Redouane Bougheraba, impro, liberté et zboub apparent

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0:46Caroline Anglade: We'll be right back.

1:09Caroline Anglade: He has the freedom to go on all the issues, even the physical of his public. But today, it's of his appearance to him, which I want to talk about. Hello Edouane Bouguera-Bas, I'm so happy to receive you. Thank you.

1:18Redouane Bougheraba: Well, already, bravo for a very good resume.

1:20Caroline Anglade: It's a pleasure?

1:21Redouane Bougheraba: It's a pleasure, of course, because it's true, it's real. And it's a pleasure to receive this kind of eloge by a father.

1:30Caroline Anglade: Because I imagine you've heard that you've heard it.

1:35Caroline Anglade: Yes, it's the thing that comes back.

1:38Redouane Bougheraba: And in addition to humor, it's like, you pay for you to make insult. But it's not that. There's love, there's love, there's love. There's love. There's love. There's love. There's love. There's love. There's love. 100 % of the people who come come are part of a disservice. But you're a vegetarian, you have nothing to put in a boucherie. On is agree? It's a good image. But it's a good image. There's a lot of people who tell you, yeah, I don't understand. But it's nothing to understand, in fact.

2:03Caroline Anglade: But no, there's nothing to understand.

2:04Redouane Bougheraba: But the people who try to find, yeah, I don't understand why they carton. Pourquoi lui ? Pourquoi pas moi ? Je vois même des humoristes

2:12Caroline Anglade: Les humoristes entre nous, c 'est compliqué de ne pas se comparer. Mais toi, tu arrives à ne pas te comparer ? Je ne t 'ai jamais comparé.

2:17Redouane Bougheraba: Je ne me compare avec personne parce que chacun a sa propre histoire, chacun a son propre style. Et le plus important, et je pense qu 'ils ont oublié ça, à force de regarder ce que font les autres, eux, ils ne font rien. Bien sûr, ils se perdent. À force de regarder le rétroviseur, ils se retrouvent, ils ne sont même pas dans la course. Et même de se mettre en compétition, d 'essayer de faire la même chose, they say to recopier, they say to say, yes, I do this, I do that. The guys, they forget the thing the most important of the humorous, it's to make it rire.

2:44Caroline Anglade: It's so good to tell you. Because when people say, it was never a... It was not a drôle, but frankly, it's super puissant. It's not a bad thing, it's not a spectacle of humor. Exactly.

2:56Redouane Bougheraba: The goal of our game, it's to make it rire.

3:00Caroline Anglade: It's not a good thing.

3:02Redouane Bougheraba: It's not a procedure. You're with a pelouse, a red red, you're with a salt. the first word you have said is peluche I would say peluche but orthophonist I say peluche version portuguese peluche Jeff Panaclock you arrive with a peluche, you arrive with a nez rouge you arrive with the imitations you arrive with the clash, you arrive with the impro you arrive with the text, but if the people they are, you win, you win the people they come to get out they don't have a guy who does the course of history or of instruction civic

3:33Caroline Anglade: it's not a conference TED like I said in my show.

3:36Redouane Bougheraba: Exactly, you have a conference TED.

3:37Caroline Anglade: Oh là là.

3:38Redouane Bougheraba: I'm going to pass a message.

3:40Caroline Anglade: The time is ready to go to the conference TED. The time is ready to go.

3:46Redouane Bougheraba: I want to know that the people who are going to laugh, the family who are going to laugh, I want to know that when they come out of there, they say that it was joyous. Yeah, it was a sign of a neck.

3:56Caroline Anglade: Yeah, of course.

3:57Redouane Bougheraba: Yeah, it's true. We have the codes that vibrate. Yeah, we have forgotten the rest of the world.

4:03Caroline Anglade: the time of...

4:04Redouane Bougheraba: The space of a moment where you have the problem. And it's what I'm trying to do and the people are happy for that. It's why I think that I'm going to fill my room. It's that people, they come and pass a very good moment.

4:13Caroline Anglade: And you've felt this thing, because we've all seen this thing where at a moment, we didn't improvise... All the humorists didn't improvise. I know I have a little part of an impro that I didn't post at all. And you've got to have this thing that you've also... You've got to have this thing, you know, But the pros, the people around us told us that they said post des... Comme on serait freinés à poster des extraits, c 'était facile de poster des trucs où tu savais que...

4:36Redouane Bougheraba: C 'est des trucs que tu ne refais pas. C 'est pour ça. J 'ai eu un gynécologue portugais. Donc, j 'ai fait des vannes sur ce gynéco portugais. Je sais que je n 'aurais pas toujours un gynéco portugais au premier rang. Donc, on a fait des vannes super marrantes sur lui. Et ça cartonne. Et tu la postes parce que tu ne la referas plus. Ce n 'est pas une impro qui revient à chaque spectacle. Donc, c 'est vrai que tu postes et que ça marche. Les gens sont contents. Mais le spectacle, ce n 'est pas que de l 'impro. Il y a une part écrite. Les gens ne le comprennent pas.

5:10Caroline Anglade: Les gens ne comprennent pas.

5:11Redouane Bougheraba: Après, ils viennent voir le spectacle. Après, dès qu 'ils sortent de là, ils disent « Ah, en fait, vous avez des choses à raconter. Il y a des sketchs. C 'est écrit. C 'est bien. Il y a des jeux de mots. Il y a des running gags. Ça revient. Vous êtes... C 'est sympa. Ben ouais. Tu ne peux pas faire qu 'un spectacle d 'impro. who has tried that. It was Kurtemanche and he was in deprive. But it's a bad or it's true? It's true. At the end of the show, you'll be able to chat GPT. You'll ask if Kurtemanche is in depression. I'm still Google.

5:41Caroline Anglade: You go on Google, but you go on Google. To you chat GPT?

5:44Redouane Bougheraba: Yeah, I'm going to chat GPT. I'm going to talk with chat GPT. I'll see you. I'll see you. I'll see you.

5:52Caroline Anglade: Est-ce que tu lui mets des formes de politesse quand tu demandes quelque chose, s 'il te plaît à la fin ?

5:57Redouane Bougheraba: Oui, je mets, je mets. Oui ?

6:00Caroline Anglade: Je reviens sur les impros parce que tu sais que ce podcast s 'appelle En Apparence, même si tu as failli aller faire un bon moment juste à côté.

6:06Redouane Bougheraba: Oui, mais je suis arrivé, j 'ai vu les copains à côté. J 'ai vu qu 'il y a une cojandie avec son beau petit crâne tout lisse. Il était là avec ses invités. Et voilà, on a démarré, on a parlé de... Il y a trois paires de lunettes sur la table.

6:18Caroline Anglade: Il y a trois paires de lunettes sur la table. lunettes de vue, lunettes de soleil et de vue, toi lunettes...

6:24Redouane Bougheraba: Lunettes de soleil, lunettes de vue, je les ai laissées à la maison.

6:26Caroline Anglade: Mais donc, ah lunettes de soleil, c 'est pas des lunettes verts fumés, c 'est pas les...

6:29Redouane Bougheraba: Non, non, la vue baisse.

6:31Caroline Anglade: La vue baisse, bien sûr. Pas que la vue, tout baisse. Qu 'est-ce que d 'autre baisse ?

6:35Redouane Bougheraba: Le zboub baisse. Mais oui.

6:37Caroline Anglade: Mais tu sais que j 'ai appris ça.

6:38Redouane Bougheraba: Mais oui, mais en fait la testostérone qui est à partir de 40 ans...

6:41Caroline Anglade: Attends, le zboub, c 'est la bite.

6:44Redouane Bougheraba: Oui. Ah, tu viens d 'apprendre le zboub ? Je voulais juste être sûre,

6:48Caroline Anglade: Je voulais mettre les choses au clair Même pour les gens

6:51Redouane Bougheraba: Dans mon spectacle, je dis la vue baisse Le zboub baisse Je dis, jeune, je pouvais pisser, laver une voiture Mon G, c 'était du karcher Mon zboub, c 'était l 'éléphant bleu Avec l 'âge, c 'est devenu une machine espresso C 'est quelques gouttes Avoir la prostate Donc je fais le comparatif T 'as tous les mecs qui sont dans cette tranche d 'âge qui éclate de rire Les petits jeunes, ils captent pas trop Ils se disent, attention, qu 'est-ce qui nous attend ? Mais ceux qui sont dans le moment prostate and go, they're going to cry.

7:20Caroline Anglade: But wait, the Zbub baisse, because you talk about the prostate and the power of the gene, but they're going to be also in size.

7:25Redouane Bougheraba: No, they're not in size. I think that's in size. I think that's in size. I think that's in size.

7:31Caroline Anglade: I'm not sure. I think that the neck and the earring... It's not in size.

7:35Redouane Bougheraba: It's not in size.

7:35Caroline Anglade: And that the Zbub retrysit. No, no, no.

7:38Redouane Bougheraba: It's not in size. It's the testicles who's going to fall. Ah, really? You know that George Clooney, they had been doing the neck. Arrête. But seriously.

7:47Caroline Anglade: But how do you know?

7:48Redouane Bougheraba: In fact, with the age, you have the legs. You can't see it. You can't see it. You can't see it. You can't see it. You tap and... George Kounet has the testicles. Testicles. George Kounet has the testicles. Because he came out of a sauna with the serviette and he had the eggs of Pâques who were going to. It's terrible.

8:04Caroline Anglade: I think it's really a thing of a mess.

8:07Redouane Bougheraba: The testicles. But it's serious. It's terrible.

8:12Caroline Anglade: Franchement, but all... George Kounet,

8:17Redouane Bougheraba: I'm talking about the only operation chirurgical that I've committed in my life, it's the...

8:22Caroline Anglade: He's writing his story of intime. I've never touched my eyes, but I've spent more money for the skin of my testicles.

8:29Redouane Bougheraba: Because he's out of a mam, and the people are getting rid of his butt.

8:32Caroline Anglade: The lifting of the testicles, the remodelage of the scrotum. Yes! It's amazing.

8:36Redouane Bougheraba: But it's true. What a story of the story, this Red Bull Gab?

8:40Caroline Anglade: But it's crazy what you say. It's true.

8:42Redouane Bougheraba: All the information that I'm going to give you, everything is true.

8:45Caroline Anglade: You know, George Clooney has suffered a lifting of the testicles. A lifting of the testicles.

8:50Redouane Bougheraba: You can imagine the shock. You see George Clooney, a big guy. He's out of the hammam. He's with his hands. It's a red flag.

8:58Caroline Anglade: Yes. I'm not very George Clooney. But I don't know what point of view... I don't want to judge. I'm not saying this podcast. It's a way of talking to our physique. Rather than others, it's true that there's something. There's something where I'm asking you. At that moment in your life, you tell me... I would like to lift the leg.

9:16Redouane Bougheraba: When you walk up. You think it's the comfort? Yeah, I think it's the comfort. I think it's the comfort.

9:23Caroline Anglade: When you walk and it's...

9:25Redouane Bougheraba: And it's the thing that you hear.

9:27Caroline Anglade: Aïe, aïe, aïe, aïe.

9:31Redouane Bougheraba: It's terrible. I think it's a handicap. But yes, it's the first time, I think,

9:40Caroline Anglade: that we talk about testicles in this podcast. and do you have methods to share with people who listen to us for not to hold them? Or with the age, it will hold them? It's for example, the slip. It's a technique. A double face?

9:53Redouane Bougheraba: No, I don't know if there's an exercise.

9:56Caroline Anglade: I think it's to avoid the scales very large.

9:58Redouane Bougheraba: I think it's the return of the slip bar.

10:02Caroline Anglade: Yeah, of course. Or in all cases, the boxer.

10:07Redouane Bougheraba: The boxer. It's all to plaquen.

10:09Caroline Anglade: It's all to maintain.

10:10Redouane Bougheraba: Yeah, the guys who don't put nothing, who don't do acapella.

10:13Caroline Anglade: I love it because the guys talk all the time here, when I tell them how to get out of the age, how to get out of a man, and they're there, they're two shoes, the golf, the stuff, you're in shape and all, and you're telling me, testicles.

10:24Redouane Bougheraba: Well, yes.

10:25Caroline Anglade: You look at the mirror, sometimes, or not?

10:27Redouane Bougheraba: I think it's a moment to have a dick, and it's a bad joke. Yeah, it's a good joke. Yeah, it's a good joke. You're right. But of course.

10:34Caroline Anglade: You look at the mirror or not?

10:35Redouane Bougheraba: No, never, never. You really believe that? I don't look at the mirror.

10:40Caroline Anglade: Even not the face?

10:41Redouane Bougheraba: Yes, the face. The morning, for not to leave in the morning, I wash my face, I wash my face.

10:49Caroline Anglade: The routine beauty the most masculine. I wash my face, I wash my face.

10:54Redouane Bougheraba: But there's a simple thing, I put the cream in the winter.

10:56Caroline Anglade: Ah yes, my mother said, my grand-mère met that.

11:01Redouane Bougheraba: Yes, after that, it's that.

11:03Caroline Anglade: I'm going to put my glasses on because I would like to see your quality of hair. At quel age?

11:07Redouane Bougheraba: 47.

11:08Caroline Anglade: Ah yes, it's super.

11:09Redouane Bougheraba: Yes. Yeah, yeah.

11:10Caroline Anglade: But I'm sure you've done a lot of excès, no?

11:12Redouane Bougheraba: I've done a lot of excès.

11:12Caroline Anglade: It's not true.

11:13Redouane Bougheraba: I'm not. I'm not.

11:14Caroline Anglade: I'm not. I'm not.

11:16Redouane Bougheraba: I'm not. I'm not. I'm not. I'm not. You remember the pub La Vosgienne ? I'm not. I'm not. I'm not. You're right. But what's that I can do? It's true.

11:23Caroline Anglade: La Vosgienne, you're right. I'm not. I'm not. I'm not. I'm not. And it was not...

11:28Redouane Bougheraba: Dominique Lavanant, I think.

11:30Caroline Anglade: Dominique Lavanant. La Vanant, celle qui jouait dans Les Bronzés.

11:34Redouane Bougheraba: Je pense que c 'était elle, la crise.

11:35Caroline Anglade: Tu as raison.

11:35Redouane Bougheraba: Tu as vu le flashback ?

11:36Caroline Anglade: Tu es un puits de... De science. De science, de culture, de rêve.

11:42Redouane Bougheraba: Oui, il y a beaucoup de rêve. Je pense que pour faire de l 'impro, il faut énormément de rêve. Tu as une belle peau, pardon.

11:47Caroline Anglade: J 'ai l 'impression que tu ne t 'écoutes pas du tout et qu 'il regarde...

11:50Redouane Bougheraba: Tu prends soin de toi un peu ou pas ? Non, je fais du sport. J 'ai tourné un film avec Ramzy Bédia. Je suis passé de 108 kg à 91 kg. So I made a physical exercise It was good, it was good

12:03Caroline Anglade: It was good, it was good It was hard

12:04Redouane Bougheraba: It was hard It was hard Because I was with Mecs of MMA

12:08Caroline Anglade: Oh my God

12:09Redouane Bougheraba: There were champions of MMA There were Grands trainers of MMA I had Benjamin Sarfati And Frédéric Lopez No, it was not Fernand Lopez

12:17Caroline Anglade: Ah ouais

12:18Redouane Bougheraba: I didn't know The lapsus of the ouf MMA

12:22Caroline Anglade: MMA

12:23Redouane Bougheraba: MMA MMA MMA MMA MMA MMA MMA MMA MMA MMA I had an image of you with Roderick Lopez.

12:30Caroline Anglade: It was crazy.

12:33Redouane Bougheraba: The training are hard. The men who train you are super hard. And now I'm feeling vulnerable. You know, you're with a man of 2 meters, 110 kilos, who you're like a torch. I'm out of there. I'm thinking, I'm going to buy a weapon. How to protect my arm.

12:48Caroline Anglade: You've got to have so much fear.

12:49Redouane Bougheraba: I've got a fear. I'm training. It was super hard. It was hard. You didn't have anything to do? I'm going to get a little bit. At a moment, I'm going to get a little bit. I took some blue, but it was fine. But I'm happy with the result.

13:02Caroline Anglade: And wait, why did you lose your time? They made a sèche or something? I made a sèche.

13:06Redouane Bougheraba: Yeah, I made a fight. I made a fight. I made a fight. I made a fight. In the film, I'm with an owl. I'm with Ramzi. I play two brothers. The film is called Marav.

13:17Caroline Anglade: But he's when?

13:18Redouane Bougheraba: He's on the 11th of June on Prime Video.

13:20Caroline Anglade: Okay.

13:21Redouane Bougheraba: So it's the moment...

13:22Caroline Anglade: Or to start the podcast.

13:24Redouane Bougheraba: Yeah.

13:24Caroline Anglade: On va dire he's on the 10th of the show.

13:27Redouane Bougheraba: You can't wait when you want. When you want. You can't wait when you want. It's a Sunday, but...

13:32Caroline Anglade: It's a Sunday.

13:34Redouane Bougheraba: It's not obligated to do it.

13:35Caroline Anglade: I'm going to fix it all the days. I'm going to fix it with the rules. And it's who the next one who comes? I don't know. Who has received it? Well, in this moment, there's a crisis. I'm not going to cry. I'm not going to cry. Because I have an anxiety, I don't support it. It's not what?

13:51Redouane Bougheraba: The death? Why do we not want to cry?

13:54Caroline Anglade: because we are there for joy, no?

13:56Redouane Bougheraba: for fun? but it can be...

13:58Caroline Anglade: I'm not sure, really

14:00Redouane Bougheraba: you're sure?

14:01Caroline Anglade: you're not sure?

14:01Redouane Bougheraba: you're not sure? it's not going to happen I don't know

14:04Caroline Anglade: you can have a burlesque but I'm just... I'm not sure because once I've done a malaise on scene and really I've had this thing where I'm excused because I had a malaise and really the people riaient and I was thinking in fact it's really horrible it's really this sketch it's really that it's in fact this thing I don't know if it's the malady imaginaire or what but you told me I'm sorry I'm not going to continue He's a little bit. You said that I didn't even know. I'm a little bit more. And all the nights, I'm a little bit more.

14:27Redouane Bougheraba: But it's crazy. I'm a little bit more.

14:29Caroline Anglade: And you're there. In addition, I don't know why he's laughing. There's nothing weird. So it's really like, on doesn't want to hear. On doesn't want to hear my voice. Terrible.

14:35Redouane Bougheraba: It's a humorist that I saw. A imitator. He made an imitation. He made Jean-Claude Van Damme. And at a moment, it's Jamel Kaibou. He envoie his foot to make Van Damme. He's a bit of a genou. He's a bit of a cross. so he says, he says, he says Van Damme, he says, he says, he says, his feet are turning. And he says, he says, he says, he says, he says, the people are morse of crying. The people thought that it was part of the show, part of the show. So he is crying, he says, he says, he says, he says, he says, he says, he says, he says, he says. We have understood. So he says, the people applaud, they think that it's part of the show.

15:12Caroline Anglade: Terrible.

15:13Redouane Bougheraba: So you have two actions like that, I saw terrible on the scene. The humorist who's in the middle, Ines Reg. She made a sketch, she made a mic on the floor, we were at Comedy Club, the people who come, they cried, she said, wow, I'm going to die, I'm in the house, now I'm off. Oh, damn. The people are crying. I'm with Miku Koukou, I'm going to look for her because she's a good one. I saw that she wasn't good, but the people think it's a gag.

15:45Caroline Anglade: But wait, this thing is absurd.

15:48Redouane Bougheraba: They think it's a mise in scene. So the people don't realize that there's something serious. Because you're going to see a play for a show, you're going to tell me.

15:56Caroline Anglade: But in what? You're going to tell me, I'm going to put a false dent. I'm going to tap it with a microphone.

16:01Redouane Bougheraba: But it's that. And I'm thinking, what? They're all these people? But all the people are there, they're laughing, they're applauding. I think that the fact of being in a theater, there's this magic thing that people think that everything is stagey, everything is scenarized, everything is prepared. I think that when you're in the pool and you're in the malaise, they thought that was part of the show. They were laughing. They were going to finish the show. We paid 55 balls for the show. After they had a good deal

16:29Caroline Anglade: because 1. My ticket moyen is less low. And 2. It was at the end of the show. So I would just say I can't salute. If I salute, I'm going to. I'm not going to do that. I'm not going to do that. The show is finished. You have the track, you or not?

16:43Redouane Bougheraba: The big events, I have the track. The big events, I have no track. but when I got the stage I was stressed 40 000 people I'm in the middle I'm in the cuir I have my family all the people I love I have brought a part of the artist

17:00Caroline Anglade: I'm in the cuir

17:01Redouane Bougheraba: Johnny I'm in the cuir

17:02Caroline Anglade: why you chose the cuir you do it

17:04Redouane Bougheraba: you do it you do it you can do it you can do it you can do it so you have a Harley Davidson and you can do it you can do it so you do it you can do it but you can't brunch samedi after midi 16h you arrive in the cuir

17:16Caroline Anglade: Non mais l 'autre jour j 'ai eu un événement mode, j 'étais en cuir un peu Oui événement mode, il faut que ça soit événement

17:21Redouane Bougheraba: Tu peux pas démarquer

17:22Caroline Anglade: On fait une soirée pyjama, tu peux pas arriver en cuir Ou alors tu orientes la soirée T 'as eu envie de cuir, mais t 'as dû avoir chaud C 'est pas ça c 'est qu 'il a plu Donc ça glissait sur le cuir

17:36Redouane Bougheraba: C 'est pas ça, c 'est le cuir il a absorbé

17:39Caroline Anglade: Ça fait le fait contraire

17:41Redouane Bougheraba: Je voulais être une rockstar, je suis arrivé On aurait dit un catcher américain à la retraite I had my hair mouillé, I was in the undertaker I made the inverse of what I wanted It's great It's great

17:51Caroline Anglade: But how did you choose this? You told me, you did all this You called me a creative I had a creative

17:57Redouane Bougheraba: I made a super cool cool Because I said, in the same week I made two Bercy La LDC Arena

18:04Caroline Anglade: And the Stade Vélodrome

18:06Redouane Bougheraba: I said, you made almost 100 000 people in a week Come on, you made it a thing Come on, you made it a thing in the cuir I said, do you want to go to the cuir? Do you want to go to the cuir?

18:16Caroline Anglade: I love it. I think it's great.

18:18Redouane Bougheraba: Yes.

18:20Caroline Anglade: You don't have a tenue of a scene? You don't know?

18:22Redouane Bougheraba: Yes. I started to do attention. But then I was going to go to the shirt. And the people said, why not you have a tenue of a scene? I said, if I put a costume, I'm going to go to the shopper Uber or I'm going to work at the bank.

18:32Caroline Anglade: D 'ailleurs, I saw a video of you in a shirt rose. On voit a little bit on this boob.

18:35Redouane Bougheraba: Yes, it's true. I'm going to go to the shirt.

18:39Caroline Anglade: But the people, they don't know that. No, but it's not that.

18:41Redouane Bougheraba: I did a Zenith where you saw my Sbub with the screen 6 mètres on 7. It was a national geography.

18:48Caroline Anglade: But why do you see the people like this in the survey? I don't know.

18:52Redouane Bougheraba: I haven't seen attention. It's a matter of moles. It's a matter of moles. Sometimes you put a caleçon. Sometimes you're a capella. You don't have to pay attention. So it's the fault of the person who wears it. It's the fault of the person who wears it. And you know... It's the fault of the person who wears it. But yes.

19:06Caroline Anglade: You know, in the cuir, it was gainé.

19:08Redouane Bougheraba: Yes, it was gainé. It was gainé. It was all good.

19:11Caroline Anglade: rangé.

19:11Redouane Bougheraba: C 'est un cuir de ma taille, tout bien rangé.

19:13Caroline Anglade: Et dans ces salles-là, c 'est génial. Moi, j 'ai toujours ce truc, évidemment, que je rêve de faire des grandes salles pour mon égo. Mais ce n 'est pas, je pense, un kiff que je rêve. Enfin, je pense que si, c 'est un kiff d 'entendre la foule rire, de je ne sais pas quoi et tout. Mais ça doit être ultra dur. C 'est kiffant. Il y a un vrai kiff.

19:29Redouane Bougheraba: Il y a un vrai kiff parce que de faire des salles comme Bercy, comme la LDL, les Dômes de Paris, tu es là, tu as tous ces gens. Puis j 'ai fait en scène centrale. J 'avais les écrans géants. and you get the music, the people who cry, you're galvanized, you're on a other level, you're on a pedestal, you're there, the people you push, you give a force, and it's a fair. It's a fair. It's true that it's a good game to play at the Olympia, to play at the Edouard VII, because you have a proximity. There where you're in this moment.

20:00Caroline Anglade: And the next one, after it's?

20:02Redouane Bougheraba: After it's Dome de Paris. I'm going to play four Dome de Paris in February 2027. And I'm going to tournée. Yeah, tournée. I'm going to play the 9th of May, I'm going to play the complex, 4.000 people. I'm going to play Portugal, to Lisbon, to Casino d 'Estoril. I'm going to play Perpignan, I play in Corse, I play at the Chateau de Lampéry, Salon Provence. It's a medieval city. They've made a scene in the court. And then I play all the Zenith of France and Navarre. I play the Suisse, the Belgique, the Canada, I'm going to play everywhere.

20:34Caroline Anglade: And tell me, Edouard XVI, it's going to sound minus.

20:37Redouane Bougheraba: I'm happy.

20:38Caroline Anglade: I'm happy.

20:39Redouane Bougheraba: I'm playing in a cave. I'm playing in a panhand before 50 people. So, no matter the size of the room, I'm saying, no matter the flacon, I'm a man of the ivraise. It's valuable for all, it's valuable for the spectacle. Thank you very much.

20:53Caroline Anglade: I'm not sure that it's the end. I just thought it was like, I thought it was a bit of a fun. I thought it was a bit of a playtowté. Yes, thank you. Thank you, Redouane.

21:04Redouane Bougheraba: I'm a compliment in the 4th.

21:07Caroline Anglade: Non, on n 'a pas du tout fini. Est-ce que tu peux me décrire, c 'est quoi ton style, toi ? Là, c 'est quoi ta tenue de scène en ce moment ?

21:13Redouane Bougheraba: J 'ai une tenue de scène, j 'ai plusieurs tenues de scène. J 'ai une tenue de scène qui a été faite par un designer, un truc super sympa, noir, sobre, dans une matière un peu fluide, large. C 'est oversize. C 'est cette tenue. J 'ai une autre tenue version manche courte. Et j 'ai une autre tenue, une petite veste lacoste, un t-shirt blanc, with the pants on the same and I have two pairs of basketballs I have either a pair of Jordan that I don't know for the scene or a pair of Azix it depends on the tone and I turn with his tenue of scene and I have a lot of the improv but he is dressed like this and it's the concept of the tenue of scene

21:52Caroline Anglade: because you're listening to that

21:53Redouane Bougheraba: and the people think you don't leave

21:55Caroline Anglade: and you're listening to the same thing

21:56Redouane Bougheraba: I don't know, he has the tenue in several times

21:59Caroline Anglade: and three or four times

22:01Redouane Bougheraba: la tenue, elle part au pressing et c 'est tout le temps clean, bien repassé.

22:05Caroline Anglade: Moi, je n 'ai jamais réussi à trouver une tenue de scène.

22:07Redouane Bougheraba: Tu n 'as jamais réussi ?

22:09Caroline Anglade: Je finis avec finalement toujours un gros jean-t-shirt blanc. Mais je n 'ai jamais trouvé le bon jean, le bon t-shirt. D 'ailleurs, tu as pris un risque parce que ça veut dire que toi, c 'était pour la capta, le cuir ? Oui. J 'avais deux tenues de scène.

22:20Redouane Bougheraba: J 'avais le cuir et il pleuvait tellement, j 'ai changé, j 'avais trois tenues de scène. Ah oui ?

22:26Caroline Anglade: Moi, je n 'ai jamais trouvé le truc, je ne sais pas, je ne trouve pas. Parce qu 'il faut quand même que tu te sentes a little bit. A little bit.

22:33Redouane Bougheraba: Yes, but for a long time, I was going to be like in the life on scène. And people say, wait, on the way on the scene, you make an excellent scene. You make an effort. You don't want to put the same survet of the day. You make the Olympia. I was like, I was like, you're going to be like, you're going to eat the sandwich. You know, it's basic. But they really want the magic of I cast the character who is accessible with the character who is on the scene that you can't touch. So, it was necessary that I made my Mylène Farmer.

23:12Caroline Anglade: Can I tell you that you have regalé my day, that I watched three times per day, and my friends can tell you, the extra where you hurled to Lachelle So in Fort Boyard?

23:23Redouane Bougheraba: You know that I never have any of my life.

23:26Caroline Anglade: I was not in the middle We had a lot of rires But it's a lot of rires But let's go For those who listen to Or who listen to Tape I don't know what it is Fort Boyard, Caroline Anglade, Sceau, Redouane Bouguera Caroline, I pleuré

23:43Redouane Bougheraba: Why not let's go? It's not that the pire It's that she was trébuchet She passed her neck But we have to pleurize I have never I have never also fear de ma vie que fourvoyeur.

23:57Caroline Anglade: Tu as eu peur ?

23:58Redouane Bougheraba: Oui, j 'ai eu peur.

23:59Caroline Anglade: Ah ouais ?

24:00Redouane Bougheraba: Parce que j 'arrive, Maxime Gastel, il me dit on y va pour mon association. Et cet enfoiré, pour ne pas dire cet enculé. Tu remplis un formulaire de quoi avez-vous peur ? Il a mis j 'ai peur de tout.

24:12Caroline Anglade: Ok.

24:12Redouane Bougheraba: Je suis arrivé, mais je n 'ai peur de rien. Je me suis mangé les araignées, je me suis mangé les serpents, je me suis mangé le saut dans le vide, nager en claustrophobie, péter le pire. J 'ai tout fait, j 'ai tout fait. Et je te jure, tu sais, It's when the last time you had a fear?

24:31Caroline Anglade: I found a new grain of beauty. I was very afraid, but I was all at the dermatitis. It was not very good. But it was not a fear.

24:37Redouane Bougheraba: You have a child. You have a fear that your wife will be wrong. That she will be wrong. That you are in a supermarket. I have a fear all the time. You have a fear all the time. That's how many times?

24:46Caroline Anglade: The fear? I mean, it's very rapid.

24:48Redouane Bougheraba: It's rapid. It's an space of 1 minute, 10 seconds, 20 seconds. But there, I have a fear all the time. Amen. Du début à la fin, tu arrives en bateau, tu es détruyé, tu montes, tu rentres, ils ouvrent des portes, tu ne sais pas ce qui se passe. Il y a des serpents, tu es dans le vide, on te met un baudrier, ils te lâchent du vide. C 'est horrible, c 'est horrible. J 'ai eu la testicule compressée dans la harnais. Ah oui, je me souviens de ça aussi. Non, mais j 'ai fait des cris. Donc, j 'ai eu peur toute la journée. J 'ai eu peur, j 'ai eu froid, je me suis fait mal. Et là, ils m 'ont réinvité, ils m 'ont dit, tu reviens.

25:18Redouane Bougheraba: Tu reviens ? I said, no, I don't give me an association, I give me an money directly. We don't do everything that's for it. But if it's going to save an association, it's going to help people. I prefer to give them the money. But I'm afraid.

25:29Caroline Anglade: But really, you've been doing it.

25:30Redouane Bougheraba: I've been doing it. I don't know how I've been doing it. I'm feeling it. But I'm feeling it. One fear. One fear. One dose of fear. Seven seconds, eight seconds. Allez, vas-y. I've lost my daughter at Disney. Two views. One minute. I'm stressed.

25:46Caroline Anglade: Yeah.

25:46Redouane Bougheraba: But not 12 hours. not all the day it's what the worst thing the worst thing the mouches with the cafards giants who you're on the head the serpent, the araigny yeah, the bêtes the bêtes on your body I haven't tasted the thing but that I have the impression

26:06Caroline Anglade: the last time I saw you digress you're there, it's there, it's there, it's soja fermenter

26:10Redouane Bougheraba: yeah, but the fish of Milan the Chinese

26:13Caroline Anglade: but it's not just a an oeuf mariné ? Ah bon ?

26:18Redouane Bougheraba: L 'odeur, écoute-moi, je n 'ai jamais senti un truc qui puait le pet comme ça. Ah ouais ? Ouais. On dirait qu 'ils l 'ont mariné dans le cul de quelqu 'un, d 'un SDF, et tu dois croquer ça. Non, mais c 'est indigeste. C 'est indigeste.

26:32Caroline Anglade: J 'ai que des images. J 'ai que des trucs visuels, en fait. Je sais pourquoi quand tu me parles, tout est visuel, mais ça va être pour ça, en fait, que je viens de capter. Malgré les impros, les trucs et tout, t 'as un humour hyper visuel.

26:43Redouane Bougheraba: Bah oui c 'est visuel

26:45Caroline Anglade: Extrêmement visuel, je dirais un cartoon en fait

26:46Redouane Bougheraba: Bah oui, il faudrait que, il faut que les gens voient ce que tu veux dire, il faut aller vite au point et si tu donnes une image, c 'est beaucoup plus simple

26:55Caroline Anglade: Dis-moi, t 'as une, comme tous ces stades, ces immenses salles et tout, t 'avais une routine genre est-ce que tu fais comme les gens, parce qu 'on a ri juste avant où tu me disais, j 'arrive pas à finir mes phrases, je sais pas, arrêtez de m 'écouter mais en gros on parlait du fait

27:07Redouane Bougheraba: C 'est bon, tu leur parles comme s 'ils étaient là mais oui, je sais pas, c 'est fou, j 'arrête pas de regarder

27:11Caroline Anglade: cette caméra comme si potentiellement c 'était mon ami They are there, it's good. But you have a big training. Like you say, I'm training like a sportive. There are plenty of humorists who say, finally, to go on the tour, it's a sport, I've got to get the life of life. You do sport and all, but you have something else. Do you have something, a training?

27:30Redouane Bougheraba: No, I don't have a routine more than that. I do sport, I do paddle, I do the musculation. I have a coach, I try to courir. I try to maintain it. because it's because it's because the people see you. Even for the films, you play the role of a boxer or you play the role of a combatant. You have to be credible. So, despite the physical presence, the routine, I'm super contractant before I'm on the scene. I'm on my phone. I play. I'm grignote. Ah, you grignote before, toi ?

28:02Caroline Anglade: Oui. But you eat before.

28:03Redouane Bougheraba: I have my little salad of fruit sympa.

28:07Caroline Anglade: But not a dinner. You eat after.

28:08Redouane Bougheraba: No, I eat after. but no, I'm telling you I'm going to play in tournée, I'm going to play I'm going to play I'm going to play because I'm not good at all I'm playing at 20 hours I'm at 18h30, 19h and you're not

28:20Caroline Anglade: no

28:21Redouane Bougheraba: I'm going to play I'm going to play I'm going to play but very rarely I'm going to play but we're there with the team first party we're laughing saco camarades I'm going to say we're there we're in the first party with me but we're there we're in the good ambiance there's all the team there's the little meuf you're there there's Clément the guy who film we're there there's the manager, there's Julien who's there. We're laughing, we're going to get a bar. And there you're not where the place to arrive. The director of tournée. The guys, it's there, we're going to start in five minutes. And it's there.

28:51Caroline Anglade: You don't have to go back on the scene?

28:53Redouane Bougheraba: No, but I don't have to go back. A little bit of a meal, a little bit of a meal. I skip the dessert. I realized that more you eat late, more your body, your body, your digestive system, they don't work when you do. So you're going to get balloned. You're going to get a lot of problems. I have an enormous problem. Because you're going to eat.

29:16Caroline Anglade: I'm going to eat at my son's at 19 hours. But I'm going to eat at 19 hours.

29:20Redouane Bougheraba: You're going to eat at 4 hours before you sleep. That's to say, at what time do you sleep?

29:25Caroline Anglade: I'm going to sleep too late. Well, it's 4 hours before you sleep.

29:28Redouane Bougheraba: If you sleep at 19 hours, my cocotte... No, I'm going to sleep at 19 hours.

29:32Caroline Anglade: It's not that I sleep at that time?

29:34Redouane Bougheraba: 4 hours after. Yeah, it's not that you sleep at 4 hours after.

29:37Caroline Anglade: Ah bah c 'est ce que je fais ? Bah non bah...

29:39Redouane Bougheraba: Après c 'est peut -être des quantités si tu t 'envoies en l 'air. Eh oui.

29:43Caroline Anglade: Non.

29:44Redouane Bougheraba: Oui.

29:44Caroline Anglade: Non.

29:45Redouane Bougheraba: Nora gourmande.

29:45Caroline Anglade: Non j 'ai un peu des intolérances que je ne respecte pas.

29:48Redouane Bougheraba: Eh bah voilà c 'est ça.

29:49Caroline Anglade: T 'as pas d 'intolérance toi ? Non.

29:50Redouane Bougheraba: Si. Office de pute mais il n 'y en a pas dans la salle sinon j 'aurais des rougeurs. Ouais dans la salle. Sinon j 'ai des plaques, des rougeurs.

29:58Caroline Anglade: Mais sinon non.

29:59Redouane Bougheraba: Non j 'ai pas d 'intolérance.

30:00Caroline Anglade: Quand j 'étais petite j 'avais qu 'une seule hâte c 'était de bosser. I dreamt of being a farmer, a farmer, a librarian. I imagined a independent woman having my own shop and being the patron of my commerce. This feeling of independence, I finally gained on stage thanks to my shows. But if I could make this other child's dream, I wouldn't know what I would sell, maybe my skincare skincare or makeup, but I would use Shopify, which sponsorise this episode. With Shopify, no doubt, no logistics, no doubt, you can sell everywhere. On your site, on social media, or directly in a boutique. and you can help you to every step.

30:32Caroline Anglade: Because every person who has managed by herself has started somewhere. It's just an idea. Shopify takes care of the rest. What are you waiting for? Let's start today. Start your essay free on Shopify.com.

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31:30Redouane Bougheraba: Yeah, I was not a a tomboy. It was a lot on the chat

31:36Caroline Anglade: and education. It's a bit what we liked also.

31:40Redouane Bougheraba: Yeah, it's that. But it's not that I'm not going to complain.

31:47Caroline Anglade: And you had quel style? You were interested? You were who? You were a hero?

31:50Redouane Bougheraba: You were not a style. I had the crush, the heart.

31:56Caroline Anglade: But you, how was it?

31:58Redouane Bougheraba: Physically, I was more velt. I had all the hair possible and imaginable of rase, hair longs mulets, 13 plaquets you know that it comes back you can't do it? I did it in the film and you did it well? it was a good idea it was a good idea Jacob Elordi? I have the photo I was going to show you I was going to show you

32:24Caroline Anglade: it was a little bit Jacob Elordi it was a good idea it's become a reference mulet

32:29Redouane Bougheraba: Merci en rebeu, Jacob et Nordin

32:31Caroline Anglade: C 'est cool

32:33Redouane Bougheraba: Je vais te montrer

32:37Caroline Anglade: Tu ne t 'es jamais décoloré ?

32:40Redouane Bougheraba: Oui, j 'ai fait blond, bleu Toutes les couleurs J 'ai tout fait Le coiffeur s 'est régalé sur ma gueule

32:51Caroline Anglade: On est en train de regarder Ah là là Je décris Oh, but you're a mulet and frange.

32:59Redouane Bougheraba: Yeah.

33:00Caroline Anglade: But there, I don't see it.

33:01Redouane Bougheraba: It's on the side, a little bit of the mulet. So, the coupe...

33:06Caroline Anglade: You look at someone, there. I don't know, Jacob. I don't know who I'm talking about. Frange. It's the one that's the frange for the girls. The frangipane. The frangipane. No, it's a little bit... And then you're a... And the gulet, yeah, the pecs and all. Yeah, I saw the pecs at the end.

33:20Redouane Bougheraba: Yeah.

33:20Caroline Anglade: You were happy? You were always happy or you were for this?

33:22Redouane Bougheraba: For this thing that I developed, it was more of an ins. You were a bit like that. Yeah. But frankly, I'm happy with the result. And the film also. Having a physical transformation. With the people who are in another record.

33:41Caroline Anglade: And so after you told me, I want to keep the score.

33:44Redouane Bougheraba: After you told me, I want to keep it a little bit. It's a nice day. We can't put it on the floor. I was going to be with a shirt. You're like the grand baby. You're like the grand baby. I never been there. But to say, yeah, it's okay. It's okay.

33:59Caroline Anglade: Yes, you never...

34:01Redouane Bougheraba: No, but I've always had a little bit of surprise. But it doesn't hurt. It's a little bit of surprise. Yeah, a little bit of surprise. And you're always on the top of the quintal.

34:10Caroline Anglade: Is it when you watch videos of you, or you watch the interview, you support or you don't watch it? Or you don't tap?

34:16Redouane Bougheraba: The video of the LOL where I'm in a airport, I'm doing 108 kilos. I'm horrible. I can't see it. It's true. I'm going to get rid of it. You know, I'm going to get rid of it. I'm going to get rid of it. I'm going to get rid of it.

34:33Caroline Anglade: It's interesting that you say that, because what I'm going to get rid of it, it's really that. It's the bread and the flour.

34:37Redouane Bougheraba: But it's that. It's all what is pain. Pain, pain. But it's grave. There's a problem.

34:42Caroline Anglade: You know Han Pan Man ?

34:43Redouane Bougheraba: No, I know Pierre Palmad. It's his brother. It's not at all.

34:48Caroline Anglade: It's a superhero Japanese. It's a piece of bread.

34:51Redouane Bougheraba: Ah, no.

34:52Caroline Anglade: It's a brioche, it's a monsieur pain. I like to look at Anne Panman when I eat too much food. So maybe you look at Anne Panman.

34:59Redouane Bougheraba: Yes, it's that. I don't know. I put the bread everywhere. We love everything. The culture of sauce. Oh, but it's so good.

35:08Caroline Anglade: I don't know.

35:09Redouane Bougheraba: I don't know. I don't know. I don't know. Why do you want to take the bread and sauce? Why do you want to make that?

35:13Caroline Anglade: Why? I think that we would win at not eating the bread and not eating the sauce with the bread. Because in fact, the bread, you often get off.

35:20Redouane Bougheraba: And then you sauce, you sauce, you sauce.

35:23Caroline Anglade: But I've never stopped eating. I'm not sure what's going on.

35:24Redouane Bougheraba: I don't think it's not because it's not a living.

35:27Caroline Anglade: But if I don't want to eat the food, I don't want to eat with...

35:29Redouane Bougheraba: You know what, in the South, it's called Saucer the Pein.

35:32Caroline Anglade: It's not true? Oui. Franchement, I don't have time to eat.

35:36Redouane Bougheraba: Cari Lerouet, Saucer the Pein.

35:38Caroline Anglade: And that's how it's going to be

35:40Redouane Bougheraba: S-A-U-S-E-T-L-E-P-I-N-S You can talk about sauce, we have talked about sauce, is that we can finish sauce for people who love sauce? Thank you very much, Redone Mugger.

35:52Caroline Anglade: That's perfect. But no, I haven't finished with you. I'm still interested in it. I want to know more about things. But I don't know exactly what. But already, I tell you, I'm telling you, I'm telling you, yes, I know. Your shoes, not your shoes.

36:03Redouane Bougheraba: No.

36:04Caroline Anglade: And why?

36:04Redouane Bougheraba: I don't know. I think that very quickly, I understood that to live with his passion, we don't have to do it.

36:13Caroline Anglade: It's a chance that you live with it.

36:15Redouane Bougheraba: I saw a adage that said, live with your passion, you don't have to... No, make your passion, make your passion, and you don't have to do it. You don't have to do it.

36:26Caroline Anglade: You don't have to do it. You don't have to critique everything. You're on a pro. I've seen one. I don't know exactly what you say about someone. But in general, you talk about his front. Oui

36:40Redouane Bougheraba: Avec amour et bienveillance toujours

36:41Caroline Anglade: Avec joie, mais moi je trouve ça génial Je trouve ça très joyeux, je trouve qu 'à partir du moment Tu peux rire de soi

36:46Redouane Bougheraba: Mais quand tu arrives, tu as un gros front, tu te mets au premier rang Tu sais que je vais te voir C 'est frontal Tu veux l 'interaction Bon, on ne va pas, après on fait quelques blagues Mais on ne dépasse pas Les limites du convenable

36:59Caroline Anglade: T 'as déjà eu des gens vexés ?

37:01Redouane Bougheraba: Personne n 'a jamais quitté la salle Il y a quelques années de ça I play Canada, in Montreal, and I have a girl who has left the room. Ah. First round.

37:10Caroline Anglade: Oui.

37:11Redouane Bougheraba: And I have the end of the story because, in fact, it was a couple. The guy is with his wife. And as I start, I see her. She sees her like the devil. She says, in the ear, she says, there's something. I'm in the first van, everyone is crying. Sauf her. The second van, everyone is crying. The third, fourth. I say, there's something that doesn't go. Yeah, but I don't know what you're doing. with an accent canadian. You know what I mean?

37:37Caroline Anglade: Hyper dur à faire.

37:38Redouane Bougheraba: I don't know. I don't know. I don't know. I love you. I feel it's very dur.

37:46Caroline Anglade: There's an error. How do you call it?

37:48Redouane Bougheraba: She's called Geneviève. You call Geneviève. You call it Geneviève. You call it me. You call it me. You call it me. You call it a name. You call it the 14th century. So she's not happy. She's not happy. And there, she's not happy. She's not happy. on pouvait y aller, elle part. Et son mec me dit, en fait, c 'est de ma faute. Il y a un an, j 'ai acheté les places pour votre spectacle. Je suis fan de vous, mais elle ne vous connaît pas. Elle est Canadienne, elle est de Montréal. Et moi, je suis fan de vous. Je suis un expat. Et j 'étais tellement content que je lui ai fait croire que c 'était une surprise pour elle, alors que je me suis acheté les places pour moi.

38:21Redouane Bougheraba: Elle s 'attendait à voir Céline Dion.

38:22Caroline Anglade: C 'est quoi ce mec qui sauve ses propres cadeaux ?

38:24Redouane Bougheraba: C 'est enfoiré, il s 'est fait un cadeau pour lui. Il a fait croire que c 'était pour elle. Elle débarque, la meuf, elle me voit arriver. Elle me connaît Nida dans l 'IDEV Elles vont faire des vannes En fait, c 'était une embrouille de couple Et la meuf, elle est partie Mais ça n 'avait rien à voir avec moi Et je lui dis, tu dis, va la rejoindre quand même

38:40Caroline Anglade: Ah non, bah non, écoute, lui s 'est quand même acheté ses places

38:43Redouane Bougheraba: Non, mais lui m 'a dit, non, non, moi je veux rester Il me dit, écoute, fais croire Que tu t 'es disputé avec moi pour laver son honneur Tu la rejoins, je t 'invite demain Et tu reviens demain Elle m 'a dit, non, non, j 'ai payé, je reste là Je faisais trois Olympias à Montréal Et tu l 'as, elle quitte mon spectacle the video is on YouTube, you can see it. And it's exceptional. But since this day, I play, there are no people who have quit the room. The people come for interaction. And when I don't do interaction, I have a complaint. I receive a message.

39:11Caroline Anglade: I'm a message.

39:12Redouane Bougheraba: I'm a first round. You don't have a problem. I'm not a problem.

39:17Caroline Anglade: You have to have a problem with all the stuff. There's a guy who's going to be a clown.

39:22Redouane Bougheraba: A real clown. I'm a professional clown. I'm going to the hospital. He's got a first round. Il y a un mec habillé en Lidl J 'ai à chaque fois des trucs de Mais est-ce que parfois tu es pris à ton propre pied

39:32Caroline Anglade: Justement tu dis je suis pris Je suis pris et si je ne le fais pas

39:37Redouane Bougheraba: Il y a la déception Du premier rang et du reste de la salle On est venu quand même Il y a un côté aussi voyeurisme T 'as les mecs qui se mettent au deuxième rang Ils n 'ont pas le courage de se faire vanner Mais ils ont le courage de regarder C 'est les voyeurs au Cap d 'Alc qui sont là Ils sont là au deuxième rang Et pareil ils me disent On veut que t 'éclates le premier rang So there's an wait You want to see Charles Aznavour, you want to sing the bohème It's the same, you want to see me, you want to see the first round

40:02Caroline Anglade: And so on this show That you call my first show

40:06Redouane Bougheraba: I'm a little bit I'm a little bit I'm a little bit I'm going to say, let's go, we're going to break the glass I'm going to do the first round And we're going to start the spectacle We're going to do a script, we're going to do it, we're going to do it We're going to pass a good moment And it's going to be fine

40:19Caroline Anglade: After these improvs, they also allow us to get out of a form That's to say that it allows us to be joyous all the time. Never you're in the mode automatique. Never you're saying, I'm going to do my own show. You're all in connection. So that's kind of a thing.

40:30Redouane Bougheraba: Yes, it's also a running gag and to get out of the stuff because it doesn't happen never the same thing. But I'm happy to do it.

40:37Caroline Anglade: You're a lot of time on scène?

40:39Redouane Bougheraba: No, I'm not at all.

40:40Caroline Anglade: And you're a little bit of a day?

40:42Redouane Bougheraba: Not at all.

40:42Caroline Anglade: Arrête, it's true or not? But why? But I can't even go, I'm in fact.

40:46Redouane Bougheraba: But what's there? You know that I'm not at all on scène? No, but in the middle of the night? Yes, I'm a little bit of a day. I put you in the D.O.

40:55Caroline Anglade: Because there I have received 2-3 men who don't put you in the D.O. I put you in the D.O.

41:01Redouane Bougheraba: I put you in the D.O. I'm in England because I live there.

41:04Caroline Anglade: I have a D.O.

41:05Redouane Bougheraba: It's exceptional.

41:06Caroline Anglade: Ah, bon?

41:07Redouane Bougheraba: You put 48 hours, it doesn't move. Ah, bon? You know, the D.O. Really, 48 hours.

41:11Caroline Anglade: But there's always written 48 hours on the D.O. You put it in the D.O.

41:13Redouane Bougheraba: You put it in the D.O. You put it in the odor. It's worse than the transpiration. Yeah, I see it very well. There's D.O. It's super good.

41:18Caroline Anglade: And it's mixed with your odor.

41:21Redouane Bougheraba: You feel a chacal under the arms. I'm out of the scene, people say, you feel good. I don't have a drink. I have a shower. I have a super drink. I'll give you the brand.

41:35Caroline Anglade: I'm exceptional.

41:38Redouane Bougheraba: My wife l 'a piqué. Ah, really? It's so good. And even after transpiration, it's a null odor. You don't feel it.

41:48Caroline Anglade: You'll give me a good one.

41:49Redouane Bougheraba: It's a good one.

41:51Caroline Anglade: Oh là là.

41:51Redouane Bougheraba: Je vais te l 'ouvrir.

41:52Caroline Anglade: Ah ouais, ça me ferait vraiment très plaisir.

41:54Redouane Bougheraba: Mais c 'est un truc de mec. Mais tu vas voir que c 'est exceptionnel.

41:56Caroline Anglade: Mais est-ce qu 'il est rempli de choses atroces pour la santé ?

41:58Redouane Bougheraba: Ça, je m 'en fous. Je suis dit, la vérité, on va mourir de quelque chose.

42:01Caroline Anglade: Ouais, mais bon, pas à cause d 'un déo, quoi.

42:03Redouane Bougheraba: Non, mais je ne pense pas que tu vas mourir à cause d 'un déo. Non, mais je ne crois pas que tu vas mourir à cause d 'un déo. Je n 'ai jamais vu d 'épitaph. Cancer du sein, parce qu 'ils ne l 'écrivent pas. Je n 'ai jamais vu mort à cause de Narta. Je n 'ai jamais vu ça.

42:14Caroline Anglade: Because it would be a car.

42:17Redouane Bougheraba: It's a car, it's a car.

42:19Caroline Anglade: A car due to Narta.

42:21Redouane Bougheraba: I don't think so. I've never been there. Plus to fumate, to alcohol. And to sell aluminum.

42:27Caroline Anglade: I don't know. I'm not sure. I can't feel the faucon.

42:32Redouane Bougheraba: I've never been there. The people who are saying, yes, it's natural.

42:35Caroline Anglade: No, no, no.

42:36Redouane Bougheraba: We're going to be able to mourir of something. And we're going to be able to mourir of a certain age. We're going to be able to not to drink.

42:43Caroline Anglade: Yes. No. It's the minimum.

42:45Redouane Bougheraba: Sometimes you're in the metro, there's a lot of odors. Plus on va vieillir,

42:48Caroline Anglade: plus on va sentir.

42:48Redouane Bougheraba: Oui, oui. On va sentir le zoom. Because we talked about the day love. Oui, oui, c 'est ça.

42:52Caroline Anglade: But on va sentir.

42:55Redouane Bougheraba: I think we'll be careful. I'm going to...

42:58Caroline Anglade: To make attention to you? To take care of you?

43:01Redouane Bougheraba: Oui, I'm going to take care of you.

43:04Caroline Anglade: You find yourself beautiful when you look?

43:07Redouane Bougheraba: You know, the thing of being beautiful or not, you know what it is? Non. It's the humor. If you're in a good mood, you look in the mirror and you'll find it super beautiful. If you're in a bad mood, I'm a bad mood. And it's the mood. I've seen a reportage, it's all. The fact of being beautiful or not, it depends on your mood.

43:25Caroline Anglade: Yeah, after on Getty, you have photos, you're like that, even if you're in a bad mood, you're raté.

43:29Redouane Bougheraba: You're in a bad mood, you're in a bad mood. But what I'm going to tell you, face to your mirror, the morning you're in a bad mood, you're in a bad mood, but it's not a bad mood. But it's a good mood. It's often more than 25 minutes after the wake.

43:41Caroline Anglade: Because the wake is rarely...

43:43Redouane Bougheraba: Yes, but it's not that it's the wake. It's your wake. Sometimes you get a good foot, a good foot. You'll find it's a good wake. But it's only a wake. So if you find it all the day, it's always a good wake.

43:57Caroline Anglade: I'm not always a good wake. You find it all the time?

43:59Redouane Bougheraba: No, sometimes I find it's a good wake.

44:02Caroline Anglade: And you have fears on the physical, and aesthetic? Clearly, you won't lose your head.

44:06Redouane Bougheraba: No, I'm not. It's finished. The hair, I think it's the most...

44:12Caroline Anglade: Is it that you have a lot of hair that you don't understand? That's it, it's not that you have a fear of it.

44:17Redouane Bougheraba: No, you can't. It's impossible. When it's 30 years, you have your hair. Yes, it's done. Yes, I have tons. I have a gross density. No, I don't know. I think it's the hair, the number one.

44:28Caroline Anglade: Chez the hair?

44:29Redouane Bougheraba: Yes. Every time I see Ken, I'm sure I'm sure. I'm sure...

44:34Caroline Anglade: There, there's a lot of coming out. There's a lot of people who talk about their implants. But we see them. Yes, so... The guys in their career,

44:42Redouane Bougheraba: at 30 pages, they had a golf persic. They had a golf... Yeah, a juice of water. Yeah, it's that. And then they come back with a banana. On you saw, the guys? Yes. There's your filmography that you have balanced. Then you say, I would like to talk to you. But on the other hand, you have done a lot. We know. But there's a lot.

44:58Caroline Anglade: After, there's also who implant at a bad place. Yeah. That's terrible. Change their implantation. Very bad idea.

45:05Redouane Bougheraba: You can't. But I don't know who does that.

45:08Caroline Anglade: You want to say... I don't know. But if you're in it, you're in it. But if you're in it, you're in it. It's weird. It's like the front that's retracted.

45:19Redouane Bougheraba: It's convertible. It's a capitol.

45:22Caroline Anglade: Yes, I think they said, I'll take it. I'll take it. You don't have to lose it. You don't have to lose it. They don't have to lose it.

45:28Redouane Bougheraba: They don't have to lose it. They don't have to lose it.

45:29Caroline Anglade: No, not. No, not. The morning, when you wake up, you're in it. Like you want. Or you're in it. Is it a coquetter? Moquaterie!

45:36Redouane Bougheraba: Moquaterie, c 'est de m 'habiller avec des vêtements propres.

45:39Caroline Anglade: C 'est bien, mais écoute, hyper de base. On se lave, hygiène, le truc. Mais propre... Est-ce que dans ta famille on se vannait beaucoup ?

45:47Redouane Bougheraba: Oui, mais même aujourd 'hui, on se vannait encore aujourd 'hui, on se lâche pas.

45:51Caroline Anglade: Même quand t 'étais petit, y avait un truc comme ça ? Oui, on s 'est toujours vannais.

45:54Redouane Bougheraba: On s 'est toujours vannais de père en fils, de frère en sœur, de cousin en cousine... C 'est notre arme la vanne de toujours les repas de famille. Ça se tacle à tout va.

46:04Caroline Anglade: Est-ce que vous observez beaucoup le physique ?

46:07Redouane Bougheraba: Oui, on fait le physique, il n 'y a pas de limite. On va sur le physique.

46:11Caroline Anglade: En bien comme en mal ? T 'as grossi, t 'as mincé, t 'as truc, t 'as je ne sais pas quoi.

46:14Redouane Bougheraba: T 'as pris du cul, t 'as pris du cul. On te le dit. On se connaît bien, on peut se permettre. C 'est avec des gens que tu ne connais pas. Oui, oui, oui, c 'est compliqué. Tu peux envoyer des gens de déprime.

46:25Caroline Anglade: Oui, oui. Mais genre quand tu passes à la télé, par exemple, ta famille, elle commente ? Ça rigole, ça rigole.

46:31Redouane Bougheraba: Moi, une fois, j 'ai fait cet avou. and the coiffure said, I can do it? I said, he made a brushing.

46:37Caroline Anglade: I had a brush. But like in the back?

46:40Redouane Bougheraba: But on the side. You can see the brushing. I received Evan from the family. It's not because it's a brand?

46:47Caroline Anglade: I love it. It's hilarious.

46:49Redouane Bougheraba: But it's hilarious. I'll send you the photo. Really?

46:52Caroline Anglade: If we can put it there?

46:53Redouane Bougheraba: You can. Of course. I had a problem with a couple. The first class. The pub Kinder. You remember the kid? I'm sure. I'm sure. I'm sure. There's a frange on the side. But it's hilarious. I'll find it. Yeah, I'll find it. But it's to you, Reden Mugaraba. It's to you. And with the mayo, you'll have a set of with the frange. You'll have to laugh. It's to you.

47:13Caroline Anglade: Ah, yeah. You're like me, you're like me. Yes, it's the same frange. But... There?

47:21Redouane Bougheraba: Yeah.

47:22Caroline Anglade: It's hilarious what they've done. Why they've done that?

47:24Redouane Bougheraba: It's the coiffure.

47:25Caroline Anglade: We'll put this image on the end. It's great. But it's true that it's like... We're like, they're like, they're like, they're like, they're like, they're like, they're like, franges sur le côté.

47:31Redouane Bougheraba: Nous sommes les sœurs jumelles.

47:33Caroline Anglade: Génial ! On ne te reconnaît même pas. Mais attends, mais là, du coup, quand je te mets sur image, tu as plein de phases capillaires.

47:40Redouane Bougheraba: Ah oui, il y a tout. On est passé par le camiche, les cheveux longs. J 'ai tout, j 'ai tout, j 'ai tout. Tu as tout ? J 'ai tout fait, j 'ai tout fait.

47:49Caroline Anglade: Montre-la. Là, c 'est bien.

47:51Redouane Bougheraba: C 'est sympa.

47:52Caroline Anglade: C 'est ta femme qui te coupe les cheveux ?

47:54Redouane Bougheraba: Non, j 'ai un coiffeur, j 'ai le même coiffeur.

47:58Caroline Anglade: Ça, c 'est encore autre chose aussi.

47:59Redouane Bougheraba: There's a little bit of a curry. Ah, yeah, yeah. There's a little bit of a conversation.

48:02Caroline Anglade: And a conversation with Vincent Lacoste.

48:03Redouane Bougheraba: Yeah, it's that.

48:04Caroline Anglade: And a third person. That's not a good job. Yeah, you're not a good job. Yeah, yeah. Ah, yeah, it's a good job. You don't have a good job. But in fact, you change your head all the time.

48:13Redouane Bougheraba: But it's that.

48:14Caroline Anglade: You're a chance.

48:17Redouane Bougheraba: But it's not a film for the cinema.

48:19Caroline Anglade: With the Neu Papp.

48:21Redouane Bougheraba: It's me.

48:22Caroline Anglade: Well, listen.

48:23Redouane Bougheraba: But yes. It's for the ballon d 'or, Mr Mouloud.

48:26Caroline Anglade: But it's how many times?

48:28Redouane Bougheraba: It was maybe 4-5 years.

48:31Caroline Anglade: It's hallucinating. You never had the same head. And there?

48:35Redouane Bougheraba: Yes. In gros, if we're hungry, we're changing the couple. You change everything. The caméléon.

48:42Caroline Anglade: But you're not even the same carnation.

48:45Redouane Bougheraba: You've seen it?

48:46Caroline Anglade: You were very rose. You were doing inflammation, I think.

48:49Redouane Bougheraba: No, maybe I had a thing. It's written Pierre Palmade, the title. It's a blague on Pierre Palmade.

48:57Caroline Anglade: I have eaten something mal seasoned. What is in your toilet?

49:02Redouane Bougheraba: There is a an electronic You take it in a tournée?

49:08Caroline Anglade: With the charger and everything?

49:08Redouane Bougheraba: Yes, of course. An electronic

49:12Caroline Anglade: Edeo, the famous

49:14Redouane Bougheraba: My little perfume There is what also? There is a an electric There is an Hiver.

49:26Caroline Anglade: Tu te coupes les poils du nez et tout ?

49:27Redouane Bougheraba: Non.

49:28Caroline Anglade: Tu n 'as pas ?

49:28Redouane Bougheraba: Je n 'ai pas. Quand je vais chez le coiffeur... Avec le fond chez le coiffeur ? Oui, quand je vais chez le super coiffeur, une des petites écuries, il s 'occupe bien de moi.

49:34Caroline Anglade: Mon pote Norman, qui est aussi mon régisseur, il me disait que son coiffeur, il lui mettait deux cotons-tiges avec de la cire. Oui. Et je claque.

49:39Redouane Bougheraba: Oui, tu pars, tu pleures.

49:41Caroline Anglade: Eh bien, ça a l 'air d 'être l 'enfer.

49:43Redouane Bougheraba: Ah oui, c 'est l 'enfer. C 'est l 'enfer.

49:44Caroline Anglade: Tu l 'as déjà fait, ça ?

49:45Redouane Bougheraba: I already have done it. You breathe well after. I don't know if it's going to do it.

49:48Caroline Anglade: I thought it was going to have to protect it.

49:51Redouane Bougheraba: I think for the pollution, the pollen, it's going to have to put it in the nose because it's going to filter.

49:56Caroline Anglade: And you talk about your wife, do you take your own products of beauty?

50:01Redouane Bougheraba: Sometimes, you take your own hydrating. You have a super cream.

50:03Caroline Anglade: Yes, of course. I know what you do. You take your own and you don't even know where it's going. No, I'm not going to do it. And you're there, you're doing it. And it's going to cost a fortune. Yes, I'm going to do it.

50:11Redouane Bougheraba: The Prairie, I've seen. I see the prairie clean, I see things that are super expensive. I see it on the bank. And you're a little bit of money. It's a little bit of money. I'm going to start with it, I'm going to put it on the bread. It's a bit of a beer. I'm going to put it on the confiture and I'm going to get into the cafe.

50:29Caroline Anglade: Of course, you have to do it. Not a mask, but all the masks. Not a mask, nothing at all.

50:33Redouane Bougheraba: I've already seen a mask.

50:35Caroline Anglade: You don't put it?

50:36Redouane Bougheraba: No, no, no.

50:37Caroline Anglade: No.

50:38Redouane Bougheraba: I'm a brute of a problem. Nature-peinture, as you would say. I told him to make a little bit of light blue.

50:47Caroline Anglade: Ah, really?

50:47Redouane Bougheraba: You have a beautiful tint.

50:49Caroline Anglade: You put a light light light? I'm sure that no.

50:51Redouane Bougheraba: No, no, no. I'm not sure that the sun is... For the film, for the record, I'm going to be able to get a lot of colors for not to take a color. But I don't want to expose.

51:04Caroline Anglade: Ah, really?

51:05Redouane Bougheraba: I'm not the guy who's alloned. You're ennuyent? I'm in. I'm hyper active. I can't stay alloned. like that, on a beach. I'm going to bed, I'm going to do a little swimming, I'm going to do a little activity nautical, but I'm going to go to the climate, I'm going to pass the coups of fil. To the climate? Oui. You're not sick? No, I love the climate. It's a sleep at the climate.

51:29Caroline Anglade: Aïe, aïe, aïe. I've already got a lot of water, I don't know.

51:32Redouane Bougheraba: I love the climate.

51:33Caroline Anglade: You're like when it's very hot out, and you're like, it's the climate? And you're very fresh?

51:38Redouane Bougheraba: No, I'm going to put 5 degrees to the temperature. It's a lot?

51:42Caroline Anglade: I think, yeah.

51:44Redouane Bougheraba: You're not with the clim? Ah, yes.

51:46Caroline Anglade: And you're not with the clim? You're not with the clim?

51:48Redouane Bougheraba: No? No, but you're not with the clim at 16 degrees. I'm not with the clim. I'm not with the clim.

51:53Caroline Anglade: I'm with the snow until May. I'm a big fan. I'm a big fan.

51:57Redouane Bougheraba: You're a big fan. You're a big fan.

51:57Caroline Anglade: Yes, but apparently I have a tension very low. And it's like when you have a tension low, you're all in the cold.

52:02Redouane Bougheraba: So it's that you're a big fan? It's not a tension?

52:06Caroline Anglade: I don't know. After...

52:09Redouane Bougheraba: Is it a hypochondriaque?

52:10Caroline Anglade: Why do you say that?

52:11Redouane Bougheraba: Just a hypochondriac. Tu es hypochondriac ?

52:15Caroline Anglade: I've got to get my brain sanguine.

52:16Redouane Bougheraba: Tout à l 'heure. T 'as stressé.

52:18Caroline Anglade: Tout va bien sauf la vitamine B9. Quoi ? T 'as un truc à me dire sur la B9 ?

52:24Redouane Bougheraba: C 'est la pire.

52:24Caroline Anglade: Arrête.

52:25Redouane Bougheraba: C 'est pas vrai. Je ne sais rien. Je ne capte rien. Je fais comme ça. J 'ai regardé.

52:29Caroline Anglade: Non, mais attends. Il y a écrit B9. N 'empêche. Après, j 'ai fait. Quels sont les symptômes du manque de vitamine B9 ? Tout ce que j 'ai. Et j 'ai tout. J 'ai tout. Tu ne fais pas de bilan sanguin ?

52:39Redouane Bougheraba: I have to do a bilan sanguine.

52:40Caroline Anglade: How many years? It's been two years that I haven't done. It's fine. For a man, it's fine.

52:47Redouane Bougheraba: I'll do a bilan sanguine.

52:49Caroline Anglade: I thought it would be an eternity. You put it in the interior, so you can see your stuff from before. In fact, it's not a long time at all. I was done in October, November, December, January, February, March, Avril.

52:58Redouane Bougheraba: You have to do a bilan sanguine?

53:00Caroline Anglade: At the lab of analysis, at the Drureolin.

53:04Redouane Bougheraba: Lambda, you went to a hazard?

53:05Caroline Anglade: Yeah. Well, a hazard.

53:09Redouane Bougheraba: I have a fear, I'm going to get a bilan sanguine, they're going to get a bilan sanguine. You know what they did here?

53:15Caroline Anglade: They told me, they told me, it's the laboratory. So, you don't even know. You don't call me? Well, obviously, they don't call me. And it was not for me to tell the results. They told me that it was not for you to tell me. It was going to tell you, it was going to be a problem tomorrow.

53:27Redouane Bougheraba: At the first hour.

53:29Caroline Anglade: Before 13h. There was a problem with your... And in fact, I said, but there's a problem. It's to say, there's a problem. And in fact, no. it's their problem with their tube

53:37Redouane Bougheraba: but they're fous you know, I had a thing like that with a gyneco a gyneco? my wife was in the house so his gyneco you know when you have a child you know, after three months and a half you do the thing the neck

53:57Caroline Anglade: for sure

53:58Redouane Bougheraba: so she does she does the radio and she's in the way to analyze She said, ah !

54:06Caroline Anglade: What ?

54:07Redouane Bougheraba: She said, what's that, madame ? Ah, it's not going to go. I said, what, madame, what's that ? But she doesn't cry, she doesn't say it. Ah, no, no, no, no. But there's a little reserve. It's like this...

54:17Caroline Anglade: But especially, generally, in plus, they're due, because when it's very grave, they're very cold. And there, they cry.

54:22Redouane Bougheraba: I said, no, it's going to be done with tests, because it's not good at all. Because there are these centimeters, they have to measure, and you can have a risk of trisomy. so like the little girl, for me, she was trisomical

54:35Caroline Anglade: because in plus, they don't have a clue because it's like, by number of chances exactly

54:41Redouane Bougheraba: she cried, I wanted to tap her

54:44Caroline Anglade: but it's not that, you have a child

54:47Redouane Bougheraba: I have two, I have two

54:49Caroline Anglade: I was with four, I have two you would have to do another two, I would have to do another

54:52Redouane Bougheraba: but I think we're at the end of the cycle yeah

54:55Caroline Anglade: it's good

54:56Redouane Bougheraba: even one, it's good, even a kid two, it's good, no matter the number

55:02Caroline Anglade: But, it's that I imagine with a family very, very many.

55:05Redouane Bougheraba: And so, two girls. Two girls, yes.

55:08Caroline Anglade: And it's the moment to educate a girl.

55:10Redouane Bougheraba: It's good. But the girls, they have their parents. Complexe de Depp.

55:15Caroline Anglade: De Depp.

55:16Redouane Bougheraba: De Depp. Absus.

55:18Caroline Anglade: De Depp. You know that it's Freud, I think. But you know what the theory of Freud, I don't know, it's not so long. Apparemment, Freud, it's... It's a trompé. I thought it was really a genius. I think it's a little problem, Freud, because I tell you that one day I made a sort of dream of an araigny and everything. And so I read, I love the dictionnaire of dreams, and so I read it that it was really a thing on the maternity, the mother who I know what, and it was written, according to Freud, fantasmas of sodomy. And I was like, really...

55:48Redouane Bougheraba: Not at all.

55:49Caroline Anglade: Not at all. Not at all. And so I think he really abused his patient.

55:54Redouane Bougheraba: I think Freud, at the time, he wanted sodomy to me.

55:58Caroline Anglade: Sure.

55:59Redouane Bougheraba: And he told me that he was going to tell me. Well, of course.

56:02Caroline Anglade: I think he has done that.

56:04Redouane Bougheraba: I think he has done that. I think he has done that. I think he has a part of a little bit of the truth. And he has a part of the truth.

56:11Caroline Anglade: Well, he hasn't a part of the truth. In his analysis.

56:15Redouane Bougheraba: Is it what the dream of the rain? Maybe I have done that?

56:17Caroline Anglade: He was very very gross. And she was in my apartment. Why?

56:22Redouane Bougheraba: It's complex the depth. Well, yes.

56:26Caroline Anglade: It's not like it's not to tell you. Why? Because it's a lot of time.

56:35Redouane Bougheraba: Genre, what? What did you do?

56:37Caroline Anglade: What did you do? What did you do? I was scared. I was in the apartment. I was in the room. I had huge amounts of space. But I didn't tell you that in my dream...

56:45Redouane Bougheraba: Is it a recurrent dream? No. What's the dream that you do every time?

56:50Caroline Anglade: I'm a thing that I love. I'm sure I have the same. I have a dream. Maybe not. I have a dream that I love, but that I love. But that I love. We don't talk about a chemic.

56:58Redouane Bougheraba: It's a dream that I do often

57:00Caroline Anglade: It's a dream that I find a piece in plus In my own But all that

57:06Redouane Bougheraba: You have to have a lot of small apartments For making a dream like that From the grand time

57:12Caroline Anglade: Since I'm a little bit, I have a dream That's not a dream It's not a dream And I open it and I say it's dingue There's still all that There's all a space

57:21Redouane Bougheraba: There's three dreams that I make There's a dream where I walk I'm going to pursue And I walk in the distance

57:28Caroline Anglade: Ah oui ?

57:29Redouane Bougheraba: Alors que je cours très vite dans la vie. Bien sûr, mais je les connais ceux-là. Ce rêve. Basique. Il y a un rêve où c 'est pareil, je me bats, je me bats, je n 'ai pas de force. Et il y a un rêve que je fais énormément, que je passe le bac.

57:44Caroline Anglade: Ah ouais, moi aussi. Moi aussi, ça c 'est un cochon.

57:46Redouane Bougheraba: Alors que je l 'ai eu en 97.

57:48Caroline Anglade: Eh ben je l 'ai eu en je ne sais plus combien.

57:50Redouane Bougheraba: Je passe le bac et je stresse, me dire putain mais je n 'ai pas révisé.

57:53Caroline Anglade: Et tu le passes aujourd 'hui ? Ouais ? Ouais, moi aussi. Je déteste ce rêve.

57:56Redouane Bougheraba: And I'm thinking, if I had achieved, I would have done it. But adult, you know. Yeah, I'm a bad guy. It's been 20 years that I dream that I pass the BAC.

58:06Caroline Anglade: And you'll see, in addition, these angry, they reviennent. I see, the girls are still little.

58:11Redouane Bougheraba: Yeah. No, the grand, she's a great. The grand, she's a great, great. The grand, she's a great, great. Ah, yeah.

58:16Caroline Anglade: The grand, she's a great. Ah, yeah. But you've got to pass through all these things where you rewatched the fractions and all.

58:22Redouane Bougheraba: Oui.

58:24Caroline Anglade: And it was?

58:24Redouane Bougheraba: But it's my wife who made the work.

58:26Caroline Anglade: Ah oui, ok

58:26Redouane Bougheraba: On s 'est rendu compte que la petite, elle était meilleure que ma femme en anglais Parce que comme elle est née à Londres Et quand ma femme, elle est limitée à prendre l 'anglais Et quand elle fait les devoirs avec ma femme Elle avait certaines notes Et qu 'elle faisait les devoirs toute seule Elle était meilleure En fait, sans faire exprès Ma femme l 'a bridée à son niveau à elle Alors qu 'elle est... Elle est bilingue, elle, en fait La petite, j 'ai vu son travail J 'ai lu sa dissertation Elle a 7 ans I read a dissertation of this piece but it's not she's writing it.

58:57Caroline Anglade: You live in London. I live in London. It's crazy. Because like that, you don't imagine... You eat little scones the afternoon?

59:04Redouane Bougheraba: No, no, no.

59:05Caroline Anglade: No, no, no. No, no, no. But you go to Boots?

59:09Redouane Bougheraba: I go to Boots. It's my passion. I buy my D.O. at Boots.

59:12Caroline Anglade: It's my passion, Boots. Yeah, Boots. In fact, it's nothing else that a parapharmacy with a medical in-pente libre. Yes, but it's a great job.

59:20Redouane Bougheraba: It's a great job. You go to all in service. You get all in service.

59:22Caroline Anglade: You get all in service.

59:23Redouane Bougheraba: your own pharmacist, your own doctor.

59:26Caroline Anglade: It's delicious, I think. Yes. I'm going to buy all the food. All the drugs, all the Tylenol, the Carmex. Now you can find it in France, but I prefer to buy it in London.

59:36Redouane Bougheraba: You make two hours of Eurostar to go to London? To go to Boots. I played there, in this room, the comedy comedy, all the stuff.

59:44Caroline Anglade: You're going to get it? I love it.

59:46Redouane Bougheraba: It's fine.

59:48Caroline Anglade: It's not you who want to say the opposite, but there's a lot of French.

59:51Redouane Bougheraba: I live in a town where there's no French.

59:52Caroline Anglade: Ah, cool.

59:53Redouane Bougheraba: Oui, il faut choisir, c 'est grand. Et j 'ai l 'anonymat. Tu vois, quand tu es connu, tu fais des photos, tu fais des... Là, j 'arrive, je ne connais personne. Je ramène la petite à l 'école, je vais la chercher. Je suis lambda.

1:00:06Caroline Anglade: Il y a plein de grands parcs et tout.

1:00:07Redouane Bougheraba: Il y a des grands parcs, c 'est magnifique. Et je suis là-bas depuis 2012. Donc, je suis un habitué. Oui, moi je m 'en ame.

1:00:14Caroline Anglade: Ma meilleure amie habite à Londres.

1:00:15Redouane Bougheraba: Ça me permet de décrocher vraiment. Quand je suis là, j 'ai ce côté travail. Quand je suis là-bas, côté papa poule, je ramène les petites à l 'école, je vais les chercher, je cuisine.

1:00:23Caroline Anglade: But you don't want to have the sun and all?

1:00:26Redouane Bougheraba: The sun. When you see the effects of the sun on the peau, is it we need to have the sun?

1:00:30Caroline Anglade: I would imagine the sun with 15 years old.

1:00:33Redouane Bougheraba: Yes, the holidays. But I came from Marseille, I made an overdose of the sun. It's like Obélix who is falling in the potion.

1:00:42Caroline Anglade: In the marmite. In the marmite of potion.

1:00:44Redouane Bougheraba: Exactly. In the chaudron, in potion.

1:00:49Caroline Anglade: You see, it's a good one.

1:00:51Redouane Bougheraba: No, it's a good one.

1:00:53Caroline Anglade: C 'est terminé, Redouane. On l 'a fait. C 'est terminé. C 'est fini. C 'est fini. Anti -âge, maquillage, lifting, slut-shaming, botox, end-tox, L-amorflé, contouring, glaskin, masque, peau flasque, relâchement, cheveux blanc, acné, zone T, brillance. En apparence.

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