


Episode topic: Tristan Lopin’s upcoming show Partez sans moi (Sept, touring) and his approach to image and self-presentation, then a deep discussion of his childhood/teenage experiences with sexuality, harassment, body image, hair loss, and cosmetic choices, ending with a skincare routine and products.
Tristan Lopin (French comedian/performer; “most famous dent cassée” on social media; launching next show in September; previously performed at Olympia; works with a stylist for poster shoots; discusses his look, rituals, and clothing choices on stage). Nora (host; asks about style, trauma, hair, and skincare).
He says he uses a stylist to create a strong, prepared visual for posters; he doesn’t discuss sexual harassment in the show itself, though he addresses traumas in interviews; he links early feelings about sexuality and being “out of place” to later self-analysis; he frames hair loss as manageable and discusses hair implants and skincare.
childhood memories at Saint-Jean-le-Luz; being teased for homosexuality/femininity; dyeing hair “roux et noir corbeau”; piercing/tattoo decisions; hair implant timeline and cost range (3,000–18,000€); using an Aromazone caffeine eye stick/serum (fridge) and a basic routine.
Written by AI. May contain mistakes.
Discussion on Tristan Lopin's new show and the importance of styling.
“Today, I receive a friend with whom I do to dinner for soon two years.”
Exploration of how appearance and style impact performance and confidence.
“Yeah, for a shooting of me, of Affiches.”
Tristan discusses his childhood experiences, traumas, and their impact on his identity.
“What led me to ask you this question, how did these traumatisms change the perception that you had of you as first a little boy, then as a man?”
Exploration of the pressures of masculinity and societal beauty standards.
“So I remember when I was going to the beach, I had a cousin who told me, ah, but you have a hair.”
Exploring personal experiences of adolescence, body image, and identity.
“But yes, I was a little there, but it's who this?”
Discussing hair dye experiments and personal expression in youth.
“to be able to do a little things as it is.”
Talking about hair loss experiences and societal pressures related to appearance.
“Alors moi, j 'aimerais que tu m 'expliques à partir de quel âge t 'as commencé à perdre tes cheveux ?”
The hosts discuss changes they've noticed and personal stories about appearance.
“I saw that there was something that had changed.”
The conversation shifts to Tristan's experience with hair restoration and its recovery process.
“Parce qu 'en fait, moi, du coup, ils m 'ont rasé la tête.”
They delve into the effects of hair transplants and how hair texture can change over time.
“A better male, but I wasn't refowered in boobs and met with my לא� – Nice!”
Tristan shares insights about the pain and recovery associated with the procedure.
“I heard a story, I don't know if it's true or not, that a hair or a hair is of the nature of the hair.”
The hosts discuss societal views on cosmetic enhancements and personal experiences.
“C 'est pour ça que parfois, au départ, tu vois des You have an impression that it's not the texture.”
The conversation includes familial reactions to Tristan's decision to undergo changes.
“And it's okay, but I know very well that...”
They shift to personal maintenance routines, discussing products and skincare habits.
“And I thought, Tristan, it plonges like that.”
The hosts discuss various skincare devices and their effectiveness in routines.
“with Maya Mazorette and the gueule that I pay?”
They explore the connection between diet, skin health, and personal care products.
“If you eat a cell phone, it's on the point of the bayou or on the road?”
The hosts conclude their discussion with reflections on their personal care routines.
“But what's what I'm going to do is to get out of the face, to be afraid of the cicatrices and everything.”
The hosts discuss beauty routines and exchange gifts.
“I think it's someone who's in the middle of the morning.”

Get the gist, explore an idea or ask about something said.
On En apparence, what are the key points of this episode?
Automatic transcript. May contain errors.
0:00Tristan Lopin: Podcasting is fluid. Platforms and the formats, they're only the container. What fans are choosing is the moment. What their hands are doing, what their eyes are free for, or who else is in the room. Whether it's the morning run, the commute, the couch at 9pm, or the clip that made you laugh on your lunch break. Four moments, four different things a brand gets from showing up in them. ACAST Podcast Pulse 2026 report maps all four of these moments. Get all the insights at acast.com slash pulse.
0:39Tristan Lopin: Today, I receive a friend with whom I do to dinner for soon two years. And of course, we will soon dîner together. A friend who I saw for his previous show at Olympia, I believe even have met his parents in the world. He's a great friend who I love. He's launching his next show in September. September, it's called... Partez sans moi, I'm rejoicing. Thank you. I welcome the most famous dent cassée in the social media. Tristan Lopin, hello. Hello, Nora. How are you going? It's fine, yeah, it's fine. It's fine. It's fine, I'm very happy to see you. I'm going to enter into the subject. There's your affiche that will be for people who watch the podcast.
1:24Tristan Lopin: For people who listen to us and who don't make the podcast, go to Google, tap the affiche of the new show of Tristan Lopin. There are several things to tell you about this. First of all, my very good friend and registrar Norman, I don't know if you know, he said, what's that he's going to do this verse. So I'm going to tell you. It's very cute. I'm not sure you're the only one that I thought that you were the horse nut. But it's true. I'm not sure you're the one that would work. I'm going to tell you that it's maybe to be epilé. because Tristan wears a shirt a little bit a little bit a little bit a little bit a little bit and a shirt and a shirt and a vest in cuir vert and so I saw you that you had tagged a style with which you did you have worked and so I wanted to know what's important it's for you why you have a stylist is it you take a regular what's important it's for you this appearance physique on the scene in all maybe the style the look I remember when I was at Olympia when I saw you I told you what you're doing, what's beautiful, what's the boots, and everything.
2:26Tristan Lopin: And you had a kind of jeans well cut, boots well cut, this large chemise. Yeah, yeah, it's that, yeah, clearly. So, it's interesting. We've got a stylist because I told you that the affiche, for the two previous affiches, we had done a little shooting, not at the end, but it was a little... Not in system D, but we didn't put a lot of tools in it. so the shooting was super, it was with Thomas Brooke, I love it. But we didn't prepare the shooting very in-amont. We were all going with the fringes that I had in my placards. And then I realized that it was a new spectacle. I wanted to be prepared in-amont.
3:08I didn't want to arrive at the previous time. I was here, I had finished the spectacle. Three years after, I played my rodage. And we had really started. And then I wanted to prepare it in-amont, to announce something, to make sure people's place, I had the time to write, to repeat for arriving with a project really finished. I wanted to have an image that was a little bit strong, which changed. I wanted to take a photograph, who is Guillaume Blot, I wanted to take an artist to really make everything and not make it a thing to be able to do it. And that we can say that the photo is great, but it's bad, it's a little bit...
3:45In fact, I like to get dressed so I have a little bit of a taste, I didn't have done what she did as a job, Sonia. And so I was super happy. It was the first time you worked with a stylist? It was the first time I worked with a stylist. Yeah, for a shooting of me, of Affiches. Yes, after that was already happened for magazines and stuff like that. But not so much, no.
4:09Tristan Lopin: And for example, for the magazines, I imagine you have the choice of shooting with your fringes, of what you have in your placard. Is it a important thing for you to say, I need to advise you, I need to be put in value, I don't know what's going on. Is it a thing where you want to do it? Or is it you want to do it? I want to do it. I know I have plenty of views on this question. I like it very well. And in the meantime, I'm a little freak. I need to be sure that what a person does, it's fine. So I'm going to say, very hot for me to propose a shot. But if there's something that I don't like it, it's really so redid.
4:47I don't want to do it.
4:48Tristan Lopin: You have confidence in your go? Yeah, I think. I have confidence in very few things. But it's a thing where I know what is beautiful and what is not beautiful. Well, I think it's a very beautiful thing. And for example, your tenue of scene, you've already found your next tenue of scene? You've got a tenue of scene, you? I've got a tenue of scene for the previous one, and even the previous one. I've seen people, including Marine Leonardi, who play each time with a different shirt. I have the impression. I think it's so refreshing. And in fact, I was thinking, is it not a cool to arrive with the shirt that you have to wear the day without saying, you have to be dressed like this, like that.
5:29After, there's a lot of comfort. It's true. I have a lot of rituals before I'm going to go on the scene. And so I have a lot of things where I say, there are some sensations that I'm going to make. So if I have the shirt with the shirt that I know, the pants that I'm going to arrive at this height, I say that all is caled for an kind of panoply pour monter sur scène. C 'est assez rassurant. Mais en tout cas, je me dis, si je bosse un peu sur le lâcher prise, ce serait pas mal d 'essayer de se dire qu 'en fait, je peux...
5:55Tristan Lopin: Oui, et à la fois, je trouve ça hyper compliqué. Moi, j 'ai essayé parfois de me dire, tu sais quoi, je vais y aller avec la tenue que je portais aujourd 'hui, dans laquelle je vais me voir. Et puis, je trouve que tu n 'as pas d 'espèce de scission ou de rupture entre la vie normale et le... Oui, mais tu pourrais dire que je prends dans mon sac une tenue que j 'ai envie de porter ce soir sans que ce soit actually, because I've done the choice I haven't said because I think you don't have to make it in my life but I've done the choice that we don't have to make it and I've said okay it's not in appearance but I'm going to go tranquille without that because I'm saying I'm going to look at the images and it'll be a nightmare I'll be like I'll do it I'll do it I'm like I'm so much so I'm like at the moment it's not a question and I know that on the scene I have a bit the same thing of me to say I don't want to I don't want to that it's a question so when I choose my vêtements in my life generally I chose I'm going to choose cette question-là sur scène du tout.
6:47Oui, d 'ailleurs, tu es toujours avec un t-shirt blanc, il y a un jean.
6:49Tristan Lopin: Oui, et avant-hier, j 'ai joué en sweatshirt, figure-toi. Je me disais, c 'est bien aussi de jouer en sweatshirt. Mais en tout cas, je ne veux pas être dans un truc. Je me suis forcée du coup à moins m 'agiter si j 'ai eu chaud. Parce que je bouge beaucoup en plus. Oui, mais attends, moi, j 'ai vu des gens, je ne sais plus qui l 'autre jour, une humoriste où je voyais avec. Je crois que c 'était Laura Felpin. Laura, je me demande, quand j 'ai vu son spectacle, si elle n 'avait pas limite un col roulé et une veste. Ah si, elle a un truc noir. C 'est là où je me suis dit que le tissu était très épais.
7:12Tristan Lopin: Non, mais tu te dis que c 'est délirant de jouer. On le mandera à Laura, c 'est très chaud. Elle doit avoir extrêmement chaud. Et en même temps, elle a ce genre de physique de gens qui ne transpirent jamais. Oui. Tu vois ce que je veux dire ? Il y a des meufs, tu peux les mettre par 40 degrés. Elles ont encore l 'air propres. Ah ouais, c 'est vrai qu 'il y a des meufs comme ça. Moi, le chauffage est un peu trop... Ouais, je suis quoi ? Je suis. Je brille. Ah ouais, je brille. D 'ailleurs, ça se trouve, je brille actuellement. It's super. I don't know. To come back to you, Tristan, on the scene, I'm talking about the next episode, but I wanted to talk about the theme of the next episode.
7:44Tristan Lopin: And even, you talk about a very deep topic. You go into the intime, you explore the traumas, your aggression sexuelle. I was going to say the harassment, but I'm not sure that it's in the show. I think it's a force to listen to the interviews. Yeah, I haven't talked about it. You don't talk about it in the show. You don't talk about it in the show. and all. What led me to ask you this question, how did these traumatisms change the perception that you had of you as first a little boy, then as a man? How did you feel when you were little? I was like a boy who was not in the age to which he was really.
8:28I had really the feeling of being a boy who would wait to arrive at an age where we would consider it to its own value. And I remember very well having been in vacation with one of my very good friends who lived at Saint-Jean-le-Luz. We were all little when we were little with my parents. I was really all over a year. And one day I was with her mother, on was on the shore. And I had really the feeling of talking to her and being close to her than being close to my friends. I was thinking about having a day with them, I had the impression that I was not going to be at my place. While with her, who was an adult, who had clearly 30 years more than me, I had the feeling of being more...
9:13Tristan Lopin: I felt it too. But you were not really a child? No, I had always had the feeling, but I think it was a difference of my feeling very early, from my sexuality, my desire for the boys, in all my attirance for the girls. So I think that it puts you all right away. When you feel that you're a little away, I think you're more in question, you're more analyzing. So I think you're more in a way than others who are in a system more... ... comfortable, more normal. So I think that I've grown a little bit, there are more things that make you feel a little bit of a bousy. and that at a moment you try to find the resources to get out of it.
10:00Or in all case, to say, it's not that I'm staying in this prison because otherwise it will be very long.
10:06Tristan Lopin: Do you remember the harassment, if it was liable to the cruelty of children on the physical, on the fact that they were not like us, on the why, how, how... It was mostly on the homosexuality, or on the fact that they were a little more feminine, or in all case more mannered, etc. which is insupportable today when we hear but yes in any case more sensible is it that the physique has taken an importance for you capital to a age where we transform so much I think for everyone because it's a place where we change so much there's a place where we say well there it's good but there's that that's where it's going to deform so there's always a thing that doesn't go I haven't had too many buttons but I have a few I have a chance after you start a little bit of mustache I'm sorry my grandmother who told me, I was going to buy a razor.
10:54I was like, I didn't want to buy a razor because I didn't want to grow and grow, or in all cases, to have a hair, etc. So, yes, it was a long time. And then I had a hair on a long time. And then I had a hair on a beach. So I remember when I was going to the beach, I had a cousin who told me, ah, but you have a hair. In fact, all is a bit like, oh, but in fact, I don't know where to put it. I would like to hide it because because nothing is going on in fact. And in plus, when you're a garter who doesn't have very much confidence in him, like a lot of people, I imagine. But there is really this thing to say, in fact, there is to wait, to wait for me to go somewhere, and wait to get my moment to arrive.
11:32That's what I had for a long time.
11:33Tristan Lopin: And did you have the feeling of having an image like an ideal virilist of the masculinity? Did you have a figure... I was really growing in a thing where what I found was beautiful, it was physique de poupées ou de barbies. Je trouvais qu 'il fallait être... Même, je vais dire Pamela Anderson, pas forcément elle, mais Rachel Green. Plus tard, mais même plus jeune, je me souviens qu 'il y avait un truc... Les belles filles, pour moi, il y avait un truc sur la beauté qui était très stéréotypé. On ne voyait pas beaucoup de physique très différent ou pas. Et je me dis, est-ce que les hommes ont cette espèce de pression ?
12:08Les garçons, en tout cas. C 'est très personnel, mais en tout cas, je me souviens que j 'étais à Chilkoff-Fer une fois avec une photo de DiCaprio dans Titanic for having the coupe of DiCaprio in Titanic. And there are photos that I found where we see that the DA is supposed to be that, but really it doesn't give the same thing.
12:26Tristan Lopin: But I don't know how many of us were to have the coupe of Rachel Green. It looked like a champignon. Exactly. Because of all these moments where, when adolescent, I think that it's something that we've crossed, we go with the photo of our model, and forget that what we want is the head of the model. And not her head. Because in fact, you put the coupe of DiCaprio to your neighbor. In fact, you have to be n 'importe who. This one with the mesh a little long, it's not really easy to be able to do it. No, it's not good. No, but I tried to do it. After Jared Leto, he had a little bit a sort of danger to 15 years.
12:59Tristan Lopin: A little, yeah, it's true. But Capri, he had a little bit on the side, you know, the mesh which barred a little the face, I think. A little like... Yeah, it's true. He had the hair in the middle like that, Jordan Catalano. Yeah, but Capri, in this year, he had the mesh. Yes, you're right. He's a little bit like me. Yes, a little bit. Yes, it would be. Yes, it would be. In real, it was never the only... You had a little age? You were at the moment Titanic. Yes, I had 12 years. You were really cute. You were blonde? Well, at my childhood, I was blonde, but blonde, plus clear that Britney in Slay For You, that Christina Aguilera in her grand-d 'oeuvre.
13:40I was very, very blonde. And I was very fond of a cousin, my parents, I don't know what, and a guy who told me that you have the black scents so you don't want to keep your hair and I found that horrible. You were afraid of... Yeah, really, because I told you that it was a thing that I found really great at home. But in any case, I didn't keep it. But yes, I was a little there, but it's who this?
14:03Tristan Lopin: But this is said, like a lot of blonds, sometimes when I see a real blond, a lot of adults, I wonder if it exists really? But it's not that it's you to disappear. I think you talk a lot about the shoes because it's a subject that I wanted to talk to you at the end of this podcast I haven't finished with your adolescence I'm sorry I'm sorry it's really a question that I ask how do you see at this age because I think that we, the girls I remember the girls who do the class of our physique that we wanted to be women there was everything around the makeup I said what for a man, it's what? it's what?
14:41Tristan Lopin: it's your hair? who pousse. I was really in the prisme of the girls because I was a lot with the girls. I had more of the girls. I was always more of the side of the girls. So I didn't have a lot of I didn't have this thing of seeing my body change but more with this thing of me saying I'm going to really resemble a young man but very strong because I have a lot of hair so I have all kinds of things that they tell me that in a coup what you have project a little bit of DiCaprio, which at the time was very imberbe and very minet, I was very quickly realized that it was not the case for me. So it was in an ideal of masculine image more close to DiCaprio who looks like a little angel than a guy brun, velu.
15:33Of course, I wanted to be someone who was at the time very seductive, but in in a bit sensible. I never looked at in a big girl or in a bad boy. Or, it's a guy with whom I was looking at but in a thing like Dylan of Beverly Hills.
15:54Tristan Lopin: Is it you made it? No, because I was always in the way I was looking at it, like I was looking at it. But never I wanted to be him. There's a certain way of being able to know that it's better that you're going to be a douceur and a dicaprio than a Dylan, than a bad boy? For me? Who does it look like a guy? Yes, because I imagine that in more, the character in Titanic would be more. The guy who plays, I would have drawn when I was an adult. There's a lot of more poet. The Dylan, I don't remember what's his characteristics and psychological. There's a moment where he's going to drink or to drogue.
16:31I think I was more in the thing that's where I was going to save. So Dylan, it's going to be a good thing. You're already in the syndrome. infirmier. Par contre, il faut que j 'aillez la dégaine de Ticaprio.
16:40Tristan Lopin: Est-ce que tu as eu des gros ratés ? Parce que, visiblement, j 'ai l 'impression qu 'on a un peu les mêmes rêves sur les trucs qu 'on a aimés un peu à deux. Est-ce que tu as eu des ratés physiques ou des petites audaces ? Alors, moi, je m 'étais fait une teinture. Tu vois, tu te bouges beaucoup avec les cheveux. Je te dis, toi, ça se cristallise au niveau des cheveux. J 'adore. J 'ai fait une teinture rousse et noire corbeau. Quoi ? Mais genre en même temps ? Non, pas du tout. in two spaces different but when I was at school and after my first year of school I was doing roux and corbeau with an kind of color pulse which was not really a teint but it was a thing that you would have to mousser on your feet and so it was not really and it was not but not and in fact I remember at the beginning it was a bit of burn and in fact plus you were and in plus with the sun I remember it was in plain été and it was really a very rare roux but it was a thing because you had a personnalité and you had a good idea or you wanted to resemble someone?
17:36I think it was a bit to also to fill out a kind of kind of where everything should be where it is to be able to get in the case. I'm still an family rather than with all your rapport, etc. So, it's a kind of rather to be able to get in the case, to be able to do a little things as it is. So, I think it's a way to get in the case, to say, in fact, I don't want to do it, but I will do it. Because I've never had the case of making a piercing or a tattoo. Ah, yeah, I've done it. Ah, yeah, no. Never. Never a piercing and never a tattoo.
18:18Tristan Lopin: No, I love a tattoo, by the way. But piercing, you've done what? I've done a piercing on the back. I've done a piercing playboy on the back. And I've done before my 18th birthday, so without parent's authorization. And I remember very well that the guy told me, I was like, hello, sir, I would like to do a piercing, s 'il vous plaît, il m 'avait dit, bah t 'es gentil mais il faut une autorisation parentale je t 'ai revenue deux secondes après il m 'a écrit, je sous-signais madame Hamzaoui, autorise ma fille à chaque fois, il m 'a dit, tu te fous de ma gueule et je l 'ai dit, s 'il vous plaît, s 'il vous plaît et donc je me sens très bien, en plus je pensais pas du tout que ça se passerait comme ça parce qu 'il a pris sa barre, il a fait, je sais pas j 'avais un bout de chair, je suis désolée j 'avais un bout de chair qui pendait ma soeur était étudiante en médecine et je l 'avais appelée des toilettes du McDo, bah je l 'avais pas appelée because there was no portable.
18:57Tristan Lopin: I had to call her to a cabin. I don't know. She was coming to the toilet from the McDo. Is there already a portable? No, I don't think so. Maybe there... How do you call it? Tatoo, or I don't know what. Yeah, Tam Tam. Or, I don't know. Or, I don't know. And she comes to the toilet from the McDo. I'm going to be disinfected and I'm going to be couping the roof of the Kirel. Ah, damn. That bad. It's horrible. Yeah, I'm going to be wearing it. And I'm going to be wearing it. And I'm going to be wearing it. And I'm going to say, I'm going to say, I thought I was going to put it on the back. And she thought I was going to put it on the back.
19:26Tristan Lopin: And she said, she had a reaction. The worst of the world. She said, I was going to do one. And I was like, ah, it was a good one. But I think that it was a reaction. If you want to get a mirror, a disgusting thing that makes a connery. And it was always made this effect. You know, the few times where I was going to be in a cachet. Or after she was grillin, she said, I can't be a club. And it was like... Ah oui, c 'est marrant, genre, pour désamorcer le truc, pour désamorcer ton envie, elle se... Je pense que c 'est même... Ouais, moi, je pense que c 'est beaucoup plus pervers que ça. Mais peut -être que c 'était juste pour désamorcer mon envie, mais c 'est juste, genre, tout à coup...
20:03Tristan Lopin: Ouais, je sais pas, j 'arrive pas à l 'analyser. Ah ouais ! Ouais, c 'est vrai que ta mère avait un piercing au nombril... L 'enfer ! Ouais, c 'est pas ouf. Ouais. Voilà, oui. Je sais pas non plus qu 'on se prête nos culottes et tout, enfin, c 'est vraiment un cauchemar, en fait. C 'est pas ouf. And then it's a moment where you do it to sexualize a little bit. So you're there, like, let's go to me to wear a piercing playboy, and a high-court, and a push-up. In other words, you're going to keep your room. Yeah, yeah, yeah. It would have been so weird that they would have to do it. No. I would have to do it.
20:31Tristan Lopin: Not me. We were on the other side of your teeth. So you're not going to... So it's a reaction, kind of, like... Yeah, I'm not going to react. Well, noir corbeau, it's going to be there, I think. I prefer to make a piercing. Yeah, but it's not a piercing. In other words, it's a form of provocation, but hyper light. Because if I had done a piercing, I think my parents would have seen it like a mutilation. Yeah. And so, the hair is a little bit on the side, it's a little bit on it. But it's kind of a marked, because the other time, I had to spend an afternoon with my mid-year-old. And she told me, yes, yes, yes.
21:07So, my mother told me that there was a period I was a little bit of a fufu because I had made a teinture. Genre that I had limited the issues problem. Yeah, that's right. So if it's just that, my crisis of ados...
21:20Tristan Lopin: And do you look a lot? Do you have to be taken a photo? Do you have to be taken a photo of you? Do you have to be taken a spectacle when you look at the spectacle? It's not a thing that makes me feel kiffer. I don't like to see a TV because I have the feeling de vraiment analyser le moins drangle de ma personne. Et donc ça, c 'est pas un truc... Bon, du coup, je regarde pas trop. Non, je trouve qu 'il y a trop de... J 'ai trop l 'impression de me voir pas jolie comme je voudrais. Enfin, il y a trop peu d 'angle. C 'est faux comme on est tout le temps déçu de soi. Je comprends pas. Je suis très souvent déçu de...
21:57Tristan Lopin: Moi, je suis hyper déçu. Je me dis, mais en fait, dans la tête, je suis une boue. C 'est pas possible. Parce que les gens te disent euh... Mais non, mais t 'es très bien là-dessus. Prends confiance en toi. And Telan, in fact, I think it's the opposite. Because I'm systematically déçue when I see it. It's that in my head, I'd imagine... No, in plus, I'll tell you what I find when you say, but you're super on the photo. It's that, in fact, I'm saying, but if people think that I'm super on the photo, it's really, I'm a bitch. It's really this shit. Because, in fact, I don't know what I'm doing there.
22:25Tristan Lopin: Yeah, me neither. And I, the number of times where I'm looking at a photo, I'm looking at Mitterrand, you know, Telan... Mitterrand, it's a lot. I've got tons. I've got a picture of the screen. I have a copy of screen screen, where I look at Mitterrand, to know if at a moment, it will have to do something. No, I don't know. It's something that makes me feel... Ah, I don't know. I don't know. There's something where you're there, but what's that Mitterrand... I don't know. We don't see it all of a sudden, once we know. But I don't know. I'm telling you, when I listen to it, I feel like it's... Maybe, despite everything, there's something where it's easier to incarnate your body and your body when you're a man.
23:02Tristan Lopin: Maybe, maybe not. I don't know. But in any case, you don't know what to say. And even the rapport of the time and the age, for example. The rapport of the time and the age, yes, I've got to lose my hair. And on back to the hair. I'm going to be a psycho. On back to the hair. But in fact, it's the first thing. I don't have a beard. In fact, I'm doing sport. My father is absolutely not a big at all. So I have a good skin there. Is it a chauve? I don't remember. Yeah. Yes, he lost his shoes. So, in general, the first sign of vieillesse, because in addition, there are men who don't have 20 pounds, I don't know.
23:40I don't know a sign of vieillesse.
23:41Tristan Lopin: It's testosterone, right ? Yes, it's a fort taux de testosterone. And in general, it's the only thing on which, otherwise, I put my cream hydratant. But wait, I want to get back to your shoes, because I think it's great. It's amazing. It's been a good idea. I have to tell you, I saw it here, in preparing for that you had done an implant. Ah, really? To tell you how I think it's well done. Because I normally am a radar implant. And in fact, someone said, but it's like the aesthetic. You see what's wrong, all the things that are not réussi, maybe, I don't know. Or all the people who have abused on a thing.
24:19Tristan Lopin: You have a lot of people, I don't know if it's the case or not, you have an impression they have absolutely not respect their natural implant. naturel. J 'imagine que si tu as des golfs, tu ne vas pas remplir les golfs. Ah bah non, moi c 'est ce que j 'ai fait. J 'ai fait, bah non, mais il faut les golfs et tout. Bah oui, sinon tu ressembles à un monsieur plante, tu sais, les mecs, les boules que t 'arroses. Oui, bah bien sûr. Ou à une brosse à chiottes, quoi. Ou une brosse à chiottes. Des mecs qui ont des espèces de balais. Des plans de culture. Oui, c 'est ça. Quand j 'étais petite, j 'avais qu 'une seule hâte, c 'était de bosser.
24:49Tristan Lopin: Je rêvais d 'être boulangère, fromagère, libraire. J 'imaginais, femme indépendante, avoir ma propre boutique et être la patronne de mon petit commerce. Ce sentiment d 'indépendance, je l 'ai finalement gagné sur scène grâce à mes spectacles. Mais si je devais réaliser cet autre rêve d 'enfant, bon, je ne sais pas ce que je vendrais, peut -être ma marque de skincare ou de maquillage, mais j 'utiliserais sans doute Shopify qui sponsorise cet épisode. Avec Shopify, pas de galère de logistique, pas de crainte que soit l 'ugine à gaz. Vous pouvez vendre partout, sur votre site, sur les réseaux sociaux ou directement en boutique.
25:17Tristan Lopin: Et ils vous accompagnent à chaque étape. Parce que toute personne qui a réussi by herself, a commencé quelque part. Il suffit d 'une idée. Shopify s 'occupe du reste. Qu 'attendez-vous ? Lancez-vous dès aujourd 'hui. Démarrez votre essai gratuit sur Shopify.com. here's a tip for you there's a podcast out there with fans waiting to be your next customer they tune in every week they trust the host and that host wants to talk about brands like yours in their own words to their audience the problem is you just haven't been introduced yet we're a cast where that introduction happens as the world's largest podcast marketplace we let you browse shows, see who's listening and book host-read sponsorships or run your own ads, all from one platform.
26:04Tristan Lopin: Transparent pricing, real-time data, complete control. Start advertising on podcasts by visiting acast.com slash advertise.
26:16Tristan Lopin: Alors moi, j 'aimerais que tu m 'expliques à partir de quel âge t 'as commencé à perdre tes cheveux ? Très jeune. Ah ouais, genre ? Ouais, franchement, parce que même là, tu vois, il y a plein de gens qui me disaient, mais tu ne les perds pas plus qu 'avant, I think it was a partir I remember my first I was told that I was going to have no hair and it was not good, I would love it while we had 16 years old I think it was 18 years it was a project that was far away or it was going to happen we were very close so they said potentially we were going to grow together and one day I would have announced or they announced that in a month it was more than a month I think it was more to end in X années so I was going to lose du taux.
26:59Et puis, au bout d 'un moment, je me suis juste dit, je vais finir par devoir les raser, parce qu 'il y a un moment donné où ça va devenir gênant, de genre juste le mec qui...
27:08Tristan Lopin: Non mais attends, étape par étape, parce qu 'il y a énormément d 'hommes qui coulent son podcast. La fille invente une cible aînée. Non mais parce que je pense que c 'est vraiment passionnant, parce qu 'en effet, tu parles aux mecs de... Tu sais, ils sont là, mais attends, ce podcast, c 'est pour les meufs, en fait, c 'est pour je ne sais pas quoi. Alors déjà, si tu n 'as jamais pris soin de toi ou que tu n 'as jamais eu le complexe, je ne sais pas quoi te dire. and then they all talk about their hair but there are some who have like that and they are like I'm very worried about them you have 45, you have a two-faced, there will nothing happen but you said you have to get started where?
27:38at the front
27:40Tristan Lopin: because I've always been persuaded Tristan but maybe because I'm more petite than you, I don't know if you were there or not for me it was just a guy who had a big front ah ouais, no, when I and even now when I revois the photos and everything Now, when I read it, because here I said, but it's not possible. I thought it was... In fact, I was thinking that I had a bad look. Because in fact, I saw that there was something that had changed. But I was thinking, I don't know, it had changed. It had a chi. No, but I was thinking... No, I thought it was more on the bar. Because at the moment, you had a mustache.
28:11Tristan Lopin: Yeah. So I was thinking, you know, I was thinking, sometimes, the sourcils, but I don't know, you would have done a bro lift without me to warn you. But really, and so here, I had a message in my mind, but it's really done des impriments ? Parce que, en fait, est-ce que tu as caché, dit à nos auditeurs qui veulent potentiellement s 'en faire, est-ce qu 'il y a une phase de transition qui est épouvantable ? Il n 'y a pas tellement une phase de transition qui est épouvantable. En tout cas, moi, là où je l 'ai fait, je ne l 'ai pas fait en Turquie ni rien. Tu l 'as fait en France. Je l 'ai fait en France.
28:38Parce qu 'en fait, moi, du coup, ils m 'ont rasé la tête. Je les ai faits. Et après, c 'était pendant l 'été, donc il y a eu un mois ou en fait deux mois pendant lesquels il y en a un peu qui tombent, etc. Genre c 'est le hair shot loss. and then they repousse. And I actually didn't catch it because I had always had a lot of casquettes at the time. Now I still have a lot of casquettes. And after you know when I had done the 20km of Paris, it was a year ago, I had the very short hair, so I had more hair. But in fact, I had to put it on the spot where I lost my face, I was not here with a bar on the front, in the way, like, the guy changed the face.
29:15I had the same face, just where I lost my face. They I didn't transform my eyes anymore for原x. A better male, but I wasn't refowered in boobs and met with my לא� – Nice!
29:31Tristan Lopin: Hug it in high school, you hated see a pair of shoes! And even more shoes than we thought, I love the big point with mud !連 I don't want to wash my teeth so many months I need to wash my teeth! After that I sweat my teeth, I take it cold! And that's really a satisfaction. And is it true that you take them back? Yes. I heard a story, I don't know if it's true or not, that a hair or a hair is of the nature of the hair. It's to say that if you take a hair, when you plant it on the pubis, it will become a hair. If you take a hair and you plant it on the head, it will become a hair. Yes, it's true.
30:08Tristan Lopin: Is it true? Yes, it's true. Is it going to plant a hair on the pubis? No, not at all. Because I remember at the beginning, when they put it on the pubis, derrière, ce n 'est pas du tout la même texture que les cheveux que tu as derrière. Et je ne sais plus, elle m 'a dit que c 'est au bout de 2-3 ans que le cheveu prend vraiment la nature de l 'endroit où il a été implanté. Donc elle me dit, oui, peut -être que là, vous avez l 'impression qu 'il est plus épais que des cheveux derrière, que vous n 'avez pas fait réimplanter, etc. Mais elle m 'a dit, à terme, ça va redevenir... ça va prendre la même texture.
30:40Tristan Lopin: C 'est pour ça que parfois, au départ, tu vois des You have an impression that it's not the texture. The rest is not bad. Is it that it's bad? Franchement, I really did that. You said that it was a bad thing. It's not bad that it was bad. What's really bad is because they put a mini-picture of anesthesia in the crâne for the place. So it's not bad. But frankly, I'm pretty resistant to it. The pain is not a thing. that when I'm wrong, I'm not at the article of the death. But I thought that it would be really more dolorous than that. And you know, I have a friend, a friend who has done that. And in fact, he was rasing.
31:24Tristan Lopin: And he was found a good guy, he didn't ever get out of his implants. Ah, yeah. Because he liked his head, he said, in fact, all this time, when I was there, he liked his head. Après, there are some very, very good guys. And so, it was what you were doing? You just wanted to... Is it something you had to see? Is it something you had to see? You said, it's a mess. Is it something you found out? Is it something you found out like that? In fact, I was told... There were a lot of men who were very sexy, like Jadon Statham, Bruce Willis, etc. Sauf that you, clearly, you had more energy than a fan of Chimio.
31:55Oh, no. But you know, I was really told... In fact, you were going to have a look... I was afraid of having a look a little bit.
32:01Tristan Lopin: Yeah. You know? And you were supposed to get rid of it because you were able to get rid of a stade or otherwise it was too clear. Yeah, well, after it started to make a difference. who negotiate with... It's a very cute thing. With the mèche. Yeah, a little. You're a little. You're a little. You're a little. So you're going to go. So you're going to go. So I'm going to go. So I'm going to go. And I didn't see you. I was going to go. I got a little money. It's expensive? I imagine that it's like all the... In fact, it's a little. So in fonction of what you're going to do, it's more or less expensive.
32:34Tristan Lopin: Is it possible to give you your code promo? I don't have a code promo. but it can go from 3 000 to 18 000 euros. And that's in terms of the number of sites? If you have a mini, you have a little thing? If you have a small zone, I imagine that it's 2000 ball. You have a lot of money. No, I haven't been done. It was really devant. The rest, I haven't been done. Yeah. Genial. You're happy. It's how many times they are now? It's been a year and a half. Okay. Yeah, I'm super happy. And it's a bit a bit of a taboo for the guys? Moi, now. At the time, I remember there was a little bit this thing... It's not that it's not that it's not that it's not that it's not that it's not that it's it's like, in fact, it's it's that you assume.
33:12But if it participates a little bit to the thing, what it happens, you don't show up your stuff and then you deal with your stories without making the world with your emotions. Just the day where there are still more and more people who do it. And where you say, well, everyone does what they want. And it's okay, but I know very well that... You know, it's funny. you talked about your parents with the story of piercing when I talked to my parents about the fact that I was going to do I was playing in Europe it was a year and a half it was the last date it was six months ago it was two years I told them I was going to do it I think I was going to do it and the first thing that I told my parents while I was talking to my parents she said I was going to do it because my parents said you're right if you want to do it you don't have any regrets etc.
34:03Et ma mère dit, elle le regarde en disant, du coup, ce moment-là, je peux me refaire des seins. Et du coup, ça n 'a rien à voir. Et en plus, c 'est très drôle, c 'est qu 'il lui dit, je ne sais pas, du coup, tu as envie de te faire refaire des seins. Elle dit, non, pas spécialement. Elle dit, bon, alors, il n 'y a pas de sujet. Je vois très bien
34:16Tristan Lopin: cette espèce de logique. Je dis, si c 'est comme ça. Oui, parce que d 'un coup, comme il était hyper open et hyper gentiment, il me dit, si tu en as envie, fais-le évidemment et que du coup elle dit ah bon bah du coup moi aussi je peux faire un truc bah oui t 'as envie de faire quoi bah je sais pas rien là mais donc fais rien ouais bon et donc les cheveux toi ça a été la zone sur laquelle tu te dis bah ok bah ça en effet j 'avais un peu de sous de côté j 'étais complexée par ce truc là c 'était un complexe ouais donc tu te dis je l 'ai réparé est-ce que tu tu es très regardant sur ta peau tes trucs tes dents du coup je me suis posé la question sur les dents je me suis dit bah t 'as pas du tout enfin parce que j 'ai écouté une interview to do it to do it to do it to do it to do it to do it to do it.
34:55Tristan Lopin: And I thought, Tristan, it plonges like that. You plonged it like that. The mouth is open. It's a pic. Yeah, but I was very young. I was 10 years old. It's very good to have plongered 10 years. So, just for that. But I really want to plonger it like that. If there's other things... No, I don't know. If there's something... It's often, it's the poches. Yeah, but the poches, are they evolving in terms of what you eat? I don't know. Well, if I eat an egg, or very salé, des vapeurs, des bimsum, du delivery room that you commande, you wake up, you have seen the video, I invite you to watch this video where I'm like, I'm like, the girl is doing a podcast counter-productif, like, we're talking about what we're talking about in our physique rather than the other and she invites the people to ask them to do it.
35:36Tristan Lopin: But you know, this video that we have with Maya Mazorette and the gueule that I pay? I'm not shocked. I'm not shocked. You're like, I'm like, I'm like, I'm like, I'm like, I'm like, Sometimes I see people who say that she was not in form. I had an enormous pocket. I was always a little bit. I was actually a new pocket. But it's great that you say that. Because I gave you a gift. I was just a little gift. I love the little gift. Because I bought a new machine. From the brand Talika. I said because we have no sponsors. And I wanted to tell you the truth. And I have all the equipment. One day you will see.
36:10Tristan Lopin: I have everything. I have everything. And there I have everything. Just after having seen my video. of our podcast of Maria Masorette. I was like, no. And I bought this device. And it works? I don't know. It's only two days. There it's not. It's not a cell phone. Not a cell phone, but I have this pocket. But as I'm going to... It's the alimentation, I tell you. You're going to take a look. And the eye, I think that's like this. Like that. If you eat a cell phone, it's on the point of the bayou or on the road? No, not at all. I just said that... In an assidération. Yeah, I thought that the food had an impact on the cell phone.
36:43Tristan Lopin: On the peau and all, I think. The salt. Yes, on the skin, like alcohol, etc. But I just thought it was like, you're fatigued or you're not fatigued. But you're talking about the cernes or the poches? It's not the same. The cernes, it's the color. Yes, I'm talking about the poches. That's it. That's it. It's an ambulatory, apparently. Yes, it's not the same. But it's not the same thing. Because I think that... It's not that. But I think that it can... Maybe it's a little bit. I have a girlfriend who had a very young She had a very young She was pretty young But it's cute when you're young and you have a little bit of droopy And she had a marital Typically at I think 30 years She said that it's enough because I had a lot more crevated Yeah, because I was too And there was nothing There was nothing in I don't know how many times Ah yeah I think it's a thing that I would want to pass on a thing You never made up for anything In ambulatory or something like that You have never had a fibroscopic?
37:44Tristan Lopin: Well, it's like a fibro-colos. Imagine, you're doing your fibro-colos, you're out of your pocket. They say, you've got to do it. Yes, but you're not going to do it? There's no incision? I don't think, no? I think, yes. It's that who's stressed. I think. I'm not going to see. I'm not going to see. There's no result. If there's no incision, I don't see how they're going to do it. It's for that. But what's what I'm going to do is to get out of the face, to be afraid of the cicatrices and everything. So I don't tell you my césarine. No. In off. In off. In the meantime, in fact, one, you don't have a part and two, I think it's pretty cute.
38:21Tristan Lopin: But it's always pretty cute. I would say, at least, at least, at least. Yes, but I bought a... A mask led? No, I bought my hand. Yes, it's that I want to talk about it because I have the impression that you have you have a little bit of capillaries, the noir corbeau, the roux, the implants. Maybe that next year, we find out that there's still something else. I don't know, I have a hâte. No Non, ça y est ? Non, là je pense que c 'est bon Mais je me suis acheté un truc contour des yeux Pour dégonfler les... Une crème contour des yeux ? Non, c 'est comme un stick chez Aromazone Ah, un stick ? Au café, là Et tu le mets au frigo ?
38:56Tristan Lopin: Oui Ah oui, c 'est ça, j 'allais dire Je l 'ai sorti du frigo exprès pour toi Attends, donc ça c 'est ta petite trousse de toilette C 'est une trousse de toilette Tu m 'as dit, c 'est celle que je prends en tournée majoritairement Alors ouais, parce que t 'en as une en tournée J 'en ai une, normalement dans laquelle je mets plus de trucs Ok Là c 'est un peu mon truc de base Et en fait cette trousse de toilette C 'est une femme qui me l 'a faite Mignon Qui me l 'a donné à une dédicace après un spectacle Avec des crabes dessus ? C 'est des crabes ouais Tu jouais en Bretagne ou un truc comme ça ?
39:24Je sais plus où c 'était Non je crois pas Mais du coup très mignonne Je te montre ce qu 'il y a dedans du coup
39:29Tristan Lopin: Bah je veux bien ouais Que tu me décrives Et ça ce sera ta skin routine Enfin c 'est ta routine ? C 'est mon Ouais Les mecs pensent c 'est de l 'hygiène C 'est vraiment le truc basique Bon déjà il y a ma brosse à dents So, brosses à dents manuelles. Brosses à dents manuelles, tout à fait. J 'ai... Sérum. Je suis sûre que tu te l 'es fait offrir. Pas du tout. C 'est vrai. Je l 'ai acheté chez Aromazone. Ah bah attends. Sérum, acide hyaluronique 3 ,5%, hydratant anti-hage. Ça, tu le mets le matin ou le soir ? Ça, je le mets le matin. Bah, dès que je me lave le visage, je crois. Ok. Que le matin, tu le mets ?
40:01Ouais, souvent.
40:02Tristan Lopin: Et ça, c 'est genre toi-même, t 'es allé chercher dans la pharmacie ? Ouais, parce que je l 'avais vu. J 'avais vu un article là-dessus.
40:09Tristan Lopin: Insta. Non, tu avais vraiment fait un truc. Et j 'avais des potes qui l 'avaient testé. Donc, je voyais que la peau, elle était quand même plus ferme et tout. Et je me suis dit, vas-y, je vais test. OK. Après, je mets ça. Après le... Oui. Mais déjà, tu sais qu 'on met une crème après un sérum. Oui. Attends, mais tu t 'es nettoyé la peau avant de mettre ça ? Oui. Bien sûr. Oui, tu t 'es nettoyé la peau. J 'ai pas pris mon truc pour nettoyer la peau. J 'ai un truc Horace pour nettoyer la peau. Enfin, je dis super, je n 'en sais rien. La rosée, par contre, j 'adore. You put their D.O.? I don't know.
40:42It's not true. I don't know. I don't know.
40:45Tristan Lopin: I don't know. But for reasons... For... Yeah. For... In fact, I was told... On me said that the body was regulated at a moment. And so, after two or three months, in fact, I don't know. I don't know. And frankly, at a point that you made it to be a day to courier, etc. I don't know. I'm not a jalouse. So I don't put a deal. Depuis 7 years, you don't put a deal? No, I'm not a deal. But a day, it's going to be a reverse. You're going to have 60 years and you're going to put it. But if I put it, I'll put it in a deal. But what's your chance to not put it in a deal at all? But like, if you feel...
41:28Tristan Lopin: I feel like... Franchement, I feel good. But how does it work? Wait, but you don't have the poils of a seel? No. I don't know. But you know, even all my partners or all my friends that I've had, etc., I never told you... You feel? No, never. And you're sensitive to the odors, already? Yeah, a little. And frankly, no. You know, I never told you... After you tell me, I'm at 7am from the house and I'm at 19h. Well, I feel, but I don't know more. I think it's someone who's in the middle of the morning. But it means also, without a doubt, that you eat very well, that your alimentation is good. I don't feel like I'm never, never, never I'm not a pied.
42:10Tristan Lopin: In the end, I don't feel like I'm plus in more of a cell. Ah, yeah. In all of a, for the moment, it's all right. So, peau normal mixed, jour and night. Okay. That's my contour serum des yeux, 5 % caféine. That's the one that you put in the fridge? Yeah, exactly. So, you're very aromazone. It's still frail, you're out of the way. Yeah, I'm out of the way. I'm out of the way. And there's a little bee? There's a little bee. It's a super, it's a super. So that was your routine beauty. Yeah, exactly. You know that I'm... Well, I'll give you a gift. Ah, I'll give you a gift. I'll give you a gift. Yeah, you'll give me a gift.
42:48Tristan Lopin: I've got two. I love it. I've got two gifts, Tristan. But you're so cute. But it's when you're all over Japan. Alors, no. I thought I was going to do it. I had the impression that it was in Japan. No, I think it's a mask. But I think that it's a mask. It's a magic. It's not a technology. And it's for the... and it's it's too much to go so you don't hesitate you tell us what you think I think it's a little bit and so it gives me a bad feeling because I have the feeling of not having the problem it's a saiyan to not be able to get I'll tell you but too much in all of a sudden it's adorable normalement I ask the person to make her promo in face cam with a ring light there?
43:28Tristan Lopin: but no
43:32Tristan Lopin: I can't take my ring light but if you want to make her promo Ah, la promo du produit ! Et après, je récupère les sous de la marque. Ma promo à cette caméra ? Oui, si tu veux. Écoutez, mon nouveau spectacle Partez sans moi, je vous rejoins, sera en tournée dans toute la France, en Suisse et également en Belgique à partir du 27 août 2026. On a 12 dates au Théâtre de l 'œuvre et puis il y a plein d 'autres dates. so don't hesitate to come, I think it's quality. But I think it's also the time that this podcast is online, it's complete. But if it's not going to be wide, because apparently it's going to be like a little bit.
44:12It's going to be a lot.
44:14Tristan Lopin: Thank you Tristan, it was great. Thank you Nora. Thank you.
44:33Tristan Lopin: fans waiting to be your next customer. They tune in every week. They trust the host. And that host wants to talk about brands like yours in their own words to their audience. The problem is you just haven't been introduced yet. We're Acast, where that introduction happens. As the world's largest podcast marketplace, we let you browse shows, see who's listening, and book host-read sponsorships or run your own ads all from one platform. Transparent pricing, real-time data, complete control. Start advertising on podcasts by visiting acast.com slash advertise.
Et pourtant non, ça ne sera pas le sujet central de cet épisode, puisqu’on parlera surtout de ce que ça fait de se construire en se sentant différent <3 … Parfois léger, parfois deep et toujours tendre, il sera également question d’implants capillaires et d’odeurs corporelles.
Si vous vous demandez si vous avez des golfes, que vous demandez régulièrement à vos amis de prendre des photos de votre crâne, ou si vous avez une peur bleue de votre avenir capillaire, cet épisode est fait pour vous. 🪞
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En apparence c’est une conversation joyeuse et spontanée, dans laquelle on fait connaissance avec des personnalités par le biais de leurs complexes, de leur zone T, de leurs routines beauté, de leur rapport à elles-mêmes, de leur enfance, de leurs poils ou encore du temps qui passe…
À écouter tous les jeudis sur votre plateforme de podcasts préférée et à regarder sur ma page Youtube 🤸♀️
Crédits:
Un podcast imaginé, produit et animé par Nora Hamzawi
Enregistrement, montage, mixage : Adrien Beccaria - L’Arrière Boutique Studio
Musique : Adrien Beccaria
Identité visuelle : Thibault Milet
Animation générique : Hubert Forgeot
Suivi de production : Chloé Tavitian
Développement : Louie Creative
Attachée de presse : Anne-Sophie Nguyen-Phung
Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.