Vincent Lacoste, le beau gosse au chalazion

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0:53Bonjour, c 'est Nora Mzaoui et vous écoutez En Apparence. L 'invité que je reçois aujourd 'hui est mon acteur préféré depuis 2009. Je lui ai voué un culte pendant des années. Plus d 'une décennie plus tard, j 'ai eu la chance de le rencontrer sur un tournage de la série Irma Vep d 'Olivier Asayas. En loge, on s 'est découvert deux points communs, un grand intérêt pour la bouffe et une peau à tendance acnéique. Depuis, on se recroise, mais on se partage surtout des adresses de sushi et parfois des numéros de médecins. Salut Vincent Lacoste ! Salut ! Je suis très très contente. Je précise pour les gens qui nous regardent que normalement, on ne mange pas dans ce podcast, but I really wanted to eat to eat food for me to eat I wanted to tap it and I know you have a little passion so we're going to eat some sushi of our friend Taku Watanabe Taku Watanabe who I asked for the address when I was all in Japan he told me to have some sushi to help me and he told me that it's very difficult to reserve a restaurant it's the only answer?

1:55so he didn't give no adresse he told me that it was very complicated it's true that it's complicated it's really hard to reserve I believe I'm a month ahead I've never been able to do it three times in Japan and I've never managed to go to the restaurant I don't know, I've watched the Chef Stable and all that, the stuff on the chef mythic who is in the metro where there are very few people you haven't seen this video where Obama is going to talk a little too hard and so it had to make a esclander because it didn't really talk about it. Because you have really got some rules very precise. We have reserved a restaurant where it was written Pas de Parfum, by example.

2:33But what's this is, in fact... I have eaten a thing... Yes. I have eaten a thing really funny the last time. For the coup, a sushi, we were brought to it. And so, it's the bar to sushi like that where we give it. I think it's the thing that I prefer. It's exceptional. And there, in fact, he gave me a thing which was a little croquant. and I didn't understand what was it, but it was a thing that was what this stuff, and in fact it looked like a little bit like that, and in fact it was a little bit of a greenery, ah, wait, ah, that's it, it's not good? I didn't know it, no, it was not good, no, one time I had a little suspicion, already when I saw, you know, it's a little bit of a greenery, it's not good, and in fact it was really, it's sometimes sometimes a lot of experience that you can do, which are ratified, They were a little ratés.

3:24But the rest was super good. There, there's no one. There, there's no one. And I'm going to tell you, for the people who listen to, that this podcast is not a podcast on food, but a podcast on appearance. But maybe we'll be able to get rid of it. But I wanted to excuse myself auprès of misophones, because we're going to make a noise of mouth, because we're going to eat. And excuse us. Then we'll be able to take an episode when we're going to eat. I didn't know misophone. Ah, really? It's the phobics of... The noise of mouth. Yeah. in a way, it was not with the soup miso Vincent the last time that I received a text of your part you asked me if I knew what it was that I didn't even know it was like I had the impression of being like the friend, so the friend who is expert so the friend who is a lot of treatment because I received It was a test of the skin.

4:24It was a thing for the skin, for the skin. Yes, it was the skin. Because in fact, when we were meeting on the tournage of Irma Vep, you told me that you had a lot of acne. In fact, I had never seen any buttons on you, or anything else. So I told you, it was not a bad thing. You told me, I had never seen buttons on you. Yes, I have a very big one. I have a few times that they durer for three months. But I have buttons that can't durer. I can't know. It's an inflammation. It's an inflammation. They never get it. They never get it. It's the worst. The worst is those who get it. But it's the volcano at three feet.

5:01It's a-try that you're on the side. After it comes to the other. It's an inflammation. And it takes two weeks to get it. And that's why it can't let you get a cicatrice. I have a few of them. It's a cicatrice like that. But it's an acne microcystic. I told you that it's why you don't see it. but for example I have an enormous one I don't know if you see a little volume he is in the middle for the moment and as soon as I eat it, he becomes very very big and at the time when we were meeting I was wondering at this time of this show it was not the moment where I was going to take the Roaccutane in micro dosage you told me that, but I had always had a fear of doing that after I never had no more an enormous McNair so like that it's just that when you're actor it's a shame to have a button on the floor yeah and then you become a bit obsessed by your appearance.

5:52It creates a narcissism. In fact, you're always at the image. I'm a moment where when I make a lot of films, when I'm tired, I'm a little bit tired. Surtout, I have a lot of water. Ah oui, for that it's a fatigue, ça. I have a lot of water. I have a lot of water. I have a lot of water. I have a lot of water. And then, the water becomes a little bit. You spend your day to put it in. Surtout, it doesn't work. I don't know, the compressions of the water, it's nothing. It's just your thing in the eye for months and then it's all. But in fact, it's a job where you have to do a little more attention to your appearance.

6:32And so, I started to make an adolescent film, Les Beaux Gosses. At the time, I didn't have buttons. And at a moment, I don't know, I was 18 years old, I had to have a lot of buttons. And then I was thinking how I can do this job with the job that I have in fact. It's terrible. But wait, when you're picked, when you choose for the Beaux Gosses, you have 15 years? Yeah, I have 14 years. And you don't care about your appearance, you're tranquille with you-même? Or you're rather complex? No, I loved the habits, I loved m 'habiller. I loved... I loved not my head, but I loved m 'habiller. I loved the style The style But you were doing a lot of fashion Or you were a little bit of a thing Who can do things A little bit of a two At the time it was the tectonic So I mixed things tectonic In fact it was also the mode I didn't have money There was a boutique called De Laven Where I went every weekend And then I was next to the St-Ouen So I went all the time to St-Ouen To find some of the spices I was obsessed by Michael Jackson in the same time.

7:42So you were a little bit... It was a little bit... Michael, at the time, it was... It was not Michael today who is a little cancel. It was Michael. Ah, yes, yes. Michael, at the time, it was... Well, the people... And then he had to be released an album and all that. The people loved it. Well, of course. But Dangerous... No, it was not Dangerous. Dangerous, it was perhaps before. No, no, it was Invincible. Ah, yeah? 2001. I don't know. But in all of a sudden, you know what you said? but it's also a thing that I discovered because you're quite pointu in mode but also in déco you're very interested in that because you made it out a day, a moquette noire would be stylized and I was like, I think you're in a moquette noire and I told you, you said you're in a moquette noire and I told you, and I told you you have a reference to François Hardy yeah, it's that, it's the photo of the apartment of François Hardy and in fact, what's that beautiful but is it that you regretted I love the moquette noire because it's a little weird because because it's often to pass the aspirate, because it's a bit of a salt.

8:43But you can make it fall. You can't fall. You can't fall. You can't fall. You can't fall. You can't fall. You can't fall. You can't fall. But you do have to change entirely your moquette. So you're a bit like for the white paper toilet noir. You know that it exists? No. I didn't know that it existed. It's a priori. You're the only one to see. Yeah, but I'm a little I'm a little bit of it. I'm a little bit of it. Well, I had a Japanese toilet. Oh, that's a chance. They are falling in pain. I have always that. In fact, it's Japanese toilets which have been working for a year and which have stopped working.

9:17And in fact, it's a brand called Toto which is super famous in Japan. Sauf that in France, there's a repairman who's been working for six years. So he told me, I remember it. It was three years ago. And so I had just normal toilet. normal des grosses toilettes des toilettes classiques quoi mais qui enfin non des toilettes japonaises ah oui non parce que je veux dire que t 'as un ouais j 'ai quand même les toilettes japonaises genre t 'arrives tu peux penser tu peux penser que que t 'es un peu mytho quoi que voilà c 'est ça tu te dis ok je vais avoir des deux bolles toilettes japonaises cuvettes chauffantes machin le petit jet etc en fait t 'arrives et y 'a rien qui marche quoi je trouve que le petit jet c 'est vraiment c 'est vraiment le luxe de l 'hygiène c 'est vraiment merveilleux je trouve bah c 'est là It's the thing from Japan.

10:06It's hyper-propre. It's the real thing. Normal, it's the best way to be 100 % proper.

10:20So,

10:25it's not an ados complex, even if you don't like all those ados, because there are a lot of ados who are going to love it, except those who are not going to be able to save. which are of course devenus people who... But it was rather in the thing of wanting to play, of wanting to play, of wanting to play. Ah yeah, I was not at all in the mode I was not at all in the mode I was not at all in the mood I was not at all in my appearance, etc. I was at all in the things that... In fact, I had a reference to myself, I loved things that I liked, I loved the manga, I loved One Piece, I loved things like that.

10:59Ah, my son, he is One Piece at this moment. Yeah, One Piece. Well, I read already at the time, except there were 30 volumes now. Yes, there were about 120. But in fact, I loved... I always loved to be able to be able to be cool. But after, it was also in terms of my... Because at the time, it was really... Well, at the time, it's still the case today, but there were a lot of rap. In the meantime, there were a lot of... I was really at the time tectonic. In fact, I made a mix skater, then then tectonic but in the same time rap it's to say that at a moment there was it was it was the time 50 Cent his song Candy Shop there was an enormous mantle in Chanchilla I found it hyper cool the thing is really scandalous it's really a mantle of pimps absolutely but you have something like that in synthetics no no no but I had a t-shirt you know, a brand called Eco United, it was his brand.

12:02He was a J-Unit. So in fact, I had a big shirt like that, with a billet, a little bit of hair. I love it. And my parents were there, like what is it? Because I was looking for 12 years, I was not at all that. And then I was on skate. And so there I had a lot of things, I had a little bit of a big shoes, that it was a little bit with the baggy, the stuff. but I was too afraid I was always a little afraid so I was too afraid of descending, in fact there was a ramp on my way and I was going to every weekend or every weekend after-midi and I stayed in the top of the ramp and I never had to go down this ramp so after one or two years I was thinking, it's good, I'll do that and now it's the moment where the tectonic has taken It's a bit on the tectonic, it's not the mode des cheveux un peu très gélés ?

12:58Oui, cheveux gèles, mais ça, il y avait des coupes un peu, mais c 'était surtout le début de la mode du slim, parce qu 'après, arrivaient les baby rockers. Après, je suis devenu un baby rocker. Ah ouais ? Enfin, un baby rocker comme de... En fait, c 'était mi-tectonique, mi-baby rocker. Parce qu 'en fait, la mode baby rocker se rapprochait un peu, mais parce qu 'il y avait les slim, les grosses chaussures... Cheap Monday, non ? C 'était pas Cheap Monday ? you had the cheap band day, you had the schmooze, the shoes on pointues. Yeah, very good. All that's not at all in value. No, but I thought it was super cool.

13:32I had a big caban. I had a small jambes and a big bus. So really, the slim is terrible. That's also, we have a big jambes and a big bus. Yeah, that's terrible. For wearing a suit, it's terrible. Because sometimes you see a lot of chien in the street and you have to be pissed like them. You have a lot of people. there are some I see but I don't do it like that because I put my pants on the top you know I'm also wearing pants just like that just like that no but in fact in plus there it was really slim so it was with the silhouette and then with very large it was the mode of shoes pointu but with 100 talons I see very well that you grandiu the feet and the other leg is more large than the other.

14:22Very, very nice. I see it very well. But then, when you start in Les Beaux Goss, you're going to put a thing that they're going to put a shit with a pull brick and a cut... How to describe this cut? It was a long collage. And then, they put a faux button. In Les Beaux Goss, for the real purists, there's a evolution the button, which is at the beginning, that I have a button there. In fact, at the beginning of the film, in the beginning, it was a little bit of a button. So at the beginning, there was a little bit of a button. After, it becomes really very white. And at a moment, I clapped. And so it becomes a crook.

15:04And at the end, it disappears. So it's also the story of a button. It's great, this thing of a button. And there's a lot of raccords, in the film, because at a moment, they're going to be a black. And so the button becomes a crook, and then it becomes a black. But what happens sometimes... But when you're 15 years old, you have enough autodirrision? Because I know that you're 15 years old, I'm not doing it. I was not doing it. I didn't understand that. At the base, I was in... I thought it was a film a little American Pie on a young college kid seducing, and the love of a young comedian seducing.

15:36I didn't understand that it was Hervé who was too dumb. And by the way, I accepted... In fact, I was really... Reticent. Yeah, I was in the mood, but you can't do that. Ariad said, you can't do that. You can't put the pull, the stuff that I've put in, the shoes you can do 48. In fact, all the essays costumes, all that, the preparation was a lento humiliation when he made the coiffure. The principle of the coiffure, it's like if there, I have my hair long, because I was going to let it go for a film. And so, there, they are long, and in fact, he made it just there. and so there it's like they were not like they were not so there he was like a crown so there they were very short with a small frange yeah I remember very well of this little frange and that it was very hard because I was very very coquets I was already I loved to m 'habit already I was in the I had to plair I had to plair it was terrible I was really told that my life was terminated I was not at the time during the tournage yeah But in fact, I arrived.

16:44What was hard, when there were, for example, those figurines who were there and who... They didn't make a difference. They didn't make a difference. In fact, they were directly in costume. So I was doing it after, but I was coming and coming. In fact, but it was impossible. There, I was going to pass... During the tour of J.B.O., I was more in the baby rocker. So I was going to get a lot of shoes. In fact, it was exactly the same thing that the look tectonic, but without the shirt with the aigle. I had also an old Dolce Gabbana that I had that I had to get and so there I was more in the mode more classic slim hair in the air but the problem is that I tried to counter my coupe since she was long there and very short there I tried to counter it in the middle of the air after the end of the tournage but in fact they had too much the form.

17:41And at the end of the tour, when you discover the film, you love it direct? Yeah, I love it, but I think that the suite of my existence is complicated. You said you didn't tap that role, but what's that? No, not that you didn't tap that role, because I already said to make a cinema. After there was a change, I was going to break the genou just before I started the film, and then I felt that I could have passed away from this chance. and so I thought that I'm not going to be dressed like a nu because before I had to say for that I accept he wanted to do the coiffure he wanted to do the same or I don't know what he had a thing like that when we were filming Double Vie in December or January at New York and he told me at 8h do mat he had to be bathed because the light, it can't be a show at this time.

18:41And the air was 13. And there were a guy in the car who were there for security. They said, it's cold. And he was there. And he was going to be a very good one. Because he had a thing with the air friday. And we all were all baign. And in fact, the scenes were all over the montage. Because we were all violets. Particularly Vincent. Yeah, yeah. Macken is really blue. So it's a thing. He's talking about his rocker in trembling. And so everything was cut. I was able to get a scene where the piscine was too cold. I was going to have a night scene where I was going to do sex in a piscine. It was not hot.

19:16It was in the month of August, but it was cold. And in fact, at the end, I did it once, twice. And in fact, I was going to go out and out and out. So I was going to get a little bit of heat. And then I was going to turn it off. At the end, I had a shock thermic. in fact l 'enfer il n 'y en a pas pu faire la scène Jean-Chermick tu tombes dans les pommes et tu vas à l 'hôpital non non j 'étais crise de tremblement enfin vraiment j 'étais gelé et alors attends pour en revenir donc du coup tu me dis non pas peur de ne pas faire que des rôles mais peur de te dire je vais être un gars qui ressemble on va m 'associer à ce Hervé dans la vie moi ma crainte c 'était surtout I hope that the people don't think I'm like that And in fact The people thought that I was like that So I didn't have a mistake In addition to the time There were not the social media Today I think it would have been But today there are the social media So the people are more exposed So I think I would have been more exposed On the social media In the mode normal But the people would have been more Yes they would have seen who you were But there it was In fact I had done TV TV, but it was it was really...

20:37In fact, I didn't even have a film like that where the people are really in the chum. I think it's Zezet. And it's so... But the people, you see, they weren't at the same time, they were trying to differentiate the person of me. On m 'appelait Harvey in the street, in the stuff, the people would say the shoes in the street. It's a long time. Not too long after. In fact, I was doing all a lot. Because I was young. But the first interview that I made, it was on the tournage. It was Hallociné who was interviewing the young people. And in fact, during this interview, I wanted to prove that I was less chum So I said, yeah, but in fact, it's a faux buttons, it's a faux apparel dentaire.

21:32And then I took my hand, which was collated. So it was a dent, collated to my teeth. So I was like that. And then there was really a filament of the coat. And I was like... And I was like, on Hallociné, 100 % of the comments were like, ah, what's he is, but ah, when he took his hand, when he took his hand, ah, dégueulasse, machin, truc. I was like, no, it's not possible, and all. And then on the Skyblogs, at the time, it was terrible. And you were looking at the comments, Yeah. I don't know how much it would be. I don't know how much it would be. I'm not sure how much it would be. I'm not sure how much it would be.

22:03But yeah, it's a bit of a question that I would say. It's a little bit of a lot. It's a little bit of a lot. Yeah, it's a little bit of a lot. Very, very good. I love it. And then, Anguille. Yeah. I was going to say that, I had to say that, although it's a raccourci, because I imagine that, that the men live that too, but frankly, a little less than women, I think. But you've taken these things on your physique. And where you... and where, frankly, it abides your ego. I don't know how it's going to be able to do your ego. And is it today you still watch this thing again, for example? No, but...

22:36Today, there's less that, but there's still a little bit of that. But I don't watch it anymore. I don't watch it anymore. And then it's also that you're becoming an adult, and you're a beau gosse, and you're a more image of... No, but in fact, I've made plenty of films. It's what I've saved. Because if I had only done that, I'd say, well, to never. But after, it's different. Because today, when I read the beau gosse, I'm really a child. Bah oui. when we see my head on se dit when I see my head I don't say he's too dumb I'm saying that's a little baby of course once we grow we have also the tenderness for the ado for the moment it's true and you tell me that it's less pire than what you had in fact there's a thing where you remember what you felt that they were all like those adults you remember that's a thing where you have members you don't know exactly with a little baby a little when I revois I was like, I was a million.

23:27Yes, it's super cute. But it's true that... Yeah, I had a little bit of... It was a different era. There was no internet. But it wasn't an impact that it was today. So... It was a little bit more. But after, yes, because it was at the time of my adolescence. So after I did that. Then there was a mix between the people, the 30-nerre of the Cinoche, with whom I started to train at this time, who, in fact, they were like an actor who had made a film super cool. And the adults, who were also a little bit of a jalousy, at my opinion, when I was in the fêtes, they said, oh, Hervé, Hervé. So, the people, they were not at the end of my head.

24:10And I didn't have, at the time, the recul necessary to accept that. But, you know, it's complexed? Like, with the meows, it was a bit more, it was a facilitator with the fill it was very complicated but not because of the fill because of me it was already timid but there I was really I had the impression that I had to pass a barrier before it was like if I had to prove that I was not the person that I was in the film before I started there was no nature There was no one. Because the people, very quickly, even the people who didn't know me, it comes in conversation. They understand that I made a film and that it was a good guy.

24:59And even if they didn't see it, it's still the same. It's still the same today. When we're actors, we have a thing where people have an image of you that it's necessary to break before to have access to them. You have the impression that it's a job to do? Like, today you have the impression of having to do it? A little, yeah. but today I accepted it and I made other films and it's not the same, I have more the arm necessary I'm not an adult at the time I didn't know how to do so it was a mega complexion but at the time I will never change for nothing else I would change to have done this film and I love it but it made me feel a particular construction because I was young at 14 years in fact it changed I changed my way of seeing the world.

25:49I don't think I've evolved from the same way because of that. It's sure. But it's the fact that you're exposed. It's a moment where you're going to build a lot. I wanted to know, is it today you have a bad idea when you're going to put a film or not? Yes, but I have the habit now, it's not. I don't watch my appearance when I watch a film. I watch if I'm good or not. In general, I always say, it's not bad, but I'd better do it. I can't feel like I'm going to see it. It reminds me of the tournage. I have the habit of seeing photos, interviews, I don't remember. I'm so sorry I'm going to say something, but I'm saying something and the other day, I'm going to say something and the other day, I'm going to say something.

26:41and I don't change my opinion all the time but I don't know why I said that why I did that so I prefer not to watch it like it's like the critics you don't watch it no I don't watch the critics I don't watch the critics neither positive nor negative I don't watch interviews papier I don't watch it's good I don't but because it's in fact it's an angoisse in fact but not only it's an angoisse but it's super good that you arrive at not because it's not... Because it's not me, it's not me. But I'm still doing it. You read it, when I'm doing it? Of course. But I think, for the coup, I'm not because it's not me, but I'm not because it's me, but I'm because I'm really going to get it.

27:17Yeah. You see? Yeah, it's not me. And I'm not even saying that this thing is not a truth. It's also for that. I'm saying why? Because in fact, the reality, it's that the problem, it's that you take a lot more to heart at every time a negative critique. La negative, of course. So you say why this thing is more true than the other. Bien sûr. If someone who says, it's a genius, I've never seen someone so much, you'll say n 'importe what. I'm not sure if it's a mess, I'll believe it. It's not true. I'm not sure if it's comments, it's more the interviews, the things. I'm afraid of having a honte. I'm afraid of saying why I said it or that it was mal retranscrit.

27:49So I prefer to do it like if it didn't exist. Because in fact, I'm obligated to do it. When you're a film, you're obligated to do the interviews, to do the promo. I'm not sure I'm going to do it. And Cannes or the festivals, it's not good? Yeah, but it's always a moment stressors. I like it because it's a crazy show for the films. And in real, when it's not, you're not happy to not get it. But then, it's all the stuff around, the projo, the fêtes... Yeah, it's funny. I love to go to Cannes, etc. And then it's a festival where you see films incredible. It's a dreamlike for the films. But after, to make interviews at Cannes, it's not special something that I appreciate.

28:35But the way glamour, the photos, the photos, it's all? Yeah, I'm good at that. But you're a good mood. Yeah, but I'm a good mood. It's a bit of stress. It's a bit of stress, for example. It's a lot of things, but it's a lot of things. It's a lot of things, in the same time. But I prefer the projections, the tapis, the interviews, the photos. Well, I think it's super flippant. I know that it's a thing, but I don't know if it's a thing to me, or if it's a thing to me, or if everyone has that. You know, when we were all at Cannes for Irma Vep, and Jeanne Balibar didn't say to me, the clue was that you don't smile.

29:20And people don't smile, you're all super beautiful. And I'm like, I'm going to say that I'm really going to pass the most beautiful day of my life. It's a humorist who is too happy to be there and really, I have a quadruple menton, eyes closed, eyes closed, it's like that. It's atrocious. The double menton, it's really terrible. It's terrible. The double menton, when you're a girl, when you're a girl, it's like that. It's hard, he. In photo. In photo, he's atrocious. He's very afraid, the double menton, for my future. But during the tournage, I told you, I've been a little bit of a show and the real stopped.

29:55At a moment, I told you, You can just a little bit of a gaffe at that because I've seen a film where I have a sort of escalope, really, which is on the side. And he told me, no, I haven't seen that at all, but okay, I'll do a gaffe. And from the moment where he said, okay, I'll do a gaffe, at every time he was there. Mont, monte a little camera, it's a good film. With his zel, with his zel a little vexant. Yeah, people can be extremely vexant without the desire. And at the time, it's me who asked. All in being hyper sympa. the other day, there was a guy who told me that what's funny is that you can really play the very beautiful and he said that he felt that it was too late he said that and the enormes tons and he said that but it's not all that but you know, we can really see it's okay it's okay, it's okay it's funny, it's funny the other day, I met a real who told me my wife, you adore she said that she said take it in your films and I said and you said what?

30:53No, thank you, no, thank you.

30:57It's very strange this rapport. You know, we had a dermato commun in common. I had started this interview in telling you that you know, she had a taken care of her. I know, because I tried to call her and I told her that she was at her. It was super. You found another? Yeah. Which is good? Yeah, super. It's serious. Now it's not on the rouge. Because I'm all the time rouge. So it's a very strong thing. But it's an inflammation, right? It's a rose. It's a hyper technique. It's your dermatologist who told you that? She gave you the cream Aven for the rose. Yeah, anti-rouges. It's not that. It's just that you're rouge.

31:46But you're not rouge. You're not rouge. They're rose? They're rose, yeah. They are rose They are rose They are red They are red I mean In other words I say that It depends on which But there are There are some Some who are red There are some Some beige There are some Some very red There are some Some red I don't know I don't know For example I'm out I'm out I'm out I'm out I'm out I've had a cold Do you think Do you wake up You're red No Because There I'm out If it's cold But I'm out There's Sometimes For example, there's something crazy that happens when I'm in the water. I'm in the water and I have an allergy general.

32:30Where it's like, I'm going to be red and I'm entirely red with the plaques. And that's what I do every time. Because I have the skin too sensitive to me. But it's terrible. If I was a chroma neon, I would be dead for a long time. Because if I had a reaction like this in all the water, imagine I would have been chasing a fish. I would have had an allergy generalization. It would have been terrible. But in the meantime it would have been stylized. You know? Yes, I think. Because you were talking about long manteau, the stuff like that. I was like, I have a beautiful pole. But you know... I would have had a long, long, long toge like that.

33:08Something a little... A little evasé. You can't be the one who pêche. But... Yeah, you can't be the one who pèche. I would have been better. I was just doing it. Ah, you're a réussi? Oh, you're not? I can't. I'm a big fan. Why? I have a cornet too fine. I know you're a thing that I say, like there's a compliment on me. I have a cornet super fine, but it's not cool at all. You're not at 1 % of the population who can't. You can't. No. I've done it. Yeah, it's not a good moment. But it's pretty magical. The only problem is that, being an actor, I've learned after that you can't put the light of color or change your eyes.

33:57Ah, yeah? If I'm going to do a biopic of I don't know who, who has the blue eyes... Well, you think... I don't know how to do it. I think now, you can do an image of synthase. It's less cheap, in fact. Yes, and of all, it's great. I love it. The only question is if if you do a biopic of I don't know who who has the blue eyes, I think it's a lot of stuff. It's for that it's not you who made Johnny. Yeah, exactly. I couldn't. It was impossible. When I was little, I had an idea of working. I was going to be a farmer, a farmer, a farmer. I imagined, independent, having my own shop and being the patron of my commerce.

34:37This feeling of independence, I finally gained on scene, thanks to my shows. But if I could make this other dream of child, I wouldn't know what I would like. maybe my brand of skincare or makeup, but I would use Shopify, which sponsorizes this episode. With Shopify, no doubt, no logistics, no doubt, you can sell everywhere. On your website, on social media, or in the shop. And they help you to every step. Because every person who has réussi by herself has started somewhere. It's just an idea. Shopify is concerned about the rest. What do you expect? Lance-you dès today.

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36:08You're not a tour of the eye? No, it's to avoid the... Ah, the chalazions, again? Yes, so you're more in a... I'm in a moment very chalazion of my life, so I don't think that. Because what you need to understand is that when you're actor and you don't turn, you have a lot of time to do things that normally take a little time. Sauf that there, I've made all the rendezvous with the chalazions, because sometimes I have a lot of stress. I have one but it takes three months. You have a problem with the paper sèches? Yes, I agree. So I do it, I put it in the air chaud, bam, and I do it every day, bam, in the back, in the back, in the back.

36:53That's really the routine beauty that we have ever seen since the beginning. With the gestures and everything. After I have a gel, tac, to get to the dry. But in fact, you do it in the paper. I don't know that I do that. I don't know that I do that in the long time. You don't hold it on the long time, I do three days. But in three months, I can be on another thing. When I start working on a job, I'll be on another thing. But I do that, it takes hours. When I met you, I remember this phrase that I found funny. You told me, when I eat a brie in the summer, it makes a lot of shit. And I said, who eats a brie?

37:24I was thinking of eating a brie. Not a brie entier. I love the brie. Yeah, it's good, the brie. I have a very good one in the South-Ouest, Staviaritz. There's a very good bris. Of meaux or melins? The bris. Ah, no, and of meaux. In fact, I like the bris, but when there's not the... The truffe. The trunk of the middle. The trunk of the middle. That's terrible. But that's what? I like 100 % coolant. Yes, but I have the impression that it's supposed to be a quality, for the people. Well, I think. Yes, I think. They sell it like that at the fromage. I mean, I have the impression that it's more in the camembert who has sometimes the little bit of a little bit of a sec.

38:01Like if it was a little bit of a little bit. Well, I love it. It's a little bit of a little bit. I love it. I love it. I love it. I love it. You like it too? Chauffé, obviously, with a little bit of wine blanc. But I love it also in the fridge. And you eat your mind like a normal. It's very, very good. Not that in water. Yeah. Not that hot. Normal, the mind is exceptional. I have a question, but I think I have my answer. And especially, she is hyper discreet. Is it you have a ruby? Is it you put a deal? All the people that I receive in this podcast don't put a deal? Of course, I put a deal of perfume every day, every morning.

38:42I'm very soigné. Yes, but attention. It's not a deal. I put a deal. I have one who is super, a black, who doesn't feel. But after a little perfume, every day. Honestement, I put a deal of perfume every day. since I was 12 years old. But if you don't have a DO, you feel it, right ? You can. I've seen two men who didn't feel anything and who didn't feel anything. They didn't feel anything, but it was the morning. They say, little to little. Like if you don't do anything, you don't do anything and then you don't feel anything. It's not a problem. It's not a problem. It's like the things of an auricle and all that.

39:17Yes. When I was young, I put a thing called the D-transpirant. Yeah So it was a thing that I think is really toxic I remember this thing when you were a kid A thing that was etaxil Yeah So I had put it on a time And in fact, since I don't breathe I don't breathe anymore It's not a thing that you're going to breathe It's not a thing that you're going to breathe I don't know It's why I'm doing it It's not a thing that you're going to breathe It's not a thing that you're going to breathe The bubble is going to breathe No, but... No, I don't have an auricle. Ah, yeah? In the summer. But it's rather cool.

39:57Because it's a little bit of a auricle. Yes, it's a little bit of a auricle. I don't have an auricle. Well, after I touch the water. Because every time I say that... You're doing sport all the time. And the sport, you're doing it before you came. Because you're doing it? Or because you're doing it? For me to hold on. Because at the end of the moment,

40:11Vincent Lacoste: you start to vieillir and take a look. And especially... But at the end, I started to do sports because I had a lot of water. In fact, I had a lot of water. In fact, I was in a car. and it's my father who conduisait who conduit really very bad he does a coup you know I don't want to say that it's your father and that everyone respects him but he does a lot of conduct yeah it's very désagréable I have an friend who does that he does that he always it's the stress on the wheel and I always do attention to respect the passenger bref it's always a bit after this ballad with my father, it was years ago, I had a torticoli, and it was a torticoli, and then I had all the time I was having a mal on the dos, because I was too mince, at a moment, and so I had the osteo, and they told me, Mr, there was a lot of sports, because there, frankly, you will have all the time a mal on the dos.

41:10And so, now I do the sport regularly, but it's also because it was a few years after the COVID, in fact, I started to exercise a little bit during the Covid, but then I started to eat a lot. Yes, because you love to eat. I love to eat. When you love to eat, you eat a lot. I often do it at the restaurant. So I don't have the choice. It's important to be able to eat. Yes, it's so. You do it. You do it. And the relationship to the vieilless, is it something that you do? who you are going to do it? Well, for the moment, it's okay. Because I have 32 years. Clearly, you don't have a problem with Calvici, I think.

41:54Vincent Lacoste: Well, maybe. No. Well, we don't know. But after, all the people in my family have a hair. Yes, and I'm sorry. Because when I say that, when I say that, when I say that, when I say that, when I say that, it's often the loss of hair and stuff like that. But, well, often... Well, the hair, it's a big stress for the guys. I see all my friends and all that. You can't say the same head with a calf. No one wants to have. After you accept it, but... You make an implant. I'm sure it's a very good implant. Many people make an implant. There are many implants ratés. Really? You don't think so? In fact, I think there are really people who make an implant.

42:34I think it's exactly... In fact, they don't respect their implantation nature. So I think there are people who say, I'm going to make an implantation... And you see that they have their shoes at the end where they would not have a lot. On the front, like bam. Yeah. Or if you have a little golf, you don't want to fill all your golfs. Because you will very quickly resemble a tree. A a buisson. I don't have a lot of sweat. But I have a stress on the feet. Oh, really? I think you can immediately... There's a light, for example, in an ascenseur. A light a little too strong. Ah, you see it. And then you see a little crème.

43:12Yeah, you see it. And then I'm a lot. I'm a lot. I'm a lot. So every time when I'm in the shower, it's like... And then in a lot of time, they're long. So really, there's a lot of everywhere. On me has already done this thing in tournage. I don't know if we already have it. But for the coup, I find it really hard. Even more in the same time. I'm going to attach it and then I see someone who's going to put the powder... The powder, like, the phar marron. Yeah, yeah. That's a great technique for actors. But for the show, excuse me, but... It's true that it's not a sense. Well, she said, yes, yes, for...

43:44She said, okay, okay, okay. She said, okay, okay. She said, okay, a new complex. I don't know. Visiblement, there were a few... But like... I don't know. I don't know. I don't know. I don't know. But it's not a trou. It's just that... Ah, yeah. You know? Ah, yeah. Non, but you don't know. It's not a peruque, quoi. It's normal. In general, I know. They put it on the actors. They put it on the side. They put it on the side. There, there. Oui, oui, oui. for the Zizou. Yeah. But it works well. You don't see anything. Franchement, at the cinema. In the lounge, you see. In the lounge, there's a big fumée.

44:24I was going to say, you don't want to make your thing. It's really... In the shower, it's a crad. I have a gift for you, Vincent. I have a gift for you, but it is open. You have used it already? Because in fact, I have a gift for a woman, I was planted and I put it on my own. It's what? It's a mask? It's not a mask? It's a mask. It's a mask. It's Japanese. And in fact, on all the social media, especially on TikTok, it's the thing they say to them to bring you to Japan. It's exceptional. I'll do it. There are 40, but there are plenty. 40? I don't know how many there are, because I haven't translated it.

45:03But there are plenty, in fact. And why is it already open? Because I was going to buy one for women, one for women, and that I wanted to do it in the way. And that I opened the wrong. I opened the wrong. But so I can tell you that he has no allergies. Wait, but... It's a mask entire, the teeth? In fact, it's all the face. And there are many in it. It's not bad, it's not bad. But it's what? It's a mess. It's a mess, I'm saying. Ah, not bad. But it's a beautiful skin. Franchement, it's a beautiful skin. I'd like to send you a message to tell you. I'll give you a photo, especially. But wait, you have scared of it.

45:38If you're all all red in the water, it's going to get the figure out? I have a skin, but... ...extra-sensible. So, you can do a little essay. It's like when you put things on the makeup, the morning, when I'm in the morning, the makeups put the water blue, or I don't know what, an air compress. It's like that. I don't think that it will be a problem. while the gross water is well polluted well salated like you don't go to Nice you see the avions you're there you're 200 people who make stuff you're there after you're there you're there it's like it makes it makes up the way it makes up the scene of the avions which survolent your immeuble in the beautiful goss you know it's a true story but it's really like that maybe at the time it was It was Riod who told me that, but it was a real story.

46:35I don't know what he did at the time. They had their apartment, which was under a airway. So there were the planes that passed. And on the plane, they found always little blue. And at the moment, they realized that it was under a airway. the avions the shit in the avions they're in the avions they're in their terraces but it's atrocious because normally they're in the river because it's true I don't know I don't know I have plenty of stories I have no idea but in any case it's that in Les Beaux Gosses I have still a question I don't know I don't know but you have a hair blonde platine you don't have a color for a thing for your pleasure for a film of Christophe Audin it's called The Lycéan it was good it was good I was a very good I also liked it.

47:29I loved it because it turned out naturally. I could be dressed normal and I had no more rock 'n 'roll. It was super good. I was super excited to be able to become brun. I had to be able to become brun, otherwise I would have to be able to get it. For a tournage, I had to be able to get it. But on the other hand, it was nicked my hair. It's like... I have put my hair on a year to get it. because in fact it's a very dry sec and cassant it's very bad for the hair it's a good thing and there it's a material in your hair yes, I put the material if I'm out of the shower I'm done before so after I put a product in and I'll sèche and for that they look a little crunchy yeah, there's a material because otherwise I have a coiffure of the years like if I take a brush and I'll take everything it's terrible They're like a big dog.

48:27They're like... They're so very thin, very light.

48:33They're really aérien. They change really from where you live. Pays humide. It's terrible. When I go to the South, it's terrible. I have a head... I have a head... I have a head... I have a head... I have not suffered from that. It's terrible. I have a head... terrible. Mes cheveux, ils sont impossibles de bien les coiffer. Moi, c 'est en Angleterre que je suis vraiment immonde. Ah ouais ? Je ne sais pas ce qu 'il y a dans l 'air. Londres particulièrement. Les cheveux sont atroces. La peau devient atroce. Moi, la peau aussi est atroce. Enfin, au Japon. J 'y avais été un été, surtout. Et ils faisaient une chaleur, mais qui était vraiment incroyable.

49:22It was 50 degrees It's hard It's hard It's hard It's very hot I remember It's the most gross that I've felt in my life And there you can't even have a tissue on your feet And the hair are mouled They're nuls And the peal you feel sale You feel sale I'm rouge for example in an environment like that I'm rouge all the time I'm rouge even Yeah. Totally rouge, l 'air fatigué, bouffi tout le temps. Tu te fais des soins genre pour ne pas être bouffi ? Non. J 'adore ça. C 'est quoi ? Des soins ? Des drainages, par exemple. Ah non, je ne fais pas ça. Genre du kobido. Kobido ? Ouais. Kobido, tu sais. Alors ça, ils disent que c 'est des massages japonais, mais un jour, une japonais m 'a dit, on n 'a jamais entendu parler, mais c 'est genre des petits massages du visage sur des points précis et tout.

50:16Mais drainage, c 'est hallucinant. Drainage, ça change ton visage, c 'est vrai, but I don't know. It's a change of your face, it's a fou. It's a change of your face. Is it that not change your face? It's like you think it's a change of your face, but in fact, people don't notice it. Yes, yes, yes. I told you what it was. It was a bad thing. When you're a bit of a food, when you're a bit of a food, like fat or gluten, you're a bit of a feeling that it's not. It's not bad, it's a. there's one in the 11th which is dingue which makes the best ah it's a so much I'll do it for the double ment it's a fool it's a redress it's a redress I do it all the time before an event and when I didn't have the Molière

51:08you told me it was because you didn't have done the copy I did the drainage lymphatic and everyone told me you didn't have the Molière but what a beautiful and in fact I was like I was drained. There was nothing. Because she does the drainage of the body, the drainage lymphatic Renata Franca, and she ends by the miracle face. And really, I'm going to say, it's miraculous. In fact, it's simple, it's the lymph. So it's a gorge. Yeah. But you can't find it. Yeah, I'll find it. Yeah, not bad. Next text. Thank you, Vincent. Thank you. Thank you very much. It's been a good moment? Yeah, it was really nice.

51:41It's really nice. I've never had to eat at the end. Si vous avez aimé cet épisode, évidemment, n 'hésitez pas à le partager, à liker, à mettre des commentaires uniquement positifs sur nous et notre apparence. Merci.

52:14Vincent Lacoste: look the same as six months ago. That's because you're fishing in the same pond as everyone else. Podcast listeners are a different audience entirely, more engaged, harder to reach through traditional channels, and ready to act when someone they trust makes a recommendation. We're Acast, and we put them right in front of you. Browse thousands of the world's leading podcasts, book host reads or run your own ads, and track every conversion in real time. Same skills you already have, brand new results. Acast. Acast.com slash advertise.