


11 Jun 2026 · 1h 4m · 23 chapters

Laura Felpin discusses mental health and physical aftereffects following thyroid cancer/thyroidectomy, plus how beauty standards, makeup, skincare, and social media shape women’s self-image (including “slut-shaming,” “natural” contradictions, and racist look-comparisons).
Laura Felpin is an actress and humorist/comic. She’s also described as a “genius comic” who tells stories with a talent that makes them feel more than just listened to. She has long experience in therapy and later worked with psychiatrists; she’s also a performer who deals with public scrutiny.
She links anxiety symptoms to post-thyroidectomy physiology (thyroid as “orchestra,” serotonin/brain effects) and says low-dose antidepressants helped her function quickly. She argues psychiatry is stigmatized compared with psychology. She says social media filters/TikTok skincare create harmful uniformization and a fetishized, unreal body ideal. She frames resistance as creating alternative aesthetics and not being trapped by “performative” beauty.
post-op nutrient deficiencies (iron, zinc, magnesium, low B9), sensitivity/dental issues after thyroid removal, difficulty joining a psychiatrist, and receiving repeated Instagram comparisons to random Asian women and other lookalikes.
Written by AI. May contain mistakes.
Laura shares insights into her current mental health and the challenges of balancing work and life.
“Have you been putting off that annual doctor's appointment because you don't want to make the call?”
Laura shares insights into her current mental health and the challenges of balancing work and life.
“In fact, I work, but you know, it's great.”
The conversation shifts to psychiatry, antidepressants, and their impacts on mental health.
“En fait, moi, j 'ai fait un trouble anxieux généralisé, un truc que j 'ai découvert il n 'y a pas très longtemps, parce qu 'avant, je pensais que j 'étais anxieuse, mais vraiment, je pense que j 'étais un peu angoissée.”
Laura discusses her experiences and changes after thyroid removal, touching on health implications.
“When you're in depression, it doesn't work, but in all of a way, it can improve.”
Discussing the relationship between body awareness, health issues, and the importance of understanding one's condition.
“There is really a lot of regalings, which is often the accumulation of sleep, the fatigue, the nervousness, all that, which makes it that it's a great thing.”
Examining how mental health influences lifestyle choices such as exercise and self-perception.
“Donc là par exemple c 'est mon dossier du moment c 'est mes dents parce que c 'est impossible d 'expliquer à quelqu 'un que je ne peux même pas to me rincer la bouche, tellement j 'ai mal aux dents.”
Discussion on the impact of public perception and personal experiences with body image and social media.
“on when you were at the quotidien, you had a lot of trouble to see?”
Addressing cultural identity and the complexities of representation in personal and public spaces.
“like that, like the adults, where it goes.”
Discussion on the impact of TikTok on beauty perceptions among teenagers.
“And at the time, it was cool, it was the E-Carter.”
Discussion on the need for authentic female representation in cinema and beauty standards.
“And so it's an aesthetic, again once in the podcast, they take the example Frances McDormand, who, for a long time, was rather rejected by Hollywood for what she was, and who, today, did that it's her success.”
Learn how societal views on beauty impact personal self-image and choices.
“Because I told you that the people would say that I was sick.”
Explore the contrast between natural beauty and the effort behind maintaining appearances.
“In the real life, I don't know why I've spent so much time searching this thing.”
Discuss the pressures women face regarding body hair and beauty treatments.
“Tu vois, c 'est tellement un geste qui était aussi dingue que tout à l 'heure, ce qui méritait vraiment.”
Understand the relationship between health issues and decisions about cosmetic surgery.
“C 'est que là, maintenant, quand on voit les crises génères, c 'est du travail d 'orfèvre.”
Delve into personal experiences of self-acceptance and the impact of societal norms.
“I believe that what it means really, in nanometers, it's kind of a panneau.”
Examine how makeup can boost self-esteem and alter perceptions of beauty.
“in fact the only thing is that sometimes I have to say I have to say nothing and that it's not a statement political.”
Learn about evolving beauty trends and their impact on personal beauty standards.
“I'm a good man, but for me, I'm not a bad man.”
Understand how image and responsibility play a role in the entertainment industry.
“But I think I didn't even know it because I was very young.”
Learn about the challenges and liberating aspects of filmmaking responsibility.
“In fact, if all my life I'm on my own on my own, and then I'm saying I'm going to make a film on the caissiars, I'm going to say, my cousin of the association is bizarre.”
Discuss the complexities of social media representation and personal authenticity.
“Because what I told you, it was, in general, I didn't ask.”
Examine how trends affect personal choices and influences in daily life.
“In fact, there was also this little thing That you can take a lot of influence they send me a product, I speak of a product, but at the beginning of the influence, it was a lot of clothes.”
Delve into beauty standards and their impact on personal identity and experiences.
“I think they have really answered like that.”
Explore the relationship between makeup, personal style, and self-expression.
“Okay, I have a trusses of toilet, but I have brought two things in my skincare with the makeup.”

Get the gist, explore an idea or ask about something said.
On En apparence, what are the key points of this episode?
Automatic transcript. May contain errors.
0:00inconnu: This ad is sponsored by ZocDoc.
0:02Laura Felpin: Hi, it's Danny Pellegrino from Everything Iconic. Have you been putting off that annual doctor's appointment because you don't want to make the call? Or maybe you've been meaning to find a new dentist, but you have no idea where to start? I find that's especially true when you move. It's hard to find your people. I've been there, which is why I use ZocDoc. Now, as a busy podcaster, parent, and someone who's always juggling a million things, I love anything that makes life easier. and ZocDoc lets you search and compare local in-network doctors with over 250 ,000 providers across more than 200 specialties.
0:33Laura Felpin: You can read reviews from real patients, find a provider who feels like the right fit, see actual appointment openings, and book instantly. I recently had a last-minute health issue pop up and needed to see someone fast. Instead of calling around or sitting on hold, I found a doctor on ZocDoc and booked an appointment in just a few minutes. It made the whole process so much less stressful. Ready to be seen? Download the ZocDoc app today. That's ZocDoc, Z-O-C-D-O-C, and book that appointment on your to-do list.
1:06Laura Felpin: Anti -âge, maquillage, lifting, slut-shaming, botox, intox, L-A-M-O-R-F-L-E, contouring, glass-kine, masque, peau flasque, relâchement, cheveux blancs, acné, zone T, brillance, en apparence. Bonjour, c 'est Nora Hamzaoui et vous écoutez En Apparence, The guest that I receive today is an actress, an humorist, a genius comic, but also an actress. The first time she contacted me, it was on Instagram, I believe, in telling me that her father was very fan of me, which he gave me my life, although I didn't know her father. When she does a person or tells a story, she has this talent who makes it feel more than we listen to it.
1:36Laura Felpin: With her, we talk about psychiatry and makeup makeup or so on the skin for the skin. I could not invite Laura Felpin in this podcast. Laura, hello ! Bonjour ! Bonjour ! I said it in off, it's not possible if it's possible for us to see it it's really interesting
1:51inconnu: it was my fault but it's all I'm going to be all disposé
1:56Laura Felpin: all disposé all disponible all on se revoit all disponible all on se revoit dis-moi in off on s 'est déjà dit plein de trucs parce que je me suis dit mais tu as écouté le podcast tu m 'as dit bah oui en plus en ce moment j 'ai écouté plein de trucs de skincare et tout donc plein de choses déjà comment ça va raconte un peu
2:13inconnu: écoute ça va super ça va super bien because I don't work. It's true. It's for that it's true. In fact, I work, but you know, it's great. So it's great because I can finally take a little time to do things and do nothing. It's been years that it didn't happen to me to say I don't know what I'm going to do today. Yeah, it's been a lot of time. But I have a little problem of attention and I have a little problem of organizing things like you know. And so, I'm always found in this way because I've forgotten or I thought I thought it was okay, but I never relanced. Or even if I don't relance. So there, in fact, there's an space mental to do that.
2:51inconnu: I need to be calm to be able to relance people, to be able to think. Are you talking about it? I don't know if I would say that. Because in plus... I don't know, but I think there are some... In all case, there are some... Some symptoms. You have done some tests.
3:09Laura Felpin: You have done some tests.
3:10inconnu: Honestement, I saw a psychiatrist in not long time who told me I was not sure that we need to go to you. you to be diagnosed with Mme Fettin. Is that you have seen the mien? No. No, I haven't seen your psychiatrist because I haven't managed to join him. Ah, mince. Zut. I'm not a embrace. I was very busy with an actress in particular. I don't know. I haven't managed to join him.
3:30Laura Felpin: I love him. He is very happy that this postcast comedy works. Ah, great. Yeah, he is very happy. Well, he is very happy. Well, he is very happy.
3:38inconnu: Well, he is very happy. Well, he is very happy. Well, he is very happy. And I think I'm not even going to be on a message. Yeah, yeah, yeah. It's possible. It's possible, it's possible. You found another. I found another. There are really some super psychiatres. There are also some super psychiatres. Yes, but it's funny because it's not very long, I was going to research on the supplements after having been thyroidectomized, so no longer thyroid. And I was going to work on a psychiatrist called Dr. Guillaume Font, who is a psychiatrist in research, especially in patients who don't respond to the antidepressants.
4:17inconnu: And so he does research on what is efficacy on our brain. So that's for telling me that it's someone with whom I talked about it and who told me that the psychiatry were often considered as, I put it on the end because it's not an insult for them, and he said it was well said, but as the psychologists do service. Like if there are people who have talked about, who have to take care of people who are in the hospital. So it gives a situation a bit of a hospital where they have no problems with a psychotic problem and they say, you know, he has a cancer. And so there is a part of the psychiatry, I think, who also suffers from that.
4:59inconnu: Even if they are not trying to deny the psychology, but I don't know why I'm leaving.
5:03Laura Felpin: But it's interesting because there is also a part of the psychiatry. I think that the people who we listen to actually have the response, they are not going to test with the psy. But there is also a thing when people tell you that you see a psy, you see a psychologue or something like that, and you say a psychiatrist, the people are very afraid. You have the impression that they open the HP. It's really an excuse imparable.
5:25inconnu: Even for the work. I can't. At 14h, I'm going to be at my psychiatrist. So really, it's attention. The old folly.
5:32Laura Felpin: And then, they say, you want a psychiatrist, but why not a psychologist? And you say, because I'm medical. And there they are
5:39inconnu: But it's funny because you have to talk about it And it's one of the reasons why I didn't have fear To go take the antidepressants You said it's true You said at a moment You said something in Aparte On always talk about the moment I don't know what you said Sur the antidepressants But you said it's not me-même I'm not afraid of being alone But it's not your state normal And it's not you-même to be depressed or anxious
6:03Laura Felpin: But if I can allow you Après, on se connaît, mais on se connaît beaucoup quand on s 'amuse et quand on a mille choses à se dire et qu 'on parle comme ça très vite à se raconter des choses parce qu 'on a peur de ne pas avoir le temps. Mais je dois dire... Oui, d 'ailleurs, il y a un petit diagnostic aussi de ton côté. Non, je pense. Moi, je sais pas. Peut -être, je sais pas. Franchement. Je suis pas sûre, franchement.
6:20inconnu: Alors là, franchement, peut -être que t 'es pas sûre. Mais je pense que sur les quatre personnes sur qui je suis à peu près sûre, tu fais partie de la shortlist.
6:27Laura Felpin: Ah bon, c 'est vrai, j 'ai trop envie qu 'on re-out les autres, mais peut -être qu 'on le fera en... Franchement, oui. Non, mais moi, je pensais... Par contre, quand tu m 'as envoyé ce message, je me disais que tu n 'as pas... Donc, je trouve que tu n 'as pas du tout de tempérament dépressif. Non, pas du tout. Ah oui, donc on est d 'accord.
6:41inconnu: En fait, moi, j 'ai fait un trouble anxieux généralisé, un truc que j 'ai découvert il n 'y a pas très longtemps, parce qu 'avant, je pensais que j 'étais anxieuse, mais vraiment, je pense que j 'étais un peu angoissée. Et là, il s 'avère que j 'ai fait un trouble anxieux hyper fort, notamment de... En fait, qui est aussi dû physiologiquement at the ablation of the thyroid in all. Today, there are studies that show the literature on the subject, how we recaptured the serotonin. Then, the thyroid is a form of orchestra. It was very interesting to dig it. There was a lot of the shock of the annonces and of traiter the cancer.
7:23inconnu: But there was also something that was intrinsically like a symptom, which was not something something that I could make, I'm Laura, psychologically. I knew, as I've always been a long time in therapy, that there was something that I didn't know, that I didn't know. And is it that comes from the chemist or not? That, we can't really know. But in all of a sudden, it's evident that I needed to be medical. Yeah. Those antidépressants. Those antidépressants, yeah. I was able to say at a low dose. I responded very quickly and very positively to the antidépressants as easily. In fact, I just had the impression to be able to be functioned.
8:01inconnu: It's like if I had the legs like that, then I had the legs like that. It was possible to function. And so, for that, it's really... That's post-thyroidism. Post-thyroidism. It's hard to say, it's not done for a long time. But yeah, it's post-that. So, really, there was a lot of things. I was working the night. We know that now, that I was working at night, I know that the sleep is very important. So I think my brain has not at all at all understood when I was in the bathroom and that I was working at night.
8:32Laura Felpin: It was a moment where you were non-stop.
8:35inconnu: Yeah, non-stop. But that was a bit of a good thing, so I would have to... I had to... I had to... I mean, it's like the freelance
8:43Laura Felpin: who tells... In fact, they don't have a vacation. You don't know how to make limits. And then in addition to our jobs, when you work, you want to work. And I think particularly when you have an e-preuve or something else or intense, you prefer to be in the actuality?
8:58inconnu: In any case, I haven't thought about what it was going to do. But it's true that, for the coup, when you look at the tableau clinic, really foal, I feel like I'm doing well with my studies. But when you look at the tableau clinic that I traversed, it's to say, on enlevait a organ, the body apprenait to function differently since there was no organ. And I worked at 17h and I ended at 9h the morning, so I think it's really not possible.
9:26Laura Felpin: And is it that you have felt... After, we're not only on the thyroid, even if we're on the embrace. And is it that...
9:35inconnu: You know, I'm wondering where she is now.
9:37Laura Felpin: You know, I have an amie who told me the day that we had in a little kiss and we told him, is it you want to see?
9:45inconnu: I would have loved to see my thyroid. But it's an operation that's so delicate that you can't wake up the person for saying... I would say, after I would have to see the one. But they don't have to.
9:55Laura Felpin: I don't know what it looks like.
9:58inconnu: Well, on the often says, I don't know exactly the form that it has. It's funny, but on the describes like a papillon. You know, she has a right and a left and a left. And on the describes a bit like a papillon. But I never thought about my thyroid that since she's been with me. It's weird. Well, I gave her a research. Ah, really? So, in fact, I learned more later. And that's a thing, I'm not even sure there's a thing. but I learned because I have an amie who works there that in fact, the hospitals I don't know if it's true so if there are people who comment after and who are in the hospital Fake news, fake news, of all, we are not qualified to talk on the same thing Exactly, they work in a thing which makes you can racheter the information clinique from the patients in the hospitals public so I was told, I gave my thyroid for research but in fact, they will pay for, you know, it will be paid to be able to do studies, which I found a little.
10:52inconnu: So I thought I would have to keep my thyroid for me.
10:55Laura Felpin: I'm a little bit like on guard the sand of his cat. You know, I have the sand of my cat on my side. It's not true.
11:01inconnu: How did you call it? Petules. Petules. 18 ans. 18 ans ? She's got 18 ans. She's got a little bit.
11:09Laura Felpin: She's got a little bit. She's got a little bit. It's true. And of course, it's always terrible. I was very sad because she was very sad. She's got a little bit. 17 ans et tu la perds quand j 'avais 40 ans donc en fait elle a grandi tu as fait de son adolescence, tous tes souvenirs sont avec elle mais je dis qu 'il y a un truc qui est bien fait dans la vie quand les gens partent vieux, c 'est que tu sais ils commencent à pisser et à un moment il faut qu 'ils partent et moi vraiment à la fin de me regarder avec un air très pénétré
11:36inconnu: ça nous fera notre lien plus tard sur la skin care mais on est fait pour pour il y a un moment où tu vois
11:40Laura Felpin: et elle chiait sur mon ordi on me regarde en croix dans les yeux et vraiment tu te dis bon autant je t 'aime autant je suis hyper ok that if you're a little. At the moment, it's going to leave. Yeah. Is it that, I told you, this thyroid, there's a lot of physical symptoms before and after? No, not at all.
11:58inconnu: Ah, yes. Before and after, yes, of course. I made a very strong of acne. After, I had the chance of having a big capital of the hair, but I had lost an enormous amount of hair. After, it's important to know that when the body is a shock, it's a shock, so it's going to puise everything to cicatrise, to do a lot of things, to do a lot of things. And so, you're often in carence of a lot of things. It's not that liable to the thyroid, but I have a fer that was not in the norm. I have been for the zinc, for the magnesium, everything.
12:25Laura Felpin: You have already tested your B9 recently?
12:27inconnu: Yes, but I'm extremely low. You have a full prise of 100? I have not a choice. I have a choice. You didn't have a choice before. I've tested all the six weeks for my TSH. So, I've also opened the spectrum The spectrum, on the spectrum, but not the supplements that we talk about the most. It's not the most sold out, like the vitamin C or things like that, which are not a great interest, if I say not a bêtise. But you see, for example, the fer, for a person who has a thyroid, it's very important. The vitamin D or the omega-3 at a level, so EPA, DHA, all that, are super interesting for the brain when you're in depression, for example.
13:08inconnu: When you're in depression, it doesn't work, but in all of a way, it can improve. Yeah, yeah. The creatine, we know that it's also a link with the old age, neurological, all that, neurodegenerescence and all. So it's interesting. It's a form of control, I think, that I want to leave a moment when I'm a little more at a time with the changes I've experienced. So yes, without thyroid, I'm cold, my heart goes very fast, my heart goes very fast, in fact, in terms of how you're dosing and how you're dosing after cancer, because there is also a way to freine the thyroid. It means that you are a little bit of hormones thyroid for you to have a very low thyroid, a very low thyroid, a very low thyroid, and so you are in the cold.
13:53inconnu: And when you are like me, I think, already excited, it makes you wake up at 4 hours of the mat. You don't do it at all. Yeah, the cortisol is waking up. There is really a lot of regalings, which is often the accumulation of sleep, the fatigue, the nervousness, all that, which makes it that it's a great thing. You know, I have my vision who has a banger. Ah, yeah? Yeah. I've been intubated several times because I was opated two times. So I have two stages who are bouchés for like eight months. I don't even hear it. I've never heard of the two ears correctly. You know, I've learned plenty of things.
14:24inconnu: But it's also a bit... It's also a bit interesting, in fact. Because you're aware that often you don't know what the body does for you. And in fact, even sans tyroïde, my body does stuff crazy. In fact, I'm too I'm too happy to be alive.
14:41Laura Felpin: You're not even sure.
14:44inconnu: Even if I'm not really a fear of dying, I'm just happy. I find it a fool. And in fact, plus I'm interested in the human body, plus I find it incredible. Genre, really. And you're looking at it really in
14:56Laura Felpin: the big problems. Because I think that people at home
15:01inconnu: they don't want to hear the words in fer, in zinc.
15:04Laura Felpin: Yes, but I have the impression that it's also in being informed that you're less hypocondriac, that you're more... Yes, in all case, I... You know, you're not...
15:12inconnu: In all case, it doesn't go on. There are other things that go on, but it doesn't go on.
15:16Laura Felpin: I have a wife who had a thing where when she saw people, she was like, she was in hypothyroidine. It's a good eye. She's in hypothyroidine. It's a good eye. It's possible. Or it's possible that she says it's a bad eye.
15:28inconnu: No, it's true that when you have a little exorbitant... It's hyper. It's hyper. Yeah, l 'hypo, it's a rather tendance to get rid of, to get rid of, to get rid of, There's a lot of things. You can't necessarily say, when you're in hyper or in hypo, there's a lot of women who don't know. And I, by a way, I had a TSH, so the reflex, if you want, clinic of my thyroid, he was perfect. I had a TSH who was very well done. I had, by the way, a nodule who was going to be cancéreux. Mais c 'est un cancer qui est très bien traité et c 'est plutôt sur l 'accompagnement après post-opération que c 'est intéressant d 'aider les gens sans cet organe.
16:05inconnu: C 'est plutôt là qu 'il faudrait qu 'on parle de médecine intégrative, de voir les différents... Tu vois, par exemple, exemple tout con, mais j 'ai une sensibilité dentaire du jour au lendemain. Mais qui était extrême. Et donc, je vais voir un dentiste, en fait, qui s 'en fout de ce que je lui raconte. Parce que lui, il est là, he does the blanching and in fact in searching on internet with the artificial intelligence also it's gotta say, for the sick, it's incredible even if it's not what I advise, but in any case when you search the study and after with the artificial intelligence, you will verify who is the person who has written the study you can push like that you're aware that by example, yes, in the fact of not having a thyroid, there's a possibility of having fragiliser les glandes parathyroïdiennes et du coup de fabriquer moins de calcium et du coup la conversion de ta T3 qui est notre hormone aussi elle met du temps donc tu as une porosité au niveau des dents une fragilité au niveau des cheveux, au niveau des ongles et en fait du coup il ne faut pas utiliser tel dentifrice tous les trucs que tu aurais tendance à faire à savoir prendre un dentifrice pour les gencives sensibles par exemple c 'est genre pas bon pour tes dents qui maintenant par exemple ont besoin d 'être traitées avec tel ou tel truc.
17:16inconnu: Donc là par exemple c 'est mon dossier du moment c 'est mes dents parce que c 'est impossible d 'expliquer à quelqu 'un que je ne peux même pas to me rincer la bouche, tellement j 'ai mal aux dents. Et en fait, encore une fois, il y a ma thyroïde et c 'est arrivé symptomatiquement comme du rôlement de main. Donc, il n 'y a pas vraiment d 'explication. Donc, il faut chercher.
17:34Laura Felpin: Ceci dit, j 'ai un peu envie que tu changes de dentiste. Pourquoi ? Parce que ce n 'est pas cool qu 'il ne se soit pas... Laura, avant de continuer, pas du tout avant de continuer, en continuant, tout à l 'heure, tu m 'as dit, finalement, j 'ai tout mon temps parce que du coup, j 'ai décalé mon cours de sport. Donc, vas-y, raconte-moi. you're kind of sportive?
17:52inconnu: Yeah, I'm kind of sportive. I've always been more or less sportive, but with big big poses, especially when I work, because you know, you know, but we don't have an employee of the time logic. So, I think I have a lot of time and it's funny because I don't really do the job for that. But because I think, I'm going to put a plomb, so it's got to do sports. So, more health mental or like this thing I want to be well for the summer? No, more health mental. I'm a bit of a mess on what I look like. and it's funny, I don't know if you've done that because you've done it on the show, we're two women on TV, but I remember that on the first time I was following I was thinking, okay, I'll never look at it and it's going to work like that I'm going to look at it, I'm going to look at it, I'm going to be free because it's not going to do it I believe always that I don't look at what I'm doing and I think I'm not done for a reason and then when you say I don't look at what I'm doing
18:43Laura Felpin: and that's interesting because I'm at every time people say it's got to trust, it's super beautiful and I say no, but the problem is that I imagine better than what I am. It's to say that when I see myself, I'm systematically depressed. I'm not... So that means that if I'm depressed, if when I look at the photo, I'm like, ah, what a horror.
18:57inconnu: I think you nourish about 90 % of women the pain of you who's into your life and who's into your life in fonction of your age. Plus you're going to vieillir, plus you're going to have a different pain of yourself, but who is frankly liée... But who is more joyous. But who is in all cases liée to all the images that we receive.
19:15Laura Felpin: But then, tell me, it was what you told me about... Pardon, because I was completely confused with the words. No, I didn't know.
19:20inconnu: You told me... I told you, I was told you, I was told you, after, without wanting to bring it to the disease, but I was told you, there are things a little more important, and you can be debout, and it's too much fun, and all. But it will take, I think, a quarter of a second, but it's fine. And so, it's also a mental health. I was told, when I was not good in my trouble, I was told you, okay, so we can go down like this. I think that this story of TDAH I'm not diagnosed with this, but in any case of acceleration of the pensée is very quickly in a sense, which is the creativity of the writing, of the joyousness I can walk, I'm all the time I'm all the time hyper attentive to the show, I have the impression of having great moments of happiness at a lot of times of the day and in fact it's all so much in the other sense and it never happened to me.
20:06inconnu: And then I was thinking well, there it will be attention to that because that I don't know at home. And so I think that the sport and non-negotiable for this mental health.
20:14Laura Felpin: And I'll revise on when you were at the quotidien, you had a lot of trouble to see?
20:20inconnu: I saw it. And the two times I saw it, I didn't know I didn't know. Because I thought, it's like this, it's like this that I look like. You looked at the comments and all? I didn't look at it, but it was Yann who told me that the two or three first times that I had done in direct, I had received some notifications on Twitter and I didn't know on Twitter. In any case, I had a account but I didn't know I had never been there. And of a sudden, I told you, I remember, it was before I was going to go on a direct. I told you, but I was going to receive that and it's horrible. The people said, but it's horrible.
20:51inconnu: And so, Yann m 'a told you, I told you all right, if you want to go on a good, you don't see it. You never see it and you don't see it. And in plus, if you don't have Twitter, you don't care. So I've suppressed. And it's funny because it's been a few years. It's a time where I was part of the quotidien, I made it in all and for all, a half an hour at the quotidien. And frankly, I think that three years after, there were still people who were able to put to comment to comment to your body at any moment, at any moment, you know, there was no link with the quotidien to say...
21:17Laura Felpin: And there was no link with your performance or what? And comments on your physique?
21:21inconnu: Not at the physical, maybe on the physical, but... I have a thing that happens often, and the thing that brings me most often to the physical, it's the people who envoies me and they envoies and they envoies systémically asian women with good hands. And... I continue and I persist and I sign. c 'est raciste en fait, parce que vraiment la plupart de ces femmes ne me ressemblent pas et du coup, vraiment il n 'y a vraiment pas de problème pour les gens avec les asiatiques vraiment c 'est comme si j 'envoyais un ami noir une photo d 'un noir et je dis franchement vous ressemblez trop, vraiment il m 'envoie des femmes de 70 ans parfois où je suis là genre, ok je m 'en fous qu 'elles aient 70 ans, c 'est pas la question Ceci dit, et alors là je suis assez convaincue
22:02Laura Felpin: je suis convaincue sur le racisme mais j 'ai ceci dit un nombre de sosies mais moi on me dit, vraiment j 'ai cru que c 'était vous and there's a woman who has 20 years of less than me, so 20 years of more than me, but who has a frange and a glasses. And then for a few that she has a chignon, it's really my clone, in fact. And the people said, if you were saying that I was like, you're there. And one day, I met one in real, who told me, it's a weird thing. And I was like, to continue. And you're like, you're like, you're like, you're like, you're like,
22:33inconnu: it's already so hard to tell you the projection of yourself, that you need to tell people that when people compare to someone, and I love you to go to college, you can tell me that you have a little hair of Jessica Alba. I love you. When you say, I have a big aunt, Sylvie, in 1994, you have a hair, and you see the photo and you say, well, frérot, in fact, it's just... In fact, it's just... It's a thing that we put into the hate of the other, to say, well, it's disgusting, but in fact, this girl has nothing to do in fact, because we are in the way of learning.
23:01Laura Felpin: It's a thing that you put in position to critique the other.
23:03inconnu: I really think that it's not that I don't look at it, I swear, it's really a dinguerie, I have really only people who envoient these Asian people every day and I say, but really every day, there I have no Instagram, but every day I had people on Instagram who envoient these photos of Asian people random and I see what they want to say sometimes, you know. I see what they want to say, but I don't do it. You know, I don't have to do it for you, I don't know how to do it, it's become an kind of receptacle of what they think about Instagram, you know, things that we can talk about in direct, but it's crazy.
23:35Laura Felpin: You said when I was younger, I liked Jessica Alba. Why do you say it? I love it. No, I don't say it. Because I don't have a link with Jessica Alba today. You were how young? I saw photos of you, obviously.
23:50inconnu: I was more young. I was always a good one. But I was an adult and a young adult. As a... As a... As a filiforme. As a long. like that, like the adults, where it goes. They have people who push. They have a lot of great members. Yeah, I was a little bit of great members. I was a little... I was kind of fine. And I had... I don't know, I had a lot of this kind of portorician that I have today, which is more of a portorician. I was a little bit like... I'm Italian, like my mother, like my grand-mère. In any case, when I see them, I'm a boy. So my sister, for example, it's the format... Because my father is Vietnamese, my mother is Italian.
24:32inconnu: And my sister, it's really the format 1m52, 48kg Petite chose plus Petite chose, like all my tent Which are like that And I'm avou, I'm a chou The most big But I have more forms I have different forms You love it Yeah, I'm fine with myself I love it There's a lot of things And in plus, I have some forms But I feel tonic It's that which I like I like the tonic
25:01Laura Felpin: And you had already had forms? Because you had a form... What was your style? Adolescente? Physique? How do I get dressed?
25:12inconnu: I was a group of men with the skaters. I had a blog called Anarchist Girl. What is it? MySpace? I had a blog called Anarchist Girl. Aucun rapport. Aucun rapport, but I thought it was punk. It was rock 'n 'roll. I was listening to Corn and Sleepnot. because I wanted to be a skater. I found it incredible. I found it too rock and roll. And at a moment, I was calm in this phase. But I was always a bit between mi-Comet, mi-Vans. You know what I mean? Mi-Kaira, mi-Mulhuse. Pure product of Mulhuse. And I could also have a little sack long-champ. You know what I mean? With the little pearls. I was a little bit.
25:51inconnu: Everything was a little bit. And obviously, crayon sous les yeux, noir. And in the mucus,
25:56Laura Felpin: the crayon a little bit? In the mucus,
25:57inconnu: obviously. Tant qu 'à faire. Tant qu 'à faire. and little frances of the side. The same as I? Or even more of the side? Plus, with more mass. We all have all of it. We all have all of it. I have to look at it. I'm not even younger. I'm looking at it. Maybe not at all.
26:15Laura Felpin: But I think that I have really... For those who listen and don't see it, Laura has put his frances of the side. I have maybe a... If you put your glasses, you can send me a photo in saying that everyone says that everyone looks like I look like. Yeah, it's true. It's true. No, it's good. I think that the side is always a little more... But in fact, it depends. Because I have a very very middle-class. Plus push spice. Okay. I have a few. That was your style when you were... I have a few. Yeah. But for example, I was very... To be a cool, no? When you were a little... Yeah, I was cool, yeah. I was more...
26:44Laura Felpin: Plus pouf que cool. Okay. Very moulant. Very... You were a little in the curse.
26:48inconnu: You had to have a need to show your femininity, to live like that. Lady Soul, Diablesse, Pershing, Monombril, all that. Ah, yeah. But stylé, quand même. Franchement pas mal, moi j 'aime bien J 'aurais jamais osé le piercing au nombril Moi j 'avais un écarteur que je regrette encore à ma main Oui oui, parce que j 'ai un lobe d 'oreille Du coup j 'ai des... Ma boue d 'oreille, elle passe entièrement dans mon oreille
27:09Laura Felpin: Je fais ça, j 'ai vraiment l 'air hyper bizarre Mais t 'avais un tout petit écarté
27:13inconnu: Ah bah il s 'est très écarté Puis après il s 'est fermé à ce niveau-là Mais c 'est un gros trou, enfin il est tout petit Mais c 'est un trou plus gros que...
27:20Laura Felpin: Oui mais alors attends, mais il a été écarté jusqu 'à combien ? Parce qu 'il y a des gens, ils ont la taille d 'une bouteille
27:25inconnu: Ouais non, je l 'ai fait genre comme ça I think.
27:28Laura Felpin: But that's what? It's the skate, my belle.
27:32inconnu: But it was for a while? Franchement, I don't know who it is. There's no one who's got to be precise. You know, I have a lot of love, but even imaginative. I don't have to have any time to live an story for a while. Moi non plus. But for me to make an ecarteur,
27:46Laura Felpin: if there's a thing...
27:47inconnu: Yeah, I don't know. It was in my DA. My cousin, he was part of a crew of skate called SBR. Sex, beer and rock and roll. And I'm sorry, I was training with them and I had a great envie of having to have a look cool. And at the time, it was cool, it was the E-Carter. I remember even when there was a me, I was a Lulose. But I was just saying, for all the people with a baggy, there was even a moment... But I'm going to be a little bit away. Because now, it's a little bit of a root sauce. But it's not the tough.
28:16Laura Felpin: I see it as a thing.
28:18inconnu: You see it as a thing of tough.
28:20Laura Felpin: No. I see it as a...
28:26Laura Felpin: It's a... I don't understand the intention Excuse me, I'm really confused Is it the goal is to have a big object Or is it the goal is to have a big tree Is it the goal is to have a big tree For that it's almost a big tree It's a performance
28:40inconnu: I think there are a lot of people who do it like that There are also people who do it like that And who do it like after It's like after a discussion I think of the performance I honestly I did because I wanted to have This peak a little fluorescent I don't know, I'd say it's not that. But it's a genre in style. But really, not a success. You had a chance of not having
29:04Laura Felpin: a big trouble.
29:05inconnu: And in fact, I took a chance to do a snow. And it was closed in three days. Ah, yeah? Yeah. It's not a problem. I had a other amour. He wasn't in the skater. So, it was all.
29:17Laura Felpin: You were not wearing a mask? Well, frankly,
29:20inconnu: apart from the black black eyes, I think we've got to get you and me au côté TikTok de maintenant et tout. Parce que les ados, elles savent se maquiller énormément. J 'ai vu un documentaire là-dessus, c 'est fou, sur les jeunes filles qui font déjà de la skincare. Ce qui est d 'ailleurs plutôt problématique, je crois, d 'un point de vue... Mais très ! C 'est complètement contre-productif en plus, si on parle vraiment scientifiquement. Mais en vrai...
29:45Laura Felpin: Après, tu vois, l 'autre jour, une copine me dit « Ah là là, mais c 'est dingue, c 'est toutes les mêmes, c 'est toutes les mêmes, tu les regardes, c 'est des clones avec leurs fossiles oranges et tout. » And I remember, I had a little bit of a taste of a little bit. I had a little bit of a brownish.
29:59inconnu: I think there was a sort of uniformization of the physical. And, in the podcast that I listened to, well, not even later than here, so I didn't have a link with this episode. So you listen to other podcasts than the mien? Yeah, I listen to other, but I haven't seen a difference. I listened to a podcast of Delphine Saltel on Arter Radio. It's called Vivons Heureux Avant La Fin du Monde, I think. I think it's that. And it's cool, no? And there it was on the aesthetic. And she was interested in what happened and what happened. And she talked a lot about... I don't remember the name of this young girl, but I will absolutely have some name.
30:32inconnu: Because I'm going to tell you a little bit of a name. Wait, she's called Muriel Joudet. You know who is Muriel Joudet? It's a critic of cinema who has made many books on the aesthetic of women. And she talks about the capital gaze. and it's not the... In fact, she says that we're almost in the question of male gaze. In fact, we're talking about the capital gaze in the sense where we've never been so much informed and we've never been so much information to respond to injunctions. And for the time, the market of the surgery is never even well-being. And for the time, we're not able to play at all these possibilities.
31:09inconnu: Sachant that, in any case, we know that we can't contrar the inevitable fin which is the end, the more. And so, she talked about something that was interesting, it was on the numérique. When you make a pub on a a-house, you retouches the-house. And when you make a pub for a-house, you retouches the-house. And in fact, at the same point that you retouches a-house today, you retouches the-house. What makes, if you want, the human chair, which is supposed to be the inverse of the merchandise, to the same level, in fact, that the object. So, there is a form of fetishization... Fetishization... Fetishization...
31:48inconnu: Fetishization...
31:49Laura Felpin: Fetichisation.
31:50inconnu: Oui, de fetichisation qui se crée. C 'est -à-dire qu 'en fait, on a comme des corps, ou des, tu vois, des corps, des visages, et c 'est ce qu 'Instagram ça fait, qui sont, on fétichise quand c 'est en dehors du réel, qui sont pas dans le monde réel, qui appartiennent pas aux codes, enfin qui sont loin de tous les codes sociaux, tu vois, etc. Donc en fait, ça échappe au monde réel, on est dans un fantasme de ça, et donc je pense que toutes les filles sur TikTok, les jeunes filles, tout ça, il y a un peu ce truc de, bah tu vois quelqu 'un avec un filtre, en gros plan, you envoies 15 000 des meufs qui font des essais qui font des maquillages et du coup ça doit complètement te fuck up moi ça me fuck up personnellement
32:28Laura Felpin: quand j 'étais petite j 'avais qu 'une seule hâte c 'était de bosser je rêvais d 'être boulangère fromagère libraire j 'imaginais femme indépendante avoir ma propre boutique et être la patronne de mon petit commerce ce sentiment d 'indépendance je l 'ai finalement gagné sur scène grâce à mes spectacles mais si je devais réaliser cet autre rêve d 'enfant bon je ne sais pas ce que je vendrais peut -être ma marque de skin care ou de maquillage but I would probably use Shopify, who sponsored this episode. With Shopify, no hassle of logistics, no doubt that it's a gas. You can sell everywhere. On your website, on social networks, or directly in the shop.
32:58Laura Felpin: And they're helping each step. Because every person who's successful, has started somewhere. It's just an idea. Shopify takes care of the rest. What do you expect? Let's start today. Start your essay on Shopify.com.
33:17Laura Felpin: If you've been putting off a doctor's appointment or need a dentist and don't know where to start, you've definitely been there. And that's why we use ZocDoc. Actually, over the holidays, Michael had a dental emergency and seemingly every office was closed. But we hopped onto ZocDoc, found an in-network dentist, had great reviews, saw real-time appointments available, which was key. It was on New Year's Day and booked an appointment in just minutes. It took so much of the stress out of the already stressful situation. ZocDoc makes it easy to search and compare over 250 ,000 local in-network providers across more than 200 specialties.
33:56Laura Felpin: So you can find the right doctor or dentist and book instantly. Ready to be seen? Download the ZocDoc app today and book that appointment on your to-do list. That's Z-O-C-D-O-C. ZocDoc. But And so because we are a bit victims of it all of us leaving it and most of us are undetected but for example you have a shooting you have a photo you ask tolife you ask to do it you ask to do it and you go into it and is it is that you don't want to? to etons to tell myself
34:30inconnu: It's a important question that I want me to ask for the years and that I'm going to ask in the next moving process preferablyne Cinema Cinema and maybe for a show, I don't know, but it's how you and I, who are part of this cinema, of image and all, one of the ways to resist that, it's to create another aesthetic. And so it's an aesthetic, again once in the podcast, they take the example Frances McDormand, who, for a long time, was rather rejected by Hollywood for what she was, and who, today, did that it's her success. It's to be a woman of her age who had grown correctly and who didn't have a product.
35:09inconnu: And she said, by ailleurs, I've produced a considerable effort for never to be attached to a brand of perfume, or a montre, or a café. Because I think that's what leads the spectator to the mystery and to the possibility that I can incarnate a lot of women. And so it's a new model to create, I think, to think about how could we imagine, in fact, between guillemets, to be in order to say, well, we want to see more women with more hair, more of a skin, less of a touch, which makes it to be more an author's cinema. Because we can't ask the mainstream to give us the solution. You think? It's a reason for which I loved to make the film of Murad Winter.
35:51inconnu: When Murad introduced the adaptation of his film The Amour is on Côté, the first film he had made, I thought that in his imagination, the woman who played the role principal would be a woman whose beauty is imparable. And when he told me, I said, I said, you project that on me? And I found it pretty charming to say that there are women who can project on women things that are not absolutely the absolute beauty of Angelina Jolie. I'll tell you,
36:21Laura Felpin: when you're at the moment, I say, what's that? I don't know what they're doing. I'm not saying, and I don't know what more. I've said, I've said, what's that's joyous of seeing the people of seeing the real women. And those people...
36:35inconnu: And those who I don't expect. Because what I want to tell you, And the mecs
36:39Laura Felpin: Me say That she is sexy That she is so good And so it's so great And I know That it's not necessarily What we want Because we don't want to We don't want to We don't want to We don't want to We don't want to But it's so great To say that In fact The people
36:49inconnu: They can projeter But there Where it's pernicious And I wasn't even I was happy Of these critiques Because of the way What we said That it was That it was almost a bit Because of the way Because of the way It was so cool To see the girl next door But the girl Really And I was in the way But it's my life I'm going to course à la biocap sans me demander si oui ou non, je suis en charme d 'un truc. Du coup, il y avait un truc un peu violent de... Je voyais à quel point, quand j 'étais interviewée et tout, c 'était alors, qu 'est-ce qu 'on est content, enfin, de voir un physique normal ? Et tu es là en mode, oula, attends, frérot, on est en 2 minutes 30, tu vois.
37:23inconnu: J 'ai déployé d 'autres mondes autour de mon physique qui font que j 'imagine être un être possiblement ok à être désiré et inversement proportionnel, Mais du coup, c 'est fou parce que c 'est vrai que moi, je trouve qu 'on a envie de ça, sans être dans l 'extrême inverse. Parce que moi, aujourd 'hui, je n 'ai pas besoin de montrer que j 'ai des poils qui poussent partout. Et c 'est un truc que je suis OK aussi, mais je veux dire, je pense qu 'il manque un tout petit peu de ce milieu-là. Complètement.
37:50Laura Felpin: De toute façon, pendant des années, on nous a dit que la girl next door c 'était Virginie Fiera, et là, j 'aimerais bien savoir qui est ta voisine, en fait.
37:56inconnu: Et qui, en fait ? Exactement. Il y a un niveau qui n 'est pas au bon endroit. Et qu 'est-ce que c 'est qu 'une femme de 60... En fait, qu 'est-ce que c 'est que cette pression qu 'on se met aussi de devoir toujours être performante, visible, belle... Et en plus, pourquoi c 'est si important ? Pourquoi ? Donc la question, au-delà du monde du cinéma, même si elle est hyper intéressante dans le monde du cinéma, mais en sortant un tout petit peu plus grand que ça, c 'est est-ce que je vais passer mon temps à lutter contre ça ? Est-ce que c 'est ça qui va produire ma joie ? Ou est-ce que finalement le fait de m 'en foutre un moment, ce qui ne veut pas dire que je vais être un vieux tas dégueulasses, par ailleurs, that I have no form of meditation of myself.
38:35inconnu: Yes, of course. At a time, is it not that it's not to accept, in fact, to leave a moment because it's going to be all what we're doing to build. We're going to learn to let it go. Is it not that I'm going to produce my joy, in fact? You know, that's one of the reasons
38:48Laura Felpin: for which I've done this podcast. I know. I'm a community who listens to this moment-là. I know how to tell you every time she tells me that there's an interview but there's a photo behind and all. I know that she has a tech card. I'm also in age. She said, attention, she can't validate. She knows that I... I remember when I was in Cannes, Venice, I would send you a capture of the screen, a photo of Gettys, where I was like, I'm a... It's a pain, but you can't stop it. It's a pain, you can't stop it. Because you have an hour of HMC, of prep, of stuff. You project, you see like that. After, I'm sorry, because in fact, it's not okay.
39:19Laura Felpin: But on the end, you say, it's that you have an impression, always confront it to a thing so violent. And I'm thinking, it's not normal, the place that takes. Because in fact, it's not normal, it's not normal. It's just a way that it prevents me from being happy with others. It's just a way that it takes too place. And it's for that I was also saying that I'm going to do this podcast the most possible time to not make it for me to get used to this shit that's going on and who... And I don't care about it. I think it's so nice to be a moment. I know that it's something that I'm so sorry too,
39:50inconnu: because I was also being educated. It's also a effort. It's also responsible for it, encore une fois, alors que tu vois, l 'idée devrait être un peu collective et malheureusement, on est obligé de passer par, encore une fois, la personnalisation de l 'effort, c 'est -à-dire, moi, je dois essayer d 'être le moins maquillée possible si je fais des interviews. Toi aussi, tu fais cet effort-là et en fait, c 'est un peu chiant qu 'on doit passer par là aussi, parce que c 'est très bien qu 'on le fasse, mais ça nous demande de produire un effort encore et toujours que, évidemment, les hommes ne se posent pas et au-delà de ça, on est quand même dans un truc où, ouais, la skincare it's never been so well worn out.
40:21inconnu: And you know, it's a passion for us. It's a passion for us. But for me, it's a passion for you. Honestly, honestly, the zinc me passioned as much as the skincare. I know, it's for that I said that you have this little thing, but I think that tomorrow, I'll talk about the glasses. And I'll find it fascinating. And I'll find it interesting. And all of a being precise, obviously, because I'm not a research. But for example, in the cinema, I was filmed by a woman the only time I... No, two times. But the only time I was filmed by a woman, it's not very long time, j 'étais complètement surprise de la manière dont elle était fascinée par la beauté de son actrice principale, qui était soit dit en façon sublime, mais on est tous d 'accord, je veux dire à personne tu donneras un questionnaire, il n 'y a évidemment pas un monde dans lequel personne ne dit qu 'elle est magnifique elle est très belle, c 'est un fait c 'est objectif, voilà, ce qui est presque parfois pour moi paraisseux, je me dis comment ne pas réussir à la filmer en fait, son profil, sa jawline tout est parfait, je suis cette personne en fait, tu es en train de filmer un petit chat And we were The other girls who were there Not really makeup There was like a kind of thing We were happy because we were not makeup We were not happy But in fact it was a bit There was a lot of beauty And there was a lot of beauty And the other girls are the daily Who were all of them And they didn't project Not at all of love And of erotation There was no thing But how do we make Désirables Sans makeup S 'il you please Come on Because really And after You have the story of all the regulators who you want to be natural.
41:47inconnu: And then you say, wait, frère, don't you go. You go, don't you go. And you say, well, you look like that. But you look like that. And in fact, you see, it's a thing that with the disease has a lot of fun. Like the people who knew that I was sick. Well, it's not that I was forced to leave without making the teint. Because I told you that the people would say that I was sick. And that it was something that I was sick. Because I didn't have a mask. I had a baby cream. And I had to put it on a little red. for calming the cernes. And I have an hyper pigmentation around the eyes like a bit like the pews a bit indianes, etc.
42:20inconnu: And so I have always had a big cernes. There are people who think that I have a big cernes. You see, I have a big cernes. And I have a big cernes. And I have a big cernes. Well, I love my cernes. But when I started to make TV, it was a subject, mes cernes. We were told all the time at the makeup, not mechamment, but we were told that you can use a product, that I have to do it. I thought it would be that I have a big cernes. But in fact, it's true that if I'm not a makeup,
42:44Laura Felpin: me passionne. Et donc, du coup, absolument, parce que là, j 'ai pensé à un truc où je me suis dit il faut que je l 'arrête là-dessus, il faut que je l 'arrête là-dessus, il faut que je l 'arrête là-dessus. Mais moi, il y a aussi ce truc au cinéma où on dit on va faire un truc, quelque chose de très naturel parce qu 'on ne se maquille pas. En gros, dans la vraie vie, les filles ne se maquillent pas. Et moi, je suis à la mémoire, dans la vraie vie, je me maquille et la plupart de mes copines se maquillent. Donc, tout à coup, when you're in the cinema with the cinema and that I'm looking at the cinema, I have the impression that I'm waking up.
43:05Laura Felpin: And then, I'm thinking, but it's not because it's not the same thing that you're in the habit. You're like, yes, because normally I'm a little maquillant. I'm a maquillant. I'm a maquillant. In the real life, I'm a maquillant. In the real life, I don't know why I've spent so much time searching this thing. And you said, let's say, I'm not going to have to say that. I'm just going to say, autorize-nous aussi. This thing is hyper contradictor because I'm also in the way I'm saying, I would love it. In fact, I just want to make sure we can do what we want. It's that all of a sudden, in the other sense, when you arrive on a tournage and you say no, no, no, no, it's time to be natural, natural, you put it in the middle, you don't think that I'm wearing like a car you're wearing, you're wearing a car you're wearing
43:38inconnu: for what I'm wearing. In fact, what we would have wanted, it's because the efforts, the efforts, the efforts, the ones are absolutely not aware of the efforts that we produce here, not later than here. And frankly, this anecdote me made me cry. I was watching Colanta with a friend at me and we were all together with my friend, my friend and everything. And at a moment donné, they make an e-preuve, you know, they're suspended on a It's not the pot, but it's a thing. And I saw a meuf, and I said, she's really good and all. Evidently, it's Koh Lanta, the meuf was too good. She had 10 walks of crossfit per week.
44:05inconnu: I think it was incredible. And I said, I'm going to be able to do this thing. And then my partner told me... And someone told me, how do you think they're going to do it for a bath, etc. They're going to do it for a bath, for a bath, because there was actually no women who had a hair hair hair hair. And my partner told me, I think they're all a laser hair hair hair. And I said, but it's so funny. In his head, there's 20 women devant lui qui sont tout épilolazer, mais partout, sous les bras, sur les jambes. Et je me disais, mais ils n 'ont aucun niveau de... Tu sais, ce serait possible, mais ils n 'ont aucun niveau de compréhension de ce que ça produit comme temps de le faire, comme argent, comme souffrance, tu vois.
44:43inconnu: Et je me disais, ah, c 'est trop marrant pour lui. C 'est juste des femmes sans poils. Elles ne pourraient même pas se raser. Tu vois, c 'est tellement un geste qui était aussi dingue
44:51Laura Felpin: que tout à l 'heure, ce qui méritait vraiment. J 'ai fait ma première épilation laser aujourd 'hui. Ah non, c 'est pas vrai !
44:57inconnu: Est-ce que ça fait mal alors ? Sur certaines zones.
45:01Laura Felpin: Alors, quand je dis ça, on dirait que j 'avais fait une épilation coquine et que j 'ai fait un truc intégral. Non, non, non. Je ne sais pas pourquoi je regarde cette caméra. Ce que je veux dire, c 'est que j 'ai fait le bord du maillot pour être clean, parce que je n 'ai pas envie de tout faire et pour trouver un dindon à 77 ans. Je comprends. Juste le côté, là, le maillot, comme si tu faisais un maillot classique, un mal de chien.
45:22inconnu: Bah ouais.
45:23Laura Felpin: Mais de chien ! Un mal, un mal, Mais tu peux pas savoir.
45:26inconnu: Ça suffit. Franchement, ça suffit. Moi, j 'avais un fantasme, c 'était de faire des enfants et après de me refaire les seins. Et moi, je connais un chirurgien qui refait les seins, qui a un pote de mon mec. Et je lui avais déjà dit, toi, à 50 ans, c 'est gratos, ça passe sur la table et ça me fout des prothèses et tout. Et c 'est drôle parce que depuis que je suis tombée malade, je me dis, non, mais en fait, il n 'y a pas un monde dans lequel je retourne sur une table d 'opération si ce n 'est pas pour...
45:46Laura Felpin: Ma mère qui a eu un cancer du sein, un cancer du foie, je peux te dire, et là, je ne vais pas me faire lifter.
45:55inconnu: Laissez-moi vous le dire. Il faut être équipé. Et c 'est ça aussi, tu vois. C 'est que là, maintenant, quand on voit les crises génères, c 'est du travail d 'orfèvre. C 'est extraordinaire ce qui est fait. Physiquement, c 'est passionnant. C 'est tout d 'un morceau. On ne voit plus de contours. Il n 'y a plus rien. On ne sait plus. Mais n 'oublions pas que ce sont des milliardaires qui, du début à la fin de leur prise en charge... Enfin, je vais dire... Et le problème, c 'est que des femmes de 77 ans qui vivent à Palavas-les-Flots et qui gagnent 2000 balles de retraite par mois et encore pour les gens who gain not a lot of retraites, they will ask for the same services, they will attend the same things.
46:25inconnu: And it's not at all possible. And it's not at all... And it's horrible, because it's really... It's what happens with all the people who... You know, we're fascinated by it. And we can't afford it financially. But... Wait, wait, the face lift? Not the face lift. I can't afford it. No, I can't afford it. But what I mean, is that you have a lot of people who, with these new faces... You know, we're like... There's this movement of people who say, look at Chris Jenner, what's she did? She did the pommets, she did the same thing. I can't wait for that. I can't wait for that. But I could watch it for a thousand years.
46:54inconnu: And in fact, it's like if we were to get to know the knowledge that we know that it's true. Yeah, but it's not that next week I'll go to my doctor's and say, hey, I'm not doing a skin booster. And we're not doing a job. But skin booster, I'm not doing it. I'm not doing it. But I'm also doing it. All I'm saying, it's a good thing. It's a good thing. Magnificent skin booster. But in plus,
47:14Laura Felpin: I don't say that I'm not doing that. You know, I've done for the first time in my life a thing that I think which is the basic thing that everyone knows to do. And I thought I'd already done it. It was what? I was done with Skin Booster. I made it with the meso. You know what? And then it worked with you? I love the person who made it. But frankly, I don't think I'm not.
47:32inconnu: Yeah. Okay. I think I'm too old. Maybe. No, it works, this thing? I don't know. I'm not sure. I know that the masks, the LEDs...
47:40Laura Felpin: That, it works.
47:41inconnu: I think that... It's not scientifically proven. Yes, I believe. I believe that if you want to look... Which is hyper, hyper, hyper. In any case, the red light is red. Obviously, but not at this level. It depends on the number of nanometers. Yeah, I believe. I believe that what it means really, in nanometers, it's kind of a panneau. The problem is that
48:02Laura Felpin: it's really done a great thing. But then, there is a lot of stuff. So, I bought it that one. And then, you say,
48:07inconnu: I'll go in a box of light. It's because of that, you find it in a box of light. And then, you find it in a box of light. Because then, there will be more charge. And then, you take it away to the towel.
48:17Laura Felpin: And then, you say, And all of a sudden you said that I love my Cernes. You always have loved it. I haven't always loved it.
48:24inconnu: I was just a young adult. And frankly, I love it. I think that gives a lot of character. But you're too strong. But you've had complexed. You're complexed. I'm complexed with many things. I find that I have a face too wide. I have not a Jolene who is very well drawn. What do you say about your Jolene?
48:41Laura Felpin: We've already talked about your Jolene.
48:43inconnu: I find that when I see, I don't really like what I see. but it's just that I try to not produce a thought that's too precise because otherwise it's done you've seen the the way I can enter in a subject because I have to be interested so if I start there I'm very quick that it's going to go very far but so I'm calm all of a sudden and there's things that I'm doing but even that I'm thinking is there in fact the only thing is that sometimes I have to say I have to say nothing and that it's not a statement political. And in fact, it's a little obligatory. Because if now, I decide to not make me for any interview of not that, I mean, there's a chance that it's really a statement of, you know, I would like to be sometimes to make me sometimes not.
49:33inconnu: Yes, it's true. And that it's not a subject. Because by a fact,
49:36Laura Felpin: I adore me to make me to make me. I love to make me. On a an amie, a maquilleuse commune also, Maïna. She's got a very beautiful bouche.
49:43inconnu: Oui. Very strong.
49:45Laura Felpin: and very very very very beautiful but at every time I'm going to say you have a thing to get your hair and you're like no I have just a makeup which is cool and they let me put in value so you can't
49:52inconnu: and they let me put in value in the mesure where the mode is to get the hair going because we can't overline like that in 20 years but I think I don't lot of
50:02Laura Felpin: sourcils but you know I do say that say that the 90 I don't talk about when I was I but I I I I I I Yeah, but I'm okay.
50:15inconnu: Just, we don't forget. I don't like the big pot. We don't forget all the beauty of the last years. The pot, the very thin, now the very thin comes back, the Pascal Obispo. You know what I mean? We don't forget that. You call him the Pascal Obispo. I call him Dylan, the Dylan of Beverly Hills. I don't know why I call him like that. I have an impression that Pascal Obispo had a little bit of a little bit in his hair, which was not voluntary. I don't know anything. I've always said that in my head. You know what, I hear you, because you're a little bit of a little bit.
50:42Laura Felpin: I hear you, I hear you. It's a big thing.
50:45inconnu: I hear you, you're my millésime. You're a good man, but you're a good man. I'm a good man, but for me, I'm not a bad man.
50:54Laura Felpin: Is it that if you're so strong... No, but I'm not strong. You're a bit deconstructed on a lot of subjects. You have a critic, you're a critic, you're a critic, you're a critic, you're a critic.
51:03inconnu: I'm not strong, but I'm not strong. I'm still at the question of the agent image, for example.
51:09Laura Felpin: Ah yes, but the question of the agent image, we're going to talk about it. Est-ce que tu envoies des photos à notre attaché de presse à Ami Commun en lui disant « ça ne va pas du tout, non, non, non ? » Non, tu t 'en tapes.
51:16inconnu: Franchement, je ne crois pas. Oui, tu vois, tu t 'en tapes. Non, je ne crois pas. Je ne crois pas que tu fais ça.
51:21Laura Felpin: Non, tu n 'es pas névrosée à ce sujet-là. Et est-ce que ça, ça vient de parents extraordinaires qui n 'ont pas commenté ton physique en permanence ?
51:28inconnu: Ma mère, elle a beaucoup commenté mon physique. Elle le commente encore sans s 'en rendre compte, alors que ma mère est la meuf la plus chill du monde. Mais je pense qu 'elle est juste le produit de toutes ces générations-là. Ma mère a un truc avec la nourriture. she always told me that you are going to eat it as well as I don't eat it I don't have a TCA it gave me a little bit of a panic on the things where I said not really a compliment but not really the inverse my parents were very protested because I had this strabism which for the coup I can't escape so I was still since I was a college on called it the bigleuse at a lot of moments.
52:08inconnu: It didn't have to be able to set up the team because I had developed other things
52:12Laura Felpin: and in fact,
52:14inconnu: now that I know how it works in terms of muscles I'm in the mood my body also has a thing of a crazy. But you're still
52:22Laura Felpin: thinking about it? Yeah, for me, all the time. But because like the people who have a thing and who are thinking
52:28inconnu: they all the time, but is it you're still there? Yeah, I'm still there. But I'm still at a lot of different moments. I'm still when I look in the air because there's a muscle in fact that's where you contract differently when you have a strabis but who, of course, made part of the inside. But it goes from the end. I often thought that... How to say... That was what I had done with. I had a pain or something like that. It is not contestable that it was done. But I think I didn't even know it because I was very young. I think the operation was a shock for my body for many reasons. Because it was still the eyes.
53:00inconnu: But in fact, I had a lot of love around me. I had a lot of people who told me, you will do what you want. And I did what I wanted, at a little bit. So it's not an adversity that I... But you have to have a lot of eyes. You know? Yeah. Well, for example, it's not at all...
53:13Laura Felpin: Because I think that people don't know... Because it's not... Well, for complimenting, it's already rare. You know, often you say, well, you have a lot of eyes, but you have a lot of eyes. You have a lot of eyes. Yeah. Yeah.
53:26inconnu: But... But I'm pretty good with that. After, honestly, I don't know... It's not for saying... In fact, it's just that I don't have a very high, very high or very low of my physique. I'm a good one Yeah, it's super If I'm going to fight with that Yes, I prefer to be Angela Jolie It's not the case It's because you love the jawline I think that jawline is a little too pronounced But what I mean What I'm going to do with that And it's true, it's often But I love the makeup Because the makeup is still different
54:03inconnu: It's It's how to apply different couches, how to hold, what can it be in value on your face or not. And in fact, the people don't realize that with the makeup, you can do things crazy. We've seen with the contouring, we've seen with plenty of things. Are you looking at the Nina Park?
54:18Laura Felpin: You know the trend Nina Park? Maybe if you're not in style. No, it's what? The Bush Nina Park, it's an upset. No. It's a makeup, an American makeup, which makes the lips really beautiful. She makes the mouth of Mastone and has a lot of hair on the top. Genre a little vaporeuse. Yeah, a little vaporeux. And a little bit degraded. and in fact, she uses a crayon and in fact, she creates like a sort of a little tomb which makes that it's like... So if you do you have to have really eaten like a bolo and I can tell you because I really have seen a photo of me where I thought that I had really a look super and I was with a lot of people and I was like why I have a sauce and I was like in fact, I have not a sauce it's really my Unapark makeup but if you do it's really very beautiful I'll put you I'll put you I'll put you I did I did I did I did I did I did I bought three crayons for that and I thought it was too beautiful
55:03inconnu: but the consumption of the stuff is crazy then in addition when we were talking about this there I love the nails, I always do the nails you do it, it's not me who I do it's my manicurist and very good friend Camille and in fact she me tells me in this moment the tendency is
55:18Laura Felpin: I'm not sure if I'm going to eat the bowl you know what I'm saying, I'll put it in the image
55:22inconnu: it's beautiful, it's really your colors it's beautiful, it's beautiful it's gentle, I don't know
55:27Laura Felpin: But when I find her beautiful, I say yes, but it doesn't look like it. You know what I mean?
55:32inconnu: Yes, it looks like it's really beautiful. You're good. I swear. I can tell you. I can tell you about it on Honor. If you want, I can tell you.
55:38Laura Felpin: I think there are people who find me. I think there are people who find me. There's a real thing that had come to say. What's super is that you can play the meufs canon. And I think in the course of phrase, they said, oops.
55:51inconnu: And I was like, it's good. But you know, I think it's true. And that's a compliment. It's just that in their mouths, it's not the fantasies. But I don't have a clue to play a meuf. In fact, if all my life I'm on my own on my own, and then I'm saying I'm going to make a film on the caissiars, I'm going to say, my cousin of the association is bizarre. It's in concreence with your job. It's not easy for us. Pardon, I'm not easy for us. It's more difficult for the people who work in the night. But it's not easy in this job to find, where do you put your responsibility in the work that you offer. because in fact when you do a film you're responsible of nothing I found it hyper liberating by the way there's the montage there's the marketing there's nothing you choose apart what you've done apart the moment where there's action but it's not it's not it's not it's not it's not it's not it's not it's not it's not what do I tell you but I think I think I think I have a real question to ask even we and I today we have a a little envie of I think it's when I sent what I thought I I I I I I I had an agent image and it didn't take a long time.
56:57inconnu: And it was super upset. Because what I told you, it was, in general, I didn't ask. I told you, I didn't ask. And at the end, I told you, not so chic. And I said, but it's not that chic. Because the world of the world is a world who is serious. And it's going to fall that you do drops of posts. Or in fact, you're a little influx. Calculs who don't interest me. in fact. Moi déjà, c 'est difficile pour moi, genre, de me mover parfois dans une journée. J 'ai pas envie. Enfin, tu vois, c 'est tellement insidieux. T 'as vu maintenant les posts qu 'on fait, avec les dumps qu 'on fait, dans le dump, on a fait un truc où on fait genre c 'est chill, je suis avec mon pote en train de fumer clope en terrasse, mais il y a toujours le petit truc qui fait qu 'en fait...
57:41inconnu: C 'est trop! C 'est trop de mise en scène dans la vie, tu vois. Et vraiment, j 'ai vu un gars une fois sur Insta qui disait mais someone set up de caméra, tu vois, genre quelqu 'un a mis la caméra en ligne. Et n 'oubliez pas ça. And we forget, it's too well done, it's normal Our brain is forgotten, it's normal When a guy is trying to make a matcha, is trying to talk about his life You want to make a matcha, like a buffoon It's normal In any case, what we can say Is that I don't have a partner I don't have a partner On the sale At the beginning, when I was a hybrid I was still on the internet That I was not even I don't have a film In fact, there was also this little thing That you can take a lot of influence they send me a product, I speak of a product, but at the beginning of the influence, it was a lot of clothes.
58:28inconnu: It was a lot of clothes with the clothes, they sent me a lot of clothes, but it wasn't that I had a. Or you use a cream, and at a moment, you have to say it in a video. I had to do it two times, and in fact, it's a real question. It's so easy to do with the money.
58:43Laura Felpin: You know what's the other question? Because you take the head, you take the head. Depuis when we autorize the verts fumés ? You know why?
58:51inconnu: Alors, je vais te donner un... Elles sont trop belles. Elles te vont très bien. Non, je ne me vend pas. Elles te vont super. Parce que pas du tout,
58:56Laura Felpin: parce que j 'ai essayé de te copier. J 'ai essayé de te copier, j 'en ai acheté... En fait, je me suis dit, tu veux que je te dise quoi ? J 'ai fait une mise en abîme du copiage. Je me suis dit, je pense qu 'elle copie Angèle et je copie Laura qui copie Angèle. Dans ma tête, je me suis fait tout un truc. De quoi ? Parce qu 'en fait, j 'ai fait... Ouais, mais moi, I have a problem with my nose. I have a problem with my nose. I have no idea that I have no idea. I have tried to buy some of these like that. You have some more... You have some more like that. Yes, exactly. But I have really looked at...
59:19Laura Felpin: It doesn't go at all.
59:20inconnu: But I have to tell you a thing about... Sur the perfume. I thought you were going to buy Angel. I thought you were going to buy Angel. It's the moment where Angel... I thought you said that I have a problem with three months. Three months.
59:30Laura Felpin: So, is it that Angel has copied you? We can say that.
59:33inconnu: Thanks. And also, I was able to operate with my nose. So, I'm a sensitive person. It's possible to be a mirror, which is super. So I often put a verre fumé. I also put a lot of water.
59:45Laura Felpin: But after, for a woman, it's a lot of water. And then there's a lot of water sexuels with a verre fumé. It's not a water sexuels. But it's not a water tinted, but it's different. I'm told you, because you've been doing that you've been operated by myopies. But that's a different thing.
59:58inconnu: It's a different thing for the stigma. And as I'm again a little bit of a myope, because it's not a thing, I don't know.
1:00:03Laura Felpin: They don't want to operate by myopies.
1:00:04inconnu: It's because they know what they do. You have the cornet trop fine, I think. All right.
1:00:09Laura Felpin: I would not like to have a medicine. I think they have really answered like that. It's because they know what they do.
1:00:13inconnu: We don't have to do it. We don't have to do it. We don't have to do it. We don't have to do it. It's a bad thing. It's a bad thing.
1:00:19Laura Felpin: It's a bad thing. You told me about your fingers.
1:00:21inconnu: Yeah. That's it. You told me that Camille is the best. Camille is the star. It's the best. Camille is the best. She's got one of my best friends. I love it. I love it. Of course. So it's a thing that we made, because we didn't do it, because we didn't do it after. It's a black chromatic.
1:00:39Laura Felpin: Ah.
1:00:39inconnu: And as I had these things... It's a dark martens color petrol. Exactly. It's a little bit of petrol, you're right. But... Because I knew I'd do something else. But yeah, I love to make my own.
1:00:52Laura Felpin: But it's a gainage, it's what we call a gainage.
1:00:54inconnu: Yeah, there's a gainage. It's a détruit. But it's my real ongle. If you can't take a problem, you don't have a problem.
1:01:02Laura Felpin: Everyone tells me that, but they still take a fine shower.
1:01:05inconnu: And at the end, it's not a bad thing. I don't think I can't take a bad thing. I think I don't want to. I always think it's my real eyes. If you're fine with your real eyes, it's like that. Because I just have to make it so much that I can't see it. And I tried it not long ago. These two weeks like that, it was a deprimed. I had the feeling of being neglected. You know, I'm back to it. So I'm doing it all the time.
1:01:26Laura Felpin: But it's fine. It's beautiful. I wanted to do a tutorial on the show. But it's been two hours we talk.
1:01:30inconnu: You know, I have really a truce bag, in fact.
1:01:33Laura Felpin: You're ready to do it? It's going to take two hours. We're going to go back. We're going to go back. We're going to go back. If we were going to play a game, we're going to play a game. Yeah. It's a... I have to do a concours, but I don't know which one. I don't know which one. I don't know which one. I don't know which one. I don't know which one. I can say, in any case, to the audience or to the audience who watch, it's that if you haven't seen, if you haven't finished to conclude if we were TDA or TDAH. If you have understood this podcast, you are in all case HPI, it's sure. Because really, even me, I have a little bit of a head.
1:02:01Laura Felpin: I have a little bit of a temper which is a little bit. But really,
1:02:03inconnu: welcome to a night with me. It's an enfer. It's hard. It's a little bit. It's a little bit. It's a little bit. You want to do...
1:02:10Laura Felpin: I want to do a Nina Park bush. Ah, you want to do one? But if I'm going to do one. I think I'm going to do what I need. Ah, I'm going to do what I need. Ah, you're going to do what I need. I have four trusses of toilet.
1:02:22inconnu: Okay, I have a trusses of toilet, but I have brought two things in my skincare with the makeup. I have brought two or three things that I use before to prepare my skin. You're doing gua sha ? Not at all. I'm going to play it. I'm going to play it.
1:02:42Laura Felpin: I can't put it in?
1:02:43inconnu: Of course. He's a little more sales because he's been a lot used, even if he's been a laver, but he's got a lot of traces of the skin. you put it like that how much it's like you have little mèches which are in front the idea is really if I don't put it
1:02:56Laura Felpin: I'm not like you because you said you have a face round I have a face like a sort of commodity very étroit so if I would say I was a a bit of a I was so if I don't put it I don't put it I don't know but you say I know what I'm saying
1:03:12inconnu: I have the time to observe I'm too the problem is that you have a lot of imagination to destroy I think Attends, mais qu 'est-ce qu 'on fait ? On ne sait pas ce qu 'on fait, en fait. On ne sait pas ce qu 'on fait.
1:03:23Laura Felpin: Mais on a dit qu 'on se montrait nos trousses. J 'ai peur que tu tombes sur un truc de ça. En fait, tu sais ce qu 'on fait ? Non, en fait, on ne va pas se maquer. Ok. Non, on ne va pas se maquer. On va échanger nos trousses et on va juste... Je vais te demander de me commenter deux, trois choses. Mais attends, parce que je...
1:03:38inconnu: C 'est juste que je vous ai appris si jamais on voulait se maquer.
1:03:40Laura Felpin: En même temps, on a dit qu 'il faut qu 'on fasse gaffe. Parce qu 'on ne veut pas citer de marque. because I don't want to make a pub gratis now
1:03:47inconnu: yeah it's clear I understand you don't know I don't know I have a lot of stuff Korean and Japanese I have a lot of stuff in this moment I have a lot of time to try a mascara from home but we don't have to say the mark but in fact
1:04:03Laura Felpin: we'll stop this podcast we'll just say and do it wait just
1:04:08inconnu: I have a gift I see I see that I see that I see that it's a gift it's a gift it's a gift it's a gift it's a gift it's a gift
1:04:11Laura Felpin: it's a gift it's a gift it's a gift That's very beautiful. That's Mayna. Who you're feeling? I'm feeling that we talked about earlier. And it's this red-up there that she met on all the photos. But so, wait, because on the photos I find it too. You have to have a red-up. In fact, it's not red. It's not red.
1:04:28inconnu: She's a red. She's a red. It's a red. And you're trying to try different ways.
1:04:39Laura Felpin: You can really test a look.
1:04:41inconnu: No, I like it. I like it, Laura, I do always the same thing, more or less. I'm sure she is.
1:04:47Laura Felpin: You can't even see it. I had the impression that you were talking about, like if I was pregnant in my CV, and you told me, Laura, you're invited, in appearance. Yes, Laura. Why do you tell me?
1:05:00inconnu: It's so hard. Sometimes I talk and I see my brother who's going to be here. And he goes, it's... But, we're going to go. But you need to have a little context. I always do the same thing at the same time. Now I'm happy that there are products that are in the same time. And that there are products that are in the same time. And that there are products that are in the same time. Because there, we're going to bring what we love. I have the chance to have a little bit of a sèche. So I can allow that. I can even even plaquer if you want. It will not be a little... What I say is not working in what I want to express.
1:05:34inconnu: But the eyes, it can be a little different. Sometimes I can go on a thing with... I've done a little work with a liner, but I've done a little fume. Or it can be just a little bit of rosé on the eyes. You know, a little bit open and all. It's there where I'm going to do a diff. But otherwise, my hair is almost always the same.
1:05:50Laura Felpin: Okay. Yeah.
1:05:52inconnu: But on the makeup for things, it's a little bit the moment. It's why I'm very exigeant with the makeup. Because I love so much makeup. I'm so excited. And you know, there are a lot of meves who have... There are very, very great makeup. and then you have those who do the same formula for everyone. And that, it doesn't work on the different pecs. That's not working. It's clear.
1:06:15Laura Felpin: Okay, well, listen, Laura... I think we have all the time to do it. We're going to stop this moment. I've loved it, but I'm a little frustrated that we don't have a date for a while.
1:06:31inconnu: But there, I'll say, we'll stop it. We'll make it a moment. We're going to get back.
1:06:36Laura Felpin: We're going to get back. Thank you so much for coming. Really, thank you, my belle. It was good. I'm going to get back. A little bit of an identity. Perfect. Perfect. Anti-age, makeup, lifting, slut-shaming, Botox, lip-tox, L-amorflé, contouring, glass skin, mask, peau flasque, relâchement, cheveux blancs, acne, zone T, brillance. En appearance.
1:07:05Laura Felpin: It's hard to relax when a couple of flying insects always seem to show up uninvited. Then those one or two fruit flies suddenly become hundreds, and that can make it even harder to relax. Next thing you know, you're spending time swatting them away. Thankfully, the Zeevo Flying Insect Trap takes care of flying insects for you. Just plug it in and it gets to work 24-7. Its specifically designed blue and UV light attracts flying insects like houseflies, fruit flies, and gnats, trapping them on a sticky backing without any odors or mess. The Zeevo trap also features a sleek curved design that keeps captured bugs out of sight, so it blends seamlessly into your home.
1:07:44Laura Felpin: When the cartridge is full, you just grab the no mess tab, throw it in the trash, pop in a new cartridge, and then you're done. It's quick, easy, and you never have to touch a single bug. Plug in a Zeevo flying insect trap so you can work smarter, not harder, and enjoy your time at home with 24-7 bug protection.
Ça faisait un bon moment qu’on devait se voir avec Laura Felpin, résultat, on a parlé non stop, et je ne vous cache pas qu’on a dû couper certains passages pour ne pas vous tenir la jambe 24h. Sans transition on a parlé psychiatrie, skincare, pression de l’apparence, facelift, adolescence ou encore écarteur d’oreille… Vu que le studio fermait, et qu’une sombre histoire de TDAH nous empêchait d’être concises, on s’est “arrêtées là pour aujourd’hui” comme dirait mon psy. J’espère que ça vous plaira !
À la semaine prochaine, même heure 🤸♀️
–
En apparence c’est une conversation joyeuse et spontanée, dans laquelle on fait connaissance avec des personnalités par le biais de leurs complexes, de leur zone T, de leurs routines beauté, de leur rapport à elles-mêmes, de leur enfance, de leurs poils ou encore du temps qui passe…
À écouter tous les jeudis sur votre plateforme de podcasts préférée et à regarder sur ma page Youtube !
Crédits:
Un podcast imaginé, produit et animé par Nora Hamzawi
Enregistrement, montage, mixage : Adrien Beccaria - L’Arrière Boutique Studio
Musique : Adrien Beccaria
Identité visuelle : Thibault Milet
Animation générique : Hubert Forgeot
Suivi de production : Chloé Tavitian
Développement : Louie Creative
Attachée de presse : Anne-Sophie Nguyen-Phung
Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.