become a little teubé when there's things that are not... Yes, if it's a new thing, I'm going to say... It's the day or the night. But it's just if it's the news. But no, no, I'm very... You have a routine, a routine. Yeah, I have a cream where it's to put everything. Yeah, in fact, if you want, it's to be careful. So now, I'm saying, well, well, you have a good one. I see. That's very funny what you're going to do.
24:38Yeah, I know. Because you have a good one. Yeah, but I'm not a fresh beer. So I have a good one. So I have the right to put a look at the front. you have a good one. No, it's not. For the moment, I don't have any redules. That's what I'm doing. You're super in the middle. I'm in a couple for 7 years. The redules of there, it's not supposed to be what there's no way. It's a gravity that I'm afraid. The gravity? Yes. Because I see my mother, she has a very good, she has a very good skin. But she's going to live like that. But your mother is very sujet to the gravity. Yeah. It's a thing that I've had before.
25:07Well, she's very sujet to the gravity. Completely. The skin is not more close to the ground. She's not more close to the ground than other people. No, but her skin is more close to the ground. Her skin is more close to the ground. She's very, very beautiful. But it's really, for me, two ways of vieillir. Ride and gravité, relâchement. There are who have the combo. Which is strange, by the way. Because it makes a peau who pendle and is ridd in the pendle. Exactly. And it's them who tell you, you give me quel age? I don't want to answer this question. It's always them who make that. It's true. But in any case, to ask this question...
25:39Impossible. But you know, for example, it's interesting. You know, for example, we talked about the clothes. I think also that your social status, the way you express yourself and the way you do it, change also your thing. For example, the guys in my sport club, they go in a black and white with the shoes like that, and the shoes are trying to train and all that. The last time I was talking to a friend with a friend who I am training at Lyon, and then I said, well, I've been doing 40 years. But you have 40 years, you? Well, if you're in a meeting, you're being fringered, you're being saped, you're putting a little gel, you're expressing a little bit like that, etc.
26:12on va te les donner tes 40 ans donc c 'est aussi tu vois c 'est aussi ton statut comment tu t 'habilles il y a plein de choses aussi qui jouent sur en fait on va très peu regarder finalement ta texture de peau ou ta forme physique on va plutôt on va juger un ensemble d 'ailleurs à ce sujet là l 'autre jour je parlais de toi à un copain et je lui disais il gagnerait à être nu plus souvent suite à ton copain ou moi ? toi et après il me disait oui mais les gens ne se baladent pas nus et c 'est là où je suis arrivée à cette réflexion en effet il ne va pas se poster on the channels. But I think that in a way, like you don't have a look of a thing that I wanted to say.
26:49It's even worse. Because you haven't left me in my episode. You're not even worse. I was thinking that this summer, I was thinking that I was going to be wearing. I was always wearing a suit. I'm not going to give an example today. I was always in jeans, suit a capuch. And in the middle, a t-shirt blonde, a t-shirt noir. All the time. I had an armoire, t-shirt blonde, t-shirt noir, suit a capuch, And this year, I said, I have to make sure I made a little effort. So I made a whole guard of hand. With your companion. With my companion who helped me. And so, I have eight clothes, I have a new basket.
27:21So, I have eight clothes, I have a lot of clothes, a lot of clothes. And the people notice it on the réseau. They say, you have a pull like that. Ah, putain. So, I made a little effort, at the level of my tenues, because I was thinking, well, when I was thinking. There are things you have to do? You were there, it's not possible. Yes, yes, yes. It's a thing. It's a thing. It's a thing. It's a thing. There's something I've never put. She wanted to absolutely... You know, the shoes... Oh, what's that? Oh, no, but you'll love it, you. Thanks, I'm sure you're on your back. You know, the boat, there.
27:55Not at all, I don't think you'll talk about it. You're going to talk about it. I think that it can really take it. I see very well why you think it's that. But I think that really... You know, it's a lot of people who don't understand it. But with the pants in line, you know. But they don't wear pants in line. I'm trying to describe my psychiatrist who has a shirt in autumn, summer, summer, summer. A partir of April, he's in black. It's a me of the time. Do you think my wife wears a pantalon? I'm really looking forward to you. Because I think he can't hear it. I don't wear it. You wear a pantalon?
28:27I'm wearing a shirt. It's true that it's me. Yes, but it doesn't matter. But the problem also, it's that I'm a little cliche. And that, for example, my company, she's an admist. Of course, she's a little bit of a bronzer. She's a pantalon. But yes, but it's the fucking vacation. No, but it's true. No, but it's also that people don't understand. It's that I put a ribbon, I put a gel and I put a shirt. But because you... It's a catastrophe. I would say... I would say... I would say in the street. I would say in the streets of things. I would say... I don't know. You can't. But it's my physique like that.
29:00It's for that I said that you would win at tenue. On ne te juge right pas. You would be in a sort of society where you would be valorized for who you are. It's a other communication. Have you ever seen tattoos? I have. I was going to tell you, in addition, for a few that you have a tattoo. I have one, I have removed. It's true, it's a bad thing to take off? Oh, so... I haven't done that. I haven't done that. I have a regretted it. Sometimes I have to do it. And then, I say, it's not right, it's going to be a cliche. But it's a success. With a tattoo, it's... Or you play at a point. Yeah. At a moment, you say, maybe you keep it in mind of the 50th.
29:37And in plus, you see, I have a face like this. But it's new. I've seen it. I've seen it. It's been a week. I've seen it. You didn't have it? The week of the week, I believe it. You know what it is, it's been 10 years that you don't have to. So I don't know what. But by the way, the alcohol rends a lot. Yes, the alcohol rends a lot. And then, I took the cortisone. I took the cortisone. So, for example, I took my hygiene of life. So, all that you can't get a lot. but it's also the shoes because I changed the hair, I made a shorter hair, because you see it's also that all changes the face, but even in my film there, there are moments where there are scenes that I haven't kept because I said that it's not because I find it too cliche.
30:21But because sometimes I haven't put everything in there, sometimes they pass, but people say that it's super, I say that when I say that, in addition, it's an adventure comedy, so sometimes I'm in the desert, I'm in in the desert, in the water, I don't know that there are two or three cells. But it's good. Yes, but it's all. And then, you're like that, you're like that. 90 % of the people don't ask questions. They say, it's great, film me like that. I don't have a thing with myself. You look at the combo, you look at the things you said in the film, in the way you're saying, I'm like that, I'm like that.
30:55There's a thing very, very funny. I haven't done a lot of films as an actor, I've done two. So I don't know anymore. There's still a lot of things in the cinema. I have the impression that you're a bit like those people who can have the head. You're a bit like... I don't know what phrase will go with this movement. You could put your head in every direction. It doesn't work. You don't have a good angle. Just a minute. I have David, my director technique. Because when you realize a film for the first time, it's better to have a good director technique. I'm in David Crespin, who is a great director technique.
31:28And I'm in the middle of a dune. on a tourné au Maroc à la frontière algérienne les décors sont sublimes puis à un moment donné c 'est une demi-dune avec une crête je suis censé regarder quelqu 'un qui descend et puis je ne sais pas je dois être un peu comme ça je ne sais pas exactement comment je suis mais bon j 'ai la bouche entre ouverte puis David il vient il fait couper quand c 'est moi qui joue ce n 'est pas moi qui l 'ai coupé évidemment ce serait bizarre donc il me coupe il vient il me fait ferme un peu la bouche ferme un petit peu la bouche ok ok il repart dans la combo action coupé he revient he fermé encore un petit peu la bouche mais qu 'est-ce qu 'il il me dit non mais juste ferme encore un peu la bouche alors que là du coup je commence à me crisper ça devient très bizarre parce que je suis comme ça mais qu 'est-ce qu 'il y a puis à un moment donné je fais mais putain en fait qu 'est-ce qu 'il y a avec ma bouche il me dit mec viens au combo il me montre ça non je sais pas en fait il y avait un axe de caméra il m 'a dit mec je sais pas on dirait que t 'as 4 de QI and you look like like when you say you look like and I see my go on combo I say oh damn you don't do that in a film he says it's not that you keep in your head and you don't film never with this angle with the mouth in front of her it's a weird it's a weird it's like the photos that we commented the last time of the press regional who takes the wrong photos on scene because you have problems I have to have to censure the press I have to censure The press is controlled, and I told myself, we have maybe in common...
33:02I'm not sure if I can have photos where I can... Not only I have a look at the photos, but it's not that the problem, it's that I have a look at the bête. I don't like my smile, I think when I smile, I have a look at the bête. I think when I smile, I have a look at the bête. So, I don't like when I'm photographing in front of a smile. I don't like that. I don't like that when I smile. Objectivement, I have a look at the débile. So, I prefer that I always make the face on the photos rather than he looked really débile. And, effectively, the local journalists, because I have the same problem as you, they have said, yes, it's the censure.
33:38Because it's going to explain to people, when you're in tour, you make 50 dates, 80 dates, 90 dates, 80 dates, 100 dates, 200 dates, etc. And then in all the cities, you have the local press who comes to the show and who tells you what she wants on the show. We don't have a problem with that. But generally, you have a photographer from the corner who comes to photos of your show. And it's true that it's the problem of all the artists. All the artists who listen to us, who are going to tour, will be agree with that. I'm not saying nine times on ten because it's not a mess, but one times on two, you find out in the local journal with a photo where you're like this.
34:14When you have chance, she is flue. Because at the moment, you don't recognize it. And then when you have chance, he's done well in movement and you're at the center of the journal like this. And so, Google image, then it's a carousel of photos of you from Caen, from Bordeaux. And so, in addition to being smart, you have to make a big deal. Yes, it's true that when you're like that, it doesn't make a lot of money. And so, as we have a little bit of love and ego, and that the first tour, you don't say nothing, because you say, I don't have a chance on this tour. And then, when you arrive at the middle of the second tour, and you see that all your photos, your Google image, it's a kind of a carousel of ridiculous images of you.
35:01At the end of the day, you say, well, after, I paid a photographer for two prix who made beautiful photos of scenes and other beautiful photos, maybe rather than letting them take their photos to them, like that in the dark, because in addition, they have some complicated conditions, because it's not necessary to do the noise, it's not necessary to gêner the people. You've already had those who make the cascades who arrive in the rain. I've all had one on the scene. I told you one, I was told you, I'm going to go to a scene. It's got to understand when I say on the scene to those who listen to us, it's not that they imagine a scene of Zenith.
35:28I wasn't on Zenith this day. It's a scene that makes the size of a small salon. And I'm going to go to a scene and there's a man who's 1 ,50 m of me with a photo with a photo. On the scene with me, like if we were doing a duo. If I had done a duo, he would have been to this place. And then he's next to me. And I'm going to say, what's that you do? He says, I'll take photos for after. But even this conversation, she has no lie to be in this spectacle. I was just kidding. Everything was crazy. And they didn't want to go down the scene. And so, Nora, but I had also had this problem. Now, we say to the journalists, you don't take a photo and we'll be able to validate.
36:01Or we'll validate. Or we'll validate the photo. So we validate the photo, so we'll send it. And so, there are journalists who are okay with that. And there are others who say that it's the freedom of the press. Well, we won't make a manifest, but no. It's not the freedom of the press to make it like this. I'm going to say, I'm going to say, I'm going to say, It's horrible because I think that's so much your show. I think that you have a thing where you say humorous, the word is already, I don't know, but when you have in plus this head, this thing, and then after, for a few that you have a festival of cinema, they say, the brand doesn't want to be able to be able to Cannes.
36:34You're there, yes, because they are all on Google, they have taken my name and they have seen me like that, and they have said, I don't have a tattoo on my face. Toi, Romain, you don't have the formula of humor on the avant-doub. I have a photo on a chapi, so I didn't even make a bike at the time. Un chapi. Ah, les petits. C 'est mignon, ça. C 'est pas la photo, elle n 'est pas mignonne du tout.
37:18playing outside, or simply surviving a summer heat wave, it's an easy way to stay hydrated. Shop now at liquidiv.com. Liquid IV, hydration that goes wherever life takes you. Je voulais en revenir sur ta puberté tardive. Ah oui, ah oui. C 'est quoi une puberté tardive? C 'est quel âge pour un garçon? J 'en sais rien, mais je voyais bien qu 'ils attrapaient de la barbe, ils attrapaient des poils sur le torde. Moi, je n 'en ai jamais eu. Ça, ça t 'arrange. Oui, ça c 'est cool. Les poils un peu sous les bras. La première chose chez les hommes. Est-ce que tu t 'épiles sous les bras ? Je me rase. Tu ne passes sous les bras ?
37:53Je n 'aime pas les poils. Je ne me rase pas au rasoir, mais je mets le coup de tondeuse. Après, j 'ai très peu de poils. Ah, un coup de tondeuse ? Je fais ça, je n 'ai plus rien. Je suis vraiment pas... Pas beaucoup de poils ? Non. Mais si tu as cet poil, tu les rases ? Non, mais de temps en temps, j 'en ai un peu qui poussent là. Moi, je fais de la pincer pilier, j 'enlève, parce que j 'en ai 5, 6. Les poils de tétons. So, tac, tac, tac, and then it's done. It's done for five minutes. It's done for the teeth? Yeah, it's done for the teeth. We have really a conversation. It's really a danger. The board.
38:21The board of the teeth. The board of the teeth. It's done for me. I'm not a fan of those who... But you don't trace it. You don't trace it. I don't trace it. I don't trace it. I don't know. I don't know when the girls are piled the teeth. And then it's a bit like a cat. No, no, it's a dégueal. But there's a lot of, the torso. There's a lot of things. Ah, yes, it's a lot of things. I don't know. because of the way it makes a barbe there the barbe there is not a good thing but I think if I had a lot of there, I would have to throw it or at the cirque there are certain sometimes it happens on an or on the beach when I see a guy sometimes there are some of them they have the poils harmonious I think that it's a good thing I don't like that, I don't like the poils but I think that it's a good thing it's a lot of people and that it's a good thing I don't know, it's a question de form, de texture, je pense aussi.
39:09Poils bouclés ? C 'est vrai que tu as des gens qui ont des poils bouclés. Mais de manière générale, moi, je n 'en ai pas assez pour qu 'il y ait un projet. D 'accord. Il n 'y a pas eu un projet. Il y a déjà eu un intentif de projet de barbe ? Là, maintenant, je suis content quand même, parce que ça, je trouve que c 'est pas mal. Je la laisse... Là, elle est un peu courte, mais tu vois, je la laisse un tout petit peu. Je la laisse en deux, trois jours. Et ça, j 'aime bien. Je trouve que c 'est... Tu vois, maintenant, quand ça m 'arrive de me raser vraiment au rasoir, I feel like we would really like a child.
39:39So I'm not a young man, but I think we would really like a goss. So I'm not a little like that. But now I have enough for when I let it push, we can see a little. But until it's still 5 years, it's not possible. And when you were young, you were beautiful, you were complexed, you had things, you had to have acne? I didn't have acne. No, I didn't find it very beautiful. I found... It's a good question, what do I say to myself? You had success, you were interested in that? Are you interested in having success, to play or not? For the girls, yes of course. I think that's a bit of all the boys. You have to play with the girls who you like.
40:20And the girls also. But there are girls who want to play with everyone. No, I didn't care about it. I was not in this rapport. I was in another rapport. I was in a rapport... I had always had a rapport a little bit too. I was rather in a rapport of if someone would me cause problems. I was rather in a rapport of not to be not to be able to leave me tranquille. I was rather in a rapport like that. So I didn't want to be a désagréable but I was more I didn't ask if I was popular. You know? I wanted to just make my life and let me leave tranquille. And I didn't support that we came to me to leave the bonbons so I didn't ask to anyone.
41:01C 'est toujours un peu le cas d 'ailleurs. Mais je ne me posais pas la question de ma popularité. D 'ailleurs, tu vois, par exemple, en sixième, j 'ai été élu délégué de classe. Je pense que ce n 'est pas parce que j 'étais populaire, c 'est parce que j 'ai été très convaincant sur mon discours. Je voulais être délégué de classe. J 'étais sincère dans ma démarche parce que je trouvais que les délégués de classe que j 'avais eu avant dans les plus petites classes et tout étaient nuls. Et je n 'avais aucune confiance dans les deux personnes qui s 'étaient présentées. Tu avais un bon programme pour la sixième ?
41:28J 'avais un bon programme, oui. Je ne sais plus ce que c 'était. I was just thinking about that when we talk with sincerity, we don't have a paper in the hand. I remember that I would have said that. And I was sincere, I had taken it very close. And it was not for impressioning or to show that I was popular. I was in a real dream of, I want to have this post because I don't trust in those who will have it. And I know that if I do it, I will do it well for the group. And I had already this thing to say, well, he doesn't like it, he doesn't like it, but he has the same right that the others. So I took it very very close And in fact I saw that I had no power So I was never represented I was very déçu I was very déçu very early in the 6th I was very déçu very early in the politics I was told that I didn't have power I stopped to be elected when I started to have a bad result Because it became a terrible thing to say To say what to say face-to-face You don't work well There's a lack of work There's a lack of serious There's a lack of stuff I don't know what But in the 6th I was still a very good student So it was wonderful You were at the college You were not a good student to?
42:28Jusqu 'à ce que je m 'intéresse aux garçons. Cinquième, j 'ai stoppé. Ah oui ? J 'aurais été convaincue que toi tu avais une bonne... Oui, mais parce que je pense très intelligente par ailleurs. Non mais c 'est -à-dire que... Mais tu peux... Mais j 'aurais pensé... Non, j 'ai été très bonne à Yves jusqu 'en sixième. Cinquième, je suis tombée amoureuse. Et puis après, ça a fait que de se dégrader parce que l 'amour a commencé à prendre une place de plus en plus importante. La vie et les dysfonctionnements familiaux aussi. Donc ça plus ça, ça fait un combo atroce. and then I liked the idea that I didn't want to work like that if I was a kid it was because I didn't work and not because I was a kid I was very very scared I was a kid and so I was told I didn't work like that and so it was only a good surprise I was really an elever very agaçant who had 17 at the back although there was 3 it's marrant that you had very scared to be a kid because it's a bit your character you play a bit of this feel sometimes of naivety of false Ah bon ?
43:25Tu trouves que je joue un personnage de bête ? Non. Ah oui, on est vraiment sur un point sensible de l 'enfance. Il n 'y a aucune discussion possible. Tu trouves que je suis bête ? Ah bon ? Attends, mais arrête. Je ne sais pas, c 'est quoi mon perso, là ? Tu m 'inquiètes. Je suis sûre que tu me confonds avec une autre humoriste. C 'est génial, parce que pour les gens qui nous écoutent, qui ont très bien compris ce que je voulais dire... Mais non, personne n 'a compris ! C 'est très drôle de t 'entendre. C 'est très drôle, parce que quand j 'étais petite, j 'avais vraiment peur de Ravel. Ah, c 'est marrant, parce que dans ton personnage, You play a bit.
43:53I'm a bad guy. But you think I play a bit? No. You play a bit very lunaire, a bit a bit a bit a bit. You play a bit. You play a bit. You play a bit. It's atrocious. In fact, I'm just tubed. I was thinking that I... No, but... You see what I mean? No, I'm not sure. But if you play a bit. You play a bit. In your personal. Yes, I play a bit. Yes, but not tubed. But no, but... Quelqu 'un qui joue le côté flottant, c 'est quelqu 'un qui a une certaine nonchalance, un certain... Je ne sais pas comment expliquer... Tu as ce côté-là ? Flegme ? L 'autre jour, on m 'a dit flegme. Non, pas flegme, parce que flegme, c 'est quelqu 'un qui s 'en fout.
44:35Alors que... Il y a une notion de je m 'en fous dans le mot flegme. Toi, tu ne t 'en fous pas. Mais en plus, ton spectacle, je l 'ai encore regardé là. Oui, ben encore pire. Il t 'a trouvé que l 'air te bu. I'm going to look at that. I'm going to tell you, you're looking at that. You're looking at that. No, but I'm not looking at that. You're a little on this side. On a certain naïveté, a little flotting, etc. In your own personal life. If a day I read an article that he says with his character that he's a big deal, I'm going to be there. Especially with the photo of the Nouvelle République. But I'm not a character in other words.
45:12It's atrocious. I'm going to give you an example. The other day, there's a girl who told me that she's doing stand-up. It's super hard. You're still a pote. Well, no. She's going to recognize me. But no, but... You look at our two characters on scene, for example. Look at the way you talk. Look at the way I talk. I play the thing very sure of myself, very encased in my chain. You play the doubt. The doubt. The doubt. The doubt. Well, so the doubt, it's a... But often, it's the most con, it's the most who affirm. But yes, I didn't say that you were a bad. I didn't say that you were a bad. I tell you that your character He plays the doubt Someone who is in the doubt It's someone who doesn't know Someone who doesn't know It's someone who is a little flotting And you play On the balance of this You play on the flow Yes, but you play on the flow Yes, but you play You play on the character I do rather than the text And so it's why I tell you that You're going to make it You're going to think You're going to think And then you're going to think You're going to think That's how you create your ruptures But are you trying to say That if you were the pitch of the spectacle You would say That behind her appearance You're going to be I'm not a pitch She's a person of a fausse naive and a little bit and...
46:18Oh my God... I'm so sorry for a fall of an enfance. There's no nuance. We're on a a kind of... And then you push... My fall of an enfance, she's going to tell you these things where I've already said it in three seconds. I've sented that it started. I've had plenty of results without working. But I was last year au concours kangourou, par exemple, d 'Ile-de-France. C 'est un concours, mais ça n 'appelle en apparence, ça n 'appelle pas thèse de cuit, c 'est un concours de logique. Tout le monde l 'a passé, a priori. Je ne crois pas que ce soit arrivé jusqu 'à Charleville-Mézière. Ah bon ? Non. C 'est peut -être que l 'Ile-de-France.
46:56Ah, c 'est possible. Déjà, il fallait qu 'on ait des profs. Revenons-en à tes cheveux. L 'adolescence t 'était coiffée comment ? Et quels étaient tes goûts ? Est-ce que tu t 'intéressais, j 'allais dire, à la mode, autant qu 'on peut, because it would be a bit more changed. You have read a little bit my Wikipedia. Yeah. Why? Because I grew up. You know when I was growing up, I was interested in the mode. It's all a bit possible. I think we'll receive a lot of comments. N 'hésitez pas, all the people of Charleville who are interested in the mode, to comment. Because there... I have to ask. You know when you're talking Jeremy Ferrari on Google cheveux, the third word that is, it's blue.
47:37Blue? Yeah. How about that? The blue? I was told that I had to be able to incruster an image. And in fact, not at all. And then I saw you do a sort of tuto beauty. I was told that we had the same passion. Sauf that it was a tuto beauty of coloration during the Covid. Ah yes, with Romain. I don't know who it is. Ah yes, it's normal. I said, he didn't have a perched, but he didn't... But he's very funny. He has a small scene in my film. I saw it in my film. Ah, it's true? A little scene. Well, there he had a small image color. Yeah, it was for a joke. Because he's a fan of his shoes. I said, it's not.
48:12I was looking for ideas to make for the Covid. I was ennuyé for the Covid. I told Anne-Sophie Nguyen, who is our friend and our friend of the press, I told him, is he coming with his toilet? And she replied, no, but he's coming with his gel. And frankly, I was there. Well, gel for me to go. So you're all the time with the gel? You're all the time. In fact, I have a lot of roots. I have a lot of racines everywhere. It's a carnage, because I have a casque, I have a lot of hair. You have a lot of racines everywhere. What do you want to say? Well, it's a term of coiffeuse. It's not me who is looking for.
48:47And it's me who is a bad friend, but you're going to pay people who say they have a lot of racines. I don't know, there are some coiffeuses who say they have a lot of racines. But what do you mean? I don't know. What do you mean? What do you mean? You're going to be intelligent, you're going to be the false naive. You're going to be the same. Your mèche, ta mèche là... Arrête de la faire molle comme ça ! La gravité ! Ouais, ok. Moi je n 'ai pas mis de gel, si je mets du gel ils sont comme toi. Non mais tu peux m 'en... Toi ta mèche, quand le cheveu il pousse, il subit la loi de la gravité comme le visage de ta maman.
49:21Ouais. Eh ben moi, ça pousse comme ça. Comme un monsieur plante ? Ça peut aller... ça ne va jamais retomber. La racine, elle est puissante et gainée comme ça. You have the hairaye-all yes-e-call. Because he... You see, Mr. Plant, in which you weigh... You don't see нxp of these plant tasteyeuses? Yes! No, but not even I didn't. I didn't know already. You haven't seen those planks. You don't have an enfance. To push your and if you can't stop them, they start to be like me. Well, I have my hair, I have my hair, I have my hair, I have my hair, I have my hair, I have my hair. So how do I get my hair?
50:13I have my hair, I have my hair. But wait, what's the deal with the gel? You take the gel for the aplatir? Yeah. Otherwise, you would have a cut in the brush. I take the gel for the dompter. You're a bit like a desireless. I don't, in fact. I don't like I can. Because if you look at it, it's kind of... But what's that, it's not true. But no, it's not true. You see, they're in all the senses, in fact. And they don't want to move. because I have a decolement of racine, they are not flexible. But it's not that the decolement of racine. Because it's what a decolement of racine. Because apparently I have no long term.
50:38I think because it's perfect, there are people who propose to make a decolement of racine. Well, it's not that it's not that it's not that it's not that it's not that it's not that. The decolement of racine, for me, it's kind of... You have a decolement of racine naturel. Like if I had dormi on it. Ah, bon ? Yeah. It's-is that if I do this, look. if I do what you do here, I have two waves but it doesn't come down on my front I would like to see that you have to do what kind of hair to do? to be able to do the roots it's something that the people... you have to do the same hair to the roots because I don't have the same hair to the roots but I just wanted to tell you that you have to say you have to say, you have to say, I'm a teacher and you are like, I'm a professional you are like, it's a quality and you are talking about your problems of the roots while there you have a mode of work for to do the roots to remove the roots, to remove the roots, to remove the roots in the opposite of his legs.
51:29There's Jack Desanges, there's everyone who says how to boost the volume. Because I've launched a mode. That's a mistake. And then after, when people saw me, they told me how to do that. Is it that you would be happy to lose your feet? Yeah. In addition, my father is a young man. My father has lost his very young. So it's good, a priori you've passed the... And I have the legs fins. So, like I had the legs and very short and very short when I was young, everyone said, you can't see your hair, you can't lose your feet like your father. And so it was... I had really a fear of losing my legs. And then, I had 30 years, I had no legs, I had 31, 32, 33, 34, 40.
52:01And what's very funny is that the last time, I went to an institute to do a treatment of the skin. I didn't tell you that? No. I was like that. And you know, you put down vitamins in the skin. The meso. The meso, yes. So I did that from now. It's great that you can talk about all that. I love the meso. So I did that. And I told you, it's better than you do that. I took a rendezvous. Well I wasn't going to say so. You had just made Hydrafacial. I just didn't. No. No it's the word who you say. No. It's the gest and the word. You had already done Hydrafacial. I was having neverlerini. Not my humor.
52:33But you had already done Hydrafacial. But it's because of it that you're saying that I don't have a son b. You know, it's because I'm going to do like that. Wholoop force at me doing that?! Because you've already done Hydrafacial. It's not sexistба. It's not Psychic. It's not like it.
52:49You had to act. I know. I heard虫. I know. I know. I'm sorry, I'm sorry. I'm sorry, I'm not. I'm not sure that I'm talking about it. I'm not sure that I'm talking about hydrafacial. But it's a point that I'm going to get to. I don't know. I'm going to make it. So you're going to make a meso. So there's a woman who's trying to do my thing. I don't know how to do it. It's not an infirmary. I don't know how to do it. It's a woman who makes my things. And then she talks about it. And then she talks about it. so she makes the hair and she makes it like a machine like that which is in the vitamin you know what's there you know things that revitalize your hair your skin and then one of the other in all case your hair is incredible so I'm like that but I'm like you with the bitty it's a fight so I'm like I'm not I'm not I'm not I'm not I'm not like I'm I'm not She's like you with the bêtise.
53:50She's like you with the bêtise. She's not like that. I'm a toucher a prince sensible. And she's a kind of professionalism, a little bit in empathy. There's no problem. I know you're between us, it's not. I said, I haven't done a grève of hair. She said, but Mr, pardon, we're going to close the debate, but it's my job. Well, no, it's not your job. Visiblement, you're nul. I see that there are thin and more thin It's called a grave of a And it's okay
54:25She said it's okay I said it's okay I said it's okay To add a little bit of tumor It's still more It's okay But we were on someone who Do not employing it from time to time I didn't completely agree on the person And I said I didn't have a grave of a And she said I didn't have a grave of a I said I told her to all the people I'm happy to hear the podcast and she said it was completely okay monsieur and she said it all the day because it's not a medical so there's no secret medical I saw Ferrari, he made a grave of my hair Mordicus who has not made a grave of my hair you know I have a very strange story who is Michel Esco?
55:09actor of theater who is... the grot of Lesco Yes, it's for that I've had a little bug. You know, I'm a bête. And... And if you don't see it, go search on Google. I'm a guy with a film of Olivia Sayas. He has a gris, like that, a very beautiful hair. And he played in an era of Mayowen, I think. And at the end of the show, the person from HMC said to him, you don't forget your perruque, Micha! And it was really his hair. And I found that, Genial. But that's the most pire. That's the most. Because I have so many beautiful shoes. But you have not wanted to have a peruque of the age. No, but well. Well, she told me that you have an implantation artificial.
56:00So it's my implantation of origin. Well, I told you also that I would like to have the number of your... I'm talking about your episode with Marine Leonard. Your rhino plasticist. You don't have to call it? Arrête. Well, no. and it's very hard because I'm thinking because it's true that he is perfectly drawn and it's true that he looks like I would say an IA you're saying an IA would be like that no not the side thank you the side he is a shame on would say really an IA and especially he has not at all the same side it's true that's funny it's not for that, you know why? because I have a double-blown when you turn to a side you do that But it's not that I do it, it's that I have a gland.
56:43You're not doing that. I'm not doing that. I'm not doing that. I'm better drawing from one side than the other. You're not doing that. And then you're doing your nose. There's a thing... No, there's a double menton that's one side. I'm sorry. Look, I'm going to do this. I'm going to do this. There's a little bit, but not a lot. Or it's the other side. And there's a lot. Yes, it's true. I'm like a testicle or a testicle. She's not a testicle. She's not a alphabet. A testicle. No, I think. One. I often say D. It's a horse. It's why it's a thing. And that's what I'm doing.
57:21I have a theory. I have been taken to forceps at the birth. And there's a problem on the side. Because there's a profile that's more successful than the other. But it's not a problem. They don't have a tiré. I don't know. I don't want to tell you. I don't want to. She'll take a lot of pleasure to tell you. It's going to be a dégoat. Why do you want to tell you? Because sometimes when she's me I don't like to go in my bed, I don't like to go in my bed She's like, I don't like to say I don't like to tell you where you're going What's your name With her skin When she comes to your table Yes, exactly In your cake, she has to have a chantilly Yeah, it's weird Why did you talk about your hair?
58:00Because of the hair And so I have this anecdote With this lady who told me But why did you talk about your hair At the base? Because you told me I was talking about my shoes and I told you that I didn't lose my shoes. And I wanted to tell you this anecdote. And this anecdote was happening during an hydra facial. And you prefer to wear your shoes there, in golf, at the judo or in crown? No, I prefer it there. Because there it's hard. But I, all the people who lose their shoes, I say, but raise it. My father who has lost his shoes very, very young, he has lost his shoes. He had the crown? Yeah, but very young.
58:37I think, at my age, 30 years ago, he had no shoes. And very quickly with my mom, I said, « Rase-toi la tête ». And it was very, very good. You're going to go with a brush? No, no, no. If I go with a brush, I have my shoes that are like this. They're going to get my shoes. Moi, if I go out of the shower... It's why I told you how they are at the beach. And you have to be a mess. Because you have the sound of a mess. But you see that it's a great question. I'm not afraid of the shoes. I have the shoes. Mousse. Lisse. Un nuage. Champignons. Like that. But lisse, when you're at the beach. They're lisses.
59:05Yes, but I'm a mare. They're ondul. How can they get rid of the air? They're moussous, just. I don't understand. Why do you not want to come to the regional press when it comes to the mare? But my mare is frisier. And I have my hair that started to ondulate when I was 17-18 years old. I said, oh, put it, it's not a freeze. And then, they've changed my life. Like I have my hair, in fact, like I'm going to bed, they're just plaqués on my crâne. And with the sel, it's just plaqués. So, in fact, it's cool. Even more the look of connor with his pantalons. Ah oui, la merde, avec 15 jours de bronzage, c 'est une catastrophe.
59:37En plus, tu dois bronzer en deux secondes. Ah, je bronze très très vite. Mais j 'espère que tu te mets de l 'écran total. Et en plus, c 'est beau. Tu sais, je bronze doré, tu vois. Et j 'ai des tétés qui deviennent un peu bruns. Ouais, et comme tu les as enlevés... C 'est très beau. Ah, t 'as le tété qui bronze brun ? Un petit peu brun. Mais t 'as ton tété naturel qui est plutôt beige ou rose ? Non, il est plutôt beige. Je suis assez mat de peau, ouais. J 'ai quand même des origines italiennes. Donc forcément, tu me mets au soleil, mon corps. Il fait... I bronze very quickly. And you put in the SPF?
1:00:08It's the total screen. Yes. I sent you that technique for you. I put it on the face, because I'm a little bit of the sun who disparate with the summer. They're starting to leave, I'm happy, but they have a tendency to reappear. So I put it on the top. I put it on the top. Because I don't have a lot of the sun. So I put it on the top. But anyway, I can stay at the sun. I bronze. You can't show us what's in your toilet? It's for that? I didn't have a toilet. I can tell you what it is. There's cream. There's an electrician. There's a box. There's a box. For the TT. For the TT. There's a... The antifreeze.
1:00:49The electrician. In tournée, you take the electrician? Oui. You take the charger and all the stuff. And it's all. But you must be the person who makes a lot of no? No. No, but I'm a little bit in the hygiene. I think it would be a little bit in the hygiene. I think it would be a little bit in the hygiene. I'm going to go out several times a day. I'm too too. I have a finger in the exchange. I'm going to go out of a drink. I'm going to go out of a drink. But you smell? No. I'm going to go out very well. But you put the DO, when you're done? No. I'm not really artificial. It's not good. But you're not obligated to put the D.O.
1:01:32Hugo Boss also has a short to your shirt In this case, you put some anti-transpirants. It's very bad because it's to transpire. It's very bad for the anti-transpirants. It's to leave your heart. And in fact, sincerely, I don't feel like I have always a shirt. So I have always in my bag a shirt, a shirt, a shirt, a suit, a suit, a suit. And if I have trop transpiré, I change. And I'm not in my bag. You have even the peau in the pool? Yes, because this morning I had a shirt I'm bleeding my shoes and I'm breathe It means I took off衝 too far atáp послед He said that I'm a con. You're a zinzin. I didn't say that you felt.
1:02:29I think that in this moment, I feel. No, you don't feel. Yes, I feel. No, you don't feel. If I don't feel like a video, I'll feel like I'm going to feel. No, but I think... No, but after, on a period, too. On a moments, you know. Des cycles. Yeah, it's with your hair. In fact, there's a moment... Quel hair? I don't know. There's a moment in the month where you have a lot of hair and you feel bad. No. But it's a few days. No.
1:02:53Well, I don't know how we're going to finish this podcast, but it's done. On a tous envie de te voir dans ce cycle. Bah oui, on a tous envie. Le cycle où tu sens et tu as beaucoup de poils. Putain, c 'est atroce. Et de voir aussi mon spectacle où je joue un personnage naïf, un peu débile. On en a plus appris sur toi que sur moi. Non, pas du tout. On en a appris énormément sur toi. Je suis très contente de t 'avoir reçu. J 'aimerais juste, parce que j 'ai quand même commencé à parler, à flatter ton corps qui est dans cette bande-annonce. Assis, est-ce que tu veux nous dire quand est-ce qu 'il sort avec qui, quoi, quand, tout ça ?
1:03:26So, the film called Les Cadors, with a particular orthography in relation to the film, it comes out on the 11th March. It's a comedy adventure with Eric Judor, Laura Falpin and me. But wait, it means it means it's before or the week it's out. Yeah, it's very good. It's a bit of a mess. So, there we go for the release of the film. That's right, yeah. Tant qu 'à faire. Okay, great. Thanks, Jérémy. With pleasure.
1:04:22Bisous.
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Il a arrêté de boire depuis des années et vieillit pourtant comme du bon vin… Jérémy nous parle d’addictions, de contrôle, de photos ratées, de style vestimentaire ou encore de décollement de racines,... Et on rit beaucoup.
🤸♀️ Le premier film de Jérémy Ferrari, les K d’Or avec Laura Felpin et Eric Judor, sort le 11 mars 2026 au cinoche.
Si cet épisode vous a plu, commentez-le, partagez-le, laissez moi 5 étoiles et dites moi ce que vous en avez pensé sur Insta. ⭐️
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🎙️ En apparence c’est une conversation joyeuse et spontanée, dans laquelle on fait connaissance avec des personnalités par le biais de leurs complexes, de leur zone T, de leurs routines beauté, de leur rapport à elles-mêmes, de leur enfance, de leurs poils ou encore du temps qui passe…
A écouter tous les jeudis sur votre plateforme de podcasts préférée et à regarder sur ma page Youtube
Crédits :
Un podcast imaginé, produit et animé par Nora Hamzawi
Enregistrement, montage, mixage : Adrien Beccaria - L’Arrière Boutique Studio
Musique : Adrien Beccaria
Identité visuelle : Thibault Milet
Animation générique : Hubert Forgeot
Suivi de production : Chloé Tavitian
Développement : Louie Creative
Attachée de presse : Anne-Sophie Nguyen-Phung
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