[REDIFFUSION] Vincent Lacoste, le beau gosse au chalazion.

0:00While every other channel is fighting for your customer's attention, podcasts are where they've already given it. No one accidentally listens to a podcast for 45 minutes. They choose to be here. They trust the voice in their ears. And when that voice talks about your brand, it doesn't sound like advertising. It sounds like a recommendation from a friend. Acast gives you that trust at scale. Digital precision, post-read authenticity, and performance data that proves it worked. Don't fight for attention. Buy it with Acast. Learn more by visiting acast.com slash advertise.

0:46Bonjour, c 'est Nora Amzaoui et vous écoutez En Apparence. L 'invité que je reçois aujourd 'hui est mon acteur préféré depuis 2009. Je lui ai voué un culte pendant des années. Plus d 'une décennie plus tard, j 'ai eu la chance de le rencontrer sur un tournage de la série Irma Vep d 'Olivier Asayas. En loge, on s 'est découvert deux points communs, un grand intérêt pour la bouffe et une peau à tendance acnéique. Depuis, on se recroise, mais on se partage surtout des adresses de sushi et parfois des numéros de médecins. Salut Vincent Lacoste ! Salut ! Je suis très très contente. Je précise pour les gens qui nous regardent que normalement, on ne mange pas dans ce podcast, mais que j 'ai vraiment eu envie de...

1:20De me donner à manger pour m 'attirer. I have to tapate, exactly. And as I know you have a little passion, we are going to eat some sushi from our friend Taku Watanabe. Taku Watanabe, who, by the way, I asked when I was all over Japan, he said, are you going to have some sushi to me advice and everything? He said, it's very difficult to reserve a restaurant. It's the only answer? So he didn't give no adres? No, he said, it's really complicated. It's really complicated. It's really difficult to reserve, I believe, for a month to advance. I've never been able to do it three times in Japan. I've never managed to go to the restaurant.

2:04I've watched the Chef Stable and all that stuff. The Chef Mythic, which is in the metro. Where there are very few people. You've seen this video where Obama goes and talks a little bit too hard. So it's been a hard to make a nest. Because you didn't really talk. because you have really rules very precise we have reserved a restaurant where it was written no perfume but what's that's entend in fact I was eating a thing I was eating a thing really cool the last time for the coup a sushi on me was emmened and so it's the bar to sushi like that where I think it's the thing that I prefer it's exceptional and there in fact he gave me a thing which was slightly croquant and I didn't understand what it was a thing that was what this stuff and in fact it seemed like a little thing like that and in fact it was a little bit of a green crue ah arrête ah putain it was wrong franchement it was not good no it was not no one time in fact I had a little suspicion already when I saw you know the little pate and I was like no it's not a green crue it's disgusting and in fact it was really there are sometimes there are some experiences that you can do which are ratified which are a little bit but the rest it was super good There, there's no green.

3:20There, there's no green. And I'll tell you for the people who listen to that this podcast is not a podcast on food, but a podcast on the appearance. But maybe we'll be able to get rid of it. But I wanted to also excuse auprès of misophones, because we're going to make a noise of mouth, because we're going to eat. Excuse us. Then we'll take an episode when we're going to eat. I didn't know my microphone. Ah, really? It's the phobics of... The noise of mouth. Yeah. Yes. In fact, yes. It doesn't go with the soup miso. Vincent, the last time I received a text from your part, you asked me if I knew what it was that...

3:59I don't remember. It was kind of... I have the impression of being the friend, so the friend who is expert in the peau, so the friend who is a lot of treatment. because I received... It was a test of the... It was a thing for the peau, for the coupe rose, I think you said. Yes, it was a coupe rose. Because in fact, when we were meeting you on the tournage of Irma Vep, you told me that you had a lot of acne, and in fact, I never saw any buttons on you or anything else. So I said, wait, it's not a thing to do. You told me, I never saw any buttons on you. Yes, I have a really big one. I have a few times.

4:41I have a few times that they've been during three months. Ah, mais moi, j 'ai des boutons qui peuvent durer, tu ne peux pas savoir. C 'est de l 'inflammation, c 'est des microquistes. Qui ne sortent jamais, d 'ailleurs. Qui ne sortent jamais, c 'est le pire. Le pire, c 'est ceux qui sortent, mais c 'est les volcans à trois têtes. C 'est -à-dire que tu en éclates d 'un côté, après il en revient de l 'autre. C 'est atroce. Et ça dure genre deux semaines à éclater le même bouton. Et celui-ci, parfois, il peut te laisser une cicatrice. Oui. J 'en ai quelques-unes de cicatrices comme ça. Mais non, mais c 'est de l 'acné microquistique, je t 'ai dit.

5:10It's for that you don't see it. But for example, I have an enormous one. He is there. I don't know if you see a little volume. No. He is in the middle for the moment. Ah, he is in the middle. And as I eat, I'm in the flame. He becomes very, very large. And at the time when we were meeting, I was wondering, at this time, this was not the moment where I was going to take the Roaccutane in micro-dose. Ah, yes, yes, yes. You told me that. But that, I've always had a fear of doing that. After, I've never had no more an enormous McNair. Oui, so, like. No, but it's just that when you're actor... It's a shame to have you have buttons on your head.

5:39Yeah, and then you're... You're a little bit obsessed with your appearance. It's not... It creates a narcissism, but you're always at the image. And I'm always at the moment when I'm tired of filming, I have buttons. And I have also some of the orgelers. Ah, why is that it's a fatigue? I have a lot of chalazions. I have a lot of chalazions. I see very well compresses of water. And then the compresses, they become tired of two seconds, and you pass your day to put some compresses. And then, it doesn't work. The compressions of the heat, it doesn't work. It doesn't work. You have just your stuff in the eye for months and then it's all.

6:17But

6:21it's a job where you have to do a little more attention to your appearance. And so, I started to do an adolescent to make films, Les Beaux Gosses. At the time, I didn't have a button. And at a moment, I don't know, I was 18 years old, I started to have a lot of buttons. And then I was thinking, how would I make this job with the job that I have? It's terrible. But wait, when you're picked, when you choose for the Beaux Gosses, you're 15 years old? Yeah, I'm 14 years old. And you're not a fan of your appearance? You're not a complex? No, I loved my habits, I loved my habits. I loved my... I didn't like my head, but I loved to be able to I loved the style the style but you were doing it to be a mode or you were a little bit more like that?

7:15a little bit of both at the time it was the tectonic so I mixed things tectonic it was also the mode I didn't have money there was a company called De Laven where I went every weekend and after I was at the side of St-Ouen so I was all in the office of Saint-Ouen to find some of the spices I was obsessed by Michael Jackson so I was a little bit you were a little bit Michael at the time it was not Michael it was a little bit Michael at the time he was he was a little bit but he loved it but dangerous it was perhaps not dangerous it was perhaps before it was invincible 2001 I don't know But it's also a thing that I discovered Because you're quite a bit in mode But also in déco You're very interested in that Because you made a day A day, a moquette noire That would be stylized here And I was like, I think you're in a moquette noire And you told me You mentioned it's a reference François Hardy It's the photo of the apartment of François Hardy And in fact, it's beautiful but do you regret it?

8:29I love the moquette no more because it's a little bit because it's a little bit because it's a little bit because it's a little bit but you can make the red red what you want there's never with the moquette blanche it's beautiful but you do you have to change entirely your moquette you're a little for the toilet you know that exists no I didn't know that existed but it's a priori you're the only You're not alone. Yeah, but I'm a little bit of a guy who knows. Well, I had a Japanese toilet. Oh, that's a chance. They were falling in pain. I'm always that. In fact, it's Japanese toilet. They've been working for a year and they've stopped working.

9:11And in fact, it's a brand called Toto, which is super famous in Japan. And in France, there's a repairman who's been a repairman. He's been a repairman for six years. So in fact, he told me, I remember. I remember it was three years ago. Oh, there you go. And so I had just toilets. Normal. Just a little bit. But... But... But... Well, I had to go with the Japanese. Because I had to go with the Japanese. I had to go with the Japanese. I was like, you can think that... That you're a little mytho. That you're like, I'm going to have a Japanese toilet. The Japanese, the little jet, etc. And you're like, there's nothing to do.

9:49I think the little jet, it's really... It's really... The luxury of hygiene is really wonderful. I think it's the thing in Japan. It's hyper proper. It's the real thing. It's the best way to be 100 % proper.

10:14So, I don't like it. But so, ados, it's not an ados complex, even if you don't like all those ados, because there are a lot of ados who are going to love it. except those that we can't say and who, of course, are becoming people who... But you were rather in the thing of wanting to play, of wanting to play, of wanting to play. Yeah, I was not at all in the mode I was not at all in the mode I was not at all in the mode I was not at all in my appearance, etc. I was at all in the things that I was... In fact, I had a reference to myself, I loved the manga, I loved One Piece, I loved the same thing.

10:52My son is One Piece at this moment. Yeah, One Piece. Well, I was already at the time, but there were 30 volumes now. Yeah, there were about 120. So it's really... Yeah. But in fact, I loved... Yeah, I don't know. I always loved to be able to get dressed, to try to be cool. But after, it was also in terms of my... Because at the time, it was really... Well, at the time, it's still the case today, but there were a lot of rap. In the meantime, there were a lot of... I was really at the time tectonic. In fact, I made a mix skater, then then tectonic but in the same time rap it's to say that at a moment it was it was it was it was the time 50 Cent his song Candy Shop he had an enormous mantle in Chanchilla I found it hyper cool the thing is really scandalous it was really a mantle of pimps absolutely but you had something like that in synthetics no no no but I had a t-shirt you know, a brand called Echo United, it was his brand, he was JUnit.

11:57So in fact, I had a big shirt like that, with a billet, a little a-poil, and my parents were there, what's that it is, because it was to me see, I had 12 years old, I was not at all that. And then I was on skate, and so there I had a lot of things a bit of DC shoes, I had a big shoes, that it was still a little bit with the baggy, the stuff. But I had too much fear. I had a little fear. So I had too much fear of descending. In fact, there was a rampant over my head. And I was going every weekend or every Saturday afternoon. And I stayed in the top of the ramp. And I never had to descend this ramp.

12:37So after one or two years, I was thinking, let's go, I'll do that. And now, it's the moment where the tectonic took off. It was a little on the chin, the tectonic? It wasn't the mode of the chin? Yes, it was a little on the chin. Yes, the chin was a little on the chin. But it was the beginning of the slim. Because after it arrived the baby rockers. So after I was born a baby rocker. Ah, yeah? Well, it was a baby rocker. In fact, it was mi-tectonic, mi-baby rocker. Because in fact, the baby rocker was a little bit. But because there were the slim, the gross shoes. Chip Monday, non ? C 'était pas Chip Monday ?

13:16Tu avais le Chip Monday. Tu avais Shmoov, les chaussures pointues, là. Oui, très mauvais goût. Quand tu repenses, tout ça n 'est pas du tout, ça ne met pas du tout en valeur, ça. Non, mais c 'était... Moi, je trouvais ça hyper cool. J 'avais un cab, un grand caban aussi. J 'avais des... Moi, surtout, j 'ai des petites jambes et un grand buste. Donc, vraiment, le slim, c 'est terrible. Ça aussi, on en a parlé. Moi aussi, j 'ai des petites jambes et un grand buste. Oui, ça, c 'est terrible. Pour porter les habits, it's terrible because sometimes you see a dog in the street and you have the impression to be like them there are some I have some I see but I don't know but I don't know I don't know but I don't know because I put I put my pants in the high I put my pants I put my pants up to the high just like that in fact in fact in fact it was really slim and bass so it was it was with the silhouette and then with very large in fact it was the mode with the shoes pointues but with 100 talons.

14:11Yeah, yeah, yeah. I see very well that they grandят the leg. The leg is bigger than the leg. Yeah, it's very, very good. I see very well. But then, when you start in Les Beaux Goss, you're going to get a sense that they're going to put a shit with a pull brick and a coupe... How to describe it, this coupe? It's a long. Yeah. And then, they put a lot of buttons. They put a lot of buttons. In fact, in Les Beaux Goss, if for the real purists there is actually an evolution of the button at the beginning I have a button there at the beginning of the film it was a sequence it was not an evolution of the button so at the beginning there is a little rouge after it becomes really very white and at a moment I clapped and so it becomes a croûte and at the end it disappears so it's also the story of the button it's great this thing the button and there is a a lot of accord in the film because at a moment they are going and so the button and then it becomes a black and then it becomes a black.

15:09But what happens sometimes... But you know when you're 15 years old, you have to be able to do it enough? Because I know that you're 15 years old, you're very bad. I was not at all I had understood it. At the base I was in... I thought it was a movie a little American Pie on a young college kid who was sad, and the love of a young comedian. I didn't understand that it was Hervé who was too dumb and who was... And of course, I was really... I was really... I was really... I was in the mood, but you can't do that. You can't do that. You can't put the pull, the thing that I put in the 48. In fact, all the...

15:50All the costumes, all that, the preparation was a lento humiliation when he made the coiffure. The coiffure, in fact, the principle of the coiffure, it's like if... I have my hair longs because I was going to let it poussé for a film. And so, they are longs. And in fact, he was just there. And so, it's like if they were not... You have a sort of crown. So, he made a crown of vues. So, they are very short, with a little bit of a little bit of a little bit. And that, it was very hard. Because I was very coquets, I loved to get married. I had to get everything in my hair. I was going to play at a point.

16:31It was terrible. I was really told that my life was terminated. I was not going to play during the show. Yeah, but in fact, I was going to be able to play. What was hard, it was when there were, for example, those figurines who were there, who did not have the difference. They were not going to play. They were going to be right in costume. So I was going to be able to play after, but I was going to be able to play. But it was impossible. There, I was going to play during the show. I was going to play in the show. So I sort my shoes, it was exactly the same thing with the look tectonic but without the shirt with the aigle.

17:05I also had a false Dolce Gabbana that I had arranged. So I was more in the mode, slim, with my hair in the air. a little bit. But the problem is that I tried to counter my coupe because she was long there and super short there. I tried to counter it in the middle of the air after, at the end of the tournage. Sauf that, in fact, they had too taken the shape. And at the end of the tournage, when you discover the film, you love it direct? Yeah, I love it, but I think wow, the suite of my existence is complicated. You said you don't have to do that. But what's that? No, not only to play a role. Because I was told to make a cinema.

17:50But there was a change in the game. I was just going to break the leg just before the film. And then I felt that I could have been able to get rid of this chance. And so I was told that I was going to be dressed like a... In fact, I had really envie of the faire. I had really envie of the faire. Because before, I had to say, I had to say, wait, for me to accept to make a coiffure, he wanted to do the same thing or I don't know what he had a thing like that yeah he had done that when we were filming Double Vie in December or January at New York and he told me at 8h do mat he had to be because the light on can't believe it's hot at this time and the water was at 13 and there were there were guys in combi who were there for the security who said it's cold and he was there in bikini and he was there in saying but no she is very good but because he had a thing with the water also.

18:49And we all were all baignin. And in fact, the scenes have been cut off the montage because we are all violets, particularly Vincent. Yeah, yeah. Macken, who is really blue. So it's on the floor, he's talking about his rocker in a trembled. And so everything has been cut. I was just evanoui after a scene where the piscine was too cold. Ah, yeah? Piscine in the night. Where I was going to do a sex scene in a piscine. Not hot. It was in the month of the year, but it was cold. And in fact, at the end, I did it once, two times. And in fact, at every time I was going to go out, out, out, out, out. So I was going to get a little bit of heat.

19:22And then I was going to turn on. At the end, I was going to get a shock thermic. In the end. It was not a dangerous thing. A shock thermic, you were going to go to the hospital? No, I was going to get a shock. I was going to get a shock. I was going to get a shock. And then, for to come back, you said not, not fear of not making that roles, but fear of saying that I'm going to be a guy who looks like... I'm going to be associated with this RV. In life, my fear was especially... I hope that people don't think I'm like that. And in fact, people 100 % thought that I was like that, so I didn't have a mistake.

20:04Ah, really? In addition, at the time, there were not the social media like that. Aujourd 'hui, il y a les réseaux sociaux, donc les gens sont plus exposés ensuite. Je pense que j 'aurais été plus exposé sur les réseaux, en mode gars normal. Mais bon, les gens se seraient moqués. Oui, ils auraient plus vu qui t 'étais. Tandis que là, c 'était genre... En fait, j 'avais fait des émissions télé, des trucs, mais bon, il faut capter les beaux gosses. En fait, il n 'y a même pas un autre film comme ça, où les gens sont vraiment dans le chum, I think Zezet and it's so crazy but the people they were not at all in the mode in the way to differentiate the person of me it's to say when I call Hervé in the street the people would say the shirt in the street it's a long time not too long I was also I was all in a place because I was young and I didn't get it but it's that but the first interview that I made it was on the show and it was at Lowe Ciné who was interviewing the young people and in fact during this interview I wanted to prove that I was less dumb so I said yeah but in fact it's a faux buttons it's a faux apparel dentaire and then I took my apparel which was collated so it was so it was a dent collated to my dents so I did that and there it was really a filament so I did that and I remember on Hallociné 100 % of the comments were like what's he is but the bave when he took his device it was disgusting I was like no it's not possible and after on the sky blog at the time it was terrible and you all looked the comments yeah but today it would have been worse I say that but it would have been yeah and it was a bit the question that I would say because it's a little it's a little it's a little it's a little very good I love it Fodlotte et puis après Anguille Non c 'est ce que j 'allais te dire par rapport à ça J 'ai failli te dire alors que c 'est un raccourci Parce que j 'imagine qu 'évidemment que les mecs vivent ça aussi Mais franchement un peu moins que les femmes je pense Mais que du coup tu t 'es pris ces trucs On commande ton physique Et où franchement Ça abîme ton égo Je sais pas comment ça abîmait ton égo Et est-ce qu 'aujourd 'hui tu regardes encore par exemple ces trucs là ?

22:28Non mais Aujourd 'hui il y a moins ça Mais il y a quand même un peu ça encore peut -être but I don't watch it I don't watch it and it's also that you're becoming adult and you're a big guy and you're a big guy I've made a lot of films it's what I'm saved because if I had only done that I didn't say that but after it's different because today when I read the big guy I'm really a child when I see my head on me says when I see my head I don't say that he's too young I say that it's a little baby but of course once we grow we have also a tenderness to get out of the way to get out of the way And you tell me that it's less worse than what you had.

23:05In fact, there's more stuff where you remember what you felt like. In fact, they're all like that, the adults. You remember that you have a member. Yeah, exactly. But with a little baby baby, when I revoil, I'm thinking, oh, I was looking for a beautiful. Yes, it's super beautiful. But it's true that... Yeah, I've had a little bit of... Après, it was a different era. different. There was no internet, but it wasn't impact that it has today. It felt less. But after, yes, it was the moment of my adolescence. So after I did that. Then there was a mix between the people, the 30th of the Cinoche, with whom I started to train at this time, who, in fact, they were like an actor who had made a film hyper cool, and the adults who were, I think, who were also a little bit of jalousy, at my opinion.

24:00When I was in the party, I was saying, Ah, Hervé, Hervé. So, the people, they were going to be at the moitié of my head. And I didn't have, at the time, the recul necessary to accept that. But, you know, it's complexed? Like, with the women, it was rather a facilitator? No, not at all. With the girls, it was very complicated. But not because of the girls, in fact, because of me, where it was made of me. In fact, I was already timid at the base but there I was really I had the impression that I had to pass a barrier before it was like if I had to prove that I was not the person that I was in the film before I started to there was no nature because the people very quickly very quickly it comes to conversation very quickly they understand that I made a film and that it was a good guy even if they haven't seen it.

24:55It's still the same today. When we're actors, we have a thing, the people have an image of you that it's necessary to cut before for then to have access to them. You have the impression that it's a job to do? Today, you have the impression of having to do it? A bit, yeah. But today, I've accepted it. I've done other films. It's not the same. And I've got more the arm necessary. I'm not a adult. At the time, I didn't know how to do it. So it was a mega complex. But at the same time, I will never change the film I love it. But it made me a particular construct. I was young, at 14 years. It changed my way of seeing the world.

25:42I don't have evolved in the same way because of that. It's sure. But it's the fact of being exposed. It's a moment where you build a lot. I wanted to know, is it you have a bad idea when you put a film or not? Yes, but I have the habit now, it's not. I don't watch my appearance when I watch a film. I watch if I'm good or bad. In general, I always say, it's not bad, but I would have to do better. It's rather that. But I don't have a regret of seeing it. It reminds me of the film, etc. I have the habit. It's more photos, the interviews, I don't watch it. Because I'm so honte of what I say, because I say everything is contrary.

26:28At every time I say something, and the other day, the opposite. I have an opinion on something. I don't change my opinion all the time. But sometimes I say, why did I say that? Why did I say that? I prefer not to watch it, but to make it as if it doesn't exist. It's like the critics. You don't watch it? No, I don't watch it. critique. Je ne regarde pas de critique, ni positive, ni négatif. Je ne regarde pas d 'interview papier non plus. Je ne les lis pas. C 'est bien. Non, mais parce que ça, en fait, ça m 'angoisse, en fait. Non seulement ça angoisse, mais donc c 'est hyper bien que tu arrives à ne pas...

27:00Parce que moi, ça m 'angoisse énormément, mais je le fais quand même. Ah, tu lis quand même les trucs ? De moins en moins. Mais je pense que pour le coup, je le fais de moins en moins pas parce que ça m 'angoisse. Je le fais de moins en moins parce que je commence vraiment à m 'en foutre. Ouais. Tu vois ? Et que je me dis aussi, en fait, ce truc-là n 'est pas une vérité, c 'est aussi pour ça. Je me dis pourquoi ? Parce qu 'en fait, la réalité, c 'est que le problème, c 'est que tu prends beaucoup plus à cœur à chaque fois une critique négative. La négative, bien sûr. Tu te dis pourquoi ce truc-là est plus vrai que l 'autre.

27:25Quelqu 'un qui va dire, c 'est un génie, je n 'ai jamais vu quelqu 'un d 'aussi doué, tu vas dire n 'importe quoi. Alors qu 'alors quelqu 'un qui a dit c 'est une merde, moi je vais le croire. Moi, c 'est même pas tant sur les commentaires des gens et tout, c 'est plus les interviews, les trucs, j 'ai peur d 'avoir honte de ce que je dis. J 'ai peur de me dire, mais pourquoi I said that or that it was not written, so I prefer to do it as if it didn't exist. Because in fact, I'm obligated to do it. When you're a film, you're obligated to do interviews, to do the promo, etc. So I do it, but I don't give up an importance.

27:53And Cannes or the festivals, you're doing it? Yeah, but it's always a moment stressant. I'm doing it because it's a big show for the films. And in fact, when it's not, you're not happy to pay it. but then it's all the stuff around the projo the fêtes it's funny I love to go to Cannes and it's a festival where you see some incredible films it's a great job for the films but to make interviews at Cannes it's not something that I appreciate but the whole glamour the photos, it's all? yeah I love it but you're a little bit but you're a little bit but I'm not a little bit but it's a little bit it's a little bit it's a little bit but it's a little bit

28:47but I prefer the projections on the tapis and photos but I think it's super flippant I know that it's a thing but I don't know if it's a thing or it's a thing of meuf, it's a thing that everyone has that. I know that... You know, when we were all at Cannes for Irma Vep, and Jeanne Balibar didn't say, the clue was that you don't smile. And people don't smile, you're all super beautiful. And I'm like, I'm going to tell you that. So I'm going to tell you that. So I'm going to tell you that I'm going to pass the most beautiful day of my life. It's a really humorous, Teubé, who's so happy to be here.

29:25And really, I have a quadruple menton, the eyes closed, and it's like that. It's like that. The double menton, it's really terrible. That's terrible. The double menton, when you're on the ground, you're like, it's like that. Yeah. It's hard, in photo. In photo, it's like that. He's very afraid, the double menton, for my future. But during the tournage, they told me, I've been doing a little thing and the real, I didn't stop. At a moment, I told you, you can just a little make a sense of that because I've seen a film where I have a sort of escalope which is really that's on the ground. and he said I didn't see that, but I'm going to do that but I'm going to do that and from the moment where he said I'm going to do that he was there, he said, he said, he said, he said, it's good to film a little bit with his own with his own a little vexant there are people who can be extremely vexant without the desire, and at the time it's me who asked all the time, he said, he said, what's what's funny is that you can really play the very jolies and he said, he said, he said, it was too late We know the big ones.

30:28And the enormes tons, in fact. And then, it's not all that. But you know, we can really see. But when you're... It's okay. It's okay. It's okay. It's okay. It's funny. It's funny. It's funny. It's funny. I met a real guy who told me that my wife, you love it. She said, she said, take it in your film. Take it in your film. And I said, and you said, you said, No, no, no, no, It's very strange this rapport you know that we had a dermato commun in common because I had started this interview in the beginning that you know she had a taken her I know I tried to call her and I told her that she was at her and she was at her you found another yeah who is good yeah super in fact now I have Yeah, now it's more on the rouge, because I'm all the time rouge.

31:20And so that's, it's an energy. But that's an inflammation, right? It's a rosacee, something like that. It's a hyper technique. It's your dermatitis that you told that? She told you the cream Aven for the rosacee? Yeah, anti-rouges. There's plenty of people who say that, it's not that. It's just that you're rouge. And I'm just a good one. But you're not rouge. Those people of my family. They're roses? They're roses, yeah. They are rose They are rose At a tendency to get it

31:52All depends on which one But there are some They are a bit of red There are some very red For example, when it's cold I'm out of bed I'm back I'm all red Because I've had a cold Is that you wake up, your red No, because Because there, if I have a hot water, there are some things that happen when I'm swimming in the water. I'm swimming and out of the water, I have an allergy general. Where it's going to be a red and I'm completely red with the plaque. Ah, really? Yeah. And that, it's a lot of stuff. Because I have a lot of sensitive to water. But it's terrible. Yeah. So if I was a chromagnon, I'd be dead for a long time.

32:37Yeah, I think. Because if I had a reaction like that of water just in all of me swimming, imagine for a little bit of fish I would have a allergy generalization in fact it would have been terrible but in the meantime it would have been stylized you know ah really I think because you were talking about long manteau of the stuff I saw you like the one who has a beautiful pole but you know I would have a long long long long toge like that yeah something a little bit evasé you can't be You can't be the one who pêche. You can't be the one who pêche. I would have been better. I was going to be the one who was going to be.

33:14You can't be the one who was going to be. Why? I have a cornet too fine. I know you're saying something that I say, like there's a compliment on me. I have a cornet super fine, but it's not cool. You can't have 1 % of the population who can't. You can't? No. I have a cornet too fine. it's not a moment agréable but it's pretty magical the only problem is that being actor I've learned after that you can't put the lentilles of color or change your look so if a jour I was going to do a biopic of I don't know who who has the blue you think I don't know because now you can do I think you can do an image of synthase it's less cheap in plus yes And then, it's great.

34:04I love it. The only question is if you have to play the biopic of the I don't know who's blue. I'm not sure. I'm not sure. I'm not sure. But... It's why it's not you who made Johnny. Yeah. Yeah, exactly. I can't. I couldn't. It was impossible. When I was little, I had to work. I was dreaming of being a kitchen, a chef, a chef, a chef. I imagined a woman independent to have my own business and to be the patron of my commerce. This feeling of independence, I finally gained on the scene grâce à mes spectacles. Mais si je devais réaliser cet autre rêve d 'enfant, bon, je ne sais pas ce que je vendrais, peut -être ma marque de skincare ou de maquillage, mais j 'utiliserais sans doute Shopify qui sponsorise cet épisode.

34:43Avec Shopify, pas de galère de logistique, pas de crainte que ce soit l 'usine à gaz. Vous pouvez vendre partout, sur votre site, sur les réseaux sociaux ou directement en boutique. Et ils vous accompagnent à chaque étape. Parce que toute personne qui a réussi par elle-même a commencé quelque part. Il suffit d 'une idée. Shopify s 'occupe du reste. Qu 'attendez-vous ? Lancez-vous dès aujourd 'hui. Démarrez votre essay gratuit sur Shopify.com

35:32See who's listening and book hostred sponsorships or run your own ads all from one platform. Transparent pricing, real time data, complete control. Start advertising on podcasts by visiting acast.com slash advertise.

35:50Mais est-ce que t 'es intéressé par la skin care? Est-ce que t 'as une routine? Moi, je mets de la crème. Ouais, c 'est tout. Non, j 'ai une crème spéciale. Pour le soir. for my problems of skin, for the rougeurs. So the night I have a special cream that I put, I wash my face, I put the cream. The morning I put the cream in the water. I do things for the eyes also now. Contour of the eye? No, it's to avoid the... Ah, the salazion again? I'm in a moment very salazion of my life, so I don't think about that. Because what you need to understand also, is that when you're actor and you don't turn, you have a lot of time to to go to things that normally take pretty much time.

36:33Sauf that there, I made all the rendezvous. I made all the rendezvous with the chalazin, because sometimes I have a lot of stress. When I have a big stress, I have one, but it takes three months. You have a problem with the paper sèches? Yes, I also. So I do, I put it on the hot, and I do that every day. In the bottom, in the bottom, in the bottom. That's really the routine beauty the most pointy we've ever had since the beginning. With the gestures and everything. After I have a gel, for cleaning. But in fact, you do not have the soap. I don't do that. I do not do that. You don't hold it on the long side.

37:12I do three days. But in three months, I can be on another thing. When I start working on a job, I'll be on another thing. But I do that. It takes hours. When I met you, I remember this phrase that I found out. You told me, when I eat a brie in the winter, it makes a shit. And I said, but who's eating? I'm eating a brie. And I'm eating a brie. I was thinking about eating a brie. No, but not a brie. I love the brie. Yeah, it's good, the brie. I'm eating a very good. In the South-Ouest, Stabierry, there's a very good brie. Do you have a meat or a melon? The brie. Ah, no, it's good. In fact, I'm eating the brie, but when there's not the thing the thing, the thing, the thing, the thing, the thing, it's terrible.

37:49But that's what? I love 100 % coolant. Yeah, but I'm thinking that's supposed to be a quality, it's for people. Oh, well... No, I believe, no? Ah, yeah? They sell it like that at the fromage, I mean, I have the impression that it's more in the Camembert that there are sometimes the little bit... Like if it was on the side. it's not on the side. It's a bit cold. I love it. It's coolant. You like the Mondor also? I love the Mondor. And I love the Mondor chauffé, of course, with a little bit of wine. But I love the Mondor also in the fridge classic. and you eat your Mondor like a normal. It's very good.

38:26Not only in the water. Not only in the water. Normal, Mondor, it's exceptional. I have a question. I think I have my answer. It's super discreet. Is it you have a ruby? Is it you put a D.O.? All the people that I receive in this podcast don't put a D.O.? Of course, I put D.O. Parfum every day, every morning. I'm very soignet. Yes, but attention. It's not soignet. I put D.O. I have one who is super black and not but after a little perfume tac tac since I have I put all the days every day I have 12 years but if you don't put you feel it you can't I have two men who didn't feel anything and they didn't feel anything they didn't feel anything but it's the morning they say little to a little no no like if the technique of like you don't do nothing and after your body you feel it you feel it it's not at all it's like the things of of of of and all that Yes When I was young I put something called the D-transpirant Yeah It was a thing that I think is really toxic I remember this thing when you were a kid A thing called Etaxyl Yeah So I put it in a while And in fact, since I don't breathe I don't breathe anymore There's no breath in my lungs That's a bad thing?

39:46I don't know It's a bad thing that's why I do the chalazin Genre en fait, tiens. Ça sort par les tétons. La boucle est bouclée. Non mais, du coup, je n 'ai jamais d 'auréoles. En été, mais c 'est plutôt un truc cool parce que c 'est chiant les auréoles. Oui, c 'est un peu chiant. J 'ai jamais. Enfin, après, je touche du bois parce qu 'à chaque fois que je dis ça, le truc arrive. Là, tu faisais du sport tout à l 'heure. Et le sport, pareil, tu en fais parce que tu faisais du sport avant de venir. Parce que tu aimes ça ou parce que... Pour m 'entretenir. Parce qu 'au bout d 'un moment, tu commences à vieillir et à prendre du poids.

40:18Et surtout, But at the base, I had a bad on the floor. In fact, I had a bad on the floor. In fact, I was in a car. And it was my father who conduisait, who conduit really bad. He did a lot of shots. You know, he conduit. I don't want to say it's your father. And that's my respect for him. But it's very nice. Yeah, it's very nice. I have a friend who does that. He does that. It's always the stress on the floor. and I always do attention to respect the passengers. I was always told that after this trip with my father, it was a years ago, I had a torticoli, and then I had all the time mal au dos, because I was too thin at a moment, and so I had the osteo who told me, it was going to do sport, because there, frankly, you're going to have all the time mal au dos.

41:15And now I do sport regularly, But it's also because it's a few years after the Covid I started to exercise during the Covid but then I started to eat a lot of food and I love to eat when you eat, you eat a lot I often do it at the restaurant so I don't have the choice it's to be a good choice Yes, it's that you do the tir at the end And the relationship to the vieilless, it's something that you're doing? Well, for the moment, it's fine. Because I have 32 years. Clearly, you don't have any problem with Calvary, I think. Maybe. No. On doesn't know. But after, all the people in my family have a lot of hair.

42:05Yes, and I say that because of the men that I received, it was often the loss of hair and stuff like that. But often... The hair, it's a big stress for the guys. I see all my friends and all that. You don't have a bad head, I can say, with a calf. No one wants to have. After you accept it, but... Or you do it. I do it. There are a lot of implants. There are a lot of implants ratés. Ah, really? You don't find it? In fact, I think there are really people who do it. I think it's exactly like... in fact they don't respect their implantation naturel so I think there are people who say I'm going to do an implantation and you see they have their shoes at the end where they would not have on the front or if you have a little golf it doesn't fill all your golf because you will very quickly resemble a I don't know a tree a buisson I don't have a stress but I have a stress I don't know I think you can There's a light, for example, in an ascenseur.

43:14A light a little too strong. Ah, you see it. And then you see a little bit. Yeah, you see a lot. And then I lose a lot. Because I have a lot, I lose a lot. So every time when I'm in the shower, it's like... And then in plus, they're long in the moment. So really, there's a lot of everywhere. Moi, on has already done this thing in tournage. I don't know if we already have done it. But for the coup, I find it really hard. Even more in the same way. I'm going to attach it. And then at a coup, I see someone who's going to put you know, you know, the powder... The powder, like, the phar marron, quoi.

43:39the powder marron it's a big technique for the actors but for the show excuse me it's true it's not a sense it's okay she said it's okay she said she's unlocked a new complex I don't know I don't know I don't know there was a light but like I don't know I don't know it's just you know you know you know but you don't know it's not a peruque it's normal in general I know I know it's they put, for the actors, they put, sometimes, they put a little bit of the vues, right, behind. Oui, oui, oui. For the... Yeah, yeah. For the ISO, too. Yeah, but it works well. You don't see anything. Franchement, at the same time.

44:23Yeah, at the cinema. Yeah. In the lodge, you see. Yeah, in the lodge, already, there's a big fumée. I was going to say, you don't want to make your thing, you don't want to make your thing, it's really... In the douche, it's crazy. Yeah, it's crade. I have a gift for you, Vincent. I have to offer a gift, but it is open. You have used it already? Because I have a gift for a woman, a for a woman, and I was planted. I have a gift for a woman. What? No, it's a mask. It's not a mask? It's a mask. It's a mask. It's Japanese. And in fact, on all the social media, on TikTok, it's the thing they say that they need to bring you to Japan.

45:01It's exceptional. I'm going to do it. There are plenty. 40? I don't know how many there are, because I haven't translated it. But there are plenty, in fact. And why is it already open? Because I bought one for women, one for women. And I wanted to do it in the way. And I opened the bad. I opened the bad. So I can say that he has no idea. Wait, but... Is it a mask entire, in the head? In fact, it's tons of... Yeah, it's all the face. And there are a lot of inside. That's not bad, it's not bad. But it's what? It's a mess, in the pores, in the 10 years. Ah, not bad. But it's a beautiful face. I would like to send you a message to me tell you.

45:40I'll send you a photo, especially. But wait, you're afraid. If you're all all red, you're going to get rid of the water. It's going to get rid of the figure. I have a face, but... I'm not too sensitive. So, you can do a little essay, maybe. It's like when you put things on makeup. Sometimes when I'm in the morning, I'm going to put the makeup on makeup. I don't know what, I don't know what, I don't know what, I don't know what. It's like that. I don't think that it will kill me. While the big water is well polluted, well saled. You don't go to Nice, you see the avions that they're there. There are 200 people who do things.

46:17You're there. After you leave, you're there. It makes me feel like it makes you think of the scene of the avions who fly your immeusle in the beautiful gosses. You know that it's a true story. But it's like that? Maybe at the time. It was Rial who told me that. But it was a great story. I don't know what he did at the time. They had their apartment which was under a caravan. So there were the planes that passed. And on the plane, they found always little tachlets marron. In fact, at the moment, they realized that it was... in fact because it was under a the plane that there was in the plane which was in their plane but it's atrocious because normally they're going to do that because it's true I don't know I have plenty of stories but in any case it's in my beau gosse I had a question I don't know but you have a colorless you don't have a colorless you don't have a colorless for a thing for your pleasure no no for a film of Christopher yes Ah oui, c 'est ça.

47:29Ça s 'appelait Le Lycéen. Oui, c 'était bien. Oui, c 'était bien. J 'aimais beaucoup. Moi aussi, j 'aimais beaucoup. En fait, j 'adorais parce que ça me donnait naturellement... Ça changeait totalement. Je pouvais m 'habiller normal et j 'avais l 'air plus, je ne sais pas, rock 'n 'roll. Ah oui, c 'était hyper bien. Après, j 'étais hyper déçu de redevenir brun. J 'avais dû le redevenir directement brun. Sinon, j 'aurais gardé. Pour un tournage, j 'avais dû me retindre. Mais par contre, ça m 'a niqué les cheveux. Il paraît. I have put my hair on a year ago. Because in fact, it makes ultra secs and cassants.

48:07It's very bad for the hair. It's like. And there, there's a material in your hair? Yes, I put my hair on it. If I'm out of the shower, I'm going to wash it before. So after, I put a product in it and I'll sèche so that they have a little... Crunchy. Yeah, there's a material. because otherwise I have a coiffure from the 70s. If I take a brush and I take everything, it's terrible. They're like a big dog. They're very sweet and they're like... I see very well. The nuages. The nuages. There are a lot of people, but they're very thin, very light. They're really aérien. They change really from where you live.

48:45The world is... It's terrible. When I go to the South, it's terrible. I have a head... Au Japon. Au Japon, je n 'ai pas trop souffert de ça. Moi, c 'est terrible. Au Japon, j 'ai une tête qui est terrible. Mes cheveux, ils sont impossibles de bien les coiffer. Moi, c 'est en Angleterre que je suis vraiment immonde. Je ne sais pas ce qu 'il y a dans l 'air. Londres particulièrement. Les cheveux sont atroces. La peau devient atroce. Moi, la peau aussi est atroce. Au Japon, j 'y avais été un été, and it was a cold but it was really incredible it was really 50 degrees it's hard because it's difficult when it was very hot and I remember it's the most gross feeling that I had in my life and there you can't even have a tissue on you and then the cheeks are they are nuls and the pees you feel sale I'm rouge I'm like, in an environment like that, I'm rouge all the time.

49:54I'm rouge even. Totalmente rouge, l 'air fatigué, goofy all the time. You make a soin for not to be goofy? No. I love that. What? The drainage, for example. No, I don't do that. Or like, the kobido. Kobido? Yeah. Kobido, you know. They say that it's a massage Japanese, but a jour, a Japanese teacher told me, on a never heard of it, but it's a kind of massage of the face, on the face, on the points, on the face, but drainage was hallucinant. It's amazing. It's changing your face, it's true. It's changing your face, it's fou. Yeah, it's a thing. Yeah. It's changing your face, is that it doesn't change your face?

50:31It's like you think it's changing your face, but in fact, people don't notice it. Yeah, but... Oh, yes, yes, yes, yes. I told you what it was, it was a pain. When you're a bit of a food, when you're a bit of a food, that you're a bit of a food, pâtes ou gluten and you have a feeling that it's like it's not bad there's one in the 11th which is amazing which is the best it's a good job it's good for the double ment it's a good job it's a good job it's a good job I do it all the time before an event and when I didn't have the Molière

51:12you told me I thought it was because you didn't have done the copy of it. No, I did the drainage lymphatic. And everyone told me, you didn't have a lot of hair. But you were so beautiful. And in fact, I was like... Drainer to death. There was nothing. Because she did the drainage lymphatic. Renata Franca. And she ended up with the miracle face. And really, I'm just a miracle. In fact, it's simple. It's the lymph. So it's a dégorge. Yeah. But you can't find it. Yeah, I'll find it. Yeah. Pas mal. Next text. Thank you, Vincent. Thank you. Thank you very much. It was a good moment. It was really cool.

51:47I had a little bit of eating at the end. If you have liked this episode, you can't forget to share it, like it, to leave a comment. Only positive comments. And our appearance. Thank you.

52:14While every other channel is fighting for your customer's attention, podcasts are where they've already given it. No one accidentally listens to a podcast for 45 minutes. They choose to be here. They trust the voice in their ears. And when that voice talks about your brand, it doesn't sound like advertising. It sounds like a recommendation from a friend. Acast gives you that trust at scale. Digital precision, post-read authenticity, and performance data that proves it worked. Don't fight for attention. Buy it with Acast. Learn more by visiting acast.com slash advertise.