In short
Kelsey Grammer discusses his life and career, focusing on how his TV work (Cheers and Frasier) shaped his understanding of fatherhood and connection, and how personal tragedies and relationships affected him. He also shares “sports” stories about surfing, sailing, motorcycles, and football, plus acting lessons from setbacks like being expelled from Juilliard.
Guest backgrounds
Kelsey Grammer is a five-time Emmy Award winner known for playing Frasier Crane (first on Cheers, then in the Frasier spinoff). He directed 30+ episodes of Frasier. He grew up in the Virgin Islands, was raised by his grandfather Gordon (a WWII veteran), and later faced the murders of his father and sister.
Key claims
Grammer says Frasier gave him an “understanding of what it might be like to have had a father,” through the on-screen bond with John Mahoney and David Hyde Pierce. He links addiction to “unresolved grief,” describing an eventual “epiphany” that he had to forgive himself. He credits acting with letting him express truth “without being accountable for it,” and says audiences are smarter than performers assume.
Notable examples
surfing meditation and a “religious experience” on a wave; sailing lessons at Atlantic Islands Yacht Club and donating his sailboat after a sexual-experience conversation; crossing the U.S. by motorcycle and being struck by lightning in Alabama; a sixth-grade football tackle watched by his grandfather; reading Julius Caesar and learning stoicism; being expelled from Juilliard and later meeting George Lucas (Star Wars casting) via an agent connection.
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Chapters
Tap a time to open that second in VOKelsey Grammer on Surfing
0:33 to 0:59
Kelsey shares his deep connection to surfing and its impact on his life.
“And a throwback flick at the local drive-in.”
Kelsey Grammer on Surfing
2:23 to 3:50
Kelsey shares his deep connection to surfing and its impact on his life.
“I wanted to start actually, as I mentioned, by talking to you about sports.”
Spiritual Experiences While Surfing
3:50 to 6:28
Kelsey reflects on a profound spiritual experience he had surfing.
“It's like anything else, any other skill you acquire, you just have to keep going and slowly graduate up to bigger waves and stuff like that on the good days.”
Kelsey Grammer's Sailing Journey
6:28 to 11:47
Kelsey talks about his passion for sailing and memorable experiences.
“The one where I sort of stepped off the planet, I thought.”
Riding Motorcycles and Life Lessons
11:47 to 14:00
Kelsey discusses his history with motorcycles and what he's learned.
“As you say, you not lying in that moment, spoiled probably what could have otherwise been an enjoyable experience.”
Cross-Country Motorcycle Journey
14:00 to 16:59
Kelsey shares his adventurous cross-country motorcycle trips and a lightning incident.
“You know, Harleys were always kind of big and cool, but they weren't designed to go super fast like the Japanese bikes were.”
Memorable Football Moment
17:00 to 18:58
Kelsey reflects on a significant moment from his sixth-grade football game.
“It was the furthest west I'd ever been at that time in my life.”
Impact of Shakespeare and Family Loss
18:59 to 21:01
He discusses reading Shakespeare after losing his grandfather and its emotional impact.
“You know, as I got older, the swings changed.”
Lessons from Juilliard
21:02 to 22:26
Kelsey talks about being expelled from Juilliard and the importance of literature in acting.
“What was it about getting kicked out of Juilliard and what your teacher said to you that really reinforced reading those works as something of importance?”
Jack Benny's Influence
22:27 to 23:42
He reminisces about Jack Benny's advice on connecting with an audience and its significance.
“into what your career hopefully will be.”
Show all 36 chapters
Acting's Freedom and Accountability
23:43 to 25:08
Kelsey discusses the unique freedom acting provides in expressing oneself without accountability.
“because your Frasier executive producer, one of the skills of yours that he commended was along those lines.”
Struggles and Survival in New York
25:09 to 27:28
He shares his experiences of working multiple jobs and the challenges of being a Juilliard student.
“but you don't have to actually take the hit for it because everybody goes, oh, well, he's, you know, that's acting.”
Financial Lessons Learned
27:29 to 28:00
Kelsey reflects on his experiences with money, savings, and being frugal.
“Well, that was because it was still warm enough I could actually sleep there for only a few weeks, really.”
Lessons from Tough Times
28:00 to 29:10
Kelsey Grammer reflects on his experiences with money and survival.
“I had to, you know, one time we got, I took the train too far on the independent line.”
The Journey to Acting
29:10 to 31:20
Kelsey discusses pivotal moments that led him to quit his waiting job for acting.
“Well, early on it was simpler because, you know, you just knew you couldn't do that.”
Working with Christopher Plummer
31:20 to 33:20
Kelsey shares a challenging yet transformative experience with Christopher Plummer.
“Yeah, very challenging, very challenging.”
Breakthrough Moments
33:20 to 35:30
Kelsey recounts how he landed his early roles and connections in the industry.
“but he's talented enough that he actually had earned it.”
The George Lucas Encounter
35:30 to 38:20
Kelsey shares a memorable meeting with George Lucas during his early career.
“This was the day I got kicked out of Juilliard, there was one of the teachers there, Edith Skinner was her name.”
The Cheers Audition Experience
38:20 to 42:00
Kelsey reflects on his audition for Cheers and the unexpected outcome.
“I said, well, you know, I either dodged a bullet or missed a really big opportunity.”
Reflections on Family and Virtue
42:01 to 45:50
Kelsey Grammer discusses the themes of loyalty, love, and the ideals of masculinity in familial relationships as portrayed in his work.
“And I've had a brother that went through the things we go through in life together.”
Lessons from Grandfather
45:51 to 48:08
Grammer shares impactful life lessons learned from his grandfather, including the metaphor of dealing with life's annoyances.
“I think unbeknownst to you, it's been all over his body.”
The Impact of Loss
48:09 to 51:01
Kelsey reflects on the profound effects of losing his grandfather and later his father, discussing feelings of loneliness and abandonment.
“My grandmother used to tell the story of the day I was born, she flew down.”
Coping with Grief and Addiction
51:02 to 54:30
He opens up about his struggles with addiction as a response to grief and the journey to forgiveness and healing.
“You said it took kind of 20 years for you to overcome or get to a place so it wouldn't hurt you anymore.”
The Aftermath of Violence
55:11 to 56:00
Grammer discusses the tragic murder of his sister and the impact of her death on his family and his view on justice.
“And I think my mom was a truly brave, wonderful, persevering example.”
Reflecting on Death Penalty and Parole
56:00 to 58:00
Kelsey Grammer discusses the impact of the death penalty and his personal experiences with parole hearings related to his sister's murder.
“or maybe it was in the late 70s, the Supreme Court overturned all death sentences in America and commuted them basically to have all the states re-examine their death penalty policy, right?”
Views on Therapy
58:00 to 59:12
Grammer shares his opinions on therapy, its benefits, and the importance of self-reliance in coping mechanisms.
“It's to their credit, but still, you know, I didn't get a chance to meet my nieces and nephews, did I?”
Expectations and Self-Worth
59:12 to 1:01:44
He reflects on personal relationships and the unrealistic expectations that have affected his self-esteem.
“But once you learn through a certain series of coping mechanisms or whatever, how to reflect on things and not take it always so personally, that's certainly a skill you should be able to master yourself.”
Learning from Past Marriages
1:01:44 to 1:04:38
Grammer discusses patterns in his past relationships and the lessons learned regarding personal boundaries and expectations.
“where maybe the period that I've expressed that was more rich with that particular emotion because of what was going on around me.”
Understanding Abuse
1:04:38 to 1:06:39
He candidly speaks about his experiences with abusive relationships and the realization that the abuse was not his fault.
“But I like to think of the lesson being, I finally realized that wasn't what I wanted.”
Marriage and Age Differences
1:06:39 to 1:09:28
Grammer discusses his current marriage to Kate, the age difference, and how they have built a strong partnership.
“Again, you know, I want a divorce, blah, blah, blah, blah.”
The Joys of Fatherhood
1:09:28 to 1:13:43
He reflects on his role as a father, the joy of having children, and the lessons they teach him.
“But as it stands now, I feel like we are equals and really well-matched.”
Surviving a Heart Attack
1:13:44 to 1:16:46
Grammer recounts the harrowing details of his heart attack experience.
“Went down to a little beach just south of where there was a home that I owned.”
Post-Fraser Acting Career
1:16:47 to 1:19:50
Kelsey discusses his career evolution after the iconic role of Frasier.
“is what I was basically saying to the little angels.”
Creating Sideshow Bob
1:19:50 to 1:24:01
Kelsey shares the origin and inspiration behind his character Sideshow Bob.
“Pretty good experiences for people in the theater, and you know, so I'm happy.”
Kelsey Grammer Reflects on Frasier's Future
1:24:01 to 1:28:38
Learn about Kelsey Grammer's thoughts on the upcoming Frasier reboot and its new direction.
“Every time we say goodbye, I cry a little.”
Kelsey Grammer Reflects on Frasier's Future
1:29:29 to 1:29:59
Learn about Kelsey Grammer's thoughts on the upcoming Frasier reboot and its new direction.
“Let's get on ZocDoc and find a doctor to take a look at that for you.”
Transcript
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0:48Apply for AppleCard now and use in minutes with ApplePay. Subject to credit approval, AppleCard is issued by Goldman Sachs Bank USA, Salt Lake City branch. Terms and more at AppleCard.com. This week on the In-Depth Podcast, Kelsey Grammer. The audition ends, no one laughs. What are you thinking? His Dr. Frasier Crane character was one of the longest running on television, appearing first on the hugely successful show Cheers and then starring in the spinoff series Frasier. Kind of come up with ways to stay fresh or unpredictable, spontaneous. During our 2019 interview at his home in the Catskill Mountains, the five-time Emmy Award winner reflects on the role his TV dad played in his life.
1:37I got an understanding of what it might be like to have had a father, and that was a great, great thing. And opens up about the tragic murder of his young sister. Certainly a big brother, always wants to protect his sister, so losing her in that way was really damning to me. Grammer also shares what he's learned from his relationship struggles. I think some of it had to do with always picking people that you could never satisfy. And relives the religious experience he had while surfing. Just like I vanished into this place that was beyond the sun. If this is what dying is, if this is where heaven is, I'm good.
2:11All that's coming up next on the In Depth with Graham Bensinger podcast.
2:23I wanted to start actually, as I mentioned, by talking to you about sports. Right. A lot of people might not know that once upon a time you were a big surfer. Yeah, surfing was my life really when I was junior high and high school. And I had an older buddy who was kind of a pal. He had a car, so we could, in Florida, what you call drive up coast. Because if you live below Palm Beach, the state does this. Well, for your viewing public, it goes like that, right? So northern swells come this way, and they peter out at the point where Palm Beach is. So you have to drive a little north of there. And that's why Coco and Fort Pierce and Sebastian Inlet are good breaks.
3:14And even Boynton Beach sometimes. And we used to surf off a place called Red Rock and Boca Raton even. It was pretty good. And I even used to take my little boat there once in a while with my surfboard in it. And I'd just throw the hook and paddle in from outside. How did you get into it? A buddy just said, you know, you want to try this? And I said, sure. So, boy, the first month of that is pretty hellish. Just paddling out really knocks you out, basically. And then you kind of get in shape. And I say to everybody, if you can surf every day for six months to begin, then you become a surfer. That's all it is.
3:50It's like playing the piano. It's like anything else, any other skill you acquire, you just have to keep going and slowly graduate up to bigger waves and stuff like that on the good days. Coco used to have some great waves, great breaks. And then I surfed up as high as Matunak, Rhode Island. They had great lefts there. And that was the coldest I've ever been in my life, was surfing in Narragansett once. I didn't like wetsuits. I clearly turned blue in Rhode Island in the spring. You made a big time commitment, though, to it as well. I mean, you were surfing in the morning. Every day for about seven years, I surfed.
4:26Yeah, yeah. What did you enjoy about it? Oh, just that harmony. You know, just that oneness with nature. God, all that stuff, you feel it all in those moments. And when you're just, when it's a great day surfing and you drop into a terrific wave, there's really nothing quite like it. There were moments I thought I sort of just disappeared, like sort of became one with nature and whatever it is, you know, the oversoul, all the corny talk you hear about kids that live in that world. That's what it was like for me. What would you think about when you were out there? Where's the next wave coming from?
5:06Okay. You know, pretty much it would help you to filter out almost everything. And I guess it's sort of like meditation in a strange way. You know, bit by bit the layers of your life drop off and you finally become sort of in tune with the moment. And that's what happens in surfing. I mean, you are completely in tune with the moment. And I guess that's kind of perfection. And speaking of meditation, there was a period in your life where you used to meditate, I think, a couple hours a day. It was part of the surfing thing. Got it. It was all part of the surfing thing. I'd do some yoga at night before I'd go to bed, and I'd sit and meditate.
5:39And that's when I had some extraordinary experiences with that. There was this guy named Richard Hiddleman that wrote a book called Yoga, Hatha Yoga, I think it was called. And I just did the exercises in there and read the book and started to do these meditative things. And one guy said, just concentrate on the sound inside your ear, which is sort of like the same thing you do with a conch shell, you know, like if you look, oh, you can hear the ocean. There is a sound you can hear inside your ear that is basically just a movement of molecules of air, you know, moving around and banging off of each other.
6:15And you start to get into that. And then it would just sort of slip into a space where you were floating. So it was a good thing. And correct me if I'm wrong, you had what you called your most religious experience out on a surfboard. Surfing, yeah, yeah, yeah. The one where I sort of stepped off the planet, I thought. It was an amazing thing. It was a particularly hot day. I was surfing in Palm Springs, I mean, in Palm Beach, and it was a big wind break that day. It was all kicked up by a little storm that was off the coast, and it was choppy and kind of radical, but you could drop into a wave once in a while, and suddenly I hit one.
6:50It was fantastic. And I was going left. I was going left. And I looked up through the wave as it sort of peaked above my head. And I caught the sun through the wave. And I saw it. And then right at that moment, I just went like I vanished into this place that was beyond the sun. And I thought I saw angels all around me. And I thought, boy, if this is what dying is, if this is where heaven is, I'm good. You know, this is all an all-powerful, all sort of connected moment in my life. That was, you know, that was the top of the line. Emotional experience? Emotional to the point of just peace, of sort of ecstatic.
7:35There was an ecstasy about it that was fully natural. I mean, even you talking about it now, I can tell it. Yeah, it was really something. What about the memory? It kind of still touches you? It's still with me, yeah. It's just, it still sustains. I guess, you know, you have all those moments. I'm trying to think down how to relate it to other sport moments. There's just that thing that happens, I think, where you know it's perfect. You know, the perfect moment when you hit a golf swing. You just happen to get it right that moment. You know, the guys that do it professionally do it all the time.
8:09But, you know, there's a point in sort of all physical expression, I guess, where you align with what an ideal is and what the work of that is. And when they connect, it feels perfect. So speaking about being out on the water, how did you get into sailing? Sailing, I learned to sail when I was nine years old in Atlantic Islands, New Jersey, at the Atlantic Islands Yacht Club. They gave a summer course on boats they called Blue Jays. And I and my good buddy Doug, we're still friends, We see each other all the time. Took a sailing class with a fellow named Skip Brennan. And he just instilled in us, oh, this is what it is.
8:57We learned basic knot tying and how to trim sail and understand what the dynamics of it were, the physics of it, the Bernoulli principle, all that stuff. Because the sail is like a foil. So technically, the lift of what would be an airplane wing is the same power that pulls a sailboat along. It doesn't really push it along, it pulls it along, which is kind of fascinating. But I fell in love with that then. And one of my big dreams as a kid was to buy a sailboat one day. It didn't happen until I was 29. It's not a bad age. It wasn't so bad. It wasn't so bad. I'd done my first year on Shears, and I knew this guy that had a boat called a Baltic, a 37-foot sloop, which I could single-hand if I had to.
9:48And he said he had to get rid of it because he was getting divorced. So I said, well, you know what? I just finally saved a little bit of money, enough to buy this boat. So I went to Bank of America, and I took a dollar-for-dollar loan. So the first time I paid off anything was this sailboat, and that's how I established credit. Or a crash course in finance. Yeah, yeah, exactly, in finance. So I bought this boat that way and then I had it until nine years ago. So I had it for about 30 years. And it's a great story. My wife, Kate, I said, you've got to go out on my boat. Because I used to sail twice a week.
10:31I used to go out, like, as soon as rehearsal was over, I'd grab my buddy John and I'd say, let's go. Let's go out. We'd sail for a few hours and we'd buy some lamb chops, barbecue them on the little sort of marine Weber that you put up on a stand. And it was ideal. It was a wonderful time. And so Kate, I take her down to the boat, and I slide open the hatch and climb down the ladder. I'm standing here by the galley, and she says, have you ever had sex on this boat? I just was frozen. I thought, oh hell. And I wasn't looking at her. And I thought, so I raced through about 20, 20 lies I could tell.
11:14As fast as my brain could function. And I just turned around and said, yes. And she said, well, I'm not going out on it. So I said, how could you? But so I donated the boat. You donated it? To a sailing school. And I actually, the boat was actually worth more when I donated it than it was when I bought it originally. So that was actually a real success story. And she says I can buy another sailboat, but we haven't gotten around to that yet. As you say, you not lying in that moment, spoiled probably what could have otherwise been an enjoyable experience. Who knows? So will you buy another one? Yeah, I think so.
11:57Someday. It'll depend on where we are. I think I'm a warmer waters guy now. California is great. But the ocean's cold. The Pacific's cold around that area. Where all of you sailed around the world? The Virgin Islands. I was born in the Virgin Islands, so I've gone back there some and sailed a little bit there. Florida a lot. The Bahamas a lot. We used to sail from Lauderdale, Bimini all the time. That was almost a monthly experience. And some of my best sails were that sail, like nighttime, Moonless nights, fantastic. That sense of darkness, like the ink of the sea and the ink of the night together.
12:38And you just moving through it silently.
12:43Fantastic. So semi-religious as well, actually, yeah. Motorcycles. How did you get into biking? Motorcycles started when I was 13, I guess. Maybe 12. A buddy of mine had a little Honda 90. and we rode it around my neighborhood. There was a field across the street from my neighborhood that's from our house that we would make little trails through and run into a tree once in a while. So that's how we learned. We got scuffed up. And I always said to all my friends, I said, you know, you don't get into anything without getting scuffed up a little bit. So try to put yourself in a position where you're in the least amount of danger but likely to have a few falls.
13:30And because motorcycles are dangerous. And people who tell you they aren't are lying to you. And so then it graduated to street bikes. And that was actually sort of the birth of the big super bikes. It started right around then in the early 70s. There was the Kawasaki 500, which was all of a sudden, nobody thought anything could be that fast. And it's just, I mean, you'd get on it, and you'd start sliding off the back of the bike. And then the Honda 750 came out, which was like the first real beautiful, loud, fantastic sounding bike that was not a Harley. You know, Harleys were always kind of big and cool, but they weren't designed to go super fast like the Japanese bikes were.
14:11And that Honda 750, boy, you could hear it coming from like 10 miles away. People would say, whoa, there's one. And so I had one of those. And you biked cross country on many occasions. I have a best memory. Three times I crossed the country on a motorcycle. There are varied experiences on each of the crossings. But the most sort of pivotal one was the first one, which was to go get a job. My first acting job was in San Diego, California. I got the job in New York. My motorcycle was in Florida. So I called my grandmother and said, I have good news. And she said, what, you finally got a job? I said, yes.
14:53And I said, I have to drive my motorcycle there. I don't have the money to get on a plane. I think it was$29 then to get on a, I think it was run by Eastern, what they called the Yellow Bird. It was a 727. And it was a cheap flight one way to Lauderdale. So I went over to LaGuardia, got on the plane. My grandmother said, OK, I'll buy you the ticket. So I got there. I had 50 bucks in my pocket. I got a new change for my motorcycle and tuned it up and got on it the next day. Drove to Tallahassee, Florida, met with a buddy of mine in Tallahassee, which is a big drive from Lauderdale. It's like, you know, 300, maybe 400 miles.
15:32And we had dinner that night. We hung out. I started my journey across country. I made Houston the next day. That was a pretty big drive. Got hit by lightning halfway there. I was going to say, tell about getting struck by lightning. This is the lightning story, yeah.
15:51So if you're driving long distance on a motorcycle, you know you're going to get wet. And that's just sort of what happens. And I'm just a bit of an idiot, yahoo, semi, still almost a teenager. And so I just knew I'm driving into a thunderstorm. And I said, I've got to make Houston anyway, so I've got to keep going. And I don't really have a set of wet gear and all that stuff that some of the guys have now. So it gets pretty intense. I'm getting beat up a little bit. I'm doing still 80 miles an hour, you know, in a pouring thunderstorm. So you're really getting pummeled. And then I felt a jolt through my system.
16:31I thought, holy , that must have been like lightning. It had to be. And I thought, well, but I'm grounded, you know, because I got my rubber, the rubber of the tires grounded me, so I'm safe. I realized that I probably just conducted a lightning bolt. So, but I took it as a good sign, as an omen that I was starting a new life. There was sort of a purifying moment of like, that part of you is gone now. Oh, and this happens as well. It was the furthest west I'd ever been at that time in my life. I'd never been off the East Coast. And so I was in Alabama. And that was, that's where it happened. I want to wrap up the sports section with this.
17:18I hear you had quite the little moment as a sixth grade football player. Oh, I told this story. What's his name? Hell, I'm forgetting who I know. Big sports guy. Rich Eisen. Yeah, Rich, yeah. So I was on Rich's show. Yeah, this was the only time my granddad who raised me, and I loved him. I adored him. He died when I was 12, so there wasn't much time with him. Gordon came to Rumson Country Day School, the Rumson football team. And, you know, we're tiny. My buddy Doug was there too. We went to school together there. It's a goal line stance. I was playing left tackle both sides, you know, offense and defense.
18:05And one of the kids turns to me just as it's their last play, basically, it's toward the end of the game. and my grandfather's over there watching. And I think his name was Chris. He says to me, look out for the draw play. And I thought, what the hell's the draw play? But I took it to mean I should just look up and not bite right away. So I did a little pop thing and then looked. And here comes this kid with a football. And I said, I got him. So I tackled him, dropped him there. And they didn't score a touchdown. And so I did my goal line stance. And then that was my granddad. I was very pleased with it.
18:51Oh, that had to be so cool. It was actually really cool. Did he say anything to you? He said, nice tackle. So, no. You know, I mean, I was a big kid then. You know, as I got older, the swings changed. I was the biggest kid on my block until I was 12 years old. And then it started to shift a little bit. Of course, my sister was always bigger than I was. until I was 14. But that's how it is for boys. What do you remember from reading your first Shakespeare play in seventh grade? Right, well, that was after Gordon died, and so I was pretty emotional about what was going on in my life then. It was right after.
19:26And then this play called Julius Caesar was the first one we read in seventh grade. And there was this character, Brutus, who was philosophically unmoved by emotion. who thought stoicism was the right way to go. You know, you make decisions based upon facts and you don't let your emotions carry you away. I thought that was a great philosophy. And it crafted what I started to do after that because I could have kind of fallen apart because I really relied on my granddad. And then I thought I'm the only guy left of the family. I have to be strong for the women in the household, my grandmother, mother, and sister.
20:10and so I tried to just be a strong man and it changed my focus on a lot of things about how to take things in stride and how not to take too much focus or put too much focus on the things that blow us about you know that the bad things that happen try to keep them in perspective a little bit and and not allow them to change you or turn you into an idiot. You know, and so I tried. I've been a bit of an idiot sometimes in my life, but anyway. Well, I mean, I think we all have it as well, but I told you this off camera. I mean, your book that you wrote many years back so far was great and you were so open and you talked about being there for your mom, sister, and grandma, which just seemed like a Herculean undertaking.
20:59And, you know, you mentioned like reading Shakespeare for the first time, seventh grade. What was it about getting kicked out of Juilliard and what your teacher said to you that really reinforced reading those works as something of importance? Right, right. When I was thrown out of Juilliard, which was, I was 20? Yeah, I think I was 20 years old.
21:26And he said, is there anything you'd like me, is there anything you want to ask me? I said, well, yeah. What do I do from here? You know, what's the best thing? He said, well, you know, and this was John Hausman at the time, who was kind of a famous professor at that time. He said, read the great novels. Because if you do that and you dedicate yourself to that, you get information that becomes part of you. You know, if you dive into a novel, you know, like one of the great novels, you actually kind of live through those moments with those people. So suddenly you're living through, like in War and Peace, the war with Napoleon.
22:05And suddenly you're one of those guys, and you have all this information about what it's like. And you'd never have that anywhere else, not in your own life experience. And the best equipment you have to be a good actor is that you have human experience at your fingertips. And so the more you can gather, the more you can harvest from great storytelling, the more you can filter into what your career hopefully will be. You once produced and hosted a Jack Benny tribute. Yes. What was it about what the legendary actor said on Johnny Carson that really stuck with you? I was 17, and I was acting at that time.
22:46I finally had become an actor. I was at least interested in it. And Johnny Carson asked Jack Benny what his key to success was. And Jack said, I always play up to the audience. I always play up to my audience. And I thought, boy, that is. That's exactly right. Never assume an audience is dumber than you are or that they're stupid or they won't get it. Always play up to them. Always think that they will know. And if you trust that, they always do. I mean, audiences are always miles ahead of us. They always know everything. People are much smarter than we can credit for. I love people, and I love their brains, and I think they're all smart, and I think everybody gets it.
23:27And so that became sort of the rallying point for me in terms of the way I wanted to do work. I always thought, never wait for the audience, never play down to the audience, never think they're not going to be with you. Always assume they'll be ahead of you. And that changed everything I did. Well, it's interesting you say that too because your Frasier executive producer, one of the skills of yours that he commended was along those lines. How do you get to the point where you can walk into a room performing, not say anything, not move, be staring at the audience, and for the audience to be laughing with you because they know exactly what you're thinking.
24:04I think that that comes from actually understanding that we all have an intellect that connects us, you know, and that and once they recognize the character, once they know the situation enough, they'll respond to a look or a raised eyebrow or anything like that. Yeah, I mean that's a that's one of the moments when you realize you know you're in the pocket that things are going well what does that feel like um it just feels uh it's well it's a little bit like heaven really i mean you know because you're just you're just connected to other human beings and i think a great deal of what we're here for is to make that connection you know is to live with other human beings to to elevate your experience based upon the connection you make with other people and that is one of the greatest.
24:52You said before, quote, acting gives you a great opportunity to express yourself honestly without being accountable for it. How so? Well, that's the mask of acting. You know, it's like you don't have to get blamed for everything you say. I mean, you get to tell truth, but you don't have to actually take the hit for it because everybody goes, oh, well, he's, you know, that's acting. That's all that means. You learn your lines, though. apparently only moments before you go out? Well, in certain circumstances, I do. In television, for instance, if you have been playing a part for a long time, which arguably, Frasier was a good distance, a good amount of time.
25:33Not just a good amount of time. One of the longest amount of times for any character ever. It was pretty good. I was thinking about that. I think the guy on NCIS now probably has it beat. I think they've been on forever. It's like since before The Simpsons, practically. But if you have that, then you have to kind of come up with ways to stay fresh or unpredictable. I'm trying to think of it. Spontaneous. And so for me, it was like an exercise. I don't want to learn my lines. I sort of know what I'm going to do, and I'll learn them just before I go on so that it looks like I'm looking for the words, which is what we really do anyway.
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26:15And so it was an affectation, really. It was like a trick that helped me to stay fresh, to look real. So you went to Juilliard on scholarship, yet you still had to take two jobs daily, I think, to make ends meet. Yeah, yeah. Well, what I did was the summer before I took two jobs so I didn't have enough cash to kind of get through the year. And that was when I was a night man at a hotel and I worked on a construction site in the daytime. And I actually used to run from one or the other. After the job would close at 6 a.m. at the hotel, I would run over and start work on the construction site. What were the hours?
26:57That was 7 to 3, basically. And then it was 9 p.m. to 6 a.m. on the, and I would do the laundry a lot of the time on the hotel one and rake the beach, brush the tennis courts, clean the tile and swimming pool, just stuff like that. I liked work. How much money did you have? I ended up with$700 by the end of the summer. And it got me through till the spring next year. Well, I mean, yes, but you had to be creative. What led you to sleeping in the park? Well, that was because it was still warm enough I could actually sleep there for only a few weeks, really. But I could sneak behind a certain bush and cover myself with a newspaper, and I was fine.
27:41And I showered over at Juilliard. What do you remember from that? I mean, you were sleeping in the park, though. It was completely safe. I'd been camping when I was a kid. I mean, that's a little different. It wasn't really much different than that. I mean, it really wasn't. You won't camp in the park in New York City. Nobody was really around. You didn't see anybody. So it was all right. You know, I never had any real experiences there. I had to, you know, one time we got, I took the train too far on the independent line. I ended up in Harlem. And some guy looked at me. It was like 3 a.m. I'm standing there on one side of the track.
28:14And he looks over like this. He goes, hope you make it home. I thought, oh, hell. But I'm like, you know what? Whatever it was, there was always something that kept me safe. What do you think going through that period, though, taught you about money and savings? Well, it taught me to be pretty frugal. you know, and I'm a bit of a spendthrift in my heart. I think that you should live beyond your means a little bit. You should take risks like, you know, build a brewery. You know, money's made to be spent a little bit. You're supposed to actually be in the game, you know, put it to good use, but you also should be smart about how far you overextend.
29:02You know, I mean, everybody overextends a little bit, But, yeah, I try to keep it within reason. How did you figure out that balance early on, though? Well, early on it was simpler because, you know, you just knew you couldn't do that. And I was always willing to sacrifice my body for the sake of survival, which meant, you know, I'll sleep in the elements, I'll get an apartment, I'll drive a motorcycle instead of get a car, you know, stuff like that. There was always a way of shaving the budget to a point where you could survive and still feel like you were thriving. Because I always felt rich.
29:38I always felt like I was doing great. I mean, if I could buy a quarter pound of salami and a hard roll, I was a happy guy. So there was a period in which during your early acting days where you auditioned something like 100 times over four months. 100 auditions, yeah. And what made you realize that if you really wanted to be an actor, you had to give up the waiting job? Oh, that was interesting. Now, I'd had some success in acting by then. I mean, at least I'd had a couple of jobs. I worked in San Diego for almost two and a half years, three seasons, three summer seasons. And I'd stayed through the winter and did some shows then.
30:15I ended up doing maybe 13 plays during that amount of time, which was, you know, just great. And I went back to New York and did a job in, And, oh, did a job off-Broadway for, you know, what was Subway Fair. That was one of the big things we'd get, which was 75 cents at the time. And did a couple of other plays, like readings and stuff like that. And then I one day walked into work where I was working at O 'Neill's on 57th Street and 6th Avenue, which is now the Rude or something or other. It's still there. The restaurant's still there. And I suddenly thought, you know what? You're not going to be an actor as long as you're a waiter.
31:01And that's when I said to the guy, I said, you know, I got to quit. I don't know why. It's just time. And his name is Michael, I remember. He's a nice, nice guy. And he said, well, okay. Sounds crazy to me, but okay. And I got a job the next day. And I was an actor ever since. Well, the rest is history. Christopher Plummer. the Wednesday matinee play. Yeah, very challenging, very challenging. What did you say and what did you do? Well, this is a good story. It's a fun story. I really like Chris. It took us a while. Football acting. Because Chris would just throw you around if you couldn't keep up with him, he'd throw you around.
31:43And, you know, I mean, more power to him. I celebrate him now because he actually, I was at a point in my life when I thought, boy, maybe this isn't for me. and maybe that was partially working with Chris, I don't know. But I'd finally gotten fed up. I'd realized that I broke my foot several months previous because I had ended up too far stage left. I didn't get to my light. Chris had pulled me around really hard and I broke my foot. And I thought, and I heard a crack, you know, I thought, what the hell is that? So the same set of circumstances occurred on this particular matinee day and I suddenly, like all this rage came up in me And I grabbed ahold of him and I threw him as hard as I could, sort of ended up offstage.
32:24And I did whisk or something in his ear that wasn't particularly pleasant. We can bleep it. Well, I just can you and tossed him. And like really tossed him. Oh, I really tossed him, yeah. And then he came storming back out on stage. And he just gave me that look. And I thought, well, this is it. I'm fired now. This is fine. But what was weird was from that time on, we had the best time. It was just, he just needed to know he wasn't gonna, you know, get away with the stuff he usually got away with anymore. And it turned out to be a great experience. So, in the end, I credit him with a lot. He prepared me for, you know, other actors can be challenging.
33:11Other actors will, you know, run you right over. and some of them are in that, some of them don't. Some of them don't really deserve to be given the credit for it, but he's talented enough that he actually had earned it. You just had to stand up to it. Christian Slater's mom's responsible for getting you one of your early soap opera gigs. Yes, yeah, yeah. Mary Jo Slater became a pal. I arrived from San Diego with my girlfriend then, Ellen, who was doing a... She had an audition for One Life to Live. And I just came along with her. And drove her nuts. So Slater's sitting there. And I walk in with Ellen.
33:57She checks in and says, Ellen Tobi, blah, blah, blah, blah. And I said... Oh, I remember, yeah. Mary Jo just looked up and looked at me and said, Who are you? I can see Ellen going like... And she said, you're cute. It was nice. I was cute then. I'm not sure that's the case anymore. But so she said, why don't you sit down? Give me a minute. I'm going to take it. She took a couple of girls in and did their auditions. And I sat there for about maybe 45 minutes. And she said, come on in. So she walked me in. She said, you're an actor. I said, yeah, yeah. And she said, do you have an agent? I said, no, I just got the time.
34:38She said, do you want one? Sure. So she got on the phone and called Jeff Hunter, who was a big agent. And I'm sending over a kid. We're going to test him for this role, blah, blah, blah, blah, and you should sign him. And that's a big deal. That stuff does not typically happen. It was just extraordinary. No, I did not end up getting that part. But I did test for it, and that was pretty cool. And you got a babysitting gig of the young Christian Slater. Oh, I used to babysit for Christian, yeah. Slater and I became friends. I called her Slater always. I've been, we still connect once in a while.
35:14Great gal. And so Christian was, I don't know, four, five, six, whatever, I helped out at his birthday parties, you know, stuff like that. So take me through the meeting you had with George Lucas. The George Lucas thing was pretty funny because there's a great backstory to it. This was the day I got kicked out of Juilliard, there was one of the teachers there, Edith Skinner was her name. She basically created the speech for the American Theatre. An extraordinary person. And she walked up to me and she said, Kelsey, I know you've had trouble. And she said, you have Caruso equipment, and I think you'll have a great future.
35:51So I thought, oh, well, that's great. She said, I think you need to, you should meet this man, this agent. Mort Schwartz was his name. And so she gave her the number. I called and said, and he said, yeah, come on over. So I walk over to this place. This was a couple of days after I've been kicked out. And he had a Dutch door. There was a secretary here who sort of was fighting. And Mort was in the back in his office. And the top part was open. And he's going, listen, Greg, I'll get back to you. I'll get back to you. And blah, blah, blah. And he calls. And he looks at me. It's Gregory Peck. And he says, who were you?
36:33I said, Kelsey Grammer, Edith Skinner, told me to come over. I said, oh, yeah, OK, come on in, come on in. She said, then he looks at me, he goes, yeah, OK. What happened at school? He said, I, you know, I said, well, I got kicked out. So why do you think that happened? I said, well, I wasn't going to acting class, which was the case. So he looked at me for a second. He said, you know what? He takes out a pencil, a piece of paper on a pen, And writes out this thing, go to this address. There's a guy there casting a movie about space. And he hands me the thing. It's about three blocks away. I walk around, I knock on the door, and sure enough, they call me in and I sit down and there's, I didn't know at the time, George Lucas.
37:20And he says, well, we're making this thing about, it's a fairy tale in space. You know, two guys rescue a princess. Yes. Uh, great. Sounds like fun. Um, so he said, you know, you're right. There's these two parts. Well, maybe the older guy. You look a little older than, you know, he's kind of a, you know, gunslinging kind of guy. You know, an adventurer. Uh, cool. You know, great. Yeah, sounds good to me. Well, I never heard back from him or anything. But about a year and a half later, I was doing a job in San Diego. I got my first job. I was in San Diego. And I went and saw this movie where the, you know, the then that ship goes over your head and then you see the jet or the engines.
38:07And I'm watching it a little bit longer. And I think, holy. This is that movie. This is that thing the guy told me about. It's them. It's, oh, my God. I said, well, you know, I either dodged a bullet or missed a really big opportunity. But you know what? Harrison Ford did really well in that. And I'm a big fan. Oh, and the big opportunity was coming up. You auditioned for Cheers. The audition ends. No one laughs. What are you thinking? Yeah, that was a strange experience because I ended up at the end of the audition in California. There's a room full of people, not one laugh. And so I put the script down and I said, you know what, I'm gonna go out on the street, see if I can get some laughs out there.
39:05And I turned around and I left. And I called my old pal, Lois, and said, let's go take a drive, let's go down to San Diego, because I'd known her from San Diego. We went and spent the weekend. And I got back on Monday to, you know, collect my things and then head off to the airport. And as I walked into the old Holiday Inn there, it was at Hollywood and Vine, where I think the big theater is now, the Kodak Theater, whatever it's called now. They said, there's some messages for you, and people have been trying to get a hold of you all this time. And I walked into my little hotel room, there was a bottle of Dom Perignon sitting on the table.
39:48I went and opened it up and said, welcome to Cheers. So. How cool was that? It was really cool. Describe the emotion of driving up to the Paramount lot for the first time. Oh, the first time I drove into Paramount was great. I mean, I said, it's Kelsey Grammer. I said, oh, yeah, hey, hey, good to see you. Yeah, come on in. Here's your parking space, blah, blah, blah, blah. That was very cool. Because the gates, you know, I mean, Hollywood still, it has a sort of, you know, mythology about it. It's kind of a size about it that makes it really cool to kind of, you know, finally walk through one of those gates and be welcomed.
40:21That was a nice thing. And Cheers, obviously, one of the most successful shows in TV history. Frasier, the spinoff, one of the most successful spinoffs in television history. You actually end up directing more than 30 episodes of Frasier yourself, but the show centered around an older father and kind of a misunderstood relationship with his grown son. Correct me if I'm wrong. You said the greatest gift you got from Frazier was understanding what it was like to have a father and brother. Yeah, a father, a relationship with a father. How so? Well, my granddad had really sort of taken the place of my father.
41:03I didn't know my dad very well. My dad died when I was 14, just a couple of years after Gordon, but I didn't really even know him. After Gordon died, my dad sent a note and said, you know, listen, why don't you come and visit me? Come and say hi. So I got to know him a little bit. Spent about three weeks in St. Thomas with my sister, and we got to know my dad a little bit. And then saw him one more time after that, and he was dead. So that was a strange experience. So I never really had a dad, you know? And I had no real sort of understanding of how to be a dad myself either, which has come into play in my life since then.
41:43But what I got with John and with David Hyde Pierce, that John Mahoney playing my dad was, by virtue of the time we spent together, the 11 years we spent together, I got an understanding of what it might be like to have had a father. And that was a great, great thing. And I've had a brother that went through the things we go through in life together. And the rivalries and the love and the commitment and the loyalty. I mean, things that were, you know, we were playing characters in a world where they were virtuous people. They were, you know, they had pitfalls and flaws, but they were basically virtuous.
42:25And that was, so it's a slightly idealized version of what a father and a son and a brother might experience together. But I think it's actually a pretty good slice of what would be right in life. How true is it that at times it would take you days to get through family scenes without breaking down yourself? Oh, it still happens to me. I cry all the time, cry at the drop of a hat. I don't know why. About what in the situation? I don't know. It just reminds me of the beauty of being a human being, you know, the beauty of experience, the beauty of love, the beauty of family, things that are poignant and would bring a tear to your eye.
43:00Anyway, just I'm always there. You know, I take the ride along with the character. And so I'll bubble up and say, oh, my god. In what ways did you feel like, you said this, that your TV father on Frasier was almost like a father figure to you? Yeah, my TV dad was just a remarkable guy, you know, a guy of sacrifice and service and loyalty. Again, like, you know, the virtues, the basic virtues of what you'd look for in a man, you know, in the traditional sense of a good man. You know, one that's honest, true, loyal, noble, keeps his word, stuff like that. And the caring between the three men on that show was, you know, there was an honest, sort of uncovered connection that is possible between men that we don't talk about a lot.
43:49You know, a lot of villainizing about being, you know, toxic masculinity, I don't know. I don't know if that's even a thing. I mean, because the men I know are good people, and the women I know are good people. So, you know, we're always bound to have some difficulties, But this blaming each other for toxicity is just a little bit weird. What do you think you learned from your grandpa growing up? Gordon was a good man. He was a good man. He was a man of service, the same kind of thing. He was a military guy, reluctantly a military guy. I mean, he was a retired colonel, but I mean, he served in World War II.
44:25He was in Guadalcanal for more than a couple of years. and he put his money where his mouth was. And he was fair and honest with people and believed that he should be. He thought that lying was not a good path. But I think in some ways he thought you didn't always have to tell people the bold-faced truth about things or what you felt about them personally. It wasn't necessary. You do as little damage as you can. And Gordon told me one great expression. It took me years to decipher. When I was 11, we were taking a walk. I was going through some hard times at this fifth grade school that I was in.
45:05And he said, Kels, if you see a bug, step on it or walk around it. Boy, what the hell does that mean? Yeah. And then through the years, I started to understand that you will run into situations that bug you, or a person that bugs you, that can get on your nerves. and dealing with it rarely means needing to step on it, you know, or cut it somehow, or really, really confront it. Most of the time you can just walk around it. So very few bugs really rate your attention and the ones that do, you just get over with quick. As you mentioned, he passed away when you were 12 years old of cancer. I think unbeknownst to you, it's been all over his body.
45:59And even if it's untrue, you had the realization at the time that you would always be alone. Why did you feel that way then? That was, the boy, Kelsey, you know, talking about myself in the third person.
46:19I hadn't really let the impact of losing him touch me. for about six weeks. And then that one night, I just sensed that I was always going to be alone, that people would always leave, that it wasn't going to be an easy thing, life. And that was a remarkably desolate moment in my life. Sad, sort of abandoned. And it energized me in a strange way to think that at the end of that particular realization that I would be okay anyway, that I was going to survive. But yeah, that was a hard night. That's the first time I cried over my granddad. What do you remember from the three weeks you spent with your dad in St.
47:12Thomas after the granddad? Oh, playing the drums. I played the drums with his band. My dad was a music teacher who had been in the... He played the bugle in the army. I'm told he played taps at Arlington. But he had this band with four or five other guys. And the night that I went to listen to band practice, the drummer was not there. So he asked me to do the drums for 12 bells at midnight. So I was counting and I knew enough about measures and music so I could count it out. And after I hit the 12th one, he said, you're the first guy that ever did that, right? So that was a big thing. We woke up one night in the middle of the night and he threw together some tacos out of the fridge.
48:00And that was a great moment. We just sat and ate together. He asked me to edit his magazine. He also published a magazine, asked me to proofread a few of the articles when I was there. And this controversial magazine too. Yeah, he was a controversial guy. He called things as he saw them. My grandmother used to tell the story of the day I was born, she flew down. And she said from the airport to the hospital, he got in three fist fights. He was sort of a bigger than life guy. We flew into Puerto Rico. And the stewardess took us to a little holding near the luggage place. And they said, who's picking you up?
48:45You know, your kids. You can't just be released into San Juan. So I said, well, he looks like Blackbeard the Pirate. That's all I really knew. It had been years since you saw him. I had no recollection of him. And my mom said he looks like Blackbeard the Pirate. So I quoted that. And they sort of laughed. And then down at the end of this hangar, I mean, at the end of the airport, which looked like an old hangar, I don't know what it is now, there's this giant guy standing there with a big black beard. And he weighed about 350 at the time. And I thought, holy crap, that's my dad. He's right there.
49:28And I said, I think it's him. And they all turned and sort of giggled. He looked just like Blackbeard the Pirate. So he used to play it in the carnival every year on the island. And you've been very open about this. He was murdered. Yeah. Why was it not till you turned the age that he passed that it really something for you? I had a pretty tempestuous relationship at the time. And on one particular night, things got pretty dramatic. And so I'm not going to say anything else about it, except that a certain event took place on that particular night with this particular woman in my life that made me think, holy crap, my dad was so young when he died, because I was 38.
50:14And that was the first time it hit me how young he was to have died at that age. Because to me, it was such a sort of a distant memory. I was 14, and 38 seemed like a lot then to me at that time. But in getting to that space, I suddenly thought, you know, what a loss for him. You know, I mean, the people that have died in my life, you know, there have been a few. It always seems to me like it's their tragedy, you know, and it's not really mine. It's that loss of what he might have done with his own life, of what possibly the relationship we could have had. But that really wasn't what it was about.
50:54It was about this poor young man that was taken before his time. Your sister similarly murdered. You said it took kind of 20 years for you to overcome or get to a place so it wouldn't hurt you anymore. How so? Hey, Chicago. Class it up with Crocs. You know back to school is coming in fast. So why wait to find your new fave footwear? Step into a local Crocs store and step into your new look. Try it. Style it. Make it yours. Because the right pair doesn't just show up. It shows off. First day fits, handled. Walk out ready for whatever's next. Visit your nearest Croc store today. This message is brought to you by Apple Card.
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52:16What happens when you're grieving and you don't really have any place to put it is you tend to take it out on yourself. And so I did that a bit. You know, I drank excessively, and I got sort of wrapped up in cocaine for a while and didn't forgive myself. I wondered what it came down to. And finally, I had sort of an epiphany of thinking, you know, you're carrying this as though you had something to do with it, and you got to let that go. And I think it's a natural inclination. I think it's certainly a big brother, always wants to protect his sister. You know, and that's just what we're trained to do, you know.
52:57That's what we're supposed to do. That's what I always did for her when we were kids. So losing her in that way was really damning to me. And I responded in any number of ways for a while. I mean, I used to walk the streets of Manhattan just hoping somebody would, like, try to do something. In dangerous parts of the street. Yeah, in dangerous parts of the town. And what was weird was, you know, I'd be approaching a situation of a few guys standing around a corner somewhere or something in the middle of the night and think, here's a chance, you know. And they all usually just steered clear. And here's a chance for what?
53:36You know, maybe just I was going to be able to take something out on somebody or let some of these guys jump me or something. You know, I was not in a good way at that time. But I think in a weird way, everybody kind of sensed it and thought, he's not worth it. So, you know, so maybe I was just being protected, you know. But then that turned into, suddenly I had great success, things like that. And it just was an irony for me that she was gone and taken in such a horrible way and that I was alive. So I blamed myself for a long time. And then finally somebody said to me that usually the reason for addiction and things of that nature, in a profound way, is an unresolved grief.
54:21I think there's a lot of truth to that statement. If you can just forgive yourself for whatever it is you're in, you don't actually need to carry all that crap anymore. So for me, it really helped me out. How did you get to the place where you were able to do it? You know, when it turned off, it just turned off. It was just, phew. And you know, it doesn't mean now that I don't recollect Karen and even my dad and not still have a profound sense of grief. and even cry still, but that part of it has been, the charge has been removed from it. And you were there when your grandma told your mom what happened?
55:00Yeah. How did you help your mom in getting through it? It was hard. You know, helping my mom was tough. I think she, I'd never seen anybody move around a room that way when she heard her daughter was gone. And I think my mom was a truly brave, wonderful, persevering example. She just kept it together and got through it, but always mourned the loss of her daughter, her little girl. The boys that did it were 16, 17, 19 years old. 18, 19, 20. They were in the Army, honestly. But, you know, one guy was pretty creepy. He just died, actually. Was you going to say one's dead and another's up for parole in 2021?
55:48The last of them is alive. How do you view them? As people who should stay in jail. You know, they were given the death penalty, actually. But then in the, I guess in the 80s, was it? or maybe it was in the late 70s, the Supreme Court overturned all death sentences in America and commuted them basically to have all the states re-examine their death penalty policy, right? I mean, I don't know exactly what the legal language is that best describes it, but so they were commuted to life sentences, all of them. And then because they fell into that little niche, it gave them the right to go up for parole all the time.
56:42So they've been, since Colorado has altered its law, they say life means life. If you're in jail for life, you're in jail for life. There's no parole. And that certainly would have been easier on me. But the last decade has been spent going back to Colorado Springs to ask the parole board to keep them in jail. What do you have to do? Basically write a statement, show up, you know, speak to them, about them. The last of them is the guy that was pretty instrumental in killing my sister. And I just, you know, there's a part of me that wants to be as kind to every human being as I possibly can. and uh but the notion of his ever going free just seems absurd you know they didn't kill just one person they did it to several and uh we don't have that right i mean except in wartime maybe but you know that's still you know that's that still usually haunts people with conscience anyway if they had accepted responsibility and admitted wrongdoing to what extent do you think that would have changed your view?
57:52I think now they probably have, but it's just... I mean, for the longest time... Yeah, no, it didn't really. Yeah, no.
58:03It's to their credit, but still, you know, I didn't get a chance to meet my nieces and nephews, did I? I didn't get to see her grow up. How do you view therapy? Through a jaundiced eye. That's the best I can say. I think therapy's fine to a point. I think good therapy, you should get over it. You know, so you get through it and say, somebody should finally say, yeah, I think we've done enough here. You're welcome to go back into the world and move on. You know, get on with your life. You know, in the old days, you know, you'd talk to an English person and say, therapy? Therapist? Isn't that what friends are for?
58:47You know, and you'd think, yeah, you're probably right. Yeah, you've got to have people who can touch stones in your life where you can talk things through. I certainly did do some therapy in time, and I think it was helpful to a point. How's it helpful? Well, you know how you just sit and talk with a neutral party? You're not going to get in trouble for what you say, hopefully. But I think it's nice to have that outlet for ideas. But once you learn through a certain series of coping mechanisms or whatever, how to reflect on things and not take it always so personally, that's certainly a skill you should be able to master yourself.
59:28you know. So just talking about like personality, for a long time you said you felt like you were always letting people down. Why? From time to time what happens in a relationship with people is they start to have expectations of you that maybe are unrealistic. And I know that I've spent time in relationships where I thought, why am I not good enough? Why is this not working out so well? Why am I suddenly being told I didn't do my job today? That sort of thing has happened to me in the past. And when I realized that I probably was okay, and maybe the issue was that they didn't want me to be okay.
1:00:16I'm not really sure. And even dating back to when you were growing up. When I was growing up, I actually thought that I was letting people down. I thought I just wasn't quite good enough. I didn't quite hit the mark a lot of the time. And maybe that was just out of a feeling that I had to be perfect. You know, maybe we all have that a little bit. I was letting myself down sometimes. I started to develop certain sort of small goals. I used to tell some of my friends, I'd say, well, you know, set a goal for yourself that's realistic that day and do it. You know, make sure you get that one done. because then you won't have a sort of a tradition of feeling like, oh, I didn't do this today, I didn't do that today.
1:00:58You know, make them small. I'm going to plant a window box today. So make sure you do it. You know, simple things. And I think that helps you kind of get a sense of self-respect. And if something wasn't your fault, you said you had a way of making it your fault? Making it my fault, yeah, right. sort of engineering some sort of a bizarre way into thinking somehow I'm responsible for that. Yeah, no, those are the problems of a man that I am no longer that man. It took a while, though, to figure that out? Yeah, I'd be able to filter that out. It doesn't feel particularly significant anymore. I think maybe that was coming out of a place where maybe the period that I've expressed that was more rich with that particular emotion because of what was going on around me.
1:01:55And that's over now. You said you were attracted to threshold experiences, insanity, chaos, chaos, man. Oh, I'm still attracted to that. I mean, you know, I think I find people fascinating who are in that, you know, state because that state's an ecstatic state. And one that's, you know, even if it's perilous or bad for somebody, it's still attractive in a weird way. So, yeah, sometimes I found people who were in sort of crisis more attractive than I would someone who was, you know, doing okay. Tell about the... I'm shocked that you were open about the tattoo that you got. For Kate. Oh, oh, oh, no.
1:02:33Well, that's just... She said, uh... This is something we actually have. We both joke about it. Just one time we were sitting there and she said, would you ever put my name on your body like this tattoo? I said, yeah, sure. Why not? So we both said it should be out of sight so it's somewhere near my, you know. It's crossed our minds. It'd be funny to sort of say if I happen to be cheating, someone would say, you know, oh, property of. But also, or it could be with compliments. You're a hostess this evening.
1:03:10Courtesy of Kate. All right, so married four times. What do you think you learned from past relationships that helped you as you've grown as a person? In terms of the... I like to think of that married three times, basically, was once, because that was the same person in different bodies. There was a pattern that I fell into where people did somehow I thought I could help their life be better, you know, help them come to another place somehow. And then I realized it wasn't my business. And when I finally stopped doing that, and realized that, you know, people had to just love me for who I was and maybe be a partner and maybe, you know, even like me, you know, this was, that's where some of that other stuff came in.
1:04:00What was that person that you were attracted to? I think some of it had to do with always picking people that you could never satisfy. Maybe that's some of what I was talking about before. In terms of Kate's the most mature person I've ever been with. She happens to be younger than anybody else I've ever been with in terms of a fully committed relationship. But the others were part of the step. But there were three women that were very similar. And the issue was the same issue. And I like to think. And abusive too, right? Well, one certainly, very abusive. But I like to think of the lesson being, I finally realized that wasn't what I wanted.
1:04:49You know, it just took me three times to figure it out. Why, when you were in the abuse, did you tolerate it? That's an interesting question. And this is like... Those people who are abused, I was physically abused in my second marriage. Black eyes, glass broken on you, gun fired at you, life threatened. Crazy stuff.
1:05:14Once it happens, this is apparently some sort of, this is kind of a syndrome, I guess, or something that's identifiable with people who've been abused. You just kind of assume it's your fault and that you accept it and that you'll be able to fix it next time. And you just can't. It takes a while to figure that out, though. It takes a while to say, this is not my fault. I'm not responsible for this behavior. That person's responsible for it, and I got to get out of here. It takes a while. And not speaking to any relationships specifically, but when was a point for you that it just clicked that, you know, this is not for me?
1:05:52I've had some good days on this. My previous marriage, and, you know, honestly, I don't really talk about her very much because so much of her life is spent talking about me. I just think it's sort of pathetic. But I will acknowledge one day after I'd had my heart attack. A month after I had a heart attack, my mother died. And it's 12 years ago now. And the day of my mother's funeral, my previous, my third wife,
1:06:34basically had an explosion about something. And started to tell me, you know, I'm out of this, I'm out of here. Again, you know, I want a divorce, blah, blah, blah, blah. Which we'd had the same conversation for, you know, eight years. And it was tiresome. And I realized at that moment that I was done with her. that I was not going to end up in this relationship for much longer. And somewhere under a year I was done. Kate, who you love dearly, your current wife, 25 years, you're junior. My junior, yes. 26, actually. 26. What's, just from an age perspective, the biggest difference you've noticed?
1:07:17The only thing that I would notice actually is just maybe a little bit more perspective. But Kate's a wise girl. She's a knowledgeable person. She's self-aware. She's a whole human who was willing to, like, one of my favorite expressions about marriage, to lay her solitude beside my own. And so we are two individuals who have become a third identity. We've assumed another identity together, which is us together. And that's a very cool thing. And she's a complete human being. And beautiful in all the classic ways, but also humorous, funny, challenging. She's got a really good brain and is quite comfortable using it.
1:08:12And she just has a great way of looking at the world. I mean, she's so entertaining and so fun with the children as well. She loves those kids and loves our family. I mean, when we were together, you know, when we first got together, she said to me, there was just suddenly a moment where she thought, oh my God, I want to have kids with you. And she said it sort of surprised her, but she said her grandmother had told her years before that she said, you'll know the man you want to marry when you realize you want to have children with him. And I thought, oh, wow. So that was really cool. And I'd had visions of more children in my life anyway.
1:08:54And other than that, other than the fact that I don't run as fast as I used to, I don't feel any age difference between us. There's the sort of empirical, oh yeah, this number is this number, that number is that number, that you just can't ignore sometimes. and there's a certain kind of inevitability about the fact that, well, this one means this, and there are certain circumstances or consequences of us being together that we'll have to face at some point. But as it stands now, I feel like we are equals and really well-matched. How many kids do you have? We have three. I have seven. But we're talking about a couple more.
1:09:47Really? Yeah, yeah. And I love kids. That is a whole lot of kids. That's a good chunk of kids. Why more?
1:10:01Because it's an uplifting experience. It's a joyous experience for me. These new human beings that come into your life. These children that are your charge in many ways, but they're also your tutors. You know, they teach you so much about life, remind you so much about life. The simple beauty of life all the time is evident in watching your children grow up. And so the closer I am to that, the happier I am. How would you describe what you think you're like as a father? I think I'm a good father. I think I'm fair and sometimes a little scary. And how are you scared? I think you need to be able to have the voice that stops a child in its tracks.
1:10:44If you have a kid that's running out in the street, you hope that you've established in them something that says, oh, that's the voice, I better just stop. There it is. There are consequences to that that might be not good. So somebody has to administer justice in the household. There has to be a hierarchy and an understanding, and you try to be good to your kids and explain things. But there are some things that you just need to point to and say, look, this is a bad idea. And take my word for it. That goes pretty well. How do you think your upbringing impacted you as a father? Well, like I said, I had no examples of fatherhood, except I did have Gordon to a point.
1:11:31And so up to there, I was pretty good, you know, telling the truth, try to be decent to all people. Those are good things, to be respectful of all people. And to be a gentleman, you know, as a man, and be a young lady. I mean, I think those are still terms that can be applied in our society. And an expectation of good behavior. It's like how to be decent to people. You know, allow everybody their space. And as Emerson said, you know, say their name with all the honors any king or queen would ever be given. you know just to be respectful of people and then to find them i find all people fascinating and interesting and deserving of that kind of attention and then uh you know there are certain corners you shouldn't stop on there are certain people that will prove to you that you know you've gotten as much from them as you can in a short span of time and you do not need to stay there you mentioned your your first child now in her 30s right um how do you think you've evolved as it a dad from when you first had a kid to today.
1:12:39It's funny, I think I was a pretty good dad to her. I mean, she was the first that, Spencer, my daughter Spencer, she was the first one, right? So I guess I cut my teeth on her a little bit. But I was always, I was with her all the time when she was younger. When I had my second wife, we spent a little more time apart, and I'm not sure that that was helpful. You know, you come back around. You have enough time, you know. You get to restore all the sense of love and intimacy that can be there between a father and a daughter, especially. And I think that's all there now. You know, we had some tough times.
1:13:25May 31st, 2008, the heart attack. Right. Take me through what happened from the moment you first started feeling bad. Well, this is kind of an athletic story.
1:13:40I was to stand up paddling that day. We did a couple of miles. Went down to a little beach just south of where there was a home that I owned.
1:13:53And they did this thing as well. You go pick up a big rock off the bottom of the sea floor and walk with it for a while underwater, hold your breath. So I did that about five or six times. And then we got back on the boards and paddled back up. And that's when I felt a little dizzy and stepped onto the beach and thought, well, I'd better just sit down. Then I threw up. And I thought, well, that's a little funny. And I said, well, let's go and get some food. So that's when I stood up, and that's when I felt the crushing pressure in my chest. And what are you thinking at the time? Well, I started thinking, I guess maybe that's a heart attack.
1:14:34And so I sat down, I tried to breathe deeply, and it felt really, really painful. And at that point, that's when I started to shout apologies to my ex-wife about how sorry I was that I'd sort of just been this awful husband. But that's kind of what she made me believe.
1:14:56I waited for an hour and a half before the emergency guys got there. It was too bad. because it's Hawaii, the big island of Hawaii, and getting an ambulance there is tough. I think maybe they've gotten a helicopter by now for such situations. So a lot of, not a, some damage was done to my heart during that time. Finally, they gave me, when I finally got to the emergency room, they gave me what they call the clot buster. And that was one of the interesting experiences. They said, well, you've got some sort of clot. Something's obstructing the flow of blood through your heart. And they said, there are side effects.
1:15:35And I said, what are those? And she said, well, death. I said, OK, thank you. Go, do it. And so they did it. And then they pop you, and then they bring you back. And so I was breathing on my own after the second pop. And everything sort of back on track. When was the point in which you weren't present anymore? It was very brief. There was a brief moment when I said, just before the shot, I sort of said to the gods that be or whatever, or the lesser angels, whatever. I said, don't show me anything. I don't want to see a thing. I'm not interested in any tunnels or any light. I have things I have to do here still.
1:16:21And I'll digress for a second. I'd gotten to the point in my marriage at that time, the unhappiness was so profound that I actually I started to think the only way I can solve this for them is to not be here. Really? Yeah. And so I started to believe that the best course for my life was to not be alive and that they'd be happier. Why would you feel that? Ah, just, you know, look, some people get you to a certain place. That's all I'll say about it. So in that moment when I said, okay, I take it all back is what I was basically saying to the little angels. I was saying, I didn't really mean it.
1:16:54You know what? I know there's something else to live for. and I want to get to that. But it wasn't until that moment that you really had that revelation? I made a profound plea for another shot at this. Yeah, right. And I guess they heard me. They said OK. How much damage ended up getting done to your heart? Well, you know what? I think I've reversed a lot of it by now because I've been working out pretty hard ever since then. And I've done some things that enhance your blood flow. And I feel pretty strong. Post-Fraser, we were taping an episode with Jon Hamm not too long ago of Mad Men fame, and I asked him, how do you recapture the high of being TV's leading man?
1:17:39And he laughed and he's like, you don't. How similar an experience was that transition for you? Yeah. Well, Fraser was a giant accomplishment, honestly. Actors get wary about successful characters because then they kind of take away your right to play other ones. But that hasn't been the case with me. I mean, there's a bit of a... You know, he's still sort of there in my life always, Frasier. I mean, because he's a great character. So I'm remembered for him. But recently, I've been playing a lot of different roles and I'm having a really great time at it. And that's what I always wanted to be, was just an actor that played different characters.
1:18:26So that's happened. And I got a couple of indelible ones. You know, another indelible character was Boss, basically, Tom Kane. Sure. That went really well. And although it didn't, you know, have the full life that I'd hoped it would, it was a very successful performance for me. And there's some other ones coming up. I've done a couple of films lately that I think are going to be. Hey, Chicago, class it up with Crocs. You know back to school is coming in fast. So why wait to find your new fave footwear? Step into a local Croc store and step into your new look. Try it. Style it. Make it yours. Because the right pair doesn't just show up.
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1:19:51Pretty good experiences for people in the theater, and you know, so I'm happy. How did the level of satisfaction that you got from the roles and parts post-Fraser compared to maybe what you would have been expecting? Right. Fraser was so good. You know, it was just, it was a great performance and great writing and all the things you needed to have it become great. I've experienced that since. and so I haven't been cursed by it, you know, in a weird way. I'm trying to get to the heart of your question. Yeah, and I was going to say that's, I wasn't implying or asking that in a negative way by any means.
1:20:36I guess I just wonder, you know, you go from playing for one part for so long. Right. My guess is there's some level of preconceived notion of what it's like to then all of a sudden have the flexibility to play all of these different roles. Oh, yeah, yeah, that's true. Does the satisfaction kind of compare to what you would have been expecting going into it? The satisfaction is the same. Yeah, the satisfaction is great. It's been great. It's just like when the first time you do it, the very first time I did a role where I went, wow, that felt like truth. And that's what we get off on, I think.
1:21:12You get to sort of touch human truth through a performance. Somebody describes great art as a true lie. It's a very simple set of words, a true lie. That's exactly what it is. I mean, we're not telling the truth, but we are conveying truth with a mask. And it's a great way to make a living. The Simpsons, the voice of Sideshow Bob. Well, there's a great truth in Sideshow Bob. What does that entail? Sideshow Bob is a character based upon a person I knew. His name was Ellis Rabb. And I've said this before in many, many instances, but Ellis was a colorful, flamboyant man that I knew that I did some work for years before, and he would say the most wonderful things.
1:22:02Ooh, Kelsey, you know, things like that. But today I am, you know, and I thought, God, this guy, I got to use him somewhere. And the occasion arose with Sideshow Bob. So Sideshow Bob is Ellis Rabb, my version of Ellis Rabb. And an honorific version. I mean, I loved him. I thought he was a wonderful guy. And the most famous thing he ever said to me, and I've said, I've told this story before, he said, Kelsey, that baby should have been mine. And I've always thought, wow, that is the greatest thing. So years later, I was auditioning girls, young women, for the daughter and boss. And a girl came and sat and was reading for us.
1:22:49And she looked up and said, I am that baby. And that was wonderful. How did The Simpsons come of that? Sam Simon had been a writer on Cheers. And then he took off and started doing the Tracy Ullman Show. And then within that, they came up with Matt Groening, the little itchy and scratchy thing. And then it turned into sort of the Simpsons character, the part and everything. And he called me like in the second season of The Simpsons and said, I used to sing a lot on the set of Cheers. I used to always sing, oh, the good life. And he asked me if I was still doing that. And I said, yeah, yeah. And he says, can you sing a Cole Porter song?
1:23:36And I said, of course I can. And so I said, well, we've got this character, Sideswood Bob, loves Cole Porter, who has never spoken a word. And we finally thought he should speak. He's Crusty the Crown's sidekick. And we want you to do it. So I said, yeah, come in. And that's when I thought, oh, it's Ellis. and did my Ellis Rab impression and sang, what is it? Every time we say goodbye, I cry a little. Every time we say goodbye, I wonder why a little. A wonderful song. And Sideshow was born. You have a best memory from there over the years? Well, you know what? They always come up with really quirky, wonderful stuff to get to do.
1:24:27I mean, I just did another one in London I was doing Man of La Mancha on an afternoon for a Christmas show. I don't know if it would be this Christmas or next Christmas. You never know. It used to be almost a year ahead in terms of what you'd record and what you'd finally see on the air. I'm guessing that that window is closed considerably or reduced considerably. But so the time in turning it over is maybe reduced to what might be this Christmas. And it was funny. They think of funny things. The last one, when he was working for Monsanto, I thought that was really funny. He's sort of doing, like, GMO, you know.
1:25:09It's, they're a funny bunch. The Frasier reboot. Yes. The new Frasier. The new Frasier. What's the plan for that? Well, we're in the midst of talking about, we've got it hatched. We've hatched the plan, what we think is the right way to go. We're sort of on standby a little bit, working out on a couple of possible network deals that we're circling. Okay. And Frazier is sort of in a second position to that at this point. So, you know, there's still stuff going on. But a revisit to Frazier and Frazier's world is, I think, definitely going to come. We'll see, you know, how people respond to it. Because it's not going to be the same place.
1:25:55It's not going to be Seattle. It's not going to be the same Frasier. It's going to be the man in his next iteration. And hopefully that'll be something people like watching. But I think it'll be funny. Without revealing too many details, what will it be about? Well, you know, it's still his search for love, for one thing. I think that'll always go on with Frasier. But a connection with his son. When do you think it starts? Spring. Okay. Yeah. When do you think people can... Air time? Probably late summer next year. Late summer next year. I would guess. That's quick. Yeah, I mean, it's ready to go.
1:26:36We just gotta sort of staff it and find somebody who wants to give us money for it. I mean, that's probably not that difficult. Who knows? You never know. The business is funny. It's a funny world. But I think there's a couple of outlets that would actually be interested in revisiting it. You initially said you could not see yourself playing Frasier again. What changed? Part of it was the Roseanne revival. Things that kind of kicked again. And then when they were doing things like when Murphy Brown came back, and I don't know how, and when Will and Grace came back, I said, well, it would be worth it.
1:27:13I've always wanted to be honest. You know, I didn't think Fraser should be in exactly the same place as he was 12 years ago. So we've changed that. What was appealing to you about it? Just the idea that there might be another act in his life, because certainly his life is. People used to ask, could you have done it for more time? And they'd say, well, yeah, because life is always surprising. People go on, yeah, you get up the next day and it's a different life, isn't it? And so I thought you could always tell stories about that. We just ended it because that's where, oh, contracts were up and 11 seasons seemed like the right kind of amount of time for it to be on the air.
1:28:00And so we ended it on a high and what we thought was, you know, a good story point to end on and a hopeful stepping-off place. All those things were enough to propel him into a new kind of life. And so this new idea would be based upon the fact that he was still, you know, alive and still trying things and still embarked on an adventure. I mean, I think that ideally that would be how it would work out. On that note, I really appreciate you having us here. This has been a treat. Sorry for all the questions, but thank you for being so often with your story. This has been great. Thanks, man. Thanks.
1:28:39Thanks for listening to my chat with Kelsey Grammer. To catch more of our interview, including a tour of his 500-acre property and his brewing facility, visit youtube.com slash Graham Bensinger. And as always, we appreciate when you rate and review the show. Thanks again for listening.
1:29:00Close your eyes, exhale, feel your body relax, and let go of whatever you're carrying today. Well, I'm letting go of the worry that I wouldn't get my new contacts in time for this class. I got them delivered free from 1-800-CONTACTS. Oh my gosh, they're so fast. And breathe. Oh, sorry. I almost couldn't breathe when I saw the discount they gave me on my first order. Oh, sorry. Namaste. Visit 1-800-CONTACTS.com today to save on your first order. 1-800-CONTACTS. Ouch. This knee is killing me. But I can't stop training. The marathon is in two weeks. Let's get on ZocDoc and find a doctor to take a look at that for you.
1:29:40Okay. Here's a review. Dr. Crowder really takes his time. No, I don't have time. What about Dr. Charles? His patients say he can help find a quick fix, and he's in network. Great, now we're talking. Book it. Booked. One mile down, 19 to go. Bring it on. You've got options. Download the ZocDoc app today.
From the publisher
Award-winning actor Kelsey Grammer, best known for his roles in Cheers and Frasier, tells Graham about the reboot of his popular character. Grammer talks family, the importance of his on-screen father-figure, coping with the murder and loss of his real-life father and sister, and his four marriages, including the abuse he suffered before finding happiness with his current wife.




