Henry Winkler: The Fonz, Career Rejection, and Becoming Himself

14 Sep 2026 · 1 h 42 min · 39 chapters

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In short

Henry Winkler (the Fonz) discusses career rejection and reinvention after Happy Days, his dyslexia and childhood trauma, resilience during a seven-year “valley of career death,” and how therapy changed his relationships and self-view. He also covers typecasting fears, auditioning, money anxiety, and family/legacy.

Guests

The episode features Henry Winkler as the main guest. The host is not clearly identified in the transcript. Winkler’s family members appear only via quotes/mentions (wife Stacy; daughter Zoe; son Max; son Jed is mentioned as a family member). Darcy Cardin is discussed as a former assistant/close friend connected to Barry.

Guest backgrounds

Winkler is an actor best known for Happy Days/Fonzie and later roles including Barry. He is dyslexic, wrote memoirs and children’s books, and teaches acting/improv classes (via an upcoming SXSW plan). Darcy Cardin is an actress/improvisor who worked with him on Barry.

Key claims

He turned down John Travolta’s Grease role to avoid typecasting; he never self-harmed during career drought; dyslexia wasn’t diagnosed until mid-30s; therapy helped him listen without an “internal voice,” become calmer, and improve confrontation skills; money triggers fear of running out despite success.

Notable examples

50,000 fan letters/week; Eisner/Diller/ABC audition story; Leonard Goldenson offering him an own show; Scream marketing excluding his name; Wes Craven’s “excruciating” reshoots; therapy “code to the sun”; bar mitzvah money taken by his father; “no inheritance” discussion.

Written by AI. May contain mistakes. Listen to the episode to check what was said.

Chapters

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Setting the Scene

0:30 to 2:31

Henry Winkler reflects on his experiences and love for nature.

“Monday night football, plus pregame and postgame.”

Journey to Success

2:33 to 8:12

A conversation about Winkler's career journey and struggles.

“Wow, this is quite different than being on the river.”

Television History and Impact

8:14 to 14:00

Winkler discusses the early days of television and his role in it.

“And so kind of all of those elements are the lens through which I'd like to approach the conversation today.”

Navigating Fame and Opportunity

14:00 to 18:01

Henry Winkler discusses his decision not to pursue a solo show despite offers, emphasizing the importance of his ensemble cast.

“And that's a big deal to even contradict or go against a suggestion of somebody like that.”

Reflections on Fame and Self-Worth

18:01 to 20:44

Winkler shares his struggles with self-worth and dyslexia, contrasting public perception with his private feelings of inadequacy.

“I mean, what an amazing gift, but it was a gift I didn't want to open.”

Connecting with Fans and Personal Impact

20:44 to 21:59

Henry recalls receiving thousands of fan letters and the impact of his character on his life and career.

“Some of them were just like scribbles, and some of them I don't know.”

Kindness and Connection in Hollywood

21:59 to 24:47

Winkler reflects on the importance of kindness in his life and career, citing personal experiences and relationships.

“You played a bad guy in his normal film, which is a character.”

Teaching and Empowering Others

24:47 to 28:00

Henry talks about his role as a mentor and teacher in acting, particularly focusing on his relationship with a fellow actress, Darcy Cardin.

“It's just the job at hand to create an entertainment that will touch the most amount of people is enormous.”

Teaching Improv at South by Southwest

28:00 to 29:19

Henry Winkler shares his experience teaching improv and the performance of his student.

“Now, all of a sudden, she is like a flower that has become a garden.”

Career Concerns and Missed Opportunities

29:20 to 30:42

Winkler reflects on fears of typecasting and discusses turning down significant roles.

“You never know when, you know, the universe giveth, the universe can taketh away.”
Show all 39 chapters

The Scream Experience and Studio Politics

30:43 to 32:09

Winkler narrates his role in Scream and the surprising studio decisions regarding his casting.

“This is a parable for anybody who wants to be an actor.”

The Importance of Work and Fear of Withering

33:25 to 35:53

Winkler discusses his love for acting, the fear of not working, and insights from family.

“I was, I thought, wow, what, that's, I feel insulted.”

The Valley of Career Death

35:54 to 37:38

Winkler reflects on a painful seven-year career slump and moments of despair.

“I think my dad believes that if he stops working, he will die.”

Resilience and Self-Discovery

37:39 to 41:41

Exploring lessons learned about resilience during tough career times.

“the wall that I could squeeze through, and I literally, for seven years, could not find the other side of the wall.”

The Audition Process and Industry Fear

41:42 to 42:00

Winkler explains why he continues to audition and the fear present in the industry.

“But this coming from somebody who was kicked out of acting class at Emerson because you couldn't memorize lines.”

Auditioning and Opportunities in Acting

42:00 to 45:50

Henry Winkler discusses the challenges of auditioning and the fears executives have in casting decisions.

“When I sat in that room with the metal chairs up against the wall, the younger actor said, wait a minute, you're Henry Winkler.”

Dyslexia and Its Impact

45:50 to 49:50

Winkler shares his experience with dyslexia, including how it affected his schooling and self-perception.

“I wanted to talk to you about dyslexia, though.”

Family Dynamics and Personal Struggles

49:50 to 54:30

Henry reflects on his family relationships, particularly regarding his upbringing and the impact of his parents' expectations.

“it's really difficult to have a conversation with you.”

The Holocaust's Influence on Life Choices

54:30 to 56:00

Winkler discusses how the Holocaust shaped his family's life and his own perspective on struggle and resilience.

“If I didn't have dyslexia, maybe I wouldn't have fought so hard to get where I am at this moment so I could sit opposite you in this conversation.”

Family Legacy and Escape Stories

56:00 to 58:24

Henry shares poignant family stories about resilience and survival during the Holocaust.

“It looked like turtles, you know, the chocolate with nuts.”

Confronting Family History

58:24 to 1:01:04

Henry reflects on his family's past and the emotional impact of discovering his uncle's fate.

“called Better Late Than Never, where I traveled the world with George Foreman, bless his soul, the heavyweight champion of the world, Bill Shatner, and Terry Bradshaw.”

Therapy and Personal Growth

1:01:04 to 1:04:25

Henry discusses his journey through therapy and its effects on his understanding of his parents.

“but I didn't want to be in a conversation with them because it never ended well.”

Transformations Through Therapy

1:04:25 to 1:10:00

Henry elaborates on his significant changes through therapy, improving communication and emotional openness.

“And it's the same image, just spoken differently, than the one being under this net of all my garbage.”

Therapy and Personal Growth

1:10:00 to 1:12:07

Henry Winkler shares insights on how therapy has transformed his confidence and listening skills.

“So I talked to Zoe as well as your close buddy Forever, Dr.”

Struggles with Money

1:12:07 to 1:14:20

Winkler discusses his complex relationship with money and its impact on his life.

“And my job is to become a chunk of cheddar, not a hole in sight.”

Bar Mitzvah Money and Family Values

1:16:49 to 1:18:31

Winkler reflects on his childhood experience with money and family dynamics around inheritance.

“Monday night football, plus pregame and postgame.”

Impact of Therapy on Acting

1:18:31 to 1:21:40

Winkler explains how therapy has helped him unlock his potential as an actor.

“It is the first time I'm hearing of that because on the day that we had the estate planning meeting, I was called about Barry.”

Hollywood Encounters: Turner and Hooch

1:21:40 to 1:23:50

Winkler shares a memorable encounter with Jeffrey Katzenberg regarding directing opportunities.

“especially in this moment, in 2026, the most important thing that we can do is to be in the moment because it is so untenable.”

Lessons from Instincts

1:23:50 to 1:24:05

Winkler discusses the importance of trusting one's instincts in career decisions.

“This woman comes, approaches me in a gray uniform, one of the security.”

Henry Winkler's Directing Experience

1:24:05 to 1:28:13

Learn about Henry Winkler's challenges and lessons from directing 'Turner and Hooch'.

“Now, I've known him since he was at the beginning of his executive career at Paramount under Michael Eisner.”

Reflections on Tom Hanks

1:28:13 to 1:28:49

Explore Winkler's complex feelings about his working relationship with Tom Hanks.

“Jim Wyatt was my agent at William Morris at that time.”

Basketball with Adam Sandler

1:28:49 to 1:31:11

Winkler shares a humorous anecdote about his awkward encounter at a basketball game with Adam Sandler.

“We did a retrospective of Happy Days, and we wanted 60 seconds of Tom Hanks in his episode, and we did not get permission for that.”

Memories of Iconic Figures

1:31:11 to 1:34:08

Listen as Winkler recalls interactions with Robin Williams, Katharine Hepburn, and Frank Sinatra.

“And at an award show he was wearing this beautiful long cashmere coat on the red carpet.”

Love Letters and Awkward Youth

1:34:08 to 1:37:09

Discover Winkler's teenage experiences with love and writing poetry to crushes.

“I introduce him to an entourage of people, Stacy and Ron Howard and Ron Howard's wife and other human beings.”

Encounters with Rock Legends

1:37:09 to 1:38:00

Winkler describes his memorable but awkward meetings with Mick Jagger and Paul McCartney.

“He was the concert I saw just before getting on the plane.”

Reflecting on Friendship and Family

1:38:00 to 1:42:02

Henry Winkler shares his deep connection with Ron Howard and the significance of being a godfather.

“And I go, I'm just going to become so small that you will not be able to see me standing here, and I will slink away.”

The Journey of Fatherhood and Partnership

1:42:02 to 1:44:19

Winkler discusses his journey of learning to be a husband and father, emphasizing the importance of partnership.

“And I've had the good fortune of now talking to Stacey as well as, you know, Zoe, among others.”

Transformation Through Experience

1:44:19 to 1:45:41

Henry reflects on how experiences have changed his perspective and opened his mind over time.

“There's a freedom to being, you know, and not so worried about every detail.”

Celebrating Family and Achievements

1:45:41 to 1:46:33

Winkler lists his children and grandchildren, expressing joy and pride in his family.

“I have three wonderful children, Jed, Zoe, and Max, and we have seven grandchildren.”
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Transcript

Automatic transcript. May contain errors.

0:00Nationwide is so much more than a great insurance company. They're one of America's largest financial services companies. Just like I'm so much more than quarterback Peyton Manning. I'm also Peyton Manning. Insurance and financial services together, it's a masterpiece. Peyton Manning does it again. For your insurance and financial needs, Nationwide is on your side. Nationwide Investment Services Corporation, Ember FINRA, Columbus, Ohio. There is so much NFL on ESPN right now. Monday night football, plus pregame and postgame. NFL live, NFL primetime. Everything you need to stay on top of every game, every week.

0:44Unbelievable. And now NFL Network is on the ESPN app. More football, more coverage, more ways to watch. Football's on, all season long, on ESPN and streaming on the ESPN app.

1:08and the the book is on

1:15like what did your level of fame back then entail it was so scary to leave my apartment i got about 50 000 letters a week and you could have done your own show but you just felt like Like it was in your best interest as well as everybody's? It would be stupid. Now all of a sudden I'm going, hey, look at that, hey, for about a half an hour. For seven years, you were living in what you called the valley of career death. When I first stopped Happy Days, I was in mental pain. I didn't have a plan B. Was your dad physically abusive? Yes. I embarrassed my parents. I was a failure. They let me know it.

2:02When I was talking to your daughter Zoe yesterday, she said, honestly, I think my dad believes that if he stops working, he will die. Wow, that's big. I'm grateful. If the universe gives you a gift, you accept it. And the universe has been a gigantic fan.

2:28Are we starting? We're ready to go. Okay. Hello. Welcome to my house. Thank you for having us. Wow, this is quite different than being on the river. It is. Yeah. Although, that was pretty great. Great. How was Idaho for you? It is really, I think, one of my happiest places. It is. I mean, outside of the family. I've traveled a lot. I've been very lucky. Being on a river with a fly rod is extraordinary. I mean, actually, it is indescribable. And what makes it that way for you? The sound of the water, the beauty of the place, the kindness of the guide, the zen of actually being able to catch a fish, as you now know, is not easy.

3:38The putting the fish back, it's growing, maybe catching it larger next year. uh all you know i've said this a million times it's like a washing machine for your brain you literally cannot worry about anything other than you're flying the water the fish coming to take it you have a fourth of a second to set the hook before the fish says this isn't real how was this trip for you this trip was inclement this this uh this trip was expectedly inclement well not as bad as it that hail hurt let me just say it gave the trip a little added character it gave it character i didn't need because it stung my face now Now, you know, when we left, when we finished filming and we left that area.

4:45By the way, I turned my head and you were just gone. Oh. And then you texted me later that day with more fish. Beautiful fish. I thought you were headed back to the lives of all the day. We were. Buck, my guide, turned the boat around. We're now rowing backwards.

5:05Excuse me. In a hailstorm. in rain, in wind, and then finally it calmed down. We turned the boat around. I started to fish again. Then thunder came, the likes of which I've never heard before. Now we're in a canyon, so the echo kept the thunder going for like an hour and a half. Boom. It was like scary, but there was no lightning, so we stayed. Most fish you caught in a day this trip? I would have to say 30. Okay. Now, did I hear Stacy might have caught a bigger fish than you this trip? Stacy is a great fisher person and always sends me a fish way before I've caught one. I don't know what it is, but she is a fish whisperer.

6:03They just kind of come. Hey, pick me. Pick me. She's great at it. So does that mean she caught a bigger one? She caught big. Well, we caught, I think, the same size, but hers was gorgeous. It was a beautiful cut bow, which is a marriage between a rainbow and a cutthroat trout. so a lot of ground to cover today I'm gonna probably jump around some so forgive me in advance but I'm ready I'd like to approach a lot of it through done this before shockingly yes but for how you you might be amazed after this interview that I have done it before I see how long have you been doing so I'm I'm 39. I started when I was 14 doing interviews.

6:59So it's kind of my joy. Amazing. And it's, you know, feel super grateful to have the opportunity to do this because you get the chance to talk to uber successful people about how they got to where they are. And can I ask you a question about that? And lessons learned. My instinct is that aside from idiosyncratic parts of those people, the story is pretty much the same. How to get where you want to go and the tenacity to get there is pretty much a through line. Am I right? Generally, yes. Like I would, you know, hard work and perseverance, which are obviously key elements of your story. A vision, knowing what you want without ambivalence.

7:54But, you know, each story obviously has their own unique highs and lows. And then also I think something that is a rarity, which is specific to you, is just the prioritization of the right stuff. And that's family, treating people well. And so kind of all of those elements are the lens through which I'd like to approach the conversation today. But if I could, I wanted to take you back to, I know a time that's been covered extensively. But I thought we could start with an audition that you had with Michael Eisner and Barry Diller in the room. and what you recall from that. This was the third audition for Happy Days.

8:47And Michael Eisner and Barry Diller ran ABC. And only went on to become titans of... Yes, they were. Even bigger titans of industry. Just magnificent executives. Just they are. And continue to be. But they were young. they were the head of ABC, and I needed to get the okay. Gary Marshall, the head, and Tom Miller, and Eddie Milkus, the triumvirate who started Happy Days, needed to get the okay. I auditioned, and the way they tell the story is that after the audition, I was walking to, I think, get a taxi back to the motel that I was staying at called the Sunset Marquis. I was living on Charlie Hayde's couch.

9:50He was on Hill Street Blues, living with his daughter and his wife and their golden retriever in the motel. and they passed me by driving back from paramount to abc and i guess they had a discussion in the car should we give him a lift nah and then they went on and i took my taxi uh home and i stayed overstay i always i've overstayed my um my welcome many times but with charlie and penny I overstayed, and then finally they said, you got to go. Did they actually tell you that? Yeah. Well, Penny told Charlie. Charlie told me. Well, it worked out okay, though. Then Charlie drove me around L.A. looking for an apartment, and we found a...

10:49Hey, Stacey. Hi, honey. Hi. I didn't know this had started. Oh, yes, I'm sorry. Wait, since you popped in, who caught the bigger fish in Idaho. He said equal. Nationwide is so much more than a great insurance company. They're one of America's largest financial services companies, just like I'm so much more than quarterback Peyton Manning. I'm also Peyton Manning. Insurance and financial services together, it's a masterpiece. Peyton Manning does it again. For your insurance and financial needs, Nationwide is on your side.

11:57All season long on ESPN and streaming on the ESPN app.

12:06Such a crime. You know that.

12:13And Charlie drove me around and we looked at apartments and I found an apartment on Laurel Avenue across the street from Schwab, which was the drugstore where I think Lana Turner was discovered at the counter. But all actors would go there hoping that an agent, a manager, would see them and discover them. Okay, so we found this apartment, a living room with a wet bar, a tiny refrigerator, a bathroom, and a bedroom. And then that became my living for about a year or two. What do you remember from Leonard Goldenson coming to your dressing room and pitching you on a couple things? Leonard came to my office.

13:14And he was in appearance and in attitude. Now, this is the man who started ABC. This was his vision. And there were only three television networks. And there were only three television networks. No digital, no cable, no social, nothing. This was as big as it gets. As big as it gets. And before Happy Days, ABC was in the basement. It was the last of the three networks. And he came to my office, my dressing room. and he said, first of all, I would like to call the show Fonzie's Happy Days. We're thinking of changing the title. And I said, sir, I'm really asking you not to do that. First of all, it's not broken.

14:06And that's a big deal to even contradict or go against a suggestion of somebody like that. I thought there was a bigger purpose, which was an entire cast and crew on stage 19 down the way. Ron Howard and so many others. Gary Marshall and Marion Ross and Anson and Donnie and Aaron, bless her soul. I mean, there was an entire cast. We were really soaring in the ratings. It wasn't broken. this would be a slap in the face. Why change the title if it is working so magnificently? Now, remember, a few years before that, Ron drove me home from a location set for a dude ranch of one of the episodes. And I said, look, Ron, we've got to talk about this.

15:10you're the star, but my character is really overtaking, I don't know what, but everything. He said, look, it hurt my feelings. You're not doing anything to hurt my feelings. You're really good, and you're good for the show. It's helping the show. so I put all of that together and that's the way it is and we never talked about it again so I knew that underneath all of these actors was the fact that I came with six lines and I was just soaring. The character was taking off and I said oh my god do not change the name. It's hard enough to just maintain and keep everybody as the ensemble because we can't do it if we are resentful or angry of each other.

16:27And he said, okay. Then he offered me my own show. One of the great compliments of all time. And I said, look, I live and I am successful in this extraordinary group of people if i do my own show now all of a sudden i'm going hey look at that hey for about a half an hour i'm with new people i have no idea if i have a chemistry with these new people i don't think i can do my own show i think i'm very happy right where i am with this extraordinary family and you could have done your own show but you just felt like it was in your best interest It would be stupid to leave this environment, this winning championship team, and then just for my, oh, yeah, I've got my own show, which, you know, and television is unfeeling.

17:39You don't do well. Aiden, you're gone. Easier said than done, though, being in that position and being able to turn that down, an opportunity that grand from the head of the network. It was so easy. It was so easy to turn it down. I never looked back. I never thought about it. I was flattered. I mean, what an amazing gift, but it was a gift I didn't want to open. I was reading an old interview you did with Playboy where you talked about how... I never got to see any of those models. I did an interview, never got to see any of those photo shoots. And this was when Playboy was... Playboy. Playboy.

18:28And before I was married. Right. The iconic kind of cultural icon the magazine became and was actually quite well known for the quality and depth of the interviews. But you were speaking about how you were king of Mardi Gras once, and the New Orleans police told you that you had more security than the president of the United States. What did your level of fame back then entail? Okay. And this is the truth. It is really well documented that I am dyslexic. It is really well documented that I had no sense of worth, no self-worth. I don't know who they were talking about. I don't know who the fans were talking to, because it couldn't be me.

19:21I know who I am, or I don't know who I am, so they couldn't be talking to me. So when they said that, it was like I was a screen door. People would say things, and it would go right through me and pass on down the river. Really? Why do you think that was? Because of the way I was treated, because of my mind, because of my disability, my challenges. I'd failed at everything. And it was great that I was successful on this one hand. And I was able to then have a family and feed my family and give them a good life. But on the other hand, I was like a mirage. Do you remember how many mailed letters per week you would receive?

20:22I do. Because it was so scary to leave my apartment, I got about 50 ,000 letters a week. Mailed letters in boxes brought to my apartment with my wet bar, my living room. I had room to walk through a record player and a rented TV. How many would you read and respond to? I would try and read all of them. Some of them were just like scribbles, and some of them I don't know. My mother has just written to ABC saying, yeah, we think there should be more Fonzie. She wrote a fan letter, and there it was in this pile. It was so bizarre. I was talking to Bob Odenkirk yesterday about you. A wonderful fellow.

21:21Right, and he first met you actually before you became famous at the L.A. Book Fair with your Hank Zipser books. Yes, right. Which he said had a big impact on his kids. Wow. See, now I did not know that. I remember meeting him going into the Seth Meyers talk show, him coming out. Basement of Rockefeller Center. In the basement where, just as we passed all the garbage, he said, hey, hey, and you're wonderful, you're wonderful. And we hugged each other. And it was great. You played a bad guy in his normal film, which is a character. He invited me to, he said, he called me up. He said, you want to be in my new movie?

22:11We wrote him a fan letter when we saw Nobody, because how does this incredible stand-up comedy writer all of a sudden become a major, true-to-life action hero? I thought that was amazing. He remembers in the filming of that, late nights, you'd be on set at like 2 a.m., and you are being Henry Winkler with the crew and the townspeople that are all around. And then in a split second, you can turn it on and snap into a character. And his question was, you know, you're widely regarded as being one of the nicest in Hollywood. You know that. But what you'd say about carrying yourself with warmth, connection, kindness, and what's involved with coming to terms with that?

23:13I hated a lot of my psychological life because I always felt less than. And there was a moment on my very first job, and it was completely unintended, unintentional. They called lunch on the Mary Tyler Moore Show, which was the friends of that time. Everybody scattered. They all had calls to make, lunch to have, a very short amount of time until we came back to film. I did not know where to go. I stood there. It was like, you know, when you take a camera on a drone and you just lift and there is this soul person in the middle of this cavernous soundstage. And it was all self-imposed. I felt abandoned, alone.

24:25I felt like a little boy. And I swore I would never let anybody that was on a set I was on feel that way. What about it touches you talking about it? That I remember it like it was yesterday. and it is so scary to be on a set when you are new, when you're not new. It's just the job at hand to create an entertainment that will touch the most amount of people is enormous. And you have got to be buoyed, centered. None of that matters. You just do what you instinctively think is right. And then you throw those dice. In fairness to you, though, it should be pointed out that your kindness isn't limited to those just professionally.

25:32I mean, you know, Zoe, your daughter, was telling me you guys can't walk a few blocks without somebody stopping you on the street or you're on vacation in Hawaii going up to invite everybody into the volleyball tournament, all beachgoers. So it is to, you know, your core. But here it is. I don't think of it as kindness. I think of it, I'm grateful. I'm grateful to be on the earth. I'm grateful to be alive. I'm grateful to live this textured, incredible life that, you know, some of it is luck. My son, Max, said, if the universe gives you a gift, you accept it. And the universe has been a gigantic fan for quite a while now.

26:21Darcy Cardin, who has since had a ton of success in Hollywood. Let me just say, she was like one of my class on Barry. She had almost no lines in the beginning. She was my assistant. You know, I played the drama teacher, Gene Cousineau, which was a gift all its own in my life. She was my assistant. Nothing was written. And I built with her a relationship out of nothing. Because not only is she a wonderful actress, she is a premier improvisor. But I mean like a teacher, major. We talked for a half hour yesterday on the phone, and then she sent me subsequently an essay of a text about you, which in and of itself says enough, but she said, Henry taught me that I'm worth it, that this isn't a fluke, that I have so much to offer, and that one of the best parts of my entire life is getting to be such close and special friends with Henry.

27:44but I'm telling you, she and her husband Jason and Stacy, we so enjoy being together. I so enjoy watching her in all of the different things. Now, all of a sudden, she is like a flower that has become a garden. She's just being asked to do everything. because of her talent. She is so much fun. So I'm asked to go to South by Southwest. And I'm going to teach two classes. I'm going to teach an acting class. And I'm going to teach a, they asked me to do an improv class. And you can bring somebody with you. And I said, oh, if you're going to do improv, I'll bring Darcy. They said, okay. So we're doing the improv class, and then Darcy is so clear and is so present in the dealing with all of the strangers who came up on stage in order to participate.

28:57I sidled off the stage, and she did it all by herself. I had nothing to add. How concerned with you, going back many decades, were you about being a flash in the pan or kind of being typecast? How concerned were you? How concerned was I? I was concerned yesterday. You never know when, you know, the universe giveth, the universe can taketh away. Now I'm doing this wonderful show on the History Channel. I've never done anything like it before. It turns out that it's working really well. Just signed on for a lot more episodes. We started with eight. I am now doing 30. You just show up. Why do you turn down John Travolta's role in Grease?

29:58Because I'm an idiot. But it was intentional. Oh, it was like I was completely convinced that I was right. I had just done the Fonz. I did not want to be typecast. This was exactly just continuing. And, of course, you cannot stop typecasting by turning down an incredible role in an incredible movie. John made history with that movie. You were cast as a principal in the first Scream movie. What did you think of how the studio handled the marketing? Okay, so that's one of my favorite stories. This is a parable for anybody who wants to be an actor. Honest, honest. So I have lunch with Wes Craven once a month.

30:58We have sushi. He said, I'm doing a new movie. There's a small part. Do you want to do it? I said, of course I want to do it. I went up to Santa Rosa, and I played the principal. I am stabbed. I have blood in hoses all over my body, and I die. Blood everywhere. And I look, I open my eyes, and there is Wes leaning over me and saying, do you think it might be a little more excruciating? I said, could you really scream? I said, yes, I can. I got washed. I took a shower, got redressed, rehosed. We did it again. Now, they come to me, the studio comes to me and says, we can't put your name on the film.

32:04We cannot put you anywhere near the poster. I went, why? They said, well, you were the Fonz. And you will knock the balance of horror off if we let them know you're in it. Nationwide is so much more than a great insurance company. They're one of America's largest financial services companies, just like I'm so much more than quarterback Peyton Manning. I'm also Peyton Manning. Insurance and financial services together, it's a masterpiece. Peyton Manning does it again. For your insurance and financial needs, Nationwide is on your side. Nationwide Investment Services Corporation, Ember Finra, Columbus, Ohio.

32:51There is so much NFL on ESPN right now. Monday night football, plus pregame and postgame. NFL Live, NFL Primetime. Everything you need to stay on top of every game, every week. Unbelievable. And now NFL Network is on the ESPN app. More football, more coverage, more ways to watch. Football's on, all season long, on ESPN and streaming on the ESPN app.

33:23I said, okay, what can I do? I went home. Upset? I was bewildered a little bit. I was, I thought, wow, what, that's, I feel insulted. It was upsetting. So now they test screen scream. And when my character comes on screen, I get applause. I didn't know this until afterwards because the same people who said oh we cannot put your name on this film we cannot put you on the poster said to me would you do press oh wait wait a minute will I what and so of course for me for Wes for the movie I did? I said, of course I will. And that's the lesson. You just show up. You have no idea what's going to happen, but that's out of your control.

34:29And I could not have done press if I said, oh, I'm not in the movie. You didn't put my name on the movie, I will not do it. Why do you hate not working even today? I love the job. I love my job.

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34:57It is like putting a puzzle, a jigsaw puzzle together and most of the pieces of the same color and you have to grade the color of your character and you don't know where it is and you find it and you discover it and you look for it and you listen to the director and the producer and the writer and you listen to what the other actors are saying about you and to you and then you you put it together. I'm just in heaven when I'm working. I mean, I was talking to you and your wife last week, obviously a little bit about that. And, you know, she was like, on one hand, I'd like Henry to work less. On the other hand, I don't know that I'd want to be around that Henry who's working less.

35:52But then when I was talking to your daughter Zoe yesterday, she said, honestly, I think my dad believes that if he stops working, he will die. Wow, that's big. I think I have thought not about dying necessarily, because I really love being on this earth. I think about withering. What do you mean by that? just dehydrating into a prune. I think I would just wither in the fall, in the dark, in a cemetery, on a tree, the last leaf blowing. It is interesting because we'll interview folks, you know, generally all of whom have had a lot of success. And there is, I have found a difference in cognition between somebody who's still in the game and somebody who has intentionally stopped.

37:08Sometimes it's not an intentional stop. Sometimes the phone stops ringing. sometimes it's um i don't know what it is but well and if i if i could jump in though right there let's for when the phone stopped ringing for seven years for seven years you were living in what you called the valley of career death you called it probably one of the most painful experiences of your life. Because I wanted, I see myself as Mercury, and I can, and I wanted to find the hole in the wall that I could squeeze through, and I literally, for seven years, could not find the other side of the wall. What was the lowest point in your life during that period?

38:06The first day of those seven years until the last day of those seven years. And what did that look like for you? When I first stopped Happy Days, I was in mental pain. I was in psychic pain because I had a plan. I lived that plan to the nines, but I didn't have a plan B. and i sat in my office at paramount studios after happy days i got scripts that were only fonzie like and i got i didn't know where or what i was going what i would do and i had a family and then Skip Brittenham III, my lawyer called and said I'm going to start a production company for you I said well I can't do that being dyslexic and mostly a failure I know nothing about numbers or business I don't have any idea what it is to produce and he said you'll learn and then I realized you do what you know how to do and there are wonderfully talented people who can do what you don't what you can't what you don't know and I had three partners the last of which I was successful with, but one of the worst human beings that I've ever met on the planet, anywhere I have traveled, I am now 80.

40:07But our first show that we sold to ABC was MacGyver. During that seven-year period, though, ever get low to the point of self-harm or contemplating self-harm? Never self-harm, never giving up. But sitting, listening to music in my office upstairs after I left Paramount,

40:41just having no idea how to get over that wall. What do you think you learned about yourself going through that period? I will tell you, and I've said this a lot. I'm a toy. I have sand at the bottom. I stand about this tall off the ground. You punch it. It goes down. it comes right back to center. Somehow, my genes were good enough to give me the ability to be resilient. You don't know what you can accomplish until you try. Just try. And all of a sudden, what you thought you couldn't do is not as difficult as you thought. Of course, I will not be putting rockets together. But this coming from somebody who was kicked out of acting class at Emerson because you couldn't memorize lines.

41:52No, because I didn't. And even today, you will still audition. So, auditioning. Yeah. There are actors who say, you know, they know me. But then for good reason. You were Henry Winkler. I mean, you look at your body of work. When I sat in that room with the metal chairs up against the wall, the younger actor said, wait a minute, you're Henry Winkler. What are you doing here? I said, hey, I'm looking for a job. You? Because they need to see that you can do it. They don't need to see that you can. They need to. Why do you feel that way? Because they are, I believe, that part of being part of this business, especially on the executive side, is fear.

42:38They make a wrong choice, and it's off the air, and it affects the life of the organization they're with. They're not around long, so it's hard to make a decision. Yes is very difficult to come by. and you feel like the fact that you still audition has increased the number of opportunities without a doubt okay now i must say i'm offered right now bob odenkirk calls me up You know, people call and, okay, I met a wonderful man on Twitter. We watched BritBox during COVID. Jed Mercurio was a doctor, then gave ideas to doctor shows in England, then started to write for doctor shows, then ran them. He had a police procedural on BritBox.

43:53We watched it. Line of duty. I looked him up. I said, I just want to tell you, my wife and I thoroughly are enjoying, because I think it's important to let people know if you've really loved something. He wrote me back. I do Barry years later. Just want you to know, my son and I, Jed Mercurio and his son, watch Barry. Thank you so much. That is great. I then write, at the prodding of my youngest son, Max, and my family, a memoir. Being Henry. I go to England to go on a book tour. Jed Mercurio and his son come and see me in the West End doing a presentation. Months later, he said, you know, I've got this great idea.

44:57There's a real guy. He's a lawyer in New York. He's like the last resort. Would you look at it? And we are now in the process, I don't know what's going to happen, about pins and needles. We're in the process of developing the show. But still pins and needles. Oh my God, I would love to do this guy. Bob Odenkirk was saying he hopes that you will continue to get even kind of deeper and more involved parts. Wow. Because you were obviously, you know, such a fantastic actor. Thank you. Bob, let me just say, thank you so much. What a wonderful thing to say. I wanted to talk to you about dyslexia, though.

45:53Yes. As we see, you're one of many books you've authored. Okay, can I brag? Yes.

46:04Soon, Lynn Oliver and I are a team, and our 41st children's book will come out. It will be the fourth detective duck. this cutie pie little duckling who dreams about being a detective and she's an environmentalist and uh why did you used to pour water on books back in the day oh oh because i can't read okay okay so uh let's uh my my uh example is tale of two cities we're reading it in the 10th grade It's a thick book. The type is very little. I took water, sprinkled it over the outside of the book. It dried, crinkled up, and when I carried it, it looked like I had just beaten it into submission.

47:14And everybody was writing. I don't know what the they were writing in the margins. They wrote things. I wrote nothing. I made little doodles. How did you not realize you were dyslexic until your mid-30s? Because I had never heard of it before. I just, I was told I was stupid. I was told I was lazy. I bought it. How did it impact you in school? I was a class clown. Unintentionally. No, to cover, because I was shamed all the time. That moment when everybody is reading in class and it's almost your turn to read out loud, how can a teacher or a parent see their child is struggling and not go, you know what, let's take a breath here.

48:14Something is wrong. I don't know necessarily what it is, but come on. But I was blamed for being the way I was on purpose. I wanted to make an idiot of myself in class on purpose. How did your parents handle it? I embarrassed my parents. My parents could speak several languages. Dad could speak 11. Yeah. And it was great. I mean, I really do admire. They escaped Nazi Germany. They came to another country. They got to be able to stay here and become citizens. And we were born, and thank God. And I appreciate all of that. I really, and I mean appreciate in the truest sense of the word. but as human beings, I was a failure.

49:12They let me know it. How? They told me. I was grounded. I had to sit at my desk as if I was going to get it. Then you find out dyslexia is hereditary. So the very people who are putting me down gave it to me. Did you ever talk to them about that? Oh, no, that was an impossibility. Okay. I started a sentence, maybe I was 23. Dad, I just want you to know, it's really difficult to have a conversation with you. and then it started a barrage of oh yeah then everything i do for you and it's so difficult to talk to me you know what you owe me so much and i went check please thank you so much for this conversation i'll hold it in my heart forever explain why you'd fantasize uh while you were at school that was a joke by London Lee and I I absorbed it but not as a joke to you like not as a joke you actually wished it was reality I thought hey he had the same problem and the joke was I'm sitting in class and I'm fantasizing I'm gonna go home I'm gonna open up the apartment door and my parents had moved and left no forwarding address.

50:49And I swear I thought it out. I would have worked it out. I would have figured out how to eat, how to get ready, how to do things, how to... I never thought about paying rent, but I figured out I could survive. Is it true that every night before you'd go to bed, you'd think about how one day you will be a different kind of parent? I thought about being a different parent. I thought about that I would be an actor. And everybody poo-pooed it. And I fantasized, dreamt, sometimes to the point where my heart would beat so fast I couldn't fall asleep because I was just filled with the need to be an actor.

51:41and then I would think up stunts and then if I wasn't asleep and I made the mistake of making noise when my mother opened the door and I answered her, she had a hairbrush and then I was spanked because I was still up. Was your dad physically abusive? Yes. Well, yeah, yes. Yeah, I said something to him I thought was a joke and we were waiting for the elevator in the hallway of the building and then right behind the elevator were stairs that you went up and I ran up the stairs and he chased me and caught me. Nationwide is so much more than a great insurance company. They're one of America's largest financial services companies just like I'm so much more than quarterback Peyton Manning.

52:39I'm also Peyton Manning. Insurance and financial services together, it's a masterpiece. Peyton Manning does it again. For your insurance and financial needs, Nationwide is on your side. Nationwide Investment Services Corporation, Ember Finra, Columbus, Ohio. There is so much NFL on ESPN right now. Monday Night Football, plus pregame and postgame. NFL Live, NFL Primetime. Everything you need to stay on top of every game, every week. Unbelievable. And now NFL Network is on the ESPN app. More football, more coverage, more ways to watch. Football's on, all season long, on ESPN and streaming on the ESPN app.

53:30Yeah. You allude to this in your book, but to what do you attribute the difference in experience your sister had with your parents? I don't know. Or at least how she views that. I don't know. I don't know. I don't know. Because you eulogized your mom and she came. She said, what house were you brought up in? Right. And you're thinking. I'm thinking I don't know where I got the nerve to tell the truth at the funeral when you're supposed to, you know, say wonderful things. What did you say? I don't remember what I said. I took my parents off as if they were clothes that were not salvageable. Have you ever thought about this?

54:25Like if not for the way they treated you, do you wonder if you would have? Yes. And your view is what on that front? If I didn't have dyslexia, maybe I wouldn't have fought so hard to get where I am at this moment so I could sit opposite you in this conversation. Maybe I would have done something else. In what ways would you say the Holocaust shaped your life? Not only did the Holocaust happen, and do I have documentation that my entire family was taken, the fact that people deny it is not as shocking as the terror and the horror of human-unhuman, but it's close. How did your parents escape? My parents had a six-week work visa and were able to leave Germany for six weeks to come to New York for business.

55:39My father never told my mother that he was really thinking of leaving for good. he took my mother's jewelry and his mother's jewelry, or pieces of it, melted down a box of chocolate and poured the liquid chocolate over each piece of jewelry. It looked like turtles, you know, the chocolate with nuts. Put it back in the box, let it dry, put the box under his arm, and when the Nazis said, are you taking anything of value? He said, open my bags. I have nothing. He pawned the jewelry, was able, now this is to be admired, was able to start the business, the lumber business, importing and exporting wood, bought back the jewelry, and I gave our son the pocket watch that was smuggled out of Germany in chocolate.

56:50Now, in my backyard, we have a spider plant. Tante Anna was smuggled out of Germany in a coffin. At her feet was a spider plant. The spider plant just rejuvenates all the time. I mean it was like a tremendous metaphor for the wherewithal that these people had. Everybody got a cutting of the spider plant. Grew up with it on the windowsill. When I moved out here, took my cuttings. And there's now in each of the children's backyard and in pots here and in the ground. All from the same spider plant that escaped Germany in a coffin with Tante Anna. And it should be acknowledged just how close they were to not making it out?

57:54Because, correct me if I'm wrong, your dad's brother stayed just a day longer because he needed to pick up a jacket from the tailor? Yes, he did. He had his tuxedo was being made at the tailor at that time, and he was supposed to escape by submarine, I believe, as I recollect. But he said, yeah, I'm going to stay one more day and get the tuxedo. And then that night they came and took him. I never met him, but I did an incredible show called Better Late Than Never, where I traveled the world with George Foreman, bless his soul, the heavyweight champion of the world, Bill Shatner, and Terry Bradshaw.

58:40And in Berlin, when we were all in Berlin, we went on these adventures, and the adventure was to find my roots. And we went to the house where Helmut and Harry, my father, lived. And in front was a silver toe stone that had his name, birth date, when he was taken, what camp he went to, and that he lived here. And that is how I met my uncle. And I've been cold as ice about my family, not asking a lot of questions. And when I saw that square, I started to cry uncontrollably. What was it about that that finally kind of impacted you so much? I don't know. The reality of it, the truth of it, the human being of it.

59:56I have no idea, but I was standing there with Terry, George, and Bill. The lie that you alluded to that your dad told your mom. you know I was thinking kind of nervous breakdown I was thinking about it last night though and I'm like you know on one hand you you would think your dad would be widely commended for choosing to get the family out when he did but what was it about that that she could never quite sure never saw her family again that she didn't say goodbye she said yeah I'll see you again I'll see you and we're coming back and she never went back and she was very family oriented uh apparently i'm telling you i did not ask a lot of questions you regret did not i'm i was just thinking about that this second do i regret that i don't know i don't know maybe i wish i knew a little bit more but I didn't want to be in a conversation with them because it never ended well.

1:01:15So I just shut down. Do you know? The kernel of Henry was like Chernobyl with layers of cement, I think, when I was six. and now I've finally maybe started 10 years ago to take a jackhammer to that encased little boy. Truly. It's not even made up to sound great. I mean, that's really how I grew up. And I'm going to ask you about that, But what made you think recently about if your dad had another family?

1:02:08Oh, you mean if he had another family in another? Oh, because in a lot of the correspondence were letters from people at the office saying, where are you? I need you to come back now.

1:02:31And it might have dawned on me that he could very well be in Tecosogalpa, in Guatemala, he was not just having a banana in a hammock. You think that was the case? I don't know. Yeah. I don't know. But there were pleas in this letter. We need you to come back. We need some bills to be paid. Where are you? You mentioned kind of taking the jackhammer to your childhood and really just kind of over the past decade. How do you think therapy impacted how you now view your parents? I haven't. I'm just maybe getting to my parents. Really? But I had to get so much junk. You know, I used to have an image when I was younger that I was locked inside and all the muscle and the veins and the nerve endings were all like a netting.

1:03:51and I couldn't come up for air. I couldn't get out of my own self. And it took me a while to cut all that. And when I speak, I say that I tried to pull myself up into the sun And I kept falling back, and I finally figured out the code to getting into the sun. And it's the same image, just spoken differently, than the one being under this net of all my garbage. And I want to ask you about the code, to use your words, the code of being able to get to the sun. But to what extent first do you think that gets you to a place of forgiveness towards them? What gets me there? Do you think you get to a place of being able to forgive your parents?

1:04:56I think I have over the while forgiven. Really? I do have, I still have. Look, this is what I think and is what I thought as a parent. because I said to Stacy, I'm going to be a different parent than my parents were. All of that other stuff, okay. Not okay, but it is. But when you see your child and your child is having a problem, you don't call them Domo Hunt, stupid dog. You go, ooh, wait a minute. There's a problem here. I don't know what it is. But let's see, at least make you feel better so that you're not floundering all the time and feeling less than and feeling like a failure.

1:06:03That is still, to me, unforgivable. What was involved on your end in kind of cracking that code to get to the sun? I have a doctor that I've talked to, that I talk to.

1:06:21And I've said this a million times. If I were to give this woman a gift, it would have to be the size of a skyscraper.

1:06:34because you can't ask questions about her. I once said many years ago, do you have children? And she said, how would that help you? And I went, okay, okay. And but she is so insightful. She knows the human condition because, as we talked about before, the people that you interviewed, all of the idiosyncratic differences, take them away. We are the same. We are the same. and she knows the human condition, at least for me, in a very powerful, and I thank the universe, I thank God every day that I met her. What made you finally decide to start to go at, I think, 70 years old? About 10 years ago, maybe 12 years ago, I was pretty good at either figuring things out or making it or smoothing things out in my mind or rationalizing.

1:08:05And I just couldn't do it anymore. And that was affecting you how? It affected me in that I could no longer, I was now treading water. I was going sideways. I was not being able to just, oh, well, okay, I'll move that aside and I'll just move forward. I needed to now empty myself out of all of the rancid garbage I had allowed to infiltrate. And I think your wife had made the comment that she wasn't being let in in the way that she was. I didn't let anybody in. I let my pets in. I let my children in. I was, I believe that I did something that I never had, which was I listened. And no matter what was said, no matter how long it took to say it, I listened to my children.

1:09:08I always stopped and I went, oh, okay, what? Or, oh, I didn't mean to answer you like that. I'm going to reel it back in. I'm going to start again. Or, oh, I know, I feel it right now. I'm not, I cannot hear you. So come back in 10 minutes. And my kids got so good at coming in and going, I'll be back. Thank you. Or, hi, listen, I really got a problem. I want to talk to you. They, you just know. They knew. All three of them. Jed, Zoe, and Max. And the goal with therapy was to have that? The goal, I didn't know what the goal was. I just knew I needed a goal and I was going to find it. So I talked to Zoe as well as your close buddy Forever, Dr.

1:10:05Dines. Yeah. And I brought up therapy to them. And here's what each of them said about you having gone through it. Zoe said. I'm so interested to hear this now. You don't like confrontation. This is from your daughter Zoe. But therapy has helped with that. Yes. And that you have a newfound confidence. Yes. Dr. Dine said you're now much more expressive, able to listen without an internal voice blocking out what you're hearing. Wow. Much more relaxed, present, more of a calmness and self-respect. Wow. It's all true. I mean, I'm aware of that being the case. Really? Yeah. How do you notice that great of change in yourself?

1:10:55You can listen, waiting to hear, where do I fit in, what maybe I have to add. Or you can listen and just listen. And not have to throw your point of view in unless it's asked for. You don't have to be an active participant every time you listen. You can literally wait. If they don't ask, you have nothing to say. What's your view on why you were doing that before? Because I was out of balance. I was out of my f***ing mind. Not anymore. I'm getting there. Okay, so here is, and I've said my image. I was Swiss cheese. I was filled with holes. And I had to constantly be anxious about stepping in one of those holes.

1:12:07And my job is to become a chunk of cheddar, not a hole in sight. Although in fairness, you could make the strong argument we're all that way. I don't care. And we're all living life for the first time. But therapy is such that everybody benefits from having that as a tool. They do. Right. If you find the right person. The first person I ever went to was, I don't know. Gave you a script to read. No, asked me if I would read a script. and I got up and left. I want to talk to you about money. Money. Money. You've said - The beginning of my existence. Well, you have said you have an idiosyncratic relationship with money.

1:12:57That's a mild way to say it. Okay, explain that. Money makes me crazy. You never think, you always think you're going to run out and then you can't take care of your responsibility. and you've had fabulous success hey hey hey even today it will get to you doesn't matter today yeah today half an hour before we uh sat down uh you know i um we did a little renovation in the house it got a little away from me got a little bit away from you meaning costs escalate as they They always do. They say, well, what about if we do that? And I go, okay, oh, fine. Yeah, you know, that sounds right. And then boom.

1:13:41And then, oh, you know what? I'm just seeing this. Could we do it? Yeah. And boom. And pretty much boom is like boom.

1:13:52And I'm trying to get better. I'm trying. But I still am plagued by running out, not having, not being able to take care of.

1:14:20Yeah. Oh, God. It just, it is so uncomfortable. Oh, my God. But you have to logically, in those situations now, take a step back and recognize, I mean, you've had plenty of financial success. Yes. There's probably no connectivity to the feelings and the reality of where you're actually at fiscally. I think you've probably said it. I think I could pay you as a psychologist, but there is no connective tissue between the reality and what I live in my head. You were obsessed, though, from a very early age of not spending a penny more than you needed to. I am very...

1:15:13In structure comes freedom. How well do you remember the bar mitzvah money conversation? with your dad.

1:15:24We're in my, we lived above our means. My father had a summer home, an hour outside of New York City. I got cash and I got bonds and put them in the bank. And my father, because he, I guess spent like it was, like he was drunk, came to me and said, I need your bar mitzvah money. I said, oh, okay. I need it. All right. Will you pay me back? When can you... Pay you back? I don't have to pay you back. After everything I've given you, you give me this money. I need this money. Nationwide is so much more than a great insurance company. They're one of America's largest financial services companies, just like I'm so much more than quarterback Peyton Manning.

1:16:28I'm also Peyton Manning. Insurance and financial services together, it's a masterpiece. Peyton Manning does it again. For your insurance and financial needs, Nationwide is on your side. Nationwide Investment Services Corporation, Ember FINRA, Columbus, Ohio. There is so much NFL on ESPN right now. Monday night football, plus pregame and postgame. NFL Live, NFL Primetime. Everything you need to stay on top of every game, every week. Unbelievable. And now NFL Network is on the ESPN app. More football, more coverage, more ways to watch. Football's on, all season long, on ESPN and streaming on the ESPN app.

1:17:29Yeah. Second floor, outside his bedroom, in our house, in Mayo Pack. When I was 13. But who remembers? Well, it's still, I'm watching your eyes as you're talking about it. You still feel it. Oh, it was.

1:17:53And maybe it was just the tone. But I couldn't believe that I was going to give him this money. And I just assumed he would want to give it back to me. It was my gift for my 13th birthday. Your daughter Zoe was telling me how you and your wife Stacy have instilled in all of your kids, there will be no inheritance. Why? I don't know. I have no idea where that came from. I'm telling you the truth. It is the first time I'm hearing of that because on the day that we had the estate planning meeting, I was called about Barry. So I don't forget that. Right. She brought up the estate planning meeting, though, too.

1:18:55I understand that, but I don't know what she—honest to God. But my wife made it very clear that Zoe is in charge of my wife's, you know, clothing and jewelry and everything. And then she will dispense it. And I don't know what, but it's a third, a third and a third. Jed came with the marriage. He's been with me and us since he was four. than Zoe, than Max? They are our children. So what's funny is I thought there was connectivity to that and just how you were raised and wanting to... It's been clear through the research that you were beyond generous family and everybody kind of in your orbit, but I thought there was something there on principle that...

1:19:52That is the strangest thing I ever heard. But Zozo, I promise you, you know, I believe that there will be at least$350 left. And then you guys can just divide that amongst yourselves. She didn't say that you guys have said you were going to just spend it all. I don't know that that actually came out of... That might be another member of the family who actually said that, but I don't know that that came out of my mouth. I want to talk about acting and some of the luminaries you've crossed paths with over the years. But you wrote in your memoir, which I thoroughly enjoyed. Thank you. To this minute, I still live with shame when I think about all the well-known actors I've worked with, failing to do justice to the scenes I did with them.

1:20:51that up to a point. I could not have done Barry if I did not have therapy. It opened me up, you know, in the way that both Zoe and Frank... Why do you think you couldn't have done it, though? I couldn't because I didn't have a connection to the depth. I had the depth in there somewhere. I just, I was, it was like two different, you know, planes going on. And what did the therapy allow you to unlock professionally? Allowed me to feel and breathe, see and hear, be in the moment I now know, especially in this moment, in 2026, the most important thing that we can do is to be in the moment because it is so untenable.

1:21:56It is so scary at this moment. We have no idea. The footing is like quicksand. It feels like that to me. In my whole life, wars and everything, It just feels like being in the moment. And I was able now, I'm able now, not was, I am. Able now to be more in the moment than ever in my entire lifetime. Which has made you a better actor. Much better actor. When I was doing the Fonz, I changed the voice and it unleashed me. I was able to go to places in my imagination that I didn't have the confidence, I didn't have the wherewithal to go. When I was just being straight, I was stilted. I was passable.

1:23:12I want to run through some different names you've crossed paths with over the years, some of whom you've worked with. But I wanted to start with a moment that I know has been covered ad nauseum, but I think I find admittedly interesting because profiled now, both of you before, and you're both regarded as two of the nicest men in Hollywood. But I wanted to lead into that by talking about Jeffrey Katzenberg and when he first approached you about Turner and Hooch and then how it ultimately ended.

1:23:49I'm walking in the original Barneys, 17th Street, 7th Avenue. This woman comes, approaches me in a gray uniform, one of the security. Mr. Winkler, there's a phone call for you. In an apartment store?

1:24:13I go, it's Jeffrey Katzenberg. He said, I would like you to... Who is as big as it gets. He's a big guy. Now, I've known him since he was at the beginning of his executive career at Paramount under Michael Eisner. He was in politics before that. And he said, I'd like you to direct Turner and Hooch. I said, you know, there's another movie called Stella, and I think I'm more suited for that. He said, no, I'd like you to direct Turner and Hooch.

1:24:51And I thought, okay, so here is a lesson. When your instinct says, uh-oh, danger, warning sign, You do not question your tummy. You can question your brain, but never your tummy. I went completely against my tummy. And it hit me in the face with a two by four. How so? Okay. I now meet the puppies. I meet Turner and his friends, brothers, sisters, I don't know. But they were all little puppies. and we bond, we're hugging, and they have more slobber than you can ever imagine. It is, I think, the same dog, the bull mastiff, that Sly Stallone arrived in Hollywood with in the back of his car. Slobber to the point of filling a tub.

1:25:57And they're all learning a different trick. They can all do a trick. And we're doing, we're doing pre-production. I think 11 weeks of pre-production. So that the dogs can grow and become Turner. Hooch. Hooch.

1:26:24And I meet with Tom. and we audition Tom Hanks Tom Hanks and we we audition women together and he settles on Mayor Winningham who's a very good actress actually and everybody else he but he has a connection a an electricity with mayor and I guess at At that time, being insecure, I talked too much. And I gave them direction, what I thought was my job. And I wanted to do it over again. And apparently that pissed them off. And in 13 days of filming, I'm called into Jeff Katzenberg's office and he said, it's not in the dailies. Now, I have been fired before, years ago, when I just left the Yale Repertory Theater to go to the Arena Stage Theater in Washington, D.C.

1:27:40And the director said, I said, oh, I've solved the monologue in the third act. He said, I'm letting you go. and your mind turns into cream cheese and you don't quite hear it's like in a fog I didn't quite hear Jeffrey Katzenberg it's not in the Danish I then go to the set I get my things I drive home I'm fired as a director How do you handle it? I don't handle it well. I'm devastated. Jim Wyatt was my agent at William Morris at that time. Who was another titan. Calls me up immediately, says, we're going to lunch. You've got to get out there. You've got to be seen. I go, okay. I didn't even have an appetite.

1:28:32I know you guys have crossed paths since, and obviously everything's fine. But what do you think was the genesis of any negative feelings the two of you have had about one another over the years? I don't know, because, you know, when Tom, before he was a movie star, was on Happy Days. He was a guest star in Happy Days. And I don't know. We did a retrospective of Happy Days, and we wanted 60 seconds of Tom Hanks in his episode, and we did not get permission for that. What's your perspective on it? I am still working on my perspective. What does that mean? I think his wife, Rita, was also a guest on Happy Days in the beginning.

1:29:21You think that relationship ever repairs itself? Sure. By the way, you still have the signed plastic. I do. What is it, a plane? It was a model plane that while we were having meetings, he built a plastic Piper Cub or something like that. Yeah. You and Adam Sandler, you connected over his mention of you in the Hanukkah song. How about when you went over to his place for basketball? Okay. I call him up. My son, Jed, at that time is a manager. He's working at Brillstein Gray, a very big firm. And he gets me Adam's phone number. And I call Adam, who is a part of that group, I think. And I say, thank you for including me in the Hanukkah song.

1:30:19And then he said, oh, would you come to my house on Sunday? We play basketball. I said, I don't play basketball. He said, don't worry about it. Just come. I come and he shows me in a glass cabinet an 8-track of Happy Days music. And I sign it. Brad Pitt is there. Jim Carrey is there. I forget who else was there because I was so dazzled by. And I, being my old self, am so uncomfortable and so awkward.

1:31:04So I'm there and that was that. And then I saw Brad Pitt many times after that who was so warm and wonderful. And at an award show he was wearing this beautiful long cashmere coat on the red carpet. And I said, oh my God, I'm going to be like everybody else. I'm just going to get my wife and I'm going to take a picture. And he stood there and waited. And I got my wife, Stacy, and she loves him. And I took a picture of them. And of course, the lighting was bad. It was backlighting. So it's not the greatest picture, but there it is. You have it framed somewhere? I don't have it framed. I don't have it framed.

1:31:49How about when Portia de Rossi once confided in you? We're doing Arrested Development. We're in the makeup chair. I have a lovely relationship with this gorgeous woman who said, I met the love of my life last night. No kidding. Yes, but you can't say anything. So this is like many, many years later, I guess I can say she met Ellen. And the rest is history. But she was like in that euphoria of love, of being smitten. It was wonderful. How about fondest memory with Robin Williams? Robin Williams. One of the first things I guess he ever did was the character on Happy Days. very quiet, very shy, picked up a script, and I realized, know your lines so that you don't mess up and stay out of his way because you will never be able to stand toe-to-toe with this genius.

1:33:08Just be there. It was, I don't know what. Even then? Even the moment he opened his mouth with the script, it was like, I don't know, like a volcano, like an explosion. What most stands out from working with Katherine Hepburn? That I worked with Katherine Hepburn. And then we were talking and I said, this was at the end of her career. I think this was the last project, but it was Katharine Hepburn and The Philadelphia Story, all of the movies that she made, but like The Philadelphia Story is one of the great rom-coms of all history of film. How well do you remember meeting Frank Sinatra? Frank Sinatra.

1:34:11I meet him backstage. He goes, I'm so happy to meet you. I introduce him to an entourage of people, Stacy and Ron Howard and Ron Howard's wife and other human beings. And after it's over, we go back and he remembers everybody's name and says goodbye. Now I'm 14 years old. I just start smoking regular Kents that are like toothpicks. They are the smallest cigarette ever known. I'm blowing them out the window writing bad poetry to Jill, who lives across the lake in Mayo Pack, listening to in the wee small hours of the morning, over and over again. there was this young lady in college, Susie. I wrote her during the school year 150 letters in order to get how I felt exactly on paper.

1:35:19Not being able to spell. You were known to write poetry to love interests for quite a few years. Bad, bad, bad. You ever write one to Lois? Lois. Came home with you one day on the bus? No, I wrote her nothing. I wrote her nothing because we're in, this is, I passed geometry. And this woman said, want me to come home with you? The same summer, 1963, August. I was going to road school in New York City, taking geometry for the fourth year. She comes home. She's natural. She is comfortable. She gets undressed. I go behind my drapes, and I get undressed. And I fumble with a Trojan.

1:36:26and I think I'm starting to make love to her and I climax and start laughing

1:36:37because I never quite got to be where I needed to be. So I'm still a virgin. The piece of the story that I was confused by was the stopping midway through to hop on the phone with your sister. I don't remember that. What did I do? She called. I said, probably I can't talk to you now. But I was dutiful to take the ringing phone. More awkward encounter, Mick Jagger or Paul McCartney? Mick Jagger, for sure. Really? Yeah. I met Mick Jagger twice. He was the concert I saw just before getting on the plane. I was sitting, I think, next to God in the Madison Square Garden. I could not be any higher. He turns around.

1:37:27He looks in the direction. Like I know now, you look in the direction. You can't see anybody. I, he's so powerful, I think he's looking directly at me. I saw him in a wonderful sushi restaurant a few years ago. And I went up to him, and I am tongue-tied with musicians. And I went, hi, Mick. And this is what he did. He's talking to his girlfriend, Henry. And that's it. And I go, I'm just going to become so small that you will not be able to see me standing here, and I will slink away. And as I pass, there are businessmen having lunch. And they went, you just talked to Mick Jagger. Yes, I did. And I left the restaurant and gunned my car down to Wilshire Boulevard.

1:38:40That was it. Henry?

1:38:47Now, yeah. I'm very bad with musicians in being any kind of close to being human. Or maybe you just think you're bad. No, no, no. I think I'm true. I want to wrap by talking about family.

1:39:11First, why do you think Ron Howard asked you to be a godfather to his kids? I don't know. But what? At that time, I didn't even question it. He came to Stacey and I and he said, or he came to me, Stacey and me. And he said, look, Cheryl and Ron said, we're going to move to the east. If God forbid anything happens to us, will you take all of the children? I thought, oh, do I have room? It doesn't matter. We'll add on. I'll just, I'll build a tent. Yes, we will. Of course we will. And then Bryce was my actual goddaughter. And I took her out to lunch when I was doing a play with John Ritter. She was at the Tisch School of Drama along with John Ritter's son, Jason.

1:40:08And she said, I don't know how to do this, but there's a guy I need. I don't know what to do. I don't know how to get his eyes. I said, Bryce, just breathe in front of him. He'll notice. You're beautiful and powerful. And they have two children. What does the relationship with Ron mean to you? Ron is... And why do you think it's lasted as long as it has? He is from a family that left the farm in Oklahoma. They went to New York City. His father was in Broadway plays. His mom is an actress. They drive across the country. They have two children. Two children become actors.

1:41:03I am a short Jew from New York City. I get on a plane at 10 o 'clock in the morning, come to California. within two weeks I get a small role on this part, on this show, Happy Days. From the minute I meet him, from the minute I'm in his presence, I realize this is an old soul, this is a really wise 18-year-old, I am 27. and we are connected unexplainedly. There's a thread that is connecting us from the minute we meet. And the rest is history. And the rest is history, and he's my good friend, and I love him. He's like my son or brother or something. Look, we've obviously jumped around to kind of all different parts of your life over these couple hours.

1:42:09And I've had the good fortune of now talking to Stacey as well as, you know, Zoe, among others. You know, it's not lost on me, though, that what we have not addressed is kind of the role of being a father and being a husband, which I know to you are your kind of two most important priorities. And I just wonder if I could be a father right away. I had to learn to be a husband. I was so closed off, as we talked about before. I didn't understand what it meant to be a husband. I knew I had to earn money. I knew I had to put bread on the table. I knew I had to have shelter. I had to pay for school.

1:43:05I had to pick them up from school. But the dynamic, the human dynamic inside of being a partner, I had no idea. what it was like to be a partner. And I have learned what it was like to create a we instead of a me and you. Which is what?

1:43:44Being completely open to seeing who is in front of you, how they live, what do they need to live, how can you help them live, how can you give up in order to allow them to enjoy whatever that moment is they need, I think. And maybe I'm only saying half of it. Maybe I'm only saying a quarter of it. I don't know. But that's what I'm learning. That's what I'm learning and I enjoy it.

1:44:27There's a freedom to being, you know, and not so worried about every detail. And, whew, whew, how am I being, okay. I've said this before, but my brain is soldered shut like an oil can. You know how you pour, like, cream into your coffee, and it swirls and makes a different color, and ultimately ends up a completely different color? I was pouring information, experiences into my brain. No seepage. No changing, swirling. No, I was just soldered from the experience of living. And now that can cover is starting to pry itself loose. And you've been married how long? 48 years. And you have how many kids?

1:45:46I have three wonderful children, Jed, Zoe, and Max, and we have seven grandchildren. Oh, my God. Each one is a wonder. Each one is different. from the bottom to the top. Matilda, Frankie, Gus was just nine. Jules is going to be 11. Lulu, Ace, India. They're all different and just joyful. Impressive you were able to run off that list as quickly as you did. Thank you for doing this, sir. You bet. What a pleasure. Thanks for listening to this week's podcast. Don't forget to leave a rating and review. And for more in-depth interviews, visit GrahamBensinger.com.

From the publisher

Henry Winkler became one of Hollywood’s most recognizable stars as The Fonz on Happy Days — but the role that made him famous also nearly derailed his career. In this candid conversation, Winkler opens up about the highs and lows of his decades in Hollywood: from being typecast after Happy Days to rebuilding his career, finding purpose in therapy, and continuing to work at 80.


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