Emily Mortimer

27 Feb 2024 · 42 min

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Ruthie's Table 4: Episode Summary - Emily Mortimer

Podcast Overview Podcast Title: Ruthie's Table 4 Host: Ruthie Rogers Description: Ruthie Rogers invites various guests to discuss their food memories at The River Cafe in London, exploring how food influences various aspects of life, from politics and culture to personal heritage.

Episode Title

Emily Mortimer Guest: Emily Mortimer Description: A deep dive into Mortimer’s life, from her early days at The River Cafe to her successful career as an actress, writer, and director.

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Key Themes and Discussions

  1. Personal Connections
  2. History Between Ruthie and Emily:
  3. Ruthie has known Emily since she was six years old. Their families are intertwined, with shared memories and experiences.
  1. Emily Mortimer's Career
  2. Career Highlights:
  3. Notable films include *Notting Hill*, *The Pursuit of Love*, *Newsroom*, *Match Point*, and *Paddington 3*.
  4. Started as a waitress at The River Cafe at 17, where she learned valuable cooking skills.
  1. Food Memories
  2. Cooking Experiences:
  3. Emily reminisces about cooking a goose while studying in Russia, noting the intimacy associated with cooking.
  4. Discusses her father's style of cooking, favoring comfort food, and how family meals were a significant part of her upbringing.
  1. The Role of Food in Life
  2. Cultural Significance:
  3. Food represents love, comfort, and social connection.
  4. Emphasis on how shared meals can foster community and comfort during difficult times.
  1. Food in Professional Life
  2. Impact on Work as an Actor and Director:
  3. Food plays a critical role on film sets, offering a necessary break and socializing opportunity for cast and crew.
  4. Described as a pivotal part of the day that can uplift spirits and provide relaxation.
  1. Writing and Directing
  2. Creative Process:
  3. Emily discusses her preference for writing in busy environments, contrasting her solitary writing at home.
  4. Currently working on a film about her experiences in Russia, co-written with Noah Baumbach, which will be shot in Italy.
  1. Nostalgia and Tradition
  2. Maintaining Family Traditions:
  3. Emily reflects on the challenge of keeping family meal traditions alive as a mother in America, contrasting it with her upbringing in London.
  4. Discusses the importance of Sunday lunches and how they represent comfort and family unity.
  1. Comfort Foods:
  2. Personal Comfort Food:
  3. Emily’s go-to comfort food is ravioli, symbolizing warmth and nostalgia.

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Key Takeaways

  • Food is intricately linked to personal identity, heritage, and shared experiences.
  • The act of cooking and sharing meals serves as a powerful form of connection and comfort.
  • Emily Mortimer's reflections highlight the emotional and cultural significance of food in both personal and professional contexts.

Conclusion This episode of Ruthie's Table 4 with Emily Mortimer provides a heartfelt exploration of how food intersects with memory, identity, and personal relationships, beautifully illustrating the significance of culinary experiences in shaping life narratives.

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Transcript

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0:00This is an iHeart Podcast.

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1:14Last night, Emily Mortimer came to Thanksgiving dinner with her family at our home. And as is a tradition, at the end of the meal, we all sang, You Are My Sunshine, our favorite family song. Looking down at the table of 40 people, our eyes met and stayed there for all four verses. In those moments, memories flooded back with a girl I knew since she was six, the time we spent with her father, John, playwright and barrister, and her mother, Penny, fly fisher, and tennis player who managed the no small feat of smoking while playing the game. What Emily does now is impressive. She's an actor, a writer, director, Notting Hill, The Pursuit of Love, Newsroom, Matchpoint, The New Look, an Apple show with Juliette Binoche, and Paddington 3.

2:00When I see Emily, our conversation is mostly about what she did rather than what she's doing, for she was one of the first employees of the River Cafe in 1989, when being 17 and totally inexperienced was no obstacle to being a waiter. Here in the River Cafe today, we're going to talk about food and memories, for she is my family and most of all, Emily Mortimer. You are my sunshine. Oh, Ruthie, oh my goodness. I'm going to cry before I even begin. That was so nice to see you.

2:39You're back in the fold, Emily. I know, fully. Yeah, you're fully back. We're going to get you back in here. But do you remember what it felt like or what it was like? Yes, I do. It was just the same. It was just smaller. I mean, was it like half the size of the... You used to come in there. This was the kitchen. Yes. We had a bar going across here. Yes, that's right. The bar was here. I definitely remember where the bar was. And that bar was a wall. The kitchen was this end. Yeah, I can remember that very clearly. But there were tables outside sometimes in the summer. Yeah, yeah. And we all...

3:11Do you still get them... the waitresses and the waiters do the prep yeah that was the most amazing that we've really kept i really i mean that really is what taught me to cook i think is coming here and having to like grate parmesan and sweat the peppers and oh yeah kind of thing yeah peel the peel the peppers you know and um and and get the food ready and then you kind of a part of it which is just such a cool thing. So we'll start with the recipe that you chose, which was a pear and almond tart. Pear and almond tart serves 10 to 12. Six ripe commis pears, 350 grams of blanched whole almonds, 350 grams of unsalted butter, softened, 350 grams of caster sugar, three eggs.

4:06Peel half and core the pears. Place the pear halves face down and in one layer in a pre-baked sweet pastry base. Put the almonds in a food processor and chop until fine. Cream together the butter and sugar with an electric mixer until pale and light. Add the almonds, then the eggs, one by one. Pour this almond mixture over the pears. Bake for 40 minutes or until the filling is golden brown and set. Leave to cool and serve with a dollop of creme fraiche. We do a version of the pear and almond tart all year. So in the summer we make a tart with raspberries with the almond frangipane, don't we? Or the strawberries.

4:52But I do think, for me, the best is pear. The combination. It's a classic. well I just love it because it's the sort of most amazing bang for your buck of a pudding because you just people can't believe that a human mortal made it and you didn't just buy it in a sort of you know boulangerie or something it really does and it's so simple and easy as all your recipes are but it just is so sort of delicious and really impressive people are always just like did you really make this? did you make the pastry? Sian would you do the pastry? The pastry is 375 grams of plain flour, 250 grams of unsalted butter, which you pulse in a RoboCoop or MagiMix kind of machine.

5:38Then add 100 grams of icing sugar, give that a little pulse. Then bind it together with three egg yolks, and it will make a firm dough that you need to refrigerate for a couple of hours. And then the secret of the almond tart is that we actually grate the dough into the, using a thick cheese grater, isn't it? And then break that into the pastry tin and press it out. Don't try and roll it because you'll probably never achieve it. Yeah, exactly. The secrets of our recipes. Press it into place. You can make it as thick or as thin as you like, but as long as you pre-bake it before you put the almonds in, isn't it?

6:19Yes. You might put the cake mixture in. And it's probably one of the desserts that's been on since, you know, for how many, 35 years now, 36 years? Oh, my God, 35 years. I can't believe that. I hadn't actually done the maths on purpose.

6:39So let's carry on back to those early, early days and to being a waiter here. You were 17? Yeah, I was 17. That's pretty amazing, yeah. Do you remember the story of why you came or what happened? I just was trying to make a bit of money on my summer after I left. Was it your gap year? Yes, it was the beginning of my gap year, and it was really the beginning of my life because I was a very, very shy, believe it or not, child and still am as a person. And actually, cooking, I have found in my life, has been the greatest sort of way of counteracting being shy because you can sort of have people over and have parties and friends, but you can sort of also be hiding behind this thing.

7:26And I think coming and being a waitress was really the first time that I had sort of been in life. Like I knew I was going to go to university and I knew I was going to go to Russia before I went to university, having never really kissed a boy hardly, having never really kind of hardly got drunk, having really lived a very secluded life. and this was my sort of gateway to the beginning of my life coming here and I think my my parents had just said you need to make a bit of money and and and why don't you be a waitress and they probably just asked you and and and you very kindly had agreed to have this completely callow sort of just demented I'll change the attitude to have this absolutely fabulous beautiful charming open I had you know I think shyness is a really interesting conversation because I was at a dinner the other night and I said to somebody that I stood outside the door I hadn't been to like a big dinner party for a long time and it was for Graydon Carter and I said I kind of stood outside really not wanting to ring that doorbell go into a room of a whole lot of people and he said well I was at that doorstep too because I didn't want to go into a room and And there are people who you just, they just assume that you're not shy.

8:42Or that things don't bother you. When in fact, there is that terror. And I sometimes do that of heading into the kitchen to talk to the people. Yes, it's a safe place. Because I think, oh, Ruthie Rogers is here. So I'm really interested. But you just feel safe when you're in the kitchen. And you can hide behind the business of getting something ready. And you don't actually have to sort of properly be dealing with the sort of responsibility of talking. You tell me that when she has a dinner party, you keep your apron on so you don't have to talk to people. Thanks for divulging that. I find that if I wear my chef's outfit, I'm more confident than if I was in my normal clothes.

9:19When I was trying to buy my car, I was trying to... Don't tell me you were with your chef's. No, I was doing the deal when I had my chef's outfit on because I was much more, like, assertive. Tough. Yeah, I was, like, in the role. I can totally imagine that. Super hero. Yeah. We don't need psychiatrists anymore. I think we should all have a chef's outfit. I'll give you my mind to take home today. It's a natural barrier. Like if I have to talk to people, if people come to my house, I keep my apron on. It keeps me in the persona. I'm like really nervy. Totally. Well, it's funny though. Also, I was thinking about last night and coming to your incredible dinner and just thinking it's, and as is coming to your restaurant, It's like you're entering this world.

10:08And in a funny way, it feels like, because people think as an actor you're not shy because you're performing all the time and you're putting yourself out there. But as I said, that's really the only way you can, I can exist is by forcing myself into this. But it's like putting on a show in a way, like having a dinner or having, it's putting, it's, it's, you know, having a, having a restaurant or whatever. but even having people for dinner in your own home, I always feel like that. You make it look nice and you sort of put the music on and you sort of light the fire and you can create this kind of world that people...

10:43A stage set. A stage set. But it is all a kind of illusion and really the sort of behind the scenes, you're sort of going... You're definitely shouting at everybody to tidy their bedrooms. Anyway, so I feel very, I think, coming to as a young... Yeah, so let's get back now. Hello, you. Yeah, coming. To this magical place, it felt like, it felt the best way of sort of forcing myself into life because it was you and your family and Rose and just, it was a family. 1989, we opened in September 87. Did we teach you anything? Yes, and you taught me, basically taught me how to cook. You taught me, but that's even more scary.

11:26We opened the restaurant and the 17-year-old was in the kitchen cooking, yeah. No, you didn't. I wasn't cooking, but I was grating. Yeah, of course you were. As Vashti was saying, they still do that here, the waiters, that you really become very familiar with the food and you're making it. You have to get in earlier than most waiters would come to do a job in a restaurant. So you get in a few hours before and you grate the parmesan, or a lot of the time was chopping up the basil and the parsley and things like that and just sort of becoming. and I can always remember you saying and my mum says that to me, Ruthie always says and I said I can remember her saying it just get a good smell going you know and that's true, I always think of that as I'm cooking now, you know it's going to be okay if you've just got this good smell going and then What about being a waiter, who taught you how to wait a day?

12:17No one and I still am I think you're training, that's the training at the River Cafe I mean it really was, I really was a fairy dad, what was the story about the nemesis and the glass. You said you broke a glass over a nemesis, a whole nemesis. I'm sure I did. I mean, I broke everything over everything. I just remember the dry cleaning bills that you guys were having to pay on my bar to people that had red wine dropped in their laps. And I think I've come to the conclusion that actually being a waiter is a very difficult job. And people don't really... Does it make you be nicer to waiters when you go to a restaurant?

12:55Yes. there's so much going on in your head at one time where you really are having to try to remember and you could generally you can get from starter to main course that's okay you can remember because you can see you've taken their plates away but then you take the main course plates away and then you just forget about them for hours because you just forget totally to bring them their pudding menus or and then once they've had their pudding you're just like you totally You don't have to pay a bill. No, don't worry about the bill. That was always the bit that undid me, was remembering. But then I was remembering the other day, there was this awful thing where I still feel guilty about this man called...

13:35I mean, I don't... I think his name was Dougal McDougal, and he was eating his lunch here, and it was a big Christmas lunch, and everybody was going bananas, getting ready for, you know, this service, and then this lunch full of people, and it was a Christmas thing, and so all the people from all the offices were having their Christmas lunches, and the phone was going off the hook bananas. This phone kept ringing, and no one had time to pick it up. That's when we had the phone in the restaurant, and people picked it up and took a reservation, yeah. And I remember finally picking it up and thinking, because I thought maybe this is something, you know, somebody needs to deal with this phone, and I picked it up, and I said hello, and the woman said, oh hello you know you've got a Mr.

14:18Dougal McDougal dining with you today and he's urgently required to the telephone and I I said oh yes absolutely I'll find him for you and I put the phone down and I thought how do I find Dougal McDougal and all these people and then I looked around and I saw this man and I just thought I think you're Dougal McDougal and he had he had a sort of he He was so sweet looking. He had a sort of mullet hairdo and then a suit that was slightly ill-fitting, but he looked really lovely. And anyway, I just thought, you're Dougal McDougal. I think you are. And I went over and I said, are you by any chance, Mr.

14:52Dougal McDougal? And the man said, yes, I am. And I was so victorious. And I went to the phone and I picked up the phone and I said, he's just coming. And he went and all lunch long, and he had his phone call and it was all good. All lunch long, I was just so happy and laughing about this story to myself. And it got me through the lunch. and then at the end of lunch I started telling all the other staff and the waitresses and the chefs and all about it and everybody was laughing uproariously and I said, and I saw this man and I just knew out of everybody in this restaurant full of people that had to be Dougal McDougal, sure enough it was and I described his mullet and his badly fitting suit and then this little voice went, I'm still here, you know and it was Dougal McDougal and he'd gone to the loo while I was telling the story and come out and heard me and I still to this day wake up in the night just feeling bad.

15:43Well, Dougal McDougal, if you're listening to this podcast. I have a big apology to make. I really feel bad. The other night when you had somebody came up to me, this man came up at the house and he said, my wife is dying to meet you. I said, okay. So I went over and I said, I hear you're dying to meet me. And it was the wrong table. I'm not dying to meet you. We're just trying to have our dinner. I'm not going to come to my table and say you're dying to meet me. So things, you know, it was 35 years later. It's still chaotic. But I do remember, the other thing I remember was that cell phones had only just started.

16:22And people were, they had phones in their cars. And they were, some of these men, these sort of guys that were trying to show off and be fancy, would go to the car park and phone in their putting orders from the car park to show off about their phones. We once had somebody, very often we had somebody who was using their cell phone outside, and a waiter went up and for some reason said, you know, we'd prefer you not to use your cell phone. It's disturbing other people. She said, well, I was trying to get the attention of a waiter. She was actually calling reception to ask a waiter to come to her table.

17:01so I mean being a waiter is hard it really is hard it really is hard it really is hard it requires an awful lot of concentration and your brain has to be in about 25 places at once did you ever work anywhere else no of course not I mean I was just I mean I was unemployable as a waitress at home it would be good to try it one more time I should do one I think you should come back here service yeah it will happen to do it yeah

17:31did you know the river cafe has a shop it's full of our favorite foods and designs we have cookbooks linen napkins kitchenware tote bags with our signatures glasses from venice chocolates from turin you can find us right next door to the river cafe in london or online at shop the river cafe That's morning,

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19:47Shop now at washablesofas.com. Add a little... to your life. Offers are subject to change and certain restrictions may apply. Going back to before you were 17. So let's talk about growing up in the Mortimer household and food. What were meals like at your house? Well, yeah, Dad could really cook and loved food, but he always said his idea of good food is food you don't really need. teeth to eat like no like sorts of mashed potato or keggery was his favorite thing a sort of comfort food and i remember as a little little girl my dad always cooked me boiled eggs and toast soldiers that was the thing i was i used to say get my eggs you bugger come down in the morning and send them back if they weren't i mean i was a very she said that i was a very shy child but i was not shy with my dad and so i would yeah i would send back the the eggs if they weren't exactly cooked to my my you know certain specificity and um if the toe soldiers weren't perfectly lightly blonded i was very you know annoyed um but food i mean our family was such a sort of a place of love and also as all families quite dysfunctional in lots of wonderful ways but the one thing that they really always got right my mom and dad was was was meals like we always i can't remember not having i mean we just always ate together where whether it was at um at you know dinner at home with with mum mum normally cooking or sometimes dad or in a restaurant um and restaurants are we just from our dad both me and Rosie my sister have inherited just a love of restaurants and his attitude to restaurants was that it was just sort of that there was no problem so great or sort of heart so broken that it couldn't be slightly made better by a delicious meal in a restaurant with a white tablecloth and preferably a glass or three of champagne and that that you know you that that there was something so cheering about going out for lunch or dinner in a nice restaurant and and I think Rosie and I just still have that we're addicted to restaurant are you yeah I just I just it just feels like such a treat it never stops being a treat and just sort of that feeling of being cozy and with people you love in this kind of special place and and again another thing of that of wherever you are in the world finding a little key into a it's a way of getting to know people and getting to know the place you're in and and and finding some sort of you know place that feels authentic to where you are and and being there generally you're with people you really like eating good food and it tells you about the culture and the place you are did you because I always think of your parents as being incredibly social as well you know yeah they were very social your father was his you know playwright and his you know voyage around my father and he was defending oz magazine was it was he was the oz trial and the sex you know and the sex but you know he's a really radical lawyer who was you know um on the forefront of every case that was happening or everything that was contentious there was john mortimer and yet such a gentle and gorgeous man and penny i was i say the first time I met Penny, she was sitting on his lap, you know.

23:09And I think it was just, they were such a kind of important people in our lives. And so they were able to have this life of going out or people entertaining, and you still felt very part of that. Yeah, it's very much part of it. And, yeah, we were always, I mean, Dad loved young people and children, and he just thought children were sort of, you know, the best type of people. and he was always so sympathetic about being a young person. He said it's just like life will never be as hard as it is when you're young and school is awful and it's just like these terrible hours, unpaid labour and, you know, given terrible food at lunchtime and he was very just completely sympathetic to the plight and the loneliness of childhood.

23:57So he was very inclusive and lunches and dinners or whatever it was, it was always like we were never sort of expected not to be part of it and so I really think no matter sort of how much life is falling apart at the seams which it always is of course like if you can manage to kind of corral you know I mean the people that you love and uh together for lunch or dinner or whatever it is it just does make a difference it feels and so it feels it just feels really comforting to me to be sitting around a table with people and because that was the part of life that I think really was functioning you know when I was little it was really nice and when you left this joyous home of being sitting around the table and you and you left you went to Oxford yes no you went to Russia first I went to Russia on my gap and did you manage to find a home that was like that in Russia or were you sort of in the middle of nowhere I was in Moscow and I do remember eating there a lot I can remember the food very well and there was always I mean I I love Russian food because probably I associate it with that time, but that's quite sort of stodgy, like sort of palmeni little dumplings with cream, but also lots of dill.

25:12They put dill on everything, and I still cook lots with dill. Somehow that really kind of brings me back to being there. And then I remember I cooked my first and last goose in Moscow. I went to a market to buy, because I was going to try and cook a roast chicken. And then I went to the market and they didn't have any chicken, but they did have a goose. So I called up my mum. It was very difficult to get through. You couldn't really make phone calls back and forth to England. What year was that? 89, 90, so it was probably 90 then. And I had to go to this hotel and pay with a credit card for my phone call that cost about sort of£50 pounds to sort of have a five minute phone call back to to england and i remember mom looking up the recipe for a goose she kept saying a goose is very different from a chicken darling anyway i remember spending just all day long with this goose and i finally i remember put taking it out putting it into the oven and because it was like you had to take the wings off and the breasts off and then prick it and primp it and i don't really remember but i've i can remember putting the goose in the oven saying, I'm so sorry, I feel like I've really got to know you so well over this time.

26:27I feel terrible about cooking. It's quite intimate. Yeah, intimacy and cooking. And then you went to Oxford. Did you care about that you didn't eat well in Oxford or did you eat well in Oxford? Did your parents rescue you from? I can't really. I went to Lincoln College, which was famous for its food, but I don't really remember eating much. I think I just went to lots of parties and slept and didn't do anything apart from plays. I didn't really cook there, no. I did. I just, yes, as I said. Would you go home for family meals? Yeah, I'd go home because I could drive back home. It was about a 45-minute drive back home.

27:04And so I'd go home at the weekends and things and take my washing and get a good Sunday lunch. and um yeah Sunday lunch is something I really sort of remember from that time of my life because I mean and then when I was in my late 20s I moved to America where they don't really have Sunday lunch but the the sort of smell of Sunday lunch cooking and my dad listening to the radio and Radio 4 and the sort of the smell of something delicious sort of um cooking you know is something that I really miss. And coming back here when it happens, I just sort of immediately just feel full of nostalgia and happiness.

27:43But now that you're a mother of two, do you replicate any of those traditions? Yeah, I do. I do try to. I do. I mean, I do like a sort of race, whatever. You do have Sunday lunch. Yes, I do. But it's hard to keep up that tradition when the culture isn't doing it. They have brunch. So they have brunch. In New York you have brunch. Yeah, brunch is a whole thing, and I never really know what to do for brunch. If you had to cook a brunch, what would you do? I think probably I'd go and get bagels and cream cheese and isn't that what they eat? Yeah. I find that going out to lunch in New York on a Sunday is really challenging because you can't have lunch.

28:20It's a brunch. And so it's kind of, by that time, it's 12 and maybe I've had something in the breakfast and then it's breakfast all over again. I think they say it's lunch, but it is really pretty breakfasty, isn't it? Yeah, it's basically glorified breakfast. Yeah, I know. And then I panic because I feel like I've got to, I don't really know how to do a brunch, so I sort of, I go really over the top, and then it's like sort of brunch at the Four Seasons, or something, it's like quiches, and there's just too much. But yeah, no, Sunday lunch is, but you have to, if you do a Sunday lunch in America, you have to sort of make a thing of it, because people don't really carve out that time on a Sunday to just sit around doing nothing.

29:01Do you think it is a really different culture of eating in Brooklyn and London in terms of going... Do most of you... Do people go out to dinner? People go out much more, yeah. It's starting here too now, I think. You know, I think they're... Do you go out to people's houses for meals or do you mostly go to restaurants? I'd go to people's houses. Yeah. Probably more now. I'm older than I used to, I think. I was talking about it with one of the young chefs today. and he was saying he'd gone to eat in another one of the chef's house and they felt really grown up because he was saying most times you'd go to the pub or go out to a restaurant, whereas now they're starting to go to people's houses because people are starting to get houses.

29:42Right. You know, I think maybe it kind of times in with when you have a property or something or somewhere big enough to host maybe. I like, I mean, I always like a home. You know, I love when I go to a foreign city and eat at home. Yeah. You know, because as you say, that kind of what you were saying before about certain restaurants, but it does tell you about the culture, doesn't it? Yes, totally. It tells you about how people are and you sit around. It's nice. There's so much in a cooked meal from somebody that, you know, at home, because their whole history and all their culture and all their, everything is baked into whatever it is you're eating in the most kind of, But it's so specific.

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30:24It's like somebody's handwriting or something. It's like everything about their history and the history of their lives and culture and everything is somehow in whatever this dish is. And it's just so nice. We had that. I think I've told this before. But we were in Prague and Richard had an honorary degree and we were walking around. We couldn't find a restaurant. And we just stopped somebody and said, can you tell us what would be a good restaurant to eat? And then she talked and then she'd been to Richard's lecture, so she invited us to her house the next day. And we went. On the way there I was going, we're going to somebody's house that we don't know.

31:06And it was so touching because they'd gotten out all the family, linen, and she made all these Czech specialties. And it's something that's really stuck in my mind about how nice it was. Well, yeah, that always happens in Russia, actually, in Moscow. you know you would go to people's houses and they'd invite you for for dinner and it would be this whole thing that would last the whole day long and and they'd generally living in tiny apartments you know on on the outskirts of the city but they would put like a they'd make a table out of sort of a bit of you know wood and and and put some chairs together and make this table in the middle of the the only sort of living space and and it would be just this feast and all all these crazy mismatched things, but just like dish upon dish upon dish and sort of just so special and you feel so, you know, it's such an act of love in that way.

32:00Yeah.

32:04If you like listening to Ruthie's Table 4, would you please make sure to rate and review the podcast on the iHeartRadio app, Apple Podcasts, Spotify, or wherever you get your podcasts. Thank you.

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34:12No return shipping or restocking fees. Every penny back. Upgrade now at washablesofas.com. Offers are subject to change, and certain restrictions may apply. We mentioned all the work you are doing, not what you did. Tell us about how you either write, direct, or act with food. Yeah, well, so food is so... I mean, food really is something that I just find to be one of the things that cheers me up most in life. So even if it's bad food, I don't mind what it is. So on a film set, you generally get very bad food. But even that, I just look forward to it. So much lunch, you know, and I still can't quite believe I'm being given a free lunch, free hot lunch, you know.

34:56And it just is that little, and generally what's happened now, which I hate, is that they've got much more into these continuous days where you just sort of eat on the run. You know, you're given 10 minutes to sort of do it. And it means, it does mean that everybody goes home earlier. So instead of a 12 hour hour. Is that called the French style or something? Somebody said that was a French method where, you know, you keep working and working and working. You keep working through. I really miss that thing of just being, because again, it's like the food bit of the day, the lunch, is a time to kind of recover.

35:30You know, just to, it's like a rest. When you're acting. When you're acting and you need, I really think you need an hour to just sit there and eat your sort of generally not very good sort of cabbage and, I don't know, whatever, sausage or something. But just it's still a treat. And you kind of just feel like, oh, I've just got this little moment to sit and think about what happened this morning and or just zone out. And then just kind of then gradually get ready for the for the next half of the day. And I do feel like that little the little breaks in life. It's like little holidays from life that meals can give you.

36:04And on a film set, that's just definitely true. And it's part of the social life of being on set. and as such is really an important focus for the day. So I really love, I love catering. As I said, whether or not it's good or bad, I just love the facts of it on film sets. And then... What about as a director? And as a director, that's harder because you are so overwhelmed with all these different millions of things that you've, plates you've got spinning and questions you've got to answer that you can't really afford the time to sit and sort of chat and have your lunch. So I didn't, that wasn't really a big part of the day for me when I was directing.

36:47And then writing is such a solitary thing. But I found that I can only really now write, I think I must have some kind of sort of undiagnosed-ism where I can't write unless I'm in a very loud, busy, like I would be able to write brilliantly in the River Cafe. But I have to, so there's a cafe on the end of my block, a kind of restaurant that's open all day long in Brooklyn, and I go there and I sit there literally for hours at a time. And it's quite good because there are generally a lot of... I think I like the kind of buzz of noise, and I kind of feel like that's the only way I can sort of do it, whereas if I sit at home, I just get very sleepy and fall asleep.

37:31Do you eat, though, at the cafe? And then I eat, and then I have my little sort of salad or a little bowl of pasta at lunchtime, and that's my break. You know, Christopher Hampton, I think it was, it might have been Les Laisons d 'Angereuse, I can't remember, but certainly when we opened, I think he was a friend of Rose and he would come with, I don't even think our computers in 1989, so he probably just came with a pad and hand-wrote it and he would sit there and write. There are people who come and work. Rue, my son, he really likes to work in a cafe. And Richard used to like working. We had countless studies in the house or places where you could be quiet and work, and he would always choose the kitchen table or the kids would come in.

38:13Yeah, the noisiest bit. It's interesting about how different people work. Do you think about what you're going to eat the next day when you're going to bed? Do you sometimes think, what will I have for lunch tomorrow? Or do you think about it when you wake up? I sometimes sort of, not really, I mean, I guess I think about what I might buy to cook for people. But no, my dad was a great one for that. Like we had to basically have decided what we were eating in the car on the way to any restaurant. I think because it was so funny, he definitely had lots of undiagnosed isms. It was like lots of sort of anxiety.

38:47So around, you know, he loved restaurants, but we had to be in and out. And he got very irritated if anyone ordered pudding. but he and we all had to have worked out what we were going to have before we sat down you know so um yeah so you would go back to the same restaurant yeah yeah what was it he loved the walls he was his place yeah or here and so he knew the menu yeah yeah yeah yeah i get that yeah but richard i was just as you said richard i just do feel like though i just that memory of him with that kind of beaming grin in here. And no matter how many glasses of Nebula I was spilling or Dougal McDougal's I was sort of being mean to, there was just this feeling of this just kind sort of Cheshire cat there that just made everything, it didn't matter, you know.

39:39But you were, I will not have it said that you were the worst waitress at the Ruby Cafe. Sometimes it's really interesting. Emily says I'm the worst waitress or somebody said was Emily the worst waitress. I'd say you were right up there on the top, top, top, right? All the qualities she's talking about is something we'd look for in a way there. I do remember just feeling so, it was just so sort of, I know glamorous probably isn't the right word, but that's, I don't know, just sort of full of sort of magic. And you felt all these magical people would come like, do you remember? Of course you remember, but Adam Alvarez used to come with the truffles.

40:14and just the most handsome man on earth just like this truffle man who would come having got all these truffles from wherever, was it Alba or I don't know in Italy and you're just like oh my gosh who are these people this collection of amazing characters that are attracted to you and your world and are part of it all and it just was it felt a little bit like sort of Alice falling down the rabbit hole just ending up in this it really is, you know, magic. Yeah. So tell us what you're working on now, Emily Mortimer. We'll see. Ruthie Rogers. Ruthie Rogers. I came to do Paddington 3, and I shot that here in London.

40:57I was so happy to come back and be here for a long period and work on that incredible franchise. It's beautiful. It's a great film. It's really amazing. Especially now in these times. Yes. There's something about, like, please look after this bear. It feels even more important than it ever did. And I felt so grateful to be a part of that and to be able to bring my family, my little American family, here for a while and be in London. And then more and more I seem to find myself writing and directing and being more less in front of the camera and more behind it, which I'm really enjoying. I love it so much, and I guess part of it is being this shy person, but that you, I always sort of, I both sort of wanted to have attention on me and perform and everything in a way, and then also just was sort of terrified and horrified by it, and it made me quite sort of neurotic.

41:53And I find writing and directing much less so. It's just all about telling a story, which acting is too, and when it's at its best, acting isn't about how pretty you are, how clever you are, how funny you are, all these silly things that don't mean anything but you you do get quite distracted by all that so what is the writing and directing you're doing oh so i have written this film with noah bambeck who's also a great fan of the river cafe and of yours and um that's being shot here in the spring and that was amazing and i learned so much from him obviously and um and then i'm writing a film um of my own um to direct hopefully about my time in russia actually and yeah so i i feel i'm enjoying this bit of of my creative life in a way that is different from how it was before it feels it feels uh just fun good and you and going back to the food you might shoot in italy yes so noah's movie we're definitely shooting half in london and half in italy in tuscany when you make a film in another country to think about the food of that country totally i mean it's going to be amazing i mean it will be because he's a real foodie and he loves italian food too and so there's no doubt that food on that film will be amazing no that'll be so nice you've got to come i think you've got to be in it ruthie we're gonna be in it yeah i think he wants you to be in it i I think he's convinced you.

43:22He's assuming me. I don't think we can put me in the back. It'd be a cameo. It'd be a cameo. Quick quote, quote. Yeah, exactly. The last compliment I had was over food in New York. I had dinner with this couple, and apparently we had such a good time, they went back to California. They were both screenwriters and actors or whatever. And they bought a dog and named it after me. No! Oh my goodness, that's the highest compliment. I think all the dog movie. So I can either be in a film or I can have a dog named after me. What kind of a dog was that? I don't know, because I'm not a huge dog person.

44:06It's so funny. You said, oh, you know, I thought maybe something like that was coming. They're going to put you in a movie, all right? They liked you so much, they named your dog after me. so our very very last question which we do is to say if food is love and food is you know traveling and food is your memories of your parents and i remember those sunday lunches at turville heath where there was cricket and food and sitting and children running around and um i remember all the meals i had with your your family and a great meal i had with you last week and back to Thanksgiving. So food is all that.

44:43It also is comfort. And so, as I was saying, I hope you don't need comfort very often. If you do, call me. But if you don't want to call, is there a food that you would go to for comfort? Well, for some reason, it's so weird. It's ravioli. Ravioli. Good. I get it. I find ravioli just the most comforting food. And whenever I'm asked what my favorite food is, I always say ravioli. and Maisel was saying, but you never have ravioli. And I'm like, that's my daughter. She said, but that's such a lie. You don't have ravioli. And I'm like, I know, but I love ravioli. And if I were to feel really like I wanted to treat myself or I was feeling really sad, I'd order a plate of ravioli and it would make me feel, I don't think you could feel, and it's quite hard to make bad ravioli.

45:29I mean, of course it is. I guess it's quite easy probably, but I just think ravioli is delicious and comforting. Putting a fork in and the mixture. Something oozing out. Sean made the most amazing. I hope we have ravioli. Do we have ravioli on the menu today? We do. Do we? Yeah. I'm going to have to have it. What are they? What's one of them? They've got a mixture of greens in today and ricotta and pecorino. They're nice, I think. Oh, God, I'm definitely going to get that. Even though you don't need comfort. Well, if it goes back to my dad, food you don't really need teeth to eat. It's probably the best kind.

46:07Okay, let's go have lunch. Thank you. You just suck on our revenue. So nice. You're great. Oh, I loved it. Thank you so much. Thank you.

46:18Thank you for listening to Ruthie's Table 4 in partnership with Montclair.

46:32Ruthie's Table 4 is produced by Atomai Studios for iHeartRadio. is hosted by Ruthie Rogers and is produced by Willem Alinsky. This episode was edited by Julia Johnson and mixed by Nigel Appleton. Our executive producers are Faye Stewart and Zad Rogers. Our production manager is Caitlin Paramore and our production coordinator is Bella Cellini. This episode had additional contributions by Sian Wynn-Owen. Thank you to everyone at the River Cafe for your help in making this episode.

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From the publisher

I’ve known Emily Mortimer since she was six. Her parents were close friends—John, a playwright and barrister, and Penny, a fly fisher and tennis player, who managed the no small feat of smoking while playing the game.

What Emily does now is impressive—she's an actor, a writer, and director, known for such films as Notting Hill, The Pursuit of Love, Newsroom, Match Point, and Apple TV’s latest, The New Look, with Juliette Binoche.

Not that she has only worked onscreen. Emily was one of the first employees of the River Cafe, back in 1989 when being 17 and totally inexperienced was no obstacle to being a waiter.

Together in The River Cafe today we're going to talk about food, memories and cooking a goose while studying in Russia.

See omnystudio.com/listener for privacy information.

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