Meryem Benoua, entre make up et bras de fer

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1:18I'm very happy to meet for the first time in real today, Maryam Benoit. I did well. You are super well. Thank you. In offer, I wanted to say that I found his name. I said I didn't know him. And she said, you know. And I said, Meriem. Dis-le. Dis-le. Meriem. Meriem, it's good. Meriem, it's good. Meriem. Meriem, it's very good. Because you told me, there are people who say. Myriam. Myriam. In fact, they say everything, except Meriem. Myriam, Myriam. But Meriem. Voilà. Even, tout à l 'heure, I received a email of someone who wanted to work with me, who wrote, Myriam Benoit. I said, but it's my word that I can't speak with you.

1:55It's not possible. And that you don't see when you're on tournée on the door, you say, well, we don't respect it. It's not written. I don't respect it. It's terrible. I'm ZawiWI, I've never heard it. It's OUI every time on the door. Ah, yes. Or, Nora. Or, a lot of Nora, N-O-R-A-H and Amzawi100H. All right, I wrote Nora with a H and I regretted. Because I wrote a message. I wrote NoraH. I read the message. We answered. You've responded. You've talked about it, Nora. I didn't know that you had put a H. Ah, yeah? No, it's in fact, I've sent a message. Because I sent a message to Meryem. I thought it would be super bizarre.

2:37If you want, you can't be wearing a mask. And she said, I'm wearing a mask. Like a mask. I'm mega mask. But it's beautiful. It's true? Yeah, it's super beautiful. Look how I'm old. Every time I'm going to do that. Oh, no. No, in fact, it's not beautiful. It's very beautiful. It's super beautiful. But I'm going to do something that I've never done on this podcast. like that. But I'm going to be wearing because, in fact, sometimes I'm not going to receive a lot of people not maquillant. But sometimes they don't know if you're already maquillant. I don't want to make you a tanné of redémakish you.

3:03I'm going to be a little bit. You're a very beautiful hal. We'll talk about it. And so, I'm going to be thinking, I'm going to go out of the train. I'm going to get a little bit. And my mother is at the house. Enfin, my mother, the mother of my dad. And it's funny because I have more and more to be done with my wife. But you're beautiful. You're very beautiful. You're very beautiful. You're a gentle to say that. I'm a very happy. You're very beautiful. I'm not happy. You're not happy. You're not happy. You're very happy. I'm going to arrive at the house and she'll say you're fatigued. I'm like, it's hard to turn.

3:43With my valise and everything. This phrase is affreuse. You're fatigued. You're fatigued. You're fatigued. You're fatigued. You're fatigued. You're fatigued. You're fatigued. It's not that fatigue. It's the same thing to say to someone, but you're in a seat. Oh, but who said that? Like, you're not? Like, you're not. But who said that? I don't know. It's possible, no? One time, it was 17 years old. In Tunisia, I was going to eat a couscous. And I didn't say, you're in a seat. I was going to be a kiss. Oh, no. It's terrible. And really, I was there. It's super bizarre. I was with an ex who I didn't know.

4:17And really, I had to understand. to understand. At the beginning, I was there. How did you react to that? At the beginning, I didn't know if it was a sort of bizarre agression. And they said, in fact, they said, they said, they said, they said, it's weird that he's a smile at my man in my face. It was a man who's a smile at my face? Yes, in smiling at my face. And how I understood it? When he said congratulations, I said thank you. You said thank you. Thank you. And since, I'm all the time ballonné, So I have the habit So I'm going to make my makeup So I'm going to make my makeup And so you're going to make my makeup You give me tips for the makeup I love it I'm obsessed with my makeup If you give me tips Limite I can be vexed Because I love makeup No, but it's a thing That I've learned You know, there's always There's always new tips On the makeup In fact, I don't know If you put a little The bronzer You can put it on the makeup It can happen Yeah So in fact, You can always put The bronzer Or your blush Before the anti-cerne Ah, I'm sorry I'm sorry That change absolutely Yeah Why?

5:17Because in fact So you have the body which is better. We're going to make a face where I do it and a face where I do it. Okay. Okay. Okay. Because there we go. And there we go. You have seen it on Insta? I have seen it on Insta, but I do it too. So wait. It's going to put it. There you do what? No. I do it. Okay. Ah, yes. Okay. So I put it on. You put it on. I put it on. You put it on. Yes, I put it on. I put it on. Because otherwise, it doesn't go on. So I put it on. So I put it on. Okay.

5:49It's so hard to organize it to wash the sponge and wash the lid. But wait, I talked about it yesterday. My producer, my very good friend, me told me if you're doing your pinceaux, your sponge, it's like it's going to be able to wash the ice cream. I thought it was going to wash the ice cream. It's not wash the ice cream. I don't know. You see, it's very first degree. It's not wash the ice cream. It's not wash the ice cream. I don't know. And he also has to see something on Insta. So, I do this. Okay. I do this. You do this. Like that. Like that. Like that. Like that. Is it a trend of Nina Park makeup for the hair?

6:29It's a matter of fact. I don't like that. I don't like makeup. I don't like makeup. I don't like that. But I have the base. Like for example, I just put the blush, the mascara. You have a face. You make fresh. because you put the terracotta it's the terracotta yeah but also even the hair net the hair fresh ah yeah yeah yeah unfortunately you haven't seen with your makeup I would have liked you could well so wait so here I do the second side this time I put the terracotta I have no problem you're not you're not you're not you're not you're not you're not my grand and here now you put just a point here here no no no here here here here here and and a point there.

7:13There. It's going to be a big, this antiseptic. It's going to be a big, by the way. And there you go. And the other side, you move to the side. There.

7:26I'm sorry for the people who listen and who don't see it. There's a difference? I'm sorry there's a difference. I'm sorry to comment on the other side. There's a difference or not. There's a difference? Arrête de sourire. I'm sorry to smile. I really made a difference. I'm sure there's a big difference I'm sure it's true I'd ask if there's a difference I'm going to take a photo, you look at it I'm going to take a picture I don't want to see it in a photo I'm going to see it in a selfie I'm going to see it in a selfie I'm going to see it in a difference It's not possible Or maybe I'm going to see it The people are laughing There's a thing that's possible It's that this profile-là and better than the other.

8:10No. In the life, yes. That I know. I'm sorry. I've always said that. I think I was caught up with the forceps. I think I'm at the birth. And on my left this side. We left the other living. I think. I can tell you. I can tell you. For example, my nose. I can move the other. The other, nothing. She doesn't move. But that's normal. No. there's a lot of one who is more mobile and the other who is more... I'm still in selfie, I don't know what I'm doing. But you know, if I'm taking photos, it's beautiful. I don't know, I don't know, I'm sorry. I'm sorry, I'm becoming folle. I'm trying to be compensated.

8:49But so, you don't know. Commenter sous la vidéo if there's a difference. So, you say there's a difference. The people will say, they're in the middle of it. But in fact, because this cerne-là, it's more marked, in fact, that this one. Or it's just because... It's just because I put too much of anti-cerne-là. No. I just want to make this one. I'm going to make this one. I'm going to make this one. I'm going to look at how you're wearing. What do you have put today? Well, I put the anti-serge. I put the water on my... And I put the blush. In order, I want you to tell your routine. I put a little bit of bronzer there for marking a little bit of the hair.

9:24I'm going to make it very light. But I'm a little bronzer because I was in the south. So a little bronzer, blush, anti-serge. I have a little bit of my eyes. Yeah. And here. And mascara. It's all. Yeah. It's beautiful. You don't put it in base, not the foundation, not the BB cream? I don't want that. It's horrible for the skin. It's really important that people understand that it's horrible. Yeah. You're going to push your pores all the day. But you put your hair on your skin care. I really like that. I was looking at my hair. I was looking at 2 cm. You put it on your skin care. What's your routine?

10:00skincare ? Je mets une lotion à base de... Attends, comment on appelle ça ? Tu sais, c 'est comme de l 'eau, quoi. Aloe vera ? Non, pas du tout. Non. L 'autre truc, l 'acidialuronique. C 'est de l 'eau, en fait. Ça, je n 'avais pas compris. C 'est de l 'eau ? Oui, apparemment. C 'est un truc qui hydrate énormément ta peau. Et ensuite, je mets une crème hydratante. Et là, j 'ai découvert, parce que je découvre les choses. Il y a énormément de choses. We don't know what else is it. We don't know what else is it. It's just what I discovered, in fact. And in fact, you know, you need to protect the sun.

10:37Do you SPF? Oui. You've discovered that, right? Yeah. Yeah, but it's because you're too young. How old you're too young? I'm 33 years. You've discovered that at 33 years it's been put on the solar. But it's all the time. All the time. Even when you don't want to bronze it? Yeah, all the time. The people tell you, even in the street, they say, even when you think there's a clouds, Contre le vieillissement, il faut mettre de SPF. J 'ai déjà entendu cette phrase. Mais je ne savais pas, moi. Là, j 'en mets. Mais j 'en mets un peu là, là et un peu sur le front. Après, le problème, c 'est qu 'il y a des SPF qui donnent des boutons.

11:09Je trouve. Ah ouais ? Je trouve. Mais tu n 'as pas une poids tendance à boutons, toi ? Si. Tu as une poids tendance à boutons ? Je suis sûre que non. Si, en fait, je suis très fragile. Si, par exemple, je me mets sur un coussin qui a été lavé avec un truc que je ne supporte pas, avec un parfum ou quoi, j 'attrape des boutons. Ah bon ? Oui. I'm very fragile. But you were a kind of an adult? You were acne? The front like that. In calculette? In calculette, yeah. Ah, yeah? Catastrophic, this front, yeah. Appareil dentaire, buttons on the front, cheveux tirés, plaqués, like that. On would have to be a couple.

11:46But probably. I was a couple with everyone. Ah, yeah? Yeah. Moi, no. Ah, yeah? Non, I was a kind of... What? A little bit. A little bit. A little bit. A little bit. A little bit. A little bit. A little bit. A little bit. Ah non, on n 'aurait pas été copine alors. Ah ouais ? Ah non, on n 'aurait pas été copine. Je pense même qu 'on se serait battus. Oh ! Attends, tu crois ? Moi, je n 'ai jamais eu aucune force. Je ne sais pas si je me serais enfuie, je pense. J 'étais très lâche déjà. Je déteste les gens qui sont méchants avec les autres. Mais je n 'étais pas méchante avec les autres, juste je n 'aimais pas les gens.

12:15Ah, ok. Tu vois ce que je veux dire ? Tu n 'embêtais pas les autres, quoi ? Non, je n 'embêtais pas. Je ne crois pas, pardon. J 'espère. Ça se trouve, il y a des gens qui se rappellent d 'une enfance. I remember there were maybe people that I could get a bit of embêté. But at my defense, they were too embêté. But I was very little embêté. It's just that I was a bit... I was a little bit like a good friend. The first time we met, we were there, you were in the class and she said, and you said, no, no, no, no. And we were becoming a good friend. And we were very... I was a little bit like a two against the rest of the world.

12:47Okay. You were band? I was a band a little bit, but I was a woman who made a blague to everyone, who was being accueillie in all groups. Yeah. The woman is a little popular. Not really. I was not really popular. In fact, in primaire, it was not cool at all. I was harceled. I read that. So it's school primaire. Yeah. But they are so little. little. They are the most most of the most people in the world. Yes, I know. They are very very very hard. And in college, in fact, I had learned to defend myself, so I was going to But you were going to beat. I was going to I was going to I was going to I was going to beat with the girls.

13:33Yes, I'm going to confirm that we wouldn't have been beaten. Because my mother, she had always learned to defend myself. I never had to defend myself. But wait, you were going to defend yourself with the messes? Yes.

13:47I'm not a lama, I'm not a crach, I'm not a crach, I'm not a crach, I'm not a crach, I'm not a crach, but I'm not a crach. But I can't beat my arms. No, I'm not a crach. Before, I'm not a crach. Now I'm a big fan of me in the street. But now I'm going to respond to people and there's no one who can be able to get me. So, the people were more agréable with me. And what, your mother was very protectant? Yeah, my mother was very protectant. Genre, really very protectant. very protective. Bonne relation ? Oui, plutôt bonne relation. Après, mère marocaine, donc pas très pédagogue, mais elle m 'a très bien élevée.

14:25Je suis assez contente. Attends, tu disais, c 'est mère marocaine et père franco-russe. Incroyable. Incroyable mélange. Un mélange un peu... Et tu as grandi avec les deux ou avec ta mère ? Oui, avec les deux. Avec les deux. Mon père était très souvent en... Mon père, je ne le voyais pas très souvent, tu vois, parce qu 'il travaillait beaucoup, il voyageait énormément. Oui. but it's especially my mother who raised me. My father has more this mental of I give money and it's that my education. Yes, I'm there for... I nourish my family. I don't know how to say it. It's that. I nourish it. And it's that love.

15:00It's his love language. And you have a little brother and sister? I have a little sister, yeah. Oh, cute. Yeah, I love to all my heart. And is it your mother, your mother, she talked a lot about physical physical? I don't think she talked a lot about physical physical. My mother was always a very beautiful woman. She is beautiful. Even now, she is beautiful. She has the hair matte, she has the black hair. She has the shape of the hair. She is strong, she is intelligent. So I've always been... I've never been beautiful for very long. I'm really looking forward to very far. But when you say that you didn't have a love?

15:40You didn't have a love? I was a chum you know, you tell me that you tell me that, you tell me that because sometimes I think it's hard with the child or the child that we were because we don't know yet to look at it or to reconcile with it in all of a sudden you didn't say anything in fact I had no rapport to the beauty I was doing foot, I was attached to the shoes I was plaquing the shoes, I was wearing a suit and I didn't have a little friends I didn't have this thing of I want to be belle And when is there a change or something that has changed because you're extremely feminine you take care of yourself, you have a little makeup on the skin I'm not at all feminine it's an appearance but even on the scene I think I'm just being presentable I'm doing a job I think it's important It's important to have...

16:41It's my look to me. But I'm not at all a little bit. I don't do attention to myself more than that. If I could not make me makeup, I wouldn't make me makeup. I don't know how to say that... I'm not hyper feminine. But when, for example, you do... When you post your improv and all, you have to look at your improv? No, my improv, I like it. I like it because it makes me laugh. It's why I post it. Yeah, it's that. And that we're not in the thing of plair or not plair. In any case, not to do it physically. And that it's just something. But it's just that I try to bring on my show. I come with an appearance of a woman.

17:29And if you see my show, I totally get my appearance. I play with my face, with my face I saw, but you can even grimasser, you transform completely So in reality, it's that I want to bring as message, on can feel well in his face, but in the meantime, we have nothing to do with regard to the others, it's the most important thing. But that, you did you get to the primary school horrible because what? Because harceled, embêté, why? I don't know, the children were not good with me. When I was in school, the children were not good, I was I would always be in the school of recreats for not to come to me.

18:05Because they were just a thing that I didn't want to talk. Because I didn't want to give a bad response. There was a thing that I had. So, I was going to take a look for the class. So, in reality, it was just that I had a feeling. Yeah, and you were just a little bit of a thing. Yeah, yeah. It's a thing. I did a kung fu, by the way. In high school? No. No. No, but because there, if ever we see that... If we see what? You see my hand, how it is. Ah, yes. You've done all the Kung Fu? Like, the last week? But wait, but yes. Because you've done super bad. But why do you do Kung Fu? No, it was for an episode, for a TV.

18:46In fact, I tried the Kung Fu. Okay. Thank you, the TV. I love the Kung Fu. Ah, really? I love the Kung Fu. But you've discovered that you've been doing Kung Fu during this episode? No, it's my dream of doing Kung Fu. But... Why? But how do you know Kung Fu? How do you know Kung Fu? I don't know, I think it's super technical. I would say, for example, my dream is... You know Kung Fu, what? Genre, you don't know Kung Fu? No, I don't know Kung Fu Panda. You're a fool. I swear, I don't know Kung Fu. Why do you know Kung Fu? Genre, you don't know... But who? I don't know, like the entire world. You've never seen any films of Kung Fu?

19:25The Moines Shaolin and all? Non, je ne crois pas Mais en fait, tout à coup, je suis hyper... Mais il faut que je te dise un truc, je ne sais pas si je le garderai Pardon, je t 'ai bien jugé, mais c 'était juste que tu m 'as trop jugé Non, parce qu 'il faut que tu saches que j 'ai vraiment des lacunes à ce sujet-là Et que j 'ai découvert, ça se trouve, je déciderai de virer cette partie-là au montage Ce que je vais avouer là, parce que peut -être que je n 'assumerai pas dans trois jours Mais que j 'ai découvert très tard que le catch, c 'était pour de faux Oui, mais ça, ça va Ah bon ? Je te jure, parce que moi, pendant longtemps, je pensais que c 'était pour de vrai Ah ben oui !

19:52And even sometimes I see them and I say, but it's for real. But in real, it's not for real. Ah, you see, it's me who came to learn. No. No, it's not for real. I'm not for real. It's not for real, it's just theater. Yeah, it's kind of a choré. It's not everyone who knows that. I think everyone knows. No, I'm sorry. Because I was watching it with people and I was like, ah, aïe, oh. And they said that they're not bad and that it's a choré. Ah, yeah. I believe. Because no one is walking. You know, they're walking. They're walking. They're running out and they're running out of the ass with the asses.

20:25And in fact, you don't do that in the movie. I think you don't have to sit on someone like that. It's really a great violence. Yes, it's true. But no, I don't know Kung Fu. Kung Fu, Nora, it's exceptional. But you're a film of Kung Fu, in fact. No, I'm a Kung Fu. But listen, I don't understand this phrase. I don't understand. Why? It's true that this phrase is a lot. I'm a Kung Fu. But I don't know. But you're what in Kung Fu? You're going to beat me? No, I'm not going to beat you. I'm not going to beat you. This podcast goes in all the senses. It's the first time you've done that? No. It's really systematic.

21:01The other day I wanted to invite someone. She told me, is it possible to send me the tram? I said, there's no tram. Yeah, it's open space. The Kung Fu, in fact, it's a discipline... I have the impression that we were trying to get out of the word when you said open. Ah, you said open space, you? I said, open bar. Open bar, it's good. No, it's the open space. The Kung Fu. The Kung Fu. It's an incredible discipline when you learn Kung Fu. You can defend yourself against any other person. It's absolutely all the arts. I don't know, it's too good. To do Kung Fu, it's a very flexible. You're extremely calm.

21:40But I saw it on your screen. You're a calm. You're super calm. Yes, I'm calm. Why? Because I think it's crazy. I feel like... You're very calm too. You're extremely calm. You think? Yeah. You're a pain in the house. I swear. I'm sorry to enter our spa in appearance. You're really interested. It's a great idea. It's a great idea. Yeah, we're going to talk like that. We're fine. But you're sportive. Yeah, I love sport. I'm a little more. What do you do as sport? I've done a lot of foot. I've done a lot of escalades. The hall now, it's only the hall. I've done a ballroom, a volleyball, I've done all the sports possible.

22:23It's a pu in the hall of escalades. I know, my son, it's a pu. Your son, it's an escalade? Yeah. A 34 years, he's done an escalade? Yeah. It's a pu. It's a pu. And at the end, it's not a problem, but often in these halls, they have a little cafe at the end where you can eat cookies. To you, you're there? It's a seat. You're there, no. No, it's my friend who leads my son to escalate. You've never tried to escalate? Yes! Franchement, it's very difficult. But it's really a thing of gainage. I think it's really nice. It's very concrete. I like the fact that it's concrete, that you understand what you're doing to do.

23:00At the end, I think it's a little humiliating. Humiliant? Yeah, I'm a little bit of a baby giant on a air of the game. You know what I want to say? But it's not a game of sales. I don't know which one. I don't know. I don't know. It's a hall known. So hard-cost, so hard-cost. But my first course, I wasn't very high, I think. You were on the way. Yes. Ah, yes. I understand. I understand what you mean. You see? It's the stuff where you're on the way, like, without cord. Yeah, I understand. You see? It's like the games at McDo. Exactly. I was an impression of being a little bit in the parks. When you're on the beach, you're a young adult 17 years old.

23:37who is in the middle and you're there, the paix aux enfants of 4 years. I was the impression of being this person. Yes, I see. But when you climb the walls, it's very exciting. It's too good. But I have the impression that you're not at all the same person as a person. No, not really. Because I'll learn in two seconds. You'll tell me that you're a good one. You know how they're called? Those people who are from the immeubles in immeubles. Oh, that's my dream. Arrête. I was going to be a second. It was my dream of doing that. But why? I don't know. I think it's super exciting. For a great idea.

24:06Justement, c 'est pour frôler la mort. Aïe, aïe, aïe, aïe. Ça, c 'est excitant. Et du coup, tu as le track avant que tu es sur scène ? J 'ai ce petit track de... En fait, le track, c 'est important, tu vois. C 'est trop bien. Il est important de ouf, le track. Il y a des bons tracks et des mauvais tracks. Le mauvais, c 'est celui que tu as genre un jour avant. Ouais. Genre quelques jours avant ou quoi, ou le matin. Ça, c 'est du très mauvais track. Mais le bon track, celui qui va t 'animer, It's the one that when you're behind the window, you're going to get it. Yes, he's good, he's good. He's incredible.

24:40It's the track joyeux. The other, it's more anxiety, of course. It's the anxiety, yeah. You're in the way to put your little bit on, because I'm going to tell you. So, Myriam m 'a dit, I said Myriam. You said very well. She said, I'm wearing a suit. After, she said, I can't wear a suit or wear a suit. I said, I'm wearing a suit. We're on a suit. And so, she's going to wear a suit. In blue, marine. Yeah. And then you said, I'm afraid that we see. Well, it's all. And a friend who's in the office said, on the other hand, we saw your hand. And then you said, what's that, the hand? And then you said, but of a reason, I don't have a hand.

25:17And I said, well, if you have a hand. And you said, no, I have a push-up. And I said, well, but a push-up, it's a push-up. Yeah. If I put a push-up on my friend. That would be great. I hope. but it's not a problem. But a priori, it would not be... You have to touch the water to avoid it? You know, you start to have 40 years and things change quickly. Even at 30 years, your body changes. Yeah, it's true. It's true. I don't know, my body has changed many times. But I think it's more... It's more 40 years. Ah, yeah? I think. If your body takes really the ventre, would you be dead of that? I had a friend who had really a lot of blood and really he was massing when he had finished eating he had his beer and he had this reflex of massing the blood that, it was a gianne if you didn't massing it depends on how it would be that would be a gianner when he's on you there's the blood Non, bah écoute, non, mais c 'est pareil.

26:29Ça, je pense, moi, j 'ai... Ouais, non. C 'est dur. Ouais. Il y a des femmes qui adorent. Même les testicules. Ah bon ? Ouais. Genre, il y a des femmes qui adorent, genre, quand... Oui, mais d 'ailleurs, c 'est un peu un nom, genre, le dad, le dad, ils n 'appellent pas ça le dad... Le dad. Le dad, daddy, genre, un peu, vente de papa, quoi. Genre, un peu, ils sont un peu, tu sais, je ne sais pas, on ne dit pas ça ? Je ne sais pas. Peut -être pas. Je suis très imprécise sur ce podcast. Non, je n 'aurais pas trop... I prefer to choose. You prefer what? I prefer to take the ventre than the seins. Ah, yes.

27:01I understand. You see? The little thing you have a little bit that's a bit of a bit that's a bit of a bit. That's a bit of a bit. That's a bit of a bit. That's a bit of a bit. But it's more easy to lose that the ventre. Ah, yes? Yes, yes. Yes, yes. If he goes to the room a bit, he does a bit of a bit. That's it. Pardon, because you said that you said that you're doing kung fu. Yes. You're doing what? What's up, like sports? Now, it's only the room. Ah, yes. Which one? Maybe I'll go to Paris. I'm all the time in tournée. I'm going to go to the hotel. You go to the hotel and you ask me. You're right.

27:35But you're going to do sports. Yes. Before you play, you're going to do sports. Yeah. But in the morning? That's what I'm doing. You're going to do what? You're not going to say anything. I'm sorry. I'm not even if the people who me listen to me. I'm saying that like a bitch at every podcast. You're going to do 5-12-30. You're going to do what? The 5-12-30. I thought you were going to know. What is the 5-12-30? It's Sarah Lélé. She knew it. It's a 12%. Okay. So I did that. Not at all. I'm really 12%. 5 km heure. 30 minutes. You're like that? Like that. Like that. I'm going to move on the arms.

28:12Like if you were at the mountain. Yeah. 30 minutes. And apparently... Okay. It's hot. The pence is very, very hot. 12-12. It's not easy. I'm sorry. Yes, yes. I'm sorry. 30 minutes. 30 minutes. No, you don't know. 5 km heure, you marches quickly. Ah, just you marches ? No, no, you imagine. You see me courier. I can't walk. I can't walk. I can't walk. I can't walk. I can't walk. I can't walk. I can't walk on a 12%. No, I can't walk. You know, it's very funny to look at people courir. It's a very interesting person. Ah, really? I swear. Is it you've already seen your friend courir? Yeah. Franchement, it's a funny that I say that.

28:42Because I think he's really cool. He's sexy. Okay. Because there's people who don't know how to walk. You know, there's a thing where the body is a little... I'm a bitch when I'm a bitch. Ah, yeah? You do that when you're a bitch? I'd say that my body is full. I'm a bitch. I'm a bitch. I'm a bitch. I'm a bitch. Because sometimes I'm a bitch. Okay. I don't know how to go. And then I have problems with the genoux. Like that, around the table. To you, you're a bitch? I'm not a bitch. I don't like that. But like in the room, you go on your feet? Yeah, I try to walk every time 10-15 minutes to get a little bit.

29:22And then I do a little sport. And that for what? For the pleasure? For the form? For the aesthetic? I don't know. I've always liked the sport. But I think that... And I'm doing it in a way. I'm not trying to make a sport. But in fact, it's important for me to have always a core, the same core that I had. De not to transform. Yeah. And I feel that my core is changing. because I've always been very thin. But I feel that, you know, I'm less soft. Yes, yes, yes. But you have this mature, you're part of these girls who say I eat, I eat, I eat, I don't want to grow. Yeah, I feel that you're not. No, but we love it.

30:05No, no, no. I've been like that so long and a day, it's a baseman. Okay. Well, it's not so long. It's a 22 years, I think. I was 22 years old. It's super hard. I thought it was late. I was a girl, a girl, a girl, a little girl. My body changed when I started working. I was working at work and I didn't like it. I was working at the Galerie Lafayette and I was eating all the midi and cheese nane all the time. So I think that's just that that's what happened. Maybe. I had no idea what I had before. I think I would have done that, but it didn't happen. You had always been very mecky, you too? At an hour, yes.

30:47And then after, it changed. And it was not hard at school and all? I didn't because I thought that the girls who wore jeans stretch and all, it was too beautiful, the pants, nothing. Nothing, I didn't wear anything. So I thought that was really... But after, I had a seing, something that I wanted the most to the world, I think, more than the health, the success, the life. I really dream of having a seing that I had late. but when I was a kid, to be a girl, I thought it was really the life. I thought it was really the life. And then after I grew up, and then I became mom, and then I lost my son.

31:22So I think it was very hard before the son, because I felt like I had the impression of having a child, and I wanted to be a woman. And then, I finally started to well-aimé, when I had a little bit of an angel, the ventre, I loved it. The thing that I was missing the most, I like to say, I like to say, I like to not be a maigre. I really like it. I think the thing that I'm missing is the arms. I think it's too beautiful, the arms fins. I think it's too beautiful. You have a lot of arms. I'm going to say, but... But it's an enfer, my arms. Why? I'm so fine. I'm sorry. I'm sorry. I'm a little bit of arms, but I'm always very happy of my arms.

32:00It's super beautiful, the arms fins. Yeah? You want to see my force? Yeah, I want to see your force. There's no force. There's no force. If you want to make a bra-de-fer, we're going to make a bra-de-fer. It's the first time that it's going to arrive. But for real, I'm going to lose two seconds. I'm going to lose my son. You're going to lose. Yes, of course. Of course. She told me that she liked the Kung Fu and she had a blue on her hand and she was going to show her muscles. Wait, it's going to show her everything. Ah, it's going to film it? What? Ah, no. Ah, no. No, no. No, no. No, no. No, no.

32:30No, no. No, no. No, no. No, no. No, no. No, no. No, no. you have a fear for me. Ah, bon ? Mais tu me prends pour une malade. Je pense que tu as énormément de force. Mais pas du tout. Je sens que c 'est le feu derrière la glace. Tu vois ce que je veux dire ? Les gens ont dit qu 'elle était calme, qu 'elle parlait doucement et qu 'elle l 'a défoncée. Tu vois ce que je veux dire ? Tu peux avoir ça, non ? Je ne sais pas, c 'est une question ? On va voir. Alors, bon, tes ombles, ils sont beaux. Je les ai fait tout à l 'heure et je ne sais pas pour toi. Ah, la noire, c 'est pas vrai. Je te jure que c 'est vrai.

33:00Oh, pardon.

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34:23T 'es prête? Non, on fait pas comme les gens qui font d 'un coup. Non, non, quand je dis un, deux, trois, on y va tout ce moment. Mais tu veux pas t 'asseoir, peut -être? Ah, tu crois? Do you think I would have more force? I think you would have more force. If you have a chance. This podcast has no sense. No sense. But at least no episode of the 60s. I didn't think we would have to do that. 1. You're ready? Wait, there's no rule? We don't have a rule of doing something with the other hand? You have a cat? Oh, there's a cat. Oh, there's a cat. I have a person. Magnificent. 1, 2, 3. No, no. But you're zero force.

34:54It's terrible. Ah, bon? In fact, there's a thing. Why do you think I'm zero force? I'm sorry. You're zero force. In fact, there's a thing with the boyfriend. If you shoot towards you, it's easier. Ah, really? I swear. I'm not sure. I can't do it. You're so cute. Why? I don't have any force. Stop, stop. I don't have any force. Because it's your podcast. You're going to let me win? You're going to let me win? I'm going to let you win. It's a bit of a blow. It's a dingue. I don't have any force. No, but you're... I'm going to win. Okay, we're going to win. And you're going to win. I'm going to win.

35:27No, I'm not. I'm going to win. I want to do it now. I have the feeling that you're with my children. There we go for two. 5, 4, 3, 2, 1. It's part. Okay. I think I have a little muscle. But the one there, he doesn't want to. But it's not that you're going to push a little. I'm going to go to the room. But it's true that I don't have the arms. Ah, yes. But it's good to make a little arms. I swear. the big arms I don't think it's very nice on me in all but I think I'm going to have a cellulite on the legs I think it's a cellulite on the legs I think you have a big arms they are so beautiful and then you know I'm going to have the age where there will be the chauve-souris but also it's a natural thing the chauve-souris and then you have nothing at all there's someone who clicks on the podcast and who avance quickly I love it.

36:28I love it. Tell me, is it you have a tenue of scene? No. Because I see you change all the time. Yeah, one tenue of scene x 5, I don't know if it's a thing. I think we have seen all my scenes. It's true, we'll cut out. Or I'll put a cover to this moment. Just a image like that, in faux scenes. I'll put a few bras. I've got to say faux pecs. It's not the trick. Putain, comment ça s 'appelle ? Biceps. Beaucoup trop d 'intensité. Franchement, je ne sais pas ce que j 'ai. Je pense que je me calme. Je ne sais pas ce que j 'ai. Non, c 'est parfait. J 'ouvre mon jean, je suis hyper ballonnée. Oui. Pour aucune raison.

37:09Juste si, je sais pourquoi. Tu veux un caramel ? Oui. Parce que j 'étais en tournée en Bretagne et quand je ne mange pas, en fait, je ballonne. C 'est ça que j 'ai compris. Je ne sais pas pourquoi je t 'engueule. Mais j 'ai capté dernièrement que en fait... It's really pushed like that. Yeah, I don't know why. Yeah, a little with a taste. I don't know why I made it. It was super weird. I thought it was because I lost it at the end of the fer. Because I realized that I ballon at every time I eat. But I also ballon when I'm hungry. And that I don't eat. And at a moment, I'm going to have a hungry.

37:39And the food, it's like... It's like... It's like air, then. Yeah. It's full air. Full air. Full air. You're a lot of pain. Enormément. But I've said it so much in this podcast. that's not worth it. But really, I'm going to be a lot. You're a beautiful. I can tell you that you're a beautiful. You're a beautiful. You think that... Ah, yeah? I don't know if I can tell you. To, you're not a beautiful. You're a beautiful. I'm a beautiful. You're a beautiful. No, I'm not a beautiful. Ah, really? I swear. And even... In fact, we've seen that there was a problem in my body. In fact, my body is very paresseux.

38:12Yeah. So, it's very, very doucement. Ah, you're not a cell, like we say, every day. But not at all. I don't know what I was going to do at all. And now I don't know what's going to happen. I'm going to go every day, even two times a day. Wow, a chance. It's amazing. I'm really the impression, you know... It's a chance. It's really like two times a week. I was like, it was that. And so I had a feeling of joy. Because I knew that before the scene, it was a bit of a bit of a bit. It's true. It's true. But after. After, yeah. Yeah, yeah. But you have to be the syndrome of the colon irritable, no? No.

38:50I've tried everything. I've tried everything. They're going to try it. They've tried everything. They've tried everything. I've tried everything. I've tried everything. I've tried everything. I've just an estomac who's very... Lent. Yeah. But you eat a lot? Yes. You eat a lot? I eat a lot of things. I eat a lot of things. I eat a lot of things. I eat a lot of things hyper gras and all. Now I think that's a big. Ah, really? Yeah. I think I like more things fresh. You know, things... And things with vegetables. Ah, yeah? Tu me détestes de plus ? Non, mais je veux savoir, genre en tournée, par exemple, tu joues après avoir joué déjà ?

39:22Oui, je dîne après. Ah oui, moi aussi. Toujours. Déjà, sinon je m 'endors sur scène. Et puis en plus, c 'est la carotte de te dire « après, il y a le repas, c 'est sympa et tout ». Ah, ça t 'excite après ? Oui. C 'est vrai ? Ah, vachement. Sauf si, justement, on me dit, si tu me dis « il y a une poêlée de haricots verts après », non. But if I'm going to go to the brewery and I'm going to eat a single with fries, I'm going to be happy. I should not have to eat it the night. It's why I think... No, it's fine. The fish, it's not a good idea. In addition, I eat chips every time before I play a little.

39:55But you don't have to eat a pate? What's the pate? It's the pate? Yeah. No? No? After the chips? Yeah. Why? I don't know. You can eat a little thing after? of the water. And sometimes with the chips, I like to have a gorgé of coca. It gives me an impression that it's... Who says that like that? How? Like that? Like that. After, I like to have a gorgé of coca. I don't know why. It's not a ritual. How about your coca, you? A little bit of coca, yeah. Because if I'm drinking too, it's... You're going to? I'm going to. And then, the coca... It's very good. It's good. Well, it's good. It's good. It's good, no?

40:34Yes, yes, yes. Caramel beurre salad. It came from the hotel. But where did I play? Where did I play? You also forget the city where you play. It's terrible. Saint Coulomb. It's also forgettable. You know Saint Coulomb? Of course not. You can play there. No. At the same time. I know. I know. At the same time. At the same time. At the same time. I have the time to study all the... and they have a very good caramel au taste of it so you told me I don't breathe you told me that you had made your eyes for me I tell you because if it wasn't I would be like that it's beautiful it's super beautiful but it's a non I think it's not milk or clean it's milk and in fact she put it on top on a little bit it was a little bit rosy because it was too white.

41:33I think it's a bit kitsch when it's too white. What is it? It's semi-permanent? Semi-permanent, yeah. And it doesn't abode? No, it's not. You don't have to be a little? Or you don't have to be a little? It's not a little bit. It's not a little bit. It's not a little bit. It's not a little bit. Yes, but after, if you don't want to do it, for example, it arrives at a moment where I don't do anything in the year where I don't do anything at all. And in fact, just I put you in the verny which I repare and then it's not a good thing. Ah, moi non, moi ça me les a pétés pendant des mois. Ah ouais ? Je n 'arrivais plus à les faire pousser, tous pétaient.

42:02Peut -être que ce n 'était pas la bonne personne alors. Ah bon ? Parce que chez qui je vais, ils sont vraiment délicats. C 'est la manicure russe, donc ils sont hyper délicats, ils font les choses bien, ils prennent soin de le... Tu peux même faire un truc aussi qui vient de sortir. La manicure japonaise. Oui. Franchement, ce ne serait pas mon podcast, je rêverais de l 'écouter. What? Because it's really, I have to talk about it. But I'm not sure what it is. In fact, they just... They're just... They're just... They're just... They're just... They're just... And in fact, there's a thing that you can buy at home.

42:38I got it. It's a thing... It's a thing like that. There's four faces. And it's a thing that's bright. Ah, but this thing that we had since the 90s. Exactly. But they're in the three sides. They're in a little talk, I think. It's a thing that I don't know. And they're in a little. and then it makes it too beautiful. It's very chic. But it's just a proper, but it's really a Japanese man. I think they call it Japanese, but the Japanese are not good. Like the Kobido, it's not really good. There are many Japanese people who say, but no, but there's no Kobido. There are a lot of things that we have to do for Japanese which are not at all.

43:20For example, I don't even have a sour cream, sour cream. A sour cream, I don't know. I have a little depressive for the sauce. When I'm with people... I'm going to say... I'm going to say... I'm going to say, Nora. I'm going to say... I'm going to say, on wants to laugh. You're going to say... But who eats the sauce? Who eats that? All the adults. It's the children who eat the sauce. Pardon? You think? No. You're a child, I think. No. I'm a great person. But frankly, we're in six years, you're going to eat some sugar. Nora. You eat some sugar with a ki-avocat. Ah, bon? Bien sûr. Sauce salée, but it's not a taste.

44:06It's horrible. It's salé. The sauce, it's the purist. No, no, no. Ah, bon? Oui. No, no, no, no. I'm saying, ah, bon, but I can't let it happen. No, Nora. I was playing on Japan. I played my show on Japan, you know. Ah, oui? There was no sauce sucre. I don't know. And you ate it how? How about it? The sauce salée. There's no sauce salée? Yes. It was wonderful, the Japan. It looked incredible. Oh, it's a dream. It's a dream. And then, because you said you were talking about manicure japonaise. You made things that have no sense. Like in soins. In soins? You made it already? How do you call it? You remember this thing?

44:51It's the thing that I'm feeling the most in the world. The fish pellicure. Ah, the fish who eat the food? No. I don't have a pot morty at the end. You don't have a pot morty, you don't have a caca. It's not enough. It's true. I always put the cream and all. It's me feeling the pot morty. Yeah, I understand. I feel like this idea of putting the fish who eat the pot morty. It's really bad. It's true, in reality. No, but wait. There's no consentement there. Doudou, c 'est doudou. Those fish who eat the pot morty. They eat it. They eat it. They don't know. They don't know. But in this case, you can see it.

45:24You can see it. Even if they don't know it, it's not for the time you do it. It's hyper violent, the image that I have in the... It's too violent. I don't know it. But it's true. I think it's the argument of all the zoophiles. Well, they're well. But not. You know? Yes, it's true. I think. I think. I'm really against the fiches of the cure. I'm crazy to do it. And the zoophilies also. And the zoophilies also. This podcast is a joy, a great joy. You never answered this question, is that you have a tenue of scene? In fact, it's not a good thing. Because when I started the show, I had two or three combinations.

46:08And in fact, I didn't buy a combi. It's not easy to find a combi. I thought that my flow was going to be a combi. When you say a combi, it's like a thing, that's it, once. A combi, what? No, but what? A combinaison. A combinaison, but stylée, you know, with a lot of body and everything. And in fact, the people said, but it's good, she doesn't want to go out of her. I saw it in a combination, it was super beautiful. There are plenty of people who saw it in this combination. There are two or three, I believe, and so I stopped and I wanted to be dressed like I don't know outside. In fact, this style of classic, I would like to be able to wear this like that in the street.

46:49And why do you do not do that? Because it's a flemme. I'm going to get a jean, a pull and then we're going. Yes. But in fact, I have several clothes. I buy at each time several clothes. And I try to mix a little. But wait, you have finished the phrase when you started with these people? Yes. Pardon. I do it in every sense. In fact, the people, as they see this conversation, it's crazy. I have the impression of meeting someone. but it's like that, it's because of that they're in your own, you too, no? What? It's like, you digress totally all the time or it's me who's doing that? It's you who digress.

47:24It's you who digress? I don't know. It's crazy. I have the impression of me seeing there. You have to come with a phrase, but it's never finished. Ah, yeah? It's completely... Maybe because I talk in my head and I have the impression that you've heard what I wanted to say. Maybe. Maybe. Maybe people who listen to us, if you understand everything, all that we say, it's that you're HPI. Yeah, I think they're HPI. Really, they're HPI. So it was a mess? It was a mess because since they see two times the same pantalons they say she doesn't have a vêtement But look, they're not a mess They're not a mess You can't even see It's horrible You read a lot No Okay In fact, at the beginning I liked it because I liked it to respond to people I have a feeling that it's a fun so it's a kick But after I lose the feel there's no I don't have to read You read it?

48:10Yeah, I read it It's true? And I feel I have an impression, malheureusement, that sometimes... Well, I don't know in DM, I respond often to things very nice, things and all. I don't know in comments, I have an impression that I respond to things agressives. Ah, it's not to be able to respond to that. There are people who are singled, when I'm. But your response is a marrant. I try, I don't know. It's a question, it's an affirmation. It's a question. Yes, I respond a little. If it's a marrant, then you do well. Yeah. Because if you respond to a bad thing, in first degree... Non, I respond often to things when people comment that the physical.

48:42And of course, it was one of the reasons for which I had to do this podcast, where I was thinking, but it's crazy, in fact. The women, and the women, but the women, and I think even Maurice and all, it's enough. And it's why I had to do this podcast. I was thinking, it's a way we talk about it rather than we do it in our place, so it's impossible to read it permanently. The last one that I had, it was like, dommage, lifting. You were like, what do you talk about lifting? I was not 75 years for me to do lifting, but I didn't have any more. In addition, I was afraid. You're afraid? Yeah, I was afraid.

49:09Ah, yeah? Ah, yeah, I'm pretty obsessed with lifting. Ah, yeah, I'd have a fear. But lifting, it's like, they're taking or they inject? No, they're taking. Ah. They're taking and everything. They're taking and everything. Ah, yeah. Yeah, yeah. Yeah, it's true that it's a fear. You can't do anything. Well, imagine. In addition, you're paying a fortune. You're waking up and you're on the track. Well, apparently, it's very rarely raté, the little lifting. But, genre... To, you don't have a need of lifting. Well, thank you, it's gentle. But it's because the person... But, maybe, I'm a jerk. I'm a jerk, you know.

49:38you know how do you you see the age which happens the only thing that's the sillons ah yeah the sillons it's not a thing you have no sign you have no sign you think you have no sign you believe no because I smile I'm a very nervous so it's a thing no no I'm a moment I was informed for the sillons we talked about open and in fact I think it's not a good I told you So there are those who fill the sillons And it makes a bad souffle It doesn't go I used to say the acid hyaluronic But I have done it once It made a gross bowl It was horrible Because someone told me that it was not normal To have a trait I haven't seen this But you have a trait It's normal And other people tell me that For removing the sillons There, it's injecting there To take it there Sauf that if you want I have already So many boules Two pommettes when I'm sourcing That if you inject it I have no idea I have no idea of me With the head of lion There are people who pay for these pommettes There are people who think That I pay for these pommettes Oh yeah Yeah I think that people think, I had done a TV there not long time, but I didn't see why I was doing it on the injection of the lips.

50:45But the people are singled, I don't know why. You have to say, on the other side, I do what I want. And then, what do you say? But also, I think there is also this thing, when people comment, not necessarily when we are on the scene, but in fact, when we are on the TV or I don't know what, they don't see that there's all this stuff of makeup, of light, and that you can put in value what you want. I think it's a terrible thing, these comments. In fact, the people give the right to comment on our physique openly. And women have really subished it. I think it's very violent when I see every day, I receive things.

51:25In fact, they sexualize my body. Yeah, it's true. And I think it's aberrant, this kind of thing. It's crazy. It's a anger. I hate it. And so, you respond to that? No, I don't respond. I don't respond to that. The last time, I had a comment, I had a message that was funny. A monsieur, it was a monsieur, he said, it's a bad thing to live long, I'll be married. But no. Oui. It's really the only reason. It's a bad thing. It's just a bad thing, because otherwise I was there. I was prepared. Sinon, I was like, I was like, I was like, I was like, I was like, I was like, I was like, I was like, I was like, But of any way, it's that, even when they think they're cute, they're atrocious.

52:06But they're not cute, they're not cute. They're a huge demandar. Yes, but they think they're nice in saying that. They think they're a compliment. Yes, exactly. In fact, they have so much the impression that it's what they're valorizing. I have one who told me, I posted a photo of me. I don't know if I would like to see this thing because I'm afraid they're recognizing it and they're taking it. But frankly, at the moment, the people have to stop. And I posted a photo of me all the time in a evening. And then, at the end, I'm in a pig. And he told me, I'd like to know where to pass the collant.

52:30I would have been taken with it and I was like Oh but he will have to take the ball He's a fool, it's not my head But I hope he will take the ball It's very good It's very good What's it that is? Franchement, I never would have a ball of someone Who would have a ball of... Who would have a ball of... That's why he would have a ball of someone I don't know why you would have a ball of someone You never proposed to have been asked for your culottes No, but I'm almost asking if I was going to have a ball of someone I would have said that No, you are yes Yes. No, but on veut mes collants, moi. But on veut pas mes culottes.

53:03Ah, oh, pas mes culottes ? Non. On va proposer ça, on va proposer des... Genre mes pieds. Genre, il y a un compte sur mes yep. Arrête. Sur Internet. Ah ouais ? Je te jure, tu tapes « Myriam Fit ». Ouais. Je trouve plein de photos de mes yep. Mais pourquoi ? Tu les as beaucoup exposées, tes pieds ? Ben non, pas tant que ça. Mais je pense qu 'ils devaient screen, tu vois. Ah, c 'est fou. Mais genre screen sur scène ? Non. Ah bon ? Des photos que je postais avant. Ah ouais. Sur Instagram, tu vois. Ouais. They are taken in photos. But there is a site internet where the legs are from. They have to be beautiful.

53:34I have very beautiful legs. Oh, that chance. Really, I have a great legs. They are great, my legs. Oh, my chance. They are not beautiful, I have a great legs. No, I have a great legs. It looks like your legs, no? Yes. Autant I have a great legs, but in fact, it looks like my legs. But it's a very long legs. Okay. So I don't like it. You do how many? 40 ,5. 40. Okay. Toi? 38. Ah, but you measure how many? 1 ,70 m. Ah, they're all small, no? No, they're all normal. Yeah, it's me who's a grand-pied, I think. No, but it's fine. My mother does 40, too. Well, often 1 ,70 m, you do 40. Well, I'm not sure...

54:14I'm trying to put it in question. No, what I'm saying is that... Generally, if you do 40, you do 1 ,70 m at least. You don't measure 1 ,50 m and you do 40. Oui, minimum 70. Yeah, yeah. Yeah, it's all. Yeah. Wait, what's that you said? It was super smooth. I said, I love it. I love it. But it's not finished, yes? But no, it's not finished. At that time, you were saying, oh, if it's finished soon. Arrête. Arrête. Yes, yes, but you saw how it goes fast? Tell me something. Tell me your routine. Vite, tell me. What? I don't know. I don't know anymore. I don't know your shoes. My shoes? My shoes? My shoes.

54:50I was extremely long. Yeah. They're already long. No, they're not long. But finally, listen. But no, they're not long. We're only in agreement, Maryam. They're long, when I'm not. No, they're not long. If you're at the coiffeur and you're at brushing, and it's written brushing, that's the hair short, that's the hair long, you're a great. I'm a great advocate. A great advocate. Extraordinaire. The problem is that I've been doing the job in three weeks. You've done it, too? Three weeks, yeah. To, yes? To, yes? Yes, but I've been doing it for the bourse. How much time? uh quelques months I think in fact at the beginning I was going to tell you yeah I think I was going to tell you I was going to tell you I was going to tell you I was going to tell you and in fact after I stopped it was a little I stopped I stopped I didn't have anything I did and after I took the next year and I wanted to do it but I met a pervert narcissistic and I stopped oh la la yeah but I can't finish this podcast it's horrible yeah but it's too very dangerous the pervert narcissistic It's very dangerous.

55:55But I didn't realize it. Because it's the problem of the pervers narcissistic. You don't realize it. You know, I was at a stage where I was going to see it. I was going to see it. Of course. And it's that you're in question. It's not your heart. It's not your heart. And you're not in doubt. You're not in doubt. All the time. In the infer. In the infer. He's left? I hope. Yes, I hope. In the ciel. On the more in all. Ah, no. But never in the life. but I didn't even want to be with him at the base, you know. And in fact, he turned his head on. I was found at a moment or another, at a moment donné, and I was thinking, wait, we're all together?

56:31And I don't know. I was very young also. Well, but it's a thing, frankly, we're many, I think, to have... And even to understand that there are things that are not normal. You know, I think at a time, to say, for example, that you feel, you feel, you feel, you're not at the height, that it makes it feel like it's going to be done. Well, the person who you love, it's supposed to give you a super good estime of you. But that's... And then, just how you... Because we talked about the childhood, well, we talked about a lot of things, the Kung Fu, and we also did... I'll not say the result of all of what we said.

57:06But you know, what is the moment, the moment where you didn't get a chance, and the moment where you were... where you were... where you were not at school, and then there was a lot of education, the school, the studies. At what moment do you start to accept it, to appreciate it, to be a little more what you were doing? I think it's the scene that has libinated this thing I think that the scene It gave me really confidence In me Because it's really An place where I I found out Where I understood who I was The person that I am Even with the others And it's a show It's a show It's a show Something And I think also that at 30 years It's where you start to know who you are in the same way To discover To know what you want, what you don't want To accept And I think it's really when I passed the barrier It was 30 years You remember the first time you were on the scene?

58:03Yes, of course It was when? It was very long It was very long It was the first time in my life I had a wife who told me that I had a comedy club Come on, we go I said it was the next week and I don't know what I'm going to tell you about it. And so, I asked a humorist on Twitter, who is very famous today, how do we do it for writing a sketch? She said, you do like everyone, you take a sketch from the American American, you translate it in French. I swear, it's like that they write the sketch? Arrête, arrête. But it was ironic. Ah, no, no. And in fact, I looked at a sketch, a sketch of an American, and in fact, he talked about something.

58:44And I said, I'm going to tell you something. that I had taken his idea. I was talking about something that I didn't know at all. The kids, the spectacles at the end of the year. It was horrible. My voice tremblait. I was going to go to the end to help me. It was my Becky. But I think it was the only moment of my life where I was thinking that I was at my place. I saw exactly this sensation. It's very inquiet. This person very known, she writes her sketchs she's even? Or she does that to traduce her? No, she writes her sketchs she's even today. But I think it was a time where there was a lot of stuff.

59:22You know, it was before the... Copies comics. And wait, you have dates to announce, there? I don't know when we're going to be diffused, but we'll be diffused on when? I'm in tournée, everywhere. I'm in tournée, everywhere. In all the France, the Belgium, the Suisse. Canada, there, soon. Ah, cool! Yeah. That's cool. You've already been? Yeah. I played last year my show. It was so cool. At Montreal? Montreal, yeah. They're incredible, the people of Montreal. I don't know if it's a... It's a bit of a... When you move from Paris, the people are extremely warm. At Paris, it's a chant, but it's because there's a thing of facilitation.

1:00:06I have the impression that people know what it's like with stand-up. They have the habit of seeing there's so many things in all Paris. But when you move, you feel so happy to see. Yeah, it's true that it's a lot of fun. When you tell me that there's a little bit of a offer, they're not going to see you once. Or at Paris, you're like 15 dates, they're going to take one. And the thing that I'm touching particularly, it's when we talk about it in off, you're in a culture culture, in a city where you're going to find out, with a subscriber who have 75 subscribers and you're like, my God, it's super hard and it's joyous.

1:00:36And you're like, it's too good. It's too good. Even if there's also a date more than others. But it's true that we have a chance. We have a chance. Imagine, there are people who say that we have to do good. It's incredible what it does in the heart. It's crazy. It's crazy. You make a smile at someone. It's crazy. You give a smile at someone. It's crazy. And then, you play with the shoes? Yeah. I've never played with the shoes attached. It's not too hot? One or two. No? It's hot, you? It's true that you play with the shoes attached? Yeah. Ah, yeah. And one time I tried to play with the shoes detached and I liked it well.

1:01:16But I had a lot of stuff to want to touch it or to see if they were well placed. For me, it's a lot of stuff. I want to try to be beautiful. I don't know. I have the impression that on stage I'm going to be the most to the rage possible. It's that your DA. You're going to be the most to the rage possible? No, your DA is going to be like you're going to be you every day. Yeah, I believe. But there's a form of sincerity that's too beautiful in that. It's too cool. But not you, you think? Ah, si ! Si, moi je suis sincère dans ce que je raconte, dans ce que je fais. Ah, mais tu veux dire, esthétiquement, toi tu as plus le...

1:01:47Oui, la DA, tu vois. Mais je crois que vraiment sur scène, c 'est la femme que j 'aurais aimé être vraiment dans la vie de l 'homme. Oui, je vois ce que tu veux dire. Tu vois. Moi, c 'est la femme que je n 'aurais pas aimé être. C 'est vrai. Je ne sais pas, franchement. Ouais, non. Enfin, j 'ai l 'impression que c 'est le seul endroit où je m 'autorise à me dire, là, je n 'ai pas d 'effort, en tout cas, physique à faire. Je n 'ai pas à être séduisante, je n 'ai pas à ce qu 'on me regarde. something that was so pesant that to me say that on the scene, it doesn't matter at this place and that it doesn't matter at all.

1:02:18It's the only place where I support even, for example, having photos where the public takes photos. You're like, my God. You have the quadruple menton on your face. Sometimes they post things. And I'm thinking, well, I'm kidding. There, by the way, if you're like, you're like, all of a sudden. It's an angoesity. It's an angoesity. It's an angoesity. Really, it's an angoesity. I don't like to do the TV I'm going to be in a movie I made a TV for an episode that I love and it was the only moment where I really liked to do the TV Ah, well, too good You know, well, in reality the TV, the stuff on the big channels I don't like that I'm starting to be like coincée I don't know how to say it There are people who have the facilitation of making blagues and everything I don't like it, I'm the feeling of being hypocrite It's a big track And then, pire, I think The photos Or a shooting So for a magazine So even You know, a photo call And you say, I can't You're not I don't know I don't know If I ask you to pose Ah, no I don't know I don't know I don't know.

1:03:39I don't know. It's not a good thing. In fact, the real secret is not to pose. It's like you're talking like this, like this, like this, like this. There it's a photo. Ah, really? It's not a pose, otherwise it's mocious. But how do I talk? Like, like, like, photo, it would be beautiful. Oh, photo again. Wow. You're talking about it. No, not at all. Like this. I have a photo, like the worst photo of me at the Cannes, a video of Cannes where I was with the actress Jan Balibar and she just told me, don't cry or don't cry. I don't know what she said. But I can't talk and not cry, because you're going to be like...

1:04:14And of course, she's going to be like... I'm going to show up with the photos. They're all like this. And I'm going to be like the most happy of the cousin who's coming for the first time at Cannes. I'll be looking at this photo. I'm going to see that. She's going to be a point. But... Is there photos of you on Google, genre sur Google que t 'aimerais trop supprimer. Ouais, toi aussi ? Ouais. Mais je sais même pas comment on fait. Je sais pas comment on fait. Mais je pense que ça doit se faire. Je ne crois pas que je puisse faire ça. Moi, mon premier, premier, premier, premier shooting de ma vie, mais genre presque...

1:04:50Je crois que c 'était un de mes premiers shootings sur mon premier spectacle. J 'avais une interview pour je ne sais plus quel magazine et on m 'avait envoyé un photographe. Et à l 'époque, on ne demandait pas du tout de valider ou pas de valider. Et surtout, au-delà, je n 'avais même pas I had to wear makeup, I had to wear makeup, I had to wear makeup, and I had to wear makeup myself. And really, the guy told me to do things and I said yes to everything. Like, accroche-toi à la poutre. He was on a little bit on a little bit. You didn't want to listen to me. Oh, a little bit. Yeah. And I had really photos of me against a motorcycle.

1:05:24And really, I hated it. And a day I wrote, I said, I can't support these photos. because not only after there's one in the magazine that happens still but after he has all been to sell on the images and I said but you can't do that he said if it's my image he's a good character yeah it's not cool if he's not cool it's not cool it's not cool yeah and I said and I said and I said and now every time there's stuff and everything and I said and you don't want to get out your head of the door I said no no no I said I'm not a head I'm not a head I'm not a head I'm not a chappy I'm not a chappy I'm not a thing I'm not a thing And so I'm just like, just taking a photo.

1:06:03It's terrible. But a lot for the humorist. And then when I had my glasses, I said, I don't know how to do this. I think it's still a bit of a traverse. You put a thing where you're at. And you're there. Enfer. Yeah, enfer. And then you have those photos where you love it. And where people say, it's not a thing you don't know about it. And you're there, well, you're there. You're there. You're there. You're there. You're there. sur le chapitre, tu me reconnais très bien, alors que je n 'ai pas permis de conduire. Il n 'y a pas de problème. Là, c 'est bon. Merci tellement d 'être venue, Myriam. J 'ai tout aimé, sauf le bras de fer.

1:06:42J 'ai tout aimé, sauf ma défaite. Je voulais te laisser gagner, je te jure. Non, je trouve ça bien comme ça. T 'as grignoté vraiment. T 'as grignoté ce caramel. Je n 'avais pas pu parler. Comme un mannequin dans les années 90. Elle l 'a sussauté. Tu vas le prendre, après tu vas le manger. C 'est quoi ? Je vais le manger maintenant et je vais te dire au revoir avec le carrément. Ah oui, je veux. Tu vois, je suis allé faire un enfer. Comment tu peux te raconter des choses comme ça ? Tu peux. Un jour, avec Vincent Lacoste, on a mangé des sushis pendant. Mais c 'est vrai que les gens se sont pleins.

1:07:11Les misophones, les gens qui supportent pas les bruits de bouche, ça les avance. Oui. J 'aime bien. J 'aime bien, ça me va bien. Merci infiniment d 'être venus. Merci à toi. Merci. Bon appétit. Merci. Anti-age, maquillage, lifting, slut-shaming, Botox, end-tox, L-amorflé, contouring, la skin, masque, peau flasque, relâchement, cheveux blancs, acne, zone T, brillance, en apparence.

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