[REDIFFUSION] Jérémy Ferrari, des addictions aux pantalons en lin

0:00Jérémy Ferrari: The podcast industry has spent years arguing about formats. The thing is, podcast audiences never cared. 88 % of them now consume audio and video. Not only that, 63 % of them have started an episode in one format and finished it in another format. And then three quarters of those have switched app mid-story to do it. They're not picking a format. They're picking whatever best fits the moment they're in. ACAR's latest research in Podcast Pulse 2026 maps four of these moments and what each one gives back to a brand. Get the full report at acast.com.

0:58un mot gentil, particulièrement pour me consoler des méchants. Après ma petite humiliation, Ben Guigui, je me souviens juste de lui qui me dit « ce n 'est pas bien ce qu 'ils ont fait » et du bien que ça m 'a fait à moi qu 'on les juge eux et pas moi. Physiquement, on peut clairement affirmer qu 'il fait partie de ces gens qui avaient l 'air plus vieux quand ils étaient jeunes. Je m 'ai aussi Georges Clooney dans cette catégorie. En 2012, j 'aurais pu l 'imaginer avec une petite mallette en cuir et des intercalaires. En 2026, il pourrait poster pour le calendrier des dieux des humoristes, mais Dieu merci, ce calembry n 'existe pas.

1:25Bref, il est comme le bon vent, il se bonifie avec le temps, pourtant il n 'en boit plus. Salut, Jérémy Ferrari. C 'est une belle introduction. Pas mal, non ? J 'aurais préféré que tu l 'aies appris par cœur. Ça m 'aurait plus touché. J 'ai pas eu le temps. Mais elle m 'a beaucoup touché. Est-ce que tu as conscience de ce glow-up ? Je déteste cette expression. La dernière fois que j 'ai employé le mot glow-up, je me disais, putain, ça serait super parce que j 'ai cherché le titre de mon film pendant des mois. Et à un moment, je me dis, putain, glow-up, c 'est un super titre de film. It doesn't correspond to the story of my film.

1:51You're a good idea. You're a good idea how it sounded. I think Glow Up, it sounds... I'm going to play a few phases. I've been a long time. Because people tell me that when you started I was younger than you were younger. I was younger than now. I was younger than now. I was younger than a year, a year, a year. I was younger than a year. But if you look at my first time, I was younger than a year. I was 25 years old. I was like that. I was super younger than now. Ah, c 'est vrai ? Je pense que j 'étais même plus mince que maintenant. Tu as juste un baby face. Oui, j 'avais un peu... Mais tu sais, moi, j 'ai eu ma puberté tard.

2:26Je crois que... Là, je n 'ai pas encore de barbe complètement. Là, tu n 'en auras plus, je pense. Non, là, je pense que là, on peut définitivement abandonner. J 'ai des trous, je ne sais pas où c 'est, mais je pense que là, je peux abandonner. Et du coup, c 'est venu un peu tard. Donc, il y a eu cette phase-là. Et puis après, cette phase-là, elle allait avec, je ne sais pas, des cheveux longs. Je trouvais ça cool d 'avoir les cheveux longs. You've got a lot of faces capillaires. And then I don't know. I don't know if I had a chapeau, a vest on the cul. You've got a face chapeau. I've got a face...

2:54But after, it comes from my education from where I grew up. Where I grew up, it was cool. It's a little boxer. But what kind of chapeau do you want? I don't know. I was going to New York to see a friend. Clearly, I was looking for my shoes. I didn't know what I was doing. I didn't know what I was doing. I didn't know what I was doing. So, at a moment, I found a vest on cul. I said, yeah, it's cool. And then, a jour, my friend said, you know, you have a simple style. You need just a little access to it for that it's cool. I said, yeah, but what, like an access to it? Then, we go to the thing with a chapeau.

3:26And he said, maybe a chapeau. And then, I don't know, I think we had a cup. So, we put a cup. And he said, it's going to go super well. And you have adopted the chapeau? Yeah, I did. But, like, a Kangol? Or, like... Ah, but you're asking me the mark of a chapeau. No, but you know, it was a chapeau, You were like, berets or a chapeau ? Non, les kangolos, c 'est les berets. Non, non, non. Je ne sais pas. C 'était un chapeau. Tu as eu une phase chapeau. Donc, j 'avais chapeau, veste en cuir avec les cheveux longs jusque-là. Après, j 'ai enlevé tout ça. Après, on a eu une grosse phase. Après, je suis parti dans une phase où je me suis blessé.

3:56Parce que le sport m 'a maintenu hors de l 'alcool aussi longtemps. Ce n 'est pas un secret. J 'avais des problèmes d 'alcool. Oui, mais d 'ailleurs, attends, parce que je ne sais pas comment on va faire pour cette conversation. Pas dans tous les sens. because at the time you had conversations spontaneously but you said already, do you do the sport? Is it only lié to the alcohol? Or is it already? You've always been sportive? I've always done the arts. I started the judo when I was 6 or 7 years old. My father was a saint-heum of judo and when I was ado, when I was younger, when I was 7, 8, 9 years old, he told me you choose any sport but you have to do a sport.

4:33So I was raised with a father who said, un garçon, it would be able to defend. In the meantime, where I lived, he had a reason. So, it's got to defend. And it's got to do sports. So, okay. And then, he told me about the Kung Fu. I started by Kung Fu. And then, they had two times the sport club. It's a bad thing. We had a super prof who had said, I was going to in the quartier a little sensible to open my club. And then, they had to break the club. So, he told me, I was going to stop the quartier sensible. And then, after, I watched the karate. to be able to get more and then I was moved to the judo.

5:07And then I continued. My father told me that when you have 13-14 years, you will have a margaret to do judo, and then I would force you to go. And that's exactly what happened, he would force you to go. And then at 16-17 years, I was able to go. And then I arrived to Paris, I was moved to the jiu-jitsu, which was a real passion, which was going to complete the judo. And currently I continue to train 5-6 times a week. I'm doing a box, a little MMA, judo, jiu-jitsu, a little grappling, the sol, the amours of art martial arts. But your rapport to sport is related to a need? Is it related to your appearance and physical?

5:41No. It's not at all related to that. The sport, it was responding. Now that I have 40 and I know my pathologies, I know what it's going to be responding. It's going to be a TDAH very, very strong at my which responds to an hyperactivity very, very, very intense. you know you can have a problem of the tension without hyperactivité you can have a TDA or TDAH I have a TDAH which is very very strong so I'm in a tranquillity physical permanente so I've always done sport it's what made I think that I'm not in the alcohol more quickly I was a lot of drinking the weekend but I didn't get to drink the week because I wanted to be performant because I had a spirit quite competitive so I wanted to be strong in what I was doing and I knew I couldn't combine the two but I was a bit of drinking I had to drink.

6:32I remember very well the first time I had to drink. It was in 2000. It was in family. I had to drink my first drink of champagne. I had to drink my first drink of champagne. And I had to drink the effect. Ah, yeah. So in 2000, you had to get what age? 14 years. I had to drink a fire in my head. And from that moment, every day, every day, every day where I didn't drink, I was not drinking. And today? Today, it's different. Because the disease of the dependence and emotions, it's like that we call it. It's a disease recognized by the OMS. I'm going to remember that because it's good to hear it. For those who don't know, it's not good.

7:06For those who don't know, it's fine. It's a disease that we don't know. We don't know this disease. What we know, it's that your zone of recompense is déranger. If I do vulgarize it, you're going to eat... I like this anecdote. It's not an anecdote, but I like this example. You're going to eat for the first time in your life, your papaya. Your brain will say, on a bad papaya. And then it's all. When you go back to the supermarket, you'll say, you'll take a papaya, you'll say, well, my brain takes a papaya, it becomes a papaya, it's a papaya. It's a papaya in a supermarket, it's a papaya, it's a papaya, it's a papaya, it's a papaya, it's a papaya, it's a papaya.

7:39It's really a bad thing, it's a neurologic. So, we can't get this part of the brain. What we can do is to put it in the veille. And once it's in the veille, this part, it's to work on what's there around you, just for you to not get into the product. Grosso modo, physiologically, you put your brain in the veille. It's to say, you're going to stop the substance. That's the first thing. And then, for never reactivate this zone, you have to make sure you always know to say no. And to be able to say no, because it's a disease of the dependence and emotions, and that you feel things in a way a bit complicated, a bit more strong, after all the diseases, all the diseases, psychologies or psychiatriques, they all make you feel things differently or too strong, according to the pathologies.

8:20It's important that your environment is enough for you to say no, during a year, two years, three years, ten years, fifteen years, twenty years, thirty years. And is it the rapport of sport, there is a dependency on that? Totally. Okay. I'm dependent on that. I'm always dependent on that. But when people say, are you a temperament addict? In fact, it's not a temperament, it's a maladie or not a maladie. Yes, I think you can have a temperament addict. It's to say that you can have a tendency to abuse a little bit of certain things. But that, it's not a maladie. It's a trait of personality. It's a bit more funny, funny.

8:47It's just like, it's a bit of a attention. I have a tendency to abuse. But I don't have a tendency to abuse. I'm not a tendency to abuse. I'm not a drugging. or anything that can be provided for pleasure. I can die in the way, because I don't know how to get it. And I'm not satisfied. I'm not satisfied. And in addition, I'm a part of what we call the high-dependent. That's to say that at the end of my consumption, I was at 6-7 liters per day. And I could still have to drink 8-9-10 liters. The people think that it's not possible. I'm sure that it's possible. But you were physically different, non ?

9:17I mean, physically, you had a... I'm going to tell you a good promo for your film which is released the 11th March. 11th March. I haven't seen the film yet. I've seen the band-annonce. On can say there's a scene. You're in a sauna. Yes, because I'm going to a hammam. It's a very beautiful thing. You're there. I thought, why do they not play? In the meantime, it would be insupportable. You don't have to post photos of you on your account. It's not an interest. I don't see how you can play it. But I was wondering, it's curious. Is it... I have the impression that what I'm fascinated, it's that you have a body of the Greek body.

9:58I haven't seen it all in the back. So, at the moment, it's going to be effondre. It's going to be a bus of the Greek body. And in the middle, it's a mess. But it's funny because you have a thing that you have not to have a cult of the body or of the appearance. It's really a thing that I have the impression that is... Yes, the physical is liable to a mental. No, but it's not that. I'll tell you, I'm going to tell you, I'm not going to do the culture. So after, the people who do sport and who do the musculation, they will very well understand what I mean. There's a part of genetics. When you do the art martyre, if you look at the sport, you look at the UFC or any other art martyre to...

10:39How to say... I don't know how to speak. I'm looking at the gestures, but... But no, but... But, but... The matches, what? No, but of high level. Put it, it's not a level. It's not a level that I don't know. If you look at any sport of high level, for example, if you look at the arts martial arts, look at the UFC, it's interesting because the UFC is an arms. So that's a regal. The UFC, it's the MMA. It's the MMA, but it's the one of the federations, for not to say the most famous fédération in the world. If you look at the UFC, if you look at just the MMA, in general, the MMA, it's a very, very hard.

11:12It's a people who are training at high level, they're training two, three times per day. You have some very muscle, and some who are less in appearance. You know, I don't know what's up. You have some muscles, we'll say, extérieures, a little muscles of protection, what we see, and you have some muscles profonds. Well, the muscles profonds, they can be more or less according to the people, but it doesn't look at all. But you go to the gym in the art martiaux, you have some very muscle, and then you have some muscle. It doesn't mean that they have less force, it doesn't mean that they have less.

11:35It's a genetic genetic. So if you want, when I do my sport, I don't want to look at the muscle. I do the reinforcement muscular, like everyone, because I need to need for my sport. I need to be muscled to be able to protect my body. But I've never looked for muscle. I don't want to be muscled. I'm not in fitness park. So what I'm saying is that there's a part of genetics. I have the chance. It's that in doing my sport, I'm developing this way. But there's no research of this body. I've had a lot of chance. But when you see the image in your film, it's still more comfortable to have this body. Of course, but it's cool.

12:07But after you're able to love your body, when you're still alive. Yeah, I'm not... Well, very sincerely, I'm not... I'm not a bad thing. But you know, I'm obsessed with you. So I always see the mistakes. I don't see the mistakes all the time. And then I'm 40 years now. So I'm saying, well, I'm going to preserve my form. Well, obviously, where I'm going to go a little bit to say, it's that when I saw that I'm going to be like that, now I have to preserve it. So it's going to make a mess of the losing. But I'm not... D 'ailleurs, it's always because I'm saying, you're going to make a muscle. And in fact, it's because I'm saying, but no, I don't do muscu, I do arts martiaux.

12:42But when you're doing a high dose, I'm training at 1h30, 2h per day. So there's always a reinforcement of the body of the body. I have to do a session with weight every two weeks, a good session with weight because it's a little. With the food that goes with? Of course, the food is very important, but it's not to grossize. Obviously, if I'm muscle a lot, it's because I grossize it. It's the same. All the people who do sport, they know that you have. There are people who have very fast, so they're very quick. They're very quick. They're very quick. They're very quick. They have a lot more difficulty to get to muscle.

13:18I'm muscle quickly because I grossize so I stock quickly. For example, for not grossize for health or because you don't want to grossize? It's not that you don't want to. It's not that you don't want to. It's to say that the food is also a problem for me. I'm also addicted to sugar. I'm addicted to everything. So, the food is a pleasure. So I had to control my food as I had to control the rest. In fact, if you want, at the beginning, I had to stop the alcohol. The most important. Then I had to stop the medication, because I had a little bit of a medoc. Then I had to stop the coffee, because I was drinking a liter of coffee.

13:53Then I had to stop the cigarette. Then I had to stop the sugar the day, because I had to eat plenty of sugar. When you say the sugar, it's the sugar transformed into the screw? Yes, I had to eat a lot. I ate the morning, I ate the morning, I ate the evening, I ate the evening, I ate the evening. I ate a lot, a lot, a lot, a lot. So I had a tendency to grossize. I was maintaining because I was a lot of sport. But, at the same time, I had a tendency to take more muscle, so I was a little... I was already on... I made 73, 74, I was already on 77, 78, 79. So it's 5-6 kilos more than mass, so it started to be a little...

14:29And I was not good in this sense. So at a moment, I thought, what is the best solution for me? Because it's not a good advice, there are no good advice. There are some resources, but it's also like you. You feel good. Well, then I was told you, I was going to go to the first thing that I have to do. Because I started to go to Thailand and make it a kind of retreat. You know, we talked about it just before the episode. One time per year, I'm doing 10-15 days all alone, in the end of Thailand, where I'm in a place where I'm doing jean. I'm doing jean, I'm doing meditation, I'm doing a little box Thai and all that.

14:58And it's very hard for me, because the food is a real pleasure. So when you lift the food, my head... Then I'll stop the activity, I'll stop everything. So all of a sudden, I'm all alone with myself, I'm having a pain. But I'm doing it for a little bit. So generally, for a week, it's horrible. I have a crisis of arms. I'm super bad. Oh, my God. But it's also to be able to confront myself. Because it's easy. But you already confront yourself a lot, I think. Yes, but no, I'm going to be fussy. I'm going to work. I'm going to work, work, work, work, work, work, work, work. I'm going to work and work, work, work, work, work.

15:30I'm going to go to the gym. I'm going to go to the gym. I'm going to go to the gym. I'm going to go to the gym. But what? What would it do? It would be to be found in a box of shoes? No, but let's say there's not a lot of serenity. It's a thing that I haven't found. I've found a balance. But I haven't found a serenity. So the serenity, it's the one I found at a moment. I would love to find it. I'm 40 years now. You think it's a serenity? I think, yeah. I think that's what it's found in my life. I think that if there's something to find in my life, it's the serenity. I'm the only person that I'm feeling deeply, it's the serenity.

15:55But wait, what exactly is it? It's a free-price, in fact. To not be in control and to say what will happen, will happen? Exactly. To not be... For example, I don't have to gratter the neck since the beginning of this episode. Because it's because it's because it's because it's because it's because it's because it's because it's because it's because it's because of the neck. But I'm saying, you know, I'm talking about drugs from the beginning, all the time in front of the neck. And I know that there will be a comment. But it's not what I say. Well, yes, not to you. But when I do it, I always do it.

16:20I always have a problem. And I say that I'm saying that. In addition, I'm talking about drugs. So the people will say it even more. And you say that the serenity, it's not the thought. For example, the serenity, it's to say I don't take drugs, whatever the people will think. It's not that the serenity. It's not that the serenity, it's not to think. It's not to think. It's not to think. It's not to think. It's not to think about your mind. But we wouldn't do this job. I don't know. I think you can do this job too. And at a moment in your life, you can find a serenity. Or a degree of serenity. Maybe that this serenity, it makes you change your choice in your job.

16:52Maybe if you were more serein, Maybe I will be able to say, I have less need. At the end of that, you ask the question of I'm going to do it, people will comment on that. And at the end of that, you're extremely free. You're not a carer of what people think of what you're saying. In fact, it's not that I'm not a carer. It's that I'm lucid on my pathologies. And I think I'm also lucid on what is... Comment on? I'm lucid on the value of things. I know that sometimes I accorded value to things who they don't have. And it's still a control. It's that I'm forcing to not act in fonction of my fears or of my fears.

17:25For example, my first show, Hallelujah Bordel, on a super provocateur and everything. It's because of this show that I explode and that I'm going to talk about. And then I pass from not to money to money. And then my life changes. And then I can help my parents. And I pay my best vacances. I always dream of... I'm sorry, I don't know. I don't know. I always dream of me. And I go to Spain. And I'm going to a house in Spain. And then And then in this place in Spain, I was supposed to write about two pieces. And then, I was going to write about two pieces. And then, I'm going to wake up the morning and I see that I'm going to write a lot of things.

17:58But I want to read what I'm going to write. Because I have a little thing in my head. I have an impression that you don't have to write because you don't have a little fear of what you're going to tell. And then, I'm going to write that I'm going to censure, in fact. Because I'm going to say, is it worth the cost of writing this? Because there, I have this. All this, I have this. And this risk, maybe it will cost me that. And so I was forced to say what I was going to say and I was forced to say in the end of the show to say to people that I had failed to censure myself because I was afraid of losing what I was going to do.

18:27So I'm very afraid of fear. The fear is something that is inherent to my personality, inherent to me, and I combat it daily. But you also have an obsession of truth and sincerity. All the time. You talked about the judo of your father. You started talking about puberty tardive. Moi aussi j 'ai eu une puberté tardive Je sais pas ce que c 'est qu 'une puberté tardive Pour un garçon C 'est pour ça que tu fais jeune aussi Ah tu trouves ? Ah tu crois que c 'est ça ? Bah oui Je pense que tu... J 'en sais rien ceci On va pas commencer à jouer les docteurs Non on sait pas ce qu 'on dit On parle pas Enfin de toute façon ça...

19:02Là c 'est un ressenti Y 'a pas d 'études là-dessus Mais d 'ailleurs il paraît que ça y est Je ne fais plus jeune C 'est pas affiché À qui t 'as dit ça ? Bah non mais je le vois bien Parce qu 'avant quand je disais mon âge On me disait Non arrête et tout And now it's a logical thing, because I'm 47, so you're less. But it's because the others have grown. You think? Your example is someone who has grown. Because I'm 47, so you're not a grown. It's just a person who wants to get rid of it. It's a person who says, yes, it's logical. It's a person who's toxic. That's it. It's a person who's toxic. You're right.

19:31If I can't afford it. That's also a person. And you can't afford it. You're not a person of 47, it's too old. Ah, yeah? I know. I'm a person of people who's even more than that. Yeah, it's a person. Ah, really? It's because of that you're a person. But it's because of them that I'm going to sleep too, thanks to them. That's not true. So, to sleep at home, for example, it's part of the thing. That's my hygiene day is merveilleuse. That, for example, you... No, I'm going to sleep at home. I'm going to sleep at home because I'm tired. Yes, because you think. You're well? Well, contrairement... Well, in this moment, all right, I'm very bad.

19:59That's why I have this head and I'm very tired. It's because I'm very tired. Because I'm on the end of my film. On begins the projotest and all. So, it's me terrorizing. So, like, a film, it's three... In my case, it's four years of work. and so it's a baby that I don't have an infant but it's a thing where you get in the pool because you saw on Insta who knows how to go all the way and then you're still I hope he knows how to go all the way so there I don't know but otherwise paradoxically I'm someone who does pretty well and there you're saying that's why I have this head it's what the head that you don't like there I'm a little I'm a little friped I see that I have a little I have a little black the little red that I see a little more I feel that I'm not I'm not hyper frail but it's not good So you look at the morning and you say I don't know what I'm doing?

20:42Of course, I look at the end. In fact, you know, I'm going to be the one or the other. So I'm going to be the autodestruction the most total with your hair. Just like that, I'm going to be a young man. To the opposite. So now I have the food for the food, hygiene of life. I'm hyper regal. What's your food for your food for? I think we're going to make a battle of supplements. In fact, the morning, I don't eat. I do two meals per week. and in this moment, I'm not doing it anymore. Okay. But you take your own clothes? Yes. I've eaten once. I've eaten. Yes. I don't know. Oh, really? You have really the head of the person who has eaten the clothes.

21:20Oh, really? I've eaten the first thing. And the first thing that happened, it was a very basic, it was very basic, the first first first. All of that, it started because of them. It started because of Nobiole. I think it was really the first first first of all of the people at 16 years for preparing the sun. And really, I'm seeing you. I don't know why you're talking. I'm sure that yes. Absolutely. Non ? Carotène ? Oui, maintenant je connais, mais à 16 ans, je n 'étais pas la carotène. Ah ouais, bon, moi j 'étais déjà. Je me mets vraiment un truc où ça me brûle l 'osophage et je le vomis direct et il ressort tout plein.

21:50Tout plein de quoi ? Tout plein de ville, non pas du tout. Tout du même morceau, quoi. Ce qui est normal, il n 'avait pas le temps de se dissoudre. Intact. Intact. Intact. Parce que là, tu as dit tout plein. Ouais, non. C 'était intact. C 'était intact. My question was not on the food, even if I'm sure you take... I'm sure... I'm sure... Wait, wait, you're staying at 3 hours on level, so I can't think so much as I want on the food, but I don't take that when I'm doing sports, it's to say once a year.

22:26L-Carnitine. Oui. In fact, I have a vitamin of carbohydrates, so in gros, I have a sachet the morning. there are all the supplements you need for your food and all the supplements you need, the base, a little base of everything for the sport. When I don't eat the midi, I take the protein just for not to lose weight and it's all. And if I eat the midi, I don't take the protein. But now, I'm really at the instinct. If I'm very hungry the midi, I eat, I make a meal. And if I'm not hungry, I'm always a protein. If I'm not hungry, I'm just a protein. Do you have any supplements for your skin? No, I'm a crème.

23:01I'm a crème. I have the chance to have a company who tells me to take this cream. I'm a child. I'm a child. I'm a soldier. If you say this, this, this, I'm not going to lose one. And are you saying it's a girl already? No, it's not with this voice. If you explain it, it's a girl. On a suivi Jeremy Ferrari in his quotidien.

23:28It's a fool in the quotidien, it's really different. But sometimes you become a little bit when there are things that are not new. Yes, if it's a new thing, I will say... It's the day or the night. But it's just if it's the new. But no, no, I'm very... You have a routine, a routine. I have a cream where it's to put everything. Yes, but in fact, if you want, I have to take care. So now, I'm going to say... Because you have a good skin. I see. That's very funny. What you want to do? Yes, I know. Because you have a good skin. But you're not a fresh skin. Yes, it's a good skin. So I have the right to put a gun for a guard.

24:00You have a good skin. No, it's not. For the reason, I haven't got the ridules. That's why I'm not. You know, the word ridules, it's super. You're super in the thing. I'm in a couple for seven years. The ridules, it's not supposed to be what there's no way. It's a great thing. It's a great thing. It's a gravité, I think. The gravité? Yes. Because I see my mother, she has a very good, she has a very good skin. But she's not. But on the other hand, it's very sujet to the gravitation. Yeah. It's a thing that I've seen before. Well, she's very sujet to the gravitation. Completely. So she's not even more close to the ground than others.

24:29But her face is more close to the ground. Her face is very very beautiful. But it's really, for me, two ways to vieillir. Ride and gravité, relâchement. There are two of them. Which is strange, because it makes a peau who pendled and is still rid in the pendled. And it's them who tell me, you give me quel age? I don't know, I don't know, I don't know, I don't know. It's always them who do that. But in any case, already, pose this question. impossible mais tu sais par exemple ça c 'est intéressant tu vois par exemple tout à l 'heure on parlait des vêtements je pense aussi que ton statut social la manière dont tu t 'exprimes et la manière dont tu t 'habilles change aussi ton truc tu vois par exemple moi les mecs de mon club de sport ils me voient en kimono blanc avec les cheveux comme ça la seule en train de m 'entraîner et tout ça tu vois la dernière fois je parlais avec un pote avec qui je m 'entraîne à Lyon et puis je lui dis voilà j 'ai fait aimer 40 ans tu as 40 ans toi alors que si tu es dans un rendez-vous that you're well fringued, that you're well sapé, that you've put a little gel, that you're expressing a little bit like that, etc., we'll give you a little bit of 40 years.

25:30So it's also, you know, it's also your status, how you're doing it. There are plenty of things also that play on. In fact, we'll very little look at, finally, your texture of the skin or your body physique. We'll rather, we'll judge a whole ensemble. D 'ailleurs, at this point, the other day, I talked to you to a friend and I said he would win at being a nu more often. Your friend or me? and then I said yes but the people don't go out and it's there where I was at this reflection I was saying in fact he won't post it on the channels but I think in fact like you don't have a look of ouf it's not at all that I wanted to say it's even worse because you haven't left me in my episode you're not even worse it's that this summer I was thinking I was always wearing I was not sure to give an example today but I was always in jeans I was always in jeans and in the middle, a tee-shirt blue, a tee-shirt noir, all the time.

26:24I had an armoire, a tee-shirt blanc, a tee-shirt noir, suit a capuche, jean. And this summer, I said, well, it's got to be a little effort. So I gave up all my guardrails. With my compagnie. With my compagnie, who helped me. And so, I had a hat-up pair of baskets. I had plenty of pants, plenty of shoes. And the people noticed that on the réseau, they said, you're a pull like that. So, I made a little effort, at the level of my tenues, because I was thinking, well, when I was... There are things you tried to try and say, you're not supposed to do it. Yes, she's trying to do things. She's trying to do combos, colors.

26:57There's a thing I haven't put. She's trying to do absolutely... You know, the shoes... Oh, what's that? No, but you'll love it. Well, thanks. I'm sure you're going to get it. Yes, I'm sure you're going to put it. You know, the boat, there. Not at all. I don't think you're going to talk about it. Because I think that it can take a lot. I see very well why you can think that. and I think that really you see these shoes are so you see the people they don't understand not but with the pants on the line you see but they don't wear a pantalons in line you're in mind I'm talking about my psychiatrist who has a a year a year autumn-hiver a year a year of summer a year of summer in April he is in black it's a month of time you think that my friend can wear a pantalons in line really I have a chance that you meet because there really I think he can get through the window to hear that I don't wear a pantalons in line you wear a pantalons in line I'm wearing a hat it's true it's true that it's good yes but it doesn't matter I don't know what to do.

27:46But the problem also is that I'm a little bit cliche. And that, for example, my company, she's admitted. Of course, she's got your muscles and your bronzer in pantalons. It's really the holiday. No? No, but it's sure. But in fact, it's also what I don't understand. I put a Ray-Ban, I put a gel, and I put a shirt. It's a catastrophe. I would say, I would say, I would say in the street, I would say, I can't. I can't. You can't. But my physique is like that. It's for that I know you're going to be able to be in a sort of society where you're going to be valorized for who you are. It's a different way of communication.

28:25Is it you have a tattoo? I have. Because I was going to say, in plus, for a few that you have a tattoo. I have one, I have removed. It's true, it's a bad to remove it? Gross. No, it's not... And I haven't done it because I have always regretted it. Sometimes I have to do it. And then after I say, it's the same thing, it's going to be a cliche. But that you have succeeded, typically. With the tattoo, it's... Or you play at a point. Maybe you can keep it for your 50-year-old. And in addition, I have a kind of a face like this. But it's new. I saw it. I saw it. I saw it. You didn't have it? Because it's 10 years, you don't have to.

29:08So I don't know what. But for example, the alcohol rends a lot of food. Yes, the alcohol rends a lot of food. And then I took the cortisol. I took the cortisol. The cortisol rends a lot of food. Yes, but all of a sudden, and then my life is a lot of food. So all that rends a lot of food. But it's also the shoes. Because I changed the coupe. I made the coupe more short. Because you see, it's also that everything changes the face. But even in my film, there are moments where there are scenes that I haven't kept. Because I'm not going to keep it. Because I'm too cliche. But no, but because sometimes I haven't put all of it.

29:41There's one, but they pass. But people say, but no, it's super. I'm like, well, that's all. In addition, it's a comedy adventure. So sometimes I'm in the desert. I'm in the desert in a barred. I don't know what's going on. There's two or three sets. I'm like, oh, putain. But it's good. Yes, but it's all. But it's... And then, well, there's... You're like that, you're like that. 90 % of the people don't ask questions. They say, it's super, film me like that. Well, I don't have a thing with myself. But, well, it's not. Yeah, you were looking at the combo, you were looking at things where you said in the film, in the film, in saying, oh, I look like this, I look like this.

30:12Yeah, there's a thing very, very funny. At a moment, there's a thing. I haven't done a lot of films as an actor, I've done two. So I don't know anymore. You know, there's a lot of things in the cinema. But you have an impression that you're a bit like these people who can have the head, you know, you're a little... The movement, I don't know what phrase will go with this movement. That you could put your head in every sense, it works, you don't have a bad angle. Well, just you can see, I have David, my director technique, because when you realize a film for the first time, it would be better to have a good director technique.

30:42I'm in the middle of David Crespin, who is a great director technique. And I'm in the middle of a dune. We're in the Maroc, in the Middle East, the discurs are sublime. And then at a moment, I'm in a half-dune, like that, with a crête. And then I'm looking at someone who descend. And then I don't know, I'm a little like that. I don't know exactly how I'm going, but I have the mouth shut down. And David comes and he says, Because when it's me who play, it's not me who play. It's very bizarre. He says, he says, He says, He says, He says, Ok, ok. He says, He says, He says, He says, He says, He says, He says, He says, Well, I'm going to start to cry.

31:28It's very bizarre. I'm like, And then I said, what's there is with my mouth? He said, I'm coming to the combo. He showed me. No, I don't know. In fact, there was a camera. He said, I don't know. I'd say you're 4 QI. And you're looking at... Like when you said... You're looking at the cream. You're looking at the cream. And I saw my mouth at the combo. I said, oh, damn. He said, you don't ever do that in a movie. He said, you have to hold it in your head. And you don't film it. met sous cet angle avec la bouche entre ouverte. Ça me faisait une tête ! Non mais c 'est génial, c 'est comme les photos qu 'on commentait la dernière fois de la presse régionale qui nous prend des mauvaises photos sur scène.

32:10Oui, parce que tu as eu des problèmes. J 'ai eu des problèmes. Tu as voulu censurer la presse local. J 'ai voulu censurer la presse et contrôler la presse. Et je me disais, on a peut -être en commun... Alors non, c 'est vrai, je peux avoir des photos où je peux... Les photos ratées, non seulement j 'ai l 'air moche, mais c 'est pas ça le problème, c 'est que j 'ai l 'air bête ! Déjà, moi, je n 'aime pas mon sourire, je trouve que when I smile, I have a look at the niais. I think when I smile, I have a look at the bête. So, I don't like when I'm photographing and I'm trying to smile. I don't like that.

32:37I don't like that. I don't like that when I smile. Objectivement, I have a look at the débile. So, I prefer to say, he's always looking at the photos rather than he's looking at the débile. So, and, effectivement, the journalists local, because I've had the same problem that you, they've said, yes, it's the censure. Because it's important to explain to people, when you're in tournée, So you make 50 dates, 80 dates, 90 dates, 80 dates, 100 dates, 200 dates, etc. And then in all the cities, you have the local press who comes to the show and tells what she wants on the show. We have no problem with that.

33:09But generally, you have a photographer from the corner who comes to take photos during your show. And it's true that it's the problem of all the artists. All the artists who listen to us, who are in tour, are going to agree with that. It's that, I'm not saying 9 times on 10 because it's not a mess, but 1 times on 2, you find yourself in the local journal with a photo where you're like this.

33:31When you have chance, it's flue. Because at the moment, you don't know too much. And then when you have no chance, you're well done in movement and you're on the center of the journal. And so, your Google image, then it's a carousel of photos of you at Caen, at Bordeaux. And so, in addition to being smart, you have a look of a real spectacle. Null. Yes, it's true that when you're like that, Well, it doesn't make a lot of money. And so, like we have a little bit of love and ego, and that in the first tour, you don't say nothing. Because you say, I don't have a chance on this tour. And when you arrive at the middle of the second tour, and you see that all your photos, your Google image, it's an kind of carousel dégueulasse image of you.

34:18At the end, you say, well, after I paid a photographer for two prix who made a beautiful photo of scenes and other beautiful photos, maybe rather than letting them take their photos to them, like that in the dark. Because in addition, they have some complicated conditions. Because it's not that they do not do the noise. It's not that they do the noise. So you have already seen those who make the cascades who arrive in the way around. I have all of it. I have all of it. I have one on the scene. I told you once. I have a guy. I have to tell you once. It's been a good idea. When I say on the scene, to those who listen to us, it's not that they imagine a scene of Zenith.

34:45I was not on Zenith. It's a scene that makes the size of a little salon. And I have to tell you. And there's a guy who has 1 ,50 m of me with a photo photo on scene with me like if we were doing a duo if I had done a duo he would have been to this place and there he is I'm going to go to my and I'm going to say what do you do I'm going to take photos for after but I'm going to say but even this conversation she has not she has to be in this show I made all of a sudden and he didn't want to go down the scene and so effectivement Nora but I had also had this problem now on the news you don't take photos and we will or then we will or then we will or then we will or so we will or so we will or so we will or so we will and so there are some journalists who are okay with that, and there are others who say that it's the freedom of the press.

35:27Well, we won't make a manifest, but no, it's not the freedom of the press to put us like this. I'm going to say, I'm going to say, I'm going to say, it's horrible because I think that so much your show. I think that already, you have a thing where you say, humorist, the word is already, I don't know, there's a thing, but when you have in plus this thing, this thing, and then after, for a few that you're in a cinema, they say, the brand, she doesn't want to wear it for Cannes. You're there, yes, because they're all on Google, who's taping my name and who's seen like that and who's saying I don't have to pass the tapis rouge in my fringues.

35:57Toi, Muin, you're not the formula of the humor or the vendu. I have a photo on a chapitre, so I didn't even know how to do a bike. A chapitre. Ah, the little... It's cute, it's not cute. When I was little, I had an idea of being a little. I was dreaming of being a farmer, a farmer, a librarian. I imagined, a woman independent, having my own shop and being the patron of my little commerce. This feeling of independence, I finally gained on the scene, thanks to my spectacles. But if I could make this other dream of child, I don't know what I would sell, maybe my skincare skincare or makeup, but I would use Shopify, which sponsorizes this episode.

36:31With Shopify, no doubt, no doubt, no doubt, no doubt, you can sell everywhere, on your website, on social media or directly in the shop. And they can help each step. Because everyone who has réussi by themselves has started somewhere. It's just an idea. Shopify is concerned about the rest. What do you expect? You can do it today. Today, start your free essay on Shopify.com.

37:19interior paint. Easily compare prices and read reviews. Thumbtack knows homes. Download the app today. Je voulais en revenir sur ta puberté tardive. Ah oui, ah oui. C 'est quoi une puberté tardive ? C 'est quel âge pour un garçon ? J 'en sais rien, mais je voyais bien qu 'ils attrapaient de la barbe, ils attrapaient des poils sur le tord. Moi, je n 'en ai jamais eu. Ça t 'arrange ? Oui, ça c 'est cool. Les poils un peu sous les bras. La première chose chez les hommes, c 'est un peu... Est-ce que tu t 'épiles sous les bras ? I'm not rase. I'm not rase. I'm not rase. I'm not rase. I'm not rase. But I'm not rase.

37:52I'm not rase. But after, I have very few teeth. Ah, a tooth tooth? Yes, I do it. I'm not rase. I'm not rase. I'm not rase. But if you have these teeth, you're rase? No, but from time to time, I have a little bit of a push. You know, I'm doing a pince of the pill. I'm going to have five. The teeth. So, tac, tac, tac, and then it's finished. It's fine. five minutes. It's not bad, the teeth on enlever? Yeah, it's not bad. The board of the teeth. We really know that. It's really dangerous. The board of the teeth. The board of the teeth does not make bad. I'm not a fan of the men who... But you don't have to do it.

38:22I don't have to do it. I don't have to do it. when the girls have to peel the teeth and then it's a bit of a cat. No, no, it's a good thing. But even there are that they're going to do it. There are a lot of things. Yeah, it's a good thing. Yeah, it's a good thing. but I think if I had a lot of people there, I would have to throw it out, honestly. Or at the cirque, maybe it's a certain... There are some people, sometimes it happens on an Instagram or on a beach, when I see a guy at the horse's nus, sometimes there are some people who have the hair harmonious. There are things that I think that they're going well.

38:54There are some people who I don't like the hair, but I think that they're going well. It's a lot of people, right? Yes, and that it's a matter of form, of texture, I think. The hair is not... It's not... It's true that you have people who have a beard. But in a way of general, I don't have enough for a project. D 'accord. You don't have any project? There's already a project of a barbed? Now, I'm happy. Because I think it's not bad. I'm a little short. But I'm a little bit. I'm a 2-3 days. And that I'm a good. Now, when it comes to me really rasery, I feel like I'm really a child. So I like to be young, but I think that I would be a goss.

39:40So I like it a little bit like that. But now I have enough for when I let it push, on to see a little bit. But until it's still 5 years, it's not possible. And when you were an adult, you were beautiful, you were complexed, you had things, you had to have acne? I didn't have acne. No, I didn't find it. I didn't find it very beautiful. I found... It's a good question, what do I say to myself? You had success, you were interested in that? Are you interested in having success, to play or not? For the girls, yes of course. I think that's a bit of all the girls. You have to play with the girls who you like.

40:16And the girls also. But there are girls who want to play with everyone. No, I didn't get into this relationship. I was in another relationship. I was in a relationship... I had always a rapport a little bit too. I was rather in a rapport of if someone would me cause problems. I was rather in a rapport of not to be not to be let go tranquille. I was rather in a rapport like that. So I didn't want to be a désagréable but I was more I didn't ask if I was popular. You know? I wanted to just make my life and let me be quiet. And I didn't support that we came to me to be able to get the bonbons so I didn't ask to anyone.

40:57C 'est toujours un peu le cas d 'ailleurs. Mais je ne me posais pas la question de ma popularité. D 'ailleurs, tu vois, par exemple, en sixième, j 'ai été élu délégué de classe. Je pense que ce n 'est pas parce que j 'étais populaire, c 'est parce que j 'ai été très convaincant sur mon discours. Je voulais être délégué de classe. J 'étais sincère dans ma démarche parce que je trouvais que les délégués de classe que j 'avais eu avant dans les plus petites classes étaient nuls. Et je n 'avais aucune confiance dans les deux personnes qui s 'étaient présentées. Tu avais un bon programme pour la sixième ?

41:24J 'avais un bon programme, oui. Je ne sais plus ce que c 'était. I was just thinking about that when we talk with sincerity, we have no need to have the paper in the hand. I remember that I would have said that. And I was sincere. I had taken it very close. And it was not for impressioning or to show that I was popular. I was in a real dream of I want to have this post because I don't have confidence in those who will have it. And I know that if I do it, I will do it well for the group. And I had already this thing of saying that he doesn't like it, he doesn't like it, he doesn't like it, but he has the same right that the others.

41:55So I took it very very close And in fact, I saw that I had no power So I was never represented I was very déçu I was very déçu very early in the 6th I was very déçu very early in the politics I was told that I didn't have power I stopped to be elected when I started to have a bad result Because it became a terrible thing to say To say what to say face-to-face You don't work quite well There's a lack of work, there's a lack of serious There's a lack of stuff I was still a very good student So it was wonderful You were at the school of class You were not a good student to you? until I was interested in the girls 5th I stopped ah yeah I would have been convinced yes but because I think very intelligent by a year

42:33Jérémy Ferrari: but it's to say but I was not but I was thinking no I had been very good enough until 6th 5th I was in love and then after it was only a bad thing because the love has started to take place of more and more important the life and the family also so that plus that it makes a combo atroces. Et puis, j 'aimais bien l 'idée de ne pas en foutre une comme ça. Si je ratais, c 'est parce que je n 'avais pas travaillé et pas parce que j 'étais bête. J 'avais très, très peur d 'être bête. Et donc, du coup, je me suis dit que je ne travaille pas comme ça au moins. Et du coup, ce n 'était que des bonnes surprises.

43:08J 'étais vraiment l 'élève très agaçante qui a eu 17 au bac philo alors qu 'il aurait dû avoir 3. C 'est marrant que tu avais très peur d 'être bête parce que c 'est un peu ton personnage. Tu joues un peu de ce fil parfois de naïveté, de fausse... Ah bon ? Tu trouves que je joue un personnage de bête ? Non. Ah oui, on est vraiment sur un point sensible de l 'enfance. Il n 'y a aucune discussion possible. Tu trouves que je suis bête ? Ah bon ? Attends, mais arrête. Je ne sais pas c 'est quoi mon perso, là. Tu m 'inquiètes. Je suis sûre que tu me confonds avec une autre humoriste. C 'est génial, parce que pour les gens qui nous écoutent, qui ont très bien compris ce que je voulais dire...

43:41Mais non, personne n 'a compris ! C 'est très drôle, parce que because when I was little I had a real fear of a rat bed it's funny because in your character you play a little bit I'm a bad but you think I play a bit of a fear you play a bit of a very lunaire a bit of a bit of a bit of a plaque you play on the floor you play on the field there it's atrocious I'm just a bit I thought that I play you see what I mean I swear that I don't know you have this kind of flotting in your character Yes, flottant. Yes, but not today. Quelqu 'un who plays the flottant, it's someone who has a certain nonchalance.

44:21I don't know how to explain it. You have this way. Flegme. The other day, he told me. No, not Flegme. Because Flegme, it's someone who's fain. There's a notion of I'm fain in the word. To, you don't fain. But in addition to your show, I still look at the... Yes, but even worse. I found that there was art B in the entire world. I looked at you. You look at me. You look at me. I looked at you. You play a little bit on this side. On a certain naïveté, a little bit flotting, etc. In your own. If a day I read an article that he says with his character that he's a big deal. Especially with the photo of the Nouvelle République.

45:03But I don't play a character in more.

45:08It's atrocious. I give you an example. The other day, there's a girl who told me that she was doing stand-up. It's super hard, no? It's still a pote? Well, no. She's going to recognize us. But no, but... You look at our two characters on scene, for example. Look at the way you talk. Look at the way I talk. I play the thing very sure of myself, very anc in my mind. Toi, you play the doubt. The doubt. The doubt. The doubt. Permanent. Well, so the doubt, it's a... But often, it's the most con. It's what they affirm. But yes, I didn't say that you were a bête. I didn't say that you were a bête. I tell you that your character He plays the doubt Someone who is in the doubt It's someone who doesn't know Someone who doesn't know It's someone who is a little flotting And you play On the balance of this You play on the floor Yes, but you play on the floor Yes, but you play on the character I do rather than the text And so it's why I tell you that You're going to make sure You're going to doubt And then you have a very strange And so you create your ruptures But are you trying to say If you were the pitch of the spectacle You would say Derrière his appearance You're not a pitch and her character of a fausse naive is a little and...

46:14Oh, look at that... I'm so sorry for a fall of an enfance. There's no nuance. There's no nuance. We have a kind of a fall of an enfance. And now, my fall of an enfance me pousse to tell you these things that I've already said three seconds in plus and I've sented that it started. I've had plenty of very good results without working. But I was last year at the Concours Kangaroo, for example, from the Ile-de-France. What is it, Concours Kangaroo? It's a concours, but it's called, in appearance, it's not test of cuir, it's a concours of logic. Everyone has passed it, a priori. I don't know what it was, until Charleville-Méziers.

46:49Ah, bon ? No. The Kangaroo has not gone as far as long. Ah, it's possible. Ah, Charleville-Méziers, already, it was going to be a teacher. Revenons-en à tes cheveux. L 'adolescence, it was how? How? And what were your goals? Est-ce que tu t 'intéressais, j 'allais dire, à la mode, autant qu 'on peut ? Parce que ça m 'étonnerait que tu aies après radicalement changé. Tu as lu un peu mon Wikipédia ? Oui ? Pourquoi ? Parce que j 'ai grandi, je s 'intéressais à la mode. C 'est tout à fait possible. Je pense qu 'on va recevoir plein de commentaires. N 'hésitez pas à tous les gens de Charleville qui s 'intéressent à la mode à commenter.

47:25Parce que là, tu sais quand on tape Jérémy Ferrari sur Google cheveux, le troisième mot qui sort, c 'est ce que c 'est ? blue blue how about it, blue blue I thought I had to be able to to be able to see an image and in fact not at all and after I saw you do a sort of tuto beauty and I was told we have the same passion but it was a tuto beauty coloration during the covid with Romain I don't know who it is I don't know who it is I don't know who it is I don't know but it is very funny I have a little scene in my film I have put it in my film Ah, c 'est vrai ? Une petite scène. Là, il avait une petite mèche décolorée.

48:03Oui, parce que c 'était pour rigoler. Parce que lui, il s 'en fout de ses cheveux. J 'ai dit, ça te va ? Je cherchais des idées à faire pendant le Covid. Je me suis ennuye pendant le Covid. J 'ai dit à Anne-Sophie Nguyen, qui est notre amie et notre attachée de presse commune, je lui ai dit, est-ce qu 'il est venu avec sa trousse de toilette ? Et elle m 'a répondu, non, mais il est venu avec son gel. Et franchement, j 'étais là, c 'est -à-dire. Ben, gel pour me coiffer. Donc, tu te coiffes tout le temps avec du gel ? You have to be able to get the skin off. I have a lot of roots. It's a carnage.

48:34I have a carnal, I have a carnal, I have a carnal, I have a carnal. You have a lot of roots. What do you want to say? It's a term of coiffeuse. It's not me who is looking for. It's me who is a bad friend. You are paying people who say they have a lot of roots. I have a lot of roots. You have a lot of roots. But it means what? I don't know. It's not what it means. It's a good thing to be intelligent. You have a false naïf. You, for example, look, your mèche, your mèche, you have to... You have to make a mole like that. The gravity. Yeah. Okay. But I don't have a gel. If I put you gel, they're like you.

49:09No, but you can... No. Your mèche, when the cheek pousse, it's a gravity like the face of your mom. Yeah. Well, I'm going to push like that. Like a monsieur plant? It can't... It can't... It can't... It can't retombe. The root root is Puissante Et gainée Elle a Le cheveu Il chute Il Il vise Tu vois les monsieur plantes Que t 'arroses Les plantes Tu mets T 'as pas vu ces plantes Bah si Non Mais en gueule pas Non J 'ai le droit de pas connaître Monsieur plantes T 'as pas eu d 'enfance C 'est des visages Tu les arroses Et ils ont l 'herbe Qui pousse comme ça Ah si Oui bien sûr Toi t 'es comme ça Putain tu viens de me rappeler Un truc fou là Putain je veux Je t 'en offrirai un si tu veux J 'en ai trois là J 'adorerai Ouais c 'est merveilleux Ouais Yeah, it's amazing.

49:56And in fact, they push like that, like that, like that. You can cut it. And if you're going to get rid of them, they start to be like me. Like that. Well, I have my hair, I have my hair, I have my hair, I have my hair, so how do I get my hair? But wait, what's the deal with the gel? You take the gel to get the aplatir? Yeah. Otherwise, you would have a cup of brush. I take the gel to get the domped. I'm doing it like this. I get the domped, in fact. I get the domped like I can. Because if you look at it, it's kind of... But what's that, it's not true. But no, but it's not... They're in all the senses, in fact.

50:25And they don't want to move. Because they have the racines. They're not flexibles. But it's not that, the racines. Because it's what, the racines? Because apparently, I don't have a long term. I think because it's perfect. There are people who propose to make a racine. Well, it's not that. The people don't want a problem. The people don't say, I'm not sure I'm going to do it. So it's not the problem. The racines, for me, it's like... They have a racine. You have a racine. I'm going to Google it. Like if I had dormi on the top. Ah, bon ? Oui. It's not that. If I do that, Nora, if I do what you do here, I have two waves like that.

50:56But it doesn't come on my front. I would like to see that. You have to get the hair of the hair? To get the hair of the hair? It's something that people... You have to get the hair of the hair. Yes, because I don't have the same hair of the hair. But I would like to tell you that you're like those who have said give me your skills and who are like, I'm a worker. You're like, okay, it's a good thing. And you're talking about your problems of the hair of the hair. Well, there you have a mode of work for getting the hair of the hair. Christine prenait le cheveu dans le sens opposé de sa pouce. Il y a Jacques Desanges, il y a tout le monde qui dit comment booster le volume.

51:28Parce que j 'ai lancé une mode. Donc ils t 'ont dit que vous avez... À la base, c 'était un défaut. Et puis après, quand les gens m 'ont vu, ils se t 'ont dit comment on fait ça. Est-ce que tu serais triste de perdre tes cheveux ? Ouais. En plus, mon père est chauve. Mon père a perdu ses cheveux très jeunes. Ah, donc c 'est bon. A priori, t 'as passé le... Et moi, j 'ai les cheveux fins. Donc comme je mettais du gel et que j 'avais les cheveux fins et très courts quand j 'étais jeune, on me said on voit ton crâne, you're going to lose your feet like your father. And so it was... I had really a fear for a long time to lose my feet.

51:52And then, I've passed 30 years, no hair of hair, 31, 32, 33, 34, 40. And what's very funny is that the last time, I went to an institute to do a treatment of the skin. And... I didn't know that? No. So I was allongé like that. And you know, you put them in the vitamins in the skin. Maiso. So I do that from now. It's really nice that you can talk about all that. I love the meso. So I've done that. And, like, I said, it's okay to make you do that. I took a rendezvous. Well, I didn't know. You just did the hydra facial? I didn't know. No. No, it's the word that you did. No, it's the gesture. You just did the hydra facial?

52:26Oh, pardon. I was not going to laugh. And so, it's not my humor. But you did the hydra facial? But it's because of that you say that I have a person. I'm going to tell you. You know, it's because I'm doing things like that. It's because of that. It's because of that. Who's going to do that? Because of that? Because of that? It's because of the hydra facial? You can't loudly range gonna like it. I don't know what you're at. That's crazy. I'm so fake, right. I'm not full, I'm not a python. I think that's true. I'm signing that wiedra facials. It's just a lot of noise, that I own I conclude with an By the way, a woman who is in charge of me doing my thing.

53:06I don't know how to call it. It's not an infirmary. I don't know how to call it. A woman who makes my thing. Then we talk. And then she does that. Then you can do it on the shoes. So she does it. Then she does it. So it's like a machine like that you can inject I don't know what's there. Do zinc. Yeah, well, it's something that revitalizes your hair, your hair, your hair, and all that. And then she does it. In all case, your hair is incredible. Arrête. So I'm like that. But I'm like you with the bitty It's a fight of enfance So I'm like I'm not a dog I'm not a dog Like I'm taking hyper bad She says he's got a dog Forcément It's like you with the bitty She's like she's like She's like I'm not like I'm not like I'm a sensible And she's like This kind of Faux professionalism A little bit in empathy There's no problem I know I know You know, we're between us, it's not going to be a But I said, I haven't done a grève of the hair She said, but Mr, pardon, we're going to close the debate, but it's my job Well, no, it's not your job It's my job Visiblement, you're nul I see that there's a hair fin and a hair more thin It's called a grève of the hair And it's okay

54:21She said, it's okay No, I said it for a little bit of humor For it's even more lourde It's okay But we were still on someone who was going to employ it of the time. I didn't completely agree on the character. And I said, I didn't have a grave of a hair. And she said, okay, you didn't have a grave of a hair. Ah, damn. I told you to tell everyone. I'm happy to tell you. And she said, okay, okay. It was completely, okay, monsieur, you didn't want to assume. And she said, because it's not a medical, so there's no secret medical. I saw Ferrari, he made a grave of a hair. Mordicus, who didn't have a grave of a hair.

54:59Oh la la Tu sais que moi j 'ai une histoire très drôle Tu vois qui c 'est Michel Esco ? Acteur de théâtre C 'est un rapport à ta grotte ? Non La grotte de l 'Esco Oui c 'est pour ça que j 'ai eu un petit bug Tu sais comme je suis bête Et bref Et si tu ne vois pas, allez chercher sur Google D 'ailleurs je t 'embrasse Michel si tu nous écoutes Mais c 'est un acteur avec qui j 'ai joué dans un film d 'Olivia Sayas Qui a des cheveux gris comme ça, plein de très beaux cheveux and he played in the film of Mayowen, I think. At the end of the show, the person from HMC said you didn't forget your hair, Micha!

55:37It was really his hair. I think that's great. But that's the most pire. That's what I said. I have so many hair. You didn't want to have a hair. No, but well. She told me that you had an artificial implant. artificial. Well, it's my origin. I also said, I would like to get the number of your episode with Marine Leonardi of your rhino plastician. Arrête ! No! And it's a very good thing because I'm saying, no, no, no. Because it's true that he is perfectly drawn and it's true that he looks almost too... I would say an IA. You're a good thing. In IA, he would be like that. No, not the side. Ah, thanks.

56:24The side, he is a shame. He is a raté. But the face, we would say really... Yeah, the side. And especially, he has not at all the same sides. Ah, it's true, it's funny. No, it's not for that. Why? Because I have a big... No, it's because when you turn to the side, you do that. But it's not that I do that, it's that I have a gland. You do that, look. I'm not doing that. I'm not doing that. I'm not doing that. I'm not doing that. That's because you don't do that. Look, you don't do that. You don't do that.

56:54I swear, I'm going to do this, I'm going to do this There's a little bit of stuff, but not a lot Or it's the other side And there, there's plenty I have like a testicle Or a testicle She's not a alphabet A testicle A testicle No, one, I think One On dit souvent D It's a hard pair It's for that it's the kind of thing And that's the other side

57:17I have a theory I have a theory I have been taken to forceps at the naissance And there's a lot of stuff because there's really one profile who's more successful than the other. But... But it's not a problem. They don't have a tiré... I don't know. They don't have a mother. Oh, I don't have a envie. She'll take a lot of pleasure to tell me. It's going to be a dégoûté. Why do you take a pleasure to tell me? Because sometimes when she's a little bit of a drink, and you know, I don't like to drink in my drink, when she's a little bit of a drink, she's a little bit. You know, I don't remember where you're sorti.

57:42Which is really... You know, with her skin, she's like that. In the meantime, when she comes to your taste, it's like... Yes, exactly. In your cake, you have to have a chantilly. Yeah, it's weird. And so, why did you talk about your hydrafacial? Because of the hair. And so, I have this anecdote with this lady who told me... But why did you talk about your hydrafacial at the base? Because you told me about my hair. And I told you that I didn't lose my hair. And I wanted to tell you this anecdote. And this anecdote, she was going to happen during an hydrafacial. You prefer to wear your shoes there, in golf, at the judo, or in the crown?

58:21No, I prefer there. Because there it's hard. But I, all the people who lose their shoes, I say, but raise it. My father, who has lost his shoes very, very young, he has lost his shoes. He had the crown? Yeah, but very young. I think, at my age, at 30 years, he had no shoes. And very quickly, with my mom, I said, raise it the head. And it goes very, very well. You have to go with a hand or with a brush? No, no, no. If I have a brush with a brush, I have the shoes that they do like that. They gonflent mes cheveux. Moi, si je sors de la douche... C 'est pour ça que je t 'ai dit comment ils sont à la mer, et tu as voulu te moquer de moi.

58:51Parce que tu as le fond mauvais, mais tu vois très bien que c 'est une vraie question. On dirait un coup afro sans les cheveux crépus. J 'ai les cheveux mousseux, lisses... Un nuage, champignon. Ah, mais lisses quand même ? Ils sont lisses. Moi, la mer, ils ondule. Comment ils peuvent gonfler ? Ils viennent mousseux, juste ? Je ne comprends pas. Pourquoi je ne vais pas venir la presse régionale en France à la mer ? Ma mer est frisée. and I have the shoes that started to ondulate when I was 17-18 years old. I said, oh, putain, it's not a freeze-dash. And then, they changed their life. Like I have the shoes, in fact, like I'm going to bed, they're just plaqués on my crâne.

59:24And with the sel, it's just plaqués. So, in real, it's cool. In the look of Kona with his pantalons. Ah, yeah, with 15 days of bronzing, it's a catastrophe. In plus, you have to bronze in 2 seconds. I'm going to get very quickly. I hope you put it on the screen. And in plus, it's beautiful. I'm going to get doré. And I have the tt who become a bit brun. Yeah, and like you took them off... It's very beautiful. You have a little bit of a tete who bronze brown. A little bit of a tete. But you have a little bit of a tete, which is rather beige or rose. No, it's rather beige. I'm pretty matte. You have a matte of a skin.

59:53I have an Italian origin. So, for sure, you put the soleil. My body is like... I bronze very quickly. Yeah. And you put the SPF? It's the screen total. Yes. I've seen that it's technique for you. I put it on the face, because in addition, I'm a little bit of the taches of the soleil who are going to leave with the summer. They are going to leave, I'm happy, but they have a tendency to reappear. So I'm going to put it on the top. I'm going to put it on the top because I don't want to have a lot of TAS. So I put it on the top. But anyway, I can stay at the top. I'm going to put it on the top. Well, you can't show us what there's in your toilet.

1:00:27Ah, it's for that? I don't have to put it on the toilet. I can tell you what there's. There's cream. There's an electric. There's a bowl of caresses. There's a pincea epilée. For the TT. For the TT. There's a

1:00:45dentifrice, a bottle of electricity. In tournée, you take the bottle of electricity? Yes. No, but in tournée, you take the charger and all the stuff. Yes. And it's all. But you must be the type of person who does a lot of fill dentists, no? No. Ah, okay. No, but I'm a little a little bit of hygiene. I think it would be a lot of fill dentists. No, I'm a lot of times a day. I'm a lot of I'm a lot of I'm a lot of I'm a lot of I don't know how to get into a vatican. I'm not going to put it in a vatican. But you feel? No. Oh, that's what you're doing. I'm very sain and I'm doing sport. But you put it in a DO?

1:01:20No. I think the odor of the DO is very artificial. It's not good. But you're not supposed to put the DO, Hugo Boss, also, to get your t-shirt. In this case, you put it in a very bad way because it's very bad, it's very bad, the anti-transpirant. It's not good. And, sincerely, I'm not going to feel it. So I have always in my bag a shirt, a shirt, a shirt, a suit, a suit, and if I'm too transpiré, I change. And I'm not going to do it. You have even the peau in the pool? Yes, because this morning I had a shirt and I'm too transpiré in, so I'm removed the shirt. And if you feel... From 0 to 10? No, really?

1:01:58No? No, because we don't feel it. Moi, by the way, I don't feel it. No. But in real, I'm too much in this pool. I'm feeling bad. But I'm a zinzin, so... No, I'm not. But how does it go, it's not? The respiration, it's what you eat. It's fine, I'm very good. But you're a zinzin, I didn't say that you smell. But I think in this moment, I smell. No, you don't smell. Yes, I smell. No, you don't smell. If I don't know, I'm not feeling bad. No, but after, on a period, on a moments, you know. the cycle it goes with your hair in fact there's a moment in the month where you have a lot of hair and you feel bad but it will take a few days no well I don't know how we're going to finish this podcast but it is finished we have all the time to see you in the cycle where you feel and you have a lot of hair it's atrocious and also my show where I play a character a little bit of a little bit.

1:03:07We haven't even heard that. No, not at all. We've heard that. I'm very happy to have received you. I just wanted to talk about your body. Who is in this show? Assis, do you want to tell us when he comes out? With who? The film called Les Cadors, with a particular orthography in relation to the film, it's a comedy adventure. It's a comedy adventure with Eric Judor, Laura Falpin and me. But wait, it means it's supposed to be before or before the week it's out. Yeah, it's good. It's a bit weird. If I'm in May, it's a bit weird. Yeah. So, we're in for the show. That's good. Yeah. Okay. Great. Thank you, Jeremy.

1:03:49With pleasure. Bye. Bye.

1:04:03Quick question. When was the last time a display ad changed your mind? Now think about the last time a friend told you about something they loved. Different feeling, right? That's how podcast advertising works. A host who's built real trust with their audience talks about your brand in their own words, in their own voice. It doesn't interrupt the experience. It's part of it. With Acast, you can access the world's largest podcast marketplace, Choose the right shows, the right audiences, the right format. Then watch the data tell you it worked. You're not buying impressions. You're buying influence.

1:04:36Learn more by visiting acast.com slash advertise.