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Ruthie's Table 4 - Episode Summary: Emily Maitlis & Jon Sopel
Podcast Overview Title: Ruthie's Table 4 Description: A podcast where Ruthie Rogers of The River Cafe invites guests to share their food memories, exploring the cultural and personal significance of food in our lives.
Episode Details Title: Emily Maitlis & Jon Sopel Description: In this episode, renowned journalists Emily Maitlis and Jon Sopel discuss the intersections of food and journalism, reflecting on their experiences and memories associated with food.
Key Concepts
- Food as a Central Theme: The episode underscores the importance of food in shaping personal and cultural identities.
- Connection between Food and Journalism: Both guests discuss how their professional lives relate to their personal experiences with food, highlighting how both are essential to life.
- Nostalgia and Memories: Guests reminisce about childhood meals, family traditions, and the stories behind their favorite dishes.
Episode Highlights
Introduction
- Ruthie introduces guests Emily Maitlis and Jon Sopel, emphasizing their careers in journalism and their shared passion for food.
- Acknowledges the role of food in creating comfort and connection.
Making a Prune and Almond Tart
- The guests recount their experience in the River Cafe's pastry kitchen while preparing a prune and almond tart.
- The recipe is shared in detail:
- Ingredients: Prunes, almonds, Earl Grey tea, brandy, butter, sugar, eggs, pastry shell.
- Preparation Steps: Soaking prunes, mixing ingredients, baking instructions.
Personal Food Memories
- Emily shares her mother's influence on her cooking, reminiscing about childhood meals and rituals.
- Jon talks about his mother's recipes and the emotional connections tied to them.
Family Traditions
- Discussion on the importance of family dinners and the memories associated with shared meals.
- Both guests reflect on how they maintain these traditions in their own families.
Culinary Experiences
- The conversation shifts to dining out and how their childhood experiences shaped their views on restaurant culture.
- The guests note the changing landscape of food culture in both the UK and abroad, sharing their experiences in different culinary traditions.
Comfort Food
- When asked about comfort food, both Maitlis and Sopel share their go-to dishes, linking them to emotional well-being.
- Emily expresses her desire for childhood favorites like chicken soup when unwell, emphasizing the personal nature of food.
Conclusion
- The episode wraps up with Ruthie highlighting the significance of sharing meals and stories.
- Encourages listeners to rate and review the podcast, fostering a sense of community around food and memories.
Key Takeaways
- Cultural Significance: Food is a powerful medium for expressing identity and heritage.
- Family and Tradition: Family meals foster connection and create lasting memories.
- Comfort and Nostalgia: Food often serves as a source of comfort in times of need, linking individuals to their past.
Additional Resources
- For more information, recipes, and ingredients, visit [The River Cafe website](https://rivercafe.co.uk/).
- Follow on Instagram: [@therivercafelondon](http://www.instagram.com/therivercafelondon/).
Final Notes
- The episode illustrates the intricate ties between food and personal histories, showcasing how shared meals can enrich our lives and strengthen relationships.
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Transcript
Automatic transcript. May contain errors.0:00This is an iHeart Podcast. Guaranteed Human.
0:31parental instincts built right in. So your kids are always protected online. It's Wi-Fi that's not just smart. It's brilliant. And during the holidays, that's a gift we all could use. Xfinity, imagine that. Welcome to Ruthie's Table 4, a production of iHeartRadio and Atomize Studios.
0:54Food is key to life, and today more than ever, journalism is also key to life. Our guests, Emily Maitlis and John Sopel, are two brilliant, inspiring journalists who bring us news, analyze news, present news, helping us determine our lives and the choices we make. They're smart, they're warm, they're funny, and they tell me they are always hungry.
1:23Emily was lead anchor for the BBC, presenter of Newsnight, and now produces documentaries. John spent four decades at the BBC as chief political correspondent and its North American editor. A year ago, they launched The News Agents, which is definitely my favorite podcast. Well, may be my second favorite. These two journalists crave food. This chef craves journalism. They've just come from the River Cafe Pastry Kitchen, having made a prune and almond tart. And now we're going to sit down, talk about food, memories, and more. Thank you. So lovely.
2:08My name's Bella Tubbs. I'm the head pastry chef at the River Cafe, and I'm here with Emily Maitlis and John Sopolk. Okay, so we're going to make a pruning almond tart. It's a bit of a how-to Blue Peter. That's so cool. That's a really useful, hugely fabulous thing to do. It's all right. It's a pleasure. A pruning almond tart, which I think... Which I had last Friday here, and it was sensational. I mean, normally pear on the rare occasions I ever come here, but it was incredible. Thank you. I normally pair on the rare occasions. I think you've already given yourself away. Well done, John Sofort.
2:45So you've just made a prune and almond tart. But before we talk about that experience and what you did, would you like to read the recipe for it? Prune and almond tart. Serves 14. 16 prunes stoned. 300 grams almonds finely ground. One Earl Grey teabag. 100 mils of brandy. 300 grams of unsalted butter. 300 grams caster sugar. Three large eggs. One preheated sweet pastry start shell. Preheat the oven to 150 degrees. Pour enough boiling water over the prunes to cover, then add the tea bag. Leave for one hour, remove the prunes from the tea, pour the brandy over them. Using an electric mixer, beat the butter and sugar together until pale and light.
3:30Add the ground almonds, then add the eggs one by one. Finally, add 100 ml of the brandy prune juices. Pour this mixture into the tart shell. Push the prunes into the mixture. Bake in the preheated oven for 40 minutes. Cool and remove from the tin. Brilliant. Thank you. How about that's a little duet? So tell me about making it. What was it like in the pastry kitchen? It was spotlessly clean. It was brilliantly well organised. and the smell when you walk in of the baking, of the breads, of crostini, of everything else that's going on in there is just fabulous. And of course the almonds, which just smell so rich and sweet.
4:11I was shown a magic trick. It actually blew my mind, which was instead of pushing the pastry into the tin, you grate it on a normal sort of grater and you take all the tiny bits and then push them sort of gradually around the back, which apparently makes it finer and shorter and more delicate. And so I'm going to take that away and say, this is what I learned at the River Cafe. As well as it being spotlessly clean, I have never seen a grater looking so totally knackered as the one you've got up here because it has been through so much. And it looks absolutely, oh, my God, you wouldn't get a penny for that in a jumble sale.
4:50But it's obviously still doing its job. Times are hard at the River Cafe. We're saving up for greater. But actually you do get a kind of sentimental attachment to certain things that you use in the kitchen. I don't know if you do. I'm a spatula girl. And if somebody gives me the wrong kind of spatula, like I have favorites in my spatula. My favorite is the purple spatula. Tell us about the purple spatula. It just fits your hand, right? That's the point. There's nothing special about it. It's not unique. It's just that it's become part. I feel like Edward Scissorhands, but with spatula. It's the extension of my arm now.
5:27Do you have kitchen equipment that you've inherited from your family? There was a kitchen knife that has been so sharpened that it bows because there's so little of it left. And that was my mother's favourite kitchen knife. And she had it since she was a girl. And, I mean, unfortunately, it's kind of, it met its end. Well, there was just nothing left of it. because it had been sharpened so many times over the years that it had been filed down to next to nothing. Have you got it above the fireplace now? Coat of arms. In a frame, exactly. Do you have one that was handed down? Not really, no. I think it's more the practices of my...
6:06My mum was my big, is my big inspiration, actually, in terms of cooking. And it's more the way she does things and the way she talks to herself as she cooks that I do now. and I think I pass on to my children. Did you cook with her? Always, yeah, yeah, yeah. And did she work or did she come home and cook? She worked a lot at home. So she did a lot of her work at home and I remember the rituals actually of her cooking. And just how, I mean, she was very funny. She was always ahead of the curve. I say she was, she's very much alive and we'll be listening to this. But I think she was quite ahead of the curve in the kind of ingredients that she used and the kind of things that she made.
6:48And occasionally she'd go into obsessions. So she had an obsession about an Indian dessert called Gulab Jaman. And she decided she had to perfect it. And instead of making it once, she made it like every day for about six weeks until we were just begging her to stop. But she also taught me my sort of, yeah, the recipes that I've passed down now, that I've sort of taken on. Did she write, do you have them in her writing? Did she write them? She has all her recipes still. And funny you say that, but I've just done a cookbook for my son. He went off to university last year. And I did that really embarrassing mother thing where I took pictures of all the dishes that I thought he'd miss.
7:27And I wrote all the recipes out and I put it all together for him. And then I saw his room. And, of course, there's like one burner and a mini fridge. And he just looked at me and was like, I'm never, ever going to cook any of that stuff in here. You know that, don't you? Yeah, but you know he will. But one day he will. A lot of grandmothers' cookbooks were grandmothers' recipes. A lot of people do. It was always a Rolodex, a little, that's what my mum keeps in the garden. Every recipe is like a, do you know what I mean? Like a little square thing and it's all in her handwriting. What about yours?
7:57Yeah, a very similar story. My mother worked and she'd had polio as a child and so was left pretty badly disabled by it. And I used to go and meet her from the tube station to carry the shopping home because she would bring the shopping home and then she would cook the dinner. And I think probably like Emily's mum, you know, presentation of it was kind of really important. She loved food to look appetising as well as to taste appetising. So it was fun just doing the pastry where I was having to put the prunes on the tart and to make it look neat. And that was the sort of thing that I did at home.
8:30And also my mother loved cooking and loved handing the recipes down. And funnily enough, she died about 15 years ago. my second cousin sent me on WhatsApp a photo of a recipe that my mother had written out for her for Passover, for Herosia. And there it was, you know, my mum's handwriting, and I suddenly got this WhatsApp message. And all those things bring back such memories of childhood and growing up. Yeah. I found that the other thing that's interesting is how many people talk almost more, maybe not the two of you, but more about their grandmother's cooking than their mother's. My grandmother was, she had certain key recipes that she would repeat.
9:11One was loction pudding. I haven't met anyone since then that does loction pudding, which is literally, it's like noodles. It's a pasta dessert. And it's kind of pasta and cream and raisins and more cream. I think it's probably the heaviest thing in the entire world. And it's got a crispy top. I've literally never seen it on a menu. But it must just be the most comforting comfort. It's a heart attack waiting to happen. So my mother was, I mean, my mother had an extraordinary life story. She was an illegitimate child, born in the Northeast to a Russian Jewish family, and had to escape because of the shame that had been brought to the family.
9:49And she ends up in a farming community in East Anglia, which was Protestant. And so she kind of grew up making suet pudding and Yorkshire puddings and all the rest of the kind of English cookbook, if you like. When I was growing up, until I was a sort of teenager, you had to be home Friday evening. Friday night, supper, yeah, Shabbat. The shabbat, the candles, the bread, the wine, all the rest of it. And then we'd eat non-kosher food. And we just thought that was perfectly normal. I mean, my mother would not dream of cooking pork, but we'd have plenty of parma ham. Yeah. She couldn't bear the idea of an English roast pork wouldn't be anywhere near the table.
10:24I don't remember her ever doing that. But if it was parma ham or prawns, that would be fine. Food and tradition and memories and family and the Friday nights. Did you reject having to stay home on a Friday night when you could be out partying? I think by the time I got to 16, it got a bit kind of, I'm sorry, I'm going out, I'm going to the pub. Yeah. So I started to rebel at that stage. But I love the idea of at least one night a week, the family coming together and everyone sitting around the table, maybe not always getting on brilliantly. But there is a kind of sense that this is what we do as a family.
10:55But you do it now with your generation. Do you do it with your kids? Do you do it with yours? I mean, mine have grown up, but when we can, yes, we do. I mean, normally Sunday evenings, actually, because everyone's got, it's either a school day or a work day the next. And you just kind of, you know, that's the time. I like a Sunday night. What about you? Do you do it with your kids? We do Friday night. We light the candles. We say a prayer if the kids are together, you know. And normally it involves me being about to cook and somebody going, oh, it's Friday. Oh, quick, it's Friday. Get the candles.
11:24So we do that, not in a big demonstrative way, but just in a kind of recognition. It's a few moments at the beginning of the evening. Growing up, did you always sit around the table? Yes, we did. I mean, that was very much, it was no one had TV dinners. No grazing. No grazing. It was kind of, you'd sit down at the table together, the four of you. And yeah, that was kind of pretty much on school nights every night. Yeah. And to the point where we all, everyone had a set place. I mean, that's how the pecking order is established. Completely. You know, I was the youngest of three sisters. I had the least comfortable chair.
11:59sort of squashed into the corner where you had to get between the sort of dresser and the edge of the table. And I sort of think of it like that was how you knew your place, literally knowing your place, right? Did you get an easier time than your older sisters had? Oh, almost certainly. And they were resentful because they thought, Emily's come along and we have to do this, but she doesn't. No, my sisters worked out very early that they could make me run errands for them if they offered to time me doing something. So it'd be like, can you post this letter? I'll time you. And I would run all the way down the bottom of the road, run all the way back.
12:36My sister would have gone off and done something completely different. She'd suddenly look at her, watch and go, oh, amazing, 45. And I'd be like, wow, was that better than last time? So that was how I, but the seating was very much. And then Sunday was a big deal because we had it in the dining room and there was a bottle of Coca-Cola. on the table and it was the only time of the week we got fizzy drinks and it was it was you know the the real iconic coca-cola bottle and that was how you knew it was a special other times you ate in the kitchen i was wondering if the dining room is a lost do you have a dining room in your house we do have one do you have one we have a dining room that comes from the kitchen yeah so i don't know that i like the idea of a separate yeah i don't want a bright red dining room that's kind of like right now have a row about something i i like the sense of food and continuity otherwise you can also be like regulated to the kitchen you know and so everybody's becomes much more of a performance what did you have yeah we had in the kitchen there was a little table but friday nights it was around the dining room table it was the you know because that was the posh dinner and we also i remember as a kid the corona man and corona used to come around with bottles of fizzy drinks it was like a milk delivery and the corona man would do deliveries and you could have cherry aid or lemonade or soda water and i just loved the days when we could have some cherry aid because that seemed such an exotic thing where was this house well i grew up in london but i mean my parents were residential social workers so we lived in this huge commune kind of type place in the east end but where my mother grew up was in essex and we had the house there and we used to go there at weekends and the corona man would come to this house in east anglia and the colchester and uh deliver kind of off the back of the lorry these different bottles of corona fizzy drinks wow yeah i wonder if that still happens i bet it doesn't we have one of my grandsons had this great idea we when we were in a hotel in france he said i'd like to do like the cheese trolley but ride it around highbury and it's linkedin and just knock on people's and they can say i'll have a bit of camembert i'll have a bit of this every night it's sort of six o 'clock that was quite an entrepreneurial idea this is taking meals on wheels to a very very sophisticated level i tell you where i think there's a huge change i mean my both my parents have died now but you know so there was these silver tea sets which were seen i think in the 1950s must have looked so impressive and proper on the table that you who has a solid silver teapot or a solid silver for the hot water.
15:14And there's all of that sort of stuff and the kind of very formal cutlery. I think it's harder even than just that. The formality I kind of can't live with. And if you're not careful, you inherit rather big, heavy sort of service. I mean, nobody ever calls it a dinner service anymore. No, exactly. You just want plates that make you happy. My plates make me so happy. Right? And I don't think I want something. And the food looks good on. You know, I got mine from this amazing potter in France. And it's just bright, beautiful colours. And it just makes me happy to look at it. But I don't want anything that is like gold leaf or edging.
15:55I don't want to intimidate myself or guests. I'd be terrified if you break one. We did one with Nancy Pelosi. And guess what? She never has had a meal without a tablecloth. No. Yes, her father was the mayor of Baltimore. They had a huge family, but she said they always had a tablecloth. And I was just thinking about that, about the laundry, the ironing, all that goes into having a tablecloth. It is nice to have a tablecloth. Well, we had napkins growing up. But we just kind of throw things out. You know, which nobody, you know, we all had an actual napkin and a napkin ring. A ring? Yes, yes, with your initials or whatever.
16:30Mine was the little brown one. But guess what? In Italy, they like, in hotels where we used to go, You had the dirty napkin. They didn't wash them. I don't think we wash them every night, right? You put them back in the drawer. And then you'd have your ring. We did exactly the same. That's the point of the ring, right? It's like a hanky that you don't change every day. I mean, I sort of get that. My act of rebelliousness when I was a kid growing up, because I knew it would upset my mother, was to put a milk bottle on the table. Completely. Because you can't... Yes, milk's got to be served from a jug.
17:01Oh, goodness sake. Sorry. And even now, when I put a milk bottle on the table, I think you're breaking so many rules. And what about restaurants? So now in the River Cafe, we see kids all the time. We see kids at Friday night dinners or Saturday lunches or Sunday lunches. We see people bring their children. And when I was a kid, we went out for a special occasion. You know, we went out for the birthdays or the anniversaries, and we were told to look at the right-hand side of the menu. And I don't know, it's obviously a socioeconomic thing. What was going to restaurants like in your family when you were growing up, Emily?
17:37Yeah, much more, much more seldom, actually. We grew up in Sheffield and there was an amazing restaurant called Fishers, which is on the edge of Bakewell. And it's beautiful. Everything about it is exquisite. You know, just the sense of arrival and destination and beautiful herbs in the garden. And I remember that was like very, very special occasions. You had to basically be getting engaged, married or giving birth to go and celebrate at Fishers. But it did have that sense of absolute occasion. An occasion, yeah. And do you go out now with your kids to restaurants or is it also that way? Funnily enough, we don't go out that often to restaurants with my kids because we do a lot of sort of cooking and just eating at home when they're home.
18:24And I feel like when your kids don't live at home, they're actually really, it's almost turned around, I think, now that my kids have to fend for themselves. They live, you know, one lives at university, one's away. They'll be doing a lot of kind of like cheap and cheerful takeaways or food, whatever. And so actually the treat now is to come home and to have home cooked food. It's sort of turned around, I think. We used to go out for special occasions and there would be about three or four restaurants in London that, you know, my parents loved. Do you remember them? Well, one of them, actually, I now live around the corner too.
18:58I mean, it became my mother's favourite restaurant, which was a Greek restaurant in Primrose Hill. And I now... Oh, was it Leon? Lamonia. Yeah, Lamonia. And so, you know, we used to go there and meet my mother there. But they were kind of, they weren't terribly grand. You know, there was nothing overly flash about them. They were just good places where good food was served. And as Emily was saying, you know, the kind of food that we ate at home that was, you know, was much more continental and so my mother would love there was a delicatessen in slington that she used to love going to on liverpool road which kind of was full of it seemed so exotic there italian delicatessen yeah yeah so this is exactly what my dad would come down to london for work and we lived in sheffield and he would visit berwick street yeah berwick street was the first fresh ravioli and amazing yeah it was a delicatessen and he would bring them back to Sheffield and it was like this oh my god what's dad got from London now it's a really big deal because both of you have talked a lot about your mothers did either of your fathers cook fun enough my dad so my dad was a lot older my dad was born in 1910 so my dad was a lot lot older than my mum had grown up in the east end of London and had never really left the east end of London and his there were two favorite dishes that he cooked and I found both of them absolutely inedible.
20:21He would make porridge for breakfast, but he would put salt in it. He didn't sweeten it. It was just kind of salt. And I just thought, this is really hard work. And he used to cook egg and onions. So he would make scrambled eggs with spring onions. For breakfast? For breakfast, yeah. And I just thought, whoa. So that didn't really do it. So my father's, the reason I've spoken about my mother's cooking more, hers was more delicious. did your dad cook he was a real foodie he didn't cook a lot but actually looking back he was a chemist right so he was very obsessed with the science of getting food right yeah getting cooking right and so he'd be the one who'd say never put meat onto a grill unless it's hotter than you dare you know useful he'd be the one who'd say never put the spaghetti in until and it's massively salted, massively boiling, and you never break it.
21:16And so I sort of think back, I was like, I listened to him very seriously and I don't think I've ever broken his rules, you know, but it was more as a scientist probably than as a cook. So it stays with you. Yeah. Yeah, you know, like you did for Milo. I mean, for my mother when I was 16 and I was going off, you know, I went off camping. right you're going to learn to cook on one pot and you know I learned how to make ratatouille and I learned how to make spiglia bolognese and learned how to do stews and you know stuff like that. She taught you before you went. Yeah she taught me and when lockdown came and the gasoliness of Covid my wife had moved back from America because she's got a very elderly mother I was in DC by myself and suddenly the restaurants are shut I am cooking every night.
22:01It was great because I found that I could still do it. Yeah and did you? Yeah of course I mean I cooked right through lockdown. I didn't really mind it. I was still working at Newsnight. My week was very much divided because I was out on Monday, Tuesday, Wednesday. It's not getting back till midnight, you know, one o 'clock in the morning. And so actually the rest of the week felt like I sort of earned my lockdown and earned my, you know, time to cook.
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24:05Toyota, let's go places. Leaving home, you know, this home with the food and the dining room and your mothers and gathering around the table, what happened? Did you go to university straight from home? I took a gap year and so I sort of travelled. I went to the great picking harvest in the Beaujolais region and then I travelled around Europe and I spent some time on a kibbutz in Israel. What was food like in that year? Did you discover French food? I loved French food. I absolutely grew to love. And I thought France then was the most sophisticated kind of, wow, this food is just amazing. Actually, I spent four years in Paris as the Paris correspondent for the BBC.
24:46And I kind of thought, actually, it's very conservative, a lot of the cooking. And some of it is really quite pedestrian. Whatever restaurant you went to, you got a version of the same menu every time. I just thought, you know, and everyone would say, oh, my God, I bet you ate fantastically. There were more interesting restaurants in London than there were in Paris. Really? I mean, I resist. So this was around 2000, that's when we were there. And London was just fantastic new, you know, Peruvian food, Argentinian food. You know, it was from all over the world. And you'd go, you can only eat French cheese because no other cheese exists in the world.
25:22And you can only drink French wine because no other wine exists in the world. And that was just, it was a chauvinism, I think, that I found in France then, that they wouldn't acknowledge that there was other ways of doing things. Completely. Do you agree? Did you ever live in Paris or France? I've lived in France and I love it as a sort of this is what we do and this is the way you do it. But God forbid you if you break any rules, actually. And I think Italy's the same. You know, a friend of mine who was the Rome correspondent was saying, you know, if you try and open a sort of Thai restaurant or a sort of different culture, there's actually quite a lot of pushback because it's not how, you know.
25:59So, c 'est un bien, c 'est pas how we do things here, you know. And so I think maybe because we were behind on our own cuisine, I do think Britain has been much more accepting and really good at accepting other cultures and other fusions and just a bit more adventurous, actually. I don't know anyone who says, I will not try, you know, that nationality's food. I will not eat that. Did you go straight to university? I went to university and then went off to Hong Kong and that just completely opened my mind to Southeast Asian food in a very different way. And I would say now, you know, anything that's got sort of prawns and lime and chilli.
26:44Lemongrass. Lemongrass, all that. I just love. I love Vietnamese flavours. I love coriander. I love mint. I love handfuls of herbs as almost salads. I am absolutely obsessed with herbs. Are you? I'm obsessed with her. You grow them. I grow so many. I've got a jungle. So yeah, it was a great time for me on Sunday nights on the beach in Sheko in Hong Kong. I say that when you go to a city and you go straight to the market, it tells you a lot about the city you're in, the culture you're in, whether there's a lot of greens, whether people are shouting, whether it's full, what's in season, don't you think?
27:20The journalistic lives that we've been lucky to lead have taken us all over the world. and so you suddenly immersed in afghanistan or somewhere like that tells you a lot oh yeah and and you and you have no option but to eat what the kind of international food happens to be and that that's just been joyous we were in bulgaria last year funnily enough and i was just took my son there for you know three days little break our little kind of rented place was right next to the market and i was i mean i sound sort of like shocking but i was so surprised by just how magnificent the sort of produce was and the fruit and the vegetable.
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27:57I think I still have this very Soviet sort of thought in my head of everything being a bit sort of pale and gray and grisly. And you suddenly realize the richness of what they've actually got. Probably very seasonal as well. When you go to these places, they don't fly raspberries in from New Zealand in the winter or grapes from South Africa in the wrong season. And look, we live in a country in the UK where there is plenty and we are blessed that we live in it. But then you go to America and you go into one of the big supermarkets and you see this kind of rose of brightly coloured vegetables. It all looks fabulous and just doesn't taste as much.
28:33It's when you learn that big strawberries are normally tasteless strawberries. Because they're full of water. Yeah. And that's sort of that realisation that you've got everything, but it doesn't taste as good as in many places where if you went to the small local market, you're going to get fabulous fresh fruit and vegetables. I also think they over-chill everything. I agree. American restaurants serve everything too cold, and so you can't taste it. And I think I must serve everything more or less like tied. I was going to say that initially, the only thing that really they care about being hot is pasta.
29:08Right. Because you can even have a bolito misto, and it's kind of room temperature, and a lot of soups are not hot. And I agree with you. You taste it more. I would say that things are really, really hard. Do you think it's true? I mean, the thing that struck me really when I was living there was that sweet things were over sweet so that you would have bread and you could almost literally taste the sugar in it. Yeah, you can taste it. Yeah, you can really taste it. And the savory things are over salted. Yeah. So there's far too much, you know, like buying a packet of crisps or chips, as they would call them in the US, and the salt levels in them would be on a different scale to what would be served here.
29:45No, I agree. I think as an American, I don't even want to leap to the defense because I think you're absolutely right. But if you go down to Union Square, you know, there's a Union Square market and there's rocket from some county in upstate New York. And there's broccoli that's been grown on Long Island. And I think certainly in California, there's a whole movement of farm to table. And as a chef, I just know that there's a lot of that going on. but how you translate that into schools to, you know, obesity. As we know, you see that here I am getting political again. But, you know, it is food and politics and sustainability.
30:20Ruthie, you've been in England too long when you call it rocket and not arugula. I mean, I just think you've... Oh, you're quite right. Yeah, well, that was the other thing that was interesting, is how when Rose and I opened the River Cafe in 1987, we put a pop of pomodoro or arugula salad. and, you know, people would say, I'm not paying in those days, shockingly,£3.50 for this soup, you know, it's just bread and tomatoes. And then, you know, sometimes I give credit to Freddie Laker or all the cheap airlines, which actually got people out of England and to Italy and to France and to Greece. And then, you know, everybody started eating in these foreign countries and then they came back and were interested in eating here.
30:58I remember my mum in the 1970s making a lasagna for the neighbours that had just moved in and nobody had heard of it. And it was just, you know, she was ahead of her time. And she took them around and they were like, what do I do with it? Now, you know, nobody would believe you'd made it yourself. You'd just assume it had come out of a packet. But she sort of brought it around and, you know, she just thought that's a warming dish for a family that are moving in. But in the 1970s, people hadn't even had pasta. They hadn't even heard of pasta, right? But, you know, as you were saying, you did have Indian restaurants.
31:31You had Chinese takeaways. I was amazed, again, coming from upstate New York, that there were all these people who know how to make a curry. I mean, you know, everybody could make a curry. They might not be able to make a lasagna or they might not be able to, you know, make a risotto. But there they were making some sort of amazing curry, you know. And so I think that that goes in. And when you travel now for your work, would you check out the restaurants first? Would you think, oh, I'm going to Prague. Does anybody know where I should eat? Or I'm going to Venice. You would? Yeah. I'm going to Venice in June.
32:05We've already booked restaurants. Oh, good. Where are you going? Actually, the friend that we're going with, he's booked restaurants. So I know that we're going to one absolutely sensational place on Saturday night. I could find out the name of it. The two of you are going? No, no. We work together. Oh, my God. We don't do Venice. Okay. That's all right. Do you eat together very often? No. We eat in the office. We eat in the office. I know that he likes, you know. He likes the pret salad. Should you wait? Right, don't you just go tell him? No. You have to write it down. But this is not his favourite.
32:38I think that would be kind of slightly undermining. It's not my favourite. It's convenient. She has Itzu chicken soup, noodles. I like that soup. It's convenient. It's convenient. It's quick. It's not too unhealthy. What do you feel about eating at your desk? We were talking about it here, about whether people should eat at their desk. The biggest problem with the news agents, I mean, there are very few problems, But I would say structurally, the big problem is that we tend to record between 12 and 2. Oh, I see. So you either have to have a very Spanish lunch or else you have to have a brunch.
33:12Yeah. A sort of 11.30 brunch. And we're still working out whether it's better to be sort of spilling soup on your notes at 11.30. And your laptop. Yeah, on your laptop. We have an office editor who's managed to spill coffee on four people's laptops in our very small space. But if you wait till three, there's a chance you get quite tetchy when you're recording. Can we hurry up? Well, that's me. And if you wait till three to have lunch, but then you've got a dinner in the evening at seven, I don't feel like dinner. But I need something between. So we haven't worked that out yet. Can I suggest you reschedule the podcast or do you have to do it during peaceful lunch hours?
33:51We want to get it so that people receive it when they're on their journey home. And if the podcast goes up online, say, an hour later, listening figures go down. Because we're doing a daily news podcast. But if we were properly Italian about this, we would just basically lay out the table and all eat and record, you know, and just sort of make it. Munching sounds. Put the meal in the centre of it and record the podcast around the edges. I always ask actors if you're doing a matinee or even do you eat before or do you eat after most of the actors that I know play they say come meet me after the show and we'll go out and have something to eat but then do they snack before do they wait that long also how do you go to sleep if you've just had a meal at 11 o 'clock at night there are bigger problems probably than our podcast timing but we do talk about that Yeah, no, it's important.
34:49It is important.
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36:29Toyota, let's go places. What do you think John's favorite dishes? I'm going to do... I think I've got mine really wrong. Okay. I feel like... Should we ask you, what is your favourite dish? No, we're going to say, what did you guess is his favourite dish? No, he's got to say it first. No, I'm going to say what Emily's favourite is. You tell me what my favourite dish is. I think it would be something, sea bassy, prawns with a spicy kind of sauce that would be, yeah, kind of have a flavour of the Far East to it. Very good. Yeah, I'd go with that. Yeah? Yeah. Go on. What have you got for me? Well, I think it's a bit too sort of macho for you, actually, because I don't think you're really macho in your food, but I have gone for fillet state mushrooms, fat chips, truffle butter or mayonnaise and green beans.
37:22Yeah? There you go. There we are. As long as you serve the same dish, we're fine. We have lived to stereotype. Isn't that perfect? Okay, should we just talk for one minute about newsagents? When I said it's my favourite, I do think it's a great programme. Do you want to tell the world what you do? We started, you know, as every podcast starts, with zero subscribers and zero listeners. And we were trying to create something that was not a million miles away from our BBC backgrounds, but was maybe just a tiny bit bolder. And, you know, we would really call stories as we saw them. and I don't want this to sound pompous because I don't think we feel pompous about it at all but you know almost trying to reinvent you know the idea of public service broadcasting and that we are kind of giving people hopefully something interesting that they hadn't thought about a story and maybe makes them think ah I get it now I get why this issue is so important or I hadn't thought about that that's what we're trying to do.
38:20Our editor would at this point kill us if we didn't say we are now the biggest daily podcast in the uk so i'm only getting that in so that he doesn't sort of but but that's a kind of his biggest surprise to us i think as it would be to our listeners in the sense that it was a very tiny acorn you know it was sort of three of us just wanting to work with our mates and create something that we wanted to enjoy doing and yeah Yeah, it's really lovely when people say it feels close to public service because we do things that we think actually are really worth discussing that you don't always get everywhere else.
39:02And we've been really lucky with our interviewees, fantastic people who've come on the news agents. And I think we're still finding our way. You know, we want to sort of work out what the next step is in terms of who we're reaching now and who we're talking to. We're recording this and it is the day before the coronation. And there is a certain tone and timbre to the coverage at the moment on a lot of the mainstream outlets. And I think we're asking different questions, not being anti-monarchist, but just asking more interesting questions maybe about some of this, which maybe the main broadcasters would be fearful of going to.
39:42The other thing is that, you know, when I was in Washington and I'm doing the 10 o 'clock news, the audience on average would be over 60 years old. We're getting a lot of young people. And so this whole idea that young people aren't interested in news, I think is bullshit. I think that we're getting a lot of people who, but they just want it done differently. And that's what we're trying to do. Yeah. My favourite line came yesterday from a friend who said, I'm a much, much better, kinder dog owner as a result. Because he used to be really grumpy with his sweet whippet, Wilf. And, you know, if Wilf wanted to go out, it's kind of, oh, come on then, let's do it.
40:22And he said, now it's my time. You know, I get in with the news agents and Wilf is happier and I'm happier and we get back exhausted and it goes really quickly. so if we've made dogs happier as a result of this podcast then our work here is done i think it's you know as i said you know it's about informing it's about telling us if we know about news if we know about what is happening it helps us make choices it helps us plan our our lives our days what's happening you know that's why uh so important that's what you do and i i don't want to compare food to information and you know what we're all doing but it is it gives us knowledge gives us nourishment and energy like you know food and news and so at the end of this really great conversation thank you for coming it's so nice you came on before you go and have lunch maybe you can have your prune and almond tart for dessert it's been such a pleasure just have one more question.
41:19What would be the food that you would turn to if you needed comfort? Well, I guess I'd say put aside your, you know, the sea bass prawns and the chilli. My favourite food is fresh bread and butter and strawberry jam. And I don't indulge in that very often, because it feels like, you know, if I started with bread, I would never stop. But I just love it. A couple of years ago, I was flying back from Australia. My son lives in Australia. and I caught COVID, being very on trend, I got back to London, tested positive, felt absolutely dreadful. And I realised the food I wanted, I hadn't had since I was a child.
42:00And it's such a cliche to say it. I wanted chicken soup and matzo balls. And it's the kind of almost, it's the punchline of so many Jewish jokes. Give him some chicken soup. Penicillin. Yeah. And that's what I felt I wanted. And I suddenly realised, I knew you were going to ask this question. So I kind of thought, what is the food that I think, oh. And that was what I needed then. And we kind of found some chicken soup. Linda made some chicken soup. And I was just, oh, that tasted so fabulous. Well, thank you very much. It was great to have you here. Let's go have lunch. Thank you very much. Thank you so much.
42:41If you like listening to Ruthie's Table 4, would you please make sure to rate and review the podcast on the iHeartRadio app, Apple Podcasts, Spotify, or wherever you get your podcasts. Thank you.
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From the publisher
Food is key to life. And today, more than ever, journalism is also key to life. Our guests, Emily Maitlis and Jon Sopel are two brilliant, inspiring journalists who bring us news, analyse news, and present news, helping us determine our lives and the choices we make. They're smart, they're warm, they're funny, and they tell me they are always hungry.
These two journalists crave food. This chef craves journalism. Join us on today’s episode to hear us talk about food, memories and more.
Please rate & review the podcast on Apple podcasts, Spotify, IHeart Radio app or wherever you get your podcasts.
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