Jorge and Paola Ramos

27 Apr 2026 · 44 min · 21 chapters

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In short

Father-daughter journalists Jorge Ramon and Paola Ramon discuss how food, immigration, and journalism intersect—using personal recipes and reporting experiences to explain nostalgia, identity, and political repression. They also launch their podcast The Moment and argue journalists must question power.

Guest backgrounds

Jorge Ramon is a Mexican journalist who worked in U.S. politics (Clinton/Obama/Biden circles) and later became a documentary journalist; he interviewed Fidel Castro and Nicolás Maduro. Paola Ramon is his daughter, a journalist who grew up across countries (born Miami; raised in Madrid) and worked in major news/political campaigns, then moved into journalism and documentary work.

Key claims

Food preserves identity for immigrants; nostalgia can “return” lost time. Journalism requires challenging those in power. Latinos are underrepresented in mainstream media. In Venezuela, Maduro’s regime rejected evidence of hunger.

Notable examples

caldo de camarón (shrimp soup) and its labor-intensive preparation; Cuban cortadito coffee with condensed milk; tacos al pastor; Jorge’s Maduro interview where cameras were seized and they were deported after showing kids eating from trash; Jorge’s Castro encounter and subsequent inability to return.

Written by AI. May contain mistakes. Listen to the episode to check what was said.

Chapters

Tap a time to open that second in VO

Exploring Family Recipes and Traditions

2:24 to 4:10

Jorge shares a heartfelt story about his mother's shrimp soup recipe.

“Now, we have one way of doing this, which is that everybody who's on the podcast asks, would you read a recipe?”

The Immigrant Experience and Food Memories

4:10 to 7:03

Jorge discusses the significance of food in connecting with his roots as an immigrant.

“It's very spicy, lemony, ajo, with garlic.”

Paola's Mixed Heritage and Family Influence

7:03 to 9:21

Paola reflects on her multicultural upbringing and its impact on her identity.

“As an immigrant, you're always looking for that food that brings you back, like Marcel Proust.”

Jorge's Encounter with Fidel Castro

9:21 to 12:31

Jorge recounts his tense interview with Fidel Castro and its implications.

“One day, my husband was the architect with Red So Piano of the Pompidou Center in Paris.”

Political Landscape in Cuba and Venezuela

12:31 to 14:03

The discussion shifts to the political situations in Cuba and Venezuela.

“And so I went through Spain with my Spanish passport and I did a small documentary with a producer just with our phones.”

Power and the Trump Doctrine

14:03 to 16:45

Discusses the ideological motivations behind political figures and the concept of the Trump Doctrine.

“Maybe for him, it's just about power and money.”

Venezuela's Hunger Crisis

16:45 to 18:25

Shares a personal anecdote about hunger in Venezuela and the arrest of journalists by Maduro's regime.

“Or that we were showing the president, the dictator, images that he didn't want to see.”

Cooking Langoustine with Borlotti Beans

18:25 to 19:55

Provides a recipe for cooking langoustine with borlotti beans, detailing preparation steps.

“So it's langoustine with borlotti beans, which you know are the red beans.”

Family Memories and Hot Chocolate

20:26 to 22:41

Explores the significance of family traditions and personal memories tied to food.

“Real lesson here, the real surprise, we don't really cook.”

Evolution of Mexican Cuisine

22:41 to 24:18

Discusses the sophistication of Mexican food and its evolution over time, including a Michelin star taqueria.

“Did he find someone else who could make that hot chocolate?”
Show all 21 chapters

Identity as an Immigrant

24:18 to 28:00

Examines the complexities of immigrant identity and the generational differences in experiences.

“And then you go to Puyol and then you realize that it is, that Mexican food has traveled very well.”

Exploring Cultural Identity and Migration

28:00 to 29:00

Discover the complexities of identity shaped by immigration and cultural roots.

“For my grandfather, the dream was always to go back to Cuba.”

The Impact of Immigration on American Identity

29:00 to 31:40

Learn how the immigrant experience reshapes perceptions of American identity.

“and not feeling Mexican enough, being here and not feeling American enough, I sometimes feel that, you know?”

Food as a Reflection of Political Identity

31:40 to 32:50

Understand how food symbolizes political migration and identity for Venezuelans.

“Like the trend now is to no longer come north.”

Reverse Migration and Its Significance

32:50 to 34:10

Explore the trend of reverse migration and its implications for cultural identity.

“Would you stay in a country where you could pick up the streets and put on an airplane?”

Life Inside the White House

34:10 to 36:50

Get insights into life in the White House from a former assistant to Dr. Biden.

“at the very beginning of Las Vegas and how this all came out?”

Transitioning from Politics to Journalism

37:14 to 41:44

Discover the journey from political campaigning to journalism and podcasting.

“So after the 2016 campaign, I left politics.”

The Role of Journalists in Challenging Power

41:44 to 42:00

Understand the responsibility of journalists to question authority and build trust.

“I think Venezuela is going to stay with us for a while.”

Press Freedom and Journalistic Responsibility

42:00 to 43:02

Explore the challenges journalists face in asserting their role in society.

“Because you couldn't say, excuse me, is that right?”

Food as Comfort: Personal Stories

43:02 to 43:59

Hear heartfelt stories about comfort foods and their significance to identity.

“I have one last question, which is that we ask everybody a question, both of you, to answer, each of you.”

Family Recipes and Cultural Legacy

43:59 to 44:43

Delve into the importance of family recipes and their connection to cultural heritage.

“No, but that's my Cuban grandmother's, like, the one recipe that she still stands by that she learned from her mother in Cuba, from her great-grandmother who was Lebanese and ended up in Cuba.”
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Transcript

Automatic transcript. May contain errors.

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1:00Ruthie's Table 4, presented by Sky. Cold open. You want to be silent? Don't be a journalist. I think part of our responsibility is to question and challenge those who are in power. And if we don't do that, then we're not doing our job as journalists. And our job mainly is, of course, reporting the reality as it is, but to question those who are in power. Introduction. Growing up, as I did in the 60s, the United States was a tumultuous time. The assassinations of President Kennedy, Malcolm X, Martin Luther King, the Vietnam War, Kent State, Watergate, Selma, and much, much more. In a frightening world, journalists were heroes, seeking the truth with integrity and courage.

1:45And so today, when we need them more than ever, it was thrilling to be introduced to two extraordinary journalists, father and daughter Jorge Ramon and Paola Ramon. Listening to their podcast, The Moment, is a revelation. They question, they analyze, and they report. Jorge and Paola and I live in different countries and have different professions. But I feel there are strong connections. There's Mexico, food, friendship, and truth. I also have the feeling this is just the beginning of a strong friendship. Oh, thank you so much. Beautiful introduction. Thanks for inviting us. We are. I'm thrilled.

2:25Now, we have one way of doing this, which is that everybody who's on the podcast asks, would you read a recipe? And I was trying to think of a recipe to choose for you because I am passionate about the food of your country. And such a conversation is about how different it is from the perception is the reality, I think. But we chose a recipe with beans, bollotti beans, which are Italian, and langoustine, which are you know the crayfish they call them in there I don't know what I would like this team the small lobster Camarón? Yeah, Camarón. It's so interesting that you're saying that because my mom always cook for for Christmas and for the end of the year sopa de camarón, caldo de camarón So it's a shrimp soup very very spicy and I remember the mornings of December 24th and December 31st that she would wake up very early in the morning.

3:22She would have a stack of hundreds of little, very little shrimp, Camaroon, and then she would peel each one of them by hand. So by the time we went to eat it, it was my mom's spirit going through that. So I've been following for the rest of my life that special flavor of caldo de camarón, the shrimp soup and I'm telling you I haven't been able to find it. My mom fortunately she's alive but she's not cooking anymore. We should go to Mexico and get that recipe. But my sister, somehow she got the recipe and whenever I go to Spain where she lives I have caldo de Camarón which brings me back to my chaffle.

4:08Can you describe it? What's it like? It's very spicy,

4:16lemony, ajo, with garlic. You have to get the little shrimp from the market. Dry shrimp. Oh they're dry? It's dried shrimp. So they get it, you have to get it in the morning or the day before and then you peel hundreds and hundreds of little tiny shrimp. Once they do that, they fried it and after that on the side they will create a broth, again spicy and lemony with oil and so many different species that I cannot even remember and then they put it together at night. So it takes I would say eight to nine hours just to have it ready. So when you have it, it's really a treasure for you. And do you mostly do have it at Christmas?

5:09Is that something that you can have? We used to have it at Christmas, at Christmas and New Year's. And I was waiting the whole year just for that. Because for some reason, I don't know why, my mom wouldn't do it throughout the year. She would wait for that moment. And I'm still waiting for that. I've never seen you, I've never seen him be so passionate when you talk about. No, truly, but I think that speaks to the memories that come up. Because I'm an immigrant, I came to the United States, and as an immigrant, you lose so many different things. So food is a way of bringing me back to my country.

5:45I never wanted to be an immigrant. I became an immigrant because I had to. I wanted to be a rocker and a soccer player, but never an immigrant. And then when you're an immigrant, food brings you back to your origins, to the country where you came from. And caldo de camarón, the shrimp soup, tacos al pastor. What is that? Well, the tacos that you have on the street in Mexico City where you were, you can walk any neighborhood. And then you would have the tacos on the street and you eat the tacos standing up. You have to open your legs so the sauce and the lemon and the sauces from the pork wouldn't fall down.

6:35And so I'm always looking for the best taco al pastor all over the world. All over the world. And have you found one? No. No? No, the one that I remember is when I was young in Mexico. So I'm looking for that flavor that I had when I was 20, when I was 21, before I came to the United States. And it's... I'm not sure if I'm ever going to find the same flavor that I left. But it's a good question. As an immigrant, you're always looking for that food that brings you back, like Marcel Proust. Is the time lost? somehow you think you can get it back yes by by eating the same thing and then every once in a while when I go to a restaurant and I find that that that bite that brings me back to Mexico there's something spiritual something something happens I'm not religious but in that moment do you feel I'm I'm as young as 10 years old I'm as old as I am right now yeah that is food and do you feel as the next generation what is your what are your memory you know your feelings about that?

7:40I mean, I think when you look at the picture of what our family is, I have a Mexican dad. My mom is Cuban. I grew up in Madrid, but I was born in Miami. Wow. That's a lot of... Exactly. But I think it speaks to, in a way, the way in which our family has been fragmented, but also I think comes together and we're able to kind of hold on to these identities through these memories that my dad is talking about, right? And food for me in a way has been honestly the closest thing that I've had, for instance, to feeling Cuban, right? Like my, at least on my mom's side, they have spent their entire lives living as exiles.

8:21I grew up with my mom's side in Madrid. So with my Cuban grandmother and my Cuban grandfather and my Mexican grandmother, my dad's mom, she was in Mexico. So I have this proximity, this closeness with my Cuban side. And what comes up are two things. Number one, the cafe cubano, um,

8:44Cuban coffee, but it's, it's, it is so sweet. It probably gave my grandfather two heart attacks, two heart attacks that he did have because it is a shot of espresso with condensed milk. And every day my grandfather would have two cortaditos every day. And he passed away two years ago, But our routine, particularly the last couple of months of his life, was every afternoon we would have our cortadito together. At what age? I mean, so when you were young even? Since I was young until he passed away when he was 80 years old. Was there sugar in it as well? He put sugar. I did not. One day, I'll tell you a little story.

9:25One day, my husband was the architect with Red So Piano of the Pompidou Center in Paris. and we used to walk to work after lunch because being Italian you had lunch every day at home that's when I started really cooking and so we'd walk back and we'd go to a cafe and have an espresso and then we'd take the espresso and one day by mistake I took Renzo's espresso and it had sugar in it and it was so delicious and you love it coffee can taste like this because the Italians always probably like perhaps the Cubans put sugar in their coffee everywhere but but specifically that condensed milk of el cortadito is i mean i think it's such a i mean it's so he was cuban my grandfather was a was cuban he was a cuban exile so my my mom's side fled from cuba in the early 60s so right as fidel castro's taking over my grandfather was a political prisoner so he was in jail for for over a year castro batista under castro under castro And then my mom and my grandmother luckily were able to get out.

10:28My grandfather eventually got out. And obviously, you know, my dad ends up in Miami as a Mexican journalist for work. But I think Miami in that sense brings together, I think, people that are constantly yearning, knowing longing and nostalgia. I saw that you interviewed Castro. Fidel Castro and Nicolás Maduro. How is Castro? Tall. And then he asked me if I was living in Miami. I said yes. And then back then there were no cell phones. And I thought, 1990 probably. And then I thought if somebody takes a picture of me because he put his arm around my shoulder, I saw his nails, huge nails, dirty nails.

11:21and the brain is incredible because while I was thinking of all this I was thinking if somebody takes a picture of Fidel Castro embracing me I cannot go back to Miami. So I started asking him questions about the lack of democracy. Back then there was the idea of a plebiscite in Cuba. As you know the Soviet Union had disappeared so everybody thought Cuba was next and then one of his bodyguards he didn't hit me but he pushed me by my stomach and I ended up on the floor and then Fidel Castro kept on walking and never looked back. Never looked back? Never looked back 59 seconds. You've never been back since.

12:04And I was no I cannot go back to. Can you? I've been and which almost gave him a heart attack. Of course because yeah I went one time when when Obama opened it the first time that that he opened it and I that was a purely personal trip right that was a way for me to to see where my family I did I visited where my mom was born I I met some of the very same neighbors that were still there when she was born in 1961 and that was very emotional and then I went again during COVID as a journalist and so that I went through Spain and then also questioning my ability to to go with his last name and with my grandpa's last name Ramos and Montaner a political prisoner and a journalist that had been kicked out by Fidel.

12:50And so I went through Spain with my Spanish passport and I did a small documentary with a producer just with our phones. It was basically just getting an inside look into the protesters that had taken the streets of Havana and many of them had ended up incarcerated. And so we embedded with some of the artists that were still protesting and were activists. We got a very good sense of the repression that was obviously still in place. And more than anything, we really witnessed the way that the pandemic had just really pushed the country into unprecedented crisis. I think the very same crisis that we're seeing right now in Cuba.

13:31People say that Venezuela could also be Rubio's war against Cuba. Absolutely. I think part of the problem is that there seems to be no plan B. So you take the dictator and then what do you do? But I think that is I think Rubio comes from a family of Cuban immigrants. His rise, his political rise is due and thanks to the Cuban-American elite in Florida. And so I think maybe for someone like Trump, there's no incentive in all of this, right? Maybe for him, it's just about power and money. But I think for someone like Rubio, to your point, I think there's like a real ideological mission there. There's something new right now.

14:13I think it's a new doctrine completely. No, people say it's not the Monroe Doctrine. Don't, that's how Trump likes to call it. But I think it's really the Trump Doctrine, which is basically America for Trump. It's power, power, power, power. And then the world divided between Putin in Eastern Europe and then China on Asia and the United States controlling the Western Hemisphere. But when you were talking about Venezuela, You did tell Maduro that his food was garbage and that people were eating. You did bring up food. You brought up the food. Didn't you tell that story? Yeah, what happened is that Nicolas Maduro invited me for an interview.

14:57He thought he was going to... Nobody gives you an interview. They think they're going to lose. So he thought he was going to win. And I started the interview telling him right up front that he was a dictator. Obviously, he didn't like that. But he kept on talking to me. We talk about political prisoners. But then the days before the interview with Nicolás Maduro, I remember driving with my team and then noticing that people were very hungry and that they were eating from trash cans. Close to the Palacio de Miraflores, the presidential palace, I saw a trash truck, un camión de basura, and there were kids eating from the truck.

15:41Had you ever seen that anywhere else? Yes, everywhere. Okay. So you've seen it in democracies? Yeah, I've seen it everywhere. You see it even in the United States, in Europe. I've seen it everywhere. But when you're in a revolution and you say, as they were saying, that people were not hungry and that people were doing better and that you couldn't see that, I just wanted to tell him that it was also happening in Venezuela. So I showed him the image of the kids eating from the trash cans, and he stood for everything except for that image. So he stood up, he put his hand in front of the laptop trying to prevent the cameras from seeing that, and he stopped the interview.

16:28Not only that, they stopped the interview, they stole our cameras, they stole the video cards, They arrested us, and then they deported us the day after. And they arrested you. Did they have to have grounds for arresting you, or did they just say? The grounds were that we were asking. You were insulted. Or that we were showing the president, the dictator, images that he didn't want to see. So he wanted to prove that he was a democratic leader. I think at the end we proved that he was not. But everything at the end had to do with that image of kids eating from trash. Somebody said that to me last night.

17:04I had dinner in San Francisco, the friend of mine, and I was condemning, I think we all feel, that there are two separate issues here. One is walking into a country and say you're going to run the country, and the other one is what you're talking about, the person there. And it happens everywhere. And she said to me, Ruthie, they were eating garbage. And yes, they were eating garbage, and it's a terrible situation. And they're continuing to eat garbage. And they are, and we have, you know, food poverty is a huge issue. I think even now in the U.S., right? I mean, I think the number one issue on voters' mind, Democrats or Republicans, is the issue of affordability, right?

17:43It's the idea that even the most, you know, the richest country in the world, you know, has families that literally can't make it. And so I've, you know, I think even even in New York, it's been interesting because I live in New York and I've spent obviously a lot of time with different type of voters and even hearing some Trump voters like deep in Brooklyn, like Dikers Heights, suddenly find something appealing and someone as, you know, progressive as Zohar Mandani. And it comes down to that, to this idea of affordability, of not having literally enough food on their plates. And so I think it's the top issue for everybody right now.

18:25So this is the recipe. So it's langoustine with borlotti beans, which you know are the red beans. So it's with fresh beans. Okay, so langoustines with borlotti beans. Serves to 300 grams potted fresh borlotti beans. Two garlic cloves peeled. Six fresh saged leaves. 50 milligrams of olive oil. 100 milligrams of extra virgin olive oil plus extra for drizzling. Okay, juice of one lemon. 12 langoustines cooked and peeled. One fresh red chili seeded and finely chopped. A small bunch of fresh marjoram leaf chopped. All right, okay. So put the bologna beans in a large pan and cover it with water. Add the garlic cloves, sage leaves, and olive oil.

19:16Bring to the boil, then reduce the heat and simmer for about 40 minutes or until the beans are softened and edible. Drain off any extra liquid from the pan. Add the extra virgin oil, lemon juice, and peel langoustines to the warm beans and toss gently over a low heat until the langoustines are just warmed through. transfer to serving plates, add the chili and marjoram, and drizzle with extra virgin olive oil. Okay, thank you. I don't even know how much we mispronounced.

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20:44And I say to my mom and my grandparents through food, through these memories that take you back. And even within the family, something interesting is that she learned to drink coffee. But in Mexico, for some reason, my mom, when we were growing up, she used to say that only adults could drink coffee. So I grew up drinking hot chocolate, which I do until this time. And then I started just drinking coffee maybe a couple of months ago because they say it's good for my stomach. I mean, I had to train my dad. Every single night, my dad drinks hot chocolate. That's quite modern, I think. Yeah, Nesquik.

21:31Well, it's just the same the same flavor. What about the chocolate you know of Mexico, the mojaca? Well, I'm not sure if you want to get into this, but my mom and my dad, they had a great relationship. But up to a point after 40 years and five kids, there was something missing. No. So my father was very, very strict, but every night he expected hot chocolate, Mexican hot chocolate made by my mom. And it had to be in a special way with foam at the top. But if it was not at the right temperature and with foam at the top, my dad, horribly, would push aside the hot chocolate and said, it's not right.

22:18and he wouldn't drink it. So my mom, with a lot of discipline, she did it for almost 40 years. And one night she said, Jorge, that was his name, I'm not going to make that hot chocolate for you ever again. And then they split. That marriage was over. They split. My dad left. Did he find someone else who could make that hot chocolate? He went to my grandma's house where she would do the chocolate for him. Anyway, eventually my dad came back and my mom kept on doing the hot chocolate until he died. Your dad came back? His dad came back. And then she took it. She kept on doing the hot chocolate. The misconception, I think, about Mexican food in the United States, which is that it was heavy, there's a lot of food on the plate, You have mixtures of tortillas and this and that and beans and rice and everything.

23:16And then I went to Mexico and it's very light food. It was clean. It was pure. It was a beautiful piece of fish that had been cooked with, you know, chilies or, you know, something very delicate and very thought out. It's very sophisticated now. And even at the street food as well, when you're describing, you know, the tacos or the burritos or what you're having, there still is a clarity of taste, I think. And right now, I'm sure you realize that just a few months ago, there's a taqueria, a place for tacos, that got a Michelin star for the first time. Yeah, where was that? In Mexico City. In Mexico City.

23:53In Mexico City and then it used to be just a regular place for tacos and now has become, there are lines and lines and people wait for hours just to get it. But you're absolutely right, Mexico City has become a place that you go just to go to different restaurants and the food is incredibly sophisticated. There's a wonderful restaurant called Puyol. I love Puyol. It's amazing. By Chef Enrique Olvera. And then you go to Puyol and then you realize that it is, that Mexican food has traveled very well. I loved, I don't know if you used to do that, but the hours that Mexican people, Mexico City ate.

24:33So you have breakfast. That's what we did. My friends and I would go out to breakfast to a place called Nido. And we would go out at about 10 or 11, have breakfast. I'd go to the hospital, then we'd have breakfast. And then you'd have kind of late, late, late lunch at about 4. I'd sit there until about 6, 6.30, and then no dinner. And I loved that. They'd have an apple or something, a piece of fruit for dinner. That's what they call soda. There's a name for that. It's called Soda Mesa, no? Which is essentially, yeah, you eat your meal, but then the aftermath, which is the beautiful part, right, where you just talk and you converse.

25:11And I think that I always notice when I'm in Mexico, if you look around, no one's on their phones, right? Like, truly. And then every time I land back in the U.S. and you're having a meal, like, we're all just connected. But that, to me, is also my favorite part. Do you go back to Mexico now? We do that as often as I can, trying to... When you're an immigrant, you're always looking for home. And for me, home was where I grew up as a kid. What year did you leave Mexico? I was 25. It's interesting that you define so much of your being as an immigrant. Because you said, I could have been a soccer player, but I became an immigrant.

25:53Well, there are soccer players who were immigrants and immigrants who become soccer players. But you saw that as a... No, yeah, because as an immigrant, the beauty of it is that I have two passports, the green one, the Mexican one, and the blue one. And I choose to be either Mexican or American whenever I go to Mexico City and see the lines at the airport. So the shorter line, I become Mexican or American. So in the best of times, I can be from both countries. But nowadays, it is very difficult. And sometimes when I'm in Mexico, I'm told, you betray the country. You left the country, so you're not Mexican.

26:32And here in the United States... By who? Who would say that to you? Well, even some friends, even members of the family who might think that I did the wrong thing by leaving the country. And then now that I'm in the United States, especially in the last 10 years, many people think that I don't belong to this country. And they tell you openly, no, just go back to your country, go back to your country. So that's why to be an immigrant is my identity. And then that's something that you really cannot change. Maybe it's the times. Maybe if it was another time, it would be different. That you would feel welcome everywhere.

27:12Not anymore. Do you feel that identity? No. I mean, sure, I've gone through moments of identity crisis for sure. But I think that's one of the distinguishing factors between these generations. I think the second, third generation, I think we have understood. like my brother and I have understood that we can hold many different things at once and that and that that in and of itself is American no that is that is an American identity I think I look at my parents generation I look at other generations of other Latinos that are way less privileged than we are right um that have to kind of like tiptoe around things or have to assimilate or have to change their accent or have to conform to whatever they think means and looks American and I think we you know the quote like younger generation I think we've understood that you you can and should be proud and I and and I do sense that difference between us right like I think I look at my parents I look at my grandparents and I think there was a little bit of that game you know trying to conform and at the same time I think the the yearning is real you know that this idea of of even even thinking about like where does one where does where does one spend the last years of one's life.

28:28For my grandfather, the dream was always to go back to Cuba. I think for you, Dad, for many years, you at least played with the idea of going back to Mexico one day. Even today? Exactly. For my mom, I think she chose Spain because Cuba was too far. And so, for me, New York City is home. Yeah. But I am, you know, I'm always I've fabricated this idea of what I think, of where I think I come from. And I think to my dad's point of going to Mexico and not feeling Mexican enough, being here and not feeling American enough, I sometimes feel that, you know? I've been an immigrant since I was 19 because I went to England for six months and ended up living there for 50 years.

29:14And I think if you talk to a lot of my grandchildren, Sads, daughters, or my sons, very often their identity will not be their country. It will be their city. they will say i'm a londoner rather than i'm british although it even gets more extreme you know they'll say i'm from brooklyn i'm not from you know they'll say i feel that as a brooklyn that's true okay yeah and you know people and and i i think that identity is is so complicated now as to where we you know what we identify with as an american i know that right now when everybody says to me you're so lucky and i feel you know to be out of america right now there's part of me that's never wanted to be there more.

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29:54I think I should go back, I should fight, I should oppose, what am I doing? And then people who want to leave as part of their identity is because the politics are so wrong. They want to leave. And the city where I live in Miami, it's a city where you find millions of people fleeing from other countries. So it's a city full of immigrants, of foreigners. and that determines also your identity. I promise I won't get too much into politics, but now that we have all these conversations about Venezuela and what happened with Nicolás Maduro, there are hundreds of thousands of Venezuelans in Miami. They were celebrating what had happened, even though politicians are saying different things.

30:44Okay, what's interesting is that Venezuelans right now, talking about food, they're saying they didn't come for the arepas. In other words, the Americans didn't go to Venezuela for the arepas. The arepas is... What is the arepas? The arepas is, imagine, a small thick tortilla. Yeah, which is the natural food in Venezuela. So it's interesting that Venezuelans, in exile, we're talking more than 8 million people, they are defining the political situation in food terms. In other words, the Americans didn't come for the food. The Americans didn't come for the arepas. And I think that phrase explains pretty much what's happening right now.

31:33But this all makes me think of, just because we keep talking about immigration and politics, I feel like one of the things that I think we're living through as a country or I think the breaking point that I see is that all of these stories and all of us even on this idea of coming to the U.S., immigrating to the U.S., I think the breaking point now is that everything is about reverse migration, right? Like the trend now is to no longer come north. The trend now is to no longer look at the U.S. as this like beacon of hope. The numbers, and this is all like numbers, you know, the numbers point to something that is culminating into I think generation of immigrants that are leaving.

32:10And I mentioned this because I think perhaps, you know, I think this country has debated for decades at this point, like, what is the value of an immigrant? And is it economics? Is it whatever it is? Perhaps finally, you know, when people keep leaving, keep leaving with their cultures, with their foods, closing restaurants, the food disappears, like maybe, right, that is the way in which America starts to truly understand the value of immigrants. And I mention this because it's happening as we speak. Venezuela is happening and all this, but immigrants are leaving, and with that, food leaves as well.

32:48The numbers, 1.6 million have self-deported. Self-deported. Would you stay in a country where you could pick up the streets and put on an airplane? And when parents leave in the morning to work, they don't know if they're going to see their children again. There's a song in Mexico, I promise not to sing like Francis Ford Coppola. Come on, we love you. Francis, you always sing, I sang with Charlie. Have you been listening to the podcast? You didn't have to do that. No, I did that. I did my homework. But there's a song in Mexico called Y Volver, Volver, Volver a Tus Brazos Otra Vez, which means, and go back, go back, go back to your arms again.

33:26That's what many Mexicans are singing right now, are actually acting upon, going back to their country. and then maybe that's the dream of every immigrant to be able to go back to your country of origin well maybe I don't know if it happened with you well as I said still my family is there my children are there, my work is there my husband's architecture but I do feel except for Las Vegas which is a little bit of a part we haven't told everyone listening that we're actually this is coming live from Las Vegas It was another world, isn't it? Actually, I thought a bit about Francis when I came here because do you remember those scenes in The Godfather at the very beginning of Las Vegas and how this all came out?

34:18We're also in a huge political hub. This has been a battleground city and state, and there is the Mexican spot that every candidate stops by, so maybe that's another right to try out. I know you worked for Hillary Clinton and Obama and Biden. I did, yeah. And then I left politics. Where was the best food? The best food? Clinton? The best food? Did you eat in the White House? No, I did eat at the White House. I did the West Wing. But I gained weight at the White House, for sure. Why? Oh, because, I mean, you just sat there for like 12 hours of the day. But also that's where people understood how bad my coffee making skills were.

35:07Because the beginning of my adventure at the White House, I was like 22 years old. I was working in the Obama administration. And so I was an assistant. I was an assistant to Dr. Biden when she was a second lady. And oftentimes 50 percent of my job was to make coffee. Was it? To make coffee. It was very bad. Important skill. You got to keep it. No, no, no. I've asked, I've interviewed people who worked in the White House, and I always ask, you know, what did you eat? What did you eat? Did you eat downstairs in the mess? Did you eat upstairs in the residence? Now that I'm remembering, I'm remembering when I was working for the Bidens during the first Obama administration, we spent a lot of time in NAVAL, The Naval Observatory, which is where Vice President Biden and Dr.

35:56Biden would live and the parties that they would throw, right? Like the Christmas parties, Thanksgiving, the food was very good. Very, very good. People, I mean, yes, people would go for them, but the food was always a plus. I remember that. And you're talking about the White House. Before the State of the Union, presidents, they have the tradition is that journalists go to eat with the president before the State of the Union. And I went a couple of times with President Obama, and I was always surprised that he didn't eat. Really? Yeah. Everybody would be eating just like a salad, not really great food, but he wouldn't eat at all.

36:36At all.

36:41Wait, this is a soda? Yeah. And it has protein? 10 grams. No sugar? Zero. And it actually tastes good? It's Sky Pop! Sky Pop Protein Soda delivers the refreshing taste you want from a real soda. Crisp and delicious with 10 grams of complete protein, zero sugar, and just 45 calories. So you're not choosing between great taste and real benefits. You're getting both in every sip. Sky Pop Protein Soda. Reach for the sky. Get your Sky Pop protein soda now at Target, Walmart, or Kroger. What is your work now? What are you working on? So after the 2016 campaign, I left politics. And I left because I think I obviously am probably influenced by a father that's a journalist.

37:27My mom is a journalist. My grandfather was a journalist. And so I think inevitably, I was going to end up being as crazy as them. And so I think being inside of politics, particularly that campaign, where so much of my job was the Clinton campaign. Yeah. And so much of my my job in that campaign was was around understanding the Latino vote. And John Podesta was there. And so we we thought we knew. We thought that we understood the numbers and every number was pointing to this idea that in the face of someone like Donald Trump, that Latinos would kind of rise in these unprecedented numbers and that it would be this historic wave against Donald Trump.

38:09And that didn't happen. is I think in in that moment, which you dad, my dad, I was outside and reporting and he would call me when I was in the Clinton headquarters and he would say, you know, you guys aren't seeing what we're seeing on the ground, right? What we're seeing on the ground is a country that is about to favor Trump and me from inside the political bubble. I wouldn't believe him. And so I think that that moment for me was was kind of what pushed me out of politics and drove me into journalism and for the past you know since 2016 until now i've been i've been deep in it i've spent many years with um with vice news doing documentaries and traveling the the world making my parents very very worried very worried um and i do you know i'm a contributor with msnbc and telemundo and so i'm i'm i'm deep in it and it feels right tell us about the podcast tell us how it started because you're as you said you're new on the block and this isn't anything tell tell Tell us everything about it.

39:05Well, it started simply because Apollo grew up as a teenager in another country, and this was an incredible opportunity for us to work together. This year in particular, I think people feel very overwhelmed with the news. I think there's a tendency to want to kind of tune out. And more than anything, I think everyone can say that people are trying to make sense of what's happening. Yeah. And doing it with nuance. I think both of us come obviously from a world of mainstream media. And I think the podcast gives us something that I think we've never experienced in our life in journalism, which is the privilege of time, the privilege of having one hour with one guest to truly break down some of the most complicated issues and do it with nuance and with care.

39:51And to, I think for me, one of the best parts is to suddenly see a different part of someone that you thought you knew, you know, or a different part of the news. And you can only truly do that through this platform, right? I think we've spent so many years talking in soundbites, responding to news, doing breaking news. And so to have this, I think our hope is that we simply allow people to have a better understanding and to trust, which I think trust is being lost. The era of trusting news is almost gone. For 40 years, I was doing five-minute interviews. And then, of course, you start the five minutes.

40:34That was at the most. I was doing a newscast for 38 years. So this is the first opportunity that I have to tell people how I feel and to put it in perspective, not just report the news. I was not supposed, and I never did give my opinion, but now is a wonderful opportunity. And then just to make sense of what's happening, and especially for Latinos, we're underrepresented. There are about 65 million Latinos right now, 20 % of the population. Say that slower. There are how many Latinos? 65 million. 65 million living in the United States. Living in the United States. So one in five people in the United States, 20 % of the population is Latino.

41:14But you see, you turn on the TV, you go to the movies, go to City Hall, talk to politicians, political parties, and we're not there. You don't see us. We're invisible. No, that 20 % doesn't appear anywhere. And I think part of what we are doing with the podcast is making sure that we are seen, that we're not invisible, that we are part of this country, that people know that we're not criminals and rapists and terrorists, that we are part of the country. I think Venezuela is going to stay with us for a while. And then at the end of the year is going to be the midterm elections and how Trump is changing the world.

41:54Have you met him? Oh, you did. You won the press conferences. Yeah, I did. Because you couldn't say, excuse me, is that right? He knew who you were when you said, excuse me. Exactly, and he wanted me just to wait for him to give me the authorization to speak as a journalist. You don't do that. There's a space, you ask a question, and that's it. So I was ejected by his bodyguard. And then we said, this is dangerous. This is against the freedom of the press. In 2015. Yeah, nobody paid attention to us. I think we were right. You were right. This is not a time to be silent. If you want to be silent, don't be a journalist.

42:35I think part of our responsibility is to question and challenge those who are in power. And if we don't do that, then we're not doing our job as journalists. But part of the problem with trust and why people are not trusting journalists is because we're not doing our job. And our job mainly is, of course, reporting the reality as it is, but to question those who are in power. Well, that's why we need you. And thank you for taking the time from here. Thank you. This wonderful conversation. I have one last question, which is that we ask everybody a question, both of you, to answer, each of you. If food is, stains hunger, food is a way of sharing, food is a way of expressing love and welcoming you home and welcoming you back to the country.

43:18It's also comfort. So my last question to each of you is if you reached for food for comfort, what food would that be? Yeah, it's easy for me. I mean, I'm always looking for the best tacos, tacos al pastor, because it will bring me back to my childhood and will bring me back to the country that I left. So I'm looking for the, not for the best tacos, but the same flavor that I had when I was a kid. And yours? For me, I think of frijoles negros. ¿De verdad? Yeah. Tell us what that is. Black beans, my grandma's. Black beans. I have no idea. Is that a Cuban? Because you're not Cuban. You learned something out of it.

44:05It is. No, but that's my Cuban grandmother's, like, the one recipe that she still stands by that she learned from her mother in Cuba, from her great-grandmother who was Lebanese and ended up in Cuba. And it's these black beans that she does with, like, so much care and love. and yes it's the taste but it's the smell of like of entering that house in Miami that's the same smell that I feel when I enter the house in Madrid and so that consistency I think of a family that has lived everywhere I love that it's the beans I don't even know if you like Thank you so much. It was a wonderful conversation.

44:47It was great. Thank you. Thank you. Thank you. I disagree. Ruthie's Table 4 was produced by Alex Bell, Robbie Hamilton, Natalie King and Zad Rogers, with Susanna Hislop, Robbie Hamilton, Andrew Sang, Alex Bailey, Daniel Naranjo-Rodriguez and Bella Cellini. This has been an Atomize production for iHeart Media. Ruthie's Table 4 is proud to support Leukaemia UK. Their Cartwheel for a Cure campaign raises funds for vital research and more effective and kinder treatments for acute myeloid leukemia. Please donate, and to do so, search Cartwheel for a Cure.

45:30Ruthie's Table 4, presented by Sky.

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From the publisher

When I was growing up in the sixties, the United States was a tumultuous place - the assassinations of President Kennedy and Martin Luther King Jr., the Vietnam War, Watergate, and more.

Journalists were heroes, seeking the truth with courage. So today, when we need them more than ever, it was thrilling to be introduced to two extraordinary journalists: father and daughter, Jorge and Paola Ramos. In their podcast, The Moment, they question, they analyse, they report.

Today, we’re together to talk about identity through food, confronting world leaders about food, holding power to account, memories of Mexico - and, in the middle of it all, hot chocolate.

See omnystudio.com/listener for privacy information.

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