Best of Season Three: Part 1

12 Aug 2024 · 48 min

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Podcast Notes: Ruthie's Table 4 - Best of Season Three: Part 1

Podcast Overview Title: Ruthie's Table 4 Description: A culinary and conversational journey hosted by Ruthie Rogers at The River Café in London, featuring an array of guests from diverse backgrounds discussing their food memories and connections to food.

Episode Summary This episode serves as a compilation of highlights from Season 3, featuring excerpts from notable guests such as Sarah Jessica Parker, Guy Ritchie, Wyclef Jean, Carey Mulligan, and Tom Hollander. The discussions revolve around their personal food memories, experiences, and the role of food in their lives.

Key Guests and Themes

Sarah Jessica Parker

  • Experience at The River Café:
  • Shares her admiration for the restaurant's busy and vibrant kitchen atmosphere.
  • Reflects on her family visits and the joy of sharing food with loved ones.
  • Food and Relationships:
  • Discusses how “Sex and the City” intertwined conversations with food, emphasizing food's role in social interactions and relationships.
  • Family Dynamics:
  • Talks about her parenting approach to food, allowing her daughters to have a healthy relationship with it without restrictions.

Guy Ritchie

  • Childhood Food Memories:
  • Describes growing up in a food-loving household, enjoying meals like watercress soup and baked eggs.
  • Family Mealtime:
  • Discusses the importance of family dinners and how they fostered connections.
  • Education Experience:
  • Shares his struggles with dyslexia and how it shaped his educational journey.

Wyclef Jean

  • Cultural Heritage:
  • Recalls childhood memories in Haiti, especially the significance of food during gatherings (e.g., “Lucky Sunday” meals).
  • Connection to Music:
  • Highlights how music and food were intertwined during his upbringing.
  • Immigration Experience:
  • Discusses family immigration stories and the emotional impact of reunions.

Carey Mulligan

  • Unique Upbringing:
  • Reflects on growing up in hotels due to her father’s job as a hotel manager, providing a unique perspective on transient living.
  • Family Cooking:
  • Shares memories of birthday celebrations involving elaborate cakes made by pastry chefs.
  • Culinary Experiences:
  • Discusses her experiences with various cuisines, including meat-based dishes from Germany.

Tom Hollander

  • Role as Truman Capote:
  • Discusses his role in the series "Feud" and how Capote's relationship with food and society reflects deeper themes of celebrity and self-control.
  • Personal Reflections:
  • Shares his own struggles with eating and body image within the film industry.

General Themes

  • Food as Memory:
  • The guests reminisce about their formative experiences with food, showcasing how it serves as a bridge connecting past and present.
  • Cultural Identity:
  • The discussions highlight how food plays a vital role in cultural identity, heritage, and personal expression.
  • Food and Community:
  • Emphasizes the communal aspects of sharing meals and the emotional connections tied to culinary experiences.

Conclusion The episode encapsulates the rich tapestry of memories and emotions tied to food, illustrating its profound impact on personal identity and relationships. Each guest offers insight into how their culinary experiences have shaped their lives and careers, providing listeners with thoughtful reflections on the significance of food in various contexts.

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For more information about the podcast and its guests, visit [The River Café](https://rivercafe.co.uk/) or catch episodes on major streaming platforms.

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Transcript

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0:00This is an iHeart Podcast.

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0:48That's why over 200 ,000 happy customers have made the switch. Upgrade your space today. Visit washablesofas.com now and bring home a sofa made for life. That's washablesofas.com. Offers are subject to change, and certain restrictions may apply. You are listening to Ruthie's Table 4 in partnership with Montclair. When people talk about food, they talk about memories, the meals of their childhood, unforgettable parties they went to, comfort eating, and the grandmother's kitchen. 44 guests have joined me at Table 4 this season, chefs, actors, tennis champions, football heroes. as part of the podcast many have cooked with our chefs in the River Cafe kitchen.

1:31As the season comes to a close, we're sharing some of these conversations with you. In this episode, Wycliffe Sean, Carrie Mulligan, Tom Hollander, and Guy Ritchie. Let's begin with Sarah Jessica Parker, who brought her family to the River Cafe, learned how to make punterrel in the kitchen, and joined me for a lunchtime event with an invited audience. Thank you, Ritchie. Thank you. So, here we are. Did you ever work in a restaurant? No, but I say this knowing how hard it is. I think I would really love to be a server. Mm-hmm. Like, I really think that I know how hard it is. You're a bit worried about this summer.

2:11Yeah, she is. Higher. But you were really admiring your servers today because I said to the girls, I was like, I'm not sure that I've seen servers move this fast in a long time. because Sunday is a very busy day for you guys, right? Like, especially so. Well, that day was a really busy day. And I was saying to somebody, and I said, you know, I don't get to come to the River Cafe very often. I don't live in London. And to myself, to Matthew, it's like a very, it's like a special thing. It's like something you earn or maybe you work toward or you pine about and then you visit it and you're not sure if you made it all up.

2:50Like, is it possible that you joined a sort of cult, like a kind of thinking about it? Can it be? And then you come here, my hand to go, it is. And the kitchen really is, it's extraordinary to watch. It is like a pinball machine, but it's like, there's such precision about it. And I love watching the chefs talk to each other quickly in passing or actually come together to speak. I don't know. It's amazing and it's glorious. We were thrilled to be here, really. We were thrilled to have you. When we first did the completely open kitchen, you will remember after the fire, Richard Eyre, who's the director of the theater, came in and I said, Richard, isn't this just like theater, watching everyone around?

3:39And he said, actually, Ruthie, it isn't. It's like ballet. And he said, because watching people, everybody, you can't shout in an open kitchen. I mean, sometimes raise your voice. But basically you're moving around to speak to people about if you need to. Usually there's a kind of communication. And this time I had the ravioli with the spinach and the ricotta and those tiny gorgeous porcini mushrooms that are like a surprise. They don't talk about that as much. And we ordered two. And I was like, my daughter said, do you think we can order another one? And Jane Sulkie said, can we order another one?

4:15which just seems so, like, gluttonous and decadent and greedy. And then I was like, you know what? Yes, and if anybody says anything, I'll just say, we'll take it. Like, I'm sorry that we're being so, like, animals about this, but it's good to think of it as this kind of once-in-a-lifetime. It's just incredible. One of the things I think that we all, probably everyone in this room would think about was that in Sex and the City and the way you talk about food, the joy. So many conversations were over food and it was the pleasure of food. It was enjoying food as a way of communicating and being together, which we all feel here.

5:02The restaurant is a place where you share food. You're sitting down at the table or at home with your children. Yeah. And so how is that working in Sex and the City and doing, was that from you? I always loved food scenes. I think it was initially in place, I think, probably from either Candace's original source material or Darren Starr wrote that first coffee shop scene, which I think was just a great meeting place to sort of talk about the themes of each episode, like get the headline out. And then each person, those kind of archetypal characters would share points of view. So we knew where everybody stood and it allowed for controversial conversation or titillating conversation.

5:49But I will say this, that Cynthia Nixon, who is a dear friend of mine, and we've been working together since we were little girls. We've known each other since we were 11 or 10. Where did you meet? She was a child actor also, and we would always audition together. She often got the part. But we played siblings when I was very young. We played sisters on records. They used to do records of stories. And we played Laura and Mary Ingalls. And then we played siblings of, we played children of Vanessa Redgrave in a movie. But Cynthia and I in those coffee shop scenes, we always eat. Yeah. We always eat, and we always need to, like, re-prop our plate.

6:35And then when we finally wrap, they always said to Cynthia, me and Cynthia, do you guys want to take it to go again today? And we're like, yes, we do. So we really like those scenes, and we very much go back and forth about, they'll send the menu in advance now, now that we all have the phones and things, because they want you to order in advance for props to have everything ready and multiples of it. So we'll go back and forth. What did you order? Are you going to order? I'll order that so you order that and we can share. So the food is, the lines are blurred. It's kind of a joy of food, though, wasn't it?

7:11Yes, absolutely. It was a way of women eating. Yes. It was something that we are all thinking about, how we combine food. And I think it's changed. You find that your daughters are different now in terms of their attitude. Yeah, I mean, I never was very disciplined about it. I just wasn't. I think I'm not really good at denying myself something. And I think also I was a dancer for so long and running around, so I was able to be that way. It's certainly not the same now. But I also just, when I had girls, I just was so, I didn't want them to have a relationship with food that was antagonistic or they felt like this was their enemy and that they were going to have to sort of like stake out a position with food.

8:05So when I was growing up, we weren't allowed sugar in the house and we were allowed cookies and we weren't allowed chocolate. And of course, all we did the minute we moved out was buy Entenmann's cakes and cookies. And, you know, and I didn't want that. So in our house, we have cookies, we have cake, we have everything. And I think as a result, you kind of have a healthier relationship. And my daughters will have the figures they have, and hopefully they'll be healthy. And they're athletes and they enjoy food and they have different palates. And you can't make someone like something they don't like or want.

8:36And I hope that they can maintain their affection for the experience and their delight in taste and find their own ways to have that be healthy for them. And your son. He's absolutely mad for food. It was fantastic to meet. All three of them were just, you know, involved in the food and talking about the food and asking questions about food on Sunday. Who knows? Matthew Cook? Matthew Cook's, we both cook every single day. Every day? Every single day. Every day. We probably eat dinner as a family every night. If I'm shooting or he's doing a play, obviously that shifts around. We always have dinner Sunday night.

9:24But one of us, if we're home, cooks every single day. The film director, Guy Ritchie, loves food and he loves wine and has his own unique way of doing things. When he came to the River Cafe, he didn't go into the kitchen. He set up his own outdoor kitchen in the garden and cooked a steak for our chefs. But that's not the only reason I like Guy. He's a childhood friend of my stepson Abe, and I've known him for decades. We began this conversation talking about his early food memories growing up with his family in London. when we moved in it was an old-fashioned in theory it wasn't a sort of cottony community but it was an old-fashioned english community there so this is in 60 they bought that house in 69 in philom yeah and they were like foodies yeah and boozies yeah then which is quite early doors so you grew up with in a house that loved food and then my mom was very good cook what did she cook my favorite was watercress soup oh really yeah it was quite exotic yeah it's very robert carrier isn't it i have no idea but she was a very good cook i used to like baked eggs and uh watercress soup yeah and would you sit down to dinner like most nights as a fact who's in your family your brothers and sisters no one sister uh a sister and a mother and so would you sit down to a meal with a kind of family supper i heard something earlier on that um i've not can't remember which generation we are but we are still the sort of the i spoke maybe the last generation that lived more outdoors than we did indoors so i knew all the other kids in the street yeah so you were never indoors you were always out with your mates yeah and we were on bicycles i I remember you used to cycle to quite far afield, and we were on bicycles when we were six.

11:23You went to local school? I went to 13 schools. Did you walk to school? I went to 13 schools. You went to 13, okay. Yeah. How did that happen? Local schools. Dyslexia. Were you moving or no school could cope with educating you? No school could cope. And I sort of picked up the reputation that it was because I was naughty, and it wasn't because I was naughty. It was just I was remarkably slow. Yeah. in understanding what they were trying to translate, and I had no ability to translate it. So, you know, very promiscuous with schools, and I went to about five local schools, and then gradually, I mean, even the one I went to school with Abe, that was subsequently shut down.

12:02Most of the schools I went to were subsequently shut down because they were all learning disability schools. And they didn't know it. Well, they sort of fumbled around as best they could, and I'm sort of grateful for their efforts, but there was only one person I met that was more dyslexic than me, and that was Abe. I've been to my kids' schools, you know, whether it was Abe or it was my children. And I remember saying the only, I don't care if they learn to read when they're 8 or 6 or 10 or 12 or 14, what you never want your child to do is to feel stupid. Because I said those are the people that come into the River Cafe and they always come in and they say, I don't want to sit here, I don't want that, I don't want this.

12:42And I almost want to say, did you have a hard time in school? you know because it takes i'm going to challenge you okay challenge i'm going to challenge you that i from the the best roses come from the worst manure okay so i think a certain amount of adversity is rather essential and i don't think it did me much harm being told i was you were never told you're stupid it was implicit feel that you were well you were clear it was clear that you couldn't follow right and you were clear that kids that weren't that quick were following quicker than you could follow so you could you knew there was an issue i would argue though that that gave me a sort of a myriad of skills that uh otherwise uh i would never have developed and feeling like you're an outsider of some description feeling diminished at some point man in the end i just don't think that did me any harm i agree with you about a lot of that i mean i agree with sort of self-esteem i used to think self-esteem was the most important I think now I think maybe not.

13:45It's a dual thing. There's a paradox in that, isn't there? Yeah, there is. There's a paradox. Okay. Well, going back then, 13 schools. Do you remember any of those 13 schools having good food? Yeah. You'll be surprised what kind of food I can enjoy. Yeah, tell me. Everything. My mum wasn't fussy, and I've never been fussy. The only thing I couldn't eat was rhubarb, and even that I can eat now. And I was quite interested and enjoy industrial quantities of food. It's not necessarily to consume, but there's a sort of it takes on certain qualities. They used to do like school lasagna. When you're cooking for a few hundred kids, it takes on complex characteristics that are impossible to derive if you're using quality product.

14:34So, yeah, I liked school food. Out of 13 schools, which one did you? Did you do something like graduate from a school or did you just leave school? Yeah, just left. How old were you? 15. Right. And it was anticlimactic sort of. I left and then they said, don't bother coming back. Yeah. And did your parents, were they worried about you? Yes. Yeah. Yes. Because I had no qualifications at all. I can barely spell my name. Yeah. But I was, I mean, I was working by the time I was 15. Not far from here, actually. St. Peter's Square in Hammersmith. Yeah, St. Peter's Square, yeah. Yeah, I worked in the Island Records, which I don't know if it's still there.

15:12But I worked as a two-boy in Iron Records. Were you living at home? Did your mum still cook for you? No. I left home early door. So from 15 onwards, I was in and out. And what were you eating? Do you remember? No, is the answer to that. No, because then it was all work. From 15 to now, it's really all been work. Although there's been sort of messy periods along that way, I've been working pretty much since I was 15. And my first love of real food was French. And I was tremendously impressed by the layering. When you call layering, you mean the way that they... I felt as though there was every nuance was investigated.

15:58There was a place on Pimlico Road that was run by those brothers. Yes, do you remember? Yeah. It was next to Le Poule Pot. Yeah, Poule Pot, that's the one I was thinking about. And there was a little supermarket that was next door, a little shop and a little French shop, not much bigger than this room. and when I was a van driver, I used to go in there and it was absurdly expensive, but the quality was mind-blowing. You've run a career off the quality of your ingredients, though, really, haven't you? I always say that about French food and Italian food, that there's nothing I love more than a piece of fish with beurre blanc and spinach on the bottom.

16:35As you say, almost layering the way. But there's something also when you go to Italy and then you have a piece of sea bass and nothing. You know, you just get this bass and maybe, if you're lucky, a bit of salsa verde or lemon. And so if you're going to have only two ingredients, a lemon and a sea bass, or sea bass and a bit of wild oregano, the wild oregano has to be wild, and the sea bass has to be incredibly fresh because there's no masking of it. You're not looking at the hollandaise or the bernese or the other stuff. So I think we are, the River Cafe definitely is very ingredient-based. Yeah, we are.

17:10I went fishing for sea bass this week, actually. Did you? Where? Portland. Anyway, so I caught four very healthy bass. Did you? Well, I actually caught 14. We returned 10 of them. I went fishing with my 10-year-old, who's obsessed. Nice. And English bass is a fantastic bass. It is. We get all our fish off the coast. We don't bring any tuna or anything in. They'll all be line caught, your bass, too. Yeah, line caught. We once had, one of my favorites was we had the, you know, we call it the end of service. So at 11 o 'clock at night, we know how much bass we've sold, how much, you know, turbot we've sold.

17:46And we know that the next day we're going to change the menu. So we never have the menu. It just depends what there is in the fridge and what there is in the sea. And then we got a call from the boat and he said, I've just reeled in a turbot. And it's so big that either the River Cafe takes it or we put it back in the sea. What do you want? And we took it. How big was it? I can't remember. Maybe, I don't know, eight kilos. Yeah, yeah, yeah.

18:19The River Cafe Cafe, our all-day space and just steps away from the restaurant, is now open. In the morning, an Italian breakfast with Cornetti, Ciambela and Crostata from our pastry kitchen. In the afternoon, ice cream coupes and River Cafe classic desserts. We have sharing plates, salumi misti, mozzarella, bruschetta, red and yellow peppers, vitello tonado, and more. Come in the evening for cocktails with our resident pianist in the bar. No need to book. See you here.

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19:39Visit washablesofas.com to upgrade your home. Right now, you can shop up to 60 % off store-wide with a 30-day money-back guarantee. Shop now at washablesofas.com. Add a little... to your life. Offers are subject to change and certain restrictions may apply. Parking shouldn't slow you down. ParkWiz gives every driver a shortcut. Book ahead, save up to 50 % and skip the hassle of circling the block. Park smarter, park faster. ParkWiz. Download the ParkWiz app today and save every time you park. When Wycliffe Jean came to table four, he had memories to share and songs to sing. But the moment that stays with me most was this story about his childhood.

20:25As a young boy, Wycliffe was left with his grandmother in Haiti while his parents tried to make a new life for the family in America. And then, one day, an immigration officer came looking for them. The immigration unit goes to my mama, the apartment that they're staying in. So while my dad's running, this is a big raid. Like, they're about to... In Brooklyn. This is in Brooklyn. Yes, this is in Brooklyn. Now, immigration officer gets to my mama's apartment. Immigration. Open up the door now, man. And my mom is so scared. The immigration officer has a translator with him that speaks French and Creole.

21:15So the immigration officer says, I'd have knocked on this door four times. they ain't open and I know somebody in there I need you to say it in Crayol and French whatever language that is tell them to open that door and the translator says to my mother in Crayol Fé Sovlé Me Pauvet Potla Translation Do not open that door right now the reason why I say this right is at the end of the day, people get caught up in these situations. And we, the United States of America, like there was a time where we would take heed to this and we would take like cause to this and we would be so sensitive to that. Like where we could say, we'll give you a pass because we know what you're doing here.

22:18You're not breaking the law. You just had a bad day. And these days do not exist. Also, you're making the country better by coming from another country. And I was just given a prize in America. I was asked to be in the academy. I was made a member of this academy of arts and letters. And I wrote the letter and I said, my grandparents came from Russia And I can, in 1917, you know, they were part of that Ellis Island. And I just think in two generations how, you know, if your grandparents were here watching you, did your grandparents know the measure of your success? Did they see? No, my grandparents, my grandma knew my musical abilities at a very young age because I would just like make songs up.

23:11there was these women in the village every Sunday that would sing these church hymns. And I would just get, I would just be part of that. Can you remember one? Yeah, I remember a few of them. Si ça te fait, n 'ai toujours en paix. Moi béni et moi connaîtra. Thank you.

24:23So that was, you know, you could just feel it. But the hymn is saying we're blessed and we should acknowledge that, like basically every day of our life. So, again, that was some of the, I would hear these amazing women, and then so the hymns would just channel through me. And after church, would there be food? Would there be a meal? Would you go home and sit back? We call it Lucky Sunday. What was that? You get that Lucky Sunday, everything come out on that Lucky Sunday, but it doesn't happen often. Lucky Sunday happens on Easter. The meal is big. What is it? The meal is big. The meal is a lot of meat, goat.

25:11Goat. Goat cooked very interesting. It's called tasso. It's fried. Traditionally in Haiti, if you see how they cook, they use the charbon, charbon. Charbon. So it's caught with the charbon because you know the food won't taste different. And then they put the big aluminum pan. And so the goat is fried. they would make poisson grossel. The poisson grossel is the white fish. A little salty, like codfish at times. It sounds like you're saying grossel, but it's that. Grossel means large salt, doesn't it? Yeah, gros, yeah. En français, yeah. En français. Yeah, ça va en français. So in Creole, the word gros means big.

25:55Okay. Yeah, so yeah. And then phonetically, yes. Yes, because Creole and French at times, the words do mean the same thing, yes. And so when your father ran and your mother didn't open the door, so were they safe in the United States for you to come? They were safe. My parents came and got me and my brother. Now they get on a plane. The immigration laws work out. They come and get us from Haiti. So me and my brother go and see my parents for the first time. I was going to say you were five and they'd left when you were able. Yeah, so now I'm like eight, nine, and now my parents are coming to get me.

26:32And I've never seen them. So my grandma gets us dressed. She takes our bags. She brings us to the airport. I never seen an airport before. So when the airplane is landing, you can imagine what that looks like to me, a UFO. So the airplane lands, and I'll never forget, my mother had a yellow outfit. She looked like Jackie O. She had the glasses on. She looked like Miss America. I was like, yo, that's my mama right there. You know what I'm saying? My dad had the long beard looking like he Moses. He comes, and they come, and they hold me and my brother in that hug. I can still feel that hug. They hadn't seen you for how long?

27:19They haven't seen us since we were born. Did they continue cooking the food of Haiti and Brooklyn? My mama had a thing you only can eat in the house. I didn't even know what it was like to go to a fast food restaurant. A lot of what was cooked in Brooklyn was something called legume. Vegetables? Yes. Legume is similar to a gumbo, right? But all in vegetables. So, eggplants, watercress. This was like part of it. And also a lot of yam, sweet potatoes. And this is natural. A lot of fish. In the morning, it was very, very important that you had breakfast. My father, who was also an amazing cook, he used to cook liver for iron, right?

28:13So again, like it would be all, but he would like cook the liver with egg whites. They dipped the liver in the egg whites? They beat the egg whites. Yeah, they beat the egg whites. So it's like a batter around the liver. A batter, yeah, and they batter the liver so it's very, it's not rough. So everything is very tender. So we naturally grew up in an environment where the food wasn't processed. Like they literally, oh, you know what she used to do? Pul ju chicken. So from the chicken, she would always go to the butcher. like they would not if it if the meat wasn't from the butcher they would there's no such thing about she go to the supermarket and get chicken um so everything is from the butcher and it was called pulji and i gotta tell you just thinking about that chicken right now and how they seasoned it and cooked it was pretty amazing did you ever go in the kitchen and cook with your mom my mother She was like, you're going to be real successful.

29:11I said, why? Because she said, every time we cook in, all you do is you come in the kitchen and sing. And you sing and you stay here and you wait. So you're the first one with the first meal out, right? My mom, when she would cook rice, she would have me work with the seasons with her. There's a seasoning called Maggi. You've ever heard of it? I think I have. It's like amazing because it's like a mixed season. Yeah. And it was something like she, it literally works in everything. Like literally. Is it like a little cube? Yes. Yeah. Yeah. Like a yellow. Yeah. Okay. Yeah. So it's like a, it's like a cube of vegetables.

29:50Man, they put Maggie in everything. I remember seeing those yellow, yeah. Yeah. Yeah. Yeah. It's like a stock. So that was one of the things that she was like, yo, give me the two Maggies. So the rice game is crazy in Haiti. and in the kitchen. So she'd be like, okay, put this amount of water, right, in the pot. And when she put the water, she says, okay, put this amount of oil, right? And one of the things she used to have me do was wash the rice. Cleaning was very, very important to her, how she actually cooked the food. So I'd be like, but the rice is already in the pack. No, she says, you got to put the rice in the water.

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30:31got it so literally for five minutes, she has me cleaning this rice out. And I remember like now I would sit back and I would watch the water boil. And while the water was boiling, I was singing my mother's favorite French song. Which is? Jacques Brel. Which one? Ne me quitte pas. Il faut oublier. Tout peut soublier. Qui sont frites déjà. Oublier le temps. The malentendu et le temps perdu A savoir comment oublier ces yeux Qui tuya parfois à coup de sa vie And Mary Unfaithful made it? Mary Unfaithful did it, Sting did it Sting did it I have a version of it If you go away Yeah, if you go away As you say you must Yes, that's right There'll be no one left in the world to trust Now you gotta hear the Wyclef version So you sang it in Creole?

31:30No, I sang it in English, but I put the hip-hop to it. So I was like,

31:43You know, I put the hipness to it. I put that sauce. I put the Maggi in it. Did you live in an enclave of Haitian culture? So we grew up in Marlborough Projects, one of the roughest projects in Coney Island in Brooklyn. I know Coney Island. Yeah, so we got there from Haiti. We grew up in Coney Island. As far as me and my brother was concerned, we came from a hut. And so we're in a building, so we're rich. We like the Jeffersons. We moved on up on the east side. What was school like? We went to school in Brooklyn. But this is what was amazing about Coney Island. We lived in this big project, one of the most dangerous projects.

32:31But when we go on the roof, we could see the entire amusement park in the beach in Coney Island. And then so we was like living on up because me and my brother was like, this is amazing. So literally we could go from the projects and then like walk to the beach, which was pretty amazing. And the reason why we identified with the beach again in Haiti, in a village, we played in a cemetery. So our Walt Disney and our playground was this big cemetery. So in our head, we watch the transformation go from the cemetery to this amazing amusement park. And again, what that did for us was, you know, we are in the land of opportunity.

33:27And we was like, there's nothing now that's going to set us back. So the Eagle gave us that opportunity. America has given us this opportunity. And I don't say that just for me. I say that for many of my friends, my peers that ended up being super successful.

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34:57Parking shouldn't slow you down. ParkWiz gives every driver a shortcut. Book ahead, save up to 50 % and skip the hassle of circling the block. Park smarter, park faster. ParkWiz. Download the ParkWiz app today and save every time you park. While many people visit hotels or work in hotels, Carrie Mulligan's experience is more unique. She grew up in hotels. When Carrie joined me, we talked about food and films, her performance as Felicia Bernstein in Maestro, and her very unusual childhood. My father was a hotel manager for Intercontinental for my whole childhood until I was sort of 18. So we, I was born, I think we were at the Britannia when I was born.

35:46My dad was running the Britannia Hotel. Here? In London, yeah. And then the Mayfair. Second Governor's Square? Yeah. Yeah. Yeah. So there and then the Mayfair. And then we moved to Germany to Hanover and Dusseldorf. And he ran hotels there. And then we moved back to London. He ran, I can't remember the name of the hotel. Then he was at the Churchill and Portman Square. So he moved around those. And he also ran hotels in Vienna and Frankfurt. Interesting. Yeah. But you actually lived in the hotel. We lived in the hotel till I was eight. Well, you were a bit like Eloise. Do you remember that book, Eloise?

36:18Yeah. Did you ever know that? Yeah. Growing up in the plaza. Yeah. Would you run around the hotels and sort of find, what was that like living in a hotel? It was amazing. I mean, it was, you know, it's kind of all we knew. But when I look back on it, I think, oh, wow, that was kind of an extraordinary way to grow up. and my brother and I were certainly, you know, we would sort of roll around with the maids, you know, going into people's rooms after they checked out and sort of, you know, I remember sort of sitting in the basket with all the sheets, you know, with my hands holding on, rolling around the corridor and, you know, sitting on with my whole body wrapped around a hoover, you know, going up and down the hallways.

37:00Were you ordering room service or did you have a proper apartment? No, we had, it was like, you know, they'll have a little, I mean, the place, the hotels that we lived in, sort of an apartment in the top floor for the manager. So we lived in a, yeah, mum talks about, I mean, we had our own little mini kitchen and stuff, but it was more, yeah, we didn't do room service, but we did have our linen changed. The only thing I remember about the kitchen, because we were, you know, no one near the kitchen, that was not, and I was saying earlier, my dad, you know, I think briefly worked in kitchens on his way.

37:33He worked his way up from kind of collecting glasses in a restaurant to being the manager, yeah. And he, so whenever he cooks, generally I exit the building because it's just not... What is it like? He just likes things ordered and the way that they, and, you know, for us to sort of come in and sort of casually start munching on something, he's always not part of it. So that, yeah, so it's, but my memory of one of my birthday parties when I was little was at the hotel in Dusseldorf. And, you know, the pastry chef made a bunch of dough and we were all making little dollies out of dough. And then they took them off and cooked them in the kitchen and brought them back.

38:21And the birthday cakes, you know, when we lived in hotels were always, you know, those very elaborate kind of, I feel like they always had liquor in them. And they always had like a bit of booze in it. Yes, it wasn't like properly kiddy birthday cakes. And they had like very beautiful writing and icing and that kind of stuff. There was always such a sense of occasion in hotels. It's always like there's a big display for Christmas or there's a big, you know, it was like there was always a sort of sense of there's a sort of event happening. But I always felt really, I like being nomadic. I don't mind, you know, I like being in hotels.

38:58hotels. I'm not someone who I don't need to bring, you know, some people sort of need to bring stuff with them to make wherever they are feel like home. Tracy Allen carries with her. But you know, the only time I ate lunch here was with Tracy. Oh, yeah. With Tracy Mabel. She described, you know, that she, I don't think she's ever ordered room service. She would always, you know, I'd go out and find something and take her food on the plane or take an object. And as you say, I love hotels so much that I actually don't like when I'm upgraded to a suite. because it reminds me too much of home. Yeah, yeah, yeah.

39:30I like the confines of a hotel room. You can find everything. You know where your book is. You know where everything is. I always thought that maybe I'd be one of those women who age, you know, Richard now being a state claridge's for the rest of our days. I said to him, if we sold our house, how many nights do you think we'd get in claridge's? He's like probably six. And do you think there was a performance that you had to behave in a certain way with strangers? I think so, yeah. We met people who were staying at the hotel sometimes and there was a real kind of, it did, it felt like being a bit of a diplomat's daughter or something, that someone would come and stay at the hotel and you would greet them.

40:12What was German food like? Do you have a memory of it? Yeah, lots of quite meat-based food. I mean, we were amongst kind of lots of Brits as well. But we were amazingly lucky. We got to go skiing in Austria in our holidays and things. We had lots of Käse-Spetzel and Wiener-Schnitzel and delicious, like, warm, brothy things to be able to warm up. But, yeah, I think we, you know, because it was also an international hotel, it was, you know, it wasn't, we were, if I was eating stuff from, it wasn't necessarily German cuisine or anything. I usually ask people about their families and growing up and restaurants, you know, were restaurants.

41:00But in your case, I often ask if restaurants were a special occasion, which was the truth in my family. Like we went out to restaurants for somebody's birthday and somebody's anniversary or something great had happened. And you'd celebrate a restaurant here. We see people just coming out for dinner with their kids all the time. And maybe it was just more for you that. Was that something that was just part of your life? I suppose. I don't really remember going to restaurants at all. I don't remember going to nice, you know, white tablecloth restaurants ever with my. we would go to there was a pizza place in Dusseldorf that we would go to but like a really a hole in the wall kind of pizza place and that was sort of a treat that we would go there um I don't think we went to I remember what the for the millennium we my dad was running the intercontinental in Vienna and we there was a big millennium meal there and I was 14 and 14 15 I think yeah 14 and um and my best friend came with me and we we bought dresses you know for millennium and we sat and it was a proper white tablecloth seven course meal thing and that was very that was a big big deal so I don't think we did necessarily although when I was when we moved home and we were living in you know Buckinghamshire we used to go if there was anything to celebrate we'd go to Mr.

42:24Poon's the Chinese restaurant and go and have big Chinese and we did that kind of for years. Your parents cook for you? Yeah I mean mum's always you know she's she can turn a hand to anything. She was never a sort of passionate cook. I think because dad was the cook, really. So if there was meals that were cooked, it would be dad, you know, and mum. My grandmother was a wonderful baker. Yeah, I loved baking. Yeah. So where did she live? So she was, my mother's Welsh, so she was in Carmarthenshire. So, and I, every time I went to her for any kind of length of time we would just bake and bake and bake.

43:01What would she make? Oh well everything. Welsh cakes famously. Delicious Welsh cakes. What are Welsh cakes? Don't tell Sean I asked you this because I've lived in this country for years. Well you wouldn't necessarily have them if you weren't. They're like they're little mini sort of flat cakes with raisins in. Like a scone? Yeah like a sort of flatter scone. But she'd make amazing Welsh cakes. A cherry almond cake, a delicious cherry almond cake that just got better the longer you left it in the tin. You know, it was that kind of thing. When Tom Hollander came to table four, he had just finished filming the series Feud, Capote versus the Swans.

43:40The Swans were Babe Paley, Slim Keith, and the other wealthy socialites who ruled 1960s Manhattan. Tom played Truman Capote, their unlikely friend and writer, host of the Black and White Ball. we could talk about capote and women in food because those women a lot of so many scenes in restaurants right they went to lunch every day you're right but i wonder if they ever ate because being skinny was the was their job right yeah they drank i think they drank and smoked they drank and smoked and and sort of died young yeah perhaps they were celebrating being in the in crowd and being at the table the best table in the best restaurant and yes they were restraining themselves um he couldn't stop he couldn't control his appetite and he loved cooking he loved he loved his own kitchen he's from the south was he from the south yes yes uh and the black and white ball they served his you know the black and white ball the sort of apotheosis moment the black and The White Ball was a ball that Truman Capote threw in, I can't remember when, the very early 60s.

44:54On the back of In Cold Blood, which had made him hugely famous. And his obsession with sort of high society and his own celebrity came together in one glorious moment. And he created the guest list to beat all guest lists that have ever existed. So much so that people knew about him, were fighting to get on it. and aristocrats flew from Europe, all the film stars, you know, Frank Sinatra, Mia Farrow, the Agnellis, probably Mick Jagger, we can ask him. They all turned up to the plaza and he gave them corned beef hash, which he remembered fondly from Monroeville, Alabama, where he'd grown up. But they all complained about the budget of the catering.

45:44that it was very small. For him, it was about getting them in. They were the decoration. They were the party. Their dresses, their masks. But there was nothing there. There were some balloons and some rather stodgy food that neither wanted. And I think the party ended relatively early and a whole bunch of them went gambling. What was it like filming that scene? Amazing. Did you do it at the plaza? They recreated it in the plaza. They recreated the plaza. Yeah, they did. And Zach Posen had done the dresses for the ladies. it was amazing did he eat he did did he have addictions yeah yeah he was addictive so and compulsive so he goes up and down you see we in our version we pretty much do fat Truman because I couldn't uh in a tv schedule go up and down as much as I needed to so we went with fat Ryan And Murphy said, you need to put on some weight.

46:39So I did, which was very enjoyable. And then it's marvellous in the moment. And I started to find it hard to put my socks on. And I got breathless doing sensible things. Easy, usual, I mean, ordinary things. That was distressing. And also I'm a bit old to be messing around with my weight like that. and furthermore i've i have a little bit of a compulsion to overeat myself and have spent all of my most of my professional life slightly going slightly slightly up uh in between jobs and then having a diet before a job and going up and going down and going up and going down and trying to stay disciplined trying to be like my father who weighs himself every day and and uh and if he ever goes over 11 stone he he he has a light breakfast he says i work i know whether i can have a heavy or light breakfast depending on what the scales are told me every day he does that which sounds like you know one of the swans with its level of obsession but he's he's 88 and still going strong you're saying before that putting it on was one thing but you haven't told us about how you take it off so i went to a clinic about half of it came off in an Austrian clinic and then I went and did a play in which I was playing someone who needed to actually be a bit heavier than me so I took me that was Patriots yeah playing Berezovsky who was quite portly so I kept it on for that and that worked and then I only I only got it off about three months ago with the fear of doing the American press junket but I I do have a tendency to I love eating, but I also eat my feelings, you know.

48:31Yeah. Which people do, and if you do it too much, it's not good for you. So I try to do other things with my feelings. A friend of mine, I was at a dinner recently where they were talking about a Zempek. Oh, yes, yes. And they were saying that, and it was kind of interesting to her, she said, really what it's done for me, it's taken the noise of food away. It's taken all that noise. Should I? Shouldn't I? Will I? Won't I? How much? When? And actually I understand that a lot. But I also think it's the kind of noise we do want in our life as well. We like the noise of food, don't we? Yes. We like the kind of thought of going to bed at night and thinking, what am I going to have tomorrow for lunch?

49:19And actually it's the noise of being alive, isn't it? it's the desire then then the fulfillment of the desire the the creative process the gathering of ingredients the construction the destruction the kind of the clearing up afterwards everything from the preparation to the end of it it's all it's and it's a sort of i mean you could i could become pretentious if i'd say uh but you know it's a cycle of life isn't it but yeah but but But to be at war with food, which you can be, is not good. And I do have a sense of that because being, you know, an actor where you become inevitably obsessed with your appearance, you know, it has a tendency to make you think, I mustn't eat, I mustn't eat, I mustn't eat.

50:08So I'm beautiful, beautiful, beautiful. It's never really made any difference. I met an actor once in Italy who'd long retired. he'd been a famous 60s heartthrob he said uh i had to retire because i was sick of being thin and i wanted to eat and he lived in the italian hills near cortona and he loved food and he ate and he's probably no longer with us but he was living the life of a you know a bon viveur and uh I did sometimes think I'll get to a certain age and then I'll give up trying to not be fat and then I'll just become a fat actor because fat actors, they never stop working. There's always room for a fat actor and everything.

51:01Anyway, I can't do that. Orson Welles, right? Well, exactly. Orson Welles or the dear Richard Griffiths or, you know, you sort of think they're loved. But I don't want to do that because I now need to live as long as I can. For sure. Because you have a son. I do.

51:24Thank you for listening to Ruthie's Table 4 in partnership with Montclair.

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52:14Plus, our pet-friendly, stain-resistant fabrics ensure your sofa stays beautiful for years. Don't compromise quality for price. Visit washablesofas.com to upgrade your living space today with no risk returns and a 30-day money-back guarantee. Get up to 60 % off plus free shipping and free returns. Shop now at washablesofas.com. Offers are subject to change and certain restrictions may apply. Parking shouldn't slow you down. ParkWiz gives every driver a shortcut. Book ahead, save up to 50 % and skip the hassle of circling the block. Park smarter, park faster. ParkWiz. Download the ParkWiz app today and save every time you park.

52:52Hey, what's up? It's Mario Lopez. Back to school. It's an exciting time, but it can also be overwhelming and kids may feel isolated. A vulnerability that human traffickers can exploit. Human trafficking doesn't always look like what you expect. Everyday moments can become opportunities for someone with bad intentions. Whether you're a parent, teacher, coach, or neighbor, check in. Ask questions. Stay connected. Blue Campaign is a national awareness initiative that provides resources to help recognize suspected instances of human trafficking. Learn the signs and how to report at dhs.gov slash bluecampaign.

53:29We finally switched to T-Mobile because with them, we can be connected here and there. Dad, the cousins in Mexico have a surprise for you. Listos todos. Una, dos. And enjoy the gift of staying connected. Switch and start saving today. Get four Samsung Galaxy S25 phones with Galaxy AI on us and four lines for just$25 per line. Plus, nonstop talk, text, and data between U.S. and Mexico. Visit a store at T-Mobile.com or call 1-800-T-Mobile. 1-800-T-Mobile. See details at T-Mobile.com. This is an iHeart Podcast.

From the publisher

Forty-three episodes later, Ruthie’s Table 4 is taking a break before starting Season 4 in October. 

Well, not really a break, as over the next two weeks you will have ‘Best Of’ compilations from Season 3, followed by some of our favourite episodes from all the series. 

Today we feature excerpts from Sarah Jessica Parker, Guy Ritchie, Wyclef Jean, Carey Mulligan and Tom Hollander.

An immeasurable thank you to you ALL for being the greatest listeners ever. And should you have thoughts or suggestions for Ruthie’s Table 4 please contact me: ruthiestable4@gmail.com.

 

Ruthie’s Table 4 is made in partnership with Moncler.

See omnystudio.com/listener for privacy information.

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