Manu Payet, the boy next door

0:00Manu Payet: Hi, I'm Jack Cravici, Kramer host of The Best One Yet. At T-Boy, we're always talking about small decisions that can have an outsized impact. One of the simplest is staying hydrated. Whether I'm traveling, getting a workout in, or heading into a busy day, I keep Liquid IV on hand. It's clinically demonstrated to hydrate faster than water alone and contains three times the electrolytes of the leading sports drink, plus eight vitamins and nutrients. It's an easy addition to your daily routine and helps support hydration when you need it most. Shop now at liquidiv.com. Liquid IV hydration that goes wherever life takes you.

0:32L'animateur: Most media plans treat frequency as a risk, something to cap. But in podcasting, that costs performance. Hearing a brand advertised repeatedly makes 50 % of fans more likely to remember it against 17 % who say less likely. And that positive impact is true against every outcome we tested. Podcasting is where repetition builds, not where it wears out. Get more insights like this from ACAST's latest podcast Pulse Report, which is out now. Download for free at acast.com slash pulse.

1:15L'animateur: Bonjour, c 'est Nora Amzaoui et vous écoutez En Apparence. Today I receive a actor, a humorist, a realist, an animator radio and other things. A guy that everyone loves, we won't be kidding. It's the guy that you talk about him. He says he's looking for a good guy. I don't know anyone who's agating. It's just agaçant. If the expression boy next door existed, I think we could say that to him. Why do we say girl next door and not boy next door? We'll talk about it in this episode. I'm very happy to receive Manu Payet.

1:43Manu Payet: Wow. That's it? Thank you, Nora. Yes, thank you. It's adorable. I'm so happy.

1:48L'animateur: I'm very happy. Normally, it's a podcast, like I said, which talks about the appearance. But like you, when you came to eat, you made it eat, and I know, we don't know how well, but we have in common the taste of the food. There's a flan at table, a flan au chocolate from Christian Constant. I'm not sponsored by Christian Constant, but I thought it was nice. He's beautiful. In any case,

2:10Manu Payet: because it's already pretty consequent, on knows that he will, of course, modify our appearance.

2:16L'animateur: We know that it will modify our appearance. For my part, I'm not sure of eating it because I'm afraid that it also changes my transit.

2:25Manu Payet: Why you got that?

2:26L'animateur: Because I got it for my friend Norman, we have a problem, if I pass on a commercial of a bush, which has a look like I can't even go into it. But I bought it, and at the base, I had promised to buy fruit, to my son, who has already had the taste of people aged. And I also got the taste of people aged, I bought it. I had orange, orange, citron, gingembre, pamplemousse. You're a friand of orange?

2:59Manu Payet: No, but I'm interested in what I'm going to do later. You know how to change?

3:07L'animateur: Like, I'm going to go to the kitchen.

3:08Manu Payet: Yes, I'm going to go to the kitchen. There's an oven in the kitchen. It's a constant. You're not saying that. It's not a good thing.

3:16L'animateur: But is it you want to say that I'll say it's not good? Because if you say it's not good, you can.

3:20Manu Payet: No, I don't want to say that. I'm not saying that it's not good. But I'm a little agree with what we said before the podcast. Un flan au chocolate, is it a flan? I don't know. I made a little a gauderie. Un flan au chocolate, is it a flan?

3:35L'animateur: But of all, you're completely...

3:40Manu Payet: I'm a sad to be a baiser.

3:41L'animateur: Yeah, I know. But it's a good thing. For me, you are really a couple.

3:46Manu Payet: You know, I can't finish. So, in appearance...

3:50L'animateur: In appearance, I didn't have a food. You're doing a lot of appearance, in fact? Yes, because when I said it was rather saly or sucre, you said it was because of all, it was better to be saly. Because it's better than sucre. But I'm not sure. For example, I would be very fried in the salad. Is it to eat fruit and cheese, it's worse than eating a part of the flour?

4:09Manu Payet: No, maybe not. But I'm not sure.

4:13L'animateur: Ah ouais.

4:14Manu Payet: Je mange beaucoup. J 'aime bien aller contre mon époque et la tendance. Avocat de toast. Ouais.

4:24L'animateur: Et tu as une hygiène un peu sportive, physique, à tu ris. Ça me fait trop plaisir. Si je suis sûre que tu en as une en vrai.

4:30Manu Payet: Quand tu pars en tournée. J 'ai pas le choix. J 'ai pas le choix. Je suis obligé d 'avoir effectivement. Il faut que je fasse un peu gaffe. Mais il y a quelqu 'un qui vient sonner à ma porte. Rémunéré par mes soins.

4:41L'animateur: Ouais.

4:42Manu Payet: Et je le salue. Because it's a moment that there's no news. When it's on, I don't open it all. I'm not there. No, but sometimes when I have to... I'm a little radical. It's-in-law that if you want to lose weight, I can't eat it. But I don't know how to eat. I'm going to balance it. I'm going to eat less. I don't know how to do that. So you're like dry? Yeah, I can totally go dry and eat a pome and a beer of gazpacho.

5:13L'animateur: I can do that. And it works?

5:16Manu Payet: Yeah, for the coup... You make it sèches? I don't call it that way. I do what? I don't know what I'm doing. I don't know what I've done. I don't know what I'm doing. I don't know what I'm saying. I'm going to calm a little. And so I'm doing... I'm doing a lot of grec. You know?

5:37L'animateur: Yes, apparently it's a protein.

5:39Manu Payet: But for beginning... You have less food after. So after you do less on things. If you do a yaourt grec, 5 noix de cajou, and let's say a 9, a 9 dur, you do it at 8 ,40, not 10.

5:51L'animateur: Yeah.

5:52Manu Payet: Well, you have to do a day-to-day. There is also the inverse of the culpability of having a big burger, a big smash burger. It exists also, the thing of I have no food and I have eaten hyper sain. Wow, okay.

6:05L'animateur: But the joy is a little...

6:09Manu Payet: I love it, I know. I can't have it. I can't have it. Because, in the opposite, the culpability citratique, where we go to... You don't have menthe? Plutôt that citron, I can't have it. That's it, I mean, it's a bad. It's a bad.

6:24L'animateur: You talk about the vieillir. Have you felt that your body didn't support it? Yeah, yeah. Because I'm going to make a reflux. Chose that I didn't do at all.

6:33Manu Payet: But that's people, it's hypocrisy that you don't like. Ah, no.

6:35L'animateur: At the interior, the reflux gastric. Ah, no. Yeah, really. I really like, if I eat too much of sauce, of acidity, all those things, then people say yes, it's also maybe the champagne, no? It's the yes, also. But there are things where you feel that your body can't be. Produits industriels, I can't be at all. If I eat a thing, I'm plied in four. I'm super bad.

6:55Manu Payet: But really?

6:56L'animateur: I'm bad. I have the syndrome of colon irritable.

6:58Manu Payet: It's hard, it's hard. I have to confess, I didn't know what I would do here, here you are, and pardon me, because I'm going to leave you with that, because I'm going to leave you a thing, I don't know what to do, it's next weekend, there's plenty of things, that it can be happened to me, all recently, to take, before, in a way, a pre-quite, a gabiscon, to say like that,

7:30L'animateur: you know,

7:31Manu Payet: because, I want to take it to the collet, I want to take it, when I'm going to take it, of what will make you feel.

7:37L'animateur: Of course. But I think you leave a very big thing. And that's a thing that appears at the Quadra. That's a thing that we don't do at all. In fact, before you do the mal, you don't anticipate it. Completely empty of taking the Gaviscon.

7:54Manu Payet: I was already buying the Gaviscon on his own. The tube, the little gel. Yeah, the little gel. And I asked, because I know a pharmacist, because it's a good idea of having a Quadra, but I'm not a K.

8:04L'animateur: I know, I was super excited. I saw that on your page Wikipedia. You know what you're doing?

8:08Manu Payet: Well, it's gentil. Thanks. That's Bioderma.

8:10L'animateur: It's Bioderma. You know what you're doing?

8:13Manu Payet: Yeah, I'm saying that you're doing it. And at the same time, I'm a little bit... I'm a taxi who has... I know, the taxi is listening to a podcast now, so I hope he's going to be there. He had the delicatesse of me to say Ah mais Vous êtes paillettes ? Et je dis oui Il me dit dis donc Vous avez pris un petit coup Arrête C 'était tellement Indélicat Que j 'ai eu un petit fourrure quand même C 'était chouette

8:46L'animateur: Est-ce que tu prends soin de ta peau déjà ?

8:49Manu Payet: Mais je suis obligé

8:50L'animateur: Il y a plein de mecs qui

8:52Manu Payet: Mais non mais nous on est obligé Parce que notre gueule Pour ne pas se détester sur Getty Image

8:58L'animateur: when you're like that, then you think you're like that. Exactly.

9:02Manu Payet: So, Bioderma. There are little things like that. Cheveux. Yes, the little routine that goes well. I have a peau sèche. I'm not going to be atopic. But, well, it's a bit of a thing.

9:17L'animateur: What's it really is, atopic, lipidic, all that?

9:21Manu Payet: Atopic, well, it's not the same thing. Lipidic, it's on a other bottle. Yes, but is it not

9:28L'animateur: a product lipidic for a tendency atopic?

9:31Manu Payet: Ah, I don't believe it. I'm going to make a bomb to the dermatologist.

9:37L'animateur: In this podcast, it's really a speciality to talk to people like it was our speciality.

9:44Manu Payet: Aller pay 130 balles or I don't know how many guys will say, well, it's going to hydrate.

9:49L'animateur: Are you asking to ask Claude or HGPT?

9:51Manu Payet: Not at all. I was going to get out of my dermatologist that he gave me. It's going to hydrate. When I'm in the dermato, I imagine you're going to tell me in a quarter of an hour that I need to hydrate. Well, I'm going to tell you.

10:01L'animateur: But yeah.

10:01Manu Payet: Because you don't have a problem.

10:02L'animateur: And she doesn't verify the hair in the same time?

10:04Manu Payet: Yes, but I'm doing a photo, I'll send.

10:07L'animateur: Yeah, it's true.

10:08Manu Payet: Today, you see, we're almost even better at the iPhone.

10:12L'animateur: Well, it depends on the age of the dermato, but yeah. It's not cool for him.

10:18Manu Payet: He's called Yves, actually.

10:19L'animateur: Well, it was for the mien who took his retraite.

10:21Manu Payet: Ah, it's true?

10:22L'animateur: super, and who looked really and who had this experience genial and I was invited to plenty of friends without warning. But normally they do all of them, but they did a way of a brutal way. They turn it on, they put it on the impression that we are in a thing of formoyage. But they told you to turn it and when you go down your head, it's going to look at the end of the face. Because she had a patient who had a great beauty in the derch. And so she does everything. And so she, when you You know, you know, you know... Oh, damn! Carrément!

10:55Manu Payet: You know, you're modified.

10:57L'animateur: You're modified.

10:58Manu Payet: No, it's not there. You're wrong, you know.

11:00L'animateur: And you're doing a very good hygiene. You know what I mean? You're really anti-va in being... It's sure. It's more than a date, what.

11:08Manu Payet: It's clear.

11:09L'animateur: And tell me, you have a perfume, you?

11:12Manu Payet: There, there, at the moment where you're going to talk? No.

11:15L'animateur: No.

11:15Manu Payet: They're not. But maybe that's a little bit of... They are, you know, they are... They are... It's not that the verts fumés? No, because they are not fumés at the base. But they can... They can't be... They can't be... They can't be all alone. You know, if you have a little clopass, you can't see what's on the terrace. They can't be... Yeah. It's called... I don't know. I was going to say vermifugé, but it's not the same.

11:36L'animateur: No, vermifugé, it's... It's the same. You let your vermifugé. But the lunettes have gone on the sun, you know.

11:41Manu Payet: But no.

11:42L'animateur: Bah oui. You know what it was? But no. Bah, listen. Look, look, I don't know if we see them. So for the people who... Well, you see, there's a problem. It's crazy. All right, I would have to enfile them. Ah, yes, there's a problem. There's a problem. And in addition, the ver, it's also...

11:56Manu Payet: It's a little sexy, if I can allow you. No.

11:59L'animateur: But the devil, what? What kind of sexy?

12:03Manu Payet: But it's crazy.

12:04L'animateur: And you, you never had a gerry-lunette?

12:06Manu Payet: No, I'd like it well, it's a gerry-lunette. I also, I'd like the contract. Yeah.

12:10L'animateur: But I don't know what I'm going to do with this.

12:11Manu Payet: No. Well, it's funny. I don't know. You're not a good thing? Yeah, I'm a good thing. Sur you? Good thing, conversion professional. Not bad. Effectivement.

12:22L'animateur: Yeah.

12:22Manu Payet: Let's try the mien.

12:24L'animateur: But now I'm going to have a look at...

12:25Manu Payet: What? You're going to have a look at what?

12:30L'animateur: De what? D 'arrière.

12:31Manu Payet: To be a woman who lives with her time. Who lives?

12:33L'animateur: Yes, but is she living with her time and who's going to be in the trottinette so that she should not?

12:36Manu Payet: Not at all.

12:37L'animateur: Ah, but you're good. Yeah, they're good.

12:40Manu Payet: So, that means you're really bad.

12:43L'animateur: Not at all. Not at all. But with your casquette, they were really fumé So I didn't get to go But wait, they're coming from where? We have the right to...

12:51Manu Payet: I don't know

12:53L'animateur: I'm not reading Because I'm not reading your glasses I'm not presbyte anymore You're presbyte? You're not presbyte?

12:59Manu Payet: I'm a fool, I'm burning the whole You're not presbyte because you know why? Why?

13:03L'animateur: I'm a mess with your glasses Because you're myop

13:07Manu Payet: I'm not sure I'm the two, it's progressives Ah, really? Yes Look at the bottom You look at the bottom, you look at your hand or you see something.

13:16L'animateur: Oh, I think I have exactly the same thing. I think I'm going to be a bit. Wait. There's a thing a little bit. So they are sales. You're the same to have the sun.

13:25Manu Payet: I don't like that.

13:26L'animateur: I have the sun all the time. I don't like that.

13:28Manu Payet: I don't like that. I don't like that. It's true?

13:29L'animateur: Yeah, very sales. You're going to be a product with what? Oh, you have a product on you for cleaning.

13:33Manu Payet: No, I have a little bit of a chiffon.

13:34L'animateur: It's not true.

13:36Manu Payet: Which is, frankly, the size of a draus. Ah, yeah?

13:40L'animateur: And you keep it all the time on you?

13:41Manu Payet: If I'm not, my journey is changing.

13:44L'animateur: But it's incredible, I think. You're going to go with your peignoirs in tournée? You're going to go with your own peignoirs?

13:50Manu Payet: I'm going to go with my little beard. I'm going to go with my little beard. I'm going to go with my peignoirs in your way. No, not at all.

13:57L'animateur: This little serviette makes me think you're going to go with your peignoirs in your way. I swear that no.

14:01Manu Payet: I swear that no. Because I would have a weird voice in front of the mirror. No, no, no. But I'm going to go with my sack before I leave. Even the morning, you know. I have a lot of rires. Like, it's not possible. It's really the diva of this house.

14:17L'animateur: You know, in what?

14:19Manu Payet: There's everything. There's a little thing. There's a little... And sometimes I take... I say, no, but I don't need it. Because it's not a medoc or something. I say, yes, but you have someone who needs it.

14:32L'animateur: Oh, it's great.

14:33Manu Payet: And so I take... So you see, it's a thing that I have. You know, I don't want to.

14:37L'animateur: Citrate of beta.

14:38Manu Payet: I have the citrate of beta.

14:39L'animateur: I'm going to recognize it from the end of the day. Like that, without lunettes and all.

14:41Manu Payet: Bravo.

14:42L'animateur: Pourquoi ça fait du bon ?

14:42Manu Payet: Je t 'ai parlé de lingettes. Ah, lingettes démaquillantes ?

14:46L'animateur: Elles irritent un peu sous les yeux, celles-ci.

14:48Manu Payet: Oui, mais pour les mains, c 'est parfait.

14:51L'animateur: Ah, tu démaquilles les mains ?

14:52Manu Payet: Moi, je me démaquille toujours les mains. Pas du tout, en fait. C 'est juste que j 'aime bien que mes mains soient propres.

14:58L'animateur: Très bien. Un petit passion lioc. Tu préfères lioc que dur ?

15:01Manu Payet: Non. Aujourd 'hui, ça y est, j 'ai les deux versions. Ok. J 'ai les comprimés roses. Voilà.

15:06L'animateur: J 'ai les mêmes dans mon sac. Tu vas comprendre. Je l 'ai ! Il est nouveau. The citrate of beta in in dosette. And on a the same sack. You know what it is? It's people who culpabilisent to trop boire. Bien sûr. Bien sûr. On a the same sack.

15:29Manu Payet: Alors, attends, you're ready or not? Oui. It's not a blague.

15:32L'animateur: Look at this. But it has some odorant. But it's a What's in my bag for Vogue. You know, you're going to say, what's that? Arrête! No, go look. Go look. Look at the video on YouTube. No listen to it. Tiens-toi bien, François-Régis Gaudry. Bim, I have a mirin. Why do you have a mirin in your bag? I have ordered the other day. And then, you want to make a thing incredible? I made a thing incredible with a mirin. What did you do? I made a recipe. I was just from Japan where I played. I was in full nostalgia. I ordered the mirin, the thing, all the stuff for cooking. And I made a soba with a champignon incredible which was totally umami.

16:13L'animateur: And yeah, umami blue, of course. For the music.

16:18Manu Payet: Umami, umami blue. Umami blue.

16:23L'animateur: And after, it's a lot of work. I didn't have to use it. It's true?

16:27Manu Payet: But it's not a rhyme. It's a rhyme of 83. No, it's not a rhyme.

16:32L'animateur: But it's not a rhyme. But why do you use it? Why do you have it in your sack?

16:35Manu Payet: Because I'm a single one, I tell you.

16:36L'animateur: but like this I thought it would be a mignone of a white so I was to be totally honest when you got out the bouchon and I put it there I thought yeah well obviously he has a lot of strats

16:48Manu Payet: already that the guy is on him it's a thing and I respect the people who can't be able to move but the guy who sort a podcast filmé

16:58L'animateur: he has no notion of the life

16:59Manu Payet: he has no coach

17:02L'animateur: he has no idea

17:04Manu Payet: I was going to talk about the space-fond. I didn't have a comment.

17:06L'animateur: Ah, well, the water in gélules.

17:08Manu Payet: The water in, like, in comprimés, in all of a sudden. And I have also got a Librax, but that... Ah, Librax, I don't know.

17:15L'animateur: What is it, Librax?

17:17Manu Payet: Ah, well, Librax. It's for... Librax. Librax, it's a bowl of myrine. I guarantee that...

17:23L'animateur: It's for the constipation, Librax?

17:24Manu Payet: Well, not at all. Well, it's not that.

17:26L'animateur: Librax. Ah, no, yes, it's true.

17:27Manu Payet: It's true. Librax. Oui. No, not at all.

17:32L'animateur: No?

17:32Manu Payet: No, no, no, no. It's for people like you. It's for people who don't know what they do. What?

17:38L'animateur: It's an antidepressant?

17:40Manu Payet: It's an antidepressant. It's an antidepressant.

17:42L'animateur: Tell me, because... On papote, on papote, on papote. But in which adolescence was you?

17:49Manu Payet: The same guy. A little bit. On a a little bit foufou. When a little bit naive. On a little bit candid. But candid. Bord chiant, you know, for the other. But...

18:05L'animateur: Populaires ?

18:06Manu Payet: Yes, rather popular. Rather... Rather... Rather cool. It's a mess when he's not there.

18:15L'animateur: Yeah.

18:16Manu Payet: Sympa.

18:17L'animateur: So the guy that you're going to see at the night.

18:19Manu Payet: Yes, but my mother never left me out. So in fact, I was always thinking, why you're not at the anniversary? And then I found a class with who I did all my college at La Réunion, who's called Véronique Jupin. I can tell you, because she's married, she changed the name of family. and I also met her husband, I met her in Nantes. And so she told me, she found all the classes of class at the time. And she told me, but every time there's a party, you're not on the floor, how does that do? Ah yeah, I have the gorge that's on the way. And I said, well, yes, because in fact, my mother didn't leave it. Oh, I don't know.

18:49Manu Payet: She didn't give it confidence. But to what age? Franchement, just, it's a, the answer is a little honteux, quoi. Okay. Genre, just to a age, but genre, but why aren't you, why aren't you, in fact? You know, you'd have to tell me that. Because we lived... The city was near, we were a bit of eccentric, um, to say it was that she's踩ing Sunnyashing fibres.

19:10L'animateur: Yes, education,

19:12Manu Payet: if you tava with

19:14L'animateur: a bottle of deux$ in your car ofain...

19:15Manu Payet: No, I haven't spoken to you fabriclished, because later I will work. I said but mom, it's thejours, I said it's 19h.

19:20L'animateur: She's afraid you to drink at all. She's afraid of everything. She's resentment. I think right with it, however it's hard not to have pain, which is hard to not be 말씀 bananaaroes.�. It's

19:27Manu Payet: hard. It's hard. It's hard. Yeah. Yeah. It's hard. I know, she's passed the thing. So, today, I'm still...

19:32L'animateur: Well, evidently... I'm a girl in the van.

19:34Manu Payet: I'm not going to pass the bag.

19:35L'animateur: Well, you're not going to... And I'm not going to go to school all the way. It's clear. Well, no. It's not. And you were... You had a look? You had something?

19:46Manu Payet: Yeah, but... Not... Always acceptable. But I had the chance of living on a hill. So, if you want, it was always a little shirt of surf, a little thing of silver or I don't know what. when you had your marraine who gave you a full-time for your anniversary. You wore it all the year and then you were born.

20:01L'animateur: All the time a little.

20:02Manu Payet: A little. It was this look-in. And then you didn't have a dresser in the summer. So the Doudou Chevignon didn't serve at all. No. So you had the shirt a little quick. The jeans, it was already 501. And then after, if you really came from a family who could offer you, you had the Dockside. No, the Sebagos. The Dockside.

20:23L'animateur: But I don't even know what it is. But finally, I think I can't see it.

20:27Manu Payet: I'm going to show you. Go, DocSide. You know it? You're going to tell me, oh, no, we call it like this. And I'm going to tell you how to call it. The C.V.A.G.O.D.O.Xide, it's been my life. I'm going to find my mine. They changed the smell. It's a little bit.

20:50L'animateur: It's a shoes on a boat.

20:51Manu Payet: I was sure you were going to tell me that.

20:54L'animateur: Jeremy Ferrari, we talk about this podcast. It's true? Yeah.

20:57Manu Payet: It's funny. He's cheating. He's cheating. Very good. Well, listen, you don't know what he's doing.

21:04L'animateur: And that's still wearing a pair today?

21:06Manu Payet: But I have a pair, obviously.

21:08L'animateur: Well, listen, you're talking about Jérémy. You know it a little.

21:10Manu Payet: If you want. No, but of any kind,

21:12L'animateur: I don't have to argue with him.

21:14Manu Payet: He's much more costed than me. I don't want to beat him for a pair of dogs.

21:18L'animateur: What's that he's costed, he's doing? Costed, it's the real name. In the meantime, it's like these people, in fact, he does 12 hours of sports every day.

21:24Manu Payet: Oui, mais parce qu 'il compense, il a arrêté plein de choses, l 'addiction et tout.

21:28L'animateur: Oui, alors que nous, on est en train de bouffer un flan et de sortir du mérine d 'un cartable. Alors que nous, on mange un flan et qu 'on rêve qu 'il y ait du rhum dedans. Bah voilà. Oh là là, t 'aimes bien le baba au rhum ?

21:35Manu Payet: Bien sûr que j 'aime bien le baba au rhum. Bien sûr, j 'en serais pas là.

21:39L'animateur: C 'est bon le baba au rhum. Il y a de la fraîcheur dans le baba au rhum. J 'adore ça. Mais je veux pas te parler que de bouffe. Quand j 'étais petite, j 'avais qu 'une seule hâte, c 'était de bosser. I was a dream of being a boulanger, a fromager, a libraire. I imagined a woman independent, having my own shop and being the patron of my little business. This feeling of independence, I have finally gained on scene thanks to my spectacles. But if I could do this other dream of an infant, I don't know what I would like, maybe my brand of skincare or makeup, but I would probably use Shopify, which sponsorizes this episode.

22:06L'animateur: With Shopify, no doubt, no doubt, no doubt, no doubt, no doubt, no doubt, no doubt, no doubt, no doubt. You can sell everywhere, on your website, on your social media or directly in a boutique. And they will be accompanied to each step. Because every person who managed by herself started somewhere. It's just an idea. Shopify takes care of the rest. What are you waiting for? Let's start from today. Start your free essay on Shopify.com.

22:46Manu Payet: faster than water alone and contains three times the electrolytes of the leading sports drink plus eight vitamins and nutrients. It's an easy addition to your daily routine and helps support hydration when you need it most. Shop now at liquidiv.com. Liquid IV hydration that goes wherever life takes you.

23:04L'animateur: D 'accord, je te suis. Voilà, maintenant j 'ai compris ton style. T 'étais un couloss. Mais j 'ai vu qu 'il y avait un tatouage là. Il y a un tatouage là.

23:12Manu Payet: Oui, c 'est le prénom de ma fille.

23:13L'animateur: Ah oui, donc ça va. Ce n 'est pas une erreur de jeunesse.

23:15Manu Payet: Non, non, non, non. I haven't done a tomato.

23:18L'animateur: And your wife has also done a tattoo?

23:21Manu Payet: No, not at all. My wife has still been silent on the fact that I haven't done a tattoo on her.

23:29L'animateur: Ah, interesting.

23:31Manu Payet: You see what I mean?

23:32L'animateur: And you will do it?

23:33Manu Payet: Certainly not. Why? Because the end of the day when she's barred with a surfer, I do what, moi?

23:41L'animateur: Bah, yeah, I know.

23:43Manu Payet: I'm barred the thing and I'm saying, maman? Non, elle ne me passait pas sa voiture Je ne vais pas non plus mettre maman

23:48L'animateur: Non, c 'est vrai, non Attention, ils te parlaient de ton physique, tes parents Ils te complimentaient sur ton physique Il y a des trucs de t 'es beau, t 'es beau, t 'es beau mon fils Pas du tout Ah ouais ?

23:58Manu Payet: Non, c 'était plutôt genre Alors là, t 'as l 'air vraiment fin avec ça

24:03L'animateur: Ah ouais ?

24:04Manu Payet: C 'était plutôt ça Pas d 'importance particulière Non, non, non Oh si quand même me disait que j 'étais beau quand même. Attends, je suis en train de me dire attends, elle ne m 'a pas quand même pas jamais dit que... Non mais c 'est... Ma mère fait des réflexions. Non, elle peut être... Quand je vais le dire là, ça va paraître dur.

24:26L'animateur: Je dis tellement de trucs sur ma mère, elle aura l 'air adorable. Ah d 'accord.

24:31Attention parce...

24:33Manu Payet: Damien va faire son entrée dans la compète.

24:35L'animateur: Vas-y.

24:37Manu Payet: Ma mère peut te dire qu 'un truc te grossit, mais après ne pas t 'avoir vue pendant un an. and to the airport okay

24:47L'animateur: you're in the first place

24:48Manu Payet: with your caddy your valise on the top and then you look like this this thing it's a big okay

24:57L'animateur: they're the same same same same same it's to say

25:00Manu Payet: that's the equivalent to wear a arm to a feu

25:03L'animateur: exactly I'll ask you I'll ask you a taille in a magazine and he'll tell you to give me more more more to like that in complicity with the 22nd. She doesn't know the place that she takes in this shop.

25:15Manu Payet: It's hard.

25:16L'animateur: Yeah, it's hard.

25:17Manu Payet: It's hard. There's a movie in English or I don't know what she is. It's in England or even more in England or even more in Ecosse who says she's like the mom who speaks to her son son fils. You're so beautiful. Mommy will do it for you. Mommy will get it for you. Yes, mommy loves you. Mommy loves you. Mommy loves you. And after, the same mom who's addressed to her son. You look fat and fat.

25:40L'animateur: Yeah, but it's crazy. The way, the rapport with me, it's one of the reasons why I was also... It's been very simple for me to have a son rather than... Ah, yeah. I was kind of afraid. For me, it's a thing. It's been something. The rapport mère-fille and not to transmit things. And even the obsession on the physique. It's not for a reason that I have a podcast called En Apparence, that I try to soothe the way the most sane possible. But in fact, to be scared, to be detested. You have that when you see the TV, when you see the image and all. I don't have a rapport to you. I don't look at you. Ah, yeah?

26:08L'animateur: But by choice, you don't want to? or you do... No, yes, it doesn't matter.

26:14Manu Payet: I prefer to go see the talent of others. Yes, but for example,

26:17L'animateur: we're going to do a recap of your show.

26:20Manu Payet: It's very complicated for me. So it's Mathieu Oulion who makes the montage, the pre-montage. Then he sends me the moments on which he has doubts. I look like this, like this.

26:35Manu Payet: It's very complicated. Then after, I'm inflige the stuff, but I'm still debout. I do the same thing. I do very well. I'm going to laugh. It's happened to me. I said, you see, Couillon. But no, I don't look at it. In arriving here, I was realized that I had turned a film not far away. I recognized an church. I said, I turned it? Ah, yes, it was the film. I thought it would be good that I saw this film.

27:06L'animateur: Ah, yes, you won't go to the film in which you play?

27:08Manu Payet: Not too.

27:11L'animateur: Because...

27:11Manu Payet: Tant qu 'on peut travailler dessus et que le montage est encore bougeable, etc. et que j 'ai mon avis à donner et que mon avis peut changer un truc, ouais, ça, il n 'y a pas de problème. Pendant qu 'on fabrique aussi, je reviens au combo, je dis peut -être ça, je ne sais pas. Surtout dans des comédies, par exemple. Une fois que c 'est fait, franchement, je ne vois que les choses qu 'il aurait fallu ne pas faire ou changer. Et puis surtout, les gens, ils n 'ont pas conscience de ça. when we turn a film, we discover it a year after. So for an actor or actress, we would never play it like that. Here.

27:52Because in a year,

27:53Manu Payet: it's been a lot of things that have changed our relationship to life, our relationship to us. We have lost someone, we have been enguelling, we have been torn up and we have been torn up and we have all thrown in the air for a man or a man, etc. And your game is definitely modified. It's like a bottle of pinard that you trimble. It's a bit like that. So when you see it a year, you say, well, I was a young man, it's not possible. And then you have ideas that come. You say, oh, no, dommage, oh, dommage. I just think, oh, no, oh, no. There are things that never exist. In addition, it's super frustrating.

28:33Manu Payet: You can't go in all the seats. Excuse me if I can make a pause. At this moment, I would have done it like that. I would like to say that. You can take a look at your vision. I hope you're excellent. You see? So, I don't look at it. But I love to help others. Because, by the way, it's because I have a hard look. Very, very hard with myself. And not only on the appearance. But I'm strong at seeing others. That, by the way, yeah. For help others, there's no problem.

29:05L'animateur: But you mean you're a lot to dirig?

29:07Manu Payet: Yes, to be dirigé or even to give my opinion. It's crazy that you see like that. I often say to my friends. It's crazy to see like that. After I say, how do I see? I try to apply it to myself, but it's always easier, obviously.

29:21L'animateur: And when you do something like your brilliant participation in César, it's a lot of tracks? Yeah, it's a lot of tracks. Yeah, it's a lot of tracks.

29:34Manu Payet: And at the same time, a little bit less because there's a part of the intervention which was in Magneto. So I knew... This day, I had really... I had really registered two radio shows. This day even, the day of César. You were here, I was invited in the Lune. So you saw that it was not five minutes.

29:56L'animateur: Yeah, yeah.

29:58Manu Payet: It was a beautiful radio show. They asked a little bit of presence. two episodes. Then I went to the theater, I played my show. And I was going to put a price to César to get a job to Benjamin Laverne who was missing people. So I said, my brother, it's a lot of time. I really wanted to do it. For the friends, I said, but it's not possible. And then, I said, I'm so happy. I understand. I understand. The day is so complicated for you already. I understand. this I understand, the guy who doesn't insist, you end up to tell you about yourself, I'm a big guy, so you're looking, you're thinking. I said, I have an idea, but it's necessary to do that.

30:48Manu Payet: Because that, it will take me to do a weight. Because if you do all that, knowing that the evening, your job is waiting, mezzo in more, and when you arrive on the scene, they will have a calibre. and the eye in the visor.

31:07Manu Payet: So I proposed this idea. They all got to be mad. It was a pleasure. And then we got to turn it. There was no more to come to the end, you know, in the good mood. But what was already a little challenge.

31:23L'animateur: Ah, yeah?

31:24Manu Payet: Yes, a little challenge that would have been solutioned to be able to get to the Alprazolam.

31:31L'animateur: And the men, they have this thing I say, there are some people who are going to get out of it The men have fear of remettre a prio, it's not? No, but you have this kind of thing where there is all this It means that I have to have to find a hat That I have to have to find a hat That I have to have to have to do that

31:46Manu Payet: But of course

31:47L'animateur: Bien of course

31:51Manu Payet: Nothing comparable Nothing

31:53L'animateur: Because there, you see, Cannes The moment where it's difficult, it's going to be taken in Cannes And I see with my actresses You say that it's a part of the massive part of thinking about what we're going to do.

32:05Manu Payet: Tellement. And then with the age that goes on, etc. With... All of a sudden you said, is that it works? There's a word of grace, etc. We don't have... The same regime has no effect on us. I don't even imagine. Imaginez. D 'ailleurs, dans le sketch, rappelle-toi que l 'assistante qui vient me chercher pendant mon spectacle arrive avec un costard déjà sur un cintre. Et il dit tiens, mets ça. Bon, c 'est presque ça. Tu mets un smock.

32:39L'animateur: Oui, c 'est ça. Tu n 'as pas à te prendre la tête à essayer de savoir.

32:42Manu Payet: Non, tu n 'as pas à te prendre la tête. C 'est même plutôt chouette de ne pas... Moi, j 'aime bien l 'idée de ne pas avoir à me prendre la tête là-dessus. which allows us to be able to go in the sense of the second the desire to be able to take a while you see yeah where? all the rest I'm dressed but you know you're dressed you're dressed up you're dressed or not you're dressed you have a suit

33:11L'animateur: yes I'm dressed I'm dressed you're dressed

33:15Manu Payet: I'm dressed

33:22L'animateur: It's hard.

33:23Manu Payet: It's funny that you say that. I love it because it's hard. But I'm... But for example, it's my dad.

33:29L'animateur: The jeans? There's one in your bag. I'll be able to get out of your bag. I'm going to get out of my bag. It's my problem. It's my obsession.

33:38Manu Payet: Yeah, it's my problem.

33:39L'animateur: It's more than you go to Japan.

33:42Manu Payet: I know. But it's for that I dream of going. But it's not for the fish. It's also for the fish. But I'm wearing one. One of the jeans Japanese. Japanese, a brand of French. I love to buy French. And it's made in France by Superstitch. It's called Arthur. It's a super jean. It's Rurasin, in the 6th episode. They make a jean for women? Of course.

34:03L'animateur: But is it that Japanese, it's always a bit épais?

34:06Manu Payet: Not necessarily. Because I don't know when it's épais. You know, in hose. There's a hose. There's a hose in there, and then there's a hose in the magic. Yeah. It's a bit of a mess. Because sometimes you have it,

34:17L'animateur: you're happy to come with your jean Japanese, and on would really like to say, like, you're a cartoon, what.

34:21Manu Payet: Yeah, yeah. You're a little bit of that, but it's... That, it's a long time. And then after, after a few days, your jeans, you're... Well, but all the jeans that you see, normally, are from the cartoon.

34:33L'animateur: Ah, really?

34:33Manu Payet: Eh, yes. It's because, after, before you sell it, either they're going to the store, or then they're going to the store, they're going to the store, they're going to the store, you know, and it's going to give you a thing, well, they're going to sell it, and then they're going to the store.

34:43L'animateur: Yeah.

34:43Manu Payet: Well, but, And before it arrives, it's too hard. It's too hard. Okay. And very brute. And normally it's brute. And it's why you're going to buy vintage and you find things that are patinized, that have a lot of shit, etc. But it's the life that they're doing that. It's not always the Davis's factory of San Francisco.

35:03L'animateur: And it's the jean that you put on the scene, the one you talk about?

35:05Manu Payet: No, I put another jean on the scene which has his little... who has his little chest, which is well in it, because I can't move with it. Because I don't have a jeans slim, if I'm not going to wear it. It's coming, it's coming, you know. Yes, it's coming. We're still... We're still... We're still... But it's not coming. I mean, it's coming, but we're not going to be a jeans. Franchement, you've got two jeans not slim before you. You think? Yes. Well, or... I have to have the comfort.

35:42L'animateur: You prefer now or before? Is it something to vieillir or not? Physically?

35:47Manu Payet: No, no. If you want to bring the poitrine in front, I was already seen with man boobs. Ah, yes.

35:57L'animateur: It's the thing that makes the most laugh at the world when you have a little bit of a son.

36:01Manu Payet: Right. So, I was told to open the door to this coach. You know? And

36:11I

36:12Manu Payet: I prefer Néanmoins Now Not because I'm more beautiful But because, what you just said I'm very much more easily I wasn't good in me When I was 30 years I didn't know where to go, what I was going to do I was generation X I'm not a Gen Z, I'm not a millennial I'm not a millennial I'm Gen X and the notes

36:36L'animateur: it's the alpha now

36:37Manu Payet: and the notes it's the alpha well at the time it's to say I had no ambition I had dreams let's say but how the mode of employment to be able to do it to be able to do it I had nothing at all all that so I was encombring to be able to do it with my dreams because they were I was told that I could do it I could do it like a cake where you don't have a recette.

37:06L'animateur: It's so just to say that I have an ambition and not a dream. It's really the thing that I have... Yes, yes, yes.

37:13Manu Payet: So today, there's a little bit, we'll believe it, but it's more a bit more... Pragmatic. Yeah, pragmatics. In the concrete, in a thing that... Yeah, yeah, yeah, it's funny. Now, today, it's become... It's been okay with the fact of not having understood it 20 years. and on peut avoir été mignon aussi quand on se regarde si on ne veut pas être trop dur avec soi on peut avoir été mignon de ne pas comprendre de ne pas savoir et puis moi c 'est le côté rocker aussi putain on se la collait tu vois moi je viens du Nil où je suis né où j 'ai grandi j 'arrive ici un peu par hasard Finalement on me garde un peu par hasard Puis je fais le pourflorent Un peu par hasard Enfin tout est fait un peu comme ça Sans que je dis C 'est ça je parlais de Kander tout à l 'heure Ah ouais c 'était quoi Le nom de l 'école dont il m 'avait parlé Le gars qui était venu une fois en vacances À la réunion Courflorent Je veux faire ça moi Je suis allé en bon blé d 'art Ouais bah voilà C 'est payant I saw the price, I said, wait, it's a blabber?

38:31L'animateur: You've got a free class?

38:32Manu Payet: Not at all, I didn't know that it existed, it didn't even know that it was. So, the free class is still there?

38:39L'animateur: Yes, I think it exists still.

38:43Manu Payet: So, I did that. Well, after... I didn't have a plan, I didn't have a thing. So, all that to say that, having 30 years at the time, when I was there, it wasn't at all a force. In any case, not for me. I'm going to be fired a number of castings, but it's not possible because I'm out the veille. I swear, you're doing a film, a film that was released at the cinema, but I said, okay, we're going to live on it for 10 years! All right, we're in the bag. We're going to get the ceinture. It was n 'importe what. It was not at all. Okay, so now what's going on is going on, it's going on 300 ,000 Paris. I don't know what to say.

39:27Manu Payet: Even the improv, I don't know.

39:32Manu Payet: So, today I'm more cool. I've made a lot of dreams. You see, it's never happened in the form that I imagined. I'm always not a rocker. Because, in fact, it's a rocker who tells you that he's doing other things than rock. What I was trying to do earlier, in fact, is that.

39:52Manu Payet: I asked Bernard Rivillier at the radio on France Inter. I asked why I'm not becoming a musician, Bernard. and he said, because you haven't insisted and it's true, I haven't insisted because I was maybe trying to make more the cigale than the fourmi

40:06L'animateur: but today, your desire, you think that the dream that you've accomplished, what is it? I've done a film I've done a film, I've done a film

40:14Manu Payet: I've done a film, I've done a spectacle when I was little, I wanted to make a spectacle I've done a spectacle I've done that

40:22L'animateur: I've done a film, because when you talk about rockers or you know, I imagine...

40:28Manu Payet: Yeah, yeah. There's still, for a guy who wanted to do rock, the fact of not having friends behind him and being without guitar, a little bit...

40:37L'animateur: Solitude.

40:38Manu Payet: You know, there's still... There's still that. But I've always been a better clown than a musician. So, finally, I'm going with my instrument that I play the best. Heureusement for me, because I'm not going with a guitar.

40:56L'animateur: Well, I've never thought of doing a musical show, but not musical. Because when we say that, you've seen Love of Adam Sandler?

41:03Manu Payet: Yes, super. It's so beautiful. I love you, by the way. I don't know. I think it's Love. No, but it's super.

41:10L'animateur: It's great.

41:11Manu Payet: It's great.

41:13L'animateur: I'd love that someone, apart from him, me reconciling with the show.

41:18Manu Payet: But we have the impression, after I never met, I have the impression that there was always a

41:25Manu Payet: I don't want to be eternally. She is part. She is part. Natalie. Where is that? Natalie. Why? Why?

41:37L'animateur: Why do you think that?

41:38Manu Payet: I don't know.

41:40L'animateur: It's what we do. It's why I would like to be able to reconcile with that. To avoid assisting this show.

41:48Manu Payet: You know, for a promo of my show that I just finished with Emmanuel II...

41:54L'animateur: Where you pose... Yes. I would say, you're nude. Nude?

42:00Manu Payet: The first Emmanuel, I'm nude. No, no. The first Emmanuel, I'm nude with a single. And the second I'm habillé because it's finished the fête.

42:07L'animateur: Oui. And it's been a thing to pose it nude?

42:10Manu Payet: Yeah, it's been a hard. But the affiche was so cool. It's Joachim Roncin who's a fête. and he made a beautiful object. In fact, she is cool. But you have prepared your body? Not at all. I was asked to get a good eye.

42:25L'animateur: You have made a little bit of a smile?

42:27Manu Payet: Very few, figure-toi. I was rather... And then the position was rather advantageous. But I wonder if I was going to take the hair from my legs or if I was going to epilates. Not at all. But really not.

42:42L'animateur: Who asked this question? I don't know, but I never... There's something on your feet, on your feet?

42:49Manu Payet: On your feet? Yeah, yeah. I don't know why you're asking me that.

42:54L'animateur: You're a pile sous your arms? No. You know a lot of meekes do not.

42:59Manu Payet: I'm not a pile. You're a pile of a tondeuse. You're a pile of a tondeuse. When I find out there, I'm not a long. I'm like, what's this fool, man? I'm like, I don't know. I'm not a little. A little. I'm not a tondeuse.

43:12L'animateur: I don't know.

43:12Manu Payet: Ah bah moi je... C 'est à moi que je le dis là.

43:16L'animateur: Et les réseaux sociaux, comment tu les... C 'est un truc aussi. Je paye un gars. Ah ouais ? Ah bah c 'est cool, tu dois être hyper tranquille.

43:23Manu Payet: Et moi je me suis mis une limite de temps là, c 'est très récent.

43:26L'animateur: Sur Opal ?

43:26Manu Payet: Sur Opal ?

43:27L'animateur: Enfin je sais pas, j 'ai une appli pour bloquer mes applis, mais comme je fais l 'hap de bloquer en fait, je les ai juste payé pour rien l 'histoire de ma vie quoi.

43:33Manu Payet: Je me suis mis une limite de temps sur l 'appli elle-même.

43:35L'animateur: Ouais.

43:36Manu Payet: Sur le réseau social lui-même, sur Instagram. I put a limit of time And I'm going to planify In a small dossier It's not in front of my head Every time I open the thing Because what I was doing was SMS, WhatsApp, mail On store But sometimes I was When you were, you said What do I do on Instagram

43:57L'animateur: And you scrolled n 'importe what

43:59Manu Payet: You scrolled, you're there You're there You're there Tell it's been a long time That you're on the floor And you're not What's your algorithm

44:05L'animateur: It's a food I imagine

44:06Manu Payet: I'm not It's a food Yeah Oui. Bouffe, chien.

44:10L'animateur: Ah, chien.

44:11Manu Payet: Oui.

44:12L'animateur: Quel genre de chien ?

44:13Manu Payet: Les doodles.

44:15L'animateur: C 'est les gros caniches ? Non, ça c 'est les doodles.

44:17Manu Payet: Non, c 'est labradoodles.

44:19L'animateur: Ah ouais.

44:20Manu Payet: J 'aime bien ça.

44:21L'animateur: Mais tu veux en avoir un ?

44:22Manu Payet: Non, je veux un berndoodle maintenant.

44:24L'animateur: C 'est quoi un berndoodle ?

44:25Manu Payet: Regarde, berndoodle, tu vas voir. Tu n 'aimes pas les chiens, toi ?

44:28L'animateur: Moi, j 'ai deux chats. J 'aime les chiens, mais si, j 'aime les chiens.

44:31Manu Payet: Non, oui, oui, oui. Mais moi, on... Ne te casse pas, Popeye. On a compris. I have two cats.

44:38L'animateur: Bern, like Stéphane Bern. Oh my God.

44:41Manu Payet: You see, it's...

44:43L'animateur: Ah, it's... Ah, it's... Ah, it's... Ah, it's... Ah, it's... It's a l 'air doux. You see what I want to say? With their gross papates. Oh, it's... Oh, it's...

44:53Manu Payet: It's a little, it's...

44:54L'animateur: It's... It's a little bit of a little frisier. I can't say something

44:57Manu Payet: who's really not nice. For the chiens? Yeah. Oh, they won't.

45:01L'animateur: I'm not a fan of the chiens who have eyes blue.

45:04Manu Payet: Ah, I understand. I understand because it can make flipper.

45:08L'animateur: Yeah, I find it quite antipathic. I have the impression that they look... I understand. I understand.

45:15Manu Payet: I understand. I understand. You see, look.

45:17L'animateur: Oh, look.

45:20Manu Payet: You see, it's beautiful. Look. I don't know. I'm in my loop. And there are a little rock still. There are no more than a guy with a gratis. But there's no time to eat. No, because you know why? There's a fringue.

45:35L'animateur: Ah, there's a fringue.

45:36Manu Payet: There's a jean jap and the bordel. There's a jap.

45:40L'animateur: So, your fetish fringue, it's the jean japonais.

45:43Manu Payet: There's no more meufs in my mouth.

45:45L'animateur: There's no more. There's no more. I have a last question. You put a mask LED, a mask of beauty, a mask... I'm sure you pick a little things a little bit to your wife, if it's possible.

45:54Manu Payet: Not too, no, no, no, no, really not. I don't like... Because the fact of having a thing, it's a... It's a bit too close. Yeah, it's not a... But the vols long-courrier, it's fine. The vols long-courrier, I was not at the top of the top. There, all of a sudden, we pass out laborator, boiron minimum. When you pass a certain number of vols, there, we trust the medicine directly. It's in the pocket. It's especially when you pass the security, and you have to put things in the... You know, I have the cache-ton. I say, wait, I'm going to keep it. It's a sound. I'm not kidding. It's going to be a mess.

46:32Manu Payet: I don't know if it's going to pass. I don't know if it's going to be a mess. It's especially that I'm afraid. Or I'm afraid that the American American is going to say, Sir, this is not allowed. L 'enfer.

46:43L'animateur: I'm super fin, although we were supposed to talk about it. But frankly, we were talking about appearance. I've loved to see. Tell me your act.

46:51Manu Payet: It's called, It's called, It's called, a film of Leo Grandperret, a comedy which is released the 17th of June, which is super cool, which I love a lot. It's a first film of the girl called Leo In which I'm with Mel Rabedia And Marie-Julie Baup They are both two They are a coup of food amic It's to say that we all have a moment And it won't change now Because also We are in the same film And we have to do this film together There are also plenty of children In an old bus It's really very funny It's the story of an Spanish prof Who, for a teacher in the school Where is his daughter Because she lives away from him is supposed to be able to pass for a German.

47:32Manu Payet: And the guy, this guy, it's me. Sauf that when he arrives in the college... Du sprechen nicht Deutsch. Oui, sprechen nicht, but also nicht nicht. And when he arrives in the college, as a German professor, he learns that there is a a trip in Germany which was prevend by the German professor. And so he goes with a bus full of young people in a country where he doesn't speak a brock of the language. It's very funny. It's very funny. Yeah, super funny. You're going to show your wife? Very funny. Yes, I'll show you. I'll show you. Ah ouais ? Elle l 'a déjà vu ?

48:00L'animateur: Donc c 'est cool, je peux le montrer à mon fils. Ouais, ouais.

48:02Manu Payet: Vraiment chouette. Vraiment chouette. Juste ce qu 'il faut d 'irrévérence, c 'est le petit gros mot où il croit que c 'est « hi hi ». Voilà. C 'est vraiment chouette. Non, c 'est vraiment sympa. Ça s 'appelle « Deviens Génial », vous pouvez y aller tous ensemble, c 'est vraiment chouette. Et ça rappelle les colos, ça rappelle les moments. Aujourd 'hui, quand ton enfant il part, ça fait un peu bizarre et on n 'aime pas trop ça. Mais à l 'époque, quand c 'était nous qui partions, qu 'est-ce que c 'était bien. Et ce film, il rappelle ça.

48:28L'animateur: I was going to go. But I have to go. It's not so much. I don't know. And your show is on channel.

48:38Manu Payet: My show is on channel. Absolutely. And you can't see me on the show. And you can't see me on the show. Because you're everywhere. Well, if I would be... Wow. I can't really work. Festival of Ramatuel. Ah, cool. It's one of the last of this show. And it's the first time that I... I'm sure you've already done it.

48:56L'animateur: No.

48:57Manu Payet: You haven't done it? No. Well, it's my first time. And I open the festival of Ramatuel this year with the last representation of Emmanuel II. As for Cap sur le rire, that's going to be in Corse. And it's going to be, I don't want to say it, but it's going to be the 16th of July.

49:12L'animateur: But wait, you've been doing how many times, Emmanuel II ? Three years. Ah, I've got the impression that there's been a very few times between the 1 and the 2, but no?

49:18Manu Payet: No, no, no, no. There's been a lot of, there's been three, four years between the 1 and the 2. It's just that I play the 2 since I've 17 years. It's been really... I play the 2, it's a 5 osteos.

49:28L'animateur: But no, but I don't understand. I have the impression that you're all hyper quick. But not at all. And now you're in the next one?

49:36Manu Payet: Not at all. I don't have a feeling.

49:38L'animateur: The film?

49:39Manu Payet: I'm writing a film. But not the film of that. I'm writing a thing. I'm writing a thing, otherwise I don't do anything. I'm watching a lot of my annonces, but I'm writing a little thing.

49:53L'animateur: It's a work. It's a work, but it works.

49:56Manu Payet: Yeah, yeah, yeah. Well, it's a good one.

49:58L'animateur: Well, it's a good one. Well, it's a good one. I haven't given it an orange. I don't give it an orange. But... You don't give it what? The orange. Ah, yes, it's true.

50:04Manu Payet: No, no, no, no. No, no, no. No, no. No, no, no. No, no. Well, I don't have to eat. I gave it an hour to Christian. You saw? Yeah. Yeah. There, it's going to put a little bit of fresh.

50:12L'animateur: A little bit of fresh.

50:13Manu Payet: Ah, well, of all, the eggs and the lait, I think it's going very fast.

50:17L'animateur: I don't know. But thank you so much for coming. It was so nice. Thank you. Bye. Bye. Bye. Anti-age, makeup, makeup, sweat-shaming, Botox, L-amorflé, contouring, mask, skin, acne, skin, skin, skin,

50:41Manu Payet: skin,

50:47Manu Payet: in our studio. One stick mixed into 16 ounces of water is clinically demonstrated to hydrate faster than water alone with three times the electrolytes of the leading sports drink, plus eight vitamins and nutrients. Whether you're traveling, exercising, or podcasting, the best business news ever, Liquid IV makes it easy to stay hydrated wherever life takes you. So shop now at liquidiv.com. Liquid IV hydration that goes wherever life takes you. You've got social dialed in. Search is doing its thing. So why do your marketing results look the same as six months ago. That's because you're fishing in the same pond as everyone else.

51:19Manu Payet: Podcast listeners are a different audience entirely, more engaged, harder to reach through traditional channels, and ready to act when someone they trust makes a recommendation. We're Acast, and we put them right in front of you. Browse thousands of the world's leading podcasts, book host reads or run your own ads, and track every conversion in real time. Same skills you already have, brand new results. Acast. Acast.com slash advertise.